#AND NOT LETTING U GUYS DOWN

[cherrio-krispz]

hi beetles

yippe I finally got around to finishing this piece of junk

it’s starting to look even more terrible the more I stare at it.

ALT: (without text)

[rokudaimeplease]

he's been through a lot

[cherrirui-official]

I hope u guys don't mind me posting these au doodles while I work on things ahaha

I also gave JD slightly longer hair in these doodles as a funny haha but I don't think it's funny anymore he looks genuinely good with his hair like that ahahaha I hope you're not mad at me for changing his au design a bit

[needanaccount2readarcaneposts]

like you guys know warwick is supposed to be a metaphor, right?

and by 'you guys' I am talking to the writers of Arcane S2 (2024), who appear to have forgotten this.

like warwick, in a strictly plot sense, is something that is done to vander. but warwick, in a narrative sense, is supposed to be a metaphor. you understand that, right?

it's a metaphor for the monster within the man?

the hound of the underground?

the way suffering breeds cruelty breeds monsters - the uncaged wrath of zaun?

the sins of his past come back to haunt him?

the violence he tried to leave behind, but never could?

"i knew you still had it in you."?

Sometimes, as he fed in dark alleys on stray gangers, the flash of knives would remind him of an old blade covered in blood. Blood passing from the blade to his hands. From his hands, to everything he touched. Sometimes, he remembered the girl again. And still there was blood. It had always been there, he realized, his entire life, and nothing he did could wash it off. He'd left so many scars that even if he didn't remember his past, the city would. When he peered into the eyes of Zaun's criminals - the gang bosses, murderers, and thieves - he saw himself.

that's the warwick we should have gotten in S2. vander the grey, not vander the unproblematically whitewashed. vander the revolutionary who brought his gauntlets to that bridge to fight for a future; the base violence necessary for change. vander with blood on his hands, just as much as the partner he scapegoated for it; tried to bury in the pilt along with his own guilt; not just vander who felt aw shucks real sorry about the attempted murder that one time. vander the complex. vander who sold out zaun's resistance to ease his own shame. vander the reckoning with his own complicity; his own violence; his own original sin. vander whose murkiness helps vi unpack her black and white worldview, and let go of the rose-tinted past to which she clings; understand jinx, even understand silco; understand that it's not just about Individual Bad People doing Individual Bad Things to Individual Good People, and Individual Good People who have to defeat the Individual Bad People, but that this is something far bigger and far older than any of them, a whole rotten system of misery and oppression that turns people into monsters. that the thing that turned vander into a monster, METAPHORICALLY, happened long before he met singed.

vander the monster, as well as vander the man.

instead, we got whatever this shit is:

[biggest-gaudiest-patronuses]

as someone who rarely listens to music, i am unceasingly in wonderment at the emotional connection many humans have to music as a medium. genres & styles & artists and all that jazz --you guys care a lot about this stuff. i sit marveling at the sheer commonplaceness of people feeling an intimate connection to individual songs & albums & musicians. to the point musical preferences are often considered a meaningful part of one's identity as an individual....thats crazy. so much passion...so much fierceness of feeling ...people say "you have to listen to this song" and i listen for 30 seconds and say "neat!" bc it is, it's neat! the chorus is catchy! i might tuck it away to hum to myself later. but for now im putting my earplugs back in returning to the glorious silence that my essence depends on the same way my lungs depend on an oxygen-rich atmosphere. u beset me with fascination

[officialmiintee]

windbreaker / inusako brainrot got to me

[nonpoppie]

tianjiu (food 4 me specifically)

[vitrificvitriol]

Entertaining himself

[sluckythewizard]

PART OF A BIGGER DOODLE PAGE. WHEN ITS DONE ILL TUCK THE LINK INTO THIS LITTLE X RIGHT HERE ----> [X] I REALLY REALLY LOVE THE TOM N JERRY DYNAMIC W EMIZEL N VEX. IMAGINE BEING SO SO HAUNTED BY A LITTLE GUY THATS JUST SSSSOO FUCKING ANNOYING.

[foolsocracy]

Felicia ‘Nobody can know what I’m feeling at any given moment’ Hardy & Peter ‘If no one knows my opinion I’ll die’ Parker could just be the mentor mentee duo of all time

[adelinamoteru]

its kinda crazy that yall will apply real world politics and situations to gotham when it comes to jason and his ‘vigilantism’, but never choose to take that angle when analyzing any other bat character’s

brother eye from batman? hello? does constant nonconsensual surveillance seem like an ethical way to keep an eye on supposed allies or stop crime in real life? does beating people up until they comply with u (under fucking duress) seem like the ethical way to produce testimonies and confessions?

but nah, one speech from jason in utrd and yall are up in arms about how nothing he’s saying is actually conducive to lowering crime rates.

at the end of the day, it doesn’t fucking matter who’s right and who’s wrong regarding these morals in real life because the dc universe is so fucking far from reality in the crime that the justice system has to deal with. there is no point in arguing a reality standpoint if its not going to be applied to vigilantism in the bat comics as a whole.

and on the topic of fiction, the willful ignorance as to how jason’s story also portrays a victims revenge/justice is just boring at this point. how are themes in a narrative not coming through to you. especially when doing literature analysis for any of these comics.

[love-3-crimes]

BUT THAT DON'T MEAN SHIT IN A TOWN THIS SMALL!!!

[saturnniidae]

oddly specific httyd headcanons part 2?

ABSOLUTELY.

Warning; Most of these are about Hiccup and Astrid bc theyre my blorbos ultimate so sorry in advance if you were hoping for more abt the other riders.

I think Hiccup snorts when he laughs. Like really laughs, not just sarcastic chuckles (annual event). Also his voice is prone to cracking when he giggles.

Astrid is very strict about schedules/routines and finds them comforting. Sudden changes in plans make her upset but considering the nature of battle, it's something she's trained herself to better deal with (doesn't mean she's not gonna go scream into her pillow and throw things later)

She often has to remind Hiccup to eat because he gets so focused on tasks he forgets (average adhd grindset), and she's trying so hard to get Hiccup into having a better routine that focuses on him rather than just his scheduled dragon feeding and grooming regimen. It's a work in progress.

Astrid has a policy on never apologizing for things unless she caused them or can do something to help. To her it makes no sense to say 'im sorry' for something you've had no hand in, and pity is worth nothing. (Autistic ass mindset). She also is so awkward when it comes to comforting people, her face looks like she's constipated when she's concerned and often the best you'll get is an awkward pat on the back or hug (insane to me that in canon she's the 'motivational words gf' when that is So not accurate)

Hiccup gets the worst acne ever when he's on his period, he just has the vibes of someone who would yknow

Hiccup kind of hates communal meals in the great hall. The overlapping noises of so many people talking at once, cutlery scraping on plates, chewing, and benches scraping against the ground is actual torture. He much prefers the calmer atmosphere of dinners on Dragon's Edge

Hiccup would be the type of person to eat shit like sardines and olives on pizza but otherwise be a picky eater I think. Canonically Berks food tastes like shit, so the only thing he likes eating there is the fish. (The food they make on the Edge is so significantly better oh my god)

Hiccup not only snores absurdly loud (he gets it from stoick), but also talks in his sleep. Like fully talks. sometimes Astrid will humor him and respond. It scared the absolute shit out of her the first time they slept in the same room though

Fishlegs also talks and even walks in his sleep sometimes. He's been found wandering Dragon's Edge at night before

The first time Hiccup called Astrid 'M'lady' her face did a weird twitching thing and he was so worried he pissed her off but she was actually trying to figure out how to respond without showing how emotional it made her (him calling her that hits so much harder when you hc them as t4t, also I feel like Astrid's famliy just aren't the kind of people who often use terms of endearment like that)

Hiccup and Astrids first few kisses were actually like, really bad. A mess of their teeth clacking against each other and also horribly awkward since, yknow, they're kids. The first kiss Hiccup initiated he was so nervous he missed Astrid's mouth and had to try again 😭

Funnily enough, despite how eager he was to belive in mythical creatures as a child, Hiccups never been a particularly religious/faithful person and that just became more apparent after the events of When Lightning Strikes (he was So fed up)

Hiccup has that weird combo of being horribly touch starved (being isolated and unintentionally emotionally neglected for most of ur childhood does that) and also not being a huge fan of physical affection from others if he's not the one initating it. When people he's not already super comfortable with touch him or like hug him he freezes up like a deer in headlights

Hiccup learnt to speak French and Latin through frequent interactions with traders that came to Berk when he was younger, he liked hearing their stories and imaging going places far, far away from Berk (pre-httyd Era when he was still a social pariah) and despite his job at the smithy, Hiccup still had significantly more free time than his peers due to lack of training so he had to find other ways to entertain himself.

[burning-sol]

You know what? I realise why the Sinsmas episode is pissing me off so much, it's because it's juggling so many different ideas that it doesn't spend enough time committed to a single one. Let me just break it down the way I see it...

The first idea we're introduced to is one about Stolas' depression but then when he sits down with Blitz we're introduced to the idea of Stolas' poverty.

The previous ideas are what you think that the episode might focus on until you get hit with the Octavia B-Plot. Okay! A-Plot is about depression and poverty, B-Plot is about Stolas not being able to contact Octavia... (I might be using those terms incorrectly, but you get the idea,)

But THEN you get Sinsmas introduced which is about the idea of indulging in your sins, which is shown to be important to the audience because it's expressed in dialogue, right? Wait, no, it's about Stolas's depression/poverty, okay then....

But THEN you cut to the office and we get a Millie and Moxxie bonding scene, so you think, "wait, is there going to be another DIFFERENT plotline introduced into this episode about their relationship??" AND YOU GET MORE ABOUT SINSMAS, multiple shots about the holiday and the idea of indulging in your sins!! So wait, the idea of Sinsmas IS an individual idea from the depression/poverty point? Or isn't it??

Stolas sobs on the phone, there's a very obvious depression/poverty breakdown, but then we get MORE NEW SHIT introduced because it's about Stolas' cheating. And I understand that that's meant to tie into Octavia's B-plot, but there's a subtle difference between that and THIS that adds another layer of shit on top (elaborated on later).

Which, BTW, I just wanna point out how this idea is contradictory to the Sinsmas idea since CHEATING is about INDULGING in LUST - as is established in your PREVIOUS. IMPORTANT. SEASON ONE FINALE... So WHY would you make a character shame a sin that's meant to be in the process of being celebrated which confuses the Sinsmas idea and was also the CORE of the Stolitz will-they-won't-they before now?? If it was to trigger Stolas' breakdown you already HAD the poverty story beat, this is just needless and confusing redundancy??

So then we actually get to Octavia and we get a scene about the idea of Stolas and Octavia not being able to get in contact with each other - the B-Plot - and followed by her introspective song and the discovery of Stolas' pills. And now we suddenly feel like we're back to where we were MEANT to be, with the Octavia B-Plot taking a pause to cut back to the Depression A-Plot. This builds up tension as we naturally feel the two characters drawn together.

And theeeen it cuts to the I.M.Ps and I'm banging my head against the wall because you're like, "Oh! The Millie and Moxxie relationship idea! This is going to be about them!"

But then OH MY GOD a NEW idea is introduced about Blitz wanting a FAMILY WITH STOLAS. I want to shoot someone because the cheating was a set up for Blitz to fantasise about wanting a family??? Is this meant to be a parallel to episode 1??? Am I meant to feel like Blitz has developed as a character?? In an episode that has been about every character OTHER than Blitz???

And then it's meant to be likeee like about Millie's pregnancy because she wants to kill the family instead of leaving them be, but it's also about Moxxie's relationship with her, but it's ALSO about being "demon enough" (WHATEVER THAT IS, IT'S NEVER ELABORATED ON), but it's also ALSO about Sinsmas.

Okay! Okay, back to the REAL plot except- Wait, Octavia walked in??? Wait, so this plot is now about Blitz wanting a family and he's going to bond with Octavia?? No! NO because they don't have any emotional connection and so there is no reason for this scene to exist if either way Blitz was going to know where Stolas went and Octavia was going to end up there as well anyways.

And can you tell I'm tired of writing at this point? Cus I'm losing my mind. FINALLY the A-plot and B-plot that should have been the center of the episode all along gets a fuck ton of screentime and it's beautiful and it's the peak of the episode.

And theeen it's back to Millie and you think, "Okay, so a big part of the pregnancy plot is clearly meant to be about Millie and Moxxie's relationship based on all the scenes we've gotten between them! That means that Millie and Moxxie are going to have some sort of important dialogue-" And then she WALKS OUT on him and she has her emotional moment with her sister! Which isn't a bad thing but need I remind you she isn't even in the center a FULL LENGTH episode, she's from a SHORT... WHY would you NOT integrate Sallie into a proper episode if she's going to be key to a future INCREDIBLY important plotline??

The episode ends with Blitz and Stolas and the credits roll blah blah blah...

This post is basically expands on some of the points of my post about my first impressions, because I just wanted to give a run down of the structure properly so you can understand why this episode is making me feel like I'm losing it. And I get it, if you put in the effort you can get an idea of how all the ideas were meant to tie together... But it doesn't! It's badly written! It makes me want to rip my hair out!

Ideas are established and then sit there uncomfortably without resolutions to them! Like even the shit. That was meant to be the main shit. The poverty and depression stuff? NO conclusion. Stolas says, "you don't have to refer to me as your highness" I guess?? But like, nothing to show him settling in with everyone else in the celebration to show he's like. Poor? And okay with it? By partaking in the holiday of those that are meant to be "beneath" him? No mention of his medication???

Just!! Okay. To understand the way shit in the writing could have been better, let me list some ways you could change the episode to be more coherent or cut down on redundancy if my points have so far not landed.

Establish Sallie towards the BEGINNING of the episode and her dynamic with Millie, and show how that compares to her relationship with Moxxie, and show WHY she would call Sally instead of talking with Moxxie first. If you're going to make the episode about family btw, this would be the point where Millie could bring up HER family and how much she values them or something in order to establish that as being important. Also, use this to explore what Millie and Moxxie's feelings on having a baby WOULD be, so that if there's conflict there then you have more understanding of why Millie made the decision she did.

Use the actual environment in the background of the montage to show the passage of time instead of it suddenly being Sinsmas. Have demons setting up holiday decorations, in the stores put up discount signs about a "Sinsmas sale!" This makes the story flow more naturally, as well as adds characterisation and makes Stolas' depression more real as he's shown to be so absorbed in his own world he doesn't even realise it's the holiday until Blitz brings it up.

Octavia's phone and the device she listens to music on is the same (I checked S1E2 to confirm it), which causes a sloppy writing issue. Like. If the episode is meant to show Stella is controlling and it's not Octavia's choice not to get in contact with Stolas, then you need to explain why she hasn't called him despite having access to her phone when Stella isn't around. If it were me, I would have had Stella lock it in a drawer that Octavia picks the lock on so she can listen to her music. THEN you can keep the original scene, OR (this is what I would have done) have her check her phone logs so you can see not only how many times Stolas has called but how much time has passed. Maybe this could also be used as another reason to drive her towards the closet as she hides from Stella and Andrealphus. Maybe this could be used as an interesting metaphor about her desire to leave but she doesn't know what she's going to do once she picks the lock on the door... Like how she could call her Dad now that she has her phone but she doesn't know what she'll do when she does... Something like that.

DON'T have Blitz and Via meet up if they're not going to interact. That entire scene is fucking pointless as is and I hate it. Either dedicate a PROPER amount of time and dialogue into making Blitz want to and try to connect with Via, or have them not talk at all. Cut out the whole thing about Blitz wanting a family with Stolas honestly, it's just not well explored enough.

Again with the sloppy writing, the gang did NOT need to stumble into a room of weapons to have weapons. That's pointless. They're assassins, they've been established to bring a stash of weapons with them to fights before. I can think of something much funnier where Moxxie is surprised by Loona's transformation and there's a joke made about her being a noble steed and Moxxie pulls out a sword only for Millie to be like, "Why did you bring that?" And Moxxie says something about how it's a posh weapon cus that's his thing. OR you could have some badass impromptu weapons the gang makes from the ice or they use Sinsmas decorations scattered around. IDK.

Already made my point about Stolas and the poverty idea. Show him settling in with the others during the celebration and him opening up to the idea that he's no longer rich or well respected. The "you don't have to refer to me as your highness" would work if the text bothered to show his mental state properly, instead of him just looking depressed and like he kind of hates everyone there.

Have Blitz PLEASE react to Stolas' depression. Like. Acknowledge it. And share his feelings about it. AND GIVE STOLAS HIS MEDICATION FFS he clearly has clinical depression!! Blitz is sooo head empty in this episode, PLEASE give him more internal thoughts other than :) I'm holding my head in my hands.

And I'm so tired of writing at this point I'm going to stop it there but I hope that was thorough enough to get across my points. And if not then I guess that speaks to how loopy this episode made me that I can't even articulate myself 100% because dear god.

[isatoru]

if your f/o is oliver aiku and he finds your little anime porn blog it's so over for you