#AND YOU HAVE A FEAR OF REJECTION AND ABANDONMENT
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zara-renata · 1 day ago
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Before you came, things were as they should be | ao3 | masterlist
Summary: You spend a lot of time wrestling with questions of morality, there's more poetry because the author has no self control, you may or may not burn out Mephisto's eye optics with your antics trying to provoke Sylus, Noah and the twins drag you to the club.
Notes: Sylus x gn reader, Sylus x mc, second person POV This story contains: profanity, alcohol use, mc with self esteem issues, nudity
This is how it goes.
You watch Sylus as he moves around the kitchen, the dark marble counters gleaming in the soft light, the fire crackling in the huge fireplace, his fortress a yacht in a sea of desolation.
His hands are strong, sure, as they slice vegetables, as they slice meat, as they flip colorful medleys of ingredients in the carbon steel wok.
He leans over the corner of the island, where you’re perched on one of the black leather barstools, offering you his pinky dripping with sauce. “Taste.”
You watch him as you lean forward, wrap your lips around his finger, let your tongue run along his skin, obeying him and tasting the sauce. When you’ve sucked it clean, you continue watching him, the sweep of his soft white hair, the flush in his pale cheeks, his eyes on your lips, your lips wrapped around his finger.
You’ve been focusing on all the wrong things. You’ve been paying attention to all the wrong things.
Sylus has all but admitted that you are his beloved. That you are the one he adores, the one he has been trying to win over. You would be mad about his manipulation, if you didn’t also recognize that you wouldn’t have believed him, three days ago, that you are who he wants to convince of the sincerity of his intentions. You wonder if Sylus’s evol can manipulate time—every second here in his home feels like the equivalent of a year in the outside world. You wonder if the changes you feel in yourself, the changes in the way you’re looking at him, are a result of time being sped up somehow without you realizing it. 
You’ve been so wrapped up in your pain, in your fear, that you’ve let your fear of the end, your fear of rejection, your guilt, your unworthiness—you’ve let all these things distract you. It’s easy to wallow. It’s much, much harder to open your eyes and look.
You should have died when Caleb died.
You probably should have died before your memories begin—who knows what caused you to lose your childhood? What accident led to you being taken in by your grandmother’s lab, your heart fodder for experimentation, because you shouldn’t have lived anyway?
Expendable. Your whole life, expendable—your mangled heart the byproduct of that expendability—and yet Caleb is the one who is dead.
But you didn’t die. You didn’t die in whatever calamity took your parents. And if they weren’t killed, then you didn’t die when your parents abandoned you—what do you know? You know only fear, guilt, a lack of memory, and now—with Sylus playing records for you, playing the piano for you, providing you with poetry in his library—now you’re full of, if not memory, then familiarity. What do you know? 
Nothing. Too much. Not enough.
You watch Sylus. You want to see him, without fear, without awe, without judgment. He said he’d give you time. You weren’t ready to acknowledge that you are who he wants, despite the mounting evidence that he has never lied to you. But he also hasn’t told you the whole truth, has he? Sylus, the master of the fine print.
The question is: if you are Sylus’s beloved, why?
And if you are Sylus’s beloved, what are you willing to accept in order to return his feelings?
You think of the executioners singing their joyful songs.
The refugees going nowhere.
The ships whose fate is salty oblivion.
You watch Sylus, whose lovely finger slips from between your lips. You watch his big hands, and think of them letting blood diamonds carelessly clatter to the floor as so much of the world starves.
What does it mean to love a man like Sylus Qin? What does it make you, if you want to be loved by a man like Sylus Qin?
You watch him as he pops his finger into his own mouth, despite it being clean from your tongue. His nostrils flair. “The verdict?” he asks.
“It’s good. Not too salty. Nice umami,” you murmur, honestly. Sylus is a good cook. You wonder where his chef is. Why you haven’t seen any other staff that he has to have in order to maintain a house of this size in the clean, meticulously kept state that it’s currently in. Not like when you first met him, with dust coating everything.
“Oh, nice umami, huh?” he teases you.
“You’re not the only one who can say pretentious shit.” You lean over the counter, stretching your body, resting your cheek on the cool marble. You watch him watching you, his eyes tracking your chest, your waist, before they slide back up to meet your eyes.
You don’t feel worthy of his eyes on you. This feeling is compounded by the fact that this man is opposed to everything you’ve spent your career working to fight. You aren’t worthy of the man and wanting the man, makes you more unworthy still.
What would Caleb say, if he saw you with Sylus’s fingers in your mouth? His wealth wrested from the hands of the dead, clothing your body, filling your belly, soothing your tired, hurting soul?
But Caleb’s dead too. He doesn’t have anything to say at all, anymore.
“A penny for your thoughts,” Sylus says, watching you watching him. He must see something in the expression of your face.
“Only a penny? Why are the rich the stingiest fuckers of all?” you ask without heat.
“I don’t know the value of your thoughts. What if I offer my heart in payment, only to find out that you’re thinking about indigestion, or the latest plot twist in Super Hunters?” he asks, turning away, spooning fluffy, fragrant rice into a pretty little black bowl, heaping the stir fried meat and vegetables, with the delicious sauce, over the rice.
“I would hope that even my most inane thoughts are worth more than a penny to a person who properly values me,” you say, taking the bowl and the chopsticks he offers you. You say this, while not believing it. You don’t dare hope for the knowledge of your indigestion to be of value to anyone but yourself. But for the people you care about—you would want to get Xavier Tums if he had a stomachache. Get Tara a hangover remedy if she’s too hungover to move. Make Rafayel a snack while he whines melodramatically on the couch in his studio after having been so wrapped up in completing a painting that he forgot to eat.
Sylus pours sake into little cups, slides one over to you before turning and plating food for himself. “Ah, kitten is in a contemplative, belligerent mood tonight. How about I offer you a tour of my favorite part of the greenhouse in exchange for your current thoughts?” he asks serenely, joining you at the counter. 
“You already promised me that,” you say, just to vex him.
“Driving a hard bargain tonight, darling.” He sips the sake, closes his eyes, savors. “What can I do to cheer you up?”
“Just tolerate me when I’m like this,” you say honestly. It’s not his fault that he is who he is. That his wealth, his manner of approaching the world, his appreciation of the mutilated world poses such a conundrum for you. You suspect that he has his reasons for doing what he does, for how he does it. You think of the sense of loss you felt hearing The long and winding road. The piano piece he composed. The sense of familiarity that his touch brings when his fingers are gliding along your skin.
You wonder again what he was like as a little boy. What he must have survived to be this bored, cynical, cruel man.
You already feel unworthy of the good things in life. Of the accolades of being a successful hunter. Of having lived, when Caleb died. It’s not Sylus’s fault that you look at everything he has to offer and wonder what you will have to sacrifice in order to fully accept him. You're unworthy, and ungrateful.
As you watch him watching you, as you revel in the glow of his eyes, the uneven slope of his nose, his big lovely mouth—but more importantly, the softness in his gaze as he watches you watching him—you already know how it ends.
This is how it goes.
You sleep the sleep of the dead. One of the things you cruelly, unfairly, envy Caleb for. Because he’s at peace. He’s not hurting anymore. All the sorrows and cruelty of surviving in this world are behind him. Or they had better be. You can’t bear to believe in a universe cruel enough that even the dead know no peace.
You sleep the sleep of the dead. Sylus provides this for you, most nights. Wrapped in his arms. Underneath him. Spooning his big body, your arm thrown over his waist, when you wake in the middle of the night and find that he's too far away. You fall back asleep almost instantly.
As the days pass, as Sylus follows you like a shadow, and the nights which are actually days slip by without another night terror, without the endless hallways of your gran’s house, without falling to your death, you feel that you’re steadily growing stronger. Rested. Your broken pieces knitting back together, if a little jaggedly.
You know that there are some wounds that will never heal.
Your guilt that Caleb died, while you survived. Your jealousy that Caleb died, while you have to live. Your jagged pieces still rub against each other unpleasantly at times, even as you physically heal. But you feel more alert. Physically, you are stronger than you’ve been in months.
You’ve only been here a week, but already you feel like you’ve been gone from your normal life for months, years.
Your feet heal. Whatever balm Sylus rubs along your soles each night must contain something priceless with how quickly your skin knits back together.
You try to give Sylus space. You don’t want him to tire of you too quickly, after all.
Every time he gets a phone call, you leave the room. You wander to other parts of the house. Mephisto follows you each time. And each time, Sylus finds you again. No matter what you’re doing, he joins you. In the theater room, starting a film that you plucked from his collection. He stretches out on the couch, pulls you alongside him, spoons you from behind. The film is in black and white, and it takes its time telling the story. You don’t mean to, but you fall asleep. He’s there when you wake up.
One time, you drift to the gym and find the twins in the boxing ring, pummeling the shit out of each other. You have a feeling the twins chose the decor in the gym, because it looks like a video game streamer’s ideal setup in terms of lighting. The twins are shirtless, well-muscled torsos slick with sweat reflecting the LED lighting ringing the edges of the ceiling which changes colors every few minutes, a constantly morphing rainbow. Screens line the walls showing various athletic competitions as well as video game tournaments. 
You turn and find Noah on a stair stepper facing the boxing ring. She’s sweating, her braids pulled back and up and held in place with a wide colorful cloth headband.
“Wanna join? Are your feet up for it?” she asks, eyes flicking between you and the twins. Kieran lands a punch to Luke’s stomach that has him doubling over, laughing breathlessly.
“Nice,” he pants, before wrapping his arms around Kieran’s torso and ramming him into the ropes. Kieran shoves him to the mat, and they wrestle for a while, grunting and laughing. They sound like they’re having the time of their lives.
“My feet may be, but not the rest of me. How are you not bored out of your mind on that thing?” you ask her. You’ve always hated cardio machines like the stair stepper, the treadmill, the elliptical. You’d rather run outside, Caleb at your side. Or lift weights, loud music and the strain on your muscles distractions from the monotony of the workout.
“Knowing my fine ass is only getting finer keeps me going,” she grins at you. She glances back at the twins. “The view isn’t awful, either. Not that I’d tell them that again though.”
“Oh?” 
“Luke’s ace, and I don’t wanna creep him out.”
You stare at her.
“Don’t look at me like that. I’m a car thief, not a creep. I'm appreciating art now, nothing else.”
“I didn’t say anything,” you laugh. You watch Kieran and Luke for a while longer when a thought occurs to you. “Will you tell me now what you meant by not doing Sylus’s work for him?”
“Oh, yeah, I guess it doesn’t matter if you know now.” She pants a little, adjusts the speed of the stair stepper. “I’m not Sylus’s driver. Can you imagine that man letting anyone else drive his big ass around?”
The way she worded that sentence makes you imagine a driver just carting Sylus’s ass, and only his ass, around in a wagon. It could use its own zip code, so you don’t think the imagery is that absurd but you still have to stifle a laugh. “Not really, no. I can’t see him trusting someone enough to do the job as well as he thinks he can,” you say drily.
“Yeah, exactly.”
You gaze up at her. “So?” You prompt, when it’s clear that she’s gotten a little distracted by Kieran downing a water bottle, the water spilling over his mouth and down his broad chest and splattering onto the sweaty mat.
She looks back at you, not looking at all ashamed at being caught gawking. “You’re supposed to be a detective or some shit. So detect. Who do you think I’m supposed to be driving around?”
You think back to the argument she and Luke had while you were having a mounting anxiety attack about the bet. On standby in case the hunter wants to go anywhere.
“Sylus hired you to drive me around?” you ask, stunned.
“Ding ding ding, there’s hope for you yet.” She rolls her eyes. 
“When?” you ask, trying to wrap your mind around this fact. Sylus only ever came to your place, before the night he asked you to Amnesia. You’re perfectly capable of driving yourself anywhere, on either two or four wheels. Why would he think you need a driver?
“The other night at Amnesia.”
“So he had just hired you when I saw you for the first time?”
She nods serenely, back to looking at the twins. 
“But why?”
“I’m just the driver, ask your scary boyfriend,” she says distractedly.
“He’s not my boyfriend,” you protest. 
She looks down at you incredulously. “Does he know that?”
“What?”
“The way that man carries you around like a damned koala is not friendly. It’s boyfriendly. Or like, obsessively. Also, he hired me and hasn’t made me do anything at all. I am getting paid more than I ever have in my life, I have paid holiday, insurance, holiday bonuses, and all he asks is that I’m available anytime you need a ride or a getaway driver. Would the scary-ass motherfucking leader of Onychinus do that for just anyone?”
You just gawk at her. 
At the look on your face, she snorts. “That poor bastard must have the worst case of blue balls in the history of men who love clueless idiots. Truly, the duality of man. Sinister overlord of the N109 Zone on the one hand, a helpless simp on the other.”
“Okay, okay, no need to call anyone names,” you mumble, reeling from this information. Why Sylus thinks you would trust anyone to drive your ass around any more than he would allow anyone to drive him around is beyond you. But the thought is so fucking sweet, even if you don’t understand what he’s thinking at all.
After a few minutes of sitting with Noah in companionable silence, Sylus finds you in the gym. He nods to Noah and opens his arms. “Come, I’m hungry.” You stare at him for a moment, thinking about what Noah just told you.
You have no idea how long I’ve already waited.
But why won’t he kiss you? What if Noah is wrong too?
You walk into his arms, let him lift you and carry you out of the gym. Noah mouths Boyfriend at you as you meet her amused look over Sylus’s broad shoulder.
This is how it goes.
Another day, after yet another phone call, you wander back to the library, pull out more poetry. You stare at the twisting wrought-iron staircase. He told you to explore, didn’t he?
Before you take the first step, you test a theory. “Fire,” you order, and the fireplace roars to life. You stare into the flames. The house recognizes your face. It recognizes your voice. Mephisto watches you from a perch in the corner of the library, ruby eyes glittering. You watch him in return. You think about Sylus watching you through all those long weeks after he released you from his home after the auction, through Mephisto, through the twins. What did he see when he looked at you? The dark circles under your eyes. Your clumsiness in battle from the endless insomnia, the injuries. Your solitude, even when surrounded by people. What do you have to offer such a man? Why was he looking then, and why is he looking now?
You approach Mephisto, clutching the book in one hand. “May I?” you ask. He caws softly, a terrible little sound. You run your hand along the soft feathers along his back and he lets you. 
You step back, and he tilts his head.
The library is warm. Warmer than the rest of the cold hallways. It wasn’t this warm when Sylus first showed you the space. 
You stare at Mephisto, who stares at you in return. Sylus will use him to find out where you are, when he’s done with his phone call. As he found you in the pool.
He licked cinnamon and sugar from the side of your mouth. He bit your lip. He pushed your hand away when you touched the tie of his pants. His body responds to you, but he does not acknowledge it.
If you’re his beloved, what is stopping him, when you can’t hide your emotions from him at all? Surely he can see the want all over you when he’s near.
You think about his hands, soaked in blood. Blood diamonds clinking on a cold marble floor. His signature bombs bringing down buildings while people are inside, the collateral damage a price he’s willing to pay with other peoples’ lives.
You reach down with one hand, clumsily lift the hem of your sweater, pull it over your head. You’re wearing a tight tank top underneath.
You turn, set the book on a table in the soft pool of light from one of the colorful stained glass lamps. You shimmy out of your sweat pants. You place your sweater and your pants on the table, neatly. You turn and face Mephisto again, watch him watching you, as you stand in your underwear in the warmth of the library.
After a moment, you turn again, and softly pad up the winding wrought-iron staircase.
At the top, it’s warm. Heat rises. It’s a sort of crow’s nest, a lighthouse, a lookout. Windows in a three-hundred-sixty-degree circle, a pinnacle of Sylus’s home. You see the greenhouse sprawling into the distance below. The barren N109 Zone wasteland in one direction, its cityscape in the other. Lining the little circular room under the windows is a soft bench seat, almost all the way around. Pillows and blankets. This is a reading room at the top of the world. You can breathe. The red moon is waning, less full than when you first arrived, but its light still fills the room, blankets everything in softly sinister light. The flap of Mephisto’s wings alert you to the fact that he has followed as you knew he would. You watch him for a moment, wondering if Sylus is looking yet, and then stretch out on your stomach along the curving window seat, resting on your elbows, your legs bent and crossed at the ankles in the air. You begin to read.
You lose yourself in the poetry.
After a while—it could be a few minutes, it could be hours, time feels like it has no meaning here after all—Mephisto flutters his wings and suddenly a swirl of scarlet and ink flows up the stairs and winds around your ankles, cuffing them together. The mist flows under your elbows and stomach, and you’re gently lifted until the tendrils solidify underneath you. Where before you were leisurely reading on your stomach, now you’re draped across Sylus’s lap and he has both of your ankles in one big hand.
You just drop your head onto your open book and laugh a little helplessly.
“Well, are you going to read to me or just continue to laugh?” Sylus asks, as if him appearing underneath you is perfectly normal and requires no further comment.
“And if I’m just going to keep laughing at your theatrics?” you tease him.
He rests one big hand on the back of your naked thigh, runs his palm up, up, until it rests just under your ass. “I don’t mind this position at all. Keep laughing, see what happens.”
You laugh again, and wiggle on his lap. “Empty threats,” you taunt him. He grunts, softly, and then squeezes your thigh almost to the point of pain, in what seems to be an attempt to get you to stop moving.
Your heart sinks a little. He doesn’t want this flirtation from you. You all but invited him to slap your ass, to do something. Noah is wrong. Maybe his idea of a beloved is someone on a pedestal, whom he simply wants to admire like an interesting accessory, a collectible that he never takes out of the box. What the fuck do you know?
You give up. 
“Do you want me to read to you?” you ask, trying to crane your neck so you can look back into his face.
“Don’t strain yourself,” he scolds you, lifting you with his evol. You’re weightless, suspended before him, before you’re gently turned, spun from your stomach until you’re floating on your back. His evol sets you down again, this time with your head in his lap, and you can look up into his face comfortably. He graces you with a slight smile, one corner of his mouth lifted. “And yes. Read to me.”
You watch him, watching you. He makes no comment about the fact that you’ve taken off half your clothes. You wonder what he sees when he looks at you.
You think of how warm his lap is underneath you. How he now rests one of his hands on your bare thigh, caresses it with a calloused thumb.
You think about his trigger finger along your skin, and wonder how many people he’s killed with it.
What kind of person does it make you, that you want his hand with its calloused thumb and trigger finger to drift up, up, to where your thighs meet, and have them live there. Despite all evidence pointing to the fact that he does not want to touch you in that way.
You think about Noah saying that Luke is asexual. You wonder if Sylus is too. If he cares for you, but will never be interested in physical intimacy, can you live with that?
And how do you return to your job hunting men like him, with the memory of his hands on your skin?
What would Caleb say if he saw you now, spread out along this most wanted criminal’s lap, yearning for more of his hands, for his mouth, for his everything?
You begin to read.
Before you came, things were as they should be: the sky was the dead-end of sight, the road was just a road, wine merely wine. 
You stop. You have never read Faiz before. You wonder what the original language sounds like to a native speaker, if it’s different from the translation you’re now reciting. The translation itself is gorgeous in its simplicity.
This time, Sylus doesn’t tease. He doesn’t rush you. He just watches you as you read, as you pause, as you let the words soak into your skin.
You continue, Now everything is like my heart, a color at the edge of blood: the grey of your absence, the color of poison, of thorns, the gold when we meet, the season ablaze, the yellow of autumn, the red of flowers, of flames, and the black when you cover the earth with the coal of dead fires.… You have to stop again. You’ve never read this poem before. It’s not familiar to you in a way that the Zagajewsky collection was. But this poem speaks to you in a way that all good poetry does—describing a universal experience in ways that render the experience new to you again. You continue for a few more lines— And the sky, the road, the glass of wine? The sky is a shirt wet with tears, the road a vein about to break, and the glass of wine a mirror in which the sky, the road, the world keep changing.
The more you read, the more your heart hurts. Sylus seems to sense your distress. He begins to caress your hair.
Don't leave now that you're here — Stay. So the world may become like itself again: so the sky may be the sky, the road a road, and the glass of wine not a mirror, just a glass of wine.
“The end,” you whisper. You set the book down on your chest and just stare up into Sylus’s face.
“Are you a fan of Faiz?” he asks, still caressing your hair. You turn your face into his stomach and breathe in the scent of his warm skin, the softness of his sweater.
“I had never even heard of him until I found his book on your shelf today.”
“Do you like what you’ve read so far?”
You think about what a vein feels like when it’s about to break—you know that feeling all too well. You think about what it feels like when Sylus is not in the same room with you, not touching you with his blood-soaked hands. You think about how, no matter how this ends, you’ll never be able to drink another glass of wine without seeing him, the sky with the blood moon looming, the road littered with corpses that leads to and away from him, in its reflection.
“I do, very much.”
He just smiles down at you, faintly, watching you watching him.
“And you? Is this one you’ve read, or one for the future?”
“One of my favorites.”
“What other poems from him do you like? I can read them to you.”
Instead of agreeing like you expect, he turns his head, gazes through the windows with the night spilling into this crow’s nest at the top of the world. He squints, continues to run his hands along your hair, the curve of your cheek, and starts to recite in his low, soft voice.
When whatever you want to do cannot be done,
When nothing is of any use;
—At this hour when night comes down,
When night comes, dragging its long face,
dressed in mourning...
He shifts his gaze, looks down into your face,
Be with me,
My tormenter, my love, be near me.
He grows quiet, but his fingers still drift along your skin. “I have them memorized. You can ask me to recite them for you in the future, if you’d like.”
“I'd like that," you whisper. Clear your throat. "Is that the whole poem?" you ask.
He shakes his head a little. "No, just the last few lines."
"More surprises from the boogeyman of the N109 Zone,” you say, instead of surging up and kissing him, sucking his poetry-soaked tongue into your mouth, feasting on him, your tormenter, your—
He ignores your taunt, and probably the look of naked want all over your face. “I’m pleased, though not surprised that you like his work.” He smirks a little, as if daring you to ask why he’s not surprised.
Kindred spirits.
You don’t need to ask. 
“Did your phone call end okay?” you ask instead.
“Yes.” He doesn’t elaborate.  “Did we get bored with our clothes, kitten?” he asks instead, eyes drifting from your face to your chest, your bare legs.
“It was warm in here,” you say, watching, watching. “Problem?”
His eyes flick back to your face. He runs his fingers up, just as you had imagined, but right as they reach the edge of your underwear, they reverse direction, drift down again.
If you are his beloved, why won’t he take what you are clearly offering? He has already taken so much without asking, without permission. You are still here. You can’t bring yourself to take from him first—or to offer first, any more obviously than this. What if you’re wrong?
“No,” he says, simply.
 You stare into his eyes, and he stares back. You want him. You want more than his hands on your skin. More than his eyes on you. More than his voice in your ears. You want to be inside him. You want him inside you. You remember a kiss that never happened, and you can taste it. Your mouth waters.
He leans down, his soft hair falling over his forehead, and you resist the urge to lean up, to meet him. “Do you want to keep reading?” he asks.
You shake your head.
He leans down even further, his big body curved over you, his breath warm—coffee and toothpaste. “What, then?”
Kiss me. Swallow me. Don’t turn me away.
“Your favorite part of the greenhouse,” you say, arching your back, suppressing a whine of irritation that he’s so close, that he’s asking you what you want to do, instead of doing what you’re clearly asking him to do.
“Still not ready to go out?” he murmurs, slipping a hand underneath the arch of your back, big palm splayed over and across your spine, pulling you up. The movement brings your face up, up, and he runs his nose against yours.
“Why? Getting bored?” Your heart stutters at the thought. Not yet. He can’t be bored yet. You haven’t had enough. Not nearly enough.
“Far from it.” With his hand on your back, he straightens, pulling you with him, against his chest, until you’re drawn into his lap, until his other hand slides up the back of your thigh, holds you right under one ass cheek. 
He’s hard. 
He stands, guiding your other leg around his waist, pulling you up his body, so that you’re no longer pressed against the hard length of him. You want to scream.
“You’ll want your clothes again, for the trip to the greenhouse,” he says, carrying you down the spiraling staircase.
He sets you on the table where you had set your clothes. You reach for your sweater, but he picks it up first. He spreads it in his hands, opening the bottom hem. You stare at him, and he stares back. You take the hint and lean forward—he settles it gently over your head, pulls it down your torso, adjusts the cuffs after you’ve slipped your arms through.
He then takes your sweatpants and lifts one of your legs, his hand wrapped around your calf. You lean back on your hands to support yourself. He watches your face as he works one pant leg over your foot, as he slowly drags it up your outstretched leg, as he repeats the motion with your other leg. He then steps between your legs, slides one hand under your ass, lifts you, and lifts the waistband with his other hand until the pants are settled around your waist properly. When he’s done, you are dressed again, your hips are flush with his, and you can feel his still-hard length against you.
You watch him, watching you. His cheeks and ears are pink. But other than that, you can’t see a change in his expression. You want to lean forward and bite one of his nipples faintly outlined by his thin v-neck sweater. 
You shake the thought from your head and wrap your legs around him. You told him when you first arrived that you didn’t need to be carried everywhere, but he offers every time you move from one room to another, and you can’t bring yourself to say no, to deny yourself this constant embrace.
“There’s no hurry for you to want to go somewhere,” he says as he takes you into the hallway, as the chill settles through your clothes. “But there is something I’d like to do with you, in a couple days. It’s in the heart of the Zone. Interested?”
Even if you weren’t interested, how could you deny him anything? But you are interested. You’re curious. Your feet feel better. You can’t hide in his home forever. “Yes.”
“It’s a date,” he says, pleased.
In the greenhouse, he follows one of the slate pebbled paths that leads away from the garden fuck-bed, the fountain, the bar. The heavy foliage gradually gives way to a little clearing and a smaller building, nestled within the larger greenhouse. He sets you on your feet as his phone begins to vibrate.
His brow furrows and his mouth hardens, the tension rolling off of him palpable. You turn without thinking, grab one of his hands and put it on your cheek, your own hand against the back of his.
He exhales, slowly, and he seems to relax. He lifts his other hand and traces your eyebrow with his finger. When he speaks, his voice is calm.“Go in. I’ll make this quick. Don’t touch or eat anything.”
You nod into his palm and let go, stepping back, out of his reach. His hand drops, and he flexes it at his side, before turning away and reaching for the phone in his pocket.
The greenhouse within a greenhouse's door swings shuts behind you. 
It’s much cooler in here than in the main part of the greenhouse. A tall arching trellis overgrown with what looks like ivy forms a long tunnel leading further into the building. You walk for a few minutes, admiring the fairytale feel of the tunnel, until it opens into a space that is surprisingly not so large. Slate stones, flower beds filled with plants and flowers. There are several  you recognize—foxglove, with its lovely little spotted flowers drifting down the thick stem, purple and white autumn crocus, oleander with its pinwheel petals. There are also many bushes and other flowers that you don’t recognize, but which don’t look particularly striking. Along with the vegetation, there are a couple benches, torches giving off soft light—they circle a reasonably sized, but not gigantic, still pond, ringed with stones. You can’t see anything particularly spectacular about the space, or why Sylus would favor it compared to the riotous life of the tropical part of the main greenhouse. It’s quiet. Maybe he likes it for the same reasons he likes the solitude of his library. You walk to the edge of the pond and see large koi fish swimming leisurely in the serene water.
You wonder who maintains this space, along with all the others of his sprawling home.
You turn again, and spot what you now know is a bush of datura flowers. You wander over to them, let your fingertip caress one of their sharp little pointed petals. It feels like a lifetime ago that you found a pot of datura on your kitchen island and had no idea who it could be from.
It occurs to you that you need to ask Sylus if it’s possible to have someone water your plants while you’re gone. You suddenly can’t bear the thought of them dying in your absence. You will have to return to them, and your real life, probably sooner than you’d like. You can’t neglect everything, even as you still refuse to check your phone. Your friends may survive without you, but your plants won’t.
You don’t want to think about that right now.
You turn back to the datura plant, and then look at the other plants. You recall the threatening aura of the datura before you knew what it was, what it could be used for. Hallucinogen. Poison. Aphrodisiac. Your eyes drift over the other plants you recognize—foxglove, crocus, oleander. He told you not to eat anything in here. You suddenly know that the other plants in here, like the datura, are not random, or innocuous.
Sylus’s favorite part of his greenhouse is his poison garden. Because of course the edgy bastard would have a poison garden. You don’t recognize many of the plants because they’re not common houseplants that you’ve ever looked into adding to your own collection.
You huff a laugh, put your hands on your hips. An idea occurs to you.
You walk to one of the benches near the koi pond, stretch out on your back. You let your head roll, gaze wandering over the pretty, deadly flowers. Your mind drifts to the poem you read him earlier. Before you came, things were as they should be: the sky was the dead-end of sight, the road was just a road, wine merely wine.
You think of how flowers are no longer simply flowers, but threats. Promises. Reassurances. Tools. 
A pomegranate is no longer a pomegranate, but the feel of his body underneath yours before you throw him off a bed.
A cinnamon roll is no longer a sweet treat, but the taste of Sylus’s finger in your mouth.
Feathers, wine, the poetry of your youth, a bomb exploding, Caleb’s absence, a motorcycle revving its engine, the grip of a pistol in your hand, blood dripping from your wounds.
Now everything is like my heart, a color at the edge of blood: the grey of your absence, the color of poison, of thorns.
This is how it goes.
You already know how this ends. 
You huddled in Sylus’s gem vault and bemoaned the blood diamonds piled high, and then you rolled over to him in the night, wrapping an arm around his waist, breathing in his skin, and slept like the dead.
He said that his favorite stone was whatever you’re wearing, and your heart thrilled and despaired—stones from him come at the cost of someone else’s pain. And he’ll give you as many as you want, and revel in your wearing them, and you’ll soak in his admiration like the vast desert that you are. You’ll bloom like these poison flowers under his care, your feet and hands covered in the same blood as his.
Don't leave now that you're here — Stay. So the world may become like itself again: so the sky may be the sky, the road a road, and the glass of wine not a mirror, just a glass of wine.
Even if you were to leave right this second—even if you were to move to the arctic and cut every tie to him from your life, you’d be tearing out your own veins, carving out chunks of your own flesh, in an effort to remove his talons from how deep they’ve dug into you, starting from the moment he found you in a crowded nightclub and drove you around all night just so you could finally sleep. Maybe from a moment even before that. The auction, with your hand in his pocket, clutching the detonator, his arms around you, his voice in your ear. Look at me. Look only at me.
And you did. And you haven’t looked away since, no matter how hard you tried.
It's already too late. You made your decision the moment you let him into your home when you found him wounded on the sidewalk near your home. You have known what, who he is, all along. The only way you can continue, the only way you can move forward without crippling yourself, is to find a balance. 
A balance between the horror that is inseparable from Sylus’s rough hands softly touching you, the horror inside of you that you’ve always known is there, and the goodness that you want to offer the world since you lived when you should have died, over and over again.
Caleb’s dead. It doesn’t matter what he’d say, because he’s dead and he’s never coming back, and you lived when you shouldn’t have, and he gets to rest and you have to move through each fucking day, one after the other, without him, without Gran, so that you can watch the sunsets for them, so that you can snatch lives back from death’s maw every time a wanderer attacks, and offer the world and Caleb and Gran these gifts because only you can.
A balance between remembering and forgetting, of living in the moment and refusing to looking away from the terrible fruit of Sylus’s labor.
A balance of walking your path in the light as the Association’s sword, of seeking refuge in the glittering night of the sanctuary Sylus is offering you.
If you are his beloved.
If he wants you at all. 
Is it so terrible, to want something just for yourself, even if that thing is a knife in the wounds of the world you struggle to save?
You huff a laugh again. You want him. You want him so much, it hurts. So what if he never touches you beyond holding you close? Biting your lip? Offering to carry you everywhere through his house, turning to you in the night and wrapping his own arm around your waist so that you mirror each other, curved towards each other. When did you become so greedy? What gives you the right to be so greedy?
You throw your arm over your eyes. Enough. Enough.  
You think about your little idea when you realized that this is Sylus’s gothy poison garden. You wonder if it’s too mean, but then you remember how mean he was to you when you first met him. You’ve forgiven him. But you haven’t entirely forgotten.
After a while—who knows how long, you hear the crunch of Sylus’s footsteps on the slate pebbled path.
You let your arm fall, your fingers uncurling against the pebbled slate path and letting a pair of little purple berries roll from your palm to the ground.
You hear his footsteps stop, and then nothing. You resist the urge to open an eye and peek, to see what he’s doing.
“Asleep again, darling?” he murmurs, quietly. So that if you really were asleep, you wouldn’t wake.
You say nothing.
A footstep, and then a creak of the bench underneath you as he settles his weight, the warmth of his thigh next to you on the bench.
He runs featherlight fingers along your neck.
“You’re not asleep,” he says, low.
You ignore him, make no move.
“I’ve been with you long enough while you sleep to know the patterns of your breathing when asleep versus awake. Feeling playful, kitten?”
You ignore him.
He walks two fingers up your neck, gently pats your cheek. “Look at me. I don’t like not having your eyes on me when you’re awake.”
You stay still.
“Sweetheart.” He pats your cheek a little harder. You let your head loll to the side. “You have terrible taste in pranks,” he tsks, but he’s starting to sound worried.
You start to hold your breath. Begin to count.
You feel one big hand come to rest heavily on your chest. There’s a pause. “Oh? Raising the stakes?” 
You’re at thirty. You keep counting.
“If you had really eaten nightshade berries, you’d be surrounded by vomit and probably would have shit your pants. You wouldn’t be lying here pristinely, looking beautifully asleep.”
You’re at sixty. Your lungs are starting to burn. You’ve never been good at holding your breath for very long.
“Your heart is starting to pound from your efforts to hold your breath, darling, you’re not fooling anyone,” he scolds, sounding increasingly irritated, but he leans over, rests his ear against your mouth.
You can’t help yourself. You lick the shell of his ear.
He jerks up like you just lit him on fire and glares down at you. You take a huge breath, struggling to both breathe and cackle at the same time.
“You were a little worried, admit it,” you pant, grinning up at his indignant expression.
He doesn’t respond. Instead, he leans down, hauls you up into his lap like a sack of potatoes, and squeezes you tightly, burying his face in your shoulder. “You can joke about anything, except the idea of you dying. It’s not amusing. It will never be amusing.”
He holds you so tightly you can hardly breathe. You feel his eyelashes flutter against your skin, his breath warm on your neck. You just sit still, not knowing what to say. You did not expect this response at all.
After a long time, he finally speaks. “What was the point of this little prank?”
“Can’t have you getting bored with me,” you murmur.
He lifts his head, looks at you with a strangely pleading expression on his face. “I will tell you as many times as it takes. I am the farthest from bored when I am with you.”
You stare at him, taken aback by his gentle reassurance even while clearly upset with your immature prank. But why are you still surprised when he is tender with you? He has been nothing but indulgent, tolerant, generous, since he secured a promise from you to use your home as a safe house. He has treated you so gently through all of your worst moments since then.
But if you say that out loud, if you acknowledge it, you won’t be able to stop yourself from asking for more. You’re so greedy. It’s not enough, to be held by him. Now you want his mouth. His tongue. His everything.
“You sent me into a poisonous garden without telling me. Rude.”
He lifts a dark silver eyebrow. “I told you not to touch or eat anything in here. Are you a pet, or a child?”
You don't know why you're arguing. “You know the fastest way to get me to do something is to tell me not to do it.” He knows this. He has used this against you before, in fact.
He finally smiles a little back at you. “A child then, I see.”
You stick your tongue out at him, remember what he has done every time you’ve done that, and immediately pull it back into your mouth.
“But you’re a quick learner,” he smiles wider, revealing one sharp tooth.
You just scowl at him.
He exhales heavily, as if letting go of a great weight, and you feel bad for making him worry. “Is everything okay with business?” you ask, trying to change the subject, to take his mind off of whatever he just went through because of you. You resolve not to prank him like that ever again.
“Business is good. Too good. Hence the constant calls. Nothing to worry about,” he says, letting you distract him. He sinks a little lower onto the bench, spreads his long legs. You lower your head, rest it on his big shoulder.
“So. A poison garden,” you say. “Your favorite part of the greenhouse. Not the lovely jungle, the fuck-bed, or whatever else you have hidden in this huge place.”
“I’ve always had a particular weakness for deadly, lovely things,” he says, running a hand soothingly up and down your back.
You feel like he’s trying to tell you something, beyond his appreciation for flowers.
My beloved is perfect to me.
The bet was about how long it will take for my beloved to realize how I feel about them. 
But how could he have waited so long for you, how could he feel so strongly for you, when you only just met? 
You think about how strongly you already feel about him, and wonder if it even matters. 
You think about his little quip, time is a construct and inherently meaningless, when you asked him about his drinking.
It was a joke, but maybe there is truth in it.
Does it even matter? Is it so bad for you to just want to take what he’s now so clearly offering? Even if he’ll never kiss you?
“Do you ever use these plants for nefarious purposes?” you ask. “Or just to admire and brood around?”
“I do not brood. I plot,” he sniffs indignantly. “And you already know that I like a more direct approach. Sometimes Luke and Kieran used plants from here for pranks, back when I had guests more often.”
Guests? More often? Do you want to know? What kind of guests? Does it matter?
You lift your head and ask a question that has been on your mind for a while now to distract yourself. “Who takes care of your house? Your greenhouse? Your pools?”
He raises his eyebrows a little in surprise at your non sequitur. “I have staff who take care of everything.”
“Where are they? I’ve not seen anyone else but the twins and Noah since I arrived.”
“I’ve asked them to adjust their schedules for the time being. They come while we’re sleeping.”
“Why?”
He gently flicks your forehead. “Why do you think?”
“Can you never just answer a question without asking another question, Socrates?” you huff.
“I’m not going to spoon feed you answers that you should already know by now,” he taunts.
“What should I already know?”
“That I know you don’t like being around people you don’t know. That you find it uncomfortable to be around people who you aren’t sure are safe. That you wouldn’t be able to prance around my library in your underwear if you feared some stranger walking in.”
You poke him in his firm stomach. “I prance about as much as you do, Mister Broody McPoisongarden.”
He laughs softly.
You close your eyes. Let his answer sink in. His thoughtfulness shouldn’t surprise you by now. But every time, the tenderness, the kindness he shows you—it hurts. What will you do, once you have to return to your real life? What will you do, if you ever fall off the pedestal he has built for you? What have you done to deserve his attentiveness?
You are trying to live in the moment. You will find a balance. Maybe it’s for the best if he doesn’t want to kiss you. If he never wants closer physical intimacy. He already has so much of you already.
Enough. Enough.
You rest your head on his shoulder again and sit with him in comfortable silence.
This is how it goes.
Another day. He receives a phone call. You wave at him, back away, his eyes tracking you as you go, until the door swings shut.
You drift to the pool room again. Its humid warmth, the bar in pale wood, the zen garden. You take a bottle from the shelf behind the bar, pour a shot. Does it matter what time it is? Not right now, in the timeless night of Sylus’s fortress. Mephisto has followed you. You toast him, holding up the shot glass, and then down it. It burns. You wonder how Sylus can drink this shit. Even the good stuff hurts.
You walk to the edge of the pool. Think about the twenty different swimsuits Sylus showed you after he found you naked in his pool the first time.
You turn, making sure Mephisto is watching. You remind yourself that he’s a robot. He doesn’t care what he sees. But the man on the other side might care. You're lying to yourself when you say you can live without Sylus ever kissing you. You remember a kiss that never happened, and the memory haunts you.
You strip out of your clothes, watching Mephisto watching you.
Look, then. You’ve been watching me since before we even met. You’re the only one I want looking, and you won’t take what I’m offering. I’m now watching you, watching me.
You don’t know what you’re hoping to achieve with your sad little provocations. Sylus has only ever responded with covering you up. You’re just being greedy. Why can’t you be satisfied with him just being near? My tormenter, my love, be near me.
You pause, watching Mephisto thoughtfully, your clothes piled at your feet. After a few moments, you turn and dive into the pool.
You enjoy the water, your empty mind as your body takes over. You feel stronger than you’ve felt in months. You enjoy the strength in your muscles, the weightlessness. You slap the edge of the pool after yet another lap, are about to turn, go again, when you glance up and see Sylus right there, standing above you.
This time, his eyes are open. He’s looking down at you, eyes fixed on your face. His thumbs are hooked in the pockets of his dark pants, the picture of relaxed, a fluffy towel hanging over one wrist.
He says nothing. He simply looks. You make no effort to conceal yourself under the water. You return his gaze, watching him watching you.
The silence stretches. You wonder what he’s thinking. “Everything okay this time?”
He frowns a little. “Worried about my business?”
“I just want you to be happy,” you say truthfully. You don’t want him to be worried about business, or your time here to cause problems for him. No matter what his business actually consists of. Balance. Balance.
“Then we’re both in luck,” he says. “I’ve been happy all week.”
You tilt your head. “Just this week?”
“Mmhmm.” He looks down at you, fondness softening his features.
You think you can live without him kissing you, if he will look at you like this every once in a while.
“Are you not happy with the swimsuits I arranged for you?” he asks, his fond look melting into a bored expression.
���I’m happy with them,” you answer, looking steadily back at him.
“And yet you won’t wear them.”
“There’s no one here.”
“Am I no one?” His gaze flicks down your body, then back to your face. 
You look at him. You look at him, and want him so terribly. You’re lying, every time you tell yourself you’ll be satisfied with a look, an almost kiss.
“You’re the only one,” you force yourself to say.
He’s too far away. You can’t see what effect, if any, what you just said has on him. His face is still impassive.
“Am I to interpret this, as well as the library the other day, as an invitation?”
Your heart is pounding. “Do you want it to be an invitation?”
He opens his mouth, only for it to snap shut again. Even from here, you can hear his phone vibrating in his pocket.
You want him to ignore it. You want him to answer your question.
He takes the towel in one hand, and reaches into his pocket with the other.
You’re already so greedy, wanting him to ignore his business for you. You suddenly feel incredibly pathetic.
You look down at yourself. Muscle and scars. What are you doing? Trying to tempt a man like Sylus Qin with what you have to offer, such as it is. A dull, scratched blade.
His beloved? 
His tormenter, his love?
It’s only been a week, and you’re this delusional.
You sink underwater, turn, launch yourself from the side of the pool, knife through the water. You haul yourself up on the other side, walk through the barroom to the door, and stride, dripping through the cold hallway.
You shower. You try to keep your mind blank. You don’t want to betray yourself, when you have to see him again. There’s nowhere to hide.
You’re relieved when you find his bedroom empty when you’re done in the bathroom.
You throw on clothes.
You slip back into the hallway. Mephisto must have stayed in the pool room with Sylus. You start to jog toward the lift leading to the underground garage. Sylus never said you had to stay in the house while you waited for him to be done with business. You’ll be back when you can trust that your face won’t give away how stupid you feel for trying to seduce him through Mephisto. 
You’ll strangle the wanting inside you like Sylus strangled you when you first met.
As you’re passing the living room, Noah steps into the hallway.
“Whoa, there. You look like you’re on a mission.”
“Maybe,” you say, trying to smile. She stares at you.
“Are you okay?”
“Yeah. Of course.” You nod. You’re fine. You’ll be fine.
“Is this another case of we need to call the boss?”
“No, thank you.”
“Well since you ask so politely,” she smiles at you. It’s genuine. You think this is the first genuine smile she’s ever given you. “You want company?”
“I don’t even know where I’m going,” you say. 
“I’ve found that just going for a drive can make me feel better,” she says. “I am your driver, after all. Wanna put me to good use?”
You blink at her. She’s not going to call Sylus and tell on you? She’s not going to badger you with questions?
“You sure? I’m not amazing company.”
“Coulda fooled me with how Boss follows you like a lovesick puppy.”
“Huh?”
“Don’t worry about it. C’mon, let’s go.” She turns and leads the way toward the garage lift. When you pass the theater room, Luke and Kieran poke their heads out. “Going somewhere?” Kieran asks.
“We’re going for a drive. C’mon, nerds,” Noah says breezily, waving them forward.
They look at each other, seem to have a silent conversation, and then follow obediently.
“Does Boss know we’re going somewhere?” Luke asks.
“Not unless you snitch,” Noah answers.
“Is it like, a secret?”
“No. But maybe the hunter needs a little breathing room.”
Luke and Kieran turn and stare at you.
“Do you need some space from Boss?” 
You grimace. “Not because of anything he did. I just need to get a little perspective.”
“You’re not leaving him, right?” Both twins look stricken at the idea.
“Leaving him? We’re not together like that.”
“Why the fuck not?” Luke demands.
Kieran puts a hand on his shoulder and looks at you. “You don’t have to answer that.”
You squint at them. “You say that like it’s up to me if we’re together or not.”
Luke squints back. “Isn’t it?”
You shake your head. “I’m not going to discuss your boss’s private life when he’s not here.”
“Yeah, yeah, you’re loyal to him, you’re nuts about him. We already like you, there’s no need to prove anything.” Luke rolls his eyes. He’s about to speak again when Kieran begins to steer him away by gently pressing on his back. “We will meet you in the garage,” he tells Noah. “We’ve got to get our masks if we’re going out.”
“Ah yes, the cosplay twins make a reappearance,” Noah grins. “See you in a few.” With that, she takes your hand like you’ve been friends forever, and swings your joined hands as she practically skips to the lift leading to the garage.
In the underground garage which is surprisingly spartan for a man of Sylus’s tastes, she drags you to the tank. You eye with longing a long row of vehicles that look like they’d be amazing to go offroading across the N109 Zone’s wastes in.
“No, nooooope,” Noah says, hurrying you along. “Boss’s orders. I have to cart you around in the Phantom anytime we’re in the Zone. It’s why he bought it.”
You let her herd you to the tank. “What?”
She opens the backseat door and makes a sarcastic sweeping gesture. “Your chariot awaits.”
You sigh. “The backseat? Really? I can’t even ride up front?”
“You’re the VIP. Get in.”
You decide not to fight her this time. You’re going to take out the beat up Toyota Hilux you saw parked amongst the other vehicles to see if you can get it to flip one of these days, and you want her on your side when you do it.
She slams the door shut after she’s ensured you’re buckled in and then swings around to the driver’s seat. She puts on some music that sounds like metal, but you have no idea what particular genre. It’s loud.
“What do you mean Sylus bought the tank because of me?” you shout over the music.
She has mercy on you, reducing the volume, then resumes tapping her long fingers on the steering wheel as you both wait for Kieran and Luke to arrive.
“What’s there not to understand? He bought something that’s advertised as being able to survive the apocalypse to protect you when you need to be in the Zone.”
You think of Sylus, vulnerable on his motorcycle. Just as vulnerable as you on yours. Okay, so he can heal quickly, but you doubt he can heal from being decapitated in an accident. “I can protect myself. That is ridiculous.”
She shrugs. “You worry about these things when you love someone. Doesn’t matter if it’s logical.”
You stare at her. She sounds like she speaks from experience.
“And the Zone is fucking dangerous. More dangerous than Linkon City. His worry is logical in this case. There’s more than just reckless driving to account for in the Zone.”
You startle when the front passenger door and the other back passenger door fly open at the same time, and both twins launch themselves in, almost in sync. They’re both wearing the masks that they were wearing when you first met them, which are probably meant to be crows but just look like plague doctor masks to you.
Noah backs out of the parking space and screeches out of the underground garage like the unwieldy tank is a rocket ship instead of a roided out SUV.
“Can we change the music?” Luke whines. “It’s so fucking… uh. Cock-cockiphinous.”
“Cacophonous,” Kieran corrects gently.
“I’m the driver, I choose the music,” Noah says, swatting Luke’s reaching hand away from the dash.
Luke just groans and then twists in his seat, poking his beak into the backseat.
“So we know you’re loyal and wanna protect our boss. Your secrets are safe with us. Blah blah. Now spill the tea, why do you need space from him?” 
You groan and cover your eyes with your hand. “Not gonna talk about it.”
“Is it because he almost kissed you and then didn’t?” Luke ignores your protest. “Or about him spying on you with Mephisto like a creep even though he claimed it was an accident?”
You drop your hand and stare at his masked face. “What?”
Kieran starts making a throat cutting gesture at Luke, as if to say Shut the fuck up NOW.
“Oops,” is all Luke says.
“Let’s talk about something else!” Noah says in a sing-song voice. She then proceeds to make a very controversial statement about the latest video game they all played together, and they argue animatedly all the way into the urban heart of the N109 Zone.
“We’re going to Amnesia?” you ask in a daze as Noah steers into the now-familiar underground garage.
Noah shrugs. “Yup. Fastest way to see how someone really feels.”
“What?” You feel like a broken record. What the fuck does she mean?
The twins look at each other and then nod in unison. “Jealousy is a powerful motivator,” Kieran says thoughtfully. “Good plan, Noah.”
“What?” you ask again, more forcefully.
“Don’t worry about it.” Noah grins. “C’mon, just get yourself a drink and dance a little. It’ll take your mind off things. I, for one, have been going stir crazy without having anything to do while you and Sylus dance around each other while simultaneously being attached at the hip.”
You’re too shocked to resist, and let yourself be dragged along by the trio of Sylus’s unruly children, past the security at the door of the lift, through the winding hallways, out into the main part of the club where the night is in full swing. The dance floor is packed, the beats organic and animalistic, and the aerial dancers still spin from the ceiling.
You can’t believe it’s only been a little over a week since you were here for the first time.
Noah pushes you to the packed bar, where you’re immediately served by one of the exceedingly attractive bartenders despite other people already waiting. “Shots!” Noah cries, handing one to you, Kieran and Luke.
“To Boss’s bizarre mating ritual!” Luke crows, and they all down their shot, the twins bringing it up to their mouths under their masks.
You look at it the neon glowing shot in your hand and grimace. Eh, what the hell. You shoot it as well.
“C’mon, let’s dance!” 
You do not want to dance. You need to think. You just wanted to get out, to find a little space to breathe away from Sylus’s overwhelming presence, and weight of your suffocating hunger for him.
“I’m fine here!” you shout.
“Fine, but don’t leave without us, got it?” Noah shouts back.
“Same for you!” 
They melt into the crowd.
You squeeze your way through the crowd to take up a spot leaning against the wall, eyes scanning the mass of dancers, the aerial artists leisurely twisting above, the lights a seizure-inducing fever dream.
You keep an eye on Noah, who finds a group of gorgeous women to dance with. The twins, who dance next to each other, are seemingly oblivious to all the attempts by various men and women to slide in and dance with them.
After a while, you head back to the bar. You’re immediately served again, as if the staff recognize you. You take your frilly cocktail and resume your place along the wall.
Mind blank. Just soaking in humanity, feeling like you have a purpose, protecting Noah and the twins in case the unlikely happens and some asshole escapes the notice of Sylus’s extensive security to fuck with them. You don’t let yourself think about anything at all.
Your meditative vigil is interrupted when a big man leans against the wall next to you, squinting out over the crowd like you are.
He’s quiet for a few minutes, and you think that maybe he’ll leave you in peace.
“What are we looking for?” His voice is deep, and close to your ear as he leans over to be heard over the deep bass of the music.
You flick your eyes up to his face, and then back over the crowd. Handsome, in a rugged way. Dark hair, dark eyes. A nose that's a little too perfect to actually be perfect. Not like Sylus's actually perfect nose.
You’re feeling loose from the drink, a little tipsy. You answer honestly.
“Possible threats.”
“You security?”
“Nah. Just a concerned citizen.”
You can hear the smile in his voice. “Those are rare in the Zone. Usually people mind their own business around here.”
You just shrug.
“Can I get you a drink?”
You look down at the drink in your hand, lift an eyebrow.
“Okay, let me try again.”
You turn, look expectantly at him. In another life, you would have found him charming. You would have responded to his obvious interest, maybe taken him home for the night. Maybe even dated for awhile, before he realized that the person he met in the club is the person you are all the time: closed off, alert, never dropping your guard even while being honest. Not like how you are with Sylus. Pliant. Affectionate. As open as you can bear to be while still not knowing what he truly wants from you.
“Dance with me?”
“Thanks for the offer, but I’m okay here.”
“You come to one of the most exclusive clubs in the Zone just to decorate the wall?”
You snort. “Don’t insult this place’s interior design.”
He gives you a slow once over. “Oh, I’d say you’re the focal point here.” Before you can scoff, he tries again. “Just one dance. I promise not to step on your feet.”
You think of Sylus holding you in at the auction's banquet.  Look at me. Look only at me. Sylus holding you in the seedy BOOM BOOM ROOM. Dancing slowly while the rapid beat shook your chest, as if only you and he existed in the entire world.
“I’d rather lean on this wall and pine,” you say.
His eyebrows shoot up, but then he smirks. “I bet I have more to offer than whoever is stupid enough to make you pine for them instead of recognizing what’s right in front of them.”
“Doubt it,” you smirk back.
“Try me. What’s so great about this person?”
“I don’t think there’s enough time to list everything,” you say.
“I’ve got time for you. Unlike this person, since they’re not here with you.”
You frown. Sylus is busy as fuck, but he has always offered you his time. Even when he’s pulled away by the near-constant phone calls, he tries to come back to you as quickly as possible.
“For one, he’s gorgeous. Tall, big.”
“I’m big and tall,” he flexes a bicep. It’s respectable. But it’s not as big as Sylus’s.
“He’s bigger, and taller.”
He shrugs, concedes. “All right, but that’s just the package. What’s he got on the inside?”
“He’s perceptive. Clever. Funny. Fearless. Unbearably sweet.”
“Damn. You’re not making this easy for me.” He sounds forlorn.
“Sorry, man.” You smile at him. He seems nice. But he does nothing for you. You’re worried no one else ever will again. Despite all of your fretting, all of your wallowing, your moral dilemma, you know how this is going to end. Sylus is under your skin now. You are going to do everything in your power to satisfy your greed, to keep both your job and the man who is coming to mean as much to you as your job, formerly your sole reason for continuing to fight so hard to survive. To earn your breath, your life, your having lived while Caleb died.
“So what’s the problem? Why are you here pining, instead of with this perfect guy?”
“I can’t tell if he feels the same way.”
“Have you told him how you feel?”
“He’s perceptive, remember? I’m pretty sure it’s fucking obvious. But no matter what I do, he won’t even kiss me.”
“You tried kissing him first?”
You grimace. “Can’t bear to be rejected if he doesn’t feel the same way. I’d rather just pine.”
“Here you are, badass ready to take on an entire club if a fight breaks out, but scared of just going for it with your man?” He smiles at you, slides closer to you along the wall.
“See? I’m not as great as my packaging suggests.”
“Oh I doubt that. But now I know I have something that your man doesn’t.” He turns, leaning one shoulder against the wall, and bends down toward you.
You watch him curiously. If he gets too close, you’ll sidle away, say thanks but no thanks, again. If he doesn’t get the hint, you’ll punch him in the throat. “Oh yeah?”
“I’m here, and he isn’t. And I don’t have the same self control—how could he not kiss you when you’re standing right here outshining everyone else?”
You’re about to roll your eyes at his obvious exaggeration and move away when you feel a sudden warmth blanketing your back.
“Announcing that you have a lack of self control isn’t the flex you might think it is.” Sylus’s deep voice is next to your ear, his leather-clad arm is wrapping around your waist.
You turn your head, meet his blood-dark eyes. He tilts his head, frowns at you questioningly. “When have I denied you anything?” he asks.
You’re confused until you realize he was listening to your conversation. Oh fuck. How much did he hear?
“Kitten, don’t tell me you’ve had so much to drink that you can’t remember if I’ve ever not given you what you’ve asked for.”
It occurs to you that you’ve asked for very little from him, because he has always offered you everything you could have wanted without you having to ask in the first place. But anything you have ever asked, he has promised to give. 
“Never,” you murmur.
“So if you wanted me to kiss you, you could have just asked. No need to torture me through Mephisto.”
You feel your face flush red. “Torture you?” You want to pull away, but he holds you tightly.
“Yes. Torture me. My tormenter, my love,” he says, leaning down, his lips almost touching yours. “May I kiss you?”
You can’t get over the mortification of Sylus having heard what you said to the guy hitting on you.
“How much did you hear?” you ask, wincing.
He looks smug. “I’m big, and tall, and perceptive and—” He asked to kiss you. Surely it’s okay if you lean forward, try to brush your lips against his lips. Just to shut him up.
He leans back. “No.”
Your insides freeze. What the fuck? What kind of fucking mindgame is he playing? He asks to kiss you and then rejects you in the next breath? You try to jerk out of his hold.
“I’m not kissing you for the first time in this ridiculous nightclub,” he growls, his arm a steel bar over your waist. 
What? Because there are so many people? People who might know him? And see him with… you. 
You want to crawl out of your skin, leave it behind so that no one can recognize you when you move to the arctic to escape this feeling. This is what you get for being greedy. For reaching for what you don’t deserve.
What would Caleb say, if he saw you here, an object of embarrassment for this lord of war, the antithesis of everything you’re supposed to stand for?
It occurs to you for the first time that maybe Sylus hasn’t kissed you because he’s wrestling with the same questions that have been running through your mind since you had yet another pathetic meltdown in his gem vault. You’re a hunter. A tool of the Association. A fucked up mental case. What do you have to offer him in exchange for what he would have to risk, to give up, in order to actually be with you?
A hell of a lot of nothing, aside from all the emotional baggage.
“Because you’re ashamed that the person you’re kissing is me?” you ask, watching his face for microexpressions, for the bored mask, for anything to give away what he’s really feeling.
He scowls, his frown line deep between his eyebrows, like he’s just bitten into something foul. Well that’s fucking clear. You squeeze your eyes shut. You may not be able to escape his hold, but you don’t have to endure him looking at you like he did when you first met him. Like he can’t believe how utterly disappointing you are.
“Look at me,” he demands. You want to cry.
“Please,” he says, tone softening. You open your eyes.
Suddenly the crowd, the guy flirting with you, the lights—everything disappears as Sylus cups your cheeks in his big hands, leans down, and kisses you.
Warmth. His impossibly soft lips. You feel like you’ve been here before. You’ve tasted him before—his tongue parts your lips, filling your mouth. You open your mouth wider, trying to take more of him in. You can hear soft whining noises under the loud music, and realize that you’re the one making them. He uses his hold on your cheeks to tilt your head the way he wants as he tastes you. He takes a step forward, big thigh pushing between your legs, and backs you into the wall, blanketing you with his big body.
You suck on his silken tongue. He presses his thigh with more force between your legs, and you wrap your arms around his neck, grind back against his leg. 
It’s not enough. You wanted his mouth, and now that you have it, you want more. You’re so hungry for him, even as he’s feeding you his tongue.
He tears away from you, panting, a sloppy trail of saliva falling away from his bottom lip.
You stare at his flushed face, wide eyed. 
What now? Is he going to regret it? Tell you it was a mistake? Maybe this is another dream. Another dream you’ll only half remember. Nothing that has to be undone. Nothing that will ruin the rest of your stay in his house. You’ll be better, you promise yourself. You’ll stop being greedy. You’ll be thankful for the generosity he’s already shown you, and you’ll never hope for more again. It will be enough, him holding you in his arms, him showing you precious glimpses into his lovely, complicated mind.
You’ll wake up any minute now, and maybe you’ll forget everything, including the taste of his tongue. You’re haunted enough.
He turns to the guy who was hitting on you, the aether core in his eye glowing bright. “You’ll forget you ever met my beloved,” he orders, and the guy’s face goes blank. He then frowns and shakes his head a little, like he’s coming out of a daze. He turns and wanders back into the crowd without looking back.
You gape after the poor bastard. “What did you just do to him?”
He looks at you, looks back at the guy’s retreating back. Then looks back at you, squinting. “Isn’t it obvious? I made him forget that he ever met you, so he can’t sell intel about my biggest weakness.”
You stare at him. “Your biggest weakness?”
He hangs his head, the soft fall of his hair whispering against your cheek. “Can we leave now? I really want to keep kissing you, and I’m not doing it with an audience.”
You’ll wake up any second now, you tell yourself. You didn’t just guilt him into kissing you in public despite his better judgment. You didn’t endanger him by being an insecure freak.
He flicks your forehead gently. “Whatever you’re thinking, it’s wrong. I didn’t want our first kiss to be in a nightclub. I wanted it to be somewhere romantic, like you deserve. And once I start kissing you again, I don’t want to have to stop. Any objections?”
You stare at him, feeling like you’ve just stumbled off of a goddamned roller coaster. “You want to keep kissing me?”
“Kitten. Sweetheart. Darling. Beloved. Yes, I want to keep kissing you. No, I’m not sure I’ll be able to stop kissing you, and more, once I start. Any objections?” He stares into your eyes.
You find yourself shaking your head.
He closes his eyes, exhales. Opens them. All you see is red. His big hand finds yours. He clasps yours tightly. “Resonate with me,” he says.
You look at him in confusion. “Please trust me,” he says, voice strained.
“I do trust you,” you say. “I just don’t trust that this is real. Are you sure this isn’t a dream?”
He smiles. Big. Genuine. His sharp canines gleaming in the flashing lights of the club. He squeezes your hand gently. “I promise that it’s finally not just a dream,” he says.
You stare into his beautiful ember eyes. You’re so fucking scared to believe that this is real, but he promised you that it isn't. And Sylus says he always keeps his promises.
This is how it goes.
You've already known how it ends, from the first time you willingly took his offered hand in yours.
You squeeze his hand in return, and let your power flow through you.
End note: hopefully more smooches in the next part.
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hartz4medea · 2 days ago
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🕸️🕷️Spider Blues🕷️🕸️
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Virgil paced around his bedroom with anxious thoughts while his arms wrapped around his body, desperate for comfort.
He felt his heart drop at the heavy detailed image of his girlfriend rejecting his dear pet due to genuine disgust of the 8 legged creature.
Virgil felt like curling up into a vulnerable ball and sobbing there and then.
These thoughts were clearly too overwhelming for him- Even Princess, His beloved spider pet, could sense his fear of rejection and hefty abandonment.
The emotions made the black creature wince and try to crawl out of her well-cared of glass dome to try and comfort the owner who adores her dearly.
Virgil quickly picked up on this, glancing at his beloved spider and immediately walking over to the fancy dome.
Slowly, he reached his hand in the fancy container, gently caressing the large arachnid as she willingly crawled into his hand- Finding comfort in the man who puts a roof over her head.
Virgil started to calm down slightly from this, forgetting about his negative and his worsened thoughts of pessimism.
The thought of his girlfriend, Alyna, rejecting his love for arachnids only dwelled in the back of his mind, slowly fading away as he thought of only his familial love for Princess.
Suddenly, A ring followed by a few knocks came from outside- Echoing throughout the air of Vergil’s domain.
He immediately felt his stomach sicken as the thought came back to him, putting down Princess with quick yet gentle movements.
“Vergil! It’s me, Alyna!”
The melody of his girlfriends’ voice was heard from inside, Causing Vergil to quickly run out of his bedroom with a yelp.
“Coming!”
He slammed into the door sheepishly, Groaning in pain before opening the front wooden door.
In front of him, He was greeted by his lovely girlfriend who made his stomach bubble with love before quickly shifting back into dread.
“Uhm.. I.. I want to show you something..”
Vergil softly spoke out as his voice shook, Quickly catching the attention of Alyna.
She gave him a concerned gaze, cocking her head to the side in confusion.
“What’s wrong..?”
She softly spoke, resting her hand on the nervous wreck's shoulder as an attempt to comfort him.
“Nothing! Just.. Just follow me..”
Vergil frantically tried to assure her as a response, doing his best to hide his feelings to prevent any worry.
Leading her to his room, he allowed her to walk in first of course, closing the door behind them.
“So uh..I have this pet.. And I want you to meet her but.. You might be disgusted.. You can leave if you are- I don’t mind but-“
As Vergil rambled off, Alyna’s eyes shifted over to the fuzzy spider; Smiling at the creature with warmth in her eyes.
“Is that him?”
She pointed gently at the spiders’ domain, looking down at the eight-legged creature with adoration and admiration.
“She’s a girl.. Her name is Princess.”
Vergil sheepishly responded, holding in his breath as he waited for another response.
“She’s adorable..”
Alyna’s voice softly spoke out before looking up at Vergil’s shocked eyes with reassurance.
Vergil couldn’t believe it..
His lover was okay with his liking towards spiders?
This caused his anxious heart to flutter up with joy before nervously chuckling out while taking Princess out of the domain.
“Would you like to hold her?” Vergil asked softly, gently handing the arachnid over to Alyna.
In which, She smiled with excitement, Carefully opening her hands out as Princess willingly crawled into the soft hands of his lover.
He knew she was the right one for him after all.
Silly Reblog Game!
Reblog with a picture of your S/I and F/O with ANY scenario of your choice (Also give personality traits of both you and F/O! Also add the name!) and I’ll write a small drabble of the two of you!
It’s also best to state if your F/O is romantic or platonic.
STATUS: [OPEN]
EXAMPLE OF ME AND MY F/O BELOW
Scenario: Can you make Jin cold and wanting to snuggle close to Hamuko?
[Romantic ship]
Tumblr media Tumblr media
Traits for S/I: Traits for F/O:
Hamuko Jin
-Kind towards loved -Intelligent
ones and animals -Devoted
-Rebellious to Hamuko
-Reckless -Arrogant
-Touch Starved -Mentally
derailed
Important facts: Important facts:
-False deity -Obsessed with
-Abducted by Strega Hamuko
-Main worshipper is -Boston accent
Butch -Clingy towards
Hamuko
After the info, I’ll soon reblog your rebelog of my post with a response of the drabble.
Example of the Drabble below:
🌌❄️☁️Cold Nights☁️❄️🌌
============================
The cold air blasted throughout the room from the worn down AC as the two beings snuggled against each other for comfort and warmth on the fluffy mattress- despite the actions of which they COULD just take the machine off.
Jin shuttered out as he moved his head closer to Hamuko’s chest, desperately sneaking out warmth from the deity. His long arms wrapped around the small torso of is wife as she held him to ease his freezing.
“Can ya’ turn the AC off..?”
Jin murmured out with a shaky voice, already sick of the coldness.
But to be honest, A part of him wasn't complaining. The fact he could be so close to his lover like this- Vulnerable, resting in her arms.
“If it makes you happy.. But, I do adore you in my arms like this..”
Hamuko lightly stated in response before pressing a soft, gentle kiss to his smooth forehead.
Jin felt as if he was going to explode with delight, rustling closer to Hamuko as if she was his only lifeline while his face burned with love for his wife.
“I love ya’… So much..”
He whimpered out, unable to control himself from even that small peck of a touch.
“I love you too, Jin..”
===================================
READ MY PINNED INTRO BEFORE INTERACTING!
If you have any other questions, Feel free to dm or comment.
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roguetheflowerchild · 15 hours ago
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Distinguishing between bipolar disorder (BD) and borderline personality disorder (BPD) can be challenging, as there is some overlap in symptoms, but they are distinct conditions. Here are some key differences and similarities that can help:
Bipolar Disorder (BD)
• Core Features: The primary feature of bipolar disorder is extreme mood swings, including mania or hypomania (elevated or irritable mood, impulsivity, energy, and grandiosity) and depression (low mood, fatigue, loss of interest, feelings of hopelessness).
• Mood Episodes: In bipolar disorder, the manic or hypomanic episodes can last for days, weeks, or longer, while depressive episodes also last for a significant period. The mood swings typically occur in discrete episodes (e.g., you may feel normal between them).
• Mania Symptoms: During a manic episode, people may experience a drastically elevated mood, excessive energy, rapid speech, impulsive behavior (e.g., spending sprees, risky sexual behavior), and decreased need for sleep.
• Depression Symptoms: In depressive episodes, people may experience feelings of deep sadness, hopelessness, fatigue, changes in appetite or sleep patterns, and suicidal thoughts.
• Mood Shifts: The mood shifts in BD tend to follow a more cyclical pattern and can last for extended periods (weeks to months).
Borderline Personality Disorder (BPD)
• Core Features: BPD is primarily characterized by instability in relationships, self-image, and emotions. People with BPD often experience intense emotional reactions, fear of abandonment, and difficulty managing interpersonal relationships.
• Emotional Instability: In BPD, emotional reactions are often intense and short-lived (hours to a few days) rather than the prolonged episodes seen in bipolar disorder. This may manifest as sudden mood swings based on external events (e.g., feeling elated one moment, deeply rejected the next).
• Fear of Abandonment: One of the hallmark features of BPD is a fear of abandonment, which can lead to frantic efforts to avoid real or imagined abandonment.
• Self-image Issues: People with BPD often have a fluctuating or unstable sense of self, and may experience sudden shifts in how they view themselves.
• Impulsivity and Risky Behaviors: Like bipolar disorder, BPD can involve impulsive behavior, but these impulsive acts are often driven by emotional distress, such as self-harming, substance abuse, or risky sexual behaviors.
• Chronic Feelings of Emptiness: People with BPD often report feeling empty or like something is missing.
Key Differences
• Mood Swings: BD involves more distinct mood episodes (mania and depression), while BPD involves rapid, intense mood swings often triggered by external events.
• Duration of Symptoms: In BD, mood swings (mania or depression) last for a longer period (days to weeks), whereas in BPD, emotional reactions are more transient and may shift within hours.
• Focus of Emotional Reactions: In BPD, emotional reactions are typically more tied to interpersonal issues (e.g., abandonment fears), whereas in BD, mood swings are more related to the underlying mood state (mania or depression).
Overlap
• Both disorders can involve impulsivity, irritability, and risky behaviors.
• Both may have periods of depression, although the depressive symptoms tend to be more persistent in BD and more reactive in BPD.
Diagnosis
A mental health professional (psychiatrist or psychologist) is essential for a proper diagnosis, as these conditions can look similar. The assessment will include:
• Clinical Interview: Discussing your personal history, symptoms, and patterns of mood.
• Assessment Tools: Questionnaires or structured interviews to assess the symptoms more thoroughly.
• Duration and Impact: Understanding how long the symptoms have been occurring and how they impact your daily life.
Treatment
Both conditions are treatable, but the approaches differ:
• Bipolar Disorder: Treatment often includes mood stabilizers, antidepressants (carefully managed), and sometimes antipsychotic medications. Psychotherapy, such as cognitive-behavioral therapy (CBT) or interpersonal therapy (IPT), can help manage symptoms.
• Borderline Personality Disorder: Dialectical behavior therapy (DBT) is a specialized form of therapy that is particularly effective for BPD, focusing on skills for emotional regulation, interpersonal effectiveness, and distress tolerance.
If you’re concerned about your symptoms, it’s crucial to seek professional help. Proper diagnosis and treatment can significantly improve quality of life.
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dreamedfyre-a · 4 months ago
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whatever you do, don't think about baby mae.lor. don't think about how ever since he exists his mom is the most constant presence in his life, the most important, the most comforting. don't think about him being in this situation he doesn't really understand but there are strangers and his mom is desperate and the way they talk to him leaves him terrified, even if he can't quite understand the full meaning. don't think about him not understanding where is jae.haerys. don't think about how confused and upset and sad he would be that his mom, the most constant presence in his life, the most important, the most comforting, won't hold him anymore. don't think about how she looks away whenever he reaches out.
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montypng · 7 months ago
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watched dead boy detectives recently and the show has been simmering in my brain in the most frustrating way. like its not bad its not a bad show. but for all the elements where i was like YES!! YES!!! i also thought i could have done this better. AUUGHH!!!!!!! AUGHH
#spoilers for dead boy detectives in the next tags#this is a post for literally no one else but me. i want to rant#TIME LOOP MURDER HOUSE. THATS HORROR ENOUGH WHY TF DID U NEED TO ADD ANOTHER MONSTER THERE THE TIME LOOP IS ENOUGH#FUCKING. RUAGHHHHH GIANT ANGLERFISH LURING PEOPLE TO DEATH. SO GOOD WHY DIDNT YOU PUSH IT TO THE MAXIMUM WHY DID U CUT THE TENSION SO SOON#HOW DOES THAT MEGAFAUNA SURVIVE IF UR PUTTING IT TO SLEEP AND IT HASNT EATEN ENOUGH.#WHY IS CHARLES ANGRILY TELLING EDWIN ABT HIS TRAUMA. KEEP IT BOTTLED UP LONGER UR A CHARACTER NOT EXPOSITION DIALOGUE#wheres that post like he would not fucking say that but its about a character being too emotionally aware. he would not fucking know that#about himself. stop the therapy talk#why is edwins hell a giant doll baby spider thing. i mean that was fine and scary and whatever but COME ON ITS LITERALLY HELL#cant you personalize it a bit more......dig into his deep rooted fear of abandonment or rejection or something TWIST THE FKN KNIFE.#like i understand maybe its plot related like hes not meant to be in hell so he doesnt have a personalized torture chamber but still. STILL#YOU COULD SQUEEZE SO MUCH MORE CHARACTER OUT OF THIS SCENARIO COME ONNN#ok thats it for now. like its not a bad show its fun and all and theres a lot of potential#the writings not great in some places but its fine its just hitting. this very particular annoying spot in my head#where its like if i just changed a couple things this could be fucking fantastic. for me personally of course#i could write such good fanfiction for this show . i probably wont but i need you to know i could
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cervinelich · 1 year ago
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"Everyone always leaves/abandons/rejects me =C" is such a huge red flag for me. Saw someone saying this on social media the other day and knee-jerk instinct was "blockblockblock"
#like I understand it can feel like you are constantly being abandoned or rejected especially if you have rejection sensitivity#but in my personal experience this often comes from assuming the worst of the people around you due to anxiety#and often translates into not communicating your needs and wants to friends and assuming they should behave a certain way intuitively#and this has been used MANY times to accuse me of being a shitty person for not... knowing exactly how someone wants to be treated#and then being accused fucking constantly of not caring enough because I didn't know??? what someone wanted???#I also was kept on the hook with SEVERAL different people saying “everyone always abandons me =C”#to put me in a position of never settings boundaries with them bc then they would have an extreme fear reaction I was “leaving them”#and I'm talking about like if I tried to tell one of them to please not call me at 1AM every night when I had work the next day#I tried to ask one of my friends if we could spend *slightly* less time together bc we were attached at the hip and he had a MELTDOWN#asked one ex if I could go hang out with friends without her and she called me sobbing in the middle of the hangout to get me to come home#idk maybe this is just a particular trigger for me afjvbsdklfj LMAO but if someone says “everyone abandons me”#I am immediately suspicious that they are expecting too much of their friendships and not communicating and allowing boundaries#LONG RANT SORRY
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inun4ki · 1 year ago
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i had a realization i don't like.
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awomanswrath · 7 months ago
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“It’s not like we’re dating!” Oh… oh I’m so sorry I forgot that only romantic interests ever deserve the time of day.
Like wtf? We have plans. You don’t answer my phone calls, texts, snaps. I end up doing nothing all day because I’m waiting for YOU And then when I get upset you tell me I act like we’re together. Since when do friends not deserve basic and simple respect? Then you get mad at ME when I say I don’t wanna be ur friend anymore 🤣 ok
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fromduck · 11 days ago
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Pretty Girl
(Yandere Homicipher x Reader)
Summary: Unfortunately, Mr. Crawling can’t have you to himself.
(Sort of continuation of Warm Bodies)
-unedited-
-You who looks confused at the white dress presented to you.
-It’s pretty with its frills and soft material, but it alarmingly resembles a wedding dress.
-Especially when it’s in the hands of Mr. Crawling who eagerly presents it to you.
-You know the monster is convinced that you’re his lover or something.
-And you really shouldn’t be entertaining his delusions, especially when he’s making such forward advances.
-Possessively holding your hand and keeping you close when you both walk through the dark corridors (as if to keep you safe from something or someone)
-Letting him stroke your soft hair and press kisses to your hands.
-Keeping watch over you as you fall asleep for the night. Allowing him to cuddle you even though his cold body makes you shiver.
- Pulling you in a kiss that makes you dizzy and breathless. Among other things.
-And now he’s putting you in a wedding dress.
-You really should put a stop to it. A stop to his advances before it gets too far. It already has
-But.
-You look at how happy he looks.
-If you were to reject the dress, surely he’d be sad.
-Right?
-That’s what makes you accept the gift and you swear that the monster practically hums with approval.
-So here you are in an abandoned room. Alone at last with an impatient Mr. Crawling outside the door.
-Mr. Crawling wanted to get in with you to which you disagreed. Not trusting the monster to keep his hands to himself while you changed.
-You strip out of your clothes and into the not-wedding dress.
-You have to look at a cracked mirror to admire it.
-It flows down your figure gracefully, hugging you in the right places. The white color of the dress glows ethereally. Flowing around you in a mystic way.
-After days of wearing the same jeans and t-shirt, you had to say-
-You feel pretty.
-It would seem the other monster in the room agrees as well.
-“Pretty Girl” a raspy voice whispers in a foreign language.
-Your heart drops into your ass.
-Before you can cry out for Mr. Crawling, you’re promptly silenced when a cold hand clamps your mouth shut.
-Tears of fright slip down your pale face. You tremble as you’re greeted to a smiling man with horrifying pin drop eyes. You can’t see the rest of his body, only his eerie face.
-He playfully places a finger to on his lips, “shhh”
-You shut your eyes tightly as he removes his hand from your lips.
-He coos at your fear, petting your head as if you were a frightened animal.
-Without warning, he gathers you into his arms in a bridal style fashion.
-You whimper as he nudges the mirror to the side to reveal a second door.
-With the quick precision of a man who meticulously planned your abduction, he swiftly slips inside with you, placing the mirror back in front of the door.
-The secret door quietly shuts with a ‘click.’ You and the strange monster, gone in an instant.
-Leaving Mr. Crawling outside the room as he eagerly waits for you.
-Unaware that you were taken from him.
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masterhallmark · 9 months ago
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Rant incoming
I feel like the problem with a lot of Disney's live action remakes (and arguably Wish) is they're trying to appeal to a crowd that no longer exists, namely the people who used to claim that the Disney Princesses were sexist.
All the interviews tend to include, "Well she's not chasing a MAN anymore" which...almost no one sees the princesses like that, anymore. Virtually NO ONE still believes the princesses are man-chasing sexist caricatures of women.
Cinderella is now hailed as an abuse victim who stayed strong long enough to get help to get out of her situation. Anyone who says she should have saved herself is basically regarded as a victim blamer. And it's very clear in the film she wasn't looking to marry the prince, she just wanted a night off. She was the only one who wasn't in line to meet him. She didn't find out she met the prince until he went looking for her!
Snow White is now hailed for her negotiation skills, ability to calm down after extreme stress (she had a moment of panic and had to cry for a bit, but who wouldn't after finding out The Queen hired someone to kill you?), and ability to take charge of a house of adult men. And again, she was an abuse victim, this time trying to escape ASSASSINATION ATTEMPTS. While she dreamed of her prince, it was secondary to her main goal of SURVIVAL. There are also entire video essays about how Snow White gave hope to people during The Great Depression.
Everyone acknowledges that Ariel wanted to be human BEFORE meeting Eric. We all know she was a nerd hyperfixating on humans, and also standing up to her prejudiced father.
We understand Sleeping Beauty wasn't the main character, the Three Good Fairies were, AND PHILLIP WOULD NEVER HAVE BEATEN MALEFICENT WITHOUT THEM! He literally depended on them! WOMEN SAVED THE DAY! But even then, is it really such a sin for a girl to fantasize about romance and fall for someone with corny pickup lines?
We all understand Jasmine just wanted someone to treat her LIKE A PERSON. She rejected every Prince before Aladdin because they treated her like a prize. So why did they need her to want to be Sultan? How did that make her more feminist when she already wanted to be treated like an equal and have a say in her future? Is it only empowering if you want a career in politics?
We admire that Belle, despite living in a judgemental village, was kind to everyone (even though she found the village life dull), and her story teaches girls that the guy everyone else loves isn't always a good guy. What's sexist about teaching girls about red flags? And she didn't start being nice to The Beast until he started treating her with respect and kindness.
Do I really NEED to defend Mulan or Tiana? I think they speak for themselves.
Rapunzel was yet another abuse victim who just needed a little help to get out of her bad situation. In this case, she also needed to learn that she was an abuse victim, and that what Mother Gothel did WASN'T normal, much like many victims of gaslighting.
And don't get me started on the non-princess animals.
Perdita had a healthy relationship with Pongo to the point she was open to express her pregnancy fears to him, and was ready to TEAR APART Cruella's goons for daring to touch her puppies as well as adopting the other puppies. Like, she was so ferocious the goons mistook her for a hyena! She's basically that "I AM THAT GIRL'S MOTHER!" scene from SpyXFamily if Yor were a dog. She and her husband were a TEAM.....but they made a Cruella live action to turn her into a girlboss?! The literal animal abuser!? THAT'S the woman you wanted to put on a pedestal when Perdita was RIGHT THERE!?
Duchess kept her kittens calm after they had been catnapped and was classy as heck. Nice to everyone regardless of social class during a time period where that was uncommon.
Lady stood up to Tramp when she believed he had abandoned her and didn't really care about her. She found out he was a heartbreaker and was like, "Nuh uh. No. You are not doing that to me! You put me through enough."
Miss Bianca from The Rescuers was IN CHARGE the whole movie, and was willing to risk life and limb to save an innocent child. THAT TINY MOUSE TOOK ON ALLIGATORS! And she picked Bernard to accompany her because he was the only one who wasn't ogling her. And then in the sequel SHE DID IT ALL AGAIN! I wish I were as brave as her.
Like, the public haven't accused these ladies of being sexist caricatures since 2014 (Actresses and actors don't count, they're out of touch like the rest of Hollywood) yet Disney is operating under the assumption that the public still thinks that way, hence all the "sHe'S nOt AfTeR a MaN iN ThIs VeRsIOn" talk.
The live action remakes are trying to attract an audience that doesn't really exist much, anymore, and back when it did exist, was comprised mainly of people who didn't actually watch the films. The Disney princesses are no longer seen as sexist, and feminine qualities are no longer seen as weak or undesirable.
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moontaylorhere · 1 year ago
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Lately it feels like playing a game of "how many ways can someone say I love you without saying I love you"
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cazshmere · 3 months ago
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8th house sign in the natal chart and what you fear ❤️‍🩹
materialist🔖
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DISCLAIMER: These are just my personal observations and are meant for entertainment purposes only; it may not resonate with everyone due to the nuances of astrology. Please respect my work and avoid copying or stealing it. Enjoy reading!! 🥀✨
🥀 Aries in the 8th House:
1. Fear of losing control or appearing weak in front of others.
2. Fear of taking initiative in unfamiliar situations.
3. Anxiety about asserting themselves or putting their needs first.
4. Worry about competing with others, especially when their abilities might be challenged.
5. Concern about having to do things alone without support from others.
6. Fear of not being able to maintain their usual level of confidence and independence.
🥀 Taurus in the 8th House:
1. Fear of instability, especially financial loss or material insecurity.
2. Fear of not having comfort or stability in their life.
3. Anxiety over changes that disrupt their sense of security or routine.
4. Worry about losing possessions that provide a sense of comfort or status.
5. Concern about not having access to luxury or material abundance.
6. Fear of being perceived as "lazy" or "materialistic" due to their desire for comfort.
🥀 Gemini in the 8th House:
1. Fear of being misunderstood or having their ideas dismissed.
2. Fear of communicating their thoughts, especially if they might be misunderstood.
3. Anxiety about being ignored or overlooked in important conversations.
4. Worry about not having enough mental stimulation in life, leading to boredom.
5. Concern about being seen as unreliable due to their versatile nature.
6. Fear of being labeled as "two-faced" or insincere by others.
🥀 Cancer in the 8th House:
1. Fear of emotional vulnerability or being abandoned by loved ones.
2. Anxiety about exposing deep emotions and being hurt or rejected.
3. Worry about being perceived as overly sensitive or dependent.
4. Concern about emotional betrayal or being taken advantage of.
5. Fear of losing the emotional security provided by close relationships.
6. Unease with situations that force them to confront their own emotional depth.
🥀 Leo in the 8th House:
1. Fear of being overshadowed or not receiving recognition.
2. Fear of not receiving the attention they desire or being forgotten by others.
3. Anxiety about not getting validation from others for their efforts or achievements.
4. Worry about not being able to truly express themselves in a way that is appreciated.
5. Concern about not being recognized for their talents and hard work.
6. Fear of being outshined by others, leading to feelings of inadequacy.
🥀 Virgo in the 8th House:
1. Fear of making mistakes or being seen as imperfect.
2. Anxiety about revealing flaws or weaknesses, especially in high-pressure situations.
3. Worry about not meeting the high standards they set for themselves or others.
4. Concern about being perceived as overly critical, which might alienate people.
5. Fear of being seen as less competent or reliable, leading to feelings of inadequacy.
6. Unease with situations where their attention to detail might be overlooked or undervalued.
🥀 Libra in the 8th House:
1. Fear of conflict, imbalance, or being judged harshly by others.
2. Fear of intimacy or being vulnerable with loved ones, leading to emotional exposure.
3. Anxiety about conflicts in relationships that disrupt harmony or balance.
4. Worry about being judged harshly for their decisions or behaviors, particularly in social settings.
5. Concern about being perceived as "rude" if they assert themselves or disagree with others.
6. Fear of not being able to maintain the peace and harmony they strive for in their relationships.
🥀 Scorpio in the 8th House:
1. Fear of betrayal, losing power, or having their secrets exposed.
2. Anxiety about losing control or being manipulated by others.
3. Worry about others uncovering their deepest fears, desires, or secrets.
4. Concern about not being able to maintain their usual level of intensity and focus and sometimes hiding their intensity because they don’t know if others would accept them if they did show it.
5. Fear of emotional vulnerability, which might lead to feelings of powerlessness.
6. Unease with situations that force them to confront their own darker impulses.
🥀 Sagittarius in the 8th House:
1. Fear of being restricted, losing freedom, or facing the unknown.
2. Anxiety about being confined or trapped in situations that limit their independence.
3. Worry about not being able to explore or pursue their personal beliefs and interests.
4. Concern about being forced to conform to rules or structures that limit their autonomy.
5. Fear of losing their sense of optimism or faith in challenging circumstances.
6. Unease with situations that require commitment or settling down, which might limit their opportunities for growth.
🥀 Capricorn in the 8th House:
1. Fear of failure, losing status, or not achieving their goals.
2. Anxiety about not reaching the level of success or stability they aspire to.
3. Worry about losing their reputation or standing in society, especially in professional settings.
4. Concern about not being able to achieve the long-term goals they set for themselves.
5. Fear of being overwhelmed by responsibilities that exceed their capacity to manage.
6. Unease with situations where their sense of structure or control is threatened.
🥀 Aquarius in the 8th House:
1. Fear of conformity, losing individuality, or being rejected by society.
2. Anxiety about losing their uniqueness or being forced to conform to societal norms.
3. Worry about not being able to fully express their innovative or unconventional ideas.
4. Concern about being rejected or ostracized for their differences or their ability to try out new ways of doing things.
5. Fear of losing their sense of freedom or independence in group settings.
6. Unease with situations where they feel pressured to fit in or compromise their values.
🥀 Pisces in the 8th House:
1. Fear of being overwhelmed by emotions, losing their sense of self, or facing harsh realities.
2. Anxiety about being consumed by their own or others' emotions, leading to feelings of instability.
3. Worry about losing their sense of self or identity in relationships, especially if they become overly dependent.
4. Concern about facing harsh or unpleasant realities they'd rather avoid, leading to escapist tendencies.
5. Fear of being perceived as too sensitive or overly emotional by others.
6. Unease with situations that require them to be practical, grounded, or confront life's harsh realities.
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banner & photo credits: @/kiaa-chin
© cazshmere 2024 [All Rights Reserved]
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honeytonedhottie · 3 months ago
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how to embrace being alone⋆.ೃ࿔*:・✍🏽🎀
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learning to be alone is such a crucial thing to learn at all times during your life, but especially during your youth. and something to understand is that sometimes, protecting your peace comes at the cost of being alone but being alone is peaceful! and not as bad as you might think that it is.
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being alone offers an opportunity for self discovery and growth and rest and relaxation and reflection and the list goes ON. being able to enjoy your own company is a SUPER power bcuz it genuinely nourishes you so much.
ENJOYING UR OWN COMPANY ;
you dont have to be codependent on someone else to make yourself happy or to make yourself feel good. what fulfills you and nourishes you isnt the relationships that u have with others. although that is an amazing and fulfilling thing, the most fulfilling thing is learning yourself. being alone REPLENISHES you, its like, hydration for the soul.
dont wait on someone else to do something that you wanna do!! if u dont have anyone to go with, just go on your own. you dont have to wait on others to be happy…💬🎀
PRACTICE BEING ALONE ;
go on solo dates, practice planning to do something fun and just doing it by yourself. once you start doing things alone and you see how nice it feels, you'll want to do it more bcuz its so easy to enjoy your own company, you just have to get over your fear of judgement or of being alone and learn to enjoy and embrace it.
♡ have a spa day
♡ learn to cook a new dish
♡ read a book
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♡ have a journalling session
♡ schedule appointments for urself
♡ go on a long drive
SOME BENEFITS OF ENJOYING UR OWN COMPANY ;
♡ u can be urself without filter
♡ less distractions and u give urself time to ponder and look internally
♡ ur in control of ur space and time
♡ u can be creative and imaginative without reference
♡ its peaceful
BEING UR OWN BESTFRIEND ;
treat yourself how you'd treat someone that you valued a lot. be compassionate and understanding and respectful. dont talk badly about yourself and dont be mean to/punish yourself bcuz u wouldn't do that to someone that u loved and cherished…💬🎀
dont abandon yourself in times where life can become stressful. focus on being present and dont forget your worth. your self worth and value doesn’t come from how useful you are to others, your valuable simply because you are you. a human being who is deserving of love. your worth doesnt come from how productive you are or what you’ve achieved, instead your worth is already done and your valuable because of your existence. 
COPING WITHOUT FRIENDS ;
everything is temporary and meaningful relationships will always find their way to you. just understand that some ppl are here temporarily and some ppl are here for a lifetime but only you are here for all of it which is why its important to be alone and be comfy with that.
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not everyone is gonna like you or wanna be your friend and thats okay. it has nothing to do with you and is almost always simply because of different personalities and its not personal
brush off rejections bcuz rejection is just redirection. when you dont take everything personally you'll notice how much happier you'll be overall.
know that the meaningful relationships and connections that u crave will come!! no one is here to be alone forever so you'll meet the people who pour into you and you'll meet ppl that u can pour into and you'll be okay!!
overall, enjoying your own company does wonders for your mental and physical health and its a useful skill to learn in general because it brings so much peace from being able to sit with your thoughts…💬🎀
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astuteology · 2 months ago
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Some more astrology notes/observations🍀🦫
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🪐Aries placements are more observant than Scorpio placements. Here's why- they are the babies of the zodiacs, and as a baby, they observe everyone and everything around them. Learning things on their own. Knows who has bad aura or energy.
🪐Planets in the 5th house makes you more appealing to others than planets in the 1st house.
🪐Capricorns placements are hard to anger but once angered, their rage is worse than an aquarius or a cancer.
🪐Underdeveloped cancers fit the stereotype of gemini having 2 faces than gemini itself.
🪐Mercury in the 1st house individuals are turned off "badly" by people who talk shit and speak with half knowledge.
🪐1st house moon has this brightness on their face that makes others stop and stare. I'm sure they've had this question "do I have something in my face?". Actually you do, it's your magnetism.
🪐Underdeveloped Scorpio rising are all talk and no action. They're gonna be like "oh I'm gonna show them why they shouldn't have done that!". And then they run away, avoiding confrontation.
🪐As much as an aries like direct, clear and open communication, they themselves act passive-aggressive sometimes.
🪐Speaking of aries, their love for freedom is above everything. They want love that frees them. Same goes for aquarius.
🪐Virgo's perfectionism can make them loyal and dedicated partners.
🪐Cancer sun + leo moon, when in an argument with their love, they became dramatic and attention seeking, needing reassurance.
🪐Aquarius sun + Scorpio moon makes the individual fear intimacy and emotional vulnerability. Aqua's reluctance to open up and scorpio's intense emotional needs. This create a push and pull dynamic.
🪐Taurus venus + Sagittarius mars makes an individual have conflicting desires. Commitment vs exploration. Stability vs adventure. Emotional intensity vs intellectual connection.
🪐Scorpio placements are often lost in their thoughts even more than gemini or pisces placements. They often feel like outsiders, observing life from afar.
🪐Leo placements are passionate. Like VERY passionate. They do be having a tendency to burn the bridges, quick and fast.
🪐Capricorns often possess a witty, understated sense of humor.
🪐Speaking of Capricorn, they are sooooooooo slow to trust. Even more than a Scorpio.
🪐Aries moon is as sensitive as cancer and pisces moon. They feel so deeply.
🪐Aries placements competitiveness can lead to sabotage and self destruction.
🪐Cancers strive for perfection more than a virgo. But this can lead to anxiety and burnout.
🪐Taurus placements can love you and never let you know. Ever.
🪐I've seen virgo placements being obsessive in relationships more than Scorpio placements. (Tell me why, please.)
🪐Sagittarius placements are often restlessness. They are looking for something that they don't even know.
🪐Mars square uranus- self destructive tendencies.
🪐Aries venus in the 12th house: hidden vulnerability- fear of loss. Fear of losing themselves or their lover.
🪐Mercury square neptune- inner turmoil and emotional depth.
🪐Moon square Saturn: inner critic. Perfectionism.
🪐Gemini in the 12th- easily distracted. Easily scattered. A small memory can scatter them.
🪐Cancer moon in the 12th: fear of abandonment. Fear of emotional rejection. Difficulty in trusting others.
🪐Sun square Jupiter- confidence or arrogance?
🪐Sun conjunct saturn- fear of not shining. Fear of not meeting the expectations. Self doubt.
🪐Mercury conjunct pluto- obsessive tendencies.
🪐Mercury square chiron- self doubt that feels like it goes on forever. Self criticism.
🪐Venus square Saturn- harmony or authenticity?
🪐Libra venus in the 12th- fear of opening up. Fear of being judged. Fear of angering your partner.
🪐Pluto square moon- terrified of superficial people tbh. They are very very very scared of opening up.
🪐Pluto trine neptune: rebirth. Transformation. Regeneration. Renewal.
🪐Jupiter square uranus: restlessness for something. Something that needs a change.
🪐Jupiter conjunct mars- fear if the unknown. (Strange? I know.)
🪐Saturn square moon- weight of responsibilities. Their head are usually heavy. (I'll fight with god to take half of your responsibilities.)
🪐Uranus square venus: detachment. Fear of intimacy. May even lose interest in love.
🪐Neptune square moon- reality or illusion? Is it real or is it fake? Am I being guided or am I being lied to?
🪐Scorpio in the 8th house is same as the Scorpio sun, moon or venus.
🪐Aquarius moon experience emotions in different ways, often needing space to process.
🪐Aquarius ascendant- unpredictable first impression.
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fuckmeyer · 7 months ago
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the choice between Edward & Jacob is not a question of which relationship is healthier or which partner is best suitable for Bella. neither is correct. neither is best. neither produces a happy ending for Bella. at the end of the day this is still a vampire novel. any choice Bella could make would yield, at best, a bittersweet happily ever after.
if she chooses Edward, she gets the terrifying Breaking Dawn ending: a girl who rejected her call to grow up has hung her love & her eternity on an emotionally stunted partner who hates himself marginally less than he loves her. she's a teen mom with a kid she never wanted who perpetuates the generational trauma passed down from her parents. by keeping this child, the Cullens have set the stage for an uprising/cold war against the Volturi who are likely to take revenge in order to maintain power. Bella is living in a tenuous "dream come true" wrapped in a nightmare & doesn't realize it.
choosing Jacob is the true coming-of-age ending that rips the stitches out of a wound that never fully healed. even if we ignore the fact that she ends up with a man who sexually assaulted her (we must bear in mind Jacob's character is influenced by smeyer's racism, but it did happen), they can't have a secure romantic relationship. based on the high imprinting rate of the pack, Jacob will likely find his imprint in his lifetime & will lose himself to the imprintee. he will no longer be her Jacob. he will inevitably abandon her (whether he wants to or not), & she must reconcile with the reality that she will always be inadequate to Jacob's imprint. & say he never manages to escape the vampires? he will presumably not age for a long time, meaning the relationship Bella always feared with Edward (her being an old grandmother while he stays forever young) remains a possibility. this is the story of a girl who slaps a Band Aid on an open wound & calls herself healed while flinching every time she sees the shadow of the knife that cut her.
if she chooses neither (team therapy), her healing requires her to lose or be at least partially disconnected from everyone she cares about. Bella must spend the rest of her life shut out from one world while never fully existing in her human world ever again. she must always keep secrets. she can never go back home. even in the unlikely event that she manages to escape the Volturi, the threat of being hunted by vampires will never leave her. in addition, she must face her worst fears (aging, losing Edward) while always keeping in mind the immortal life that could have been hers, if only.
even the "healthiest" option produces scars that will never quite heal.
Twilight is a horror. Twilight is a vampire novel. Twilight is gothic. Twilight is fiction. neither Edward nor Jacob is a "bad" choice because neither will give Bella her happily ever after. the choice between Edward & Jacob is simply a matter of which horror story you prefer to read.
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cyberclouddream · 27 days ago
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Where You Feel Protective & Nostalgic
Cancer/Moon in the First House
your nurturing persona is often a shield to protect your sensitive self from getting hurt
tend to cling to a specific image of yourself, idealizing your past to avoid confronting who you are now
quick to build walls around your heart because you fear vulnerability
take criticism personally, reacting to any perceived threat defensively
Cancer/Moon in the Second House
place unrealistic value on family or sentimental items, which can lead to hoarding
hold onto old values and traditions that provide comfort
panic at the thought of losing what you have, whether it's possessions or relationships
you resist reassessing your values or beliefs about worth
you can fear taking risks with your money
Cancer/Moon in the Third House
often bring up memories that make you or others emotional
guard your ideas fiercely, reacting defensively when others challenge your opinions or beliefs
romanticize past conversations, often wishing to relive them
get too wrapped up in other people's drama, using it as shield against dealing with your own issues
Cancer/Moon in the Fourth House
prioritize family above all, which can make you blind to toxic dynamics that need to change
smother loved ones because of your desire to shield them, which can lead to resentment instead of gratitude
carry the weight of family issues, letting them define your present relationships and home life
protective instincts can turn your home (house, town, country) into a prison where you're afraid to leave
Cancer/Moon in the Fifth House
fiercely guard your hobbies and passions, fearing others may not appreciate them as much as you do
clingy in relationships when you get attached quickly, which can come from idealizing love or relationships
fear rejection which can hold you back from genuine connections
hold onto hobbies or interests that evoke fond memories, even if they no longer bring you joy
overprotective over children, suffocating their independence in your quest to keep them safe
Cancer/Moon in the Sixth House
take on the emotional baggage of your coworkers
cling to outdated health habits because they feel familiar and safe
romanticize or long for past work experiences
fear any change in your work life, no matter how stale it gets
Cancer/Moon in the Seventh House
smother partners with loyalty in a way that comes off as needy and desperate
lose yourself in the issues of your partner
obsess over the fear of abandonment
get stuck thinking about exes
outdated idea of what commitment means
Cancer/Moon in the Eighth House
get paranoid about betrayal that you won't share anything real with anyone, isolating yourself
cling to old wounds, letting them dictate your emotional landscape instead of healing
scared of new intimate connections
obsess over past loves
Cancer/Moon in the Ninth House
defensive over beliefs, shutting out criticism or new ideas that challenge you
daydream or romanticize about past adventures, in a way that can make current experiences feel disappointing in comparison
resist exploring different cultures
idealize schooling or past lessons, letting them cloud your judgment about current learning opportunities
Cancer/Moon in the Tenth House
overly concerned with others see you (reputation), letting it dictate your actions and decisions
dwell on former career successes
let family legacies dictate career choices
idolize past mentors or authority figures
Cancer/Moon in the Eleventh House
treat your friendships like possessions, suffocating them with your need for closeness
hard to let go of past friendships, yearning for times that are long gone
romanticize past group experiences
defensive when anyone challenges your views on causes you're passionate about
Cancer/Moon in the Twelfth House
hide your feelings or true self from the world
wallow in your emotional scars, protecting them like trophies
idealize solitude, thinking it's safer than connecting with others
retreat into daydreams and fantasies to avoid dealing with real issues
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