#AND NOW WE GET BLACK ATHENA

[ellelabelle]

i feel stupid lmaoo cos i had kinda forgotten that a black annabeth meant a black athena? then i opened instagram and saw andra day and SCREAMED

WE’RE GETTING A BLACK GODDESS OF WISDOM OMDS BLACK GIRL MAGIC FRFR

[jazajas]

i saw a couple of people (buck/tommy fans specifically) calling out buddie fans for being all 'i told you so' about the whole ordeal and claimed that we'd react the same way if buddie broke up - but i really don't think so

i have seem so many ppl (buddie fans mostly tbh) talking about how they've been saying that buck/tommy were going to breakup eventually the entire time, even all the way back to when buck/tommy went cannon is s7

which, for all the buck/tommy fans who are upset, is why we're saying 'i told you so' bc we have

we've been saying it the entire time but you dismissed us because we don't follow your ship, your character, your actor. called us homophobic and other mean things

i get your frustrations and your hurt. i agree that this breakup was devastating

but Tommy Kinard was given just barely more importance to the plot and the 118 compared to other LIs of Buck, and even then I think the only direct comparison could be made to Abby Clark and Taylor Kelly - both of which are the only other two LIs who've truly broken Buck's heart

every other endgame couple have had established and caring friendships prior to getting together (Henren not included as they were already married by the start of the show) but Buck and Tommy had one episode of direct interaction before getting together

the writers WANTED buddie to go cannon in SEASON 4 but couldn't bc Fox was a homophobic network and wouldn't allow it

be upset that it ended, but being upset that we could see it easier than you doesn't make us bad people, even when we talk about it

[rosieposiepie]

Watching the new Percy Jackson episode, and while by no means is the show perfect, I do love how they updated the blending of Greek mythology and the American Gothic for social commentary.

What I mean is Echidna, the mother of monsters, is some respectable-looking vaguely southern white woman who is able to convince the police on the train that three kids shattered a train window and used those institutions to isolate the kids so she can target them and scare them for the chimera's hunt. The way that the police especially treat Annabeth. Now, as a young black girl, she has to know how to ask if they're getting arrested, and gets called out by the police for her tone.

And then, at the St. Louis Arch, we see Grover upset because of the museum, which is basically a monument to Manifest Destiny (literally, there's a shot where the words are in full display in the background). And while they say, "Grover is upset because he doesn't like it when people hurt animals," they explicitly depict America's colonization and destruction of indigenous communities as The Bad Thing. It adds another layer of flavor for the whole "Pan is missing" - it's not just about Climate Change. It's about the extermination of indigenous groups (the centaurs they saw on the train, the reminder that there used to be more of them until humans started killing them). They say "humans" are bad, but they're showing us Western/American colonizers.

Also, a rare yet interesting moment of conflict between Annabeth as a daughter of Athena and Grover as a Satyr. Annabeth insists that the museum's commodifying and glorifying of American colonization is "not what the arch is actually about, it's about architecture and math," but Athena is the goddess who protects social institutions and a patron goddess of the state, law, order, industry, and war. The Industrial Revolution and Western social institutions definitely contributed to colonialism; just saying. We also see in this episode that Athena can be arrogant and cruel - letting a monster go after her own daughter because she was embarrassed.

Anyway, idk. Maybe I'm overthinking this but these were the things that popped out to me on first watch, and now that I think about them more, I would love a continuation of these kinds of themes and tropes in future seasons, if we get them.

[theereina]

The End

Pairing: Terry Richmond x Plus Size Fem Black!OC

Wordcount: +2.8K

Warnings: MDNI (18+) mature content, such as cursing, no smut, heavily dialogue-centered, adultery/infidelity, angst, heartbreak

A/N¹: This is a single one-shot with no planned sequels.

A/N²: I'm open to critiques. I am a little 🤏🏽 sensitive about my writing. Please, don't be too harsh.🥺 Feel free to bring my attention to any typos. Divider by @firefly-graphics. Also, this work is not to be plagiarized or reposted (on any site other than here on Tumblr). I do NOT give consent for any form of republishing or rewriting.

Masterlist: 🔥🔥🔥

“So, we're still on for dinner right?” Terry asked kissing Athena's cheek. “Of course, I just don't want you to cancel this time,” she said kissing his forehead.

They were in their bed facing each other. This was unfortunately becoming a recurring conversation for them. They would plan to have dinner together, and somehow, he would always have to cancel. Athena had spent so many nights on unplanned solo dates and was tired of it.

She understood Terry's work life, but he had yet to find a balance. “I'm sorry, baby. Forgive me. After all of this, I swear we’re takin’ a break. We can go wherever you want,” he said pulling her closer to him. His arms wrapped tightly around her body. This is what she wanted. This is what she was fighting so hard for.

They had been married six years, and she knew this man like the back of her hand. Athena knew when work got stressful for him. She knew when he was getting sick. She knew when his anxiety was about to flare. She knew everything, so why wouldn't he consider that she would know this, too? The secret he was hiding wasn't work-related. Those late nights weren't for business reports and last-minute contracts, unfortunately.

Athena had known for almost four months now. She kept her mouth shut thinking her husband would tell her, but he didn't. She loved him too much to let this come between them, but this was getting hard. All she wanted was for him to be honest, but now it felt too late.

“Alright, mister. I'm holding you to that,” Athena said snuggling into his chest. She was honestly taking it all in, committing things to memory— his smell, the way his breathing sounded, the patchiness of his beard, the strength of his calloused hands, and the sound of his voice in the morning. This couldn't be Athena's life. There was no way that this was the marriage she prayed so hard for. She wasn't asking for the perfect husband. Her bare minimum was honesty and communication, but Terry wasn't giving her either.

Athena began to doze off in Terry's embrace. The comfort he brought her would be something she would miss—. Why? “Terry, if something was wrong would you tell me?” she said moving to look up at him. “Hmm… What do you mean, baby?” Terry said looking down at her, loosening his embrace. “You’d tell me if you didn't love me anymore?” she asked as her face turned somber and flooded with sadness. “Oh, baby. I'll always love…,” Terry began.

ring ring

And, there it goes— that fucking phone. The one that goes off during every moment they have together. She could never have Terry to herself. He leaned back and picked up the phone. He stared at the screen, looking back at Athena. “Go ahead. I'll just go get ready,” Athena said with tears brimming in her eyes. She threw the covers back and rose from the bed. She knew this was one or two things— work or his other…

Athena walked into their bathroom and began her morning routine. She turned on the shower and stood at the sink. Clenching her fists against the counter, Athena let it out. Months of tears came flooding out. Every emotion had boiled over, and she couldn't take it anymore.

Today was the day. It was already planned out. In the next coming 12 hours, Athena's life would change.

*7 hours later

Terry was in his office waiting for the day to end. He had been on edge all day because of what Athena asked. Did she know? She couldn't know. He had covered his tracks. There was no way she could know.

knock knock

“Yes, come in!” Terry announced, sitting up in his office chair. “Sup, you still going to the party, tonight?” asked Terry's best friend Corbin. “Nah, I promised Athena a date. Can't miss this one,” Terry said twirling a pen between his fingers. “Never stopped you before,” Corbin mumbled under his breath. Terry's eyes shot up to meet Corbin's face. “What the fuck is that supposed to mean?” Terry snapped.

Corbin took a deep breath. “You know exactly what I mean, T. Don't act stupid!” Corbin spat back. “Don't worry about what the fuck I got going on. Remember, we both have situations going on. I ain't the only one,” Terry said standing up from his desk. “You're right, but only one of us is married!” Corbin said squaring his shoulders. “So, fiancé means nothing to you? I wonder how Miranda would feel?” Terry taunted walking around his desk. “Let’s not compare situations. I definitely can't compete with the new add-ons you got,” Corbin said, tapping Terry in the chest. Terry slapped his hand away. Corbin raised his hands and backed away. “Fuck you!” Terry said leaning on the desk. “Whatever!” Corbin said backing out and leaving the office.

As Terry began to sink into his thoughts, his office phone rang. “Terry speaking,” he said. “Mr. Richmond, there is a woman here looking for you. I tried to tell her she needed an appointment, but…,” said Terry's receptionist. “Name?” Terry asked walking back to his office chair. “She said you'll know, and something about a little issue,” his receptionist replied. Terry froze. This was against their agreement. She was never supposed to show up at his home or office. What if Athena was here?

Terry clenched his jaw and squared his shoulders. “Send her in. Hold all calls until further notice,” he said, hanging up the phone.

*3 hours later

Athena was in her car, heading to her parent's home in Georgia. She had been crying the whole ride. She had packed up all of her stuff and was going back home. Her brother was driving behind her in the Uhaul she rented. She couldn't believe that this was her life right now. Athena pulled over into the gas station and pulled up to the pump. She sat in the car, waiting. Waiting for something. Anything.

Someone to wake her up.

Someone to pinch her.

Someone to tell her this wasn't real.

Something.

Athena was startled by her brother knocking on the window. She rolled down the window and looked at her brother. “Sis, you should've gotten someone else to drive,” he said reaching in to wipe her tears. “I'm okay. It gives me something to focus on,” she said dropping her head. “Nah, I'm calling one of my friends. He'll meet us here. He doesn't stay that far away. He'll drive the Uhaul while I drive you. Okay?” he lulled. “I'm okay,” she said. “No, ‘Thena. I'm calling him, and that's final. I don't trust you driving like this,” he said walking away and entering the gas station.

*1 hour later

Terry was rushing to get to the restaurant. Of course, he was late. He had stopped at a local store and picked up two bouquets. One was sunflowers while the other was red roses. He wanted to sweeten things over with Athena. He was aware that he had been fucking up lately.

As he pulled into the restaurant, he searched the parking lot for Athena's car. He couldn't see it anywhere. He circled the parking lot to be sure. He parked near the front and checked his phone before getting out. She hadn't called or texted. “Maybe she took an Uber or Lyft,” he said aloud to himself. He straightened the collar of his shirt and adjusted his tie. He reached over and grabbed the flowers before exiting.

As he approached the restaurant doors, he did one final scan of the parking lot. No Athena. He entered the oyster bar and approached the hostess's desk. “Table for two under Terry,” he said to the middle-aged black woman. “Yes, ouuu… almost missed our grace period. Cutting it kind of close there, darling,” she laughed. “Is the other guest not here? I mean, did someone not check in under the reservation, yet?” Terry asked pulling out his phone. “Uh, no. No one checked in under that reservation, sir,” she replied.

Terry was confused. Where the hell was Athena? She had texted him confirming that she was on the way to the restaurant, so where was she? He followed the woman to a booth in the rear of the restaurant. “Someone will be with you shortly,” she said after seating him. Terry sat down and immediately pulled his phone out again.

He immediately began to text Athena.

Message not delivered

Terry stared at the screen. How? He checked his service and made sure everything was on. He tried again.

Message not delivered

What the fuck was going on? He quickly tried to call Athena. It instantly went to voicemail. He tried again and got the same result. Terry called Miranda, Athena’s best friend and Corbin's fiancé.

Miranda answered, “Yes, Terry?” “Have you talked to to Athena?” he asked shifting in his seat. He was growing worried. Did something happen to her on the way here? “Of course, I did. She is my best friend after all,” she responded snidely. Terry immediately heard the tone of her voice. “Miranda, where is she?” he asked holding the bridge of his nose. “Gone!” Miranda blurted. “What do you mean gone?” Terry said. He was becoming visibly upset. The waiter began to approach the table, but Terry waved her away. “Exactly what the fuck I said,” Miranda snapped. “Miranda, don't fucking play with me right now!” Terry grunted into the phone. “Why don't you go home and check since you don't believe me,” Miranda said hanging up.

Terry pushed his chair back and grabbed the flowers from the table. Terry rushed out of the restaurant. He threw the flowers onto the passenger seat and climbed into his car. He needed to get home immediately.

*45 minutes later

Terry flung the front door of their home open. Athena's car wasn't in the driveway or the garage. This was starting to piss him off. He searched the entire first floor. Hearing what he thought were footsteps, he ran up the stairs and practically kicked open their bedroom door. It wasn't. Athena had left their bedroom window open and the heavy curtains were thudding against the wall. He rushed to the window and slammed it shut.

“Fuck! Athena! Where are you?” he yelled. As he turned around, he noticed a note on the bed. On top of the note was Athena's wedding ring. He sat on the bed prepared to read the note but stopped when he saw that their closet door was open. Athena's side was empty. Scanning the room, he realized that ALL of Athena's things were gone.

Terry pulled out his phone and tried to text and call Athena over and over again. Nothing had changed. He was still getting sent to her voicemail, and his messages were undelivered. Terry's heart sank for the first time that night— Athena had blocked him. He went to her social media accounts to be met with user not found. She had blocked him on everything.

Terry stood up from the bed furious and full of rage. There was no way Athena had just left him. Terry called Corbin, but he sent him to voicemail, too. Immediately, Terry's phone vibrated from a message notification.

Corbin: THEY KNOW!!!

That means Miranda knew and that ATHENA KNEW, TOO!

This couldn't be how everything played out. There was no way. Yes, his shit had gotten sloppy in the last few months, but how? Terry leaned on the bedroom dresser, letting his head fall into his hands.

He knew it was coming he just thought he had more time. More time to figure this shit out.

Terry looked up into the mirror attached to the dresser. He couldn't stand to look at himself. How could he let this happen? He slammed his fists onto the dresser, and the force cracked the glass. Terry looked up to see his reflection in the broken glass. His eyes lingered over himself before he punched the glass. Throwing his arms across the dresser, he sent everything to the floor. Glass began flying everywhere.

Terry threw himself onto the bed. Lying on his back, he could feel the heat coursing through his body. He felt his eyes growing heavy with tears. He looked over on the other side of the bed to see the note still resting there.

He picked it up and unfolded it. Pictures fell out and hit his chest. They were all pictures of him and— Eliza, his mistress. The woman he had been seeing for over two years. Terry flipped through the photos. He realized that the photos had to have been taken over a few months. How had she known this long?

Terry finally realized that Athena was asking questions because she already knew the answers. Terry's heart stopped at the last photo. It was him holding— TJ, him and Eliza’s 6-month-old son. Shit! She knew about the baby, too. That explains why she kept asking him why they were still waiting to start a family. He thought she was nagging, but in reality, she was hurt.

She knew he had a mistress and an outside child. He hadn't meant for this to happen. Eliza was only supposed to be a one-night stand, but it just kept happening. They kept seeing each other because she was friends with Corbin's mistress. They kept ending up at the same parties and clubs. He tried to break it off with her on more than one occasion. Then, something would happen with Athena and he would just go running back. This wasn't Athena's fault, but he felt it wasn't entirely his either— he thought. Athena kept having to travel back and forth to Georgia while her father was going through chemo. She was starting to work more hours. She was always tired. She never had time for him, on the other hand, Eliza was always right there— one call away and easy to access.

Terry held the letter in his hands and began to read.

Dear Terry,

I don't know what to say or how to start this, so here it goes.

To my love, I gave you my all for 9 years. I planned my life to sync with yours— as your wife and best friend. I wanted nothing more than to fulfill all of the promises we made each other throughout this lifetime.

I asked and asked, sometimes I maybe even begged for you to see it. I wanted you to care enough to see through my nagging and realize I was hurting. I was dying on the inside for months. I had to watch you be a lover to someone else while all I wanted was your comfort. I had to watch you be a father while you refused to allow me to even be a mother. You chose to postpone all of my dreams of having a family to work on your career. I let you do that because I loved you. All while you were standing in my face and sleeping in our bed knowing that you had one all along. It just wasn't with me.

Was I the problem? Was I not good enough? There wasn't a thing that you asked that I didn't do. I've been questioning my worth for months trying to see where I went wrong. Chasing you and begging you to love me like you once did. A love I know you're capable of, but I just haven't felt from you in a long time.

My heart was breaking every day with every question. I wanted you to tell me the truth. Be honest and give me hope that maybe this was a simple mistake. A mistake that we could work through together. But mistakes are made once. You were making a choice. A choice to love another woman and become a father outside of us.

With that being said, I can't hold anger in my heart for you we both know that. That’s something I'm not capable of. All I can offer you is forgiveness and peace. Peace to do whatever you want. I'm no longer in your way. Be free. This is the end. Our end.

P.S. After reading this letter, I hope you become a better man for the family you created. He's beautiful, by the way. He has his father’s eyes.

Love always,

Thena

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@beenathembo

[stagefoureddiediaz]

We’ve been looking at this all wrong the entire time...

So my brain is a weird place that I don’t fully understand, but sometimes it connects dots and I figure something out that has been staring us in the face the entire time! Lets just say it explains so many things - right down to the very pointed use of tommy calling Buck Evan!

This all stemmed from me looking at colour theory and costuming for Buck and Eddie (and by extension Tommy) season 7 again, because I was going to try write the buddie costume metas for episodes 9 and 10 that I never managed to get done before we started season 8 I will hopefully get to those posts, but this post - while technically about Tommy and his costumes (yes me ant Tommy person writing a post on him I know!) it does also look at the costuming for Buck and to a lesser extent Eddie more widely across the season and what the colours used actually mean - getting some distance and some time on the season has been a blessing!

Im not going to go into it in detail, but, broadly speaking the show has given each character a signature colour - this doesn’t mean they wear it all of the time - but they do wear it a lot of the time and especially in key scenes - characters can have more than one key/ signature colour, and it can change and develop over time. We can ignore season 1 because it was a pilot season and very often shows won’t choose to establish a signature colour for a character (911 s1 is all over the place from a costuming perspective - because they had several designers working across the 10 episodes but since s2 we’ve had much more continuity with Alayna Bell-Price at the helm for most of it). So for example Athena’s signature colour is mostly black with white and khaki green also in the mix. She’s moved away from that subsequently - wearing less black and more white/creams but both colours are still staples of her wardrobe.

Eddie we all know mirrors Athena from a costuming perspective - his signature colours are also black and khaki green with some white/cream as well. The khaki green was much more dominant than the black to begin with - which played into his military past -  that had evened out on the black and khaki front whilst the cream had stayed fairly steady, but now we’re also starting to see a little bit more of it as well as some darker blues. this mirrors Athenas own journey t healing - the more she heals the less Khaki we see and the more white/cream - Eddie is starting to follow the same path from a costume perspective. 

Bucks signature colour has always been blue, but he also wears a fair amount of yellow and grey, so those are his three colours. He obviously wears a lot of other colours, especially white, but white has its own specific use in Bucks costumes that sits separately from his signature colours. 

We all know about yellow/ blue and green blue colour theory - I’ve gone on about it enough (especially yellow blue colour theory and its queer coding) and others such as @lover-of-mine have as well. Well both yellow/blue and green/blue continued to play out in season 7, I’m not going to go into them in too much detail - there are posts on my pinned post that cover that much better and I want to get to the good stuff (and I know you all do too!) 

We do need to remember that Buck and Eddie very very rarely wear blue and green in scenes together - if Eddie is in green Buck won’t be in blue, and vice versa - this is because of the ties to blue/green being Buck and Eddies break up colours - the colours they wear opposite their respective girlfriends when the relationships are ending. This is a little less set for Eddie - who actually wears white/cream much more when he’s ending relationships than blue or green - but the one time he has actively done the breaking up he was in green.

As I was starting to do a bit of work on the 7x9 and 7x10 metas, I ended up going back and looking over the Buck and Eddie costumes for the season as a whole, and how Tommy fit into all of that as well - as we’ve all been billing him as Eddie lite.

While I do still think there is an element of Tommy being Eddie lite, I don’t actually think that is what the show has been doing -that concept is a bit of a red herring. I’m sorry that this is likely to get a bit convoluted and wordy - but my brain is  still reeling and incoherent so bear with me - I hope it all makes sense.

Right this post is super long so the rest is going below the cut! I hope you enjoy!

Because I was looking for Eddie and Tommy parallels in the costuming for the season, I had been looking at the choice to put Eddie in red/black for his dinner date with Kim and Buck being in green for the scene at Bucks loft, and the fact that back in 7x04 Tommy had been dressed in the same colours - a red henley which was shot with black giving it a red/black colour way. I naturally started looking at the other Eddie - Tommy costume parallels - and there are plenty - lots of the khaki green we see Eddie in - playing into Tommys own military background.

These are Tommy’s scenes - where he wasn’t in uniform of some description (which is a good chunk of his scenes to be fair) 

7x04 

at the hangar - white tee, greenish stone coloured shirt and a tan jacket with stonewash jeans

at the court - light grey marl cut off hoodie and bright blue shorts

at Bucks loft - red/black short sleeve henley and stone wash jeans

7x05

at the restaurant -dark khaki green shirt (I would also like to point out the blue green colour theory here with the addition of tommy having a blue phone case - which is relevant later I promise!)

coffee meet up - light grey henley and navy blue hoodie with mid wash jeans

7x06

karaoke club - navy blue short sleeved henley

7x10

light grey marl tee and greenish denim shirt 

So what you can see from this is that besides the use of henley’s, the only time we get actually get direct reference to Eddies costuming is through the use of khaki green and his first outfit at the hangar. There is of course the direct parallel of the red/black colour way I spoke of before, but, beyond that if you look you’ll see that Tommys outfits actually parallel Bucks far far more. I would even argue the Henley’s are more similar to Buck than Eddie - because they are short sleeved and Eddies are invariably long sleeved.

Bucks colours are blue and grey - and so are Tommy’s - particularly in scenes that are 1-1 with Buck. What I’m trying to get at and will explain is that this has never ever been about Tommy being Eddie lite - this is all about Tommy being Buck - Buck’s subconscious if you will. (I know you all this I’m completely mad at this point - but stick with me!) I have a lot to say about all of this which will explain the why of it all and how we ended up here so we’re going to go through it Tommy costume by Tommy costume!

Lets start with the hangar scene - the most Eddie like Tommy looks throughout the entire season. this is very much intentional - this is about the red herring of it all, but it is also about Eddie (I’m not discrediting anything we’ve talked about regarding Tommy being Eddie lite etc - it is all relevant - but that’s what makes it such a good red herring!) and about Buck being an unreliable narrator. This is in part why we also still see Buck in his too short trousers and his white sneakers. This is his journey (the sneakers), but he’s still trapped in his old self at this moment in time - but aware that he doesn’t fit his skin anymore (as an aside I will be writing a post about Bucks trousers and their changing fit throughout the seasons at some point soon!)

Script wise the key lines are plentiful - the entire scene is full of double meaning. We get Buck stating that he is ‘happy where he’s at’ and Tommy’s response of ‘you’re thinking of changing things up’. viewed through the idea that Tommy is a version of Buck, this then plays out as an internal conflict - a battle about wanting what you already have - being happy with what you have, but also wanting to change things.

Eddie saying ‘you aren’t thinking of leaving us are you’ and Bucks response ‘I’m keeping my options fluid.’ Eddie needing reassurance that what they have isn’t going to change, while Bucks reply is about him not really being sure of himself - of who he is - keeping his options open because he’s figuring out if he wants to change - the line is said to and directed at Eddie so its about Buck keeping his options open about possibly changing their dynamic - becoming something more, even in the face of Eddie not wanting things to be different.  Tommy stating in this scene that Buck doesn’t need to leave the 118 to get certified to fly - that its something he could do for fun on his days off - becomes even more loaded through the internal monologue lens - Buck considering how he can stay at the 118 and have the joy, fun and benefits of ‘flying’ when he isn’t at work - that he could fly with Eddie (Eddie going flying with Tommy to do something fun and date like is a very literal visual metaphor for Bucks internal monologue - showing him what it could be like if he changed things up). There not being three tickets - only two is also important - its again a metaphor this time about how if Buck and Eddies relationship changes - it would only change for the two of them - it would become a relationship that doesn’t have room for another in it. When I say that’s about Chris not being involved it sounds really harsh, but the reality is Chris cannot be a a part of Buddie - he cannot be a part of something romantic. it isn’t saying Chris isn’t important or central to Buck and Eddie - simply that he cannot be a factor in a romantic relationship - that has to be just between Buck and Eddie alone - its kind of about Eddie (and also to a certain extent the same is true for Buck) not being able to hide behind Chris anymore when it comes to Buck.

Fundamentally its all tied back to his death in season 6 (we even get the being struck by lightening reference from Buck just to bring that aspect home) and subsequent resurrection and rebirth  (post linked on my pinned post if anyone wants to read it!). we have to keep at the front of our minds that Buck has died and that is still playing on his mind - its still influencing who he is and who he is becoming and it was all throughout season 7 - even if it wasn’t obvious or stated.

The basketball costume is actually the one that has always stood out for me - Its the most Buck outfit of all Tommys outfits. The bright blue shorts especially. 

So in that scene, which we know is supposed to read as being from Bucks view point, not only are we getting golden haloed super happy bouncy Eddie - Eddie the way Buck sees him -  but Buck is also projecting and seeing Tommy in the place he (Buck) has always existed in. It’s a visual representation of what Buck talked about with Maddie and Tommy replacing him in Eddies life.  Its unreliable narrator buck in visuals he’s seeing Eddie replacing him with Tommy - occupying the same places Buck has and more - from the calendar to the basketball court.

But that’s actually wonderful, because not only does it give us information on how Buck views himself (as expendable/replaceable) and how he thinks others view him - because if he thinks he’s similar to Tommy (which for a purely visual stand point he is - Lou looks more like Oliver than Ryan) but it also gives us information about the reality of how much Buck is actually intwined in Eddies (and Christophers) life - its telling us that Buck is in fact on Eddies calendar (and therefore fridge - fridge magnet theory for the win!) and how much space and conversation he occupies in the Diaz’s everyday life.

So he isn’t actually seeing Eddie in Tommy at all - he’s actually seeing the version of himself he doesn’t think he is but wants to be in Tommy. The version of himself that takes Eddie to vegas etc - that’s the Buck that Buck wants to be - the one openly flirting with Eddie and taking him on dates etc. That’s why the vegas fight is so seemingly ott (especially when you think about the fact Tommy and Eddie have known each other a week or so at most by this point) its the grand gesture Buck wishes he could be making.

All of this also makes Bucks ‘attack on Eddie’ more telling (it’s still the boy pulling the girl he likes pig tails in the playground concept) because Eddie is being receptive to all of these advances by Tommy - adding further weight to the Buck being jealous of and threatened by Tommy. 

Tommy is this version of Buck swooping in and doing all this stuff that Buck wants to be doing (subconsciously still at this point - willful ignorance be winning) but either didn’t know how to or didn’t know Eddie if would be receptive to. Remembering that this is all Bucks viewpoint of things its essentially Bucks brain showing him what dating Eddie would be like and Buck being Buck misunderstands what his brain is telling him (forever misunderstanding the assignment).

There is a second aspect to this and it ties into Tim’s comments about the hamster wheel Buck has a been stuck on and it being time he got off it - the hamster wheel is actually multifaceted and has more than one meaning. The most important is that the hamster wheel hasn’t ever been about his relationships or about the women he’s dating (or men now). The hamster wheel he’s stuck on is actually the fact that he’s built this strong relationship and family with Eddie and Chris - (you don’t find it son you make it) and its something safe and stable and predictable in his life. Getting off that hamster wheel is about being brave and moving that relationship - that family dynamic onto the next level - removing the platonic aspect of their family and making it a fully formed family for real - romantic love and all - so the ‘platonic’ family is the hamster wheel he actually needs to get off of. 

The other aspect of Tommy actually being Buck and the hamster wheel of it all is that hamster wheels are solitary pursuits - the implication is that Buck is the one standing in his own way - and coming back to the basketball game we see that played out in the moment where Buck tries to literally run through Tommy - only you can’t act out at yourself, and Tommy is a literal solid unmoving barrier and Buck won’t get past himself by just trying to bulldoze his way through.

This all then plays into the final Buck and Tommy scene of the episode - in bucks loft. I already spoke above about the red/black of it all, but now with the added concept of Tommy being A version of Buck things start to become more interesting. The red/black of it all is a warning (and the poker date red/black velvet suit and eddies red and black suit from s6 actually play into this as well!) - its dark romance - ‘forbidden’ dangerous romance or love. So for Eddie and his date with Kim that meaning is very self explanatory. The two season 6 suits are also fairly self explanatory - for Eddie again its the dangers of looking for romance that isn’t on your own terms and for Buck at the poker game its about the danger of falling in love with the person you are when you aren’t being truly yourself. Tommy being a version of Buck and this concept is a little more murky - essentially is about a similar thing to his poker suit - with a twist - its about the danger of seeing more value and loving a version of yourself that ‘used to exist’ as well as a version of yourself that you think will make you more attractive to others.

We do also need to Talk about Bucks costume here as well - the fact that it fits him almost perfectly - he’s in well fitted if slightly loose jeans and a navy shirt that isn’t tight with buttons not clinging on for dear life (to the same extent). The colouring is still on the dark side - so its not entirely positive - much in the same way that other scenes with buck in a dark navy shirt are moments where things go a bit askew for Buck (think the  taylor ‘I kinda love you for it’ scene from s5 as an example). The implication is that - before Tommy comes along Buck is at his most content with who he is - he’s fitting into his skin better than he has in a long while but it’s not perfect. This is key, firstly because of how the scene unfolds and secondly, because of how he is then costumed from here on out for the rest of the season.

I do also want to mention the yellow blue colour coding in this scene and that is mostly done through the lighting - Buck is in blue and the light behind him is always yellow - he is surrounded by yellow light. In contrast - Tommy is barely touched by the yellow light - not until Buck starts to figure things out - then we get him briefly touched by the yellow light - the rest of the time he is lit very cooly - which is in contrast to the warmth of the loft - and further plays into the idea of Tommy being a stand in for Evan - Evan who isn't loved and accepted in the same way Buck is - Evan who Buck needs to learn to love.

If we look at the script for this scene, it also fits in perfectly with the idea of Bucks internal monologue.  Tommy and Eddie being ‘buddie’s’ making perfect sense is a literal aside to the audience telling them that Buddie makes perfect sense - but it is more than that. This is where I have to bring up the ‘Evan’ of it all. I know a lot of us shudder with horror because of the fact Tommy only ever calls Buck ‘Evan’ and how both jarring and rude it is. How it shows how little Tommy knows Buck. We’ve always known it was being done intentionally. Well, if we view the use of Evan through the lens of Tommy being a version of Buck and things become clearer.  Because Tommy is basically the old version of Buck - the Buck who existed before he knew Eddie - before he joined the 118. And this is where the choice to bring back Tommy specifically for this role becomes a really smart one - because ‘Evan call me Buck Buckley’ was Tommys replacement at the 118. Tommy who has a problematic past that has never been dealt with on screen. This isn’t about the nature of the problematic past. This is the show playing on the idea of Buck’s software upgrades - before Buck 1.0 there was Evan, and using who Buck replaced at the 118 as a plot device to actually dig into Evan more so that Buck can deal with, accept and move on from Evan and become who Buck is meant to be.

Tommy saying he couldn’t replace Buck furthers this - because Buck cannot go back to being Evan - Evan can never replace Buck. invoking Christopher adds weight to this - because Chris never knew Evan - he’s only ever known Buck and Buck is ‘his Buck’ and irreplaceable. Tommy then stating his jealousy is about Evan feeling the lack of family that he grew up with - the recognition that as Buck he has made a family for himself - Bucks assertion that Tommy (Evan) was a part of it is valid - because without Evan Buck couldn’t build the family he has. The entirety of this conversation is about Buck choosing to ‘get to know’ his past (remember this is coming of the back of Buck crossing out the ‘LEY’ on his nameplate in s6 and his struggles with his parents acceptance in that season before the lightening strike), choosing to learn about Evan and embrace him as a part of Buck.  

Bucks assertion that he was ‘trying to get [Tommys] attention and it being exhausting’ is part of that as is the confusion Tommy expresses. The choice for Buck to use the word ‘exhausting’ - it’s Bucks subconscious trying to get his own attention - its his subconscious telling Buck that he’s exhausting himself by not listening to what his inner voice is saying. It’s of course a play on Buck being called exhausting by other people (and is perhaps why he doesn’t have the confidence to listen to that inner voice) and that also plays into the Evan of it all and how Buck views himself. Tommys confusion also plays into that - bucks own mind is confused - it was getting ready to ‘pursue’ Eddie but now we’re pivoting into what is essentially self love.

The continued bringing up of Eddie also makes sense with the contact of Tommy being alt Buck - because Eddie Eddie Eddie fills Bucks heart and mind - Both Evan and Buck recognise Eddies importance if not his full relevance in this moment. The resulting kiss then becomes less about Bucks bi awakening (I am not diminishing the importance of that in any way shape or form - its a vital aspect of Bucks journey) and more about Bucks decision to pursue loving himself - this ties into his statement ‘it wasn’t about me wanting to leave the 118 - it was about wanting to get to know you’ - its about Buck wanting to get to know himself - on the other side of his death and resurrection. It’s a continuation of his comments about Natalia ‘seeing him perhaps better than he sees himself’ - it’s about Buck starting to see himself better now he’s died and essentially been reborn and bout Buck now being in a place where he feels ready to confront that idea of being reborn and becoming someone new.

At the restaurant in 7x05 we have Tommy in an Eddie colour, but in a shirt that is much more Bucks style. There is also the green/blue colour play with Tommy stating Buck isn’t ready and Tommys ‘mismatched’ clothing bears that up - the play is on Bucks lingering confusion and uncertainty about what he wants - is it the Eddie side of things we’re pursuing the self love of Evan aspect we’re looking to explore? The entire scene is not just about Bucks first ‘date with a dude’ its also about Bucks fumbled attempts at self love - at not getting it right - its why Bucks outfit doesn’t fit him- why they’re now too big and baggy (I wrote about this in my costume meta for that episode - which like all the other costume posts can be found linked on my pinned post).  The innuendo about closets and Buck going into masculine bro mode is as much about his nervousness about being on a date with Tommy and being seen as it is about the fact that a man practicing self love is still taboo and so often met with derision - hiding that you are pursuing that is a kin to hiding queerness - at the start - until you get to a good place with it.

We side step into the Buck and Eddie loft scene briefly to look at Bucks confession to Eddie - I could write a whole thing on Eddies acceptance of Buck and its importance - but that is for a different post that isn’t already a million words long! what I want to mention in this scene is the why Buck can’t stop thinking about Tommy of it all - how it is essentially establishing the idea that Buck is starting to listen to himself.  He can’t stop thinking about Tommy because it isn’t Tommy he can’t stop thinking about it’s actually himself - Evan - in a learning to love himself and embrace who he is and was kind of way - all being done through a bi lens. it is essentially about Buck doing the thing he needs to do to be ready for a forever relationship with Eddie - which is love and accept himself - all of himself and acknowledging that to Eddie.

Buck switches back to better fitting clothes for the coffee date - and tommy is now dressed back in Buck colours and no trace of anything resembling Eddie in sight - making it clear that Buck has chosen to pursue himself. To get himself to the place he needs and wants to be first - the line about not knowing what it is he’s ready for but being ready for something is key - its a very self love line, but it also puts a very clear time frame on things - it makes it clear that Tommy is not endgame - because Bucks choosing self love and embracing and understanding ‘Evan’ isn’t his end game but a part of his bigger journey - a part of becoming who he needs to be to achieve what he actually wants - to get him to his endgame.

Then we have the Karaoke - brief scene(s). There isn’t really a huge amount in these scenes. But I do want to point out two things - the awkwardness of Buck and Tommys hug - and how that plays into the tentative nature of Bucks self love journey - and also Eddies behaviour towards Tommy - and the way it was very very clearly a lot cooler than we saw in 7x04.

We all jumped on the Petty Eddie train - and I agree there is an element of that. But - there is also the fact we are not seeing that scene through Bucks eyes - its through external eyes and we are therefore seeing the actual reality of Eddie and Tommys friendship - in that it isn’t this heightened date like - flirty new love type relationship - its simply two people who are loosely friends. Its remarkably normal and no threatening - only furthering the entire purpose of 7x04 being from Bucks viewpoint and Tommy being an alt Buck rather than an alt Eddie. It also therefore serves to further establish the Buddie of it all (but we all already knew that!). Tommy is still in Buck colours and the short sleeved henley is still something I would put more into the Buck costume camp than the Eddie one - especially in this season! 

The final Tommy scene and costume is the date at Bucks loft and the conversation about daddy kink. I still don’t like this scene (which has a lot more to do with execution and the script than the actual daddy kink of it all) but I am much more sanguine about it now that I understand what it is setting up.

Bear with me here I probably won’t make sense, but with the knowledge that Tommy is actually buck lite - a less good and developed version buck (Evan and in part the version of Buck that Buck himself thinks he is) the daddy kink scene actually becomes about setting up Buck addressing his past and his actual real daddy issues - because bucks past self sees his worth in those issues and without them it means both Evan and Buck have no worth. Buck confronting and dealing with them and choosing to forgive and move on means the end of Buck and Tommy because Tommy is no longer needed - he has served his purpose and Buck would be ready to start his future - Evan stays in the past and Buck completes his rebirth and closes his lightening strike arc.

Onto Bucks season 8 journey - Bringing Gerrard in to Bucks arc rather than the others who have far more connection to Gerrard now begins to make much more sense. Tommys past under Gerrard actually echoes Bucks past - in different ways and to vastly different degrees, but the parallel is there.  S1 Buck being a play boy and sleeping around and not treating women especially well (objectifying them etc) because of his own hang ups - is a pale echo of Tommy being closeted and racist sexist and homophobic under Gerrard. Like I said before - Buck is a pale imitation to Tommy here and that’s intentional (more in a sec) because once Tommy is under the wing of Bobby when he takes over the 118 we see him begin to grow and change. Buck follows the same pattern - Bobbys guidance pulls him away from his destructive behaviours and sets him onto the right path (Bobby is arguably the birther of Buck - Look I could write a whole thing off the back of my death and resurrection of Buck post about Bobbys role as God - the heavenly father - in Bucks life and how that is the overarching theme of Bobby and the show but I don’t have the time tbh!) to ‘redemption’.

Bucks behaviour is very intentionally not as bad as Tommys behaviour, because if Tommy is the plot device meant to essentially represent Bucks subconscious and how he views himself, then the reason we haven’t been shown Tommy atoning for any of his past sins and behaviours is because Buck hasn’t forgiven himself for his own. Buck is his own worst critic and will self flagellate to a ridiculous degree - and again with him being an unreliable narrator - he views his past indiscretions as being the equivalent of Tommys - therefore in his mind he hasn’t yet done enough to deserve absolution (Buck and Bobby being father and son in this as well!). 

Which brings me to s8 and the return of Gerrard and what Bucks arc is going to be (this is slightly incoherent and not fully formed - I’m still percolating!). Gerrard being central to Bucks arc - and Bucks push back is imo going to be about Buck taking a good look at himself and recognising/ facing up to and accepting his past. And that actually does come down to the daddy issues of it all. Because if Bobby is as good as Bucks dad - and allowed him (and his subconscious in the form of Tommy) to develop and grow - then Gerrard is Phillip Buckley (obviously a heightened more terrible version of reality in the same way Tommy is a much worse version of Buck) who parented Evan through apathy and taking the easy route - we saw Evan pushing back against Phillip in Buck Begins and being rewarded for it and thus establishing Bucks self destructive and self sacrificing pattern of behaviour. Acting out and getting hurt got him attention - so Buck acting out against Gerrard is this reduced and will ultimately have the same results just in an essentially more destructive way.  This is is a good thing - because this is about Buck recognising that he is worth and acting out etc is detrimental to him progressing as a person - its going to actively prevent his self love journey to flourish (and this is why in part I maintain my belief that Tommy is going to, if not encourage Bucks behaviour, then at least tell him to go along with Gerrard demands - for an easy life and also part of why I don’t think we’ll see a huge amount of Tommy - at least to begin with - until we get to a point where Buck is really motoring on the self love journey and getting to the point where he needs to do some pre break up face to face conversations that move him forward!).  It’s about forgiving and accepting his father for how Evan was raised - Bucks arc is going to be about forgiving himself and allowing himself to be happy, and he cannot do that if he doesn’t go through the Gerrard stuff - which is essentially a type of therapy. That’s also where I think the golf comes into it - it’s a metaphor for Buck building bridges, gaining understanding and accepting his past with his father - the metaphor of the driving range being the idea of standing side by side and performing the same thing, but landing in different places. There is also the concept of improving ones self and choosing to not repeat the mistakes of the past.

It also means the thing Tim said about Buck and Tommy becoming more comfortable with one another makes much more sense, and why he’d flip the question to talk about Eddie and about Eddie feeling a bit left out in the cold but not out in the cold! Buck is becoming more comfortable with himself and while he’s doing that and learning to be happy etc as I described above. Eddie is going to feel left out - because this is about Buck not Eddie - because it’s about Buck being ready for forever with Eddie - and Eddie ultimately cannot be a part of that journey - Buck has to do it for himself in the same way that Buck cannot help or be there while Eddie goes through his reckoning with the Catholic Church, and faiths place in his life and also dealing with the ghost of Shannon and his mother issues(because he has those and they are all set up to go in s8 - Chris being in Texas really sets that up nicely!

Bahaha Tim I’ve finally figured out your question answering methods and how they tell us all we need to know!! 

All this to say - Tommy is actually alt Buck - not Eddie lite (I mean he is still also that but it’s a bit of a red herring) he is a plot device for the biggest thing about Buck as a character and it all means Buddie here we come!

Thank you so so much if you have read this epic piece of waffle - I hope you enjoyed and I truly look forward to hearing all your thoughts on this and to you being as insane about it as I am!

Tagging some people who asked (and some who didn’t but might be interested anyway!)

@spotsandsocks @exhuastedpigeon @lover-of-mine @fruityfirehose @leothil

@bewitchedbewilderedbisexual @theladyyavilee @livingwherethesidewalkends @craigyxo

@izzysbeans @buddiediaz118 @inell @hotshotsxyz @winterskydragonx

[psychidion]

ancient greek words for colors:

On the whole, the Greeks were not really concerned with giving names to specific colors. Their color terms were vague, often had more to do with shade than color difference, and drew in a sort of dynamic physicality that is honestly incredibly interesting.

μέλας and λευκός, which were commonly used to refer to black and white respectively, were still more involved with shade than the particular colors that we perceive as black and white. μέλας also meant dark, murky, and swarthy. λευκός was light, bright and clear, referred to any white color from a pure white to a light grey, and could also refer to someone with lighter skin.

χλωρός meant pale green or greenish yellow, but also commonly meant pale or pallid when referring to people and fresh or blooming when referring to plants and liquids (including blood and tears).

πορφύρεος is where we get the color term purple. And when it was referring to clothes or things, it did mean purple. But when it was describing people, especially their complexions, it meant bright red or flushed. This definition originates from the basic meaning of the word: heaving, surging, gushing, coming from the verb πορφύρω.

ξανθός and ἐρυθρός are perhaps the only straightforward terms, meaning yellow or golden and red respectively. ξανθός was typically used to describe blonde (ish) people; Achilles is described as having ξανθή κόμη (golden hair).

γλαυκός was commonly used to refer to the color grey, or simply to describe something as gleaming. When it refers to eyes, it usually describes the color; the most famous example being Athena and her epithet of γλαυκῶπις or grey-eyed (or gleaming eyed).

And now let's talk about κυάνεος. We get the color term cyan from it, and the word is popularly considered to refer to a dark blue. But that isn't exactly accurate. If we look at what this word typically described: hair, people, etc., it is clear that the concept of blue that we have nowadays wasn’t really coming into play. In fact, the more general translation is dark or black, conveying a shade rather than a color, like μέλας. If I were to attribute a color term to this word at all, I would probably say blue-black, or a cool black, to convey the depth of that shade, which is probably what the Greeks were describing.

[emma-o-yt]

Rick Riordan's problematic age gaps

Apparently reddit hates criticism because this got removed from there after a few minutes, maybe I can get it back up...anyways.

The age of consent in Texas is 17, Texas is where Rick lived (according to wikipedia) up until 2013. And yet...here we are.

Where do I even begin with this bullf*ckery? How about the most egregious of all?

Luke and Annabeth

We have two lines confirming their mutual feelings, one from The Demigod Diaries:

"Overtime, Annabeth developed a crush on Luke. As Annabeth got older, Luke developed feelings for her, too."

Mark of Athena (from her conversation with Venus):

"First there was Luke Castellan, her first crush, who had seen her only as a little sister; then he’d turned evil and decided he liked her—right before he died."

Now let me remind you, Annabeth and Luke have a seven year age difference, they knew each other at 7 and 14. By the time he died, Annabeth was just 16, while he was 23. And it's implied he begun returning her feelings a little before he asked her to run away, perhaps when she was 14. He's paralleled with Percy as Annabeth is his string in the river styx. He asks Annabeth explicitly if she loved him romantically (and she denies because Percy is there).

It's disgustingly inappropriate but at the very least they don't end up together...as for when they do...

Sadie Kane and Anubis

When it comes to immortal romance, I usually go for coded age. Anubis is thousands of years old but is mentally and physically 16, which is fine and dandy except for the fact that Sadie is 12. What do you want me to say except Rick is disgusting for promoting this.

Speaking of extreme age gaps:

Calypso and Leo

When you have a philosophy that every character must end up in a relationship, you run out of sensical options to pair up. Now, I'm a Caleo hater mainly because of how it retconned PJO and also because they are very toxic.

Now hold on, doesn't Caleo fall into coded age? Calypso is 15/16 and Leo is 15, so it's A okay! I suppose, if it wasn't for Calypso's past loves.

Odysseus, he had a wife and a son who was 20 years old in his final year on Ogygia, he is well into adult age. She also mentions the privateer Francis Drake and his wife Elizabeth, he was 45 when he married her.

If your defence is that she's actually thousands of years old, then that must also apply to Caleo. You cannot have it both ways.

Hazel and Frank

It's not that bad but it's necessary to mention for the point I will be making.

The timeline is messed up but I think they're 13 and 16 and meet at 12-15. I mean, come on.

Misogyny and Racism

What do these have in common? Well in 3/4 or 4/4, the younger one is female. In 2/4 or 3/4, the younger one is a person of colour.

Remember Nico? His crush on Percy as revealed in HoH? Well in MoA, there's a cheeky little red herring that happens a bit before Annabeth's talk with Venus (where it is revealed that Luke liked Annnabeth back). She wonders if Nico had a crush on her, but denounces him as too young. Now, Nico's age is inconsistent, I am unsure of his gap with Annabeth but I do know his gap with Percy. It's 3 years 5 months in PJO and 2 years 5 months in HoO (the series we are currently in).

So in RR's messed up mind, a white boy having a relationship with someone 2 to less than 4 years his senior is inappropriate. But a black tween girl dating someone 3 years her senior is just fine, a 12 year old biracial black girl dating a 16 year old is daijoubu, a 15 year old mestizo Latino boy dating an elderly woman is relationship goals, or the reverse a 15 year old girl dating middle aged men is a tragic romance and a 12 year old girl having mutual feelings with a 19 year old man is a "love story for the ages"!

The tv adaptation is so infuriating for this, they made Annabeth black, a lot of the changes they made came off as micro aggressions but especially her relationship with Luke. It's reduced to Luke simping for Annabeth behind her back and it's even worse because you can visibly see how large their age gap is. Heck, Charlie Bushnell and Leah Jeffries have a smaller age gap than book Luke and Annabeth.

Adultification is a huge real life issue. Children of colour and especially female children of colour are seen as less innocent than their white counterparts. Rick, who is dedicated to inclusivity should've known better than to include these illegal relationships. Stans will try and make excuses but it's there, deal with it.

As a black teenage girl who has been a fan of Rick's work for 12 years, I am disappointed.

[liketheinferno2]

These aren't full ref sheets but I was trying to take some clear pictures of Hephaistos for later art reasons and then got side tracked doing all of the Pandaemonium bosses so here they are in order. Also for anyone following who doesn't play FFXIV and knows it as the catgirl game, enjoy this instead? VISUAL SPOILERS obviously.

Asphodelos

Warder of the Condemned: Erichthonios

Mythic Creation: The Hippokampos

Mythic Creation: The Phoinix

(+ familiars)

Hemitheos: Hesperos

(+ sexy fanfic redesign by Nemjiji)

To be brutally honest I never really liked either of these designs compared to every other Hemitheos we get, I think the really brutal black and red of the Phoinix is weakened by gold accents, but I still am always down for gay vampire surf rock. The Savage version kind of looks like Ultimalius as well if you've played XVI.

Abyssos

Mythic Creation: Proto-Carbuncle

Hrgrhhgrhrgrh

Hemitheos: Hegemone

^ My favourite detail on this is you can see the parasite's outlines in her robes and in her legs, then right through the eye holes on the mask to wrap around the torso. I'm convinced this version of Hegemone is functionally an ant being piloted by a cordyceps infection.

Hemitheos: Agdistis

She's very big

Perfect Imperfection: Hephaistos

I'm probably biased by Abyssos being the first raid I was there for day of release but these really are all fantastic. It's also when the story abandons all pretense of not being (at least partly) about family abuse and is loudly using the body horror and shackle motifs to talk about that. It's great. Hephaistos specifically is constantly bulging and twisting in and out of different forms like a highly unstable chimera and the more I look at these the more I notice parts that just should not be there. He's giving everything.

As for the Savage design It's a hard thing to rate as such but my favourite part is the veins that grow down from the eyeholes in his mask like bloody tears.

Thanks Abyssos I love you

Anabaseios

Mythic Creation: Kokytos

Dæmoniac Dungeon: Pandæmonium

It's really hard to communicate how huge this nasty tumor crab I zoomed out as far as physically possible in the game engine and subsequently ended up at a goofy angle staring up his nose.

Ephemeral Justice: Themis

Best boy. The double ended lance and second pair of arms are fantastic for this character.

Theos: Athena

In.. almost every final fantasy adventure you're fighting the real villain not at the very end but a little beforehand, the big iconic end boss is often more a metaphorical figure representing everything wrong with that first person's ideals. Athena cut out the middle man and became her own JENOVA.

I do like the moth angel, especially the hollow body full of dubious orbs, but with her eyes closed all the time it gives off the impression of this not even being the true body but some kind of anglerfish lure in the shape of a fairy... which might be true because this exists:

I really really love her twitchy anemone feelers and how the moth body ends up grafted to the rest of it waist down.

Anyway there's the gang I did not specifically intend for this to be design reviews I just wanted to have clear photos because when you actually see them in game there's other things to focus on. In hindsight I can appreciate more the theming of each tier and then the series as a whole, but my only (extremely obvious) observation for now is that every character Athena had a personal hold over is decorated in chains somehow and so I should have seen the Hegemone thing coming lmao. Heph and Aggy are still my favourites I don't think that's changing any time soon. I'm also noticing that Anabaseios is now just old enough for random DF parties to fuck up severely and I find that fun so I'm going to go fight the crab mansion now.

[wingedcat13]

Tell No Lies

[Part One of the third Synovus installment.]

Living on a tropical island didn’t mean the weather was always sunny.

Your island wasn’t in quite the right spot to really get the worst of the monsoon season - too far on the eastern side of the Pacific - but you did still get plenty of rainstorms. When that happened, your group of minions battened down the hatches, triple checked the generators, and usually played cards or other bored games. Sorry, board games.

Sometimes you played, sometimes you didn’t. You weren’t playing this time, because you were catching up on some reading. Sans costume, slumped sideways in a chair, one hand on the cup of hot chocolate you had requested and immediately forgotten about.

Then your phone had dinged.

That was weird, because during storms you didn’t usually have service - technology hadn’t yet beaten Mother Nature entirely. But there were the underwater cables that had been set up to provide internet access, and emergency calls.

And that was more than enough for an entity like Optix to get through when it wanted to. Even when your phone was set to silent.

With a small sigh, you had set the book aside and reached for the screen. An email from Optix: the subject line, in all caps, “INVITATION.”

Intriguing.

You opened it, scrolling past the gold-adorned letterhead to the digital party invitation. You read it. You deleted it. You reluctantly pulled it from the trash folder to read it again. You forced yourself to read it a third time.

‘Thank you for informing me.’ You replied to Optix, before sliding the phone away. The book came to rest comfortably against your chest, pages down, probably doing all kinds of damage to the spine. You stared up at the ceiling, ignoring the present to alternate between stewing over the possibilities of the future and miring yourself in the past.

Eventually, your field of vision had been interrupted by a slow-moving face, drifting in from your peripheral. One eyebrow raised, only inches from your own face, it continued moving slowly and smoothly past where most people would have reached a limit.

“Dude.” Alexandria said, “You haven’t even blinked in like. Two minutes.”

Your erstwhile ‘apprentice’ was using her abilities to float over you. Wearing her suit, which had been modified recently to include panels of bright color against the near-black gray you’d initially designed, she looked sleek and surreal. And older than seventeen, though maybe you just couldn’t judge ages past ‘young’ anymore.

“Hello, Menace.” You’d greeted her placidly. “How goes the Great Pacific Vandalism Project?”

Alexandria beamed, and floated away an inch or so to a more comfortable speaking range. She’d finally gotten a better handle on equilibrium in flight, so her gestures as she talked no longer caused her to wobble in whatever direction she indicated. “It went great! We finally managed to get that CEO.” Her grin widened, “Right in the middle of a press conference.”

“It was satisfying.” A different voice had agreed, as another costumed figure moved into your general field of view. This one didn’t lean over you, but rather settled into the chair opposite, and helped themself to your hot chocolate. Cold chocolate, by now.

A bit of concentration had changed that, as the thief raised the mug to consider it. Their dark blue form-fitting suit had changed in recent times as well, now featuring more delicate details around the neck and wrists. Not quite scales, not quite flourishes, not quite vines, picked out in a slightly darker shade. The short cape at the hips now had flared ends, rather than a pointed tip. It had an elegance that Menace’s suit lacked.

Or perhaps that was the wearer?

“Naiad.” You’d been certain that your tone hadn’t changed. “Welcome back.”

Minerva had lifted the stolen mug in salute, and allowed you a trace of a smile. Crime agreed with her - even if she only rarely agreed with it. Once the straight-laced, impeccable hero Athena, she was now known much more widely as the Naiad: a bioterrorist with a strong cult following among ecology groups.

Over the past year, she had very publicly and very precisely targeted companies who were responsible for much of the pollution going into the Pacific Ocean. Working alone at first, then allowing Menace to join her, she had made trips to the great garbage patches that floated in the ocean’s wide expanse, and returned their contents very directly to sender.

Cars, homes, persons, factories and distribution centers (while they were closed and no one was present; employees were innocent until proven guilty) were all fair game. The only way to be sure of immunity from the Naiad’s attacks was to publicly document cleanup efforts, make donations to the groups who did the same, and implement vast reductions in pollution.

It was good mother/daughter bonding time for the two of them. You knew your presence would only overshadow their efforts, so you simply offered aid and tips during the planning phases. And there was the standing unspoken fact that you would appear to bail them out, if it ever became necessary. So far, it had not been necessary.

Minerva had even admitted, grudgingly, that this new angle on life was, at times, fun.

And that, really, plus the trace of a smile, is what had given you a terrible idea.

—------------------------------

What was even more terrible was that Minerva had agreed.

She stood now at your shoulder, just a step behind, while your invitation was inspected by a man who had gotten very tense at your approach. His costume was patterned in pale yellows and purples, a strip of rainbow draped over his collarbones. You couldn’t make out much expression behind the mask, but you didn’t really need to when you could hear the material creaking as he prepared to square up.

“I am… confused.” He allowed, considering the printed invitation. “You - do know this is a hero’s wedding, right?”

“I’m aware.” You answer flatly, the helmet giving you a wonderfully crisp punctuation. You’ve made only the slightest concessions to the event’s formality in the form of a nicer, gilt-edged cape with decorative clasps, and white rose corsages at your wrists to indicate your intention of peace. “I don’t begrudge you the confusion, Sun Dog. I will be grudging if you attempt to deny me entry.”

Sun Dog hesitated a moment more. You really didn’t want to hurt the man, no one you knew of did - which was probably why he was the bouncer at this particular event. It was hard to hate the person whose sole job was disaster response and relief.

Just when you were resigning yourself to this going poorly at the gate, Naiad leaned forward over your shoulder. Her costume had been adapted to include a floor-length skirt in a blue ombre, slit to the thigh on the sides and revealing the usual suit’s leggings beneath, and her arms were bare to the shoulder except for jewelry in the places of her normal accents. She’d pinned her hair up with sea-shell and coral pins, with deep purple pearls for earrings. You stopped breathing, attempting to be as still as possible to prevent any of those decorations catching on part of your ensemble.

“Parhelion. We’ll cause no trouble.”

The name clearly meant something to him. Sun Dog’s body language changed, shifting rapidly through a few shades of things you didn’t know him well enough to identify. None of them were hostile, though, so you gave the man his moment to process.

“I… had my suspicions, but…” Sun Dog shook his head, “Sorry. Not the time or the place. Glad you’re alright - Naiad, is it?” At her confirming nod, he continued, “Anyway, the invitation is legitimate, I’m just surprised you actually came. Uh. Guest book is ahead, gift table to the left. Good luck?”

You nodded regally and moved further into the venue, gaudily bedecked in white and taupe and glittering silver and gold. At the guest book, you confined your signature at first to the simple stylized S that was popular among bored schoolchildren. Naiad signed more gracefully, and pressed the pen back into your hand. You contemplated stealing it to make a point, but added the remaining letters to your name in a normal script instead.

Naiad was also the one to place your gift - a small black box with a silver ribbon - among the bright and shiny assortment of well-wishes, though that was more a matter of practicality. If you’d put it there, everyone would’ve assumed it was a bomb.

And the entire time, you were surrounded by people in costume. Some had made little to no alteration to their standard getups. Others had clearly commissioned outfits specifically for this event. Those who were part of the wedding party were all in what felt to you like mockery of their usual garb; the same shapes and silhouettes, but in shades of champagne and adorned with glitter, their masks or helms altered to match each other.

You didn’t stand out as much as you might’ve. There were heroes who dressed in dark colors and full-coverage helmets. It was the cape that really made your silhouette distinctive, which was why you’d shortened it from its usual wide floor-length to a slimmer, knee-length drape. And besides, who would invite Synovus to a wedding? Particularly this wedding?

Abruptly, you wished that changing your outfit hadn’t felt like so much of a concession, a surrender. You wished that you could’ve hemmed and hawed between narrow or wide skirts, short or long sleeves, backless or high necked. Layers of chiffon, of deep blue with tiny flickering gems in blues and greens and purples, a clear blue sash at the waist, or perhaps a shawl around the shoulders -

But that kind of wishful thinking is what got you here in the first place. The moment passes. Your suit is familiar, fitting, and practical. The rosettes at your wrists feel like chains.

You hear the first whispers from one of the bright costumes around you. Is that Synovus?

You turn to Naiad, “We should find our seats.”

—-------------------------------

You were, rather mercifully, seated to the back and one side, in a portion of the room not quite as well lit. The set up was rather traditional, with everyone split down rows, and the aisle in the center. You were on the bride’s side, and couldn’t honestly have said what the name of the groom was.

A few of the heroes had taken to eyeing you. Before they could investigate or act on their suspicions blindly (you knew which one you thought was more likely), the music started.

And the lights went out.

Your hand found Naiad’s in the darkness, and you lifted it to your helmet so she could feel you shake your head. Not me. Your power was quiet, the shadows entirely natural. You remained still, watching the attendees shift and begin to whisper. Most of them must have been warned ahead of time - prudent, considering how many of these people you’d fought. How many of them had you given a fear of the dark?

When a light appeared, it was not natural, nor electric. Nor was it yours. A pale silver glow began at the foot of the aisle, illuminating from beneath one high heel. Then another. On the next step, the first light began to float, turning from a spot on the floor into a small orb of light. Others joined it, like so many small sparkling stars.

In this way the bride, the hero Dazzler, made her way down the aisle.

You had to admit, it was a stunning display. On occasion, one of the lights would twirl around her, granting tantalizing glimpses of her dress and playing off the crystals in her hair. The pale silver glow was soft and alluring, and in the darkness of the room, it made her seem as though she were a deity of creation; the steps she took forming reality in her wake.

At the altar, she paused, to hand off her bouquet. Then she turned to face the crowd, raised her hands, and called all of the globes of light to encircle her and the man in a suit who was presumably her groom. They formed the shape of a heart, then faded as the room’s lights came back on.

Everyone oohed and awed appropriately. Naiad shifted, and you realized you still held her hand. Without conscious thought, your grip had tightened. Abruptly, you let go.

The two of you sat in silence as the ceremony began.

—----------------------------------

Once everyone had moved to the tables, you actually thought you might get through this without being officially recognized by anyone other than Sun Dog. That was both a relief, and mildly insulting.

Naiad had given you questioning glances since you had left the ceremony, but you’d yet to provide an answer. You’d warned her before you arrived that you would speak as little as possible once inside the venue - your voice would certainly give you away. Naiad had said that was the consequence of being a monologuer. You’d protested, vociferously, because it was true.

But as the guests were mingling, the open bar being besieged, the instant your shoulders started to relax, there was a high pitched shriek from somewhere behind you. Not a shriek of terror or anger or surprise. One of joy.

Of course.

The syllables of your name filled the air, broken into three and a half parts. There was a frantic rustle of cloth and the rapid clicking of heels. Then arms wrapped around your middle, and a heavily perfumed, glittery weight slammed into you.

You, very judiciously, did not move.

“I’m so glad you came!” Dazzler gushed, moving around in front of you. She let her arm trail as she did, so that she never lost contact with you. You felt like you were being circled by a shark. Up close, the makeup and glitzy hair-pieces felt like an attack. “You never RSVP'd! I’d almost given up hope!”

You still had not moved, even to turn your head. Dazzler pouted at you, and you tried to ignore that you knew she was just looking at herself in your helmet’s reflection. Around you, half the guests had abandoned their chairs or their place in line at the bar, half-starting, ready to leap into action. Every single pair of eyes in the place was fixed on the two of you.

And you knew that this was exactly why Dazzler had invited you. You’d known when you received the invitation. You knew when you decided to attend. Because this kind of bullshit was exactly why you’d harassed her into moving to a different continent.

“Many felicitations, Diane.” You reply, as though she isn’t doing her damnedest to make a scene. As though she’d cornered you in a hallway, instead of the middle of the banquet hall. “I get invited to so few parties - I can’t imagine why.”

Laughing, Dazzler moves to swat you on the arm, and transitions from that to looping her arm through yours. “Oh, Syn. People just don’t know you, that’s all! Come on, say hello to everyone with me, it’ll-”

You have no intention of being dragged off by Dazzler to become arm candy. But before you can find a way to elegantly maneuver out of the situation, Naiad is stepping between you.

“Perhaps things have changed since my wedding.” Without a filter, Naiad’s voice is not far off from Athena’s. She’s taking a terrible risk to do this, that someone will identify her by her past persona and its questionable end. But Athena never took quite that tone of condescension. “But greeting the guests is typically something one does with their groom.”

“Oh.” Dazzler steps away, a tiny frown creasing her brow. She’s not used to having competition. Not used to being thwarted by anyone who isn’t you. Still, she recovers quickly, laughing again and holding the back of one hand to her forehead. “Of course! With all the preparations and everything, I forgot there’s so many steps! You must remember, right? All the decisions you have to make, and then there’s so many people here -”

Again, Naiad cuts her off, “Then we wouldn’t want to monopolize so much of the bride’s time. Happiness - and many years of it - to you both.”

She raises an arm to your back, and automatically, you reciprocate. It makes you a unified front, automatically reinforcing her words. You know everyone here will remember this. Naiad is now permanently associated with Synovus.

“Be well, Dazzler.” You add, so no one will think this is some kind of catfight you allowed to happen. You’re not sure that thought was coherent, actually, but saying something seemed important at the time.

Together, you and Naiad turn away, moving to your assigned seats in a corner. The rest of the room is silent, except for the music no one thought to pause. Dazzler’s bridesmaids - most of them heroes themselves - swarm her, whispering furiously.

Dazzler raises her voice to be heard by everyone when she responds, “Oh, we used to date.”

———————————

“I dislike that I can’t even call that woman a menace without besmirching my daughter’s name.” Naiad said, some time later.

The two of you had sat in silence while the room slowly restored itself to a cautious order. No one had forgotten you were there, but some seemed to accept that you were here peacefully. Given that you were not going to remove your helmet, and therefore could not actually consume anything, both you and Naiad had eaten before you came. This also spared the nervous waitstaff the task of servicing your - otherwise empty - table.

You let out a long, slow exhale, below what your helmet will verbalize. “Calling her anything will please her, in the end. Any attention is good attention, and if it lets her play the virtuous victim, all the better.”

Naiad glances back at you, gauging something. “She fooled you?”

You wince, attempt to communicate something solely by facial expression, and fail utterly because you’re wearing a helmet. How to describe what you’d seen in Dazzler once?

“I…. Wanted very badly to be someone worth effort. She caught me by surprise. It wasn’t until much later I realized she actually believed….” You break off, grimacing.

Naiad’s head tilts in a way that suggests she’s raising her brows at you. “Believed you loved her?”

“No - no, I knew she thought that. I wasn’t - I was young.”

These had been the days before Rosie, before Doll. Before there had been anyone but you, still running from and hunting any of Sunhallow’s surviving lieutenants. Nineteen and alone and then suddenly there was someone telling you otherwise, someone with a power of light so like and so different from your father’s.

“She felt.” You say finally, “That we were… destined. Her light, to my darkness. That I was… tameable.”

It had taken some years of retrospection to put the pieces together, but you had. Dazzler had wanted a tame villain; proof she was worth loving enough that it erased your identity in the process. Justification for everything she was, because she was the ‘good’ half. The ‘pure’ one.

“Oh for fuck’s sake.” Naiad mutters. She raises one hand, as though to pinch the bridge of her nose, but settles for bracing against the mask’s thick material.

“That too. But as I said - we were young.” Your voice was dry, and a little bit weary. Dazzler exhausted you, even now.

“Does she-?” Naiad cuts herself off, looking to re-affirm that Dazzler (and her groom) are on the other side of the room. Still, she lowers her voice, “Does she… know, then?”

Your laugh is bitter, but it is a laugh, “No. No, I got away before she learned all my secrets.”

You tap the table, curving your hand to make a small alcove where only you and Naiad can see your palm, and summon a small flicker of light. Then you let your hand fall flat again, extinguishing it.

“I am complete without her, by whatever metric you care to use.”

Naiad nods, accepting that explanation. There had been glasses of water on the table when you arrived, and she’d pulled one closer to claim it. You can tell she’s thinking by the way she traces its rim. You can tell she’s upset in some way by the way the water in the glass rises to follow her movement.

“How’d you explain the tattoo?” She asks mildly.

“She never saw it. I think she believes I have scars I don’t want anyone to see.”

A tattoo was a kind of scar, in a way, so it hadn’t been a lie. And it had fit with the image of you Dazzler so wanted, for you to have been broken and abused. Ashamed.

Naiad narrows her eyes, “If you were lovers, then-“

“Don’t ask questions you don’t want answers to, my dear.”

She leans back in her seat, taking the glass with her. She sips at the water and surveys the crowd. You pretend not to be surveying her. Dazzler was not a secret, per se, but the details of how you’d felt about it are not something you’ve ever shared.

You need to stop giving Minerva your secrets. Particularly when she doesn’t realize how many of them she holds.

The music is upbeat and space-filling. Loud enough that conversations are confined to their groups, but not loud enough you have to shout to be heard. You’re pretty sure this song is on one of Menace’s playlists - something by Chappell Roan.

“Synovus, why are we here?” Naiad asks finally. You willingly give up any attempt to identify the song to consider the question.

“Because I’ve never been to a wedding. Well, no, that’s not quite true. I’ve never been a guest at a wedding.”

Naiad’s gaze drifts to the middle distance, and she downs the remaining water like she wishes it was something stronger. You silently slide another glass over towards her - they set the tables for six apiece.

“Whose wedding were you in?” She asks, making conversation.

“Mine. Technically.” It’s a long story.

Minerva - no, Naiad, you need to think of her that way in the field - had been toying with the stem of the second glass. Now she stopped, becoming very still. At first, your attention pivots to your surroundings, searching for the threat.

Then Naiad says, flatly, “Explain.”

“It wasn’t - like this.” You wave a hand. “I - this was after Dazzler. There wasn’t - I’m not still married.”

“Synovus.”

“It lasted a week, as we’d agreed at the start, the identities were fake, and we swore to never speak of it to each other again.”

It had been a last grasp at normalcy. You didn’t have a social security number, you hadn’t had a community in which to undergo rites of passage that weren’t geared towards Sunhallow. You’d never been to a public school or a prom or a fucking football game. But getting Vegas married and having a honeymoon, then immediately divorcing?

Well that you could do.

“Who did you even do this with?” Naiad asks, flabbergasted and possibly appalled.

“Ah.” You wish you could sip water, to buy yourself time. “Tallflawes.”

Naiad’s outraged, “What?” Is drowned out, however, by the sound of shattering glass, as a blurred figure drops through the roof.

———————————

It’s a bad idea to crash a wedding. Lots of people, most of them easily rallied to at least half the attendees’ defense. It’s worse when more than half the guests have superpowers.

The good news was that no one had to worry about the falling glass - there were four or five different barriers flung up immediately.

The bad news was that it was absolute fucking chaos for five minutes. You hope no one attending had epilepsy.

You, of course, had no intention of intervening. This wasn’t your doing, you were going to be blamed for it regardless, so you might as well enjoy the show. But then you’d recognized the invader as Prodigy. And he was alone.

And the only thing he was yelling, over and over, was your name.

So you stood, removing the white rosettes at your wrists as casually as someone adjusting cuff links. You called to the shadows you’d been keeping at bay. You dialed up the volume of your helmet’s speaker.

And as everyone in the room except Naiad - including Prodigy - found themselves wrapped in solid darkness, you bellowed into the room,

“BE SILENT.”

You also had a small loop of shadow kill the music, because you never did a thing by halves.

As the room suddenly quieted, Prodigy came to drift in the middle of the space. The hum of his hoverboard was the loudest thing in the room at the moment. He wasn’t even struggling against your bonds.

And when he neither complained nor cracked a smile, only looking at you with wide wild eyes and tendrils standing on end, you felt your stomach drop. You knew even before he said, “They’re coming, Synovus! My homeworld - they sent a ship!”

——————————————

[I did say this was the one where they went to space. Buckle up, everybody, it’s time to dance!

Which Chappell Roan song is playing? Whichever one you personally believe is funniest and/or most tragic. Tag it!

Links to Ao3.]

[shadowsndaisies]

iceman's final flight

WC: 3.3k

synopsis: ice's funeral, as you can imagine, is painful and heartwrenching

main masterlist

athena-verse master post

a/n: the brain rot my friends is absolutely insane.

You never liked wearing your full-service dress uniform. The whites meant shipping off, and the blacks always seemed so morose. And wearing it for Tom Kazansky's funeral, well, it was difficult to even get it on. Honestly, if Jake hadn't knocked on your door, you're not sure you would've been able to do it.

But he did.

He stood, fully dressed, and didn't say anything when he saw you still in your pajamas. Simply squeezed into your barrack and directed you to the shower. When you came out, he had your service dress laid out on your bed. he waited, back turned while you put them on, and then sat you down and did your hair. You focused on him while he did. The careful movements, the gentle brushes. You knew he had a sister, but this was much more of Jake than of Hangman.

He didn't ask you about it, even though you know he probably wanted to. He knew that your dad had been close with Ice; they'd been in the same Top Gun class, and that was all he needed to know for now.

So he helped you get ready.

He gave you a protein bar because he knew you wouldn't eat anything otherwise; quite frankly, you weren't sure you could stomach even that, but he patiently waited, watching, making sure you ate something. The blank look in your eyes was alarming because in the years he'd known you now, he'd seen your eyes get glassy with nostalgia, sadness, and heartbreak. He's witnessed the fire from anger, ferocity, and challenge; he's melted at your softness, your light; and been in awe of your mischievous streak, and cunning mind. He's never seen this, though, the blank dis-attached expression.

He guided you to the atrium where the rest of the recalled aviators were meeting before you'd all participate in the procession to the burial site. Hand pressed to your back, as you seemed to disassociate with everything around you.

Your dad was already on site when you arrived. Staring at the photo of Ice, and while he looked every inch the PACFLEET Commander that he was, you much preferred the collection of photos that you had. Polaroids and film shots from you as a toddler on his shoulders or in his lap, the collection that grew with each of your father's deployments spent in his home, of barbecues and beach days. This man helped raise you. He filled in the role of father when yours was on a deployment. He signed permission slips and stayed up with you that first night of every deployment when you were too anxious to sleep.

Goose had been your godfather, the one who you would go to if something ever happened to Mav, and then Goose was the one who was gone. And Mav changed the papers. He changed it because how could he place that pressure on Carole when she's battling her heartbreak and raising Bradley? Ice and Sarah were the ones who would assume you if he took his last flight before you were old enough to take care of yourself.

When your dad spotted you, he waved you over. You felt Jake's hand at your back reassuringly before you left the rest of the team.

Approaching your dad, you notice who is next to him, and you have to fight to not break down at the sight of Aunt Sarah.

"Ma'am," your voice cracked as you stood at attention.

There were tears in her eyes as she looked at you, "Stop, no," she corrected, arm grabbing you. "You're our girl, remember? I don't want Ma'am's, not from you, never from you," her whispers bring more tears to your eyes, and your vision swims as you try to breathe through it.

"Lieutenant Mitchell," you straighten at Cyclone's voice and turn to him. "A word before we begin," he calls, and you nod. "Apologies, Mrs. Kazansky, for the interruption.”

You squeeze Aunt Sarah's hand before walking over to the Vice Admiral, "Yes Sir," you respond, standing at attention.

"The Kazansky family has made a request," he begins, and you swallow the lump in your throat.

"Sir?" you ask.

"Mrs. Kazansky, has indicated that following the conclusion of TAPS, she would like the flag presented to her children," he explains.

"I'm sorry, Sir. But it was my understanding that you would be presenting the flag?" you finally ask, though your voice lacks its normal luster.

"In his instructions, Tom Kazansky requested that you present the flag to his family, Lieutenant," Cyclone says, and you freeze.

He did what?

Your eyes meet the Vice Admirals, and you're not sure how to react or what to say.

"Do you accept this final order from former PACFLEET Commandar Tom Kazansky, Lieutenant?" he presses when you stay silent too long.

"Sir, yes, Sir," you affirm.

"Good. You will honor his flag, Lieutenant, assume your position," he nods to the space where you assumed he would have been, but you nod your head in affirmation.

"Yes, Sir," you repeat.

He nods once more, a look in his eyes, but doesn't say anything else, instead walking away. You took a moment to breathe, then you turned and assumed the position across from Cyclone. Your eyes focused for a moment on the coffin in front of you. The resting place for the man who helped raise you. You swallowed the lump in your throat again and then assumed a position at attention. You made eye contact with your dad, who nodded at you with glassy eyes, with Natasha, who offered a sad smile in support, with Jake, whose expression was nearly unreadable but whose eyes were focused entirely on you, and finally with Bradley, who looked like he was in a similar boat, keeping back tears and swallowing the distress in his throat. He was so much bigger, so much older than when his mom passed, but his tells hadn't changed all that much. You focus on him for a moment, and despite the rift, the still uneven footing you both have with each other, there's something there in this moment, brought on by the man who loved you both the way he loved his own kids.

When TAPS began, a chill went down your spine, a finality of what it all meant settled over you, and a tear escaped. You sniffed but remained silent. Warlock was on your left, and Cyclone was across you. You followed the motions, folded the flag, and when the ends were tucked in, you approached Aunt Sarah. She nodded with a sad smile, and you continued, stopping beside Ryan and Elizabeth. Ryan and Elizabeth, who had been your younger siblings, who you love so much, and who you used to play with in their playpens. Ryan and Elizabeth who were both married with their own kids now. They looked so incredibly sad, but as they stared at you, Elizabeth started shaking her head like she couldn't believe this was happening. And when you held out your hands, flag proffered. Ryan's hands clenched, but he waited for Elizabeth. When he looked at you for help, you cast a sideways glance at Aunt Sarah, who was crying silently now.

"Lizzie," you whisper, and Ryan's eyes blow wide.

Talking was not a part of the process, especially informally, not when presenting honors to a grieving family, but this was your family, too.

"Lizzie, take the flag," you whisper again, and this time she meets your eyes, and you nod encouragingly at her. "Take the flag, kid," you repeat, and this time, she uses one hand to hold her brothers as she accepts the flag. Ryan's other hand supports it, and if you squeeze his hand gently as you hand it off, no one else needs to realize it except him.

You step back and salute the Kazansky family, and your father steps up to do his part. His wingman until the end, you watched, arm still raised, as your father approached the head of the casket and placed the aviation wings at the head, pounding it into the casket.

His final flight.

The sound of the pin pounded in place and echoed in your ears long after the jets of salute and the sound of TAPS.

When it was over, and the civilians began to walk away, you moved to fall in line with the aviators. A space had appeared beside Bradley and Hondo. You swallowed as you stepped into it. You could feel his eyes on you as you did.

When the call for dismissal was stated, your whole body seemed to sag a bit, tired, strung out, and heartbroken.

"(Y/n)-" Bradley's the one who said your name so softly, so broken, that you almost caved. You almost caved and launched yourself at him the way you would have in the past.

Almost.

Because Ryan and Elizabeth were walking straight up to you at the same time, calling you with a wavering, "Miss Mitchell," the tone nearly reminiscent of when you were kids.

"Kid Kazansky," you greet in kind, matching his tone.

"Is it bad form to hug you now?" Elizabeth asks though she doesn't really wait; instead, she lunges at you.

You rock back a bit and feel Bradley's arm steady you before it retreats.

"Never bad form for a Lizzie hug," you whisper, and she sobs a little.

"Bradley?" Ryan's surprise is evident as he stares at the man beside you. His eyes jumped at you and then Bradley like he couldn't figure out the puzzle before him, not that you blamed him; you were having a hard time, too.

"Wait, Brad?" Lizzie asks, turning to catch as Ryan and Brad shake hands.

"You two grew up," he notes sadly.

"Well you'd know-" you pinch at Lizzie's side, she had a smart mouth, something Ice and Sarah liked to blame on you, but now was not the time, and this was not the place.

Elizabeth huffed but stepped aside to stare at Bradley, and he stood and took it while Ryan stepped up and hugged you. If he squeezed tight, you squeezed back, and when he pulled back, you could see today's toll on him.

The Kazansky kids have been prepared for this day from the moment Ice was diagnosed, maybe even earlier when you consider all the deployments, but just because it was a possibility, the reality of it was painful to experience and to witness.

"Mom wants to know if you're able to come to dinner tonight, she said to add she's not afraid to pull the grieving widow card," Ryan asks, and you smile ruefully.

"I-" you begin, but Lizzie cuts in.

"We understand, though, if it won't work," she reassures you. "Dad mentioned some special detachment as the reason you were back for a bit," she admits.

"Time sensitive and top secret," Ryan supplies, and you frown at them.

"When'd you two get so smart?" you ask with a frown, bringing a small watery chuckle out of Aunt Sarah, who'd finally walked over herself.

"Probably around the same time you did, sweetheart," she says gently, taking your face in her hands.

"I am so proud of you," she begins, and the tears reappear in an instant.

"Aunt Sarah-" you try to stop her, all too aware of how the rest of the detachment is unabashed in witnessing this moment.

"I am so incredibly proud of you, Lieutenant Mitchell, but I am even more proud of (Y/n)," she begins again. "And he was too. He was so, so proud of you. And folding the flag, it was unfair of him to ask that of you, but I am so proud of you and so grateful that it was you handing it off, holding his honor," she says, and you break.

A sob slips past your lips, and she pulls you forward and presses a kiss to your forehead, mindful of your cap. "I will see you at dinner, Lieutenant. It's perfectly alright if you're late. We've spent a lifetime on the Navy's clock; we can last another day," she says finally, and you nod. "Good, bring your dad," she adds as an afterthought.

"Yes, Aunt Sarah," you nod.

"Good girl," she smiles again, still holding your face, and when she lets go, she straightens your coat, just like she did after hugging you at your graduation. She finally looks down the line at the aviators standing nearby. She starts with Bradley, directly on your left, "You too Bradley Bradshaw, I expect to see you at dinner, and I demand one song, any song," she says forcefully, staring hard until he nods his affirmation at her, lips sealed shut.

She looks down the line; you know she recognizes Yale and Harvard from when you were in Top Gun originally; the two had become your guests for poker nights and barbecues. She turns back to you, "Bring all twelve of them," she finally decides, and you hear the intake of breath beside you.

"Aunt Sarah-" you begin.

"Let's teach them who he really was, huh?" she says softly, and you nod.

"Yes, Ma'am," you agree.

She smiles, tapping your cheek one last time before turning to her kids. Each loops an arm with her, and they walk back toward their cars. The second they're away, you sag fully, all but ripping your cap off, breathing too fast; you know you are.

Bradley reaches for you first, but you flinch away, and he freezes. Nat's calling your name, and the rest of the team is lining up around you protectively. The first set of eyes you meet are green. Jake. Slowly, he shows you his hands, and one starts at your shoulder, skims down your arm, and takes your hand, pulling it into his chest.

"C'mon, 'Thena," he whispers softly, "five senses," he adds, and you nod jerkily.

Five things you can see: green eyes, Jake's ribbons, Bradley still hovering beside you, the grass, the jet trail in the sky

four things you can touch: Jake's dress shirt, the cufflink of Jake's coat, his hand, which is holding yours in place, the chain of your dog tags around your neck.

Three things you can hear: distant chattering of all the funeral attendees, Jake's gentle affirmations, Hondo on the phone

Two things you can smell: Bradley's cologne, the fresh dirt, and topsoil.

One thing you can taste is blood from where you'd bitten your lip during the ceremony.

You take a staggering breath at the end and let go of Jake, who straightens beside you and waits for your next move. He allows you a moment to continue evening out your breathing.

"Two feet on the ground, right?" he asks.

"Copy, you," you confirm.

He nods, satisfied by your response.

You finally look around at how the team had shuffled to keep you out of sight from anyone else. Yale and Harvard are sending you concerned glances as they stand guard.

"I'm fine," you tell them, waving off the concern. "I'm fine, it was just too much, at once, but, I'm fine," you say, readjusting your cap back on your head.

"Maybe you should take a minute, Athena," Bradley cuts in.

"I said I'm fine," you negate.

"Just take a breath! Do your box breathing-"

"Box breathing? Are you serious Bradley?" your tone finally loses the flat edge it's had all morning, giving way to incredulity. To his credit, his eyes blew wide at it. "Box breathing hasn't worked since I started pulling Gs regularly," you scoff. "I said, I'm fine!"

"You don't look fine!" he argues, the two of you facing off across each other now.

"And how would you know?" you challenge, voice dropping back to a reasonable level, but suddenly so cold. "How could you possibly know what fine looks like for me now?"

He freezes again; it's a direct dig, more so than any of the wave-offs you've done when he tries to talk to you since you both got reassigned.

"If Athena says she's fine, then she's fine. I'd take her at her word any day," Harvard cuts in, and you look at your friend gratefully.

"Seconded, c'mon, we can give you a lift back to base," Yale agrees, and you nod.

You spare another glance back, focusing on Jake. He nods at you, though you can see the concern in his eyes, and you nod again, turning and walking in line with Harvard and Yale.

"My saviors," you whisper to them.

"It's a hard day, and the absolute least we could do," Harvard offers.

"You're getting softer with age, Brigham," you chirp, but there's no heat behind it.

"Speaking of soft," Yale hedges, and you side-eye Logan. "Hangman knows about your anxiety attacks?"

"Not only does he know, he knows how to talk you down," Harvard supplies.

"Don't," you warn them.

"Today is hard, we know. We know it's going to be hard for a long time," Harvard back peddles.

"We just… we wanna look out for you Athena, you always did for us, you still do," Yale clarifies. "Look, Hangman's a cocky bastard-"

"I believe Phoenix was the one to coin the term Texan Douchewad," Harvard supplies.

"But," Yale sends his WSO a look, "it's obvious, he's different with you."

You were content to ignore the prodding, but Harvard stopped, handing over the passenger seat door. He planed to open it for you but pauses and holds out a hand.

"Just hold on a second, please," Harvard asks when you start glaring at him. You huff but pause. "Look, today… today sucks, but seeing him help you makes him suck slightly less in my book. You're the only person he didn't ditch during the dogfights. We assumed he was brown-nosing because Mav's your dad, but obviously there's more there. Ice was… he was so much more than PACFLEET Commander to you, we know that. We've seen what you and he were like together. I consider myself really fucking lucky that you trusted us enough to share that shit with us, and clearly Hangman knows it too, but he hasn't made a single Nepo-Baby joke the entire detachment," he lines out, and when you drop his gaze, he sighs.

"Athena, we learned day fucking one at Top Gun that you are a force and a half, we have always got your back, we just… we need to know the play is, that's all," Yale tags on.

You lift your gaze and stare at the two; Brigham and Logan were the only Aviator/WSO team that got recalled. Payback and Fanboy hadn't worked together before, nor Phoenix and Bob, or even Fritz and Halo, just them. You're stuck on how well they know each other for a second, and you are so glad they got called back, too.

"The play.. the playbook is on fire," you admit, and they share a nervous glance. "It's in a fucking dumpster fire, with jet fuel poured on top," you tell them, and they wince. "But, the plan is we go back to base, we finish the day, we go to dinner. I'll probably cry my fucking eyes out, so hopefully, one of you will bring tissues, and then tomorrow we go back to work because Ice died, but the clock doesn't stop, and he'd be pissed if I let Jake or Bradley make Team Leader over me," you huff out.

It hurts so much because his phrasing would have been over my dead body will you let cocky aviators walk over you, but he is dead.

You just buried his body.

That doesn't change the point, Kiddo.

Your heart clenches at the response because it even sounds like Ice.

Ice cold, no mistakes, the voice continues.

"Ice cold, no mistakes," you repeat softly.

"Then that's the play," Brigham nods, finally opening the door for you.

...

everything: @butterfly-skinnylegend

athena’s tags: @omgbrianab @smoothdogsgirl @bazellawriz @sbrewer21 @inky-sun @djs8891

[genericpuff]

What are your thoughts on the whole Hestia x Athena thing in LO? Personally it always infuriated me with how hypocritical it was of them to date each other despite them both being members of/Hestia being in charge of TGOEM. It especially annoyed me how Hestia constantly told Persephone that as a TGOEM member she can't date anyone but later saying that her relationship with Athena doesn't count. I give some credit to Artmeis for calling them out when finding out, but it wasn't enough

The hypocrisy is one thing but it at least could have been expanded on as a plot point (Hestia didn't even have the spine to return the coat and apologize, Artemis had to do it ???), but what REALLY ticks me off is that Rachel clearly tried to include queer rep through Hestia and Athena who are two traditionally aro/ace goddesses. So really all she did was erase their original queer identities, both of which are still massively misunderstood and argued over whether or not they're "real". And shit, we even see that in her old asks that lesbian sex "doesn't count" and that asexuality is somehow just a sliding scale / stepping stone towards "becoming" another sexuality (in this case, gay).

Like... you can be asexual and also still be romantically attracted to the same sex, "becoming gay" doesn't automatically erase someone's asexuality. Artemis can be gay and aroace. Lesbian sex is still sex and isn't a "loophole" to retaining one's virginity. To be fair, the whole "vestal virgins are flaming lesbians because you can be a virgin and still have hot lady sex" thing came from an anon, but like... she doesn't do anything to challenge that idea in LO either, if anything it's reinforced through Athena and Hestia using their relationship as a "loophole" within TGOEM (and the narrative never actually stops to analyze that.)

And then the cherry on top is Rachel removing the sexualities - sometimes even entire character identities - from canonically or commonly-accepted queer gods and giving them to others. Crocus is no longer a lover of Hermes, but a one-dimensional nymph who was killed as a plot device and then never spoken of again. Ampelos is no longer a satyr loved by Dionysus, his name now belongs to Psyche, a heterocis black woman who doesn't know how to read and has been basically forced into slavery. All of Aphrodite's children who ranged in gender and sexual identities are now replaced with one-dimensional cutout characters with no specific labels or characterizations beyond the translations of their names. Eros has been reduced to the "gay best friend" whose first introduction into the story is inebriating a 19 year old girl with the intent of dumping her in an older man's car. Apollo has been turned into a generic big bad whose only goal is getting his hands on Persephone and nothing else, with zero nuance to his actual characterization or plot arc, he's just "the rapist" who conveniently becomes a pawn in some bigger nefarious plan that makes zero sense. Dionysus and Achilles have both been turned into babies.

If Rachel wanted queer rep, she was already in the right place. The entire Pantheon was her oyster. But instead she managed to go the complete opposite with it and not only erase the queer identities of Greek gods in LO, but went the extra mile of egregiousness by replacing those queer gods with token-queer stereotypes and one-dimensional characters who are just there to say they're gay for the brownie points before being shoved back into the closet. They're out, but they're still not seen.

[xoxochb]

can I request some silly shenanigans with Leo Valdez x Daughter of Hermes reader?? Or really any of the Riordanverse boys (EXCEPT LUKE BECAUSE SIBLINGS)

— prank book! ꣑ৎ‧₊˚.

warnings: none just silly fluff! pairing: leo valdez x daughter of hermes a/n: this photo from pinterest is where the inspo came from!

“my brothers showed me this. It’s their prank book, it’s like a gold mine”

you open up a binder filled to the brims with pages written completely with black pen. leo’s eyes scan the pages, searching for his next mischievous plan, but you’re quick to shut it before he gets too much information

“do you really think I would let you read this? It’s sacred and strictly only for the eyes of hermes cabin. however I could one I think you would like and I want to execute it”

you open the book back up and flip through the pages until you find one. there’s a photo of a hair clip and you know exactly that it had been yours before the stolls got their hands on it. you roll your eyes and take it out to show leo

“what the fuck is that?”

“It’s my old hair clip. looks like a spider doesn’t it?”

“this is you’re ’awesome prank’ you were raving about?”

“athena cabin, hello! they’ll totally have a heart attack, c’mon I know where to find this”

you stand up from your bed and walk over to travis’ nightstand drawer where you find your hair clip sitting inside. leo walks over to you and takes it from your grasp

“so what are we gonna do with this?”

“hide it in cabin six then get an athena kid to find it. super simple stuff”

“well, let’s do this”

you hurry out of cabin eleven, and luckily, all the campers should have been at lunch by now so cabin six was empty for the time being. you sneakily walk inside with leo following close behind

“who’s bed should we put this on?” you whisper

“oh, annabeth, definitely. yesterday she was trying to prove me wrong and-”

you walk away before he has the chance to finish his nonsense story. you place the clip perfectly into a spider-like position on her pillow. you smile proudly and stand back to admire your work

“what do we do now?”

“we wait and hide”

you grab leo’s hand and drag him to sit on the side of one of the beds to wait for your victim to arrive back at the cabin. for fifteen minutes you wait, until finally your eye catches on a head of blond hair walking in. you clamp your hand over leo’s mouth and with your other making a shushing motion to tell him to be fucking quiet!

and he obeys your movements, silently watching as annabeth picks up a notebook and sits down on her bed. leo removes your hand from his mouth and whispers, “she doesn’t notice it”

you cover his mouth again. “well, wait a damn minute!“

he pouts and continues watching. and finally, annabeth turns herself to the side to grab a colored pen, but presumably in the corner of her eye she sees the spider looking hair clip, she screams and jumps up from her bed. you and leo burst into a fit of uncontrollable laughter, and when the blond girl sees you both you’re in for a unpleasant awakening

“what the fuck is wrong with you two?!”

[sunflowerdigs]

People can scream about the mean Buddies being bullies all they want, but it's not going to change the fact that Buddie fans never convinced anyone that a plot device and glorified extra was 911's new star just because he was a white man. Fans did that themselves.

For some reason, the way Tommy fans are now trying to sideline Athena in her own plot when Angela Bassett is an Emmy and Oscar winning actress with a career spanning decades and LFJ just has a famous dad is so galling to me. The reason I watch 911 is because the kinds of characters who only get to stand on the sidelines in other action shows get to be big damn heroes on this one. "Autism saves the day" is so on-brand for this show and that's why I love it. This isn't Supernatural. White male characters don't become the default heroes and leaders in every situation just because they show up and are conventionally attractive. An older black woman and a black autistic 8-year-old are going to land that plane and it's going to be just as "realistic" as whatever 30-year-old Whiteman McSixpack has done in any other action movie or show ever made.

It's fair to say that Buddie fans also expect to see Buck and Eddie too often, but at least Buck and Eddie are show leads with 6 years of history behind them. At least Buck and Eddie getting together would actually be unique queer rep that is worth getting excited over (and that we honestly may never have a shot at again). At least Buck and Eddie getting together doesn't sideline characters who have been part of the show for over half a decade.

I get that Buck coming out was exciting, but Buck coming out is about Buck, not Tommy or Buck/ Tommy. Tommy should have always been treated like Taylor or Natalia. It should never have been assumed that just because he was a man (and white) he would naturally be privileged over not just other love interests but over Eddie (and, now, Athena). Getting mad because Buddie shippers put Buck's coming out into the context of story that's been building for six years only to turn around and obsess over a storyline with barely any screentime is...a bold choice.

[stagefoureddiediaz]

Costume Meta 7x04

How we all doing?? have we managed to find some semblance of equilibrium in this new world where we have canon bi buck?? I’m not sure I’ll ever know how to exist in this world but that’s fine with me! I’m still here writing my silly costume metas and having a blast in this bright new world!

No Hen this week as we never see her out of uniform!

The rest is below the cut because you would all hate me if i clogged your feeds with this beast (shes 7k)- you have been warned!!

Actually going to start this week with a uniform out of work section!

Because three times in this episode, we had one of the firefam wearing an element of their uniform out of work and its actually pretty key!

We have Bobby in his LAFD polo when he informs Athena that Harry is wanted for assault and he fled the state.

Then we have Chim at the basketball game in his LAFD hoodie

And finally Buck at the airfield on his tour with Tommy.

All three are playing into the idea of protecting ones self by being in an official capacity in some way. Firefighters (like all first responders) are of course there to 'protect and serve' the community.

Bobby delivers the news to Athena about Harry - he's in uniform because he can inhabit a small aspect of his captain mentality - makes it easier to deliver the news and also gives him the distance to play the 'don't shoot the messenger' card if necessary.

Chimney has to step into paramedic mode at the end of the scene. The LAFD hoodie separates him from everyone else at the court and foreshadows that he will have to 'go to work' its also about chimney being there as the colleague not the almost brother in-law of Buck. An important distinction - it protects Chim from being seen to favour anyone (specifically from Buck. (Buck is angry and not being rational so Chimney has protection from Bucks potential anger for helping Eddie - Buck is already feeling awful by that point so the protection isn't needed but it provides cover if it were) and allows him to go into first responder mode. (this is so badly worded but I'm sure you get what I mean!!)

Buck is at the airfield under the guise of wanting to find out more about becoming an air support firefighter - its the cover under which he is operating to try and befriend Tommy. The jacket also provides him protection from Eddie when he shows up and finds out Buck is not coming to Vegas with him and Tommy.

Bobby

Just the one costume for Bobby this week - a maroon tee that her's wearing to sleep in. we see him in this colour a lot - its a bit of a staple colour for him and I've spoken a lot about maroon tees and shirts representing parental roles in relation to the various children of the 118. Its no different here -we can see from Bobbys face he isn't buying what Harry is saying and the parental concern we see evidenced here plays out with him calling Michael and finding out what is really going on.

Athena

Athena wears a lot of black this week, which is fairly typical from her, although we are in a much more overall muted palette than usual and its missing the jewel tones we're used to seeing her increasingly wear. its a bit of a signal of returning to normality now they're back from the cruise disaster.

She starts off in black and pink pyjamas but I'm going to talk about those at the end in the pink section so we're skipping ahead to this ruffle smocked cream blouse and her gorgons head necklace is back. the ruffling is an nod to her feathers being ruffled when Bobby tells her about Harry and his arrest warrant, and the white with the black trousers is about things being black and white - for Athena as a cop things do tend to be black and white when it comes to the law - of course Athena has always been one to work within the law to bend the rules but in this moment things are black and white.

Then we have her all in black with a red longline cardigan which has a open weave that give the appearance of mesh or a cage. The show has been using Red since day one which makes sense as it is a first responder show and you literally cannot escape it when the fire trucks are red! But they have always been pretty careful about when they use bright red in the costuming meaning its appearance with such regularity this season so far is pretty telling. Its an advance warning of incoming danger/trouble/strife, but it is rarely worn by the one who is directly in danger - they will be involved, but not the centre of it. The best example of this is Bucks bright red broadcloth shirt when Christopher calls him because Eddie is smashing up his bedroom.

Here we have it on Athena in the scene when things are about to properly kick into action with Harrys story. Athena is literally a red net about to ensnare Harry. its the one time in this episode we see Athena in a bold bright colour - something that generally is attached to her being happy or having fun, but not here.

The denim sleeveless shirt/jacket when Athena goes to the hospital to visit the lady who shot her son (does she have a name - I cant remember!) and later to talk to Harry about the reality of his altercation, is quite bulky and blocky. It's far less fitted, structured or flowy that we are used to seeing on Athena. To me this is about playing into her struggles to tread the line between mother and cop - that neither role fits right. That denim is also a fabric associated with labour, it suggests Athena is working hard to figure it out.

Then we get this all black outfit when she takes Harry to the station - it is such a simple yet effective bit of costuming, especially with the silver zips and buckles- it blends her in with the police officers in the station so she can hover the line between mom and cop - and makes it look like an arresting officer bringing in a suspect.

Harry

New Harry comes with a new style!!

I actually can't wait to see how they dress him over the rest of the season because there was a definite colour theme at play here this week with all the beiges, greens and redish browns which is very not how younger Harry dressed (he was much more bright colours).

Not going to lie - my hatred for the copaganda and the fact I've been in Bi Buck land since the episode aired has made it hard to focus on Harrys outfits in greater detail, but I do have a few thoughts!

This first shirt is a map print, maps denote journey's andHarry is on a literal and metophorical journey - the literal being the one he made form Florida to LA. The metaphorical one is all about his journey to become a man, and learning to take responsibility for his actions, so this shirt is essentially setting out his arc for the season - Makes me feel like the storylines with harry we're going to see are going to be about the community service he has to undertake and him figuring things out and growing up a bit in relation to that.

Then next up we have this cream hoodie with an brownish beige pocket. the thing I found interesting about this choice was the fact that Harry played himself off as innocent. lawyers usually instruct their clients to wear white shirts to court, and to avoid loud patterns. The white is because i suggests purity or innocence, and the loud patterns should be avoided because it suggests you're trying to employ subterfuge (that you're lying). So Harry wearing a block of cream is a play on this idea. We see him in the map shirt before - when he is employing subterfuge about his reasons for visiting, and now this cream is him trying to suggest his innocence to his mother - the use of cream rather than white is telling us that he isn't as innocent as he is making out!

Finally we have check theory (my most beloved) in play. harry returns to wearing patterns - this one check and in greens and browns. there is an element of military to the green shades, its a coloour we've seen used on Eddie to show his military background, but it is also a colour frequently worn by Athena - usually when she is fighting for her family in some way. Here it feels like a refelction of that, with the added aspect of green being a colour of growth. Harry shows contrition and is willing to take his punishement, showing his growth, but also showing his understanding of fighting for his family - and Athenas willingness to do the same. its showing us tht he is his mothers son. And of course the check is the pointer towards the fact he is in trouble - that his earlier protestations of innocence were false!

Then we move on the he Buckley-Hans

Chimney

Only the one for Chimney this week, it's a very short scene where he is completely oblivious to the tone of the conversation. He's dressed completely in greys and is by all accounts neutrally costumed. this is intentional - he's not the focus of this scene and when we think that so much of this episode is shown from Bucks pov, the use of neutral grey makes sense - Buck is projecting on to chimney in this scene. Buck himself is speaking his jealousy and fear, while what Chimney says is actually the little voice inside his head that isn't in fact jealous of Tommy, but is impressed by him

Maddie

Again only two costumes for Maddie this week and one of them is her dispatch outfit, but I'm including it because of its place with a mini colour theme for this episode, which both of her outfits play into.

I spoke about the use of red in Athenas section and its representing danger, and it is in play for both of Maddie's outfits, the wearer changes though. In the first scene, Maddie is in blue - dark blue. a tee with 'The Great School' and bobcat logo on the front. I love this, the bobcat is a symbol of inner strength and resilience in the face of adversity, while Maddie is a great source of learning for Buck - he essentially raised him and has been a sounding board for him since she returned to his life. Maddie is the next level wise older sister, her point of view is important to Buck and is grounding for him. She had got him to back down from his spiral over Eddie and Chris, until Chimney came in (and like I said above, that was Bucks inner voice, not really Chimney)

Then we have her dispatch uniform and its red. This is a clever play actually, it allows the costume team to put Maddie into red, a colour we don't really see on her outside of work (a deliberate choice as it helps distinguish work from non work to the audience). Just like Buck was the angry one in the other Buckley siblings scene, her Maddie is the one who is angry (with good reason) and we again get Buck recieving education at he hands of Maddie - in her place of work where she is a lifeline to people and where she holds authority. Buck needed her in a lifeline capacity in this moment and he got it, despite her anger. She gave him the advice and help he needed.

Eddie

Eddie my man looking suave and confident - this Eddie is Bucks version of Eddie so of course he looks cool, well dressed and in a green and black combo. In nearly every scene where Eddie nad Buck have a deep meaningful conversation - one that gets through to Buck on a higher level - that works on Bucks abandonment complex, Eddie is dressed in a black shirt and khaki green trousers (the only exception is the will reveal when he's in navy blue but that is to play in the yellow blue colour theming and its a close to black as they could have a blue!), this outfit is an inverse though, which is actually really clever. Eddie (Bucks version) here is playing into Bucks fear of abandonment - Bucks version of Eddie has spent so long building him up and chipping away at that fear that to invert that colour theme and have green on top and black trousers is a fun way of inverting that chipping away at Bucks fear - this is putting another brick in that abandonment wall

The black tank top!! Its back and everybody cheered! Ok so I wrote this meta about when the show puts Eddie into a black tank top and how it means he's in an emotionally vulnerable place and once more, the theory plays out. Obviously Eddie gets physically injured, but his face when he looks at Buck after he's gone down shows him emotionally vulnerable. Yes there is a little bit of anger and a lot of pain in the look he gives him, but there is also understanding and a little guilt too.

It's the moment Eddie realises that he has unintentionally sidelined his best friend, and the effect that has had on Buck and his abandonment issues. This is Eddie showing his truly deep understanding of Buck and how Buck ticks (and because this is also from Bucks pov, its also showing us Buck understanding that Eddie understands how Buck ticks) we get all of this proven when Tommy comes over to Bucks later and clearly states that Eddie is feeling bad about the whole situation.

It is also worth noting that When Buck has seen Eddie at the gym or being sporty in some way Eddie has either been in uniform or in a black singlet and that he always looks super competent (even if he is working through things when he is in the black singlet). From my perspective, this is an interesting choice to play into because it suggests Buck recognises Eddies emotional maturity over him, even when he's not in a great place (we can discount fight club Eddie becasue Buck didn't actually see him there), its clearly something Buck admires and places as central to how he sees Eddie.

Tommy

Tommys costuming is chefs kiss perfection to me. The wardrobe department have literally dressed him as Eddie and I am living for it.

Its a way to emphasise that Tommy and Eddie are super similar. this serves two purposes - it builds a visual connection for the audience - we don't need to be shown Tommy in the army or fighting/ training in Muay Thai etc, we can mentally make a connection to the ones we've seen of Eddies in the past and accept the information as fact. obviously not all people who join the army or undertake MMA are going to dress the same, but this is television where visual information is valuable real estate, so playing into tropes and stereotypes is a key piece of arsenal.

The other thing about it is the specific Eddies its calling back to - fight club Eddie and to a lesser extent, post breakdown Eddie when he's back in therapy and unrepressing himself.

Tommys basketball outfit is really about making him stand out from everyone else - it makes him seem to appear more because the blue shorts and the light coloured top will catch your eye, even if he's not the focus of the camera at that moment. This is all about the fact that this is Bucks perspective on things - he is seeing Tommy everywhere and feeling like he's taking over/ taking away Eddie and so we the audience feel that same thing in a visual way. The thing the blue shorts do is visually connect Tommy to buck in the next scene we see Buck in - when he is talking to Maddie at dispatch - the blues are similar enough for us to subconsciously connect back to that scene and link Buck and Tommy together rather than Buck to Eddie - who Buck is dressed more similarly too in the basketball scene.

It doesn't hurt that the blue shorts also play into yellow blue theory - especially against the sunsets yellow hues in a scene that is playing homage to a famously queer coded scene from Top gun.

Then there is this outfit from Bucks loft. again is very similar to an Eddie outfit - its the same style of shirt we often see Eddie wearing especially in seasons 4 and 5.

Tommys jeans have always been reminiscent of Eddies Jeans (I mean I know they are jeans, but I promise the significance will become clear when I get to Buck!)

Even Tommys watch is similar to Eddies Christopher watch (every other watch in the show worn by the men is all black - black strap black face and mount only the Christopher watch is different) in that it has a different coloured strap to the watch face and its mount.

The other thing I want to mention quick, is the progression of Tommys costumes in relation to them being similar to Eddies. By this I mean the first non uniform costume we see Tommy in is very stage 2 Eddie, while the one below is very much more stage 3 Eddie.

I also really like the use of a purple/red/black shot tee for this scene as well. If you watch the scene through, the way its lit changes its colour as different sections of the scene unfold. The red tones are there early on, during the apology and conversation around Eddie being allowed to have more than one friend and Christophers adoration of Buck. it gives it that air of danger lurking, because Tommy isn't sure how things are going to play out. and plays into the red/blue theme we saw with Buck and Maddie in this episode - just on a much lower level.

Then it turns this purplish shade as we move into the initial stages of flirting - from the moment Buck moves around the counter to put himself in the same space as Tommy. It gives things an air of mystery, but purple can also be a colour of enlightenment - both elements are in play here and I love they were able to do this with this shirt.

The shirt turns black at the moment Tommy says 'my attention' - the moment he essentially hold all the cards on making a move - he is the one with the power here (as the already queer person in the room) and black is a power colour, so its the perfect choice for the moment he makes his move.

Buck

Buck my beloved bi disaster. His costumes were doing some pretty impressive storytelling this episode!

We start off at the air field - I spoke at the start about this LAFD jacket and the theme of protection, but I also have other things to say about it and the rest of the costume. We don't generally see Buck out of work wearing uniform (we actually don't see many of the firefam in uniform out of work tbh) so when we do its going to have meaning. T

he thing with the bomber jacket being the choice (they could've made it a hoodie which we've seen him wear out of work more!) is that on one level plays into its name and the fact that its being worn at an airfield, while on another level it low key plays into the Buck cheating arc. which is actually fun - the idea that he's 'cheating' on the 118 by claiming he's thinking about his career options and also cheating on Eddie by trying to befriend Tommy (because at this point that is all it is its only once Eddie appears that things change).

The trousers are also important. I know I've said before about how trousers are less important than tops because they are less likely to get screen time. We not here - here they are really important, but only with the context of the rest of the episode.

These are the short in the leg dark trousers we've come to know and love on Buck - he's been solidly wearing them since season 2 and what we have seen him wearing so far in season 7 so no surprises to see them here. But this is the last time we see them and its super important and telling.

We also have Bucks white trainers - the ones that he wears when he moves forward on his journey - we see him in them the entire time this episode.

Buck and Maddie this episode have a red v blue thing going on in their scenes together. In this one Buck is in red and Maddie in blue. I spoke about the red for danger theme they seem to be using this season for the red clothes above in Athenas section and it applies here - Buck in red is foreshadowing the danger/strife that the basketball game presents as that is what he is talking about and what he is most upset about over Tommy and Eddies friendship.

It's a slightly burnt out red in comparison to Bobbys red shirt from the cruise, Athenas red cardigan, or even the red he wore when Eddie had his breakdown. Its not a full high alert colour, its a more muted and restrained colour - suggesting the danger is going to be less of a big thing, that it's just a part of it rather than the main big thing

We can also see that Buck is now wearing more traditional stonewash jeans - this is the first time we're seeing them on him since Eddies arrival at the fire house. I'll explain them in more detail in Bucks last outfit of the episode, but I needed to point their presence out here.

Basketball Buck in his white shirt and dark blue marl cut off tee - its very Buck posturing at the firehouse gym and its meant to be. Its a direct reference to the last time Buck showed any jealousy towards Eddie. The shorts are different this time in that they're white/light grey rather than black, but I think this is done for two reasons - it creates a pairing with Eddie - they are dressed similarly with dark tops and lighter grey shorts, but on opposite teams/sides.

It also makes him stand out from everyone else at the game - excepting Tommy (and a random guy in a red top with white shorts that I'm living for. When Red = foreshadowing as I've talked about above, this guys actions on the court are precursors of what is about to happen - we see him bump into Tommy - a couple of moments later and Buck does the same thing, then just before Eddie gets taken out by Buck, he gets breezed past by Eddie stumbles and starts limping. Its fun and clever and not something many people will pick up on - its a bit like the role of the bullet in Hamilton!)

Bucks bright blue chunky corduroy shirt with white tee underneath. I already spoke about the visual connection between Tommy from the basketball game and this shirt. It also fits into the red and blue theme I spoke about above - this time Buck is the one in blue and with the combination of Buck in his danger incoming white shirt and Maddie being in red it signals exactly what this scene is going to be about.

The danger, in my opinion, is Maddies wrath at Buck getting physical with Eddie. Its a perfectly valid and important response from her and plays into the growth we get from Buck in this episode that is not connected to his bi awakening - the recognition and acceptance of his bad behaviour in a far more mature way than we saw from s3 Buck.

The chunky corduroy give the shirt vertical stripes and we all know how I feel about Buck and vertical stripes at this point - I wrote about them a lot in my seasons 5 and 6 metas and the blue and white nature of bucks outfit plays into the theming that was at play in early season 6 - where Buck was free from Taylor and resisting buying a couch because he was looking for the right couch etc. (and playing house husband to Eddie nad feeding them!!!)

Here in this episode we kind of have Buck going through a similar process - free from the shackles of death and trying to figure things out - who he is and what he wants, he's still on that hamster wheel in many ways at this point in the episode but he is about to jump off it.

This is the key to happiness and Lev's advice and the year of yes scene 2.0 - the same shade of blue are at play here. Lev figuring it out ('I get it now') just as he's dying and Buck then trying to figure out what Lev had figured out and essentially failing before he died only to now get it and free himself is a blue thread we've been following through season 6 up to bucks death, then the use of this shade of blue in Bucks costumes tailed off - we saw it reappear a couple of times after the lightening strike - specifically around Natalia and his continues flirtation with death - almost like his hovering around death was him trying to grasp what Lev had figured out.

Then the blue had been gone again only for it to reappear here in this episode in a scene that precedes Bucks bi awakening and his comments about being free and 'yeah that works' with their double meanings that play in the same way as lev's 'I think i get it now' just without death coming immediately after. It's a scene when he starts to get an inkling on what his jealousy is actually about. (The fact we know he's going to be back in this bright blue in the next episode in a scene with Eddie - that is very likely a coming out scene also plays into this idea.)

And the stone wash jeans are once more there for all to see!

Then we get this dark navy blue shirt with silvery white dots and yet again those stone wash jeans.

Ok lets talk about the jeans! The fact that we haven't seen Buck wearing stone wash jeans, which if you watch the opening couple of seconds of the dispatch scene, you will see are proper normal length on him and not ankle swingers like we've got used to seeing him in for the last few seasons!

The thing with him suddenly wearing these stonewash jeans is all about imitation - imitation of Tommy (and by extension, imitation of Eddie even though we don't see Eddie in stonewash denim in this episode) because you know that old adage of dressing like the person you want to be , or the idea that you subconsciously start dressing like the person you have a crush one?? Well yeah - Buck has all these new feelings that he doesn't know what to do with, but Tommy is cool and Tommy dresses like Eddie and Eddie seems to like Tommy better than Buck now so maybe if Buck starts dressing a bit like Tommy he'lI get Eddies attention back. So he's pulled out the stone wash jeans so that he's dressed a bit more like Tommy, but he's also dressing a bit like his crush that he doesn't yet realise is a crush.

The other small thing that I think is a nice nod - So Like I said earlier, the last time we see the jeans is in 2x01 - Eddies introduction to the firehouse. This is the moment (on screen at least for us as viewers) that Buck ceases to be the probie - that baton is passed to Eddie, so its almost like a symbol of him graduating and maturing in some way. then we get the jeans back for Bucks bi awakening - we see them the entire time he's navigating all these new feelings he has - he's never been with a man, so he's like a probie again.

The thing is, that the jeans appear to be gone for his date with Tommy (makes sense - he's on a date so he's got to look good for his man!) , and from what I can tell from the (super dark even when brightened) stills from the Buck Eddie loft scene, it would appear they are gone for that scene too. We've had bts of Oliver in the jeans again, so I don't think they're gone completely, but that makes sense, he's still a baby queer after all, still navigating his way through things.

On to the shirt! I wrote a whole meta about this shirt (and the jeans actually!) when we first got this still - you can read it here and I'm still a little awestruck at how close to the mark I got!

What I want to add to what I said, now I have context is that the two previous times we've seen blue shirts with dots are played upon in this scene - the lawsuit is the obvious one and the parallel is showing Bucks growth - he got jealous and worried about being replaced and ended up lashing out and suing everyone, now he got jealous and thought he was being replaced, but as soon as he lashes out, he realises he is in the wrong and verbally acknowledges it.

The diner with Maddie scene is a bit more tricky to parse out, but for me, it ties to Doug - Maddie is quick to call Buck out when he confesses to Eddies injury not being an accident, because of her experiences at the hands of Doug. In the diner scene she is determined to go back to her apartment and her life in the aftermath of killing him - she wants life to go back to normal. In the loft scene Buck is trying to achieve that end too - he's in a new world where Tommy exists as part of his life now (as Eddies friend initially) and he wants to clear the air and move forward - so he's still a part of Eddies life.

I also want to talk about the contrast between this scene and the one where Taylor turns up at his door after the shooting and the difference between being chased and doing the chasing. Its spots v stripes!

Buck is in a similar shirt - short sleeved button up in a dark shade (black) - this one with vertical stripes for the Taylor scene and he thinks he's being chased for the first (ish) time (Abby sort of chased him but he is the one who pushed for it to be a relationship when I think she just wanted a bit of fun and a hook up! so I'm not sure if it actually counts or not). Thing is Taylor only chases him after they've already kissed and when he's then made it clear thats what needs to happen. (as an aside - Natalia does pursue Buck - not romantically, but because he has died - and she is the one wearing vertical stripes

While in this scene he doesn't have to say anything, yes he flirts, but he isn't explicit about what hewants - Tommy is the one who makes the decision to go for it, and so when he genuinely gets pursued, he is wearing dots

Chased verse's doing the chasing - dots v stripes

Then we have the Pink.

Pink is back in full force in 7x04 with it popping up regularly throughout the episode.

I didn't include Athenas pink dressing gown or Bucks pink shorts in their sections because I actually wanted to talk about them here. The context the scenes they were in gave me the information I needed to figure out what I think the purpose of all the pink we've been seeing is.

Lets start with a quick recap of all the pink from the 3 previous episodes then we'll look at the pink from this episode as well as the fact I've already spotted some for 7x05 from the trailer

7x01

Athena's pale pink top in therapy with Frank

Sue at dispatch in a pink cardigan

Christophers pencil is pink when he's sat at his desk - when he reads the letter from Shannon

Marisol in her bright pink strappy top

Lola's Manzanillo outfit is bright pink and white

Norman has pink flowers on his Hawaiian shirt and he later wears a bright pink polo shirt when he's pretending Lola is still with him.

7x02

the woman who is teaching her daughter to drive

the pink roses on Hen's jacket (which I know I said play into the theme of family bonds etc but the pink has a second meaning)

7x03

The cruise ship family nearly all wear pink at various points (grandma and mom are the exceptions)

and now 7x04

We have Ashley C in hot pink at the Bachelor mansion

Athena in her dusty pink ddressing gown (and pyjama pants

The woman who shot her son is in pink

And then there are Bucks pink shorts!

All of these scenes with the pink are scenes about either naivety and or innocence

The pink on Athena is about her being naive about her relationship with Bobby - not recognising that she is nothing to fear about them spending time together.

Sues pink cardigan. Sue's line is about the civilians at risk from the fighter jet - she is representing their innocence

Christophers pink pencil - in that scene his behaviour might be naive (he's a child so of course it is) but it comes from a place of complicated feelings as he does begin to mature - he was the innocent party in the loss of Shannon and he is the one left to suffer.

Lola is naive on the ship about having an affair and thinking she could get away with it and that it wouldn't hurt Norman. She’s also innocent in the plot regarding the bitcoin (or whatever it was)

Norman is also both naive and innocent - not recognising the fact his wife is cheating, for selling up their entire life and he is innocent in the bitcoin plot.

The mother and daughter were innocent in the car crash.

the pink flowers on Hens jacket hint at her being innocent of any wrong doing (from a departmental perspective) at the car accident.

The cruise family are innocent - just in the wrong place at rhetorical wrong time and they are a representation of all the innocent people on the boat who end up in danger on that ship.

I think the Marisol top is an interesting one - it plays into Chris being naïve thinking he can date multiple girls without them finding out. But I also think it’s foreshadowing her naivety in general - I think we might either see her immaturity in some way (perhaps on a date with Eddie) which will prove terminal for her relationship with Eddie. Now we know about this date scene coming up this is possible but it could also end up being about the fact that she is likely going to be an innocent party caught in the crossfire of Eddie unrepressing himself (much in the same way Ana was back in s4/5.

Ashely C's pink dress is a representation of the innocence of trying to find love.

Athena's pink dressing gown is about her innocently and blindly/ naively being excited about Harrys return home to her.

The lady who shot her son is innocent in that her actions were brought about by something out of her control and so she can't truly be held responsible for them.

Then Bucks pink shorts are about his queer innocence and naivety about his feelings the fact that we see them in a scene where Tommy isn’t present, a scene that is meant to inform the audience that his behaviours is all about Eddie and not Tommy - that he’s naively not grasping that part of this internal confusion that he's experiencing.

To add to all of this, we have Marisol carrying a pink bag in the teaser for next week, to me if pink theory is correct then this is playing into the idea that Marisol is naively dating Eddie and that she's going to be an innocent caught up in whatever goes down in that scene (part of this arc) the use of lighter pink here specifically on a handbag is giving me babyish vibes as well (its screaming little girl playing at dress up!). As a quick aside - I am very amused that shes been dressed in a basic black top - she looks like wait staff!

And of course there is Eddies pink ensemble that is connected to either Chims bachelor party or the Madney Wedding. I have no idea what is going to happen in this scene(s) but whatever does go down - place your bets on Eddie being innocent (and or naive!) in whatever goes on - itll be fun to see if I'm right! 🤓

Right 7k later and that is me done for this meta!!! I am handing out the tea, coffee, cake and biscuits (all dietary requirements catered for!)🫖☕️🧁🍩🍪- you've earnt them if you've made it to the end of this monster! Hope you enjoyed reading. i'm off to revel in Bi Buck some more - I can't believe its happened I'm overcome!!! 🩷💜💙

Tagged peeps as always are below!

@theladyyavilee @mistmarauder @xxfiction-is-my-realityxx @bewilderedbuckley @spotsandsocks @bewitchedbewilderedbisexual @rogerzsteven @wanderingwomanwondering @oneawkwardcookie @leothill @copyninjabuckley @shammers86 @crazyfangirlallert @missmagooglie @katyobsesses @radiation-run @gayandbifiremenofmine @bi-moonlight @crazyaboutotps @princesschez75 @alliaskisthepossibilityoflove @sherlocking-out-loud @tommykinarddd @satashiiwrites @lover-of-mine

(if the tags don't work its because people have changed their url (very valid of you!) and I didn't know, so let me know if you want tagging in future in the comments so I can catch the new urls!

[coquettebratzdoll]

Speedrun-> Name? Athena | Age? '07 | Pronouns? She/Her | Race? Black | Hobbies?Journaling, Reading |

carrd

MASTER LIST

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I see you've made it to my page. Welcome ! This is a quick navigation guide to get to where you need to go. Before I begin, why don't we get to know each other ? I'm sure we'd be great friends ! Careful, there are rules on how things work around here. The journey begins ...

To your left, you'll see all my informative posts. I talk about a lot of topics, and there are many more to come. Take a peek and see if you learn anything new !

Persistence

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Manifesting is easy

Vaunts

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'I remember when...'

Stop trying

Dissonance

How to build self belief

Nothing needs to be done

Abandon logic

Stop scrolling

How to get your desires

Manifesting a celebrity crush

Look what I did !

Feedback loops

Floating man paradox

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I'm so good at manifestation 😩😩

Sweet tea (good ending)

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We lost the plot 😭

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You aren't special

Now why tf was I insecure 💀💀

Weirdo online

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[11queensupreme11]

Those comments about whether Percy should be the ✨️IT girl✨️ of the universe or the multiverse got to me

I started thinking about how beautiful she is and how she is accidentally causing a war between the gods, then I started thinking a little and remembered another situation where the beauty of a goddess/woman caused a war, That's right, I'm talking about the Trojan War

All that confusion (according to mythology) started because Eris threw an apple on the table and offered it to the most beautiful goddess, which caused a conflict between the goddesses who got up to get the apple (Athena, Hera and Aphrodite), not Would it be funny if we recreated this scene with the big three?

During act 4 the yanderes are watching the PJ world, they are watching the PJ gods interact at a visibly tense dance, it is very obvious that the three brothers are uncomfortable or irritated at having to interact with each other, during a small argument between the three of them the goddess Eris approaches

She praises the three for having such beautiful daughters and says she wants to offer this golden apple to the God who has the eldest daughter, she throws the apple towards the three and they all get up to catch it and that's when a huge fight begins over which semi -goddess is the most beautiful (let's change the age at which Thalia became a hunter and we will also change the age at which Bianca died so that they are both at the height of their teenage beauty to be able to "compete" with Percy)

The three decide to use the opinion of a quarter to decide who is the most beautiful, initially Zeus asks Hera to be the judge but she refuses (she totally does this as revenge because when she asked him to be the judge last time he refused), no goddess wants to judge this case so they choose a mortal woman to decide

PJ Hades knows that Bianca is not the most beautiful but it is a matter of paternal love to defend her honor, PJ Zeus is defending that Thalia is the most beautiful both as a political act and as a matter of narcissism but he knows that she is not is the most beautiful and PJ Poseidon is arguing that Percy is the most beautiful both because he loves her and because he KNOWS he is right (this will be the ONLY time that ror Poseidon agrees with PJ Poseidon)

In a similar way to the original tale, the three gods go to the mortal and each one makes a different proposal about what the woman will gain depending on which girl she chooses, meanwhile the three girls are next to their respective fathers, each wearing a beautiful dress and decorated with beautiful jewelry (Percy's dress has a marine theme and she is decorated with pearls, Bianca's dress has a gothic theme and her jewelry is all black, while Thalia's dress has a sea theme stormy night sky and her jewelry is more varied jewelry)

Percy (despite actually being the prettiest) loses the competition since Zeus's bribe was better, it all ends up in an even bigger mess than at the beginning because now Poseidon and Hades are particularly bitter about how Zeus is boasting about his victory and the enmity between the three increases

Unfortunately they are no longer at the height of Greece so waging a war to demonstrate dissatisfaction with the result of the contest like Hera and Athena did is impossible (ror Poseidon is almost having an aneurysm due to PJ Poseidon not starting a war or a massacre in the name of his daughter's honor)

How do the ror gods react to this? (more specifically the three big)

"Poseidon is arguing that Percy is the most beautiful both because he loves her and because he KNOWS he is right (this will be the ONLY time that ror Poseidon agrees with PJ Poseidon)"

WRONG!

there is nothing pjo!poseidon can do that would even satisfy ror!poseidon by 1%

he calls percy beautiful, and ror!poseidon would be like "THATS IT? only 'beautiful'? what, do you need a thesaurus or something, MY DAUGHTER IS MORE THAN JUST 'BEAUTIFUL', SHE'S--" *rants for the next few hours describing his daughter-wife's beauty*

he'd also judge the dress pjo!poseidon gives her 😭 like "is that the best dress you could give her? how DARE you insult by daughter by giving her such a sub-par dress! you're clearly trying to sabotage her!!! 😡🔱"

and omggggg when percy actually loses, someone would need to hold this man back. he's pissed at EVERYONE (except his daughter-wife ofc 🥺). he'd be pissed that pjo!poseidon doesn't even TRY to fight for his daughter's honor, pissed at pjo!zeus for cheating, and pissed at pjo!hades for thinking his daughter even had a chance (sorry bianca, but he hates you for existing 💔), pissed at the human for taking zeus' bribe, etc...

once hades gets a handle on what pjo!zeus' personality is like, he already knew it would end with thalia/zeus winning because he knows pjo!zeus WOULD cheat, so he's not that surprised. disappointed that he would cheat, but not surprised. he's a little miffed that the girls would be put in such a demeaning and embarrassing position tho, and if he were there, he would like to have a word with eris for causing this mess (again).

he'd definitely prefer it if percy won tho cuz he's in love with her AND knows that she's the prettiest of the bunch. sorry to thalia and bianca, but he doesn't know or care for them 😭

meanwhile zeus is cackling and laughing at his loser brothers 😂 he would definitely try to hide behind adamas when shit gets real, but adamas would happily kick him aside and let him face the consequences 😭