#AND focused on survival!!!!

[freakurodani]

introducing two very good boys!!!

(be kind to sokka, food is scarce)

part 2 of the atla zombie au

[Part 1]

[Next Part]

[chloesimaginationthings]

FNAF movie Mike and Michael compare nightmares,,

[aardvaark]

i love how sophie’s priorities are pretty much the inverse of anyone else’s priorities. she’s oddly calm in life-or-death scenarios and mostly just seems annoyed when people are trying to kill her, but things like rain or bugs or the smell of hardison’s van are what really bothers her. like one time she takes revenge on eliot by straight up brainwashing him because he didn’t get rid of a cockroach that was grossing her out… this is a woman who has been shot before.

[infinitelystrangemachinex]

Jayce and the fallacy of the butterfly effect in Arcane's narrative

If Jayce's symbol is the butterfly, then my theory is that we're going into a full "butterfly effect" narrative in Act 2. Either we'll watch it happen, or we'll only see Jayce come out the other side of it changed by the experience, knowing - or more importantly, THINKING he knows - what to do to change the future. Literally, to "defend tomorrow."

tl;dr: Jayce will encounter the butterfly effect in season 2. Viktor and Mel both foreshadowed this in season 1. I think Jayce will fixate on Viktor and will believe that stopping or changing Viktor either in the past or the present - most likely the present - will mean he can save the future. I believe this will lead to an even worse tragedy and may have the same effect as a self-fulfilling prophecy. Ekko's approach to changing the future by sticking closer to the present - considering only tiny increments of time to alter more immediate future outcomes - will be the superior approach. I also think that Jayce attempting to change the future will create the conditions that push Viktor to become the Machine Herald.

One of the most common reactions even the casual viewer had to Arcane season 1 was this: "If [character] had just done this one small thing a little differently, [tragic event] wouldn't have happened!"

Arcane has been called a Greek tragedy for the main reason that because of how well built up the characters' personalities and reasonings are, there's no other way season 1 could have gone. There was no stopping the multiple tragedies that occurred, because with one event leading to another, the chain of seemingly inevitable events goes too far back to identify what one singular event caused everything, what one character made what one decision to put our characters on the terrible paths they walked.

Arcane is about to investigate this idea in its own narrative, and I think that Jayce will be the character to stumble into the flawed idea that you can change one event, or stop one character, and change the future for the better. This is because Jayce struggles with a few very interesting character flaws, one of them being that he believes himself to be the main character, and it is therefore his responsibility to intervene, be a hero, and fix things.

Viktor and Mel both foreshadow Jayce's future encounter with the butterfly effect.

Recall that Viktor said: "There is always a choice."

Jayce sees choices in black and white, believes that he has no other options but to go along with what he's persuaded and pushed into, and acts too boldly with too much power multiple times.

Recall that Mel said: "We can't change what fate has in store for us, but we don't have to face it alone."

Jayce tries to solve big problems on his own, and though he delegates to Enforcers and the like, Jayce relies on his reasoning and his alone to make important decisions if he doesn't simply become persuaded - usually through strong emotions like fear - by other characters. In addition, since Mel is specifically talking about Viktor's plight here, it's worth mentioning that while Jayce did say that he would help Viktor in acts 2 and 3 of season 1, Jayce does wind up leaving Viktor to face his fate alone. When Jayce tries to change that fate in s2 ep1, ep2 shows that only tragedy can come of this as well.

Viktor and Mel's statements here are not contradictory. Viktor makes the point that you can always make a choice. In context, he's literally referring to the classic "secret third option," because given a choice between aggression and passivity, war and surrender, Viktor chooses to defuse the bomb instead. Mel, interestingly, seems to believe that destiny is fixed in a broad sense, and she operates as a politician and diplomat and investor who navigates that line of destiny in the most optimal way possible. In reality, in context, she is referring to the fact that Viktor can't change the way he was born and so he has no way to change his fate and therefore must face it, which is true - she's only missing the information that Viktor actually does have the means to change his illness and his body. Her wisdom still applies however, because he'll have to accept the hand that fate deals him after he makes that choice. Will he face it alone, or not?

There is always a choice, there's even secret third options, because having a fate doesn't mean that you are doomed to make only one possible series of choices. What it does mean is that each choice comes with a hand that fate deals you. It is impossible to know what all of these branching choices and consequences are in advance, and it is just as impossible in hindsight - the branches are too complex and the end outcomes are all equally meaningful, just different. If Arcane season 2 is to be a tragedy, it may show us that each possible outcome is still tragic if you fall for the fallacy of the butterfly effect.

Jayce is counseled by some of the wisest, cleverest characters with the deepest life experiences in Arcane, but he hardly ever takes that counsel to heart. If he does, he still acts on that counsel in flawed ways that have unintended consequences. This will come to a head in season 2.

Viktor and Jayce both have a butterfly following them around in season 1. The butterfly effect refers to one small seemingly insignificant event changing the course of history, and changing that event therefore changes history. Viktor bled over the railing of a Hexgate in season 1:

And Heimerdinger sees what we can only assume is Viktor's blood contaminating (?) the Hexgate in s2 ep3:

This might be the seemingly unimportant "inciting incident" that Jayce (and Heimerdinger and Ekko) settle on as something that should be avoided or erased by changing the past (if they time-travel with Ekko, for example).

I doubt that, if this is what this crew chooses to fixate on, it will be the only event that is considered as something to change. But let's take this and run with it for the sake of discussion.

As silly as it sounds, how do you stop Viktor from allowing his blood to come into contact with the arcane? Stop Viktor's involvement with the Academy entirely? Don't invent Hextech at all? But what if someone else invents Hextech besides Jayce? What if future tragedy befalls Piltover because it didn't invent Hextech?

The possibilities and what-ifs could branch on forever. But because Jayce is who he is, and because his tragedy with Viktor is still raw and recent and frightening, I think Jayce's butterfly effect experience will have to do with Viktor.

My personal prediction is that the timeskip between s2 ep3 and ep4 will be Jayce experiencing a timeline where Viktor, taken over by the Hexcore, brings about an apocalyptic event similar to what Heimerdinger experienced in his past. Either Jayce and co. can't go into the past to change the present, or Heimerdinger and/or Ekko advise strongly against it to avoid a paradox. This will lead to them re-entering the canon Arcane timeline before this apocalypse, but still after the timeskip. Jayce, believing that destroying Viktor and his cult will save the future, and believing that resurrecting Viktor was Jayce's mistake to fix, attacks him. But the consequences don't unfold the way he hopes, because trying to change fate once the cards have already been dealt has led to tragedy before.

The butterfly is a symbol of something other than just the butterfly effect - change, evolution, and rebirth. If the butterfly symbolizes the butterfly effect for Jayce, then I think it has a different meaning for Viktor - the change and rebirth meaning.

I've always found it very interesting that we see a similar-looking butterfly on Progress Day... but made of metal.

Every time Viktor's situation changes, he adapts and evolves. If Jayce attacks him, if his cult is destroyed, if the Hexcore is causing Viktor to decay, if all of these things happen at once - he'll just evolve again, and I think the Machine Herald is the next step. And the Machine Herald will be a triumph for Viktor, but Jayce will believe that he's created something even worse. The resulting feud will be a personal nightmare for both of them.

I think this still allows Viktor to use his own agency to choose to become the Machine Herald (the MH will probably be the "secret third option" that saves Viktor, or there will be a secret third option that ends the feud) while still allowing Jayce to be offended and horrified at whatever the Machine Herald represents or is trying to do in the undercity. Introducing the element of time travel allows Arcane to explore the meta concept of tragedy and fate that season 1 was built on while showing that you can't "solve" a tragedy, because there are other terrible possibilities lurking behind alternate choices. Especially if what you're trying to change is singular people or events and not systems of power.

This is why Ekko's approach with his Z-drive will be superior to Jayce's sweeping attempt at changing the future. Ekko's goal has always been societal change. He creates his own punk society in the undercity, more progressive and successful than anything Vander or Silco ever created, and a better bastion of safety, hope, and progress than what Heimerdinger founded in Piltover. Trying to change systems by going back in time is most likely futile. But taking what Ekko has already built in the Firelights, curing his tree, and fighting for the Firelights' survival bit by bit by optimizing the present with the Z-drive shows that:

It's more worth it to focus on becoming wise (Ekko's mask is an owl) and making choices you won't regret

It's best if you don't face your fate alone (act as a collective and take care of each other)

Consider every option, not just the obvious black and white choices

Maintain and fix what you've already built instead of abandoning it once things get difficult

Adapt as needed if the choices you made lead to dark consequences, and once again, stick together and take care of each other when the bad times do come

That's my Act 2 but, ultimately, my season 2 prediction based on the butterfly symbolism we've already seen. Ekko's involvement is what will give the series the at least partial happy ending that the creators have referred to. I personally don't think that the Viktor/Jayce feud will end quite so well, but maybe, they will still survive.

[pinyatapix]

how i imagine Minecraft Alex's personality to be like vs how i imagine Minecraft Steve's personality. duality of minecraft

[deltapelagicpetrel]

alright time for my once-in-a-quarter post, this time the topic is griddlehark!!!!!!!! I love them so much i sure hope nothing bad happens to them ever hahahaha

[mukuberry]

"Luka is a malicious person. He actively uses the deaths and traumas of the people around him to torment other humans, even when it has no benefit to him other than making him feel good. Whereas the other contestants are focused solely on surviving, he is focused on making sure his opponent loses, enjoying seeing them suffer."

and

"Luka is still a victim here. His personality has been built like this as a result of the trauma he's endured at the hands of the aliens, and it makes sense that he enjoys having control over the other humans' emotions, seeing how little control he has over his own life. The aliens and systems in place are the villains here, and it's important we don't forget this"

are two statements that can and should coexist

[keferon]

Sorry if this is going to sound bad, but I appreciate how loosely you draw transformers??? Like genuinely, I get so lost in the desire to get proportions/details right that I just stress myself out of practicing at all. However I love your art dearly, and it's making easier for me to just. Fuck It We Ball while drawing. LIKE THE RENDERED ART STILL LOOKS AWESOME DON'T GET ME WRONG but alot of my fav drawings you post have like. Just the sketchest arms imaginable. Just wanted to say thanks, and hope your week is doing well

Half assing my way through drawing process is the skill I'm actually very proud of because I took the time and effort to learn it so thank you ehehe

[anbaisai]

I was so proud of preparing my own food last night for work today and then I proceeded to forget it on the counter overnight so my options today are

1. Starve, or

2. Possible food poisoning

And guess who visits after not showing up for a million years, with food too:

He heard my crisis… sasuga my wife…

[beaulesbian]

kind of happy this arcane piano guy, who was shown only briefly, made it to the end alive

and that while he was there as a background character only in episodes 2x8 & 2x9, he was supporting main characters like Vi & Loris

[windcarvedlyre]

I've been following @druidposting's DR2 playthrough on discord and we just had a really good discussion about DR's Closing Arguments. Specifically the way the murderer is depicted as grey and featureless, which until now I found a bit annoying.

In Danganronpa it's repeatedly the case that we don't have the full picture until the talking actually stops- which always goes beyond the end of the trial. We generally vote first and come to understand what the murderer's actual motive was, sometimes filling in important pieces of the timeline in the process, afterwards.

But none of that matters for the killing game because characters' emotions aren't directly relevant to who was the 'blackened'- the only thing that matters to Monokuma- so it comes out afterwards and does nothing to change their execution. It doesn't matter how sympathetic they are (basically everyone) or whether other people share responsibility for the situation (eg. Hanamura, Pekoyama, Momota) or whether they intended to murder at all (Nanami). They objectively pulled the trigger and nothing else matters. Nothing about them as a person matters.

The Closing Argument mechanic might illustrate that problem- literally. They're a dramatic, conclusive summary of the entire case... constructed before the vote even happens, before we know if we're actually right, and they're missing something really important:

The actual perpetrator.

We quite literally don't even begin to see the real person behind the crime, any real exploration of their mental state, anything besides the cold, hard facts of the murder that are necessary to convict them, until the comic finishes and the protagonist makes their final accusation- replacing the grey figure with their real appearance in a shot that's often intensely emotional.

And these comics lack crucial parts of the case's timeline and sometimes important parts of the very scenes they depict that we only find out about afterwards. And those are what we know; characters may die with some pieces of the truth and prevent us from ever learning them. These aren't objective depictions of the murder, they're the protagonist's subjective attempt to connect the facts they have. A join-the-dots portrait of someone with missing dots and no colour.

Even characters' expressions may not match how they truly feel, with the grey placeholder potentially looking way more confident and sinister than they were in reality. Pasting Falter's commentary here since they put it well.

For obvious reasons this could especially be a problem for characters that die before the trial- the ones we never get a post-vote testimony from. DR1 chapter 4 really highlighted that in the way Asahina's huge misinterpretation of Oogami's feelings took up a lot of the post-trial discussion, only for Monokuma to reveal Oogami's real suicide note and recontextualise everything.

It might really be a problem for how Komaeda's depicted in DR2 chapter 5. While he isn't greyed out, we get panel after panel where he's either level-headed or maniacally evil, and even the depictions of his self-torture and death don't humanise him:

But we know that his real feelings were more complicated than that. We have his actual corpse to compare the last page to.

He died afraid.

If we approach the comic as Hinata's mental image of him instead of reality, he died without anyone truly understanding him. He was alarming, very hard to relate to, actively fought against people doing so, ensured even the killer didn't watch him die, and the survivors couldn't begin to understand his motive until a chapter later. The Closing Argument reflects that.

Early in DR1 Togami calls out the rest of his class for judging others by their own standards. However, he, too, is doing this, maybe more so than many other characters; his inability to view other people through anything but the cold, brutal logic of the killing game bites him in the ass in chapter 4. In DR2 chapter 2 voting without a good understanding of Pekoyama's motive or Kuzuryuu's involvement nearly got everyone killed. Komaeda's a walking embodiment of the problems with flattening people into caricatures and not empathising with them, suffered from people doing that back to him, and his case- the Closing Argument for which turned everyone else into grey placeholders- was impossible to solve with objective facts. It was only survivable because the survivors cooperated and one person tried to analyse things the way he would.

The games have always been a critique of the justice system and Japanese society and push us to care about others as individuals, not reduce them to- and judge their right to exist by- something they've done or their net impact on society. There are always consequences when someone neglects to do that, and the above might be yet another way the games explore that theme.

[lesbianredhoodedmercenary]

project moon is getting me with the girldads double whammy

ryoshu spider bud ego.... ryoshu getting the ego for the abnormality that's so fiercely protective of it's children to the point of murder... combined with how protective the artist is of his daughter in hell screen... she's the best dad on the bus

[threepandas]

Bad End: Out In The Cold

"What's this? A cold little mouse in my castle?"

Thick hair that wasn't mine spilled over my shoulder. As a familiar hand, warm and calloused, wrapped itself around my throat. I hadn't realized how cold the room had gotten, until her hand was there, skin warm against my skin. It had taken a while to get used to this.

I was grateful, in a way. For the the day she had done more then just scoff at my scarf. Telling me I would freeze. The way she had gotten worried. Pulled off her gloves, grumbling all the while, too fuss over me like some great mother bear. Hands warm but gentle, as the tucked themselves around my throat. Too better warm my blood, she had said.

It had been like a dam breaking.

And honestly? She WAS right. It was warm.

Now, whenever she so much as SUSPECTED I was cold? Her hand would sneak out to press against my pulse. Though, half the time, I suspected it was an excuse. She'd not had many chances for closeness in her life, I suspect. Calysta was the... ah, it was hard to translate, but... the CLOSEST translation? Was something like "Child of The Mountain Gods".

Or was it "Child of the Mountains AND the Gods"?

I was supposed to be writing a treatise on the subject. Gods knows no one ELSE would. Cowards. Bigots too. "Nothing but savages" my silk clad ASS. And they dare call themselves academics!? Ha! HA, I say! Both my professors and I would SPIT! (If it weren't WILDLY rude. I never COULD master that skill. I did try.)

Unfortunately, my professors, were too old to make the journey this far North. It hadn't stopped them from TRYING, when we had finally gotten permission. But... well. They barely made it too Wuntersgreen before the strain and cold became too much. They cried.

As the youngest? I was loaded down with their notes, questions, hopes and dreams, and sent on ahead. No one was impressed by me. The scrawny academic with her soft, soft hands. Never a day's fight in her. Didn't know how to do "anything". But? That had given their word to host me. So they did.

It's been AMAZING.

And I like to think I'm getting better!

Adapting. Learning how to do things and help around the castle. I even helped start a fire for the fireplace the other day! Before THAT? I learned how to set hunting traps... rather badly. I have yet to catch anything. But still! Progress, is it not?

Where was I? Ah, yes.

Calysta. Her rank is something between a Warlord and a King, as far as I can tell? It holds the respected sovereignty of a ruling monarch yet? Can be seized. Should she grow "weak". Is not NECESSARILY passed too one's children. They, presumably, have an ADVANTAGE... but? It goes too "the Chosen child of..." that word I'm still having some difficulty getting a good translation off.

And if I remember correctly, Calysta's brother's did NOT appreciate that. As they had been favored by her father. Showered with praise most of their lives. One of them ASSUMED to be the next leader.

They challenged her.

Did not back down.

Now? Now she has neither Father nor brothers. Not that it seems she had much of either to begin with. Frankly? I am GLAD she won. She is good for the North. Strong, steady, highly tactical. A wry wit. And a FEIRCE love for her people and culture. NO ONE will take it from her. Destroy these beautiful peoples.

I'm tugged back lightly, away from my desk to sit up properly against the back of my chair. The hand on my neck shifting softly, ever so slightly up, to cup the underside of my jaw. Tilting my head up so I can not see my work but must instead meet the eyes of my dear friend.

"Enough, little mouse." There is a fondness to the edge of her mouth, she is not one for great grins and wild expressions. It has taken me months to learn how to read her so well. "Your papers will still be there AFTER you warm up. Should be easier to right, don't you think, when you can actually feel your fingers again?"

I huff a laugh.

Honestly... where would I be with out her? Frozen to death, probably. I get entirely to fixated on my work. Food, drink, keeping the fire running. I notice none of it. Probably shrivel up and die. The fact she even takes the time to check on me? Dispite being as important as she is? Let NO ONE say Calysta does not CARE. She is a good person.

My legs feel numb and prickly, stiff, in that distinctly asleep and too cold sort of way, as I try to stand. Calysta has to wrap her arm around my waste and let me lean against her. She feels almost too hot against me. Another sure sign I have, indeed, allowed myself to get too cold. Oh dear.

With an exasperated snort, once it becomes clear my legs will probably not be recovering fast enough for her liking, Calysta decides she will speed things along. My legs are swept out from under me effortlessly. I don't even squeek anymore, this has happened so often. But I USED too.

It is how I became "mouse".

Now I just allow Calysta her way. She'll put me down when she wants to put me down. And honestly? It's kinda fun to be carried like a child. I feel tall. Weightless and somewhat decadent, it makes my heart beat a faster. And on somedays? All I want to do is go boneless. Allow myself to be HELD. Not that I'll ever tell. So Shhhhh, a secret to our graves, okay? It would make things awkward for her.

She strolls down the hall with me, too her office. No one so much as blinking an eye. We've become so common in our shenanigans, I imagine, it's become mundane. And... ah~ Calysta was RIGHT. I WAS cold. The fireplace in her office is full with logs burning away merrily. The windows we passed in the hall showed snow. It seems the storm's finally hit..

Instead of putting me down, Calysta heads for the couch. Turning and with a huff, flopping down, making both of us bounce a bit. Leaning back with me less in her arms now, so much as in her lap. The room is quiet. Hushed almost. The crackle of fire, the distant howl of wind, far away chatter of life, elsewhere in the castle.

Calysta has leaned back against the back of her office's couch. Head rested against the fur blanket draped against the back of it. The fur mixes with her riotous man of hair to create almost a halo, lit in golds by the fire's light. Her eyes are closed as she takes her moment. The fire light makes her face softer.

But never soft.

No force in all the world could make Calysta anything but the Queen she is. Dangerous and powerful. First into battle and last to leave. She is breath taking in the way all deadly things are, I think. Like blades and poison held up to the light. Predators and fires that burn.

"You're staring, little mouse." She says, voice nearly a whisper in the softness of the room. It is a rumble like mountains and the sweet call of dangerous things. She's always had such a commanding voice. I envy it. "Is my face so entrancing?"

She's smirking. Teasing me. I laugh and rest my head against her shoulder. Let myself drift as the chill in my bones fades away. The arm loosely around my waist to keep me from falling off, has taken to lightly stroking my back. Almost absent-mindedly. Occasionally, fingers playing with the ends of my hair.

A servant has come-by. Removed our shoes for us. Brought Calysta missives and responses. General updates. She shifts us. Tucking me against her as she lays down, tucking me between her body and the couch. Fuzzy blanket over me, arm wrapped around me. I... I feel boneless.

Safe.

Everything warm and quiet and far away.

Trusting, I doze off. Cuddling close and utterly content.

Calysta presses a kiss to the crown of my sleeping head. Let's her hand roam, just a bit, simply to feel the perfect way her little mouse fits right up against her. She was MADE for her. Born to be here. Still... she has to be... be GENTLE. Soft.

It's hard. She hasn't had much practice in that.

But good things are worth the struggle for them. True love is WORTH the time, the effort, to learn how the South romance. Figuring out how to woo her lil mouse as she deserves. Making sure she never leaves.

Speaking off...

She diges out the ridiculous fancy paper envelope at the bottom of the stack. Hidden, as per her instructions, so her little Mouse wouldn't see it. Another one, it seems, from that damn "House" of hers. Southern Clans were pretty damn presumptuous, weren't they? Had some fucking gall.

What did THIS one say?

Let's she... "come back at once" blah blah blah "how dare you ignore all our letters" blah blah "you WILL honor the engagement we've found for you, or ELSE" oh? Threats now, huh? Ah~? "Keep ignoring our letters and you'll be cast from House-" well, well~!

That's convenient.

One flick of the wrist, and the letter is in the fireplace. Burning away. Just like all before it. Oops. How difficult it is, to get news from the South. Her little mouse really SHOULD just forget about them. THIS is her home now. THEY are her people.

Her girl doesn't need anyone else.

"Don't worry, little love. I won't leave you out in the cold. You're gonna stay with me. Forever. I Promise."

[nalooksthrough]

The thrilling sequel.

[daily-crowley]

Crowley Of The Day: gorgeous 😍

(I used up all my hashtags that I couldn’t do my usual GO tags that I always do lol I don’t care)

[dykedvonte]

I hate the stretch lines in the front of Curly's uniform because that means the devs rushed to make a model in like a month or so and thought "They gotta at least know he has huge knockers, gotta know he's got back pain." Cause like what is the thematic importance of his tits having overhang?

What responsibility is that representing? Breast reduction? It shows an inherent greed in his character due to the excess and heshouldletmeholdone and that he clearly is blinded cause if he tries to look down his damn ladder all he's seeing is his own cleavage.