#Acceptable in the 80s
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aeolianblues · 6 months ago
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Hi????
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This is simultaneously great and so, so unexpected! Calvin Harris with a full band, performing at Radio 1's Big Weekend in 2007 up in Preston. To think he could have gone down the indie rock band route!
This is also why I think of his early days as most adjacent to LCD Soundsystem rather than dance and EDM musicians. It could've been fun, too bad he doesn't quite associate with this anymore and requested it be taken down.
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mauvvedrake · 1 year ago
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I was gonna make an animation and ive gotten halfway through sketching. I’m not sure if I’ll finish it which is why I’m posting it now.
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barbiemonamie · 1 year ago
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Calvin Harris - Acceptable in the 80's (Official Video)
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stuckinapril · 4 months ago
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Guys I realized you can’t compromise quality time on your core interests without compromising your own core self and fading away as a person . Did you know about this
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mitathemita · 9 months ago
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the shining sun!! ☀️
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mizgnomer · 3 months ago
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Mustachioed David Tennant
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thegorezone · 2 years ago
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hey everyone! since we’re in the middle of autism acceptance month i thought i’d share this essay i wrote on the patron saints of autistic new wave (david byrne, gary numan & danny elfman) and how neurodiversity was what made new wave cool! check it out! 🎧⚡
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teethpaste · 4 months ago
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I love my new glasses I can’t telling if I’m giving 70s IRA member or serial killer
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little-mouse-adventures · 3 months ago
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@orangerosebush's post here, with my comment and @fowlblue's tags today got me thinking.
Artemis Senior has been teaching his son matters of business from a young age. Not only was Artemis, at 11 years old, discussing stocks with his father, but Fowl Senior had been imparting his wisdom onto his son for years by that point, discussing the ever-increasing value of gold with him before tucking him into bed. Even outside of pure monetary value, Sr. had tried to go legitimate with his business dealings, leading Artemis to have a few legal ventures of his own.
We also see very early on in the books that Artemis has been regularly using Butler as a resource for his plots: bouncing ideas off him was apparently a fairly common tactic when he was scheming.
Both Artemis Senior and Butler are interested in (or at least, not opposed to) educating Artemis on the ways of their lifestyle(s). It would be Artemis Senior who would have taught his son the value of banks and safety deposit boxes and hidden safes but it was Butler who was actively working with Artemis to rob those safety deposit boxes.
In the same vein of breaking-and-entering, TLC also gives us the fun little moment where Butler hands Artemis his own lockpicks, to get into the workings of the bomb.
With one line we learn that Artemis knows how to pick locks, but does not have his own set of lockpicks. Butler, on the other hand, has both the tools and knowledge how to use them. Partnered with a brief mention in TTP of some the specific trades of those previously employed by Artemis Senior (including such things as crime lords, insider traders, and cat burglars), we can extrapolate that Artemis Senior would generally hire someone to pick a lock for him, rather than do so himself.
It's pretty logical to conclude then that Artemis learned big-picture management from his father, and day-to-day skillsets from his bodyguard.
Essentially, Artemis Senior taught Artemis how to run a criminal empire. Butler taught Artemis how to be a criminal.
#artemis fowl#artemis senior#domovoi butler#and this doesn't even get into the aliases butler has!#he clearly has a lot of his own but then Artemis ALSO gets some#'what's our cover' 'i thought Stephan Baskir and his uncle Constantin'#Artemis Sr put his own damn name on the boat he was using to get cola to russia#you know damn well *he* didn't encourage Arty to hide his identity#(i'm not getting into the needs of artemis to hide his identity due to being a child and wanting respect afforded an adult in these tags#that's a rant for a different time)#there's such a prevalent theme of a Fowl saying 'i want X' and their Butler saying 'i know a guy'#(like 80% of the time the Butler would be The Guy but there's that other 20% where having extra contacts would be helpful)#we see it when Artemis asks Butler to make certain arrangements for capturing Holly and then again getting the mirrored contacts#we see Butler arranging car rentals or drivers and apparently needing to do so quite frequently#yet in TTP Sr just says he'll casually take a limousine where he needs to go#it's probably such a huge part of the Fowl-Butler dynamic to have someone who can actually perform all the necessary minutiae of daily crim#or at least know how to or know someone who knows how to#aaaaand now i'm thinking of how the Butlers are essentially disposable#sure death is a thing but how many Butlers were imprisoned for the sake of saving their Fowl the same fate#if someone's gotta take the fall for a crime it might as well be the person who'd take a bullet for the other#once you've already agreed to be on the wrong side of the law and accepted that you may give up your life (physically) for someone#what's taking it a step further and agreeing to give up your life (metaphorically) by languishing in jail for 10-80 yrs
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moonilit · 2 months ago
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why is polygamy not an option for Dick Grayson and im asking the writers, like he loves both Kory and Babs? I don’t see Kory and Babs being together but if they are ok with it Dick can be with both of them? Like he have a family in both the titans and gotham ?? Instead of this on and off with both that leaving everyone hanging let them be happy
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metalcultbrigade · 3 months ago
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Monsters Of Rock 18/08/1984
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luckybyler · 4 months ago
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I love Byler and I love Byler shippers, but some of you are WAAAAY too casual about the way you think the group will react, or what Will’s and Mike’s life as gay young men in the 80s or even the 90s would look like.
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cuubism · 2 years ago
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Joy
Dreamling | T rating | Retired Dream | on emotional repression
I was thinking about a post, which I cannot find alas, about retired Morpheus struggling to deal with the fact that his actions and emotions don't have universe-wide consequences anymore. Like, he's allowed to just feel things now? And as someone who's also been extremely checked out of their own emotions at various points I can tell you the transition is… not easy. Anyways.
--
Morpheus is out when Hob gets home, or so he assumes. When he steps into the hall, the flat has the utterly still quality of total vacancy, no noise or distant movement. For all that Morpheus is a relatively quiet person, generally speaking, Hob has still become attuned to what his presence feels like, or the lack thereof.
Or so he thought.
For when he reaches the kitchen, Morpheus is there, sitting at the kitchen table, completely still. Hob almost doesn't see him, that's how still he is. Back straight, hands folded on the table, looking down at them as if he's meditating, or working out some complicated problem in his head.
Hob quietly sets down his bag and sits across from him. “Hey... love? You okay?”
He almost whispers it so as not to break the silence. Normally Hob would leave him to his devices if he was in the middle of something, but despite the fact that Morpheus is not given to unnecessary movement, the complete stillness sends something uncomfortable creeping up Hob’s spine. Morpheus hadn't even seemed to hear him come in.
With glacial slowness, Morpheus nods.
“It’s just…” Hob continues, biting his lip. “You’re not moving. At all. I almost didn’t think you were breathing.”
“That is the idea,” Morpheus agrees, still looking at his hands.
"Not breathing?"
"Not moving."
"Can I ask why?"
"I am. Preoccupied. With." His fingers flex against each other on the table as if forcing stillness. "Movement within."
Hob doesn't know what that means. "Can you elaborate?"
"I must make it still," Morpheus says. "I have before. I will."
Which clears up nothing. And Hob is getting the increasing sense that something is wrong but he's floundering as to what.
"Will you come sit on the couch with me?" he finally asks. "You look like you're about to snap in half."
"If it will please you," Morpheus says. Like his own pleasure-or-not in this matter is something he'd prefer not to touch.
"It will," Hob says. Morpheus follows him to the couch, moving like– like he did before. That ethereal creature that considered every step like he was crossing a thinly frozen lake.
So that's what it is.
Morpheus sits down beside him, drawing his knees up to his chest in a movement that, Hob is almost relieved to observe, is very much not like before.
Hob drapes the blanket from the back of the couch over his shoulders. Morpheus flinches, but doesn't push it off. "What's going on, hon?"
"It is..." Morpheus admits, slowly, "loud."
Hob frowns. "In your head? I thought you said it's been quieter since–"
"No." Morpheus presses a hand to his sternum. "Here."
Hob touches his chest, carefully, hand resting beside Morpheus's. All he can hear, or rather feel, is Morpheus's heartbeat, still a new and learning thing. "Your heart?"
"Everything. It... resounds. And drives off reason."
"Okay." Hob rubs his hand up and down over his chest, as if that might soothe him. Hob is aware enough of the feeling of overwhelm, and of Morpheus's particular brand of it, now that he has so little to distract him. "Just give it time and it'll pass, love."
Morpheus shakes his head. "That is not–" his lips press into a distressed line. "Duration is. Not the issue. It is. What will be left. After. Detritus."
Hob's own heart clenches. "Your feelings aren't a storm, love."
"Are they not?"
"You aren't going to make storms in the Dreaming, now," Hob says, though he knows Morpheus knows this.
"I speak not of weather, Hob Gadling," Morpheus growls. "I can– raze minds, I can spin balanced consciousness into euphoria, I can twist it all on its head with no effort and I will–" his fingertips dig into his chest, and Hob thinks that if he were still capable of manifesting claws he'd be drawing blood even through his shirt– "I will make it stop. It will be quiet again, I swear it."
"Only thing you're spinning is yourself," Hob says, gently.
And the thing is, he knows Morpheus knows this. Knowledge isn't the issue. It's sort of like how he never quite believes that Hob will never want to die, no matter how many times Hob tells him. I know that, Hob Gadling, he will say, but Hob can never quite get him to feel it.
"I know that, Hob Gadling," he says, again, now. That same tone. How dare you not believe it. How dare.
"Give me your hand," Hob says.
"Hob–"
Hob takes his hand and pulls it to himself, pressing Morpheus's palm flat to his own chest. Morpheus makes as if to pull away, then surrenders.
"Look," Hob says. "It's not hurting me, is it?"
"No," Morpheus admits, reluctantly, still with that tension through his shoulders.
"What about the room? Is everything shaking into pieces? Is it all going haywire? People rioting in the streets?"
Morpheus shakes his head no.
"See?" Hob says, squeezing his hand. "It's alright."
"I want it quiet," Morpheus says. He no longer sounds frustrated. More defeated. "It should not be... here." He touches his breastbone. "Here." His throat. "Here." His head.
"Where's it supposed to be, then?"
"Gone."
Hob sighs. This will not be an easy fix, not at all. He leans in, awkward though the angle is, and kisses Morpheus's chest, his neck, his temple, then stays, leaning against his shoulder. "I'm sorry, love. I know it's not easy. I happen to like you not gone, though, for what it's worth."
"Me?"
"Uh-huh. You. That's you in there, you know, not some brain-eating amoeba."
He gets a tiny huff of an almost-laugh from Morpheus. "Is it?"
"Yup. The part you weren't allowed to see because everything else was so loud." He rubs Morpheus's chest again, where he keeps saying it's hurting.
Morpheus's mouth opens as if to protest, and Hob adds–
"I'm not going to criticize you for it, okay? I promise I'm not."
Hob gets it. Well. He can't get it, actually, he's never been in charge of the entire dreaming world, but he tries.
"I thought you were supposed to go out today?" he says. "Weren't you getting tea with Rose? What happened with that? You were looking forward to it, I thought."
"I was, yes." He says it as if this is bad somehow. "Looking forward to it, that is. Her company is... enjoyable.”
“Okay? That's good, right?"
But Morpheus shakes his head. "It is too much."
"Too much?" Hob asks. "Were you nervous about it?"
Again, Morpheus shakes his head. “Joyful.”
Hob's heart is actually going to break. He knows this is part of why Morpheus left in the first place. And yet it's still tormenting him, which feels criminally unfair. And the worst part is there's no one to really blame, he knows why Morpheus did it, he can't and won't fault him for it when he was put in such a position.
He asks quietly, “So that joy didn't feel good to you?”
Morpheus shakes his head, biting down hard on his lip, and then, to Hob's horror, bursts into tears.
For all that Morpheus is prone to drama and moping, Hob has never actually seen him cry. He hadn't cried when he’d told Hob of his imprisonment, offering only a hint of scorched anger to indicate how he felt about it, the words, I had not realized what it was to be isolated and embodied until then. It was agonizing, said with the even cadence of the moon in orbit instead of the rawness they deserved. Nor had he cried when he'd shown up on Hob's doorstep and, when greeted with a concerned Hey, Dream, are you okay? – because he certainly didn't look it, drenched to the bone and his cloak absent its swirling inner cosmos – answered merely, You should call me Morpheus, I am no longer Dream of the Endless. The closest Hob had ever seen was the glimmer in his eyes when he'd thought Hob no longer wished to live, all the way back in the 1600s, and even then, his tears had not fallen.
“Oh, darling.” Hob pulls him into his arms, rubbing his back. “It’s alright.”
“It does not feel,” Morpheus continues, voice remarkably steady given the tears streaming down his cheeks, “good. It feels loud. And I am not in control, I am subject to these whims and I am no subject, Hob.”
"Those feelings are part of you. Not subjecting.”
“I don’t want it,” Morpheus insists, with the bitter frustration of a former king, used to shaping the world around him as he wishes. “If they are free I do not know what might come out.”
What comes out are parts of you, Hob thinks, but doesn’t express it again. The raw parts that you think are so awful. “Well, if there’s any feeling to try it with, wouldn’t it be joy? Happiness?”
Morpheus huffs. "Do you think that sorrow and rage are the only feelings with the capacity to destroy? Joy can become hysteria, joy can ruin, I have seen it, I have done it, when I was much, much younger and did not understand my abilities. Strong feelings have power, the very Dreaming is crafted of them. It could not exist out of apathy.”
“Neither could you,” Hob points out, and Morpheus just huffs again, shaking his head.
“I thought that if I relinquished my responsibilities, I would no longer have to worry so about everything outside of myself,” Morpheus says. “And how it entangles with me. Only now. It is still there, but I can do nothing to stop it.”
“But listen, darling.” Hob squeezes his hand. “You’re allowed to be tangled up with everything, now. You’re supposed to be.” He twists their fingers together. “I want you tangled up.”
“I will— without access to my realm I will step wrong, and—”
“And you can fix it,” Hob says. “Promise. No rebuilding a whole universe required.”
Morpheus sniffles, and Hob wipes the tears from his cheeks. “You always kept yourself above it all, didn’t you?”
“It is my responsibility to keep the collective unconscious in balance,” Morpheus says. He hasn’t quite stopped talking about his responsibilities in the present tense — Hob thinks it will be a while before he fully internalizes the lack of that weight. “Not to sway it to my feelings. Historically, when I have involved myself, it has… not gone well.”
“It doesn’t always as a human, either,” Hob says, and Morpheus’s frown deepens. “I mean, we’re all just bumping up against each other, you know? But you’re allowed to have space there, even if it doesn’t always go right.”
“If you mean this to be very comforting, I will have to disappoint you,” says Morpheus, but there’s more humor in it now, and he’s stopped crying. He pushes his head into Hob’s shoulder, and Hob wraps his arms around him tighter, holds him close.
“I wish it could all be immediately easy for you,” Hob says. “I’d do anything to make it so.”
“I did not expect this to be easy,” Morpheus says, voice rumbling into Hob’s chest. “But the challenges have repeatedly come from unforeseen directions.”
Hob kisses the side of his head. “I’m glad you’ve stuck with me anyway.”
“You have been very patient with my… meandering attempts at basic humanity.”
“Always will. I love you.”
It’s another thing he’s struggled to get Morpheus to truly accept, that Hob’s care for him was never contingent on any of his abilities or powers. That Hob won’t be scared away no matter his mistakes, because Hob has faced a lot of terrifying things in his life and the worst is the prospect of losing Morpheus entirely.
This time, Morpheus doesn’t reject it. He just hums and lets Hob pet his hair, lets Hob keep him and quiet him towards ease, which Hob intends to do until Morpheus can find it himself, and then after, too.
And several weeks later, when Morpheus comes home from the park with a colored pencil drawing Jed made for him, smiling and holding it to his chest with real joy in his eyes, Hob shines with pride, and the part of his heart that might have broken just a bit listening to Morpheus cry that day heals over again.
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bitchslapblastoids · 4 months ago
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new fic! "oh great, now im a furry" by cloej88
Dan/Phil Rating: E Word Count: 5800
Of course Phil would walk into his bedroom and spot his darkest secret immediately. Of course he would poke and prod until the secret was laid bare between them. Of course he would unfurl it, see it for what it was, and then treat it like it was something precious, until all Dan wanted to do was babble every secret he’d ever kept so that there was nothing left in between them. With that thought, Dan looked down at the bear and decided that he was going to just properly go for it. He remembered what Phil had said: "Just pretend I’m not here, pretend you’re home alone."
I saw this post on dnpredacted and…. this happened (thanks for the go-ahead to post, anon!)
I am currently working on a multi-chapter Dignified and Meaningful Fic. But in the meantime, have some teddy bear smut, lol.
(if you choose to unfollow me over this, I fully do not blame you)
some reference material under the cut
full credit for everything below goes to phandirectory's og 2009 phan timeline
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(highly cropped bc otherwise felt like Too Much)
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(fun note, the above was the same day as "i want to be there so you don't have to be brave")
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"hahaa" oh im sure, phil
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^those two of phil are the only pics i have no context for/no clue where they came from
read teddy bear fic here!
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judehatesmaths · 11 months ago
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Okay but
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This is literally them dancing
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menlove · 6 months ago
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as a historian I think the most frustrating myth that Persists about The Golden Past in leftist circles is this idea that "being queer was accepted and normal Across Human History Eternally until the evil christians and nuclear families" like it's just so ahistorical and honestly trivializing of queer lives in the past like. I fully get Why this is a myth we want to believe but it's still just a myth. of course some cultures were more accepting than others of gender variance but it's just not a universal statement you can make
more importantly, imo, even if queerness WAS rejected for thousands of years (also an untrue blanket statement), and it IS just now a New Thing, that doesn't matter. we don't live in the Golden Past, we live now, and striving for equality is important regardless of if it's brand new or a return to something
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