#AND YOU'RE SAT UP

[sergle]

what I was talking abt earlier. we have fully looped back around and away from feminism, societally, whereas before it was very Feminism 101 to acknowledge that many parts of existing as a woman in a misogynistic society are painful and upsetting. not that being a woman is Inherently Negative in a bubble. but that living on this earth, in the conditions we're living in, is hostile to women. and that gender is a performance. that many of the Staples Of Femininity as accepted by society are things that you have to create and perform and mold artificially and aren't inherent, that COMPLAINING about day to day difficulties of existing as a woman is something that you're allowed to do. acknowledging these basic, again, feminism 101 things, that something tied to womanhood is more time consuming or more expensive or more dangerous Because Of The Problems. does not CREATE the problems. that when women complain about having to perform femininity, they are not, in fact, oppressing themselves. the call does not come from inside the fucking house. saying that you HAVE suffered does not fucking equate that you believe you SHOULD have suffered.

like I could talk about this for hours. how braindead and one-dimensional the Takes are getting. "being a woman is looking in the mirror and going fuck yeah i'm a woman" damn. I guess any negative experiences you have by living in a misogynistic world... are your fault if you are anything but positive? "you don't actually want liberation" we've fully gone back to telling feminists "you WANT to be oppressed" when anything negative about our society is pointed out. it's not real until I say it out loud, I guess, and then I'm actually the one who caused it. if anybody expresses any unhappiness with how they're treated or the status quo or the language and culture surrounding womanhood and femininity. they've created it, right that second. they invented it just now. it wasn't a problem before somebody complained, right? also trans women aren't braindead zombies who just follow the flow of whatever cis women around them say. I am pretty fucking sure they are very much aware of pain, and are MORE than aware of the swirling torrent of misogyny and standards of femininity than anybody else. actually. and I am pretty sure someone complaining on tumblr that being a woman means always putting on a performance is going to make someone change their mind about transitioning. also "performing femininity" as a necessity to being treated well as a woman is not fucking NEWS to your Local Trans Woman. I AM PRETTY SURE SHE GETS THE CONCEPT. using trans women as a scapegoat for this braindead perspective on gender politics is spineless, meritless, and pathetic.

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.

[introspectivememories]

"evan, i find you adorable". adorable as in able to be adored. as in capable of being adored. as in i find you worthy of adoration. adorable, from the latin adorare (to worship) to adorabilis (in the sense 'worthy of divine worship') to the current day adorable. as in maybe if we had made it to the movies or if eddie didn't show up, i could've showed you just how much i want to worship you. as in i look at you and there is a font of adoration in my heart for you. adorable as in i flew into a hurricane with you and yet this date is a thousand times more thrilling than that. adorable as in there is a person in your building who saw me jump up and down like a little kid in the lobby after i had kissed you for the first time. adorable as in i kissed you and immediately thought fuck i could do this forever if he lets me. adorable as in i want to press kisses to your birthmark. adorable as in i spent the entirety of the days leading up to our date wondering about you, if you liked your coffee with two sugars or one. if you liked storms or if the lightning strike had put you off on them all together. if you liked cats or dogs or if you were the kind of weirdo who liked goats instead. if you thought about the kiss as often as i did. if your stomach tangled into twisted knots as saturday drew closer. if you would be agreeable to sitting in my lap. if you would blush as prettily as you did the day i kissed you. if your world also realigned when our lips met. if our orbits had matched up now that we flew into a hurricane together. if the gravitational pull between us had finally been too strong for either of us to resist that night in your loft. or maybe, more simply, adorable as in, "evan, i find you adorable."

[total-drama-brainrot]

Total Drama Psycho Noah AU, before Alejandro knew the truth, Noah would sometimes cuddle to the charmer while sleeping... Alejandro was amused and fond by this... But when Alejandro learns about Noah's true crazy colors and the sleeping Noah cuddles into Alejandro again, Alejandro is trying NOT to freak out! 😴

Wait no you're so right. Noah's sleep cuddling habit would've been seen as innocuous throughout the whole series, especially in World Tour when their sleeping arrangements were so cramped. Of course he'd always end up practically gluing himself to the nearest person in his sleep- who would usually ended up being Owen or sometimes Alejandro, as they were the two people Noah tolerated enough to spend most of his time with.

But as soon as everyone on the jet becomes aware that he's not nearly as harmless as he's portrayed himself to be? When he intentionally shows himself to be a threat to their safety/wellbeings?

Well, suddenly his "cute little quirk" has turned into a very volatile situation.

-

What is Alejandro supposed to do when he wakes up in the Economy cabin, not even twenty four hours after the London challenge, and finds everyone's fearful eyes trained on him. How is he supposed to react when he feels the familiar weight of the dangerous, downright vicious person they'd all watched snap someone's arms like uncooked spaghetti, draped over him like a blanket?

Especially when they all know that a Noah who's woken up before he's ready is cranky. And that was the Noah from before, who was apparently keeping a tight leash on his wilder instincts- now that he's given up on holding himself back, who knows how he'd respond to being woken up?

Oh wait. They all know how he'd respond- and it involves a lot of bloodshed.

He's trapped; waking up Noah is a guaranteed death sentence, and any movement could be enough to stir the other from his precarious slumber.

And the others know it too. Tyler and Duncan watch him like a hawk, their faces palid with pity and terror, though they thankfully remain just as muted as Alejandro himself. It's unnerving, being held under the terror-shrunk gazes of the two, but not nearly as unnerving as the soft steady breathing of the deranged bookworm sleeping on top of him.

For a moment, there's a tentative silence that hovers between the three of them like a sheet of ice over a frozen lake.

So of course, Owen's boisterous entrance to the cabin shatters it.

"Hey guys, Chef's serving breakfast in the-! Oh, did I interrupt something?"

Noah stirs from his sleep, and Alejandro's breath becomes an inmate in the prison of his lungs. He'd doomed.

"Wuzza'? Is it ch'llenge time?" The bookworm slurs, one hand wiping at his sleep-crusted eyes as the other finds purchase against Alejandro's shoulder. Noah pulls himself into a sitting position, his body subconsciously curling itself towards the nearest heat source- which just so happens to be Alejandro's terror stilled form- and the Spaniard in question internally prays to whatever God is listening that he'll somehow evade the psycho's inevitable ire when he realises that Alejandro is, in fact, not a pillow.

After a trepid second of inaction, Noah hums inquisitively against the warm mass beneath him, and blinks tired eyes up towards Alejandro's ashen face. A moment of incomprehension passes. Then another. And then realisation flickers over the bookworm's features like a dying ember.

Alejandro is so fucked.

Noah's face solidifies into something blank and unreadable- the complete lack of discernible emotion in is expression is almost eldritch in its uncanniness- and the latino doesn't know if its more or less unnerving than the unhinged, crooked smile he's graced the cast with yesterday. But then, unexpectedly, Noah wordlessly slides himself off of Alejandro's lap.

No broken arms. No stab wounds. Not even a threat against his person.

...What?

"Uh. Sorry for sleeping on you, I guess." The cynic says off-handedly, in his customary sardonic drawl, before he steps over to Owen and calmly asks what the blonde oaf was so excited about.

What?!

"It... is no problem, mi amigo." Alejandro chokes out, displacing the stationary air in his lungs.

Where is the vicious psychopath from last night? Why is Noah acting so... normal? Was his display of instability a fever dream or something?

No, both Tyler and Duncan shoot Alejandro matching looks of bewilderment from their seat on the adjacent bench. What happened last night was real, regardless of Noah's current docility.

Owen and Noah's conversation filters off into nothing, and the Archvillain spares a glance towards the pair. Only to find the both of them staring back at him, grinning; Owen's face scrunching up into his usual friendly smile, and Noah's smug smirk rapidly morphing into that same too-wide snarl he'd adorned on the bus- are those fucking fangs?!

"You make a pretty good pillow, Al."

[fisheito]

this is what i was cookin up while on nu:vacation [avoiding event spoilers] my dream.....my hopes....... EVERYONE PUT ON THE PRINCESS GOWN🗡

[fallstaticexit]

Wait so if missing moments is mostly gameplay with story telling, does that mean many just came into Olives work place and it blossomed into this? If so, that’s amazing. You have such a creative mind, the art of being scene and the moments between Nancy and Olive has me HOOKED and I’ve actually teared up reading it. It’s made me actually love Nancy and now I’m making my win save file with the townies being made over and worked on.

Thank you so much <3 and yes, essentially! What happened was, I made over my Nancy I had from ages ago, dropped her on lot and it was mutual fireworks when Nancy came in contact with Olive. Which was all according to plan mwahaha

[natjennie]

I do just want to say for anyone unfamiliar with the american education system, this is a pretty accurate portrayal of junior year. you would think college and scholarship and adult life concerns would be more senior year stuff, but, at least in my experience, junior year is like the worst year of your academic life. you're trying to balance applying for schools and keeping your grades up and getting scholarships and standardized tests and extracurriculars. then, in senior year, you usually know where you're going to go after you graduate and only really have a couple necessary classes. everything is a lot chiller, you basically just have to show up enough to get credit and you'll be fine. all this to say, from the academic standpoint, it's a fairly realistic depiction of junior year.

[leupagus]

Really enjoying writing Book 2/Season 6 of this monstrosity, where instead of having Sansa and Jon fighting to regain Winterfell and all that nonsense with the "Battle of the Bastards," it's gonna be like 10K of Sansa being the Warden of the North equivalent of that mom who just needs FIVE MINUTES OF PEACE AND QUIET YOU GODDAMN KIDS

To the Lord Robin Arryn, Defender of the Vale and Warden of the East, and my Dear Cousin,

I write to you from Wint

"Sansa — sorry, Lady Sansa, you'll never believe—"

"Jeyne, you don't have to call me 'Lady Sansa,'" Sansa said as she looked up from her parchment. "You're the steward of Winterfell now."

Jeyne Poole, hanging onto the handle of the door and swinging it absently back and forth like she'd done back when they were ten years old, frowned. "My da always said the Lord and Lady of Winterfell were worthy of respect."

Sansa leaned back in her chair. Father had dealt with the business of the holdfast in the Library Tower, so he could wrestle with the accounts without being interrupted every twenty minutes. Sansa had always thought that a bit unfair, since it meant you had to climb all those stairs just to find him, but now she was wondering if she could perhaps build the tower twenty or thirty feet higher. The exercise would probably do her good. "Your father always called mine 'oi, you,' if I recall correctly."

The look Jeyne gave her was deeply unimpressed. "Aye, and you always complained about it. Do you want to hear about the cow loose in the guest house or not?"

erfell at last, which was the dearest wish of your beloved goodfather Petyr. His dying words were to express the hope that both his goodson and his niece be safe and secure in their homes, and I am glad to say tha

"Lady Sansa, Master Mikken has refused another dozen apprentices. He said they're all 'knuckleheaded clods who wouldn't know a round ball fuller from a chisel punch." This time it was her master-at-arms, who'd been Rodrick Cassel's round-faced child named Beth when Sansa had left. Now he went by Cass and looked like he could wrestle a (very short) bear if needs be.

"I don't know a round ball fuller from a chisel punch," Sansa replied, frowning.

Cass shrugged. "Well, and nor do I. But that's near fifty lads he's turned away. We need someone helping with the forges. We've been making do with the army smiths that Prince Stannis let us—"

"Prince Stannis?" He was going to hate that.

Another shrug. "We've got to call him something, milady. You won't call him 'king,' nor will any of your bannermen, but his soldiers give us no end of trouble when we call him 'lord.' So 'prince' it is. And he is one, too, ain't he? King Robert's brother. That'd make him a prince, right?"

Sansa answered with a shrug of her own. By the time Stannis and his companies returned from the Dreadfort, everyone in the North would likely have settled on Prince Stannis, which would lead to a great deal of shouting and probably threats of lighting people on fire, but she had at least a fortnight to think of something.

"As I was saying, we can't use the Baratheon smiths forever, and the ones from our bannermen have all gone home with their bannermen. Mikken needs apprentices, and we need our forge at full strength."

"All right, let's go speak with him," Sansa sighed.

t through the goodness of Stannis, of House Baratheon, and his masterful command of the armies of the North and the Stormlands, I am now secure as Warden of the North.

Not only that, but your dear cousin, my brother Rickon has somehow survived all the danger that the North has presented, while it was under the thrall of the Ironborn and House Bolton. He is now safe and I will reu

"My lady?" Maester Wolkan peered his head into the room.

[arthursfuckinghat]

Christ- I know the campfire brings out the deep thoughts and speeches in people, but we were just trying to celebrate Jack being back Micah

[itsbebebrainrotting]

Tazercraft are kind of like splatoon idols when you think about it.

[jaypentaghast]

"I told you in confidence", he complains after opening up to the woman who he'd just seen literally stab her wife in the back.

[gayporcelain]

hi helen, extremely random but i've just seen a picture of colin morgan and it reminded me of when you said you went to see him on stage and he wasn't there. so you pulled up a picture of him on your phone and set through the play going through all five stages of grief. that's so funny. i mean it's tragic that it happened but it makes for a funny story. i'm glad you got to see him eventually <3 maybe someday again. manifesting 🙏

I'm so glad that this story has lived on omg

everyone pray for my fourteen year old self who cried in pizza express and then watched 3 hours of shakespeare staring at her samsung s3 mini instead

the combination of tragedy and comedy. I hope willy shakes himself approved

[evergreen-endo]

takiishi’s the type of guy who likes not having to lift a finger and breeding yourself on his cock never sounds bad for either of you

Venus :(

good lord mino

yeah he just sits there and takes it. watches you and looks a little bored, too. you're sweating and your hair is sticking to your skin and you're panting like a dog and the biggest mess he's making is between your legs. i think his pupils dilate real nice every time you squeeze him, and he tilts his head back with a clenched jaw when he comes. he'll only lift a finger to slap your ass when you stop moving the way he likes, or if he can tell you're only squeezing him to be a tease. he'll pinch your nipples or your clit if you piss him off too much, too...but his touch is fleeting, gone as quickly as it appears and only there to reprimand you in the first place. just take his cum as many times as he's willing to give it to you before the overstimulation has his mouth dry n brows twitching.

[openphrase123]

oops the next two chapters of four eyes and the next three chapters of inutile are over 7k. i hope everyone likes reading

[shoshiwrites]

WIP — WHEN THE WAR CAME (Toye/Correspondent OC)

"Three letters to the editor asking for an update on your boys. And that's just what they published." Jo didn't know what stopped her more, three letters to the editor or Kay saying her boys. 

Story tag | OC tag

[thenegativitypit]

Not putting it in the tags of that post because it's only tangentially related but the notes of the moral panic post made me FINALLY realize why exactly it always feels wrong when people go, "You either disown Harry Potter OR you're a transphobe".

Like imagine if it was the satanic panic. "You either quit being a Christian OR you're personally responsible for this shit."

The Muslim panic (which is still going on btw)? "You either renounce your American (or British!) citizenship OR you're an Islamophobe."

Gay panic? Watch out, citizens of basically every country prior to just a few years ago and members of most religions even now. You're obligated to give it up.

Now far be it from me to say a piece of media is as important as a religion or citizenship, but... if you can see the problem with the extreme examples, you can hopefully see what's troublesome about the idea in general.

"This thing is tainted and therefore you must NEVER touch, lest you be BAD," is just... it's practically the definition of purity culture, isn't it? "Some vocal Christians are horribly homophobic, therefore Christianity ITSELF is evil." Like we can understand and express why it doesn't work like that, right?

So in the same way, we can see that, "The author who wrote this very popular book series became a horrible TERF years after the books were complete, therefore you have to renounce the series in its entirety even if it was incredibly formative for you," is... messed up. It's not good.

We shouldn't create moral panic or police people like this. If we do, we're no better than the people who are creating moral panic about and policing us.