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MOVIES I WATCHED THIS WEEK #207:

In a week full of many wonderful movies, India Donaldson's minimalist debut feature GOOD ONE was my most precious experience. I've seen all her previous shorts before, and I sensed this will be a 'good one'. And indeed it was. I hope she'll continue to tell super-realistic character studies like this for the rest of her career.

A middle-aged father, his perceptive 17-yo daughter, and another mess of a divorced buddy of his are going on a camping trip in the Catskills. That's the whole simple plot, but it's told with the maturity and eye-for-details of somebody who had intimately known all three. Not much is said, everything is subtle, quiet, and understated. The girl, Sam, got it all together, and the actress who plays her with such raw intelligence is a revelation. One of my best films of the year. 10/10. [*Female Director*]

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2 INDIAN CLASSICS:

🍿 "Forgive me, my son"...

In HOTEL SALVATION (2016), a 77 year old man dreams that his time on earth came to an end, and he's about to die. He decides to go to the holy city of Varnasi, and his son is forced to set aside his office job, in order to accompany him on his last trip. It's a serene, spiritual story, with none of the big events shown on screen - they are all subtle, because they are peacefully inevitable. The director was 25 when he made his debut with this. 💯 score on Rotten Tomatoes.

🍿 DEVDAS (2002) is pure hokum. A classic big-budget Bollywood song-and-dance excess, larger than life soap opera, with 3 mega-stars at their peak: SRK, Aishwarya Rai and Madhuri Dixit. A silly romance defeated by society prejudices, but played in the foreground of elaborate and opulent sets. The music numbers (for example Dola Re Dola, Maar Dala, Silsila Ye Chahat Ka, Sheeshe Sa Sheesha Takraye) were spectacular, the budget for glycerine tears must have been huge, but the super-melodramatic plot was ridiculous.

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For a while now I had planned to re-visit the work of 94-year-old documentarian Frederick Wiseman, but his usual grim subjects deterred me. His latest 4-hour (!) saga MENUS PLAISIRS - LES TROISGROS is a good refresher why this is my type of story telling: Captured footage that observes and don't propagate, and most importantly, no voice-over, no narration, no interviews, and NO FUCKING MUSIC in the background to drown everything you see.

The fact that it's a happy topic, light as a bird song, is a huge help. Like Ken Burns' recent documentary about Leonardo, this is Wiseman’s first outside of the USA. Both of them must have felt they ought to look elsewhere to Europe for shreds of sanity and coherence today.

It's an inside look into the French Troisgros restaurant "empire" in the Loire valley and "how it works". From their spacious kitchens, tomato and cheese suppliers, smokehouse, philosophy, beekeepers, vine cellars, taste making, goats, desserts and the three Michelin stars that they’ve earned for over 50 years. it's an absolute delight from start to finish - the anti-Netflix food-porn destination.

(When I was a chef, I collected about 400 cookbooks, and my two most valuable tomes were (Salvador Dalí: Les Diners De Gala, and) the big book by The Troisgrois Brothers...)

Another one with 💯 score on Rotten Tomatoes.

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3 BY CZECH ANIMATOR MICHAELA PAVLÁTOVÁ:

🍿 Her ŘEČI, ŘEČI, ŘEČI ("Words, words, words") was nominated for an Oscar in 1991. A terrific wordless film about communication, very much in 'Yellow Submarine' style. In a busy cafe, speech bubbles float from people's mouths into others ears in a humorous musical patterns. 9/10.

🍿 Apparently, much of her work focuses on sex. REPETE (1995) open with the act, and then musically returns to it in many different repetitive forms. Uniquely erotic.

🍿 TRAM (2012) is perfect. A full bodied conductress drive her all-male passengers, and with every rhythmic vibration of the trolley, her fantasies gets hornier and she lets herself go. 10/10. (Full Film Above). [*Female Director*]

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Another gen from ol' Czechoslovakia, THE DEATH OF STALINISM IN BOHEMIA, my 4th by mad surrealist Jan Švankmajer. A piece of modernistic agitprop about his country's history from 1948 to 1989. His most political satire, and as usual, full of bloody cut organs made out of exploding clay played to nonstop disgusting slurping, guttural sounds.

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5 BY CROATIAN DAINA ONIUNAS-PUSIĆ:

🍿 In anticipation of her new, heralded A24 debut feature, 'Tuesday', I watched all her earlier shorts:

THE BEAST (2016), is a very odd look at familial abuse. A 75yo woman is angrily taking care of her invalid 100yo mother. Their relationship is uniquely cruel and unpredictable. That is before a mystical bat flies in and settles under the old woman's bed. Super weird!

🍿 WE FIGHT, BUT YOU'RE FABULOUS (2020) was made entirely of stock footage. A terrific pandemic story told only in voice over: A mother and her gay son keep bitching and complaining to each other.

🍿 RHONNA AND DONNA (2015) had an outrageous premise: One teenage sister plays Juliet in their Shakespeare school play, and her conjoined-twin doesn't want to... The mother, in this one, was just drinking wine while doing her yoga.

🍿 PRESS YOUR LIPS TOGETHER, (2011), her early film school work was also about a mother. This mother got bad news about her 13yo daughter. Slight and juvenile.

🍿 So finally, TUESDAY, another tortured saga of unusual mother and daughter relationship. First of all, it's chilly and ambitious, probably like the nightmare baby of Lynch's 'Eraserhead' [which I haven't seen yet] and 'Everything everywhere all at once'. For a young filmmaker making her debut, it's a bold 'Must see'. Mother Julia Louis-Dreyfus can't cope with the upcoming demise of Tuesday, her terminally-ill teenage daughter. A metaphorical Angel of Death, in the shape of mystical black macaw, visits her to help with her pain before he takes her away - and that in the middle of a zombie outbreak. Like 'Alice in Wonderland', their sizes changes, so they all grow and shrink all the time. Etc.

But it was too horror-like for me, and I couldn't connect. 3/10. [*Female Director*]

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"Judicial errors don't exist."

'Somebody is killing the supreme court judges of Palermo, Sicily' in the 1976 ILLUSTRIOUS CORPSES. Tough guy police inspector Lino Ventura is sent from Rome to solve a series of high-profile assassinations, and uncovers collusions, political conspiracies, and corruption at the highest order of society. For me, it mostly evoked one of my favorite kinks, the leisurely sights and sounds of mid-70's Italy, as depicted on film: Dark piazzas, the half-empty alleyways, the paranoia of the communist movement...

(On a recommendation by my friend HootsMaguire.)

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A WOMAN INTERVIEWED IN ONE CONTINUED SHOT X 2:

🍿 I never heard of the 1993 French masterpiece EMILIE MULLER, but as soon as I finished watching it, I had to watch it again, and then a third time! A young woman arrives for her first ever audition where she's asked to show the contents of her handbag. 10/10. It reminded me very much of another of my French favorites On S'Embrasse?

🍿 In BETTY TELLS A STORY (1972) a woman remembers how she once bought an expensive dress that she couldn't effort and never got to wear, and then tells the same story again, but this time focusing on her feelings about the events she described. 8/10. A seminal feminist work. It was later selected for the National Film Registry. [*Female Director*]

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2 ABOUT PAINFUL MUSLIM TRAUMAS:

🍿 BROTHERHOOD is a very powerful Tunisian short that was nominated for the 2020 Oscars. A simple goatherd family in some remote area experiences painful upheavals when the older son return from Syria with a Burka-clad young wife. 9/10.

The young director, Meryam Joobeur, expanded this story into her latest 'Who do I belong to'. [*Female Director*]

🍿 LISTEN (2014) is a terrifying story of spousal abuse. In a small interrogation room at a Copenhagen police station, a burka-covered woman is begging for help . Her husband had beaten her severely and is now threatens to kill her. Her desperate appeal is repeated again and again but is completely misunderstood, since she only speaks Arabic. 9/10, if you can manage to watch it.

It was made in Danish and Arabic by two directors; One Zambian-Welsh, and the other Finnish-Iranian...

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For the biggest Beatles fan that I was 60 years ago, and the Beatles completist that I've became since, the new Disney documentary BEATLES ‘64 doesn't offer much new. A few unseen clips on-stage and off, David Lynch goes off about the power of music, an editing decision to connect JFK idealism and death to the joy that The Beatles "brought back" on their first US tour. One thing that is painfully obvious from all that old footage: The media blitz that fueled their rise at that time was "SO" shallow, the interviews so inane, the TV and radios just unintelligent.

I hope that they improved since. /s

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DIRECTED BY DANNY DEVITO X2:

🍿 Danny DeVito produced a bunch of movies (Erin Brockovich, Get Shorty, Gattaca), but he also directed 15 movies (including Hoffa, The war of the roses, Matilda, Throw momma from the train). The last one he finished, CURMUDGEONS, became the first ever Vimeo Stuff Pick in 2016. A wonderful surprise about a grumpy 80yo man in an assisted living facility. I had to see it twice in a row! Highly recommended! 8/10.

🍿 NEST OF VIPERS (2011) is another comedic gem with a twist, about old rich Tracey Walters on his death bed.

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HOW THE GRINCH STOLE CHRISTMAS (the original 1966 television special). My first watch, and because this photo of Boris Karloff made me curious. Directed by Chuck Jones, and very close to Dr. Seuss original book. A radiant, unironically-gorgeous canvas. Another with 💯 score on Rotten Tomatoes.

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MY FIRST 2 WITH FRENCH CLAUDE MILLER:

🍿 JULIET IN PARIS (1967) - A young student engages with a series of inexplicable and bizarre acts, including a mutilation of a kitten and drinking its blood. Godard-lite. 2/10.

🍿 In connection with the 100th anniversary of the Lumiere Brothers' first motion picture, 40 directors were each given the opportunity to shoot a 52 second film using the original hand-cranked Cinématographe camera. LUMIÈRE ET COMPAGNIE (1995) was the resulting gimmicky anthology, a curios, self-referential homage. The best usages of the limited format were 1. The recreation of the original 'Arrival of a Train at La Ciotat Station'. 2. A couple with Down Syndrome kiss. 3. Zhang Yimou's scene at the Great Wall of China. 4. A couple embrace to music, by Claude Lelouch. 5. An egg being fried by Abbas Kiarostami. 6. Spike Lee trying to get his baby daughter to say 'Daddy'. YMMV.

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THE MOST DANGEROUS GAME (1932) is HUNTING HUMANS! Sadistic count 'Zaroff' explains his perverted lust for killing humans as a prelude to having sex with their women. Very unusual and very much pre-code! With the same set-up and crew of the people who made King Kong a year later. 💯 score on Rotten Tomatoes. But only 2/10 from me.

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AGAIN?!?!? - "Again!!"- IAIN RANNOCH X 2:

🍿 "Does that cover cakes?"...

Everything I repeated 8-10 times already about my favorite 'Black Mirror' episode, HATED IN THE NATION, (last time in January), still stands. It's one of the best dystopian police procedural I know about people being held responsible for their actions. And the only sequel I ever want is the one where DSI Karin Parke and her sidekick Blue Coulson team up again to solve futuristic high-tech mysteries. And that ominous soundtrack note, man! 10/10.

(I re-watched it mostly for the details of the "Hashtag Seeding" twist, which I want to use myself in my next move...)

🍿 'Black Mirror' was built as a loosely-connected universe, where details from one episode are often referred to in another. F.ex. Blue Coulson is the one who cracked Iain Rannoch's 'Souvenir file', which was the reason for her resigning from forensic. And Iain Rannoch was the child murderer in S2E2 WHITE BEAR episode. This one I saw only once before, for a good reason, and I regret seeing again. It's a sadistic torture-porn, a nasty horror story about a woman who's being punished for an unspeakable act. Mean, distressful nightmare of the very type I don't care for. 1/10. Re-watch for both ♻️.

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A BUNCH OF SHORTS:

🍿 THEN COMES THE BODY tells of a Nigerian young man who taught himself how to dance ballet from watching YouTube tutorials and of the ballet school he started in the open-sewer slums of Lagos. It's the Instagram opposite of the Frederick Wiseman's Troisgros pure documentary style from above, but the subject matter is too powerful, so that the manipulation in this one is soon forgotten. You "will" cry! 7/10.

🍿 MILTON (1992) was the original sketch, part of Mike Judge's early, crude drawings which 7 years later he transformed into 'Office Space'. Every line in this short was used in the live-action version. 8/10.

🍿 COLOUR BOX (1935), a lovely abstract British experimental film, which the Nazi labeled 'degenerate'. Excellent Cuban music score.

🍿 WHO ARE YOU? (2019) by Chilean Julio Pot is a great little animation about a novelist with a writer block. Made in a delightful 'New Yorker' Cartoon style in black with red accents, but unfortunately it was dubbed into English, by voice actors that didn't match the story.

🍿 LIFT (2001) was a semi-pointless British documentary. The director installed himself in a narrow elevator of a typical tower block, and for a long period of time tried to engage in conversation with the ordinary folks who use it. A good concept, but it never got beyond random small talk.

🍿 HI-FI (2000), an early, wordless Sean Baker mood piece. 4 teens ride a sedan through New York at night, looking to score some hard drugs. M'eh.

🍿 MADAME TUTLI-PUTLI (2007), a weird Canadian Oscar-nominated stop motion puppetry nightmare. A creepy-looking 1920's flapper girl on a metaphysical night train is running away from something into unexplainable dreams.

🍿 Jack Stauber's 2020 OPAL, an even weirder, more unsettling mishmash of horrifying trops, done in an ugly, off-putting aesthetics. Low-rent Eraserhead.

🍿 FOUR WOMEN (1975), my first by Julie Dash. A choreographed modern dance interpenetrating the Nina Simon song. [*Female Director*]

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THROW-BACK TO THE ADORA ART PROJECT:

Adora loves to cook.

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(ALL MY FILM REVIEWS - HERE).

#movies #czech cinema #czech animation

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news365timesindia · 3 months ago

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[ad_1] The last 30 minutes of Bhool Bhulaiyaa 3 seem to be written and directed entirely by someone else. How else do you explain the sudden shift in tone and quality? For two solid hours, the horror-comedy meanders its way through with a gag here and a jump scare there, making Kartik Aaryan sleepwalk and the other veteran actors ham. Then, the climax turns the tables, giving Madhuri Dixit and Vidya Balan room to show why they are what they are, and even Kartik has some room to perform finally. The film, which had largely depended on stale humour till then, suddenly makes brave and bold choices, raising issues, making sense, and even tugging at your heart. The payoff is good but lord, does it take forever to get to it. What is Bhool Bhulaiyaa 3 about? Roohan aka Rooh Baba (Kartik) is a charlatan, a ghostbuster who cons people in Kolkata. He is contacted by the princess of Raktaghat, Meera (Triptii Dimri), who wants him to do this ghostbusting act at her kingdom because her father, Raja Saab (Vijay Raaz), is convinced the palace is haunted by Manjulika, a 200-year-old witch. Roohan learns that he bears a striking resemblance to a late prince of the kingdom, and everyone assumes he is the reincarnation. He decides to get rid of Manjulika for the royals. But the only trouble is who is Manjulika. The candidates are two mysterious women – Mallika (Vidya Balan), who comes to the palace to restore it, and Mandira (Madhuri Dixit), a royal who wants to buy the property. Both have a weird fixation with the palace and the throne, bringing with them some unusual happenings. How it fares Kartik Aaryan shoulders the first half of the film, but alas, director Anees Bazmee reduces him to an Akshay Kumar clone for the most part. The actor’s physicality, comedy, and delivery are all reminiscent of the star who started this franchise. Kartik tries his best to coast through, but he acts within himself. Triptii Dimri is also presented in the film as a replaceable female face, which is quite sad for an actor of her calibre. As the film plays out through a series of gags, annoying songs that interrupt the narrative, and some predictable jump scares, you see talents like Vijay Raaz, Sanjay Mishra, Ashwini Kalsekar, and Rajpal Yadav being wasted totally. To say the first half is sluggish is an understatement. It tests your patience. The story goes nowhere, and the premise that is set is negated in the second half. Triptii Dimri gets a grand total of one scene where she shows why she is considered among the most promising actresses of her generation. And she knocks it out of the park in that scene. But before and after that, she is sadly reduced to a prop. I mean, once you get Madhuri Dixit and Vidya Balan to overact, just how can you expect Kartik Aaryan to save a film? That rescue act comes in the form of an unexpected climax. Just when you have lost faith in the film, the tables are turned. Director Bazmee introduces a layer and a plot twist you do not see coming. It is brave, it is bold, but it is so delayed that you hardly care by now. There is no denying that the climax is good. In the two scenes that he gets, Kartik Aaryan emotes through his eyes and shows he is capable of putting up a performance too. In those 20 minutes, he transforms into the Kartik from Chandu Champion. But sadly, the director does not trust him fully. He uses VFX and camera trickery to present him, which only masks his performance. Vidya Balan is another shining light in the film. No offence to Kartik, but Vidya owns Bhool Bhulaiyaa, the franchise. And in this part, she shows just why. She is effortless, natural, and has a commanding screen presence. Even in scenes with someone as striking as Madhuri Dixit, she shines the brightest. Madhuri gets limited screentime but holds her own in it. When she and Vidya are not going over the top in their Manjulika act, it is fun to watch their jugalbandi. Final thoughts Bhool Bhulaiyaa 3 is often compared to Stree 2 in that both are horror comedies from a franchise.

But while Stree 2 is organically linked to the first part, Bhool Bhulaiyaa 3 is just a spiritual successor. We aren’t told if this Roohan is the same as part 2. If yes, then what happened to Kiara Advani’s character? These questions are never answered. The film simply tries to sell a brand through nostalgia, using a new(er) rendition of Ami Je Tomar and Vidya Balan. But it falls flat because the film is structured like a gag reel with a twist at the end. Yes, the twist is good, but did we have to suffer for two hours for it? Bhool Bhulaiyaa 3 packs a powerful message, but one that deserved a better film. [ad_2] Source link

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news365times · 3 months ago

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oppvenuz · 4 months ago

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Best Choreographers in Mumbai: Masters of Dance and Creativity

Mumbai, often referred to as the entertainment capital of India, is home to some of the most talented choreographers in the world. These dance maestros have not only made a mark in Bollywood but have also influenced stage shows, music videos, and live performances globally. Whether you're looking to hire a choreographer for a wedding, a corporate event, or a film, these professionals are some of the best in the industry.

Click Here For More Details:https://www.oppvenuz.com/vendors/choreographer/?city=mumbai

1. Shiamak Davar

Shiamak Davar is a name synonymous with modern dance in India. Known for introducing contemporary and jazz styles to Bollywood, he has choreographed numerous award-winning performances. His dance academy is one of the largest in India, and his signature style blends Indian classical with Western techniques, making him a pioneer in the industry.

Notable Work:

- Choreography for Bollywood films like Dil To Pagal Hai and Dhoom 2.

- His dance troupe has performed at global events, including the Commonwealth Games.

2. Ganesh Acharya

A well-known name in Bollywood, Ganesh Acharya is celebrated for his ability to blend fun, energetic dance moves with intricate choreography. His work spans a wide range of genres, from classical Indian dances to modern Bollywood styles. With numerous accolades, including National Film Awards, Ganesh continues to leave his mark on the dance scene.

Notable Work:

- Films like Bajirao Mastani, Padmaavat, and Bodyguard.

- Choreographed popular item numbers such as Chikni Chameli and Mastani.

3. Remo D'Souza

A versatile and creative force, Remo D’Souza has become one of Bollywood’s most prominent choreographers. He is known for choreographing high-energy dance sequences that are both innovative and impactful. Remo’s work spans not only films but also popular dance reality shows, where he has mentored and judged aspiring dancers.

Notable Work:

- Choreography for films like ABCD series and Race 3.

- Judge on shows like Dance India Dance and Jhalak Dikhhla Jaa.

4. Vaibhavi Merchant

One of the few female choreographers in Bollywood, Vaibhavi Merchant has established herself as a powerhouse in dance. She has a unique flair for choreographing large-scale, glamorous dance numbers that leave audiences in awe. Vaibhavi is known for working with top actors and delivering iconic dance routines.

Notable Work:

- Films like Devdas, Jab Tak Hai Jaan, and Dhoom series.

- Hit songs like Kajra Re and Kamli.

5. Terence Lewis

Famous for his contemporary dance style, Terence Lewis is one of India’s most respected choreographers. He runs the Terence Lewis Contemporary Dance Company and has choreographed for various Bollywood films and stage productions. Known for his grace and versatility, Terence also serves as a judge on dance reality shows.

Notable Work:

- Judge on Dance India Dance.

- Choreography for international musicals and Bollywood projects.

6. Saroj Khan (Late)

While no longer with us, Saroj Khan remains a legendary figure in Indian choreography. Known as the "Mother of Dance" in Bollywood, Saroj Khan choreographed some of the most iconic dance sequences in Indian cinema. Her work left a lasting impact, and she mentored several generations of dancers and choreographers.

Notable Work:

- Ek Do Teen from Tezaab, Dola Re Dola from Devdas.

- Choreographed for legendary actresses like Madhuri Dixit and Sridevi.

7. Bosco-Caesar

This dynamic duo has been behind some of Bollywood’s most stylish and innovative dance routines. Bosco Martis and Caesar Gonsalves work together to create fun, vibrant, and visually appealing choreography that resonates with younger audiences.

Notable Work:

- Films like Zindagi Na Milegi Dobara and Yeh Jawaani Hai Deewani.

- Choreography for music videos and international concerts.

Conclusion

Mumbai's dance scene is brimming with talent, and these choreographers have each played a vital role in shaping the industry. Whether you’re a Bollywood producer, an event organizer, or simply someone looking to add flair to a personal celebration, these choreographers are the best in the business, blending tradition with modernity to create unforgettable performances.

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oppvenuz7 · 4 months ago

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Best Choreographers in Mumbai: Masters of Dance and Creativity

Click Here For More Details:https://www.oppvenuz.com/vendors/choreographer/?city=mumbai

1. Shiamak Davar

Notable Work:

- Choreography for Bollywood films like Dil To Pagal Hai and Dhoom 2.

- His dance troupe has performed at global events, including the Commonwealth Games.

2. Ganesh Acharya

Notable Work:

- Films like Bajirao Mastani, Padmaavat, and Bodyguard.

- Choreographed popular item numbers such as Chikni Chameli and Mastani.

3. Remo D'Souza

Notable Work:

- Choreography for films like ABCD series and Race 3.

- Judge on shows like Dance India Dance and Jhalak Dikhhla Jaa.

4. Vaibhavi Merchant

Notable Work:

- Films like Devdas, Jab Tak Hai Jaan, and Dhoom series.

- Hit songs like Kajra Re and Kamli.

5. Terence Lewis

Notable Work:

- Judge on Dance India Dance.

- Choreography for international musicals and Bollywood projects.

6. Saroj Khan (Late)

Notable Work:

- Ek Do Teen from Tezaab, Dola Re Dola from Devdas.

- Choreographed for legendary actresses like Madhuri Dixit and Sridevi.

7. Bosco-Caesar

Notable Work:

- Films like Zindagi Na Milegi Dobara and Yeh Jawaani Hai Deewani.

- Choreography for music videos and international concerts.

Conclusion

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starfriday · 9 months ago

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*Bollywood’s Dancing Queens: From Jacqueline Fernandez to Katrina Kaif*

*Bollywood's Best Dancers: Actresses Who Rule the Dance Floor; From Jacqueline Fernandez to Katrina Kaif*

Bollywood has always been synonymous with grandeur, emotion, and, most importantly, dance. Over the years, several actresses have wowed audiences with their impeccable dance moves, turning songs into iconic numbers. Among them, Jacqueline Fernandez, Katrina Kaif, Madhuri Dixit, and Priyanka Chopra stand out as the reigning queens of dance. Here's a look at their popular songs and how they've continually proven themselves in the world of dance.

Jacqueliene Fernandez:

Jacqueliene Fernandez has made a significant mark in Bollywood with her vibrant energy and dazzling dance moves. Known for her vivacious moves, Jacqueliene has performed in various dance styles, from contemporary to traditional making every song a big hit. Currently, her latest song Yimmy Yimmy is trending on social media, enabling netizens to follow her hook step when has now taken over the internet like a storm.

*Popular Songs:*

1. *Yimmy Yimmy*: Yimmy Yimmy has taken over the nation since the day it was dropped, all due to Jacqueliene's dance steps proving that she is the undisputed queen of music success.

2. *Chittiyaan Kalaiyaan* from *Roy* - This peppy number became a massive hit, with Jacqueline's playful and energetic dance moves captivating the audience.

3. *Jumme Ki Raat* from *Kick* - Her chemistry with Salman Khan and her dance moves in this song were widely appreciated.

4. *Beat Pe Booty* from *A Flying Jatt* - Jacqueline's electric performance and her ability to match the beats perfectly made this song a favorite.

5. *Paani Paani* - A more recent hit, Jacqueline's dance in this song was sensuous and showcased her range as a dancer.

Katrina Kaif

Katrina Kaif, known for her stunning looks and impeccable dance skills, has been a part of some of Bollywood's most iconic dance numbers. Her ability to perform complex dance routines with grace has earned her a special place in the industry.

*Popular Songs:*

1. *Sheila Ki Jawani* from *Tees Maar Khan* - Katrina's bold and confident moves in this song made it an instant hit and a dance anthem.

2. *Kamli* from *Dhoom 3* - This song highlighted Katrina's athleticism and her ability to execute demanding choreography with finesse.

3. *Chikni Chameli* from *Agneepath* - A perfect blend of traditional and contemporary dance, Katrina's performance was fiery and unforgettable.

4. *Swag Se Swagat* from *Tiger Zinda Hai* - Her effortless and stylish dance moves, along with her charisma, made this song a chartbuster.

Priyanka Chopra

Priyanka Chopra, a global icon, has showcased her dancing prowess in numerous Bollywood hits. Known for her versatility, Priyanka has excelled in both Western and Indian dance forms.

*Popular Songs:*

1. *Desi Girl* from *Dostana* - This song turned Priyanka into the ultimate 'Desi Girl', with her stunning dance moves and charm.

2. *Ram Chahe Leela* from *Goliyon Ki Raasleela Ram-Leela* - Priyanka's sultry and bold performance in this song was highly praised.

3. *Pinga* from *Bajirao Mastani* - Alongside Deepika Padukone, Priyanka delivered a beautiful traditional dance performance that was both graceful and powerful.

4. *Exotic* - Although not from a Bollywood movie, this song showcased Priyanka's ability to blend Western pop with Indian dance elements.

Kareena Kapoor Khan

Kareena Kapoor Khan, a powerhouse of talent, has always impressed with her graceful dance moves and on-screen charisma. Known for her ability to infuse energy and elegance into every performance, Kareena has been a part of some of Bollywood's most memorable dance numbers.

*Popular Songs*:

*Mauja Hi Mauja* from Jab We Met - Kareena's energetic and lively dance moves made this song an instant hit and a wedding favorite.

*Fevicol Se* from Dabangg 2 - Her bold and confident dance performance in this song became a major highlight of the film.

*Chammak Challo* from Ra.One - Collaborating with international artist Akon, Kareena's stunning dance moves and chemistry with Shah Rukh Khan made this song iconic.

*Bole Chudiyan* from Kabhi Khushi Kabhie Gham - A classic Bollywood song, Kareena's traditional dance in this song is still remembered and loved by fans.

*Yeh Ishq Haaye* from Jab We Met - Her playful and free-spirited dance moves in this song perfectly captured the essence of her character.

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blogtozone · 1 year ago

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Dholna Piano Notes | Dil To Pagal Hai

Dholna Piano Notes

Notes :- Kab tak chup baithe ab toh kuch hai bolna G4 A4 B4 A4 G4 A4 B4 A4 G4 E4 G4 G4 A4 Kuch tum bolo kuch hum bole o dholna G4 A4 B4 A4 G4 A4 B4 A4 G4 E4 A4 G4 G4 Mar Jana tha yeh bhed nahin tha kholna D5 C5 D5 D5 D5 D5 E5 D5 C5 B4 A4 G4 B4 O dholna, O dholna D5 C5 B4 A4 A4 A4 B4 C5, C5 B4 A4 G4 G4 Kab tak chup baithe ab toh kuch hai bolna G4 A4 B4 A4 G4 A4 B4 A4 G4 E4 G4 G4 A4 Kuch tum bolo kuch hum bole o dholna G4 A4 B4 A4 G4 A4 B4 A4 G4 E4 A4 G4 G4 Music G4 B4 A4 G4 E4 G4 A4, G4 B4 A4 G4 E4 A4 G4 B4 D5 C5 B4 A4 B4 C5, B4 D5 C5 B4 A4 C5 B4 G4 B4 A4 G4 E4 G4 A4, G4 B4 A4 G4 E4 A4 G4 Do chaar kadam pe tum the, Do chaar kadam pe hum the D4 G4 G4 G4 A4 A4 A4, D4 G4 G4 G4 A4 G4 G4 G4 Music G4 F4# E4 A4 F4# G4 Do chaar kadam pe tum the, Do chaar kadam pe hum the G4 G4 G4 F4# A4 G4 F4# E4 A4, A4 A4 A4 G4 B4 A4 G4 G4 Do chaar kadam yeh lekin, Sau milon se kya kam the G4 G4 G4 F4# A4 G4 F4# E4, A4 A4 A4 G4 B4 A4 G4 G4 Phir uspe kadam kadam pe dil ka dolna D5 B4 D5 D5 D5 D5 D5 E5 D5 C5 B4 A4 G4 B4 Haye dolna, O dholna D5 C5 B4 A4 A4 A4 B4 C5, C5 B4 A4 G4 G4 Kab tak chup baithe ab toh kuch hai bolna G4 A4 B4 A4 G4 A4 B4 A4 G4 E4 G4 G4 A4 Kuch tum bolo kuch hum bole o dholna G4 A4 B4 A4 G4 A4 B4 A4 G4 E4 A4 G4 G4

About Song :-

"Dholna" is a beautiful Hindi song from the Bollywood movie "Dil To Pagal Hai," which was released in 1997. The film is a romantic musical directed by Yash Chopra and features Shah Rukh Khan, Madhuri Dixit, and Karisma Kapoor in the lead roles. The music for the movie was composed by Uttam Singh, and "Dholna" is one of the standout tracks from the film's soundtrack. Here are some key details about the song "Dholna" from "Dil To Pagal Hai": Singers: "Dholna" is sung by the legendary playback singers Udit Narayan and Lata Mangeshkar. Udit Narayan's melodious voice complements Lata Mangeshkar's sweetness, making it a memorable duet. Lyrics: The lyrics for the song were written by Anand Bakshi, a prolific lyricist in the Hindi film industry. Music: The music for "Dholna" was composed by Uttam Singh, who created a soulful and romantic melody that perfectly captures the essence of the film's love story. Release Date: The song was released as part of the movie's official soundtrack and played a pivotal role in the narrative of the film. Context: "Dil To Pagal Hai" is a romantic drama that revolves around the world of dance and music. It tells the story of two best friends who are part of a dance troupe and how their lives change when they meet a talented and passionate dancer. "Dholna" is a heartfelt and romantic song that expresses the emotions of love and longing. The chemistry between Shah Rukh Khan and Madhuri Dixit in the song's visuals adds to its charm. The song became immensely popular and is considered a classic in Hindi film music. It continues to be cherished by fans of Bollywood music and is often played at romantic events and weddings. Read the full article

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Mera Dil Bhi Kitna Pagal Hai lyrics- Kumar Sanu, Alka Yagnik

Mera Dil Bhi Kitna Pagal Hai lyrics in hindi

Mera Dil Bhi Kitna Pagal Hai lyrics in Hindi it is best 90s song lyrics This song is sung by Kumar Sanu, Alka Yagnik. and Mera Dil Bhi Kitna Pagal Hai Song lyrics Are written by Sameer.While music composer of the song is Nadeem-Shravan and

Mera Dil Bhi Kitna Pagal Hai lyrics- Kumar Sanu, Alka Yagnik Mera Dil Bhi kitna Pagal Hai Song Details Song Title: Mera Dil Bhi Kitna Pagal Hai lyrics Movie: Saajan Singer: Kumar Sanu, Alka Yagnik / Kumar Sanu Lyrics: Sameer Music: Nadeem-Shravan Artist: Sanjay Dutt, Salman Khan, Madhuri Dixit. Mera Dil Bhi Kitna Pagal Hai lyrics मेरा दिल भी कितना पागल है ये प्यार तो तुमसे करता है मेरा दिल भी कितना पागल है ये प्यार तो तुमसे करता है पर सामने जब तुम आते हो पर सामने जब तुम आते हो कुछ भी कहने से डरता है ओ मेरे साजान.. ओ मेरे साजान.. साजान.. साजन.. मेरे साजान.. मेरा दिल भी कितना पागल है ये प्यार तो तुमसे करता है.. कितना इसको समझाता हूँ कितना इसको बहलाता हूँ कितना इसको समझाता हूँ कितना इसको बहलाता हूँ नादान है कुछ ना समझता है दिन रात ये आहें भरता है मेरा दिल भी कितना पागल है ये प्यार तो तुमसे करता है मेरा दिल भी कितना पागल है ये प्यार तो तुमसे करता है पर सामने जब तुम आते हो पर सामने जब तुम आते हो कुछ भी कहने से डरता है ओ मेरे साजान.. ओ मेरे साजान.. साजान.. साजन.. मेरे साजान.. मेरा दिल भी.. हर पल मुझको तड़पाता है मुझे सारी रात जगाता है हर पल मुझको तड़पाता है मुझे सारी रात जगाता है इस बात की तुमको ख़बर नहीं ये सिर्फ तुम्ही पे मरता है मेरा दिल भी कितना पागल है ये प्यार तो तुमसे करता है मेरा दिल भी कितना पागल है ये प्यार तो तुमसे करता है पर सामने जब तुम आते हो पर सामने जब तुम आते हो कुछ भी कहने से डरता है ओ मेरे साजान.. ओ मेरे साजान.. साजान.. साजन.. मेरे साजान.. मेरा दिल भी.. Mera Dil Bhi Kitna Pagal Hai YouTube Video Mera Dil Bhi Kitna Pagal Hai lyrics Kumar Sanu, Alka Yagnik Mera Dil Bhi Kitna Pagal Hai Ye Pyar To Tum Se Karta Hai Mera Dil Bhi Kitna Pagal Hai Ye Pyar To Tum Se Karta Hai Par Saamne Jab Tum Aate Ho, Kuch Bhi Kehne Se Darta Hai O Mere Saajan, O Mere Saajan, Saajan Saajan, Mere Saajan Mera Dil Bhi Kitna Pagal Hai Ye Pyar To Tum Se Karta Hai Mera Dil Bhi Kitna Pagal Hai Ye Pyar To Tum Se Karta Hai Kitna Isko Samajhata Hu, Kitna Isko Behlata Hu Kitna Isko Samajhata Hu, Kitna Isko Behlata Hu Naadaan Hai Kuch Na Samajhata Hai, Din Raat Ye Aahen Bharta Hai Mera Dil Bhi Kitna Pagal Hai Ye Pyar To Tum Se Karta Hai Mera Dil Bhi Kitna Pagal Hai Ye Pyar To Tum Se Karta Hai Par Saamne Jab Tum Aate Ho, Kuch Bhi Kehne Se Darta Hai O Mere Saajan, O Mere Saajan, Saajan Saajan, Mere Saajan Mera Dil Bhi Kitna Pagal Hai Ye Pyar To Tum Se Karta Hai Mera Dil Bhi Kitna Pagal Hai Ye Pyar To Tum Se Karta Hai Har Pal Mujhko Tadpata Hai, Mujhe Saari Raat Jagata Hai Har Pal Mujhko Tadpata Hai, Mujhe Saari Raat Jagata Hai Is Baat Ki Tumko Khabar Nahi, Ye Sirf Tumhi Pe Marta Hai Mera Dil Bhi Kitna Pagal Hai Ye Pyar To Tum Se Karta Hai Mera Dil Bhi Kitna Pagal Hai Ye Pyar To Tum Se Karta Hai Par Saamne Jab Tum Aate Ho Par Saamne Jab Tum Aate Ho Kuch Bhi Kehne Se Darta Hai O Mere Saajan, O Mere Saajan, Saajan Saajan, Mere Saajan. Dear Friends, If you like these new Hindi song lyrics “Mera Dil Bhi Kitna Pagal Hai lyrics- Kumar Sanu, Alka Yagnik“. So please share it. it will provide enthusiasm and courage for us. With the help of which we will continue to bring you lyrics of all-new Haryanvi songs in the same way. Please share it with your loved ones show your love to us. At the End of Mera Dil Bhi Kitna Pagal Hai lyrics- Kumar Sanu, Alka Yagnik. If you find any mistakes in the lyrics of this song, please send correct lyrics using the contact us form. you can also request your favorite song lyrics Latest Song Lyrics - Tareefan Lyrics -Mann Dhami Super Hit 2021 Song - Rihaayi De lyrics in Hindi- A R Rahman in 2021 - Aag Ka Dariya lyrics in Hindi 2021 - Zimmad lyrics in Marathi- Amruta Natu - Rona Nahi lyrics in Hindi – Raj Barman Read the full article

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