#Richa Sharma Songs

[mashmouths]

if you saw the first version no you didn't, sorry gang <3

i was tagged by @babydillpickle (hi gill thank you gill mwah <3)

ummm i'm tagging @waltzingbi @stabyou @bourgeoix @kuchipachi @boupin @callisteios @limitedfucks @mikkouille @faunandfloraas @nightchangesmp3 @alienhazy and whoever else would like to join 🫶🫶 have fun :)

[goblinsbriide]

tagged by @chameli 🥰🥰🥰 thank u for tagging me 🩷🩷🩷

Post 5 songs that you are loving right now

Naina by Diljit Dosanjh, Badshah and Raj Ranjodh ( I LOVE THIS SONG O MY GOD! naina da kehna ni assi tera mukhda vekhde rehna ni ADORBS🥰🥰🥰)

Sajdaa by Rahat Fateh Ali Khan and Richa Sharma (so beautiful my god)

Kabira (encore) by Arijit Singh and Harshdeep Kaur

Dress by Taylor Swift

Nadaan Parinde by A.R. Rahman, Mohit Chauhan ( the last 2 verses jeez)

tagging: @kashmirichaiwithmehr @curryaboo @userzayn @amarakaran @sarsariya @shahrukh-khan @bwaldorf

[musicverse11]

The Spiritual Side of Richa Sharma

Richa Sharma, often hailed as one of the most soulful voices in Indian music, has carved a niche for herself through sheer talent, determination, and versatility. Born in Faridabad, Haryana, she emerged from humble beginnings to become a Bollywood sensation, leaving an indelible mark on the Indian music industry. Known for her powerful vocals and emotive singing style, Richa’s journey from a small town to Bollywood is an inspiring tale of passion and perseverance. This article delves into her life story, her struggles, and the milestones that have defined her illustrious career.

The Early Years: A Foundation in Music 

Richa Sharma’s love for music was apparent from an early age. Born into a family with a rich cultural heritage, she was exposed to devotional music and folk songs, which later influenced her style. Her father, a priest, encouraged her to sing bhajans and kirtans, while her mother provided a supportive environment for her budding talent.

Recognizing her potential, Richa began formal training in classical and light music under the tutelage of Pandit Aaskaran Sharma. Her rigorous training honed her skills in various genres, including ghazals, Punjabi folk, and Rajasthani melodies. This foundation would later prove instrumental in shaping her diverse musical repertoire.

The Move to Mumbai: Chasing Dreams 

In 1994, Richa Sharma took a bold step, moving to Mumbai to pursue her dreams of becoming a playback singer. The bustling city, a hub for aspiring artists, was both challenging and full of opportunities. Like many newcomers, Richa faced her share of struggles. Despite her talent, the competitive nature of the Bollywood music industry made it difficult to get noticed.

Her first break came in 1996 with the song “Salma Pe Dil Aa Gaya” for a film of the same name. Although it did not make waves, it marked the beginning of her journey in Bollywood. Richa’s dedication and perseverance eventually caught the attention of established composers, paving the way for bigger opportunities.

Breakthrough and Stardom: The Taal Connection 

Richa Sharma’s turning point came when she collaborated with the legendary composer A.R. Rahman for the film Taal in 1999. Her rendition of the song “Ishq Bina” showcased her ability to convey deep emotions through her voice. The song became an instant hit, and Richa received widespread acclaim for her performance. This collaboration with Rahman opened doors to more projects with top composers like Jatin-Lalit, Anu Malik, and Ismail Darbar.

She continued to deliver hit songs in films like Zubeidaa (2001) and Saathiya (2002). By the early 2000s, Richa had firmly established herself as a versatile playback singer capable of singing across genres, from soulful ballads to upbeat dance numbers.

Signature Songs and Milestones 

Richa Sharma is best known for her ability to evoke raw emotions through her voice. Her song “Mahi Ve” from the film Kaante (2002) is one of her most iconic performances. This track earned her the Bollywood Movie Award for Best Female Playback Singer in 2003 and remains a fan favorite to this day.

Another defining moment in her career was singing Bollywood’s longest track, the bidaai song in the film Baabul (2006). The 13-minute song, filled with heartfelt lyrics and hauntingly beautiful melodies, became a record-breaking achievement and a testament to her endurance and vocal prowess.

Her other notable hits include “Jag Soona Soona Lage” from Om Shanti Om (2007), “Sajda” from My Name is Khan (2010), and “Zor Ka Jhatka” from Action Replayy (2010). These songs not only topped charts but also cemented her status as one of Bollywood’s most beloved playback singers.

Beyond Bollywood: Devotional and Independent Music 

While Richa Sharma is celebrated for her Bollywood contributions, her repertoire extends far beyond the film industry. She has released several devotional albums, including Sai Ki Tasveer, dedicated to Saibaba. These albums reflect her deep spiritual connection and her ability to touch hearts through bhajans and kirtans.

In addition to devotional music, Richa has ventured into independent music, collaborating with various artists to explore genres like Sufi and folk. Her album Piya is a standout example of her versatility and creativity as an artist.

Recognition and Legacy 

Over the years, Richa Sharma has garnered numerous accolades for her contributions to Indian music. In addition to winning prestigious awards, she has earned a loyal fanbase that spans across generations. Her ability to adapt to changing musical trends while staying true to her roots has made her a role model for aspiring singers.

Richa’s influence extends to television as well, where she has served as a mentor and judge on shows like Sa Re Ga Ma Pa. Her guidance and encouragement have helped nurture new talent, further cementing her legacy as a stalwart in the music industry.

A True Musical Icon 

Richa Sharma journey from a small-town girl to a Bollywood icon is a story of grit, determination, and unwavering passion for music. Her soulful voice, unmatched versatility, and ability to connect with audiences have made her an irreplaceable figure in Indian music. Whether through Bollywood hits, devotional tracks, or independent projects, Richa continues to inspire and uplift listeners worldwide. What is your favorite Richa Sharma song or moment? Share your thoughts in the comments below! Dive into the world of Richa Sharma by streaming her greatest hits on your favorite music platform today!

[news365timesindia]

[ad_1] Australia Women won the last over thriller against India Women in Sharjah. (PC: ICC) Bharath Ramaraj in Sharjah Tahlia McGrath (32), Ellyse Perry (32) and the bowlers hogged the limelight as Australia registered a thrilling 9-run victory over India in a T20 World Cup game played in Sharjah. With this defeat, India’s chances of qualifying for the semi-finals hang by a thread.  The game had its share of ebbs and flows, with the fortunes of both sides swinging back and forth all the time. With three overs remaining, India required 40 runs. Harmanpreet Kaur, the India skipper, played a valiant hand to raise hopes of scripting a jailbreak.  She thwacked three boundaries off Gardner and Sophie Molineux respectively to bring the equation down to 14 off the last over. By then, Harmanpreet was gasping for breath. It was Annabel Sutherland who had the final say, however, giving away a mere four  runs in the last over. Harmanpreet was mostly kept off strike, which didn’t help India’s cause. In pursuit of a target of 152, India needed a quick start. Shafali Verma showed some intent, smacking Megan Schutt, Australia’s premier pacer, for a four and a six.  Every single time Shafali played a stroke, there was a cacophony of sounds from the stands. For a moment, it even felt as if the sizeable crowd would provide enough motivation for the openers to come out on top against their fancied opponent. Unfortunately, in the very next over, Gardner removed Shafali.  Jemimah Rodrigues, who replaced her, took a few deliveries to get going. In fact, the crowd and the DJ once again played to the beat of the batter at the crease. The fans were rather quiet, and the DJ played a slow-moving song from a popular movie belonging to the 1990s – Saajan. A few minutes later, the mood again changed as Jemimah crunched a couple of sublime lofts down the ground. Suddenly, there were Mexican Waves in a stand or two.  Australia, though, rarely let India gain the ascendancy. Smriti Mandhana, who looked a bit out of sorts, was trapped in front by Molineux. The initial decision was not out but Australia got it overturned via the DRS. Gardner then judged a catch to perfection to send Jemimah back to the hut. Deepti Sharma and Harmanpreet then kept India in the hunt. Deepti tonked Molineux and Wareham for two fours. Kaur also joined the act by smashing Molineux to the backward square-leg boundary. Replays indicated that the shot was similar to the legendary Rohan Kanhai’s trademark falling sweep. But once again, Australia put the brakes on India’s effort, with Molineux dislodging Deepti. Richa Ghosh followed her back to the pavilion, with Phoebe Litchfield effecting a brilliant hit. Despite losing that wicket, Harmanpreet didn’t give up but she had too much to do in the end.  Earlier, Renuka Singh, the seamer, gave India a perfect start, dismissing both Beth Mooney and Georgia Wareham within the first three overs. However, McGrath, who captained the side in place of the injured Alyssa Healy, and Grace Harris didn’t just prop up the innings but also put Australia on course to reach a very good total.  McGrath used her reach to play strokes down the ground and also employed her wrists to nurdle it around the corner. For a tall batter, McGrath has exemplary footwork. Her batting partner was adept at bringing out the sweep. After the pair were dismissed, Perry and Litchfield (15 off 9 deliveries) made vital contributions. There was a little bit of controversy surrounding Litchfield. The left-handed batter changed her stance to play the reverse-hit versus Deepti, but couldn’t connect. The original decision was out but the southpaw got it overturned via the DRS, with replays suggesting that it was pitching outside the line of leg stump. The rule says, “The definitions of leg side and off side will not change if a batsman changes his grip and reverses his stance after the bowler has begun his run-up.” Interestingly, India’s spin trio – Deepti, Radha Yadav and Shreyanka Patil – bowled only ten overs between them on a track aiding the spinners.

Deepti was the only to finish her quota of overs out of those three and took two for 28. Harmanpreet and India had to pay the price for that mistake. Meanwhile, the crux of Australia’s victory was their brilliant ground fielding and superlative catching. When Australia batted, their running between the wickets was also purposeful. From here on, the only way India can qualify is if Pakistan defeat New Zealand, with India coming out on top via the NRR. If, as expected, India don’t progress to the last four, there would be question marks over Harmanpreet’s captaincy.  Brief scores: Australia 151/8 in 20 overs (Talia McGrath 32, Ellyse Perry 32; Renuka Singh 2-24) beat India 142/9 in 20 overs (Harmanpreet Kaur 54*; Annabel Sutherland 2-22) by 9 runs.  The post Near, and yet so far, for India as World Cup exit looms appeared first on Sports News Portal | Latest Sports Articles | Revsports. [ad_2] Source link

[news365times]

[ad_1] Australia Women won the last over thriller against India Women in Sharjah. (PC: ICC) Bharath Ramaraj in Sharjah Tahlia McGrath (32), Ellyse Perry (32) and the bowlers hogged the limelight as Australia registered a thrilling 9-run victory over India in a T20 World Cup game played in Sharjah. With this defeat, India’s chances of qualifying for the semi-finals hang by a thread.  The game had its share of ebbs and flows, with the fortunes of both sides swinging back and forth all the time. With three overs remaining, India required 40 runs. Harmanpreet Kaur, the India skipper, played a valiant hand to raise hopes of scripting a jailbreak.  She thwacked three boundaries off Gardner and Sophie Molineux respectively to bring the equation down to 14 off the last over. By then, Harmanpreet was gasping for breath. It was Annabel Sutherland who had the final say, however, giving away a mere four  runs in the last over. Harmanpreet was mostly kept off strike, which didn’t help India’s cause. In pursuit of a target of 152, India needed a quick start. Shafali Verma showed some intent, smacking Megan Schutt, Australia’s premier pacer, for a four and a six.  Every single time Shafali played a stroke, there was a cacophony of sounds from the stands. For a moment, it even felt as if the sizeable crowd would provide enough motivation for the openers to come out on top against their fancied opponent. Unfortunately, in the very next over, Gardner removed Shafali.  Jemimah Rodrigues, who replaced her, took a few deliveries to get going. In fact, the crowd and the DJ once again played to the beat of the batter at the crease. The fans were rather quiet, and the DJ played a slow-moving song from a popular movie belonging to the 1990s – Saajan. A few minutes later, the mood again changed as Jemimah crunched a couple of sublime lofts down the ground. Suddenly, there were Mexican Waves in a stand or two.  Australia, though, rarely let India gain the ascendancy. Smriti Mandhana, who looked a bit out of sorts, was trapped in front by Molineux. The initial decision was not out but Australia got it overturned via the DRS. Gardner then judged a catch to perfection to send Jemimah back to the hut. Deepti Sharma and Harmanpreet then kept India in the hunt. Deepti tonked Molineux and Wareham for two fours. Kaur also joined the act by smashing Molineux to the backward square-leg boundary. Replays indicated that the shot was similar to the legendary Rohan Kanhai’s trademark falling sweep. But once again, Australia put the brakes on India’s effort, with Molineux dislodging Deepti. Richa Ghosh followed her back to the pavilion, with Phoebe Litchfield effecting a brilliant hit. Despite losing that wicket, Harmanpreet didn’t give up but she had too much to do in the end.  Earlier, Renuka Singh, the seamer, gave India a perfect start, dismissing both Beth Mooney and Georgia Wareham within the first three overs. However, McGrath, who captained the side in place of the injured Alyssa Healy, and Grace Harris didn’t just prop up the innings but also put Australia on course to reach a very good total.  McGrath used her reach to play strokes down the ground and also employed her wrists to nurdle it around the corner. For a tall batter, McGrath has exemplary footwork. Her batting partner was adept at bringing out the sweep. After the pair were dismissed, Perry and Litchfield (15 off 9 deliveries) made vital contributions. There was a little bit of controversy surrounding Litchfield. The left-handed batter changed her stance to play the reverse-hit versus Deepti, but couldn’t connect. The original decision was out but the southpaw got it overturned via the DRS, with replays suggesting that it was pitching outside the line of leg stump. The rule says, “The definitions of leg side and off side will not change if a batsman changes his grip and reverses his stance after the bowler has begun his run-up.” Interestingly, India’s spin trio – Deepti, Radha Yadav and Shreyanka Patil – bowled only ten overs between them on a track aiding the spinners.

Deepti was the only to finish her quota of overs out of those three and took two for 28. Harmanpreet and India had to pay the price for that mistake. Meanwhile, the crux of Australia’s victory was their brilliant ground fielding and superlative catching. When Australia batted, their running between the wickets was also purposeful. From here on, the only way India can qualify is if Pakistan defeat New Zealand, with India coming out on top via the NRR. If, as expected, India don’t progress to the last four, there would be question marks over Harmanpreet’s captaincy.  Brief scores: Australia 151/8 in 20 overs (Talia McGrath 32, Ellyse Perry 32; Renuka Singh 2-24) beat India 142/9 in 20 overs (Harmanpreet Kaur 54*; Annabel Sutherland 2-22) by 9 runs.  The post Near, and yet so far, for India as World Cup exit looms appeared first on Sports News Portal | Latest Sports Articles | Revsports. [ad_2] Source link

[desimoviereviews]

Amar Singh Chamkila: An Insight into Modern Punjabi Music

Instagram: @thatguyanesejournalist Twitter: @TGJournalist

(SOME SPOILERS AHEAD IF YOU HAVEN'T WATCHED THE FILM)

Let’s talk about Imtiaz Ali’s Amar Singh Chamkila.

A humble singer’s brash lyrics ignite fame and fury across Punjab as he grapples with soaring success and brutal criticism before his untimely death.

I absolutely loved this film. As many have said before, Amar Singh Chamkila is really a comeback for Ali and shows he’s capable of much more than rom-coms. Returning to directing after four years, Ali does a remarkable job of bringing Chamkila’s story to life without overdramatizing anything, a trait commonly seen in many Indian biographical films. Amar Singh Chamkila feels so authentic in a sense that it feels like I’m living through the story during real time.

I think one reason I felt like that was because of the number of times real footage appeared throughout the film from the time the real Chamkila and Amarjot were alive. I found myself constantly pausing and looking at how accurately Diljit Dosanjh and Parineeti reenacted their real life counterparts based on the pictures and videos included in the film.

The narrative of the film, starting with the assassination of the couple, captures you from the first shot. Having the story told by people who were involved in Chamkila’s life in some way cements how much of an impact he made around him. I think the only gripe I had with the film was how minimal Gurmail (Chamkila’s first wife) was in the film, but I guess I shouldn’t attribute this to Ali’s’ directing and more to real-life Chamkila marrying Amarjot to keep the partnership alive while still being married to Gurmail. Which is another reason I loved this movie. Ali didn’t completely show Chamkila as a hero. He was, for lack of a better word, morally gray and just wanted to pursue music no matter what.

One specific scene that impacted me a lot, though, was when Chamkila and Amarjot are on the funeral pyre and somebody takes pictures of their corpses. The film then interjects that scene with actual pictures of the dead couple taken from the same angle. It hit home for me that this was, in fact, a true story of a man who truly wanted to sing despite all the threats he was receiving. He loved his wife, to the point where his last words were about concern for Amarjot, who had been shot before his eyes (“Babbi, tenu ki hoya?”). But more importantly, Chamkila was a man who revolutionized modern Punjabi music in his short life.

The dialogue, written by Imtiaz Ali and Sajid Ali, stayed true to the Punjabi language. While most of the film was in Hindi, the parts where Diljit and Parineeti were singing Chamkila’s Punjabi songs and it was translated in Hindi on screen was a genius idea to people who may not be familiar with the language. However I did see a lot of discourse about Parineeti not having a lot of dialogue in the film. On further research, though, I found that it was purely in-character for Parineeti not to talk so much, since Amarjot wasn’t a talkative individual anyway.

A.R. Rehman, the genius that he is, composed the music for this film. The soundtrack itself was described to be very Broadway-esque, which is the vibe I immediately got, especially with Baaja. The lyrics, by Irshad Kamil, are so poetic (as seen in Vida Karo) and even subtly include double-entendres just like Chamkila without making the songs dirty or cheap (as seen in Naram Kalja). Sidenote: it was so nice to hear Mohit Chauhan’s voice again, especially after not hearing him in many mainstream Bollywood movies anymore.

Also, I would just like to say that Alka Yagnik and Richa Sharma are the highlights of the soundtrack. ARR is possibly the only person who can make Alka sing like that for “Naram Kalja” and I honestly appreciate how fresh she sounds and how the soundtrack in general adapted to our modern times while using traditional instruments in some form. Here’s my list of songs:

Naram Kalja Vida Karo Ishq Mitaye

Also, here’s a Chamkila and Amarjot song I enjoyed that was included in the movie: 

Pehle Lalkare Naal

The movie is 146 minutes long (2 hours and 26 minutes). Stream it on Netflix, grab a snack and enjoy!

Do you agree or disagree? Let me know in the comments!

[yanishkapandey]

I Just wanna listen to this keep walking until I’m outside his home and fall on me knees☁️

[keepalivebollywood]

Bollywood Beats: How Music Can Make or Break Your Indian Wedding Ceremony

When it comes to an Indian wedding, music is more than just entertainment. It sets the tone for the entire ceremony, from the grand entrance of the bride and groom to the emotional goodbye at Vidai. Bollywood beats have been an integral part of Indian weddings for decades now, but choosing the right songs can make or break your big day. In this blog post, we’ll explore how music plays a crucial role in making your wedding unforgettable and some tips on selecting the perfect tracks that will get everyone on their feet!

Introduction to Bollywood Music

Bollywood music is the heartbeat of Indian cinema and sets the tone for many Bollywood films. It has been influenced by a variety of genres including Indian classical music, folk music, and modern western pop music. Bollywood music is known for its catchy melodies, energetic beats, and colorful lyrics.

Bollywood music can make or break your Indian wedding ceremony. The right mix of songs will get everyone on the dance floor and help create a memorable event. However, choosing the wrong songs can result in an awkward or even disastrous wedding.

When selecting Bollywood songs for your wedding ceremony, it is important to consider the mood you want to create. Do you want an upbeat atmosphere or a more romantic vibe? There are many great Bollywood songs to choose from, so take your time and pick the ones that best fit your vision for your special day.

Themes in Bollywood Music for Weddings

Bollywood music is often used to set the tone for an Indian wedding ceremony. Themes in Bollywood music can range from happy and upbeat to romantic and sentimental. Some popular songs that are often played at Indian weddings include “Chalo Re Doli Uthao Kahar” by Mohammad Rafi,”Aaj unse milna hai” by Shan, and “SaajanJi Ghar Aaye” by Alka Yagnik and Kumar Sanu.

While choosing the right Bollywood songs for your wedding ceremony, it is important to consider the overall tone you want to set for the event. If you want your ceremony to be full of energy and excitement, then choose upbeat songs that will get everyone on their feet and dancing. On the other hand, if you want your ceremony to be more romantic and intimate, then choose slower songs that will set the mood for a more emotional experience. Whichever direction you choose, make sure that the songs you select reflect the overall theme of your wedding.

Popular Wedding Songs from Classic Bollywood Films

In India, film music is often referred to as Bollywood music. Hindi film songs are a characteristic feature of Indian pop culture, and are widely known and heard across the globe. They are often used in Indian weddings to add flavor and excitement to the ceremony.

Some popular wedding songs from Bollywood films include :

1. Mehndi laga ke rakhna – Dilwale Dulhaniya Le Jayenge 2. Bole Chudiyan- Kabhi Khushi Kabhie Gham 3. Mere Yaar Ki Shaadi Hai- Mere Yaar Ki Shaadi Hai 4. London Thumakda – Queen 5. Sasural Genda Phool – Delhi 6 6. Yeh Galiyan Yeh Chaubara – Prem Rog 7. Tune Maari Entriyaan – Gunday 8. Radha teri chunri – Student of the Year 9. Didi Tera Devar Deewana – Hum Aapke Hain Kaun 10. Chote Chote Bhaiyon Ke Bade Bhaiya – Hum Saath Saath Hain

Making a Playlist for Your Big Day

Your wedding day is one of the most important days of your life. The music you choose for your ceremony can either make or break the mood. If you’re looking to create a playlist that will get everyone on the dance floor, here are some Bollywood beats to get you started:

“Chalka Re ” by Richa Sharma, Mahalaxmi, Vaishali and Shoma: This song is all about love and appreciation. It’s the perfect choice for a first dance or for when you’re getting ready to walk down the aisle.

“Dilli Wali Girlfriend” by Arijit Singh, Sunidhi Chauhan: This upbeat track is perfect for when you want to get the party started. It’s sure to get everyone moving and shaking their hips.

“Gore Mukhde Pe Zulfa Di Chaava” by Aman Trikha, Shabab Sabri and Shreya Ghoshal: This song encapsulates the Joy and excitement of a Punjabi wedding celebration. Its infectious melody and uplifting lyrics make it the perfect choice for any couple looking to add a touch of traditional Punjabi music to their special day.

Tips for Incorporating Modern Sounds into Your Big Day

Your wedding day is one of the most important days of your life, so you want everything to be perfect. The music is one of the most important elements of your ceremony, and you want it to be perfect. Here are some tips for incorporating modern sounds into your big day:

1. Talk to your DJ or bandleader about what kind of music you want. If you’re not sure, they may have some suggestions for you. 2. Make a playlist of all the songs you love and share it with your DJ or bandleader. This will help them understand your taste in music and what kind of songs you want played on your big day. 3. Don’t be afraid to mix things up! You can have traditional songs mixed in with modern ones, or vice versa. It’s your big day, so make it unique! 4. Ask your guests for their requests! They’ll be more likely to dance if they hear a song they love. 5. Most importantly, relax and enjoy yourself! The music should be one of the highlights of your big day, so make sure it’s something you’ll love dancing to for years to come.

Benefits of Incorporating Bollywood Music into Your Ceremony

When you’re planning your Indian wedding ceremony, it’s important to choose the right music to set the tone for your big day. Bollywood music is a great option for couples who want to add a touch of tradition to their ceremony. Here are some of the benefits of incorporating Bollywood music into your Indian wedding ceremony: 1. Bollywood music is full of energy and excitement. 2. Bollywood music will get your guests up and dancing. 3. Bollywood music is a great way to add cultural flair to your ceremony. 4. Bollywood music is sure to make your ceremony memorable.

Conclusion

Music plays an integral role in any traditional Indian wedding ceremony, and choosing the right Bollywood beats is essential. We hope this article has given you some ideas on how to curate music that will make your wedding ceremony special and memorable. From picking out songs for each part of the ceremony to getting everyone involved with some classic bhangra tunes, there are plenty of ways to ensure a magical celebration full of joyous moments. Now that you know what type of music works best for an Indian wedding, it’s time to start planning for your own!

[bollywoodproduct]

Lyrics Holi

Lyrics in English | Holi Aayi Re | Padmaavat (2018) | Shahid Kapoor, Deepika Padukone Holi Aayi RePiya Jee Ne ReDes ReHoli Aayi RePiya Jee Ne ReDes ReMharo ShyamHathilo Kaanho KesarKhelat Hori ReMharo ShyamHathilo Kaanho KesarKhelat Hori Re………….. Holi To KheleMahadev KheleHoliTo KheleMahadev KheleKhelatGanapat GoriKhelatGanapat GoriHoli Aayi RePiya Jee ReDes Re……….. Song: HoliFilm: Padmaavat…

[lyricsupgrade]

Kis Desh Mein Hai Meraa Dil Title Song Lyrics - Star Plus (2008)

Kis Desh Mein Hai Meraa Dil Title Song Lyrics - Star Plus (2008) #KisDeshMeinHaiMeraaDil #TitleSong #Lyrics #LyricalVideo #SushantSinghRajput #HarshadChopda #AdditiGupta #MeherVij #Songs #LyricsUpgrade #TVSerial

Kis Desh Mein Hai Meraa Dil Title Song Lyrics – Star Plus (2008) | Balaji Telefilms | Nostalgic Kis Desh Mein Hai Meraa Dil Title Song Lyrics – Opening Theme Of This Kis Desh Mein Hai Meraa Dil Serial Title Song sung by Richa Sharma. Kis Desh Mein Hai Meraa Dil is an Indian Hindi drama television series that aired on Star Plus From 2008 to 2010. It starred Sushant Singh Rajput, Harshad Chopda,…

[lostatseattle]

eleanor sharma: intro

╰ ❛   💉 — › richa moorjani.  cisfemale.  she/her.  .  ╯ have  you  met  eleanor sharma yet  ?  this  thirty two  year old  virgo  has  been  living  in the seattle  area  for  a month.  she  makes  a  living  as  a  ent attending,  which  is best suited for their passionate,  reliable,  intense,  and  emotional  personality.  wind beneath my wings by bette midler  is  one of  their  favorite  songs,  and  they're  written  by  charley :)

eleanor was born in west covina, california, four (? math) years after her brother, wyatt. she grew up looking up to him and for a very long time she moulded her aspirations after his. she went to harvard because her brother did, she went to stanford because her brother did.

until she got rejected from massgen. 

that was the wake up call she needed to realise it was about time she figured out her own goals and what she really wanted. her version of success didn’t need to look exactly like her brother’s. she ended up instead completing her residency at UCLA, but for the last year she has been working in london. 

she was always the talkative one in the family, she’d gladly introduce herself to any stranger and consider them a friend after a thirty minute conversation. she has a way of getting people to talk about themselves and loves learning about other people. loud, inquisitive and relatively cheerful, she likes to consider herself an optimist. although she complains a lot for someone who claims that title.

 she will judge you based on your outfit.

basic information

full name: eleanor sharma

nickname(s): el, ellie

age: 32

date of birth: august 24th

hometown: west covina, ca

current location: seattle, wa

orientation: ?

occupation: ent attending

gender: cisfemale

pronouns: she/her

languages spoken: english

accent: american

playlist : here

physical appearance

face claim: richa moorjani

hair color: brown

eye color: brown

height: 5′7

tattoos: x

piercings: x

clothing style: stylish, designer

usual expression: smiling.

health 

neurological conditions: x

sleeping habits: a healthy eight hours, very routine, in bed by 11

eating habits: healthy, always has a meal plan

exercise habits: gym every second day for an hour, although she usually just takes selfies 

emotional stability: 9, she’s pretty chill if a tad dramatic

sociability: very very sociable

body temperature: hot-natured

addictions: x

drug use: x

alcohol use: socially

personality

label: 

positive traits: passionate, reliable, punctual, gregarious

negative traits: intense, emotional, overly-talkative, touchy

fears: dying alone 

hobbies: instagramming, reading, dancing

habits: x

favourites

weather: sunny days

colour: anything vibrant

music: bette midler, barbra streisand, cher, dolly parton - any classic diva you can possibly think of, eleanor is in love

movies: beaches, when harry met sally, midnight in paris, moonstruck - any rom-com ever

beverage: red wine

food: apple pie and ice cream

animal: sparrow

family

father: ravi sharma, engineer (56)

mother: kareena sharma, university professor (57)

siblings: wyatt sharma, brother (36)

family’s financial status: pretty good 

find her about page: HERE

[traumahqs]

╰ ❛   💉 — › richa moorjani.  cisfemale.  she/her.  .  ╯ have  you  met  eleanor sharma yet  ?  this  thirty two  year old  virgo  has  been  living  in the seattle  area  for  a month.  she  makes  a  living  as  a  ent attending,  which  is best suited for their passionate,  reliable,  intense,  and  emotional  personality.  wind beneath my wings by bette midler  is  one of  their  favorite  songs,  and  they're  written  by  charley :) (wyatt's wc)

[trcinwrecks]

╰ ❛ 💉 — › richa moorjani. female. she/her. . ╯ have you met delilah sharma yet ? this thirty two old libra has been living in the seattle area for a week she makes a living as a peds fellow, which is best suited for their sweet, reasonable, flirtatious, and messy personality. we will rock you by queen is one of their favorite songs 

BASIC INFORMATION

Full Name: delilah sharma

Nickname(s): del

Age: thirty two

Date of Birth: september 24

Hometown: california

Current Location: seattle

Ethnicity: indian

Nationality: indian/american

Gender: female

Pronouns: she/her

Orientation: heterosexual

Religion: non practicing 

Political Affiliation: democrat

Occupation: pediatrics fellow

Living Arrangements: apartment

Language(s) Spoken: english, punjabi 

Accent: american

PHYSICAL APPEARANCE

Face Claim: richa moorjani

Hair Color: brown

Eye Color: brown

Height: 5′7

Weight: -

Build: average

Tattoos: none

Piercings: none

Clothing Style: casual

Usual Expression: smiling

Distinguishing Characteristics: -

HEALTH

Physical Ailments: none

Neurological Conditions: none

Allergies: none

Sleeping Habits: sleeps on average 6 hours a night

Eating Habits: eats three square meals a day

Exercise Habits: exercises every day

Emotional Stability: 9, very well put together

Sociability: doesn’t particularly like being around a lot of people

Body Temperature: average

Addictions: none

Drug Use: none

Alcohol Use: teetotal

PERSONALITY

Label: 

Positive Traits: sweet, reasonable

Negative Traits: flirtatious, messy

Fears: losing loved ones

Hobbies: -

Habits: -

FAVOURITES

Weather: sunshine

Colour: yellow

Music: all genres

Movies: all genres

Sport: netball

Beverage: water

Food: anything indian

Animal: sheep

[bollywoodmixtape]

होली Holi : Holi Aayi Re Piya Ji Re Desh Re Music Director: Sanjay Leela Bhansali, Lyrics: Traditional Singers: Richa Sharma, Shail Hada -- होली Holi (Manganiyars & Langa'S Folk Song)-Holi Aayi Re Piya Ji Re Desh Re,RICHA SHARMA, SHAIL HADA (via T-series Bhakti Sagar)

[hellas-himself]

Rules: We’re snooping on your playlist. Put your entire music library on shuffle and list the first 10 songs then choose 10 people. I was tagged by @apis-mellifera-mellifera thank youuuu 😘

N

1. Everything All At Once- Local Natives

2. Loveeeeeee Song - Rihanna Ft. Future

3. Durga Chalisa- Richa Sharma

4. Sextet in D Minor, Op. 70, “Souvenir de Florence- Tchaikovsky, Orpheus Chamber Orchestra, Mischa Maisky

5. Heart Beats- Johnny Swim

6. Make Me (Cry) [Marshmello Remix]- Noah Cyrus

7. Share the Sunshine Young Blood- Emarosa

8. Holy Mountain- DJ Khalid Ft. Buju Banton, Sizzla, Mavado

9. Au Bord de L’eau, Op. 8 No 1- Gabriel Faure & Sully Prudhomme - Mischa Maisky

10. Mi Corazoncito- Aventura

I tag @lady-bowser @bookloveaffair @pikapeppa @lethendralis-paints @myfeyrelady @jorgitoli @crackedship @feyres-painting-studio @nessiancalore @lilbat90

[desivision]

The Desi Guide to Binge-Watching in the Holiday Season

I remember going to watch the comedy “Luv Shuv Te Chicken Khurana” at AMC Mercado in Santa Clara California a few years back. There were 3 people in the theater that afternoon. My girlfriend and I, both die-hard Bollywood first day first show fanatics. And a white guy. The movie was a slow disappointment, but the white guy loved it. He told us that he came for the color, the song, and the dance and didn't mind if the experience may be marred by badly contexed sub-titles.

Bollywood forgets that the greater audience may be beyond the desi crowd. Some filmmakers need to start thinking about that paradigm. Every time a bhangra song plays in a club, the white people love swinging into action. Holi at Stanford is mostly white and most technology companies are hotbeds of Indian culture, led by Bollywood styling.

 As Desis, Bollywood is our expression, whether we were born in the sub-continent or not, whether we moved out of India decades ago or are fresh off the boat; we know the songs, we dance to the tunes, we dress influenced by the stars, we follow their Instagram feeds, our karaoke sessions are Bollywood the theme, our conversations are lined with famous dialogues from Bollywood movies, we line up for miles outside theaters when a Rajni movie releases, we turn up in thousands when the stars visit to perform, we represent our Desiness through a lot of nuances borrowed from Bollywood. Bollywood is a big expression. Almost 2 billion people around the world get it.

Here is our recommendation list for the Christmas holidays. Whether you are a Bollywood fan or not, the quality and expression of this content will warm you this season.

  Number 10   Haq Se

Loosely based on  Louisa May Alcott's Little Women, the depiction of the lives of 4 sisters in Kashmir during the conditions it is in is a beautifully poignant story about the aspirations and ambitions of women and the society. A must watch for beautiful scenery and excellent performances by all actors. Starring Rajiv Khandelwal. Surveen Chawla, Simone Singh, directed by Ken Ghosh, Set in the turbulent terrorist infested Kashmir, the story revolves around the Mirza sisters. In Kashmir, where the society is conditioned to be very misogynistic and patriarchal. Women are suppressed and they can't voice their opinion or create their paths. This is the story of the women who dare to. Warm Kashmir colors are perfect for your holiday binge watching. View Trailer  https://www.youtube.com/watch?v=orP_-9rWWy8

 Streaming on Alt Balaji

  Number 9 Inside Edge

Inside Edge is the story of the Mumbai Mavericks, a T20 cricket franchise playing in the Powerplay League. ... almost a virtue, where sex, money, and power are mere means to an end, 2 seasons of this series are a treat to watch. Created by Pawan Anshuman, starring Richa Chadha, Vivek Oberoi, Angad Bedi and Aamir Bashir, it's a perfect holiday watch for cricket fans.

Watch promo https://www.youtube.com/watch?v=es_cjyjeYbc

Streaming on Amazon Prime

   Number 8 Vir Das Jestination Unknown

Vir Das and his friends travel across India to find what out what India finds funny and inoffensive. It is a beautifully unscripted portrayal of the immense diversity of India through the lens of what is the most spontaneous script and reactions.

Though a short season, the entire narrative is binge-worthy and engaging. Perfect for a family binge.

View Promo https://www.youtube.com/watch?v=c-gb-rOVLaU

Streaming on Amazon Prime

  Number 7 Sacred Games

The hair-raising plot of India's first Netflix Original is one of the highly-raved shows. The riveting cat-and-mouse game is a mixture of amazing storytelling, a fluent narrative, and brilliant acting. Sacred Games has the brilliant Nawazuddin Siddiqui playing an evil gangster and Saif Ali Khan as a troubled cop and Radhika Apte plays an intelligence officer, SG is directed by the impeccable Anurag Kashyap. PS : Not a family watch though but bingable for the holidays.

View Promo https://www.youtube.com/watch?v=nfPJfBeDBtE

Streaming on Netflix

   Number 6 Powder

Powder is one of those underrated show which more than nine years old and a bit ahead of its time. The show aired on Sony TV in 2010 and went off the air due to poor ratings. Thankfully, Netflix resurrected it from the dusty corners and now offers it to everyone. The show follows a team of Narcotics Control Bureau (NCB) officers as they team up to arrest a group of drug traffickers, peddlers, and smugglers. Sure, it's nothing like Narcos, but if you like those kinds of drug crime dramas, then it might be the one for you. Interestingly, this show premiered about five years before Narcos went on air.

The show brings together an amazing cast comprising of Pankaj Tripathi, Rasika Dugal, Manish Choudhary, and Geetika Tyagi.

Quite Bingable for the holidays

Promo is here https://www.youtube.com/watch?v=G7aL1FrEg14&feature=emb_logo&ab_channel=KaranSingh

Streaming on Netflix

 Number 5 Mirzapur

Starring starring Pankaj Tripathi, Ali Fazal, Vikrant Massey, Shweta Tripathi, Shriya Pilgaonkar, Rasika Dugal, Harshita Gaur, Divyendu Sharma,  Kulbhushan Kharband and Amit Sial, this is a brilliant crime thriller directed by Karan Anshuman and Gurmmeet Singh. With the rivetting fast paced story of the nine episodes of Season 1, this is a sure shor binge watch for the holidays for thriller buffs.

 View Promo here

https://www.youtube.com/watch?v=ZNeGF-PvRHY&ab_channel=AmazonPrimeVideoIndia

Streaming on Amazon Prime

 Number 4  Yeh Rishtey hain Pyar Ke

Out of all the sitcoms airing on Indian Television, we love and recommend this show for holiday binge-watching. Its young, uninhibited and has a surprising storyline of a young couple and an evil mom, yet there is no regular drama in dealing with the situation. The actors are well-chosen and a few episodes into the show, you will fall in love with the characters and believe their love story. You will cry with them, you will laugh with them and put on loop their beautiful moments. This is not your traditional desi serial so be prepared for a genuine breath of fresh air.

In short, you will want to fall into the love they share. Directed by Ashish Shrivastava, produced by Rajan Shahi at Directorskutproduction; the almost 200 episodes already streaming on hotstar could be your romantic holiday season binge. The actors Shaheer Sheikh, Rhea Sharma and Ritvick Arora are well cast and carry the show on their able shoulders. A must romantic see.

View promos here https://www.youtube.com/watch?v=lQBDIonjD1k&ab_channel=StarPlus

 https://www.youtube.com/watch?time_continue=1&v=vENv9EC10W4&feature=emb_logo

 https://www.youtube.com/watch?v=bD4uqqRkU2M&feature=emb_logo&ab_channel=StarPlus

 Streaming on Hotstar

 Number 3 Breathe

Breathe has undoubtedly taken the Indian storytelling to another level. The plot revolves around the lives of ordinary men who are faced with unexpected situations.

Kabir Sawant, a talented officer of the criminal division, assembles the missing pieces of unrelated deaths, all of which lead him to a common suspect. It is exciting to watch how the drama unfolds between the suspect who is trying to save his dying son and the officer who is adamant to impart justice. Starring R. Madhavan, Amit Sadh, Sapna Pabbi

 Produced by Vikram Malhotra .  Completely Bingable.

View promo : https://www.youtube.com/watch?time_continue=2&v=OstwwYcz8nI&feature=emb_logo

Streaming on Amazon Prime, An Amazon Prime Original . Watch with VPN since it is not available for USA audiences. ( for some reason)

  Number 2 Delhi Crime

Depicting the most notorious rape case in India, Delhi Crime has won major critical acclaim since it aired the first season. Its second season has also been announced after the success of the first.

It stars Shefali Shah, Adil Hussain, Rasika Dugal, Rajesh Tailang, and many other brilliant actors. The series is based on the 2012 Delhi gang-rape case, which is widely known as the Nirbhaya case. A 23-year-old girl and her male friend were beaten up and brutally assaulted in a running bus near Munirka in New Delhi while they were going home after catching a movie.

The girl was gang-raped and assaulted with an iron rod, following which the pair was thrown naked and injured on the road, after which the culprits tried to run them over with the bus. Delhi Crime tells the story from the perspective of the Delhi Police and how they dealt with what emerged as the most brutal rape case ever seen in India.

This is the most riveting depiction of the horror of rape and the aftermath.

 View Promo https://www.youtube.com/watch?v=jNuKwlKJx2E&feature=emb_logo&ab_channel=Netflix

 Streaming on Netflix. A Netflix original.

Number 1 The Family Man

Srikant Tiwari is a middle-class man who also serves as a world-class spy. Srikant tries to balance his familial responsibilities with the demands of the highly secretive special cell of the National Intelligence  Agency that he is working for. While he tries to protect the nation from terrorists, he also has to protect his family from the impact of his secretive, high-pressure, and low paying job.

Gripping Screenplay, dark humor, middle-class frame of reference, Enthralling, engrossing, riveting narrative. All of what makes this Manoj Bajpayee, Priyamani, Gul Panag web series such a top of the list for holidays binge. Notably, this is directed by Raj and DJ, the guys behind Stree and Bala.

 View Promo here. https://www.youtube.com/watch?v=XatRGut65VI&ab_channel=AmazonPrimeVideoIndia

 Streaming on Amazon Prime, An Amazon Prime Original.