#Songs Composed by A R Rahman

[doyoulikethissong-poll]

A. R. Rahman - Jai Ho 2008

"Jai Ho" is a song composed by A. R. Rahman for the 2008 film Slumdog Millionaire. He planned the score in two months and completed it in 20 days. The lyrics were written by Gulzar and are a combination of Hindi, Urdu and Punjabi, with a touch of Spanish.

"Jai Ho" is a phrase which can be roughly translated as "Let there be victory". At the time of its release, covers and remixes of the song and performances of the "Jai Ho" dance were posted on YouTube. It received universally favorable reviews from music critics, who cited it as the best song on the Slumdog Millionaire soundtrack, which peaked at #4 on the US Billboard 200 Chart.

"Jai Ho" won an Academy Award for Best Original Song and a Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media.

Slumdog Millionaire won eight Academy Awards in total, including Best Picture and Best Original Music Score, seven BAFTA Awards, including Best Film and Best Film Music, and four Golden Globe Awards, including Best Film and Best Original Score. The soundtrack won two Grammy Awards, one for the album itself and another, as previously mentioned, for "Jai Ho".

It recieved a total of 63,8% yes votes! :D 💖

[dandelionsandderivatives]

when you get this ask you have to answer with 5 of ur fav songs and then send this ask to 10 of ur favourite followers :)

(only if you want to though!)

Oh ho ho! What a lovely surprise to see this in my ask box! 1. June in January. I love this, partially because it's one of the few winter songs that's explicitly not about Christmas, and because the month of January is so often associated with austerity and deprivation. It's nice to have a song dedicated to a month that doesn't get much other than diet fads, even if the song's message is very "the weather is terrible but love makes it beautiful." The Jo Stafford version is the one I grew up listening to.

2. Continuing on with winter songs, because it's snowing here and I love it, we have Snow by Loreena Mckennitt. (The version on To Drive the Cold Winter Away is better than the one on A Winter Garden/ A Midwinter Night's Dream, and I'll fight for this.)

3. I listened to The Mary Ellen Carter a lot last year (I was going through some things). It's a lovely blend of multiple great folk song genres, such as "songs about heists" and "songs about ships." The original is by Stan Rogers, but I discovered this cover version first:

4. This whole album is an old favorite of mine. The recorder is a highly underrated instrument, and it's a lot of fun to show this to people who've never heard a recorder nicer than the $3 plastic ones.

5. As far as I can tell, A. R. Rahman has never in his life composed a bad song. Mellia, I know you've already seen and enjoyed Jodhaa Akbar, so instead of Jashn-e-Bahaara, I give you this one (I didn't love the movie, but the song's a certified banger):

[hufflepuffronstan]

Getting to Know You Tag Game

Thank you so much for the tag @lynnelupin 💖

Relationship Status: Single

Favourite Colour: I don't have a favourite but I love fresh grass green and peacock blue!

Song Stuck In My Head: It's All Coming Back to Me by Celine Dion

Last Song You Listened Too: Aga Naga composed by A R Rahman

Three Favourite Food Items: Love any good vegetarian food actually. But if I had to choose, it would be noodles -any kind, be it Chinese Schezuan or Italian Spaghetti or Veg Ramen or Chowmein... I could go on and on, honestly 😂

Last Thing You Googled: Lily Evans middle name 😩

Dream Trip: In India, Ladakh has been a dream for years. Also, Thanjavur because I am reading a book called Ponniyin Selvan by Kalki (It's a five-volume book series, now adapted into a two-part movie. Check it out if you're interested in centuries old Indian history, royal schemes and romances.) Anyways, the place is so beautifully portrayed in the books, the characters are so well written, and everything is just brilliant that I want to visit the places described in the books that I fell in love with.

Internationally, there are so many beautiful countries. But I've wanted to visit Ardmore, Ireland ever since I read Nora Robert's Gallaghers series (14-year-old me dreamt of picturesque country roads, abandoned castles, faeries and cliffs rising from the seas) 😋

Tagging @theroomofreq @maraudersftw @acnelli @pottermum @hufflespostsboy @edie-k @bjornthorsson20 @joyseuphoria @startanewdream @sweeethinny @pebblysand @remedialpotions @restandbloom @questions-forthe-marauders @velvethopewrites @thejilyship @ginnyheadcanons @petalstofish @liiilyevans

PS: Tagged and don't want to do this, please ignore and not tagged but want to do this, please do! I'm sorry for either of the cases. 😶‍🌫️

🤍Eyra

[musicalrecs]

Today's shameless promotion is for a show I've never seen and probably never will, and honestly? That might be for the best. Because while I adore the soundtrack for Lord of the Rings: The Musical, and the official clips on Youtube look amazing, I've heard the actual show is a bit of a, well, mess. And the incredibly complicated staging and huge cast mean it never toured and probably never will. But oh, the music!

The two group Hobbit songs ("The Road Goes On" and "The Cat and the Moon") are rousing crowd pleasers. The duet between Sam and Frodo as they try to keep their spirits up during the long road to Mordor ("Now and For Always") makes me tear up no matter how many times I hear it, it's so perfect for them and the story.

The Elves' big number, "Lothlorien," is beautiful. Gimli's "Lament for Moria" is... okay, look, to be honest the first couple times I heard it I assumed it was in Dwarvish because I couldn't make out the lyrics. XD But Aragorn and Arwen's "Song of Hope," is sweet and romantic with appropriate epic overtones.

Also, Gollum (and Smeagol) get a monologue on the CD that always freaks me out before I remember to skip it. XD (Not because it's bad, I just don't like Gollum and don't want to listen to him scheme, and it's like the audio equivalent of a jump scare when it starts.)

If you're familiar with Lord of the Rings (and if you're not, this musical is probably not for you), you may be wondering, "how did they boil all that plot into one musical, however long?" and from the reviews I've read, the answer is "not well."

Apparently it was more like a ballet/cirque du soleill sequence of set pieces, with some weird Hobbit pantomime-type stuff in-between? Which is fine as long as you know that's what you're in for. (Note: still mad about the time I went to see Movin' Out, the Billy Joel jukebox musical, without realizing it was ballet for middle-aged dudes.) There's a video on Youtube that attempts to recreate the whole show from various illicit videos, and gonna be honest, I made it through about three minutes before deciding the pictures in my head didn't need supplanting.

I just looked up the composers for the purpose of this post (why had that never occurred to me before?), and A R Rahman's discography has it's own Wikipedia page. O_O So that's a famous and prolific Bollywood composer; Värttinä, a Finnish folk band I'm going to be looking up as soon as I'm done writing this; and a guy who doesn't have his own page on Wikipedia but according to IMDB has been doing Marvel movies. So, that's definitely an interesting trio.

Speaking of research, apparently a production has been announced for this summer!! ...In Newbury, England. ::sigh:: In a 200-seat theater, no less, with reasonable ticket prices, so clearly some revisions to the staging and cast have been made, and it's being marketed as "semi-immersive" and oh, suddenly I'm quite sad I don't have the budget to vacation in the UK this summer. (If any of you see it, don't tell me if it's good now. It will only hurt me if it is.)

Right, jealousy of people able to go aside, if you like Lord of the Rings and you like musicals, do yourself a huge favor and listen to the soundtrack. I guarantee you'll love it.

[dmtrecordspvtltd]

The Evolution of Bollywood Music – A Journey Through Time

Music is an integral part of Indian culture, and Bollywood has played a significant role in shaping the country’s musical landscape. Over the decades, Bollywood music has evolved, reflecting social changes, technological advancements, and global influences. From the soulful melodies of the golden era to the high-energy tracks of the modern digital age, Bollywood music continues to capture hearts across generations. Today, trending songs in India feature a diverse range of sounds, blending traditional Indian instruments with contemporary beats.

The Golden Era of Bollywood Music (1950s–1980s)

The golden era of Bollywood music was marked by timeless melodies and classical influences. The 1950s and 1960s were dominated by legendary playback singers like Lata Mangeshkar, Kishore Kumar, Mohammed Rafi, and Mukesh, who delivered some of the most iconic songs in Indian cinema. Music composers such as S.D. Burman, R.D. Burman, Naushad, and Madan Mohan created masterpieces that are still revered today. The orchestration was largely inspired by Indian classical music, with sitars, tablas, and harmoniums playing a significant role in compositions.

During this time, songs carried deep emotions and poetic lyrics, often penned by great lyricists like Sahir Ludhianvi, Shailendra, and Anand Bakshi. Tracks like "Pyaar Hua Ikraar Hua," "Ajeeb Dastan Hai Yeh," and "Mere Sapno Ki Rani" became household favorites and are still frequently played on radio stations and streaming platforms.

The Disco and Bollywood Pop Era (1980s–1990s)

As Bollywood entered the 1980s, there was a significant shift in music style. The influence of Western music, particularly disco and rock, started to emerge. The rise of Bappi Lahiri and R.D. Burman brought a fresh wave of electronic beats, disco-inspired songs, and peppy dance numbers. The late 1980s saw the entry of Kumar Sanu, Udit Narayan, and Alka Yagnik, who became the voices of the next generation.

The 1990s became a defining era for Bollywood music, with a blend of melodious romantic numbers, energetic dance tracks, and soulful ghazals. The emergence of A.R. Rahman changed the industry forever. His fusion of Indian classical music with international sounds set a new benchmark for Bollywood music. Songs from movies like "Dil Se," "Taal," and "Roja" showcased his ability to blend traditional instruments with modern electronic beats.

This period also saw the growth of Bollywood pop, with independent artists gaining popularity alongside film music. Singers like Alisha Chinai, Baba Sehgal, and Lucky Ali carved their niche in the industry. Pop albums became a rage, with songs like "Made in India" and "O Sanam" receiving massive love from audiences.

The Digital Revolution and Bollywood's Musical Shift (2000s–2010s)

The early 2000s witnessed the increasing dominance of playback singers like Sonu Nigam, Shaan, Shreya Ghoshal, and Sunidhi Chauhan. Music composers such as Vishal-Shekhar, Pritam, and Shankar-Ehsaan-Loy brought a contemporary twist to Bollywood soundtracks, experimenting with rock, R&B, and hip-hop influences.

With the digital revolution, the way people consumed music changed drastically. The rise of MP3 players, online streaming platforms, and YouTube altered the music distribution system. Songs no longer depended solely on radio and television for promotion; they could now reach global audiences instantly.

Bollywood also embraced the trend of remixing old classics, bringing them back into mainstream culture with modern beats and electronic elements. While some remixes received appreciation, purists criticized them for diluting the originality of the classics. Nevertheless, remixes became an inseparable part of Bollywood music.

The Social Media Era and Independent Music Boom (2010s–Present)

Today, Bollywood music is heavily influenced by social media platforms like Instagram, YouTube, and TikTok. Viral trends and dance challenges dictate what becomes popular, often leading to non-Bollywood songs achieving mainstream success. Independent artists are now competing with Bollywood playback singers, thanks to digital music platforms like Spotify, JioSaavn, and Apple Music.

Trending songs in India now include a mix of Bollywood film tracks, independent music, and international collaborations. The audience is more open to diverse sounds, from Punjabi beats and lo-fi music to rap and electronic dance music (EDM).

Another significant trend is the rise of regional music in Bollywood. Punjabi, Marathi, and Tamil music influences have seamlessly blended into mainstream Hindi cinema, giving Bollywood soundtracks a fresh and vibrant appeal. Artists like Diljit Dosanjh, Badshah, and Guru Randhawa have successfully bridged the gap between regional and Bollywood music.

The Future of Bollywood Music

With the rapid advancement of technology and the growing dominance of artificial intelligence (AI)-driven music recommendations, the future of Bollywood music is unpredictable yet promising. AI-generated compositions and virtual artists could become the next big thing in the music industry. At the same time, the demand for raw, meaningful music remains strong, ensuring that timeless melodies will always have their place.

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Best Girl Songs – Music That Inspires, Celebrates, and Brings Joy

Female Rappers: Breaking Barriers and Inspiring the World

For additional resources on music marketing and distribution, visit DMT Records Private Limited.

[whileiamdying]

Tehran International Short Film Festival announces jury for international section

October 22, 2024 - 19:37

TEHRAN-The jury for the international section of the 41st Tehran International Short Film Festival (TISFF) has been announced with two jurors from Iran and five foreign jurors.

The members of the jury include the Indian musical composer and record producer A. R. Rahman, Ghanian-Belgian director Anthony Nti, Bangladeshi screenwriter and film critic Sadia Khalid Reeti, Italian filmmaker Maja Costa, and Russian festival producer Ekaterina Yakovleva, as well as Iranian filmmakers Ahmad Reza Motamedi and Masoud Madadi, IRNA reported.

A. R. Rahman is an Indian music composer, record producer, singer, songwriter, musician, multi-instrumentalist, and philanthropist known for his works in Indian cinema; predominantly in Tamil and Hindi films, with occasional forays in international cinema. He is popularly known as the man who has redefined contemporary Indian music. Rahman has sold more than 150 million copies of his work comprising music from more than 100 film soundtracks and albums across over half a dozen languages.

In 2008, Rahman's work gained global prominence with the extraordinary success of his score for “Slumdog Millionaire” that won eight Academy Awards including two for Rahman - Best Score and Best Song. Rahman won over 15 awards for this score including two Grammys, the Golden Globe and the BAFTA. 

Rahman's music led him to be noticed internationally with several of his tracks featured in movies such as “The Lord of War,” “Inside Man” and “The Accidental Husband”. He also scored the music for Hollywood productions, “Elizabeth - The Golden Age,” “Couples Retreat,” “127 Hours,” “People Like Us,” “Warriors of Heaven & Earth,” “The 100 Foot Journey,” “Million Dollar Arm” and “Pele”.

He has also collaborated with the world-renowned Iranian directors Majid Majidi in two films, “Muhammad, the Messenger of God” and “Beyond the Clouds”.

Anthony Nti is a Ghanaian-born filmmaker from Belgium. After attending the Royal Institute of Theater, Cinema and Sound (RITCS) in Brussels, he went on to direct many commercials, music videos, and shorts. His first two short films “​Kwaku” and ​“Only Us​” picked up seven awards, including first prize at the Zanzibar Film Festival. 

His short “​BOI” ​(Fight), won the Critic Award and Best Debut at the Leuven Film Festival and the Jury and Public Prize at the Ghent Film Festival 2016. His 2019 short film “Da Yie” was shortlisted for the 93rd Academy Awards for Best Short Live Action and won the Grand Prix at the 42nd Clermont-Ferrand International Short Film Festival, becoming a hit at more than 200 film festivals all over the world. 

His first feature-length film “Postcard” won second prize at the Sam Spiegel FilmLab and the TV show “Clemenceau” was selected for Torino Series Lab. In 2020, he was listed as one of the most promising filmmakers in Belgium and the Netherlands by the NRC, Dutch national newspapers.

Sadia Khalid Reeti is a film critic and screenwriter. She studied screenwriting at the University of California, Los Angeles (UCLA). She has also worked as an entertainment journalist in Dhaka and Los Angeles since 2012. Currently the cultural editor of Dhaka Tribune, Sadia has served as a jury member at different international film festivals in Italy, India, England, Nepal, France, Russia, and Bangladesh. 

She served as a FIPRESCI jury at the Cannes Film Festival, International Film Festival of Kerala, and Dhaka International Film Festival. A Berlinale Talent Press alumna, she attended mentorship programs with Film Independent and Locarno Open Doors. She also teaches film studies at different universities and institutions and is the recipient of the Charles Wallace Fellowship from the British Council.

Maja Costa is a multilingual writer/​director. After studying Ancient Near Eastern Studies and Cello in Milan, she graduated in Screenwriting from the German Film and Television Academy Berlin (DFFB). She has collaborated with many European production companies and film festivals in several positions and currently works as a freelance screenwriter and director in Berlin. 

Ekaterina Yakovleva is the head of documentary broadcasting at Russia Today and general producer of the International Documentary Film Festival “RT.Doc: Time of Our Heroes”.

Yakovlova is a graduate of the School of Screenwriting and Film Studies of the Russian State University of Cinematography (VGIK). She has produced more than 1,500 documentary films as the head of documentary broadcasting at Russia Today. She has also served as a member of the Expert Council of the Ministry of Culture of the Russian Federation for selecting national non-fiction film projects. She has won dozens of awards at national and international festivals.

Ahmad Reza Motamedi earned a Master’s degree in economics and a Ph.D. in philosophy at the University of Tehran. He began his career as the screenwriter of the film “Companions” in 1993. For years, he has been involved in the theoretical field of art and philosophy of aesthetics in the media. He has written the scripts as well as directing “The Beautiful and The Hideous” (1998), “Rules of the Game” (2006) and “Alzheimer” (2010) among other films.

Motamedi is the founder of film philosophy in Iran and has a history of 43 years of teaching screenwriting, directing, art philosophy, film philosophy, cinema history and film criticism and training hundreds of students and filmmakers in his academic and film career. He has won several Crystal Simorgh awards from Fajr International Film Festival as well as some prestigious international awards.

Masoud Madadi is an Iranian cinematographer, director, writer, cinema teacher at the University of Arts and Soore University. Before turning to directing, he has worked as a cinematographer. One of the most famous films he has shot is Majid Majidi’s “The Color of Heaven” in 1999. Madadi made his directorial debut with “Dementia” (2012).

Madadi has served as a member of the filmmaking department of the Iranian Youth Cinema Association (IYCS) and the Supreme Production Council of the IYCS as well as the selection and judging committees of several national festivals.

This year’s edition of the Tehran International Short Film Festival received 13,651 submissions from more than 30 countries. The number of submitted films is a new record in the history of the event, about twice the number of submissions last year. Of the total submissions, 107 short films are competing for the top awards.

The line-up includes 59 short fiction films, 21 animated movies, 18 documentaries, and nine experimental films. The submitted works are from India, China, Poland, the U.S., Egypt, Greece, France, Palestine, Turkey, Spain, Argentina, Brazil, Russia, Australia, Japan, Germany, Italy, and Cuba among others.

The TISFF has been held for 40 consecutive years in Iran, by the Iranian Youth Cinema Society (IYCS) – one of the most renowned schools of cinema and short film production in Iran and throughout the world. 

The festival is approved by the Academy Awards® (Oscars) and the winner of the Grand Prize becomes eligible for the Oscars.

Having launched on October 18 at Mellat Cineplex in Tehran, this year’s edition of the TISFF will run until October 23.

SS/

[musicverse11]

Vijay Yesudas’s Role in Reviving Malayalam Music

Vijay Yesudas, an illustrious name in the Indian music industry, has carved out a remarkable career despite the towering legacy of his father, the legendary playback singer K. J. Yesudas. While being born into musical royalty opened many doors, it also came with the burden of great expectations. Vijay’s journey is a testament to his resilience, talent, and unwavering determination to establish his own identity. This article explores how Vijay Yesudas has redefined his father’s legacy and created his own unique space in the world of music and entertainment.

The Early Influences

Born on March 23, 1979, Vijay Yesudas grew up in a household steeped in music. Watching his father perform and practice provided him with a profound understanding of the craft from an early age. However, this exposure was a double-edged sword. The standards set by K. J. Yesudas, with his unmatched voice and numerous accolades, were daunting for anyone to live up to. For Vijay, it wasn’t just about imitating his father’s style — it was about finding his own voice and carving out his individual identity.

During his formative years, Vijay underwent rigorous classical training. The discipline instilled by his father helped him master the nuances of Carnatic music, a foundation that later influenced his versatility as a playback singer. However, the decision to pursue a professional career in music was not immediate. Vijay took his time to refine his craft and understand the dynamics of the ever-evolving music industry.

Stepping Out of the Shadow

Breaking away from the shadow of a towering figure like K. J. Yesudas required courage and a clear vision. Vijay Yesudas made a strategic decision to forge his own path in playback singing, rather than rely on his father’s reputation. His debut in the music industry was marked by initial struggles, but his dedication and commitment soon paid off.

His breakthrough came with chart-topping songs in the Malayalam film industry. Tracks like “Kolakuzhal Vili Ketto” showcased his emotive singing style and his ability to bring depth to a melody. As he gained recognition, Vijay began to experiment with different languages and genres, broadening his appeal beyond the South Indian audience. This versatility became a hallmark of his career, setting him apart from other singers of his generation.

Signature Singing Style

Vijay Yesudas is known for his ability to convey a wide range of emotions through his singing. Whether it’s the haunting romance of “Malare” from Premam or the playful energy of “Maangalyam” from Bangalore Days, Vijay’s voice has a unique texture that resonates with listeners. His mastery over modulation allows him to adapt to the mood of any song, making him a favorite among music directors.

Unlike many singers who specialize in a particular genre, Vijay has successfully balanced classical and contemporary music. This adaptability has not only kept him relevant in a competitive industry but also allowed him to cater to diverse audiences. Critics often praise his ability to maintain a perfect blend of technical precision and emotional expression — a skill honed through years of practice and a deep understanding of music.

Collaborations and Career Milestones

One of the defining aspects of Vijay’s career has been his collaborations with some of the biggest names in the Indian music industry. From working with legends like Ilaiyaraaja and A. R. Rahman to teaming up with contemporary composers like Gopi Sundar and Anirudh Ravichander, Vijay has consistently delivered memorable performances.

His career milestones include numerous awards, such as multiple Kerala State Film Awards and Filmfare Awards South. These accolades are not just a testament to his talent but also reflect his ability to consistently push the boundaries of his craft. Each award represents a significant chapter in his journey, reaffirming his position as one of the leading playback singers of his generation.

Beyond Playback Singing

While playback singing remains his primary domain, Vijay Yesudas has also ventured into acting, adding another dimension to his career. His role as a villain in the Tamil film Maari received critical acclaim, proving that his talents extend beyond music. Vijay’s ability to balance multiple aspects of his career while maintaining excellence in each is a reflection of his dedication and versatility.

Overcoming Challenges

The journey to success was not without its challenges. Being constantly compared to his father was perhaps the greatest hurdle Vijay had to overcome. However, he embraced these comparisons as motivation rather than a burden. He focused on developing his unique style and identity, which eventually earned him widespread recognition.

Another challenge was staying relevant in an industry that is constantly evolving. Vijay tackled this by continually experimenting with his music and exploring new genres. Whether it’s a soulful melody or a high-energy dance number, Vijay’s willingness to step out of his comfort zone has ensured his enduring popularity.

Conclusion

Vijay Yesudas journey is a masterclass in resilience, adaptability, and self-belief. He has not only honored the legacy of his father but has also redefined it by carving out a distinct identity in the world of music and cinema. His ability to balance tradition with modernity, classical training with contemporary trends, and familial expectations with personal aspirations has made him an icon in his own right.

[indiawestheadlines]

AR Rahman – AAPI Victory Fund Boost Support For Harris Campaign

LOS ANGELES, CA – Oscar and Grammy-winning composer A.R. Rahman lent his voice and music to support Vice President Kamala Harris’ presidential campaign ahead of the 2024 U.S. elections. Rahman, the first international artist from South Asia to endorse Harris, recorded a 30-minute performance video featuring some of his most popular songs, including “Jai Ho,” to inspire Indian American voters and express his support for her vision of an equitable world.

“It’s such an inspiring thing to see one of us going and leading. And it’ll be nice to have a first female president with a lot of energy, coming from and love support coming from all of us,” Rahman said while talking to M R Rangaswami during the recording in LA. He also dedicated a special song, “Yeru yeru yeru ninjil palmi kundu yeru,” to Harris and women worldwide. “This song is dedicated to all the women in the world, especially for Kamalaji. It is for you, and you know what it means. Wishing you the very best,” he added.

[news365timesindia]

[ad_1] In a first of its kind, Indian music composer AR Rahman has recorded a 30-minute performance video to support Kamala Harris in her presidential campaign ahead of this year’s US elections.  This one is the most iconic in a year known for some awesome collaborations.   ANNOUNCING: A. R. RAHMAN Virtual Concert WORLD PREMIERE on SUNDAY 10/13 at 8 PM ET! Save your spot to see @arrahman perform classic favorites, recorded exclusively for this celebration in support of Kamala Harris: https://t.co/kWaT3X6iID#ARRahman #ARR pic.twitter.com/hON70umlqp — AAPI Victory Fund (@AAPIVictoryFund) October 11, 2024 This makes the 57-year-old the first international artist from South Asia of mixed Indian and African origin to endorse the vice president. “With this performance, A R Rahman has added his voice to a chorus of leaders and artists who are standing up for progress and representation in America,” said Shekar Narasimhan, chairman of the AAPI Victory Fund. “This is more than just a musical event. It’s a call to action for our communities to engage and vote for the future we want to see,” he said after AAPI Victory Fund announced that Rahman, the globally renowned Indian composer and musician, has recorded an exclusive 30-minute performance in support of Harris’s 2024 presidential campaign. This collaboration would boost Harris’ campaign ahead of the November 5 elections, in which she aims to become the first Black woman and the first woman overall to serve as President of the United States. The video will be broadcast on AAPI Victory Fund’s YouTube on October 13 at 8 pm ET. A media release said that the 30-minute show will feature some of Rahman’s most beloved songs, interspersed with messages highlighting Kamala Harris’s historic candidacy and commitment to the AAPI community. AAPI Victory Fund also released a teaser video on YouTube in which A R Rahman, Rahman, and Indiaspora Founder M R Rangaswami are seen preparing for the performance.  [ad_2] Source link

[news365times]

[ad_1] In a first of its kind, Indian music composer AR Rahman has recorded a 30-minute performance video to support Kamala Harris in her presidential campaign ahead of this year’s US elections.  This one is the most iconic in a year known for some awesome collaborations.   ANNOUNCING: A. R. RAHMAN Virtual Concert WORLD PREMIERE on SUNDAY 10/13 at 8 PM ET! Save your spot to see @arrahman perform classic favorites, recorded exclusively for this celebration in support of Kamala Harris: https://t.co/kWaT3X6iID#ARRahman #ARR pic.twitter.com/hON70umlqp — AAPI Victory Fund (@AAPIVictoryFund) October 11, 2024 This makes the 57-year-old the first international artist from South Asia of mixed Indian and African origin to endorse the vice president. “With this performance, A R Rahman has added his voice to a chorus of leaders and artists who are standing up for progress and representation in America,” said Shekar Narasimhan, chairman of the AAPI Victory Fund. “This is more than just a musical event. It’s a call to action for our communities to engage and vote for the future we want to see,” he said after AAPI Victory Fund announced that Rahman, the globally renowned Indian composer and musician, has recorded an exclusive 30-minute performance in support of Harris’s 2024 presidential campaign. This collaboration would boost Harris’ campaign ahead of the November 5 elections, in which she aims to become the first Black woman and the first woman overall to serve as President of the United States. The video will be broadcast on AAPI Victory Fund’s YouTube on October 13 at 8 pm ET. A media release said that the 30-minute show will feature some of Rahman’s most beloved songs, interspersed with messages highlighting Kamala Harris’s historic candidacy and commitment to the AAPI community. AAPI Victory Fund also released a teaser video on YouTube in which A R Rahman, Rahman, and Indiaspora Founder M R Rangaswami are seen preparing for the performance.  [ad_2] Source link

[starfriday]

_Sabka josh high karne aa gaye hain hum Maidaan mein!_

Ajay Devgn starrer Maidaan’s new song Ranga Ranga is out now. The song has been composed by music maestro A.R. Rahman, sung by Vaishali Samant and MC HEAM, and penned by “Saraswathiputhra” Ramajogayya Sastry.

Releasing this Eid, 10th April 2024 also in IMAX.

[anustuff]

Popular song in Jeans

"Jeans" is a popular Tamil film starring Prashanth in the lead role, directed by Shankar and released in 1998. The film's music was composed by A. R. Rahman, and it featured several hit songs that became immensely popular among audiences. Choosing the "best song" from the movie can be subjective, as different people may have different favorites based on personal preferences and tastes in music.

However, one of the most iconic and beloved songs from "Jeans" is undoubtedly "Columbus Columbus." This song features vibrant and catchy music, along with energetic choreography by Farah Khan. It became a massive hit upon the film's release and remains a favorite among fans of Tamil cinema and A. R. Rahman's music.

Other notable songs from "Jeans" include "Ajooba" and "Poovukkul," both of which received widespread acclaim for their beautiful melodies, meaningful lyrics, and stunning visuals.

Ultimately, the "best song" from "Jeans" may vary depending on individual preferences, but "Columbus Columbus" is often cited as one of the most memorable and enjoyable songs from the film.

[ollywoodmovie-blog]

A. R. Rahman clarifies using AI to recreate voices of late singers Bamba Bakya, Shahul Hameed

A R Rahman only says what he means: Kamal.. Image Source: IANS News Mumbai, Jan 30 : Oscar-winning music composer A. R. Rahman, who used the artificial intelligence for recreating the voices of late playback singers Bamba Bakya and Shahul Hameed for the song titled ‘Thimiri Yezhuda’ from the Rajinikanth-starrer ‘Lal Salaam’ has issued a clarification with regards to the usage of the AI tool and…

[blogtozone]

Tum Ho Piano Notes | Rockstar

Tum Ho Piano Notes

Notes :-  Kahin se kahin ko bhi, aao bewajah chaley A4 C5 C5 A4 C5 C5 D5 C5 B4 B4, C5 D5 E5 C5 C5 A4# C5 A4# A4 Poochey bina kisi se hum milein A4 C5 C5 B4 D5 D5 C5 G4 A4# A4# A4 Bandishein naa rahin D5 E5 F5 D5 E5 C5 D5 Koi baaki, Tum Ho E5 A4 C5 C5 B4 B4, D5 C5 A4# A4 G4 F4 A4 Tum ho paas mere, saath mere A4 A4 C5 D5 C5 A4 C5, D5 C5 A4 C5 Ho tum yun D5 E5 D5 E5 F5 E5 D5 C5# Jitna mehsoos karoon tumko E5 E5 F5 E5 D5 D5 A4# A4# C5 A4# A4 A4 Utna hi paa bhi loon F4 F4 G4 A4 A4# C5 D5 C5 C5 Um.... Hooo D5 E5 D5 C5 A4 D5 E5 F5 C5 F5 E5 D5 C5 D5 E5 D5 C5 A4 Tum Ho A4 C5 C5

About Song :-

"Tum Ho" is a popular song from the Bollywood movie "Rockstar," which was released in 2011. The film was directed by Imtiaz Ali and starred Ranbir Kapoor as the main protagonist, Jordan, and Nargis Fakhri as Heer. The film's soundtrack was composed by A. R. Rahman, and the lyrics for "Tum Ho" were written by Irshad Kamil. The song was sung by Mohit Chauhan and Suzanne D'Mello. "Tum Ho" is a romantic and soulful song that plays a pivotal role in the film's narrative. It reflects the complex and passionate love story between Jordan and Heer. The song captures the emotional turmoil and intensity of their relationship. The word "Tum Ho" translates to "You are" in English, and the lyrics express the emotions of longing, desire, and love. The music, composed by A. R. Rahman, blends various musical elements, including rock and Indian classical music, creating a unique and captivating sound. "Rockstar" and its soundtrack received widespread acclaim upon their release. The film's music, including "Tum Ho," was particularly well-received, and it contributed significantly to the movie's success. Mohit Chauhan's heartfelt rendition of the song added to its popularity. "Tum Ho" remains a memorable and cherished song in Indian cinema, known for its emotional depth and musical brilliance. It has continued to be appreciated by music enthusiasts and fans of Bollywood music since its release. Read the full article

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Nakash Aziz: The Voice Behind Bollywood’s Biggest Hits

Bollywood is a realm of glamour, drama, and music that resonates with millions worldwide. While actors and filmmakers often take the spotlight, the true soul of Bollywood lies in its music. One artist who has left an indelible mark on the industry with his melodious voice and remarkable versatility is Nakash Aziz. Known for his vibrant personality and powerful vocal delivery, Nakash has emerged as one of the most sought-after playback singers in recent times.

His journey from a passionate music enthusiast to a Bollywood sensation is as inspiring as his music. With chart-topping hits and collaborations with legendary composers, Nakash’s contribution to Indian cinema is unparalleled. But what makes his journey so captivating? Let’s dive into the story of this exceptional talent, exploring the highlights of his career, his unique style, and his impact on Bollywood music.

The Early Days of Nakash Aziz

Every star has a beginning, and for Nakash Aziz, it all started with an unrelenting passion for music. Born in Moodabidri, Karnataka, Nakash grew up surrounded by diverse musical influences. His love for music was evident from a young age, and he spent his early years honing his craft.

What set Nakash apart from the very beginning was his ability to adapt to different genres. Whether it was classical Indian music or contemporary Bollywood beats, his versatility made him stand out. His decision to move to Mumbai marked the turning point in his career, as he immersed himself in the vibrant music scene of the city.

Breakthrough as an A.R. Rahman Protégé

One of the most significant milestones in Nakash Aziz’s career was his association with the legendary composer A.R. Rahman. Working as an assistant to Rahman gave Nakash invaluable exposure to the intricacies of music production. During this period, he fine-tuned his skills, learning the nuances of creating music that resonates with audiences on a deeper level.

This experience not only shaped his technical abilities but also gave him the confidence to take center stage as a playback singer. Collaborating with Rahman opened doors for Nakash, allowing him to showcase his talent in high-profile projects. The mentorship and support he received were instrumental in shaping his career trajectory, and his performances reflected a perfect blend of raw energy and polished skill.

Bollywood Stardom and Iconic Hits

Nakash Aziz made his debut as a playback singer with "Sari Ke Fall Sa," a peppy and playful track that became an instant hit. His energetic and distinctive voice added a unique flavor to the song, making it a favorite among fans and critics alike. Following this success, Nakash delivered one chartbuster after another, cementing his position as a leading voice in Bollywood.

Some of his most popular tracks include:

"Gandi Baat" from R... Rajkumar

"Jabra Fan" from Fan

"Cutiepie" from Ae Dil Hai Mushkil

"Second Hand Jawaani" from Cocktail

Each of these songs showcases his ability to bring life and vibrancy to any track, making him a go-to artist for high-energy numbers. For a deeper look into his journey, you can explore this detailed article on Nakash Aziz.

What Sets Nakash Aziz Apart?

In an industry filled with talented playback singers, what makes Nakash Aziz stand out? The answer lies in his ability to connect with listeners on an emotional level. His voice carries a blend of youthful exuberance and emotional depth, making it perfect for a wide range of songs.

Moreover, Nakash’s versatility extends beyond Bollywood. He has sung in multiple languages, including Tamil, Telugu, Kannada, and Marathi, broadening his appeal and showcasing his linguistic and musical adaptability.

His charismatic stage presence further amplifies his charm, making him a favorite at live concerts and events. Whether it’s a romantic ballad or a high-energy dance track, Nakash’s performances are always infused with a contagious enthusiasm that resonates with audiences.

The Road Ahead

As Bollywood continues to evolve, Nakash Aziz remains at the forefront of the music scene. His ability to reinvent himself and stay relevant in a competitive industry is a testament to his talent and dedication. With upcoming projects and collaborations with some of the biggest names in the industry, the future looks incredibly promising for this musical powerhouse.

To know more about his inspirational journey and his thoughts on success, read this exclusive piece on Nakash Aziz.

Conclusion

Nakash Aziz is not just a singer; he is an artist who has redefined what it means to be a playback singer in Bollywood. His journey from humble beginnings to superstardom is a testament to the power of hard work, passion, and perseverance.

As his voice continues to dominate airwaves and playlists, Nakash has proven that true talent knows no boundaries. Whether you’re a fan of peppy dance numbers or soulful melodies, his discography offers something for everyone. So next time you find yourself humming a catchy Bollywood tune, chances are Nakash Aziz is the voice behind it.

Related Articles:

For further reading, explore these related articles:

Exploring the Musical Journey and Strategies of Sukhwinder Singh: A Bollywood Legend

Dhanush: A Superstar’s Journey in the Indian Music Scene and His Top Tracks

Yuvan Shankar Raja: The Soundtrack Maestro of South India

The Musical Journey of Jatin-Lalit: Iconic Hits, Strategies for Growth, and Lasting Impact

For additional resources on music marketing and distribution, visit DMT Records Private Limited.

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Chale Chalo | Rock Version | Covered By Karthik Mohan | Lagaan

This song is dedicated to all corageous individuals who have battled cancer. The motivational song was composed by A R Rahman for the movie Lagaan. I have explored the rock genre with this composition. Hope you all like this attempt.