#Best Romantic Songs of Alka Yagnik

[musicverse11]

Udit Narayan vs. The Modern Playback Singers

Udit Narayan, one of the most celebrated playback singers in Indian cinema, has gifted the music industry with his melodious voice for decades. Known for his versatility and ability to adapt to different styles, he has become synonymous with Bollywood’s golden era of music. From soulful ballads to foot-tapping dance numbers, Udit Narayan’s voice has touched hearts and become a key ingredient in countless cinematic successes. This article takes a closer look at his journey, achievements, and the lasting impact of his work on Bollywood.

The Early Days: From Humble Beginnings to Stardom

Udit Narayan’s story began in the small village of Baisi in the Supaul district of Bihar, India. Born on December 1, 1955, into a family of modest means, Udit’s early exposure to music came from his mother, Bhuwaneshwari Devi, who was a folk singer. Despite financial struggles, his passion for music never wavered. After completing his schooling in Nepal, where his family moved during his childhood, Udit pursued his love for music by joining Radio Nepal as a folk singer.

In the late 1970s, Udit Narayan’s life took a significant turn when he received a scholarship to study classical music at the prestigious Bharatiya Vidya Bhavan in Mumbai. Under the mentorship of renowned classical musicians, he honed his craft and prepared for the challenges ahead.

His Bollywood debut came in 1980 when he sang a duet with the legendary Mohammed Rafi for the film Unees Bees. While the song did not bring him immediate fame, it marked the beginning of his journey in the Hindi film industry.

The Big Break: Qayamat Se Qayamat Tak

Udit Narayan’s breakthrough came in 1988 with the film Qayamat Se Qayamat Tak (QSQT). Paired with Alka Yagnik, his rendition of “Papa Kehte Hain” became an anthem for young dreamers and established Udit as a household name. The film’s music, composed by Anand-Milind, was a massive success, and Udit’s soulful voice struck a chord with audiences across the nation.

The song earned him his first Filmfare Award for Best Male Playback Singer, opening the doors to more opportunities in the industry. QSQT was a defining moment in Udit’s career, and the partnership with Alka Yagnik became one of the most iconic duos in Bollywood playback singing.

The 1990s: A Decade of Unstoppable Success

The 1990s were a golden period for Udit Narayan. With his fresh, youthful voice, he became the go-to singer for Bollywood’s biggest stars, including Shah Rukh Khan, Aamir Khan, and Salman Khan. His songs often became chartbusters, helping films achieve commercial success.

Some of his most notable tracks from this era include:

“Pehla Nasha” (Jo Jeeta Wohi Sikandar), a romantic number that continues to evoke nostalgia.

“Mehndi Laga Ke Rakhna” (Dilwale Dulhania Le Jayenge), a wedding classic.

“Jaadu Teri Nazar” (Darr), a hauntingly romantic melody.

His ability to bring emotions to life through his singing made him a favorite among music directors like A.R. Rahman, Jatin-Lalit, and Nadeem-Shravan. Udit’s voice became an inseparable part of Bollywood’s biggest blockbusters.

The 2000s: Reinvention and Longevity

As Bollywood’s music scene evolved in the 2000s, Udit Narayan adapted seamlessly. He continued to deliver hits, collaborating with younger composers like Shankar-Ehsaan-Loy and Pritam. Songs like “Mitwa” (Lagaan) and “Radha Kaise Na Jale” (Lagaan) showcased his versatility and reinforced his relevance in a competitive industry.

During this period, Udit’s son, Aditya Narayan, also stepped into the world of music, creating opportunities for the father-son duo to collaborate. Their duet “Papa Kehte Hain Bada Naam Karega” (QSQT) was revisited during stage shows, symbolizing the generational continuity of musical talent.

Awards and Recognitions

Udit Narayan’s contributions have been recognized with numerous accolades. He is the recipient of four National Film Awards and five Filmfare Awards. His unique achievement of winning Filmfare Awards in three different decades (1980s, 1990s, and 2000s) is a testament to his enduring appeal.

In 2009, he was awarded the Padma Shri, followed by the Padma Bhushan in 2016, two of India’s highest civilian honors. These awards not only celebrate his contribution to Indian cinema but also his influence on generations of musicians.

Conclusion: A Voice That Defines an Era

Udit Narayan career is a testament to the power of passion, perseverance, and raw talent. His melodious voice has defined an era of Bollywood music, creating memories for millions of listeners. As the music industry continues to evolve, Udit’s songs remain timeless, a reminder of the magic that music brings to cinema.

[themovieblogonline]

From The Makers Of Good Newwz Comes “Bad Newz”!

Twins bring double joy! But what about a pair of twins having two biological fathers? You heard that right! This time, producer Karan Johar is back with a spiritual sequel to his 2019 hit rom-com Good Newwz. Titled Bad Newz, this rom-com will take you on a bizarre rollercoaster ride with unexpected twists and turns! Directed by Anand Tiwari, Bad Newz has hit theaters on July 19, 2024, and stars Vicky Kaushal, Triptii Dimri, and Ammy Virk. It's time for some Bad Newz: So get into the rollercoaster for a bizarre ride with Vicky Kaushal, Ammy Virk, and Triptii Dimri! https://youtu.be/rW37-F3c4gM?si=UJtF_xTyFpLIwNfl Ever heard of the term “heteroparental superfecundation”? Sounds complicated, doesn’t it? Well, this unusual relationship is as complicated as this term! A young female chef Saloni Bagga (Triptii Dimri) gets involved with two men, has one-night stands with both, and gets pregnant with twins. One of the men is her new boyfriend Gurbir (Ammy Virk) and the other is her ex-husband Akhil (Vicky Kaushal). Then a miracle happens! It is revealed in the paternity test that both men are the biological fathers! Gurbir is the father of one of the twins and Akhil is the father of the other one. Where will these bizarre turn of events take Saloni’s relationship and with which one of these two men will she finally end up setting up her happy family? Bad Newz (2024) Official Trailer: https://youtu.be/uV50UfcIT68?si=oCFn3oD1W7PGSkU_ The Good: Bad Newz is an awareness comedy film that does not exactly signify open relationships. I have heard pre-release speculations that this rom-com will spoil the mentality of the modern-day youth as it justifies open relationships. But after watching this film I must say that this happens to be a sort of an awareness rom-com rather than a movie which just justifies open relationships. If an ex-wife sees her ex-husband enjoying with other girls after their divorce, then the automatic human instinct may tell her to pursue other men and move on in life. That’s exactly what Saloni did after she saw social media posts of her ex-husband Akhil enjoying with an unknown woman. She forcefully made out with her boss Gurbir even when Gurbir was not ready for it. It’s just human instinct as you can see. But an unexpected twist in the tale happened after she had moved on. Her ex-husband came back to her and apologized for his deeds. So, the situation led her to make out with both on separate occasions. The best part about this rom-com is that it teaches us how to handle such bizarre situations. When it looked like Saloni would succumb to her destiny, the way her ex-husband handled the tense situation by making a major decision at the climax was indeed praiseworthy. It will leave you stranded with emotions and will also give you a hint of the true meaning of sacrifice. I must tell you, the screenplay is laden with twists that will churn your mind! Vicky Kaushal, Ammy Virk, and Triptii Dimri in the nostalgic romantic song “Mere Mehboob Mere Sanam” https://youtu.be/6bvqH0t7j2Y?si=axcHUf3X7YzPkAvm I am impressed by Vicky Kaushal’s talent. His comedy scenes were terrific. He is the one who carries the entire movie on his shoulders with his stellar comical performance. Watching him was simply hilarious. He had great chemistry with his on-screen ex-wife Triptii Dimri. Nowadays, Triptii as a lead actress has been gaining a lot of spotlight, especially after her pairing and fiery intimacy with Ranbir Kapoor in Animal. The cinematography of Bad Newz is pleasant and of good quality. Rather homely visuals, I must say. The editing was crisp. The movie didn’t stretch long and had an apt timing of 2 hours and 20 minutes. Some of the tracks in Bad Newz are ultra-rocking! I enjoyed the nostalgic tune of Udit Narayan and Alka Yagnik’s “Mere Mehboob Mere Sanam” playing in the movie. It brought back the nostalgia of the 90s-era Bollywood songs. You may wonder why this legendary song is in this Hindi movie? Actually, this was supposed to be the title track of this film as its original title was decided as "Mere Mehboob Mere Sanam". However, it was later changed to "Bad Newz" before its release. “Husan Tera Tauba Tauba” from Bad Newz: Presenting Vicky Kaushal with his Groovy Dance! https://youtu.be/LK7-_dgAVQE?si=Q7kcWeVlP90zPZ1k The Bad: Bad Newz created a lot of pre-release controversy as people were claiming that this movie would negatively impact India’s conservative culture. Moreover, certain intimate scenes of Vicky Kaushal and Triptii Dimri had to be censored and were omitted from the film before its release. I would like to ask the makers, why include such unacceptable scenes in the first place when you are aware of India’s conservative culture? Keep it family-friendly! Also, I was disappointed with Ammy Virk’s performance. Sardaars are stereotyped as either extremely funny like Santa and Banta or extremely aggressive like Tara Singh from Gadar. Over here, I was expecting to see the funny side of a Sardaar in the character that Ammy Virk was playing. But disappointingly, Saloni’s Sardaar boss-cum-boyfriend didn’t match up with the aura and personality of her ex-husband Akhil played by Vicky Kaushal. Throughout the movie, Sardaarji appears as if he is struggling to be comical and his expressions are lifeless. This Sardaar character lacked life to be precise which was not expected. Even during the most hilarious comical scenes between Sardaarji and Akhil, I was laughing at the witty punches thrown by Akhil and sadly, nothing much came out from Sardaarji. Honestly, if Vicky Kaushal was not there, this movie would have failed. Vicky Kaushal and Triptii Dimri sizzle the screens with their romantic intimate track “Jaanam” https://youtu.be/Ujb2c508yw0?si=LDfBxehms-f7x1qg The Verdict: Bad Newz isn’t misogynistic. Saloni decided to divorce her husband as she held him accountable for losing her job. It’s in human nature for you to be angry with the person because of whom you may have suffered in your career. This has nothing to do with a woman making abrupt decisions. Even a frustrated man could have made such a decision if God forbid, because of his wife he would have lost his job. Believe it or not, heteroparental superfecundation is a real deal! Bad Newz is said to have been inspired by true events where a rare incident of heteroparental superfecundation really happened in China. Whatever the case may be, this rom-com is entertaining as well as thought-provoking in the end. Jokes apart, if you are a believer of open relationships then this movie is a must-watch for you. Maybe it will help you in coming out of something unusual if such an uncalled incident ever happens to you. https://youtu.be/mORuVmylE04?si=bd0OzT7n2HfWaRtq   Read the full article

[siddusuma]

Best Romantic Songs By Kumar Sanu Alka Yagnik Juke - SoundCloud

Listen to Best Romantic Songs By Kumar Sanu Alka Yagnik Juke by Redoan Shajee on #SoundCloud

[keepalivebollywood]

Bollywood Beats: How Music Can Make or Break Your Indian Wedding Ceremony

When it comes to an Indian wedding, music is more than just entertainment. It sets the tone for the entire ceremony, from the grand entrance of the bride and groom to the emotional goodbye at Vidai. Bollywood beats have been an integral part of Indian weddings for decades now, but choosing the right songs can make or break your big day. In this blog post, we’ll explore how music plays a crucial role in making your wedding unforgettable and some tips on selecting the perfect tracks that will get everyone on their feet!

Introduction to Bollywood Music

Bollywood music is the heartbeat of Indian cinema and sets the tone for many Bollywood films. It has been influenced by a variety of genres including Indian classical music, folk music, and modern western pop music. Bollywood music is known for its catchy melodies, energetic beats, and colorful lyrics.

Bollywood music can make or break your Indian wedding ceremony. The right mix of songs will get everyone on the dance floor and help create a memorable event. However, choosing the wrong songs can result in an awkward or even disastrous wedding.

When selecting Bollywood songs for your wedding ceremony, it is important to consider the mood you want to create. Do you want an upbeat atmosphere or a more romantic vibe? There are many great Bollywood songs to choose from, so take your time and pick the ones that best fit your vision for your special day.

Themes in Bollywood Music for Weddings

Bollywood music is often used to set the tone for an Indian wedding ceremony. Themes in Bollywood music can range from happy and upbeat to romantic and sentimental. Some popular songs that are often played at Indian weddings include “Chalo Re Doli Uthao Kahar” by Mohammad Rafi,”Aaj unse milna hai” by Shan, and “SaajanJi Ghar Aaye” by Alka Yagnik and Kumar Sanu.

While choosing the right Bollywood songs for your wedding ceremony, it is important to consider the overall tone you want to set for the event. If you want your ceremony to be full of energy and excitement, then choose upbeat songs that will get everyone on their feet and dancing. On the other hand, if you want your ceremony to be more romantic and intimate, then choose slower songs that will set the mood for a more emotional experience. Whichever direction you choose, make sure that the songs you select reflect the overall theme of your wedding.

Popular Wedding Songs from Classic Bollywood Films

In India, film music is often referred to as Bollywood music. Hindi film songs are a characteristic feature of Indian pop culture, and are widely known and heard across the globe. They are often used in Indian weddings to add flavor and excitement to the ceremony.

Some popular wedding songs from Bollywood films include :

1. Mehndi laga ke rakhna – Dilwale Dulhaniya Le Jayenge 2. Bole Chudiyan- Kabhi Khushi Kabhie Gham 3. Mere Yaar Ki Shaadi Hai- Mere Yaar Ki Shaadi Hai 4. London Thumakda – Queen 5. Sasural Genda Phool – Delhi 6 6. Yeh Galiyan Yeh Chaubara – Prem Rog 7. Tune Maari Entriyaan – Gunday 8. Radha teri chunri – Student of the Year 9. Didi Tera Devar Deewana – Hum Aapke Hain Kaun 10. Chote Chote Bhaiyon Ke Bade Bhaiya – Hum Saath Saath Hain

Making a Playlist for Your Big Day

Your wedding day is one of the most important days of your life. The music you choose for your ceremony can either make or break the mood. If you’re looking to create a playlist that will get everyone on the dance floor, here are some Bollywood beats to get you started:

“Chalka Re ” by Richa Sharma, Mahalaxmi, Vaishali and Shoma: This song is all about love and appreciation. It’s the perfect choice for a first dance or for when you’re getting ready to walk down the aisle.

“Dilli Wali Girlfriend” by Arijit Singh, Sunidhi Chauhan: This upbeat track is perfect for when you want to get the party started. It’s sure to get everyone moving and shaking their hips.

“Gore Mukhde Pe Zulfa Di Chaava” by Aman Trikha, Shabab Sabri and Shreya Ghoshal: This song encapsulates the Joy and excitement of a Punjabi wedding celebration. Its infectious melody and uplifting lyrics make it the perfect choice for any couple looking to add a touch of traditional Punjabi music to their special day.

Tips for Incorporating Modern Sounds into Your Big Day

Your wedding day is one of the most important days of your life, so you want everything to be perfect. The music is one of the most important elements of your ceremony, and you want it to be perfect. Here are some tips for incorporating modern sounds into your big day:

1. Talk to your DJ or bandleader about what kind of music you want. If you’re not sure, they may have some suggestions for you. 2. Make a playlist of all the songs you love and share it with your DJ or bandleader. This will help them understand your taste in music and what kind of songs you want played on your big day. 3. Don’t be afraid to mix things up! You can have traditional songs mixed in with modern ones, or vice versa. It’s your big day, so make it unique! 4. Ask your guests for their requests! They’ll be more likely to dance if they hear a song they love. 5. Most importantly, relax and enjoy yourself! The music should be one of the highlights of your big day, so make sure it’s something you’ll love dancing to for years to come.

Benefits of Incorporating Bollywood Music into Your Ceremony

When you’re planning your Indian wedding ceremony, it’s important to choose the right music to set the tone for your big day. Bollywood music is a great option for couples who want to add a touch of tradition to their ceremony. Here are some of the benefits of incorporating Bollywood music into your Indian wedding ceremony: 1. Bollywood music is full of energy and excitement. 2. Bollywood music will get your guests up and dancing. 3. Bollywood music is a great way to add cultural flair to your ceremony. 4. Bollywood music is sure to make your ceremony memorable.

Conclusion

Music plays an integral role in any traditional Indian wedding ceremony, and choosing the right Bollywood beats is essential. We hope this article has given you some ideas on how to curate music that will make your wedding ceremony special and memorable. From picking out songs for each part of the ceremony to getting everyone involved with some classic bhangra tunes, there are plenty of ways to ensure a magical celebration full of joyous moments. Now that you know what type of music works best for an Indian wedding, it’s time to start planning for your own!

[podo44]

Learn how you can download any mp3 song free

How to download famous Bollywood songs

Streaming platforms such as Spotify, Apple Music, and YouTube Music allow users to download songs for offline listening.

Users can also download songs from music downloading websites such as Saavn, Gaana, and Hungama.

Some Bollywood songs can also be found on file-sharing platforms such as torrents, but it is illegal to download copyrighted material from these websites.

Many artists and bands also release their music on their own websites, which can be downloaded directly from the site.

Which quality song is best for listening

The quality of a song that is best for listening depends on the listener's preference and listening equipment. For high-quality audio, a lossless audio format such as FLAC or ALAC is considered to be the best as it preserves all the audio information from the original recording. These files are typically large in size and may require more storage space on your device.

For a balance between sound quality and file size, an uncompressed audio format such as WAV or AIFF can be a good choice.

If file size is a concern and you're looking to save storage space on your device, a compressed audio format such as MP3 or AAC can be a good option. These formats use algorithms to remove certain parts of the audio that are considered to be inaudible to the human ear, resulting in smaller file sizes.

It's worth noting that some people might not be able to tell the difference between high-quality and lower-quality audio, and the quality of the audio can also depend on the listening equipment and environment.

India has a diverse and vibrant music scene, with many popular singers across various genres. Some of the most popular singers in India include:

Arijit Singh - A popular Bollywood playback singer known for his soulful voice and romantic ballads.

Lata Mangeshkar - Often referred to as the "Nightingale of India," Lata Mangeshkar is a legendary Indian playback singer with a career spanning several decades.

Sonu Nigam - A popular playback singer known for his versatile voice and his ability to sing in multiple languages including Hindi, Bengali, and Kannada.

Kishore Kumar - He was a Indian playback singer and actor, He was popular for his comic roles in Bollywood films, as well as his playbacks singing in the Indian film industry.

Shreya Ghoshal - A popular Bollywood playback singer known for her melodious voice and her ability to sing in multiple languages, including Hindi, Bengali, and Tamil.

A. R. Rahman - A popular Indian music composer, singer-songwriter, and music producer. He is known for his work in Indian film music and for his world music.

Neha Kakkar - A popular Bollywood playback singer known for her energetic performances and her ability to sing in multiple languages, including Hindi, Punjabi, and Haryanvi.

Mukesh - An Indian playback singer who was one of the most popular and acclaimed singers of the Hindi film industry.

Alka Yagnik - A popular Bollywood playback singer known for her melodious voice and her ability to sing in multiple languages, including Hindi, Bengali, and Gujarati.

K. J. Yesudas - An Indian playback singer and classical musician who has recorded more than 50,000 songs in a career spanning over five decades.

These are just a few examples, there are many more talented singers in India.

If you want to linstend free song of the famous singers of  Bollywood then the best site for  you is pagalworld .the best place to download HD Indian videos online for free. Hindi songs, bollywood songs, mp4 video, 1080p 720p HD video songs, ringtones are available for free download. Download mp3songi app now for android iPhone iOS devices to get access to unlimited indian songs 2020 tamil songs 2018 2019 latest hot new releases.

It is important to note that downloading copyrighted material without permission is illegal in most countries, so it's always best to purchase music from legitimate sources.

[bollywoodproduct]

Lyrics Koyi Mil Gaya

Lyrics Koyi Mil Gaya

Lyrics in English | Koyi Mil Gaya | Kuch Kuch Hota Hai-1998 | Shah Rukh Khan, Rani Mukerji Koyi Mil GayaKoyi Mil GayaKoyi Mil GayaMujh KoKya Hua HaiKyoon MainKho Gaya HoonPaagalTha Main PahleYa AbHo Gaya HoonBehki Hain Nigaahen AurBikhren Hain BaalTum Ne Banaaya Hai KyaApna Ye HaalKoyi Mil GayaKoyi Mil GayaMera Dil GayaMera Dil GayaKya Bataoon YaaronKya Bataoon YaaronMain To Hil GayaMain To Hil…

[grandmilkshakekid]

Download Udit Narayan Hit Songs Udit Narayan Sung Not Less Then 25000 (Approx) Songs In Different 31 Languages. Udit Narayan Was The Legendary Playback Singer Of Bollywood Cinema.

#udit_narayan_all_songs_mp3 #Udit_Narayan_Hit_Songs #Udit_Narayan_Hit_Songs #Udit_Narayan_Songs #Hindi_Hit_Songs #Udit_Narayan_all_Songs #udit_narayan_sad_songs #udit_narayan_album_song_i_love_u #best_of_udit_narayan_10_romantic_songs #udit_narayan_song_pagal_world #udit_narayan_and_alka_yagnik_songs #Udit_Narayan_Hit_Songs #Udit_Narayan_All_Songs_Mp3 #Udit_Narayan_Audio_Song #Udit_Narayan_Songs #UdhneSapoliye#JazzyB #NehaMalik #Sweetheart #Saak_Morhdi #Jind_Mahi #TuesdayThoughts #TuesdayMotivation #COKA

[shankarjaikishanfansassnintl]

30 June Kalyanji Virji Shah (Kalyanji-Anandji): 92nd Birth Anniversary

By

Siraj Syed

Kalyanji Virji Shah (Kalyanji-Anandji): 92nd Birth Anniversary 30 June 1928-24 August 2000

From sleeve notes written for SaReGaMa’s LEGENDS CD set in 2009: More than half a century after the cobra swayed to the clavioline, masquerading as the been, in ‘Tan dole mera man dole’, its notes still reverberate across India, and in many other parts of the world. It was, and remains, Kalyanji Virji Shah’s best-known musical signature. Kalyanji had first used the instrument in a film called Naag Panchami (1953, music Chitragupta), but that went largely un-noticed. ‘Tan dole’, a Hemant Kumar tune from a box-office hit, was the chart-topper of 1954, so listeners took good notice of its mesmerising been theme. Developed in France by a designer named Constant Martin, the clavioline was introduced in 1947. Five years later, musician Kalyanji was playing it here, in India, in film song takes. Four years after Nagin, Kalyanji had arrived as music director, with Samrat Chandragupta. And the following year, younger brother Anandji, who was a child actor and chorus singer too, joined him to create the K-A team that stood firm for over 40 years. Nevertheless, as Anandji, some four years younger (now 88), is often heard saying, “Kalyanjibhai is watching all this from above. He is very much with us in spirit.” Kalyanji Virji Shah died in the year 2000, at the age of 72.

Born in Kundrodi village of the Mundra taluka in Kutchh, the brothers grew up in Mumbai, where their father ran a food-grain store. Inclined more towards music than academics, they developed the self-taught ability to play a host of instruments, and formed part of school bands. By 1944-45, the teenager siblings had started playing in film song recordings. Big brother set up his own band in 1950, calling it Kalyanji and Party, with Purshottam Upadhyaya singing ‘Too mera chaand maen teree chaandnee’, the super-hit Naushad tune from Dillagi, to thunderous encores. The band performed in Bombay and in other nearby towns. For a while, the businessman in him did surface, and Kalyanji started a tailoring shop in partnership with a friend. Destiny, however, ensured that the shop did not prosper, drawing Kalyanji even closer to a world where a needle was something that played a gramophone record, not a device to stitch clothes with.

Many of us have heard the popular tunes the brothers composed for films like Samrat Chandragupta, Bedard Zamana Kya Jane, Chhalia and Bluff Master, the last two being the earliest directorial forays of director Manmohan Desai, but few would be aware that it was producer Subhash Desai, Manmohan’s brother, who gave Kalyanji his music directorial his break. Impressed with his prowess at song recordings of various recognised composers, Subhash saw a competent future music director in Kalyanji, and made him an offer that was strange, but nevertheless one that he could not refuse. Would he agree to a contract offering him 11 film assignments as music director, with a fee of Rs. 5,000 for the first film, Rs. 10,000 for the second…a recurring Rs. 5,000 increment per film, non-negotiable? The offer was too good to resist, so Kalyanji agreed, but he did ask Subhash, “Why11 films? Why not 10? Or 12?” The reply was convincing, “Eleven is my lucky number.” As it transpired, they did not do 11 films together, but Kalyanji’s career choice was made.

The K-A success story begins with Kalyanji’s kingly debut, Samrat Chandragupta. ‘Chahe paas ho’ is a touching lyric, with a tinge of sadness, as is the next number, ‘Door kahin tu chal’, another Rafi-Lata duet, from Bedard Zamana Kya Jaane, both penned by Bharat Vyas. With a title like Madari, there had to be a snake-charmer and his been in play, and the theme track, penned by Faruk Kaiser and rendered by Lata and Mukesh, indeed provided flashbacks of the legendary Kalyanji patent. Soon after he wrote his first song for them in Chandrasena, Gulshan Bawra penned a real gem in Satta Bazar, and this time the brothers invited their mentor Hemant Kumar to join Lata in the recording room, with amazing results. Who can forget ‘Tumhe yaad hoga’? Not yet the He Man he was to become in his later years, Dharmendra in Dil Bhi Tera Hum Bhi Tere was emoting to Mukesh’s emotion-charged playback, rendering Shamim Jaipuri’s rich poetry. Graduating from smaller set-ups into a Raj Kapoor vehicle, K-A hit big time in Chhalia. Nonsensical verse from a sensible writer, Qamar Jalalabadi, ‘Dum dum diga diga’, with Mukesh providing playback to Raj’s on-screen antics, set the aisles afire.

Soon, they were signed to compose for Mehndi Lagi Mere Haath, a Shashi Kapoor starrer, and Bluff Master. Both films enjoyed reasonable success and the music went around too. In Bluff Master, we find the rare phenomenon of four voices being used for the same actor: Mukesh, Hemant Kumar, Shamshad Begum (Shammi Kapoor in drag) and Rafi. It was Rafi who immortalised ‘Govinda ala re’ and sang the duet ‘Husn chala kuchh aisi chal’ with Lata. Anand Bakhshi wrote inspired lyrics for Phool Bane Angaare, and Mukesh, as usual, delivered them with consummate artistry. By 1964, K-A were in the Premier League. That very year, they came up with such melodious tracks as the lilting ‘Humsafar mere humsafar’ (Purnima), where they teamed up with Gulzar, a rarity, and the two Mukesh solos from Ji Chahta Hai and Himalaya Ki God Mein. The former was written by Majrooh, not a K-A regular. Another infrequent teaming worked very well, as Hasrat Jaipuri wrote and Rafi sang in great style, ‘Dil beqarar sa hai�� (Ji Chahta Hai). Melodious, hummable and catchy. A ghazal on Shammi Kapoor with Bakhshi writing and Rafi singing may not be a common occurrence, but just savour ‘Teri zulfen pareshan’ (Preet Na Jane Reet). Staying with Mukesh on Shashi, after MLMH, the duo came up with a moody duet in Juari, ‘Humsafar ab yeh safar kat jayega’. If there was still any doubt about the standing of the duo in the rankings, Jab Jab Phool Khile laid to rest all criticism. Every track was heard everywhere. The songs had it all: pathos, fun, longing, depression, pep. For both K-A and Anand Bakhshi, the success of JJPK was to remain a milestone forever.

Rafi provided playback for debutant Rajesh Khanna in the theme song of his debut vehicle, Raaz, re-uniting K-A with Shamim Jaipuri, producing haunting results. Indeevar’s lyrics sang of cruel fate in Dil Ne Pukara, and who better to voice them than Mukesh, as ‘Waqt karta jo wafa’. In the same vein was the Suhag Raat lament, ‘Khush raho’. Manna De came in to give playback for Pran in Upkar and Zanjeer, rendering two of his most acclaimed numbers. It took the duo 19 hours to record ‘Mere desh ki dharti’, the patriotic anthem of Upkar. Saraswatichandra, based on a literary classic, needed the linguistic mastery of Indeevar to weave in the songs, and the author of ‘Kasme vaade pyar vafa’ made it count. Filmfare awarded the duo for the best music of the year. It was still pristine K-A, full of melody, working with Lata and Mukesh. Another award followed some years later, for Kora Kagaz, which had a pathos-laden title-track in the voice of Kishore. Not many might realise, but K-A used Kishore Kumar for the first time in the 1968 film Suhag Raat, singing a sad song, a full decade after the duo had started their career. A comic song was rendered by Manna De while Mukesh was called-upon to put across the other sad lyric.

Only Rafi could have set swinging mood for Shashi Kapoor to gyrate on screen in ‘Nain milakar chaen churana’ (Aamne Saamne). Rafi for Shashi it was again in Ek Shriman Ek Shrimati and Raja Saab. Part of the female vocals in Raja Saab came from Suman Kalyanpur. Suman had sung for K-A in MLMH and JJPK too, and was to partner Manhar in his first hit number in Vishwas. Giving Hemlata her break in the same film, K-A paired her with good-old friend Mukesh. Soon, the duo was to show its preference for rotating the strike, training and honing a host of budding singing talent, while reverting to the established names with equal regularity. Like a lot of extremely popular Mahendra-Manoj Kumar, Kishore-Amitabh Bachchan and Kishore-Rajesh Khanna outings. Incidentally, K-A took three days to record the back-ground score of Suhaag Raat, while they needed a whole month for Purab Aur Paschim. For the ‘Om jai Jagdeesh Hare’ bhajan of PAP, the composers used 50 chorus singers to get the effect normally created by violins. They called it human resonance. Delay (natural echo) was the highlight of ‘Mere mitwa�� (Geet). The child-like double speed of ‘Na sun sun sun bura’ (Priya) was simply achieved by recording on spool-tape at a particular speed and playing it back at double the speed. Most of their work was done at the Famous, Tardeo, recording studio.

There is Rafi, and not Kishore, for Rajesh Khanna, oozing sensuality as only he could, in Chhoti Bahu: ‘Yeh raat hai pyasi pyasi’, echoing musician hero Rajendra Kumar’s heart-rending call in Geet and charting a romantic route for Dharmendra in Kab Kyon Aur Kahan? He also offers love lessons in Upaasna; in the Haath Ki Safai duet, he makes a solemn promise of eternal love; and he goes on Dilip Kumar for the intoxicating ‘Peete peete’ duet with Asha Bhosle in Bairaag. As Western as it gets is the rare title chorus ‘Pretty pretty Priya’ (Priya) and as Sanskritised as it can get is the Kishore hilarity ‘Priye praneshwari’ (Hum Tum Aur Woh). Kalyanji-Anandji made Shatrughan Sinha sing in Kashmakash, Amitabh Bachchan in Laawaris and Anil Kapoor in Chameli Ki Shaadi. They also gave ample opportunities to the emerging talent of 70s’ generation, as you can sample on the Shailendra Singh, Suresh Wadkar, Anwar, Alka Yagnik and Kanchan tracks.

Known for their hundreds of stage performances, in India and abroad, both brothers also enjoyed a sturdy reputation as funsters, with a joke for every occasion and a keen sense of self-deprecating humour. They once famously described themselves as medical practitioners. “We offer all lines of treatment. If some producer approaches us with symptoms that demand a classical approach, we recommend the Ayurvedic style of medicine: Slow, but efficacious in the long-term. On the other hand, if some film-maker wants to experiment with the musical score of his film, we suggest Homoeopathic type of tunes: May work, may not. Some element of risk is involved. If, however, he wants the juke-boxes to jingle and listeners to start singing along instantaneously, we churn out Allopathic compositions: Like injections, they have instant, strong effect, but the effect may wear out sooner.” Music, along with laughter, is the best medicine known to mankind. Kalyanji-Anandji have already issued a statutory warning to your troubles to keep away, for there’s no place for them, ‘Mere angne men tumhara kya kaam hae?’

[mayuridateofficial]

O ri Chori - LAGAAN

Lagaan is a movie that has a terrific album as well as an outstanding background score. According to me, it is A R Rahman's one of the best works. This is one of the marvelous masterpieces by Ashutosh Gowarikar in the way he carries the whole film on his shoulders.

The song to take the top spot in my playlist is O ri Chori - rendered by the ultimate duo - Udit Narayan and Alka Yagnik. Lyrics by none other than one of the finest Javed Akhtar Sahab!

The song is composed in a folk set up with a romantic genre. The way in which the song is shot is commendable.

The song starts with the hook line - "O ri Chori" which I feel metaphorically resembles the call of mating birds. The wordplay and wordflow give away the fresh scent of soil...

O re chhore, dil se nikle, bol more Maine pyaar tujhi se hai kiya, ho Maine tujhko hi manaa hai piya Oh, tune thaama aaj yeh aanchal hai Mann mein ek halchal hai Main na bhooloongi yeh voh pal hai, saanwariya Oh oh, oh, oh oh oh

The three-syllable wordplay and the rhyme scheme is clever given the theme of the film - a song sung in a village by the peasant and his love interest. If you analyze the verses further, the usage of the words - "Sapnon ka baadal hai" or "Mujhe tu gulaab si laage" or "Yovan ki dhoop hai" is accurate given that their habitat is so close to nature.

The song gets interesting when western music blends in. It is unimaginable to even anticipate this verse but again it is Rahman Sir who is the epitome of surprises. Since the plot of the film suggests an English woman in love with an Indian Peasant who is unaware of her feelings -

My heart, it speaks a thousand words I feel eternal bliss The roses pout their scarlet mouths Like offering a kiss No drop of rain, no glowing flame Has ever been so pure If being in love can feel like this Then I'm in love for sure

Again, the bold lyrics for me denote how roses are used in two places. Furthermore, the plot is set in a desert - hence drop of rain or flame is used cleverly.

After the second verse, when the song is at its final stage, the juxtaposition of folk and western music with the same melody elevates the song.

O ri chhori (Oh, I'm in love)

It is a rendition in the purest form. More on songs from Lagaan in the next recital.....

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The thumping bass drum and handclaps of Oh My God hark back to the era of Rolling in the Deep, when she was caught up in the post-Amy Winehouse frenzy of jazz-inspired chart singers. Sonically, at least, it’s not all doom and gloom. It’s a welcome injection of Adele the likable celebrity-who’s-just-like-us, before she batters us with woe again. “All right, then, I’m ready,” she says at the close of the song. Sweeping strings, mournful organ and Adele’s signature vocal range comfortably move through the paces. “I’ll be taking flowers to the cemetery of my heart,” she begins on Strangers by Nature, played with all the warm timbre of an old gramophone. What is on Adele Adkins’s mind at 33? The same heartbreak that fuelled her breakthrough, with 21, and shot her to global stardom, with 25, persists on 30, a record of melodrama, ballads and a hint of 1960s soul.

Or you might be waiting for the delivery of some other artist’s LP, cursing pop music and everything it stands for because Adele decided to press 500,000 copies of her latest album during a vinyl shortage. What is your relationship with Adele? Maybe you’re one of the 277-odd million people who have streamed Easy on Me on Spotify, awaiting a return to permissible (even encouraged) long-form heartbreak.

[themovieblogonline]

From The Makers Of Good Newwz Comes “Bad Newz”!

Twins bring double joy! But what about a pair of twins having two biological fathers? You heard that right! This time, producer Karan Johar is back with a spiritual sequel to his 2019 hit rom-com Good Newwz. Titled Bad Newz, this rom-com will take you on a bizarre rollercoaster ride with unexpected twists and turns! Directed by Anand Tiwari, Bad Newz has hit theaters on July 19, 2024, and stars Vicky Kaushal, Triptii Dimri, and Ammy Virk. It's time for some Bad Newz: So get into the rollercoaster for a bizarre ride with Vicky Kaushal, Ammy Virk, and Triptii Dimri! https://youtu.be/rW37-F3c4gM?si=UJtF_xTyFpLIwNfl Ever heard of the term “heteroparental superfecundation”? Sounds complicated, doesn’t it? Well, this unusual relationship is as complicated as this term! A young female chef Saloni Bagga (Triptii Dimri) gets involved with two men, has one-night stands with both, and gets pregnant with twins. One of the men is her new boyfriend Gurbir (Ammy Virk) and the other is her ex-husband Akhil (Vicky Kaushal). Then a miracle happens! It is revealed in the paternity test that both men are the biological fathers! Gurbir is the father of one of the twins and Akhil is the father of the other one. Where will these bizarre turn of events take Saloni’s relationship and with which one of these two men will she finally end up setting up her happy family? Bad Newz (2024) Official Trailer: https://youtu.be/uV50UfcIT68?si=oCFn3oD1W7PGSkU_ The Good: Bad Newz is an awareness comedy film that does not exactly signify open relationships. I have heard pre-release speculations that this rom-com will spoil the mentality of the modern-day youth as it justifies open relationships. But after watching this film I must say that this happens to be a sort of an awareness rom-com rather than a movie which just justifies open relationships. If an ex-wife sees her ex-husband enjoying with other girls after their divorce, then the automatic human instinct may tell her to pursue other men and move on in life. That’s exactly what Saloni did after she saw social media posts of her ex-husband Akhil enjoying with an unknown woman. She forcefully made out with her boss Gurbir even when Gurbir was not ready for it. It’s just human instinct as you can see. But an unexpected twist in the tale happened after she had moved on. Her ex-husband came back to her and apologized for his deeds. So, the situation led her to make out with both on separate occasions. The best part about this rom-com is that it teaches us how to handle such bizarre situations. When it looked like Saloni would succumb to her destiny, the way her ex-husband handled the tense situation by making a major decision at the climax was indeed praiseworthy. It will leave you stranded with emotions and will also give you a hint of the true meaning of sacrifice. I must tell you, the screenplay is laden with twists that will churn your mind! Vicky Kaushal, Ammy Virk, and Triptii Dimri in the nostalgic romantic song “Mere Mehboob Mere Sanam” https://youtu.be/6bvqH0t7j2Y?si=axcHUf3X7YzPkAvm I am impressed by Vicky Kaushal’s talent. His comedy scenes were terrific. He is the one who carries the entire movie on his shoulders with his stellar comical performance. Watching him was simply hilarious. He had great chemistry with his on-screen ex-wife Triptii Dimri. Nowadays, Triptii as a lead actress has been gaining a lot of spotlight, especially after her pairing and fiery intimacy with Ranbir Kapoor in Animal. The cinematography of Bad Newz is pleasant and of good quality. Rather homely visuals, I must say. The editing was crisp. The movie didn’t stretch long and had an apt timing of 2 hours and 20 minutes. Some of the tracks in Bad Newz are ultra-rocking! I enjoyed the nostalgic tune of Udit Narayan and Alka Yagnik’s “Mere Mehboob Mere Sanam” playing in the movie. It brought back the nostalgia of the 90s-era Bollywood songs. You may wonder why this legendary song is in this Hindi movie? Actually, this was supposed to be the title track of this film as its original title was decided as "Mere Mehboob Mere Sanam". However, it was later changed to "Bad Newz" before its release. “Husan Tera Tauba Tauba” from Bad Newz: Presenting Vicky Kaushal with his Groovy Dance! https://youtu.be/LK7-_dgAVQE?si=Q7kcWeVlP90zPZ1k The Bad: Bad Newz created a lot of pre-release controversy as people were claiming that this movie would negatively impact India’s conservative culture. Moreover, certain intimate scenes of Vicky Kaushal and Triptii Dimri had to be censored and were omitted from the film before its release. I would like to ask the makers, why include such unacceptable scenes in the first place when you are aware of India’s conservative culture? Keep it family-friendly! Also, I was disappointed with Ammy Virk’s performance. Sardaars are stereotyped as either extremely funny like Santa and Banta or extremely aggressive like Tara Singh from Gadar. Over here, I was expecting to see the funny side of a Sardaar in the character that Ammy Virk was playing. But disappointingly, Saloni’s Sardaar boss-cum-boyfriend didn’t match up with the aura and personality of her ex-husband Akhil played by Vicky Kaushal. Throughout the movie, Sardaarji appears as if he is struggling to be comical and his expressions are lifeless. This Sardaar character lacked life to be precise which was not expected. Even during the most hilarious comical scenes between Sardaarji and Akhil, I was laughing at the witty punches thrown by Akhil and sadly, nothing much came out from Sardaarji. Honestly, if Vicky Kaushal was not there, this movie would have failed. Vicky Kaushal and Triptii Dimri sizzle the screens with their romantic intimate track “Jaanam” https://youtu.be/Ujb2c508yw0?si=LDfBxehms-f7x1qg The Verdict: Bad Newz isn’t misogynistic. Saloni decided to divorce her husband as she held him accountable for losing her job. It’s in human nature for you to be angry with the person because of whom you may have suffered in your career. This has nothing to do with a woman making abrupt decisions. Even a frustrated man could have made such a decision if God forbid, because of his wife he would have lost his job. Believe it or not, heteroparental superfecundation is a real deal! Bad Newz is said to have been inspired by true events where a rare incident of heteroparental superfecundation really happened in China. Whatever the case may be, this rom-com is entertaining as well as thought-provoking in the end. Jokes apart, if you are a believer of open relationships then this movie is a must-watch for you. Maybe it will help you in coming out of something unusual if such an uncalled incident ever happens to you. https://youtu.be/mORuVmylE04?si=bd0OzT7n2HfWaRtq   Read the full article

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Lyrics in English | You Are My Soniya | Kabhi Khushi Kabhie Gham-2001 | Hrithik Roshan, Kareena Kapoor Dekha Tum Ko Jab SeBas Dekha Tum Ko YaaraTum Se Koyi Achchha HaiNa Tum Se Koyi PyaaraYoon Nazren Na Pheron TumMere Ho Mere TumHey Hey HeyDekha Tum Ko Jab SeBas Dekha Tum Ko YaaraYehDekha Tum Ko Jab SeBas Dekha Tum Ko YaaraTum Se Koyi Achchha HaiNa Tum Se Koyi PyaaraYoon Nazren Na Pheron TumMere…

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