#AND ALSO IF I SAW SOMEONE ELSE DO THAT I'D THINK IT WAS COOL. BE FREE

[toasthaste]

ok here are some In Stars and Time thoughts: (wow! that's a lot of thoughts actually! long post warning! also warning for like every possible spoiler, don't read this if you haven't engaged with the game to your satisfaction)

I'm obsessed with the fact that the loop that ends up being the final one is the one where EVERYTHING goes wrong. I spent the whole game subconsciously building up my Perfect Final Loop in my mind, how I'd get every item to make sure I didn't miss an opportunity to use em, do all the friendquests and such... I didn't even realize I'd been building up that ideal scenario until after credits rolled! Really really cool. The timeline where Siffrin does the worst stuff he does in any loop is the one that stays. And it's still a happy ending! it's a better ending because of that! His friends saw him at his worst and still loved him! He didn't have to do everything perfect to keep them around actually! Something about that feels so right, to me.

I keep using "ludonarrative resonance" to describe this game and yeah ok I'm huffing my own farts here whipping that out but whatever, it's REAL. The player and Siffrin are on the EXACT same emotional journey as each other, we're getting tired of seeing the exact same lines over and over again right alongside them, we're taking shortcuts because we've seen it all before and just want to grab key open door grab crest etc etc make the progress go. We're starting to find these previously-charming characters grating because we've just seem them repeat the SAME lines over and over and over and OVER again until they start feeling like caricatures of themselves who we can barely feel any real compassion for any more.... It's just so.... clean, it's so perfect, to me. It helps that Siffrin is also one of the more relatable characters I've encountered in, like, media. I don't usually relate to fictional characters much, but, man, the emotional constipation, the building scorn, the depression, the Being Weird About Touch... I mentioned in another post that it's really just Siffrin and Murderbot who I've ever found viscerally relatable, of all the characters ever in media. So like, it's a pretty rare position. (I do not relate to the pun-love though. I'm funny I'm good at goofs but bad puns are extremely tedious to me. Which perhaps goes to show how well-realized Siffrin is, given that I'm able to look the other way....)

I think they could have stood to make Loop's Whole Deal a bit more obvious. I had no clue what their fucking deal was at any point. I totally missed the interaction that lets you learn about The Incident and thus get more Loop info at the end, and... it's valid to have different endings in a game of course, but... I felt like I really missed out tbh! And I had no way of knowing I had to keep interacting with the silver coin.... idk. It felt a bit like a gotcha I suppose. And Loop's deal is really cool! Holy hell! I'm doing a quick replay of the game to see more convos with them with this context, and to get the ending with them, and like--!!! There's so much here! Loop tellins Sif to use the royal We, they even tell Siffrin, like-- Loop asks Siffrin why he doesn't just tell his friends about the loops, maybe they can help, why keep it a secret? Meanwhile... Loop!Siffrin is stuck in their own helpless timefuckery world and refusing to let Siffrin know about it! The Siffrin from the Start Again timeline never learned those lessons, they're still trying to help someone else while refusing to ask for help themselves, refusing to even let on that there's a problem! And getting more and more emotionally fucked up about it! Man it's good. I guess it does make a replay more rewarding, not knowing this until the end, the first time, but so much of the game is already a replay that, idk, it does feel weird to replay it. I've already done so many repetitions y'all.... But I guess that's pretty meta, also...

Oh I'm under the impression this is not terribly uncommon but I absolutely did get got by the ?diary? that had the story of the person making a duplicate of themselves so they had someone to talk to. Like I fully thought that was describing the King and Siffrin, I spent a long time under the mistaken impression that Siffrin was a copy of the King in some capacity. Oops.... I might try to gently lead Beloved Roomie away from this interpretation when she plays it. Planning on being pretty hands-off overall but this is one area where I feel it might be justified to violate the prime directive.... But we'll see!

I wish I liked the music more..... This is a game that I think really begs for some real heartwrenching tunes to enhance all of the everything but instead none of it does it for me at all. I think that's a real shame, it's by far my biggest complaint. I'm not asking for Undertale-tier, but, at least something I'd want to put on my playlist for the emotional resonance, y'know?

THEY ACTUALLY KILLED THE KID !!!! LIKE!!!! I guess I have some biases I might should think about but I was not expecting a game that begins with so many explicit pronouns introductions (rather than just giving us context clues) and that has no real cursing to be willing to kill the kid, even impermanently? Let alone so gruesomely? I think I was expecting a much greater level of.... idk, tweeness, fanglessness, than we actually got. In spite of being a fan of insertdisc5's comics for YEARS and years! And like! Damn! Props to them!

God. God. So, like. All the ending fakeouts were fucking great. I genuinely thought the All Friendship Quests ending might be the Real One, I was prepared to be disappointed because it felt too soon and just not.... quite.... right? But I did think that was probably where it was heading! But it wasn't! I got got and it's so heartwrenching and also so satisfying, the mood whiplash from loop to loop is fucking sublime.

And-- AND! The real ending! So like. Some of the stuff I missed was just me not pursuing specific content correctly. But some of it is genuinely just, like, stuff that has no actual purpose besides flavor. Flavor, and.... The locked passphrase door in Dormont. The four-pointed leaf you can get (but not in the final loop!), the bell chime, etc etc. You can't actually really do anything with any of this stuff. But you don't know that! It feels like there's still all these loose ends! And!!! Those loose ends do their job SO WELL! The dev knows Gamer Instincts, knows people are gonna have that mental tally of boxes-yet-to-be-checked. Left some forever unchecked on purpose, which-- At the end, the real end, when Siffrin is about to talk to the Head Housemaiden and find out, for real, if this is the final loop or if it's all going to happen again, again, again. He's scared. He's traumatized! He's thought he Had It so many times! SO many times!!! Hope is terrifying! Hope is a poison! And the game has left these loose threads, and at least for me I really was not sure it was going to work. Like it seemed likely but the same metaknowledge of story structure that made me think it was likely also told me "but wait, there's all these loose threads, and the only way for them to trick us again WOULD BE to make the ending SO elaborate and epilogue-y....." I was nervous right along with Siffrin! I was uncertain! Fucking fantastic work, using my own gamer's instincts against me. Thrilled about it.

All the characters are so well realized. They all have specific relationships with each other, not just with Siffrin (Important!!!!! Huge complaint I had with BG3, they didn't put their whole pussies into this!!!!). And, and, I love how they all have different feelings about the time loops. I love that Mirabelle doesn't want "spoilers," and meanwhile Bonnie doesn't mind them and thinks of their alt-selves as like... them-but-not-them in a very cool way.

There's something about-- the way the game starts as a regular degular videogame and then graaaadually becomes, essentially, a visual novel as the actual gameplay becomes trivialized. Which itself is like, really really cool with the themes! And also, just.... I never would have picked up a straight up visual novel, I just, don't get into them, I'd rather read a book, but! I was already invested! It got its hooks into me when there was gameplay mixing things up and those hooks weren't about to let go just because the gameplay didn't super matter any more!

Straight up when we first see Red I didn't at all process that it was a Color in a game with No Colors, Canonically. They had to spell it out for me. It didn't occur to me to be surprised. I'm just too used to colors existing I guess idk. I think I wish the colors thing had gone somewhere a bit more...? I'm GUESSING it mostly originated as just a cute little explanation for why the game is all grayscale and then fit in with enough stuff to be given elevated importance (?) But it felt... hm. Underdeveloped, maybe. I think I really want more stories in this.... "Setting" and "Universe" and "Series" are not quite the right words but hopefully you get the idea. I want more so there can be one that develops that more. Not that leaving stones unturned is, like, illegal ofc. I just find the idea very compelling....

What is it with time loop stories and themes of loss that cannot be outsmarted. Man. I wondered, for so long, if Siffrin's country was going to be restored in people's minds, if that was one of the main big Plot Things we'd see. And it just didn't! Their memory is going to keep being bad, they're going to keep having all these huge tragic gaps and it's just. What can you do. At some point you have to either be permanently paralyzed by the horrific injustice you've suffered-- or you have to try to live a life. And. Man. I don't think I've actually ever encountered a story that was so much about that exact specific form of loss, the loss of one's culture, history, language! All of it. Gone from everywhere. It made me think of the obvious things and just. Man. What a howling void. The contrast with Odile's deal made it a lot more effective too I think. More of an expanded meditation upon these themes than just one toe dipping in, I guess? Hm.

Odile's battle profile pic when she's at low health is so fucking hot this cartoon character is so hot goddammit.

Game good. You're only reading this if you've already played it, I hope, so I can't use this space to recommend it in a meaningful way but. Heck. Game good.

[skrunksthatwunk]

something to remember him by (sketches + bonus under cut)

<3

bonus:

[justakiro]

WHO THE HELL IS DAVE?

୨୧ — ꒰TWISTED WONDERLAND X READER

୨୧ — ꒰in which the boys who have fell head over heals for you, but you mention another name when having a romantic moment with them. Leading to many misunderstandings

Ft. Ace, malleus, idia

A/N: I most likely was on steroids the whole time I wrote this. Anyways reblogs and likes are appreciated.

THE TWO OF YOU - had just finished classes and planned to bond with each other, for you and him did not have any other plans. Unbeknownst to you, he had already planned this out. He planned to get closer to you using the time and utilize it as an opportunity to ask you out.

Ace

You and ace were chilling inside your dorm, chatting casually and exchanging light jokes with each other. He fidgeted with his hands, patiently waiting just for the right moment to take the hit and ask you out right on the spot.

"You have something in your mind?" you questioned him, the look on his face gave away everything. It was now or never!

"Yeah actually-.. Do..you mind if we could hang out after school? Maybe play some arcade" Ace took a glance at you while he awkwardly rubbed the back of his neck, seeing how you nod your head, he suddenly felt a rush of adrenaline through his veins

"I'd love to Dave"

Well damn.

-Word's couldn't express how his excitement went from 0-100

He thought you were just playing with him till he heard you apologize, saying Dave was a friend you used to hang out with alot.

He brushed it off of course, acting cool and smug at the outside. But in the inside he was basically dying

He didn't want to accept it, but he was beginning to think this Dave person was someone very close to you. So close it made him shudder for it was so unbearable.

You two still went out together after of course.. But the look on his face made it seem like the light had sucked out every single soul in him.

Asked cater to find this Dave person even though there was probably a million of them.

It wasn't long though before his jealousy turned into determination.

Oh so what, this Dave was close to you? Pfft, that was all in the past. HE was gonna be the closest to you now, not him.

Idia

You and idia always hang out with each other after classes but today was different! Since idia himself invited you to his dorm to play games, give each other tips and tricks on the games you both shared a common interest in.

But little did you know this was the final step into finally asking you out! (staying in his dorm more)

See idia wasn't an oblivious person when he started to develop feelings for you.. He was just thinking about how you deserved someone better. But to be honest if he DID see you with someone else he'd immediately feel jealous.

So it was now or never!! He mentally prepared himself for 3 weeks for this moment! Also Ortho was hiding somewhere with a earmic to help Idia steal your heart!

Both of you were just in his room playing games like usual, Your eyes were fixated on the screen though, the only sounds being the keyboard tapping and how focused you are in defeating this boss once and for all.

And when Idia caught a glimpse of the word's 'You Died' pop up, he knew it was go time. Ortho rooted for him... And probably was the only one rooting.

With a final deep breath he tapped your shoulder with his finger that was shaking immensely "I-Uhm, (Name)... Since you're still you know getting wrecked by this boss... W-Wana h-hang out more in my dorm?...." Idia just continued to shrink more and more as he continued to talk, don't blame him though this was his very first time asking anybody out.

With a joyful smile you nodded your head at him "Mm! Sure Dave" you immediately covered your mouth accidentally saying the name of your friend back at earth.

You swear you saw Idias soul start descending to hell with his face flushing in embarrassment while you tried to comfort and apologize to him that it was a mistake.

-Idia you sad sad man...

His mannerisms show how he wanted to dig himself a hole and never return on the surface ever again

3 weeks of mentally preparing himself and he got called another person...

When you left his dorm thinking he needed some time, Idia immediately wailed on the floor using his hoodie to cover himself further

Ortho emerged and comforted him, already trying to track down who this Dave person was.

A tiger is strong but not as strong as Idias mood swings. At first he was depressed over the fact that his crush called him someone else but then got frustrated.

Does this mean Dave frequently plays games with you? Bring him to the ring and Idia will show them how much of a pro gamer he is

He programs a virtual person of Dave inside a game and just spam kills them over and over again to make his frustration subside.

Happy ending though since both of you still played games and you finally defeated the boss.

Malleus

Malleus had always been a gentleman to you the moment his eyes spotted you at the ramshakle, he often showed a softer and sweeter side towards you and nothing like what people imagine him as a cold and mercy less dragon.

He didn't try hiding his feelings either;holding hands, playing with your hair, gifting you things he thought would suit you, all of that kinds of things.

So expect that one day he would abruptly climb your window and ask you if you'd like to be his partner.

Now listen, imagine at 2 in the morning you wake up to the presence of green eyes staring at your soul politely saying to be his partner.

So you took the most reasonable answers, you were either high or still dreaming.

"O-Okay Dave" you accidentally spurted out the name of your closet friend back in your childhood.

Malleus was full on ready to get on one knee until you suddenly said 'Okay Dave?'

Who is this person named Dave? A friend? A significant other? Friends with benefits? Whatever it is Malleus felt something awful inside his stomach

Went to Lilia to ask him for dating advice and told him to 'climb up a window and propose your love to them right away' !

Is this Dave person trying to steal you from him? He doesn't like sharing you know.

You swore a bright flash of thunder strook and hitted a tree nearby making you almost jump outta bed.

You calmed the pissed dragon off though saying it was a mistake, coming up with an excuse that Dave was a made up.

This made Malleus slightly calm down and not strike everything down on his way.

You saved a life of a unfortunate Dave...

But Malleus still got on one knee and proposed to you, but you said you still weren't in the age of marriage yet making Malleus understand your reasoning, he'll just wait patiently for the right moment again.

[eightstarr]

baby — abby anderson.

summary: you're on patrol with abby and you make her squirt for the first time. you don't mean to make a habit out of distracting her, but in your defense, it's hard to focus on anything else when she looks so pretty all serious and focused on keeping you safe! and you are only so strong!

notes: i don't ever really write smut and it for sure shows but anyway here it is! what no one asked for! yet again! also excuse the surprising amount of feelings that are in this considering it's technically supposed to be porn? it wouldn't be me if someone didn't say i love you at least once tho

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・。.・゜���・. ────

"Do you have a danger kink or something?" Abby asks, trying to sound cool, but her breathing's a little too staggered for that. You've got her backed up against a counter in a random kitchen of a lonesome, old house.

You smooth your tongue over her pulse and feel her shudder, your hands sneaking under her loose shirt to cup her waist, fingers squeezing adoringly. "Can't I have some fun with my girl?"

"Yeah, but—" Abby cuts herself off with a moan that's almost embarrassing considering how little you're touching her. "You did this last time, too. It's like you want to get caught."

"Caught by who?" You scoff, lifting your head to look at her, nodding once as a silent way to say up. She abides without thinking, her palms against the counter as she pushes herself up to sit on top of it. You're needy enough that you don't bother teasing, no 'good girl', no 'what would your soldiers think if they saw you be so obedient?'. You slot yourself between her thighs and continue your assault on her neck, fingers brushing over chest. "There's no one here, baby."

Baby is perhaps your biggest tell. You call her baby when she's been away for too long, when you've had a long day and show up at her door unannounced, in the morning when you've woken up from a dream that left you aching that you refuse to share the details of no matter how much she asks. 'Baby' means you're desperate. And 'baby' makes Abby pull you closer, because nothing makes her need you more than you being desperate for her.

She lifts herself up enough to let you pull her cargo pants and boxers off in one motion, and her heart skips a beat as you sink to your knees, guiding her legs over your shoulders. She used to fret about that, fret about a lot of things— but the admittedly ridiculous thought of accidentally squeezing you to death was up there. You'd made the stupid joke, as anyone would, at least I'd die happy. But when that didn't quite work besides earning a roll of her eyes and a slight smirk to her lips, you'd simply gotten back to work on making her cum on your mouth until she had no choice but to close her legs around you. And when she did, the movement mindless and needy, you groaned and left loving fingerprints on her thighs enough to reassure her that you liked it. Loved it. You loved a lot of things that Abby used to be insecure about.

The point is, she shouldn't be shocked to see you get down on your knees. It's not an entirely unfamiliar sight anymore, you've made sure of that. But even on the first time you fucked, with all the eagerness and want and sense of overdue of your affections, Abby doesn't think she saw you quite this ravenous.

It's like you're drunk on it, like you didn't have her in a way not too different from this just a mere two days ago. You eat her like you're fucking starving. Not pulling away to breathe, your nose brushing against her clit just right, moaning every time she bucks her hips or pulls your hair.

When Abby cums, she feels it in her chest. It sinks on top of her, a lovely heaviness, and then drops off of her all together and leaves her weightless. When you don't stop, she breathes out a chuckle that turns into a broken moan and buries her fingers back in your hair, half expecting you to pull away still. But time passes, drags on and speeds away much too fast all at once, and you don't.

She's saying your name, she thinks, or a sound as close to it as her mind will allow her to formulate. Abby knows she's loud by the way her noises are echoing through the empty room, mocking her. Before she can feel embarrassed by it, as if you can read her mind as easily as anything else, you drag your mouth down and fuck into her with your tongue in a way that she didn't know could feel so good before she met you. As quickly as it came, the shame is gone. Her lips part and her sounds grow louder still, spilling out of her carelessly. You want to reward her, you think somewhere in the back of your mind, want her to know how much you love it. It's a privilege to make Abby Anderson a mess, and it always makes you lightheaded with need.

You wrap your mouth around her clit and suck, and Abby lets go of your head for once to grab onto the counter and make a lame attempt to keep herself still, her knuckles white.

The pressure building in her low abdomen is familiar, but then your hand comes to lay flat against the exact spot and something about the weight of it makes the feeling twist into something different.

Abby gasps quick breaths, her eyebrows furrowed in vague confusion and enough pleasure to drown it out and soothe the meaningless pain of bumping her head back against the wall.

"I'm gonna cum," she warns, barely legible. And it's fine, she thinks, it's just like every other time. But then she feels it start to unravel, finally, and it's the same but also not at all. "Fuck, wait, I think— fuck!" she's panting, shaking and forcing her gaze to refocus just to watch the way your eyes fall closed, the way your eyebrows furrow. You moan against her and the sound is loud even while suffocated, even though you've somehow managed to push your face closer to her, press your tongue deeper. Abby feels it gush out of her and it's nothing like anything she's felt before, so good and so much and she doesn't want it to ever end, even as she blabbers, "Oh my God. Oh my fucking God, I'm sorry. I'm sorry."

You don't seem to hear her, hungrier than she's ever seen you— you look fucking possessed. You pull back and the sight of you is dizzying, embarrassing, and it's the only thing Abby wants to look at for the rest of her life. Your lips are glistening, yes, but so is your chin, your cheeks, her cum dripping down your neck. Your eyes are dark, more pupils than anything else, and they swallow her whole. You haven't pulled back too far, your breath still hot against her, but it's enough that you can replace your mouth with your fingers and rub on her clit. What's left in her comes out in soft spurtz, dripping onto the floor, and you couldn't tear your eyes away if you tried.

But Abby doesn't know that, doesn't know what you're thinking at all. You're surprised, but is it in a bad way? It must be. Are you disgusted? You're so covered in her that it feels like you'll never be able to wash it off, and Abby can't read your mind like you do hers, so she doesn't know that the thought thrills you, that your heart is fucking pounding in your chest, that your underwear is utterly and completely fucking ruined. You lick your lips and swipe your chin with the back of your hand, absentminded. Abby's thinking, begging, say something.

"Holy fuck," is all you can manage, a quiet mutter, breathless. Your fingers haven't stopped rubbing, but a whine and an especially forceful quiver of her legs makes you blink and you stop like you've just come out of a trance, your hand moving instantly to soothe up and down her thigh.

"I'm sorry," Abby repeats, and then you look at her face like you've just remembered it's there.

Look up at her like she's fucking crazy, like she's grown a second head, mumbling, "What?"

"I didn't— I tried to warn you," she says, even though she doesn't know that she could've. It felt so foreign, she wouldn't have known how to explain it, really.

You lower her trembling thighs from your shoulders carefully, not before pressing a kiss against each one, and then you stand up. Abby wonders if this is where you'll tell her you didn't like that, where you'll help her put her clothes back on and then you'll promise each other to never speak of it again. Instead, your eyes grow impossibly gentle, impossibly loving, and you tuck yourself closer between her legs. The hem of your jeans brushes against her core and she gasps, but doesn't move away. "Baby," you call softly, pecking her lips. "Has this never happened to you before?"

Abby feels a little like she's suffocating, the breeze coming in through the window you'd opened when you first came in not enough to soothe her anymore. But you brush your knuckles over the faint scar on her cheekbone and her shoulders grow limp, her body relaxing except for where she's shaking— fuck, she is still fucking shaking. She remembers your question and shakes her head.

You don't show her how embarrassingly proud that makes you, that you made that happen before anyone else did, because it's not the time. You tuck the feeling in your pocket for later and hum, barely resisting the urge to kiss her, to get back on your knees until they're bruised and make her cum in whatever form she'll give you all over again. "Did it feel good?" You ask, not mocking, but curious.

If she wasn't so embarrassed, Abby would've laughed. It is very possible, and the thought does nothing to ease her shame, that nothing has ever felt so good. But admitting that feels like too much, so instead she whispers, "Yeah."

You smile, happy, genuinely relieved. "Then what are you saying sorry for?" You ask, kissing her again before you can help it. "That's my fucking job. I want you to feel good."

The words alleviate like water to a small fire, and Abby feels silly for having forgotten that it's you who she's with. She's had the thought before, but it suddenly becomes more present than ever, practically breathing down her neck— that she wants to keep you forever. Keep is maybe a bad word for it. She wants to be around you forever, for as long as you'll let her, wants to move into your shitty apartment and make you breakfast and sleep every night in your cropped shirts that fit slightly too tight and make her look ridiculous. She ought to say she loves you more often, she thinks. You say it nearly every time you see her now, like the words have been bubbling inside you for too long and now they can't be kept away. It's a fairly fresh relationship, but the feelings are ancient for both of you, and it shows.

"I love you," Abby sighs, and presses her lips against yours before you can say it back. It's sloppy, she's barely starting to come down from her high, but you don't complain. You kiss her with vigor, like you're trying to spell it out with your tongue, I love you. When you pull apart, her eyes fall from your eyes to your chest and she winces, eyes squeezing shut as her forehead falls on your shoulder.

"What?" You ask, a hand coming to cradle the back of her head immediately, without thought.

"Your shirt," she mumbles against you. You glance down and let out a soft oh. The white fabric of your tank top is soaked, mostly near the neckline, sticking to your skin. You hadn't noticed. Abby lifts her head to look at you, freckled face flushed red, so pretty that you forget about the mess she made of you all over again. "You have to change. We can't go back with you looking like that," she says— or begs, more like.

"I didn't bring anything else with me," you tell her, humming appreciatively as you look back down at your chest, grinning. "Besides, this is my favorite shirt now."

Abby groans, the kind of whiney, timid sound that you could've never imagined her making before you become her girlfriend. The kind of sound that makes you weak in the fucking knees, needy and cotton-mouthed. "It's not funny," she hides her face in her hands and huffs, "'S embarrassing."

You're chuckling, but biting into your lip to stifle it when she lowers her head further down, chin against her chest. With careful touch, you wrap your fingers around her wrists and guide her hands away from her face, leaning in to kiss her cheek. Her skin is hot beneath your lips, and you hum at the feeling of it. She's usually so cold, your Abby, freezing fingers sneaking under your shirt at night and making you shudder. It's a pleasure to make her warm, an honor to see her shy. You love her so much it tugs at you, a constant reminder.

"You're a dream, Abby. Fucking perfect," you say, as clearly as you can while dragging your lips down her neck. She's the hottest thing you've ever laid eyes on, so beautiful that sometimes you can't sleep, too excited that she's there next to you to ever close your eyes. And you need her to know, but you're not really one with words, so all that comes out is, "Nearly made me cum in my fucking pants, you know that?"

Abby moans. Her breath gets caught in her throat as you suck marks into her neck and she finds that she couldn't care less right now, about the evidence that'll be left on her skin or your stupid wet shirt. She guides your face up with a hand on the back of your neck, and kisses her flavor off your lips until she can't anymore, until her lungs burn and her lips tingle. Your voice echoes in her head. Nearly made me cum in my fucking pants. Nearly, she thinks. That doesn't sound very fair.

Thick fingers make quick work of your zipper, trailing over your lower tummy and sneaking under your underwear. She's a little fast, but you've never minded. Sometimes she'll notice and force herself to slow down, to savor, but most of the time her mind doesn't let her catch up to it. Like now. She can't worry about looking clumsy or overly-enthusiastic, because she just needs to feel you. Because she wants to check that you weren't lying, that she could've made you cum without ever touching you— and it's there, the overwhelming fucking truth of it soaking her hand. You gasp at the contact, and Abby's thighs squeeze you in place, as if you'd ever leave. "Jesus Christ," she pants. She finds herself saying it a lot lately. Jesus Christ. Oh my fucking God. Calling upon figures she doesn't believe in, delusional enough to think for a second that they'll bring some kind of comfort, release her of her sins.

You're so wet that it doesn't take more than a minute for her confidence to slowly grow back, so wet that it doesn't take more than two to make you cum. It's the fastest she's ever seen you fall apart, and it wouldn't be Abby if her immediate thought (right after that was so fucking hot) wasn't bet I can make it quicker. Her ego fizzles in her chest, warm and euphoric. Abby thinks she doesn't remember the last time she felt as proud about something as she does every time she makes you feel good. Isaac's occasional pat on her shoulder and mutter of 'good job' is laughable in comparison, as is the high of working herself till she's covered head to toe in sweat at the gym, as is everything else.

It might be the honeymoon phase the movies talk about. You slowly catch your breath and raise your head from her shoulder to look at her with the same adoration as you did when she kissed you for the first time, and Abby has a hard time believing that the feeling will ever go away. Movies get a lot of things wrong, anyway.

She's walking slower than usual on your way back home, her steps sluggish, and you're sweet enough to only make fun of her for it a little bit. One comment here and there, earning a scoff when you lean closer and offer to carry her bride style, a badly stifled laugh when you hum thoughtfully and wonder out loud about what Owen must be doing right now.

Her fingers are interlaced with yours and normally she would've let go by now, a little sheepish to show that much vulnerability in front of the people who are supposed to respect her, but the thought doesn't even cross her mind. You crack another stupid joke and she giggles like she did when she was a kid, silly and sweet, tugging your hand to her lips to kiss the back of it.

Manny looks you up and down as soon as you cross the gates, dark eyebrows raised. "The fuck happened to you?" He asks. You look at him with a confused frown and wait for him to clarify, "You're wet."

Abby's stiff as a board where she stands next to you, her quick blinking the only evidence that she hasn't actually been frozen in place by some kind of magic spell.

You're much more casual. "It's fucking hot. I poured some water on myself to cool off."

Manny hums. He's seen you do it before, maybe that's why he doesn't question it. He does note, though, the suspicious way in which Abby walks silently and swiftly past him with her eyes pointedly on the floor. Her hand is tight around yours still, and you follow because— well, of course you do.

[sharkylass]

ALRIGHT IN STARS AND TIME FANDOM, I'M BOUT TO HIT YOU WITH MY TAKE ON THE BELOVED SISTER!!

Those who don't want to get spoiled about little details about Bonnie's sister (or the game at all for that matter- There's spoilers for Act 3 and 4 in here so YOU'VE BEEN WARNED)

SAY HELLO TO PETRONILLE!! Or how I am going to call her, Nil. I've seen a few people do their take on her, and I wanted to join in!

@insertdisc5 I am sorry in advance if you have a vision for her, especially if it is WILDLY different to mine-

KEEP IN MIND, I AM GOING TO BE RANTING A LOT, IVE HAD THIS IN THE MAKING FOR A WHILE, THERE'S MORE ART, SO SKIP AHEAD IF YOU'D LIKE

First thing's first! I tried to figure out what she would look like in the original style. I didn't want to overly detail her with my normal style, and I wanted her to somewhat fit in with the rest. Bonnie was clearly the strongest inspiration , she has their eyes, the black hair, white thing around their head to bring attention to her face- That's also why she has lip piercings! To bring more attention to her face (and due to Bonnie's earring type, I assumed piercings can exist in the world)

Her ear has 3 earrings, that was not intentional, I just thought it was cool. I like to think they perceive those as "regular" earrings, and even if a person wears bonding earrings, they can also wear more normal earrings.

I just had the image of her not really having a short range weapon, so maybe it's time for someone with a semi-long range weapon to join the team! In my head Nil seemed to be the type to like getting dirty with her hands, so a rope seemed fitting somehow.

Also- She is paper type! I liked the idea of her looking like such a rock type, but being paper. I considered making her dual type, but since those are rare, I didn't want to get ahead of myself. Admittedly, that does make the party a little overloaded with paper types, so if she was to be in a game with balancing, I'd probably change her to rock or something. BUT AS A CHARACTER THING- she remains paper.

(EDIT: I was just reminded of the huge hammer she broke a wall with, so that is ABSOLUTELY a valid replacement weapon for her. If she was rock type that would be her weapon for sure. Altho it IS funny to imagine she broke the wall and swore off heavy weapons for life. I like to think thats what happened with my take on Nil)

Mechanically I think she wouldn't be too dissimular to Isabeau, but instead of boosting the party, she debuffs the enemy. Particularly slowing them down, and lowing defense. Alternatively, I can see her being a second healer of sorts, but while Mira is good at healing everyone, Nil is good at healing a single person and giving them a boost (just things she learned to take care of Bon). I do see her attack not being that high tho, probably lower then Mira.

ALRIGHT, TIME FOR MORE ART

Her dynamics with everyone:

Bonnie:

I like to think Bonnie got their spunky attitude from somewhere. So I like to think Nil is very playful with them, even if she is looking out for them. Bonnie clearly knows the difference between lighthearted serious, and SERIOUS serious. They also seem to revel in compliments, so I like to imagine they are used to receiving them from their sister!

Nil is the most serious around Bonnie tho. As their sole caretaker, she's trying her best to keep them out of trouble while teaching them and letting them grow at a normal pace.

However, when she's with the adults- I described it like- Around Bonnie she can be serious and a voice of reason. When she's with adults tho she herself becomes the Bonnie, so to speak. She's loud and a bit hot-headed.

Mirabelle:

I swear I saw Insertdisc mention that Mira and Nil would have a bit of a rivalry going on AND I'M SO HERE FOR IT-

The two of them are those siblings that fight constantly, but the moment someone else gives either of them shit, the other will go for the jugular. They mainly try to compete for Bon's affection and who's the better sister, and they get a bit... blindsighted. Nil usually doesn't go out of her way to spoil Bonnie I don't think, I think she tries to be reasonable with them where she can. However with Mira in the picture it becomes- a little hard... Nil doesn't like the thought that she's being replaced

However, if either of them needs it, the other will be there. Nil provides Mira with a strong shoulder to lean on, and Mira provides an emotional yet reasonable approach to the situation bothering Nil.

Odile:

I like to think at first Nil didn't really get along with Odile. Supposedly Nil has a bad relationship with her parents, so I imagine her seeing someone who's a parent aged adult who holds seemingly more authority- It would... Unnerve her for a little while.

Odile will probably give her something to do, and Nil would refuse, because who is Odile to be ordering her around?? You know. Like a child. But with time they get used to the dynamic, Nil grows to respect Odile at the very least, and Odile picks up on the fact Nil seems to respond positively to positive reinforcement from her.

Having someone close, to break that pre build idea in Nil's head with positivity, despite Odile being strict and struggling to show affection- It would do her a lot of good, and Nil will eventually thank her, and apologize for being so rough to her in the beginning.

Isabeau:

Isa and Nil are actually very similar- I did not mean for it, but I hope they don't end up being TOO similar.

They are both loud, love to laugh and take care of those they love. Even their hobbies are a bit more similar then everyone else. Nil likes gardening, and taking care of things, and Isa likes to create clothes. Both of them are in a way creating something. Nil making sure what she's taking care of grows to be big and strong, and Isa is more literal-

Where they differ is in smarts partly. Isa is clearly very book smart. I think Nil would turn to him if she had a general question about something (and later on Odile once she gets used to her). She completely encourages him to show more of what he knows.

They also differ in their buffness slightly. While Isa is still the beefiest on the team, he did it with the intention, he trained. Meanwhile I think Nil just likes the field work so she's constantly outside doing heavy dirty work.

I like to think that after being unfrozen, Nil's clothes were roughed up and she didn't really think to or have the time to fix it. So I imagine Isa saw the roughed up state of her pants and gloves, and made her some himself, Which she treasures but GOD she is not used to receiving anything from anyone, LET ALONE gifts.

They also similarly hide their insecurities under bavado. Isa hides his smarts to be liked, and Nil hides her fears so she can be brave. I'll go more into detail when I get to Nil's own section. (I SWEAR I didn't mean for Isa's section to be so long I PROMISE-)

Siffrin:

These two don't do a lot of talking I'd imagine. While Nil is used to being loud, I think she'd get used to the silence around Sif and simply enjoy the quiet.

A lot of the ideas I had with those two were very touch focused. I assume Nil struggles with touch because of potential childhood related traumas, and not being warned sends her into a fight or flight. While Sif is deeply unused to it but craves it.

I still imagine Nil isn't an inherently NOT touchy person- I mean. Bon's the touchiest little guy out there. So maybe she knows how to warn people of when she's about to touch them, AND she is more used to asking for hugs and affection. So after she learns that Sif struggles asking and being startled, she became the person that would encourage them and tell them how to do it. In every single drawing where they're touching just know that either she warned them or they asked for that touch.

Also Nil is a very grounding reminder for Sif that he's not in the loops anymore. So if they get a particular scare, like they were woken up wrong, they had a rough sleep, smelled a banana, remembered the king- anything involving going back- Nil serves as a reminder that they're here, with everyone, in the present. No going back. So that, combined with their touch therapy, it results in him being particularly physically clingy with her. She squeezes their hand ocassionally. It's a grounding reminder.

Nil is also UNBELIEVABLY THANKFUL for Sif, once she learns about how they lost their eye. The fact Sif went out of their way to protect HER little sibling- It means the world to her, and she wouldn't wish it on Sif one bit. She probably holds guilt that she couldn't take the hit for both of them, Bonnie is her responsibility! They probably end up having a conversation similar to Sif telling Mira "Do you think she was wrong? To save you?" She doesn't know about the end of act 3

AAAAAND NIL HERSELF!

A lot of this is already information I mentioned. Her being a paper type, her liking bugs, being traumatized, startled by touch- But I drew these beforehand, so!

I imagine Nil ran away young, cause Bonnie doesn't remember her running from their parents. What happened in there, I do not know and I don't think I'm capable of imagining. It might not even be as dramatic as I illustrated it. But either way, she grew up being the sole caretaker of Bonnie. I'm sure Vaugardians were kind and that they didn't have to struggle too hard for food or a place, or to get Bonnie into a school- But Nil still wanted to learn how to be self sufficient, how to provide in case something happens. It might be why they live in Bambouche honestly, Nil learned how to grow plants and being close to the sea is good for catching a lot of fish! ...It was also at the edge of Vaugarde. Probably the edges where the King's curse reached slower.

She likes getting her hands dirty and working outside, so I imagine she's a bit sunburnt! If only on her shoulders and cheeks.

Growing up alone, self sufficient- She probably had to grow a bit fast (even if she indulges in childish things with Bonbon). She quickly started repressing all fears, all questions of her decision to run away. I imagine she's actually insecure in her abilities, how Bon deserves more capable people in their life, how she doesn't really know anything and how she literally got frozen and Bonnie had to fend for themselves- After Bon comes back, she's so filled with admiration and adoration for her little sibling. They really went to the ends of the earth and saved the world. What a brave little sibling she has.

The new family kind of... Feels like a threat to her title as sister at the start. All 5 of them saved a country. The people Bonnie met are strong, knowledgeable, been all over the world- She's glad they protect Bonnie. She just wishes she had something to offer. It takes her a little while to realize they are also there for her too.

I was ranting to a friend, and I am pretty sure we know Nil would like to travel after everything. Being able to explore her more child like fantasies, with the safety blanket that is the family- It means a lot to her. She gets to truly indulge in living and letting loose and depending on people for the first time in her life.

Afterwards tho... I like to imagine she would settle down. It takes a while, but she likes having a place to call her own. And so we talked about how she would probably have a ranch of some sort. I like to imagine she'd love having horses. A way for her to remain free spirited, while taking care of creatures and having the security of a place to rest at the end of the day. And if she chooses, she can go wherever she wants with those bad boys!

My friend mentioned they might have goats or sheep or chicken, and I'm all aboard for that too. I'm not settled on the idea of a farm life for her, but I like it.

Also if I dare pull a Dreaming One for a second- Bonnie and Sif are like little siblings to her, Mira is like a twin (or relatively same aged), Isa is like an older brother, and Odile the everlasting grandma.

ALRIGHT THAT TOOK A WHILE-

Sorry, I started drawing her for fun and just started BRAINROTTING about her out of nowhere.

I still have little doodle ideas but this was already getting so lengthy so I am going to leave it here, and maybe return another day.

I just deeply wanted to establish Nil as her own character who can fit within the group's dynamic and belong in the family. While she very much IS Bonnie's sister and that's such a big part of her, I wanted to expand her a little further.

If you took the time to read, THANK YOU. I HOPE YOU LIKE HER, AND THAT YOU HAVE A WONDERFUL REST OF YOUR DAY

P.S. IF YOU DRAW OR WRITE WITH HER I BEG YOU TO TAG ME

[thegettingbyp2]

I'd love if you could do a smut of five. Any plot, really. Just preferably w a bratty y/n and a five w a breeding k!nk

I really like your work w him!

You Know Who's In Charge

A/N: I'd just like to remind everyone that Five is aged UP in this. I also had so much fun writing it!

You were usually Five’s good girl. But you weren’t one to miss an opportunity to toy with him a little; and the party thrown at the Sparrow/Umbrella Academy after containing the Kugelblitz seemed to be the perfect time for it.

You were usually Five’s good girl. So, he couldn’t, for the life of him, figure out why you were flirting and dancing with Diego. He stood in the corner of the room, his jaw clenched and his fingers wrapped tightly around the tumbler of whiskey he was currently nursing, watching as Diego wrapped his arms around your waist, pulling you into him as you laughed lightly, your arms coming to wrap around his neck.

‘I know what you’re doing, you know?’ Diego whispered in your ear, a smirk both in his voice and on his lips.

Pulling back slightly, you grinned up at him before leaning back in. ‘I thought it was time for a bit of fun,’ you replied. You could feel Five’s eyes on you and it took everything you had not to turn around and meet his gaze. Five would hate you flirting or dancing with anyone who wasn’t him but, with Diego, it seemed to rile him up more and it wasn’t long before you were proven right.

‘Well, how about we really seal the deal,’ Diego said, taking any opportunity to mess with his usually uptight brother. He angled his body slightly, shooting Five a look over your shoulder before dropping his head to place a kiss on your cheek, the angle making it look a lot more intimate than it really was and that was Five’s last straw.

Putting his drink down and trying to keep his cool, Five made his way quickly over to the two of you, pulling Diego away from you and wrapping his arm around your waist, pulling you into him until your back was flush with his chest and you felt your heart skip when you were engulfed in his comforting scent. ‘I think it’s time you went and danced with someone else,’ he said, tightening his grip on you as he addressed Diego.

His words only made Diego’s grin widen as he reached out, maintaining eye contact with Five, to take your hand. ‘Oh, I don’t think we were quite finished, were we?’ he asked, making you bite your lip to hold in your giggle.

‘We were having a really good time, Five,’ you said, turning your head to look at him, clenching your thighs together slightly when you saw the look in his eye.

‘Okay, screw this,’ he said, roughly yank you back into him, tearing your hand out of Diego’s. All of a sudden, you found yourself surrounded by a bright blue flash before you felt your back pressed against a hard wall. It took a couple of seconds for you to realise that Five had blinked you back to your shared hotel room. ‘You think you’re so clever, don’t you?’ Five asked, his voice dangerously calm as he looked at you, his hands either side of your head, caging you in.

‘I don’t know what you’re talking about,’ you replied, fighting to keep the grin off of your face. ‘I was just dancing with Diego, it’s not my fault you got jealous.’

‘You think I’m jealous? Of Diego,’ Five said in a sneer, stepping impossibly closer to you, one of his hands moving from the wall to slide around the back of your head, his fingers tangling in your hair and pulling your head back until it gently hit wall. ‘I think you’ve decided that tonight would be a good night to act like a brat and try to rile me up. It’s not working,’ he said, whispering the last part in your ear before tugging gently on your ear with his teeth, causing a moan to slip from your lips.

‘Oh yeah? Because I think it’s working just fine,’ you replied, raising your eyebrow teasingly at him. ‘In fact, I think I’ll just go back down and finish that dance with Diego, give you a bit of time to cool off.’ You made to duck underneath his arm, only for Five to tighten his grip slightly in your hair, pulling you back up as his other arm came down to wrap around your waist, pulling you into him until you felt the outline of his cock pressing against your thigh.

‘You really want to do downstairs and dance with Diego, when you know that he wouldn’t be able to make you feel a fraction of the way I can make you feel?’ he said, grinding into you softly, making your eyes flutter closed at the feeling. ‘Answer me, (Y/N),’ he said, his hand moving from your hair to pinch your cheeks, forcing your head up to look at him.

‘No,’ you moaned as your hips started moving against him, only for him to clamp his fingers on your hip, halting your actions.

‘Are you sure? Because I can just leave and let you and Diego have some fun,’ he grinned, enjoying the way you were squirming in front of him before he’d even done anything.

‘No, Five, please,’ you begged desperately, bringing your hands up to cup his cheeks. ‘I want to stay here with you, I want you.’

‘Yeah,’ Five said, smugness filling his face and voice as he looked at the writhing mess you were quickly becoming in front of him. ‘You know who you belong to, you know who’s in charge, don’t you?’ His words had shivers running down your spine as he leaned in to press his lips to yours, slipping in his tongue the second your lips parted.

‘Yes,’ you panted into the kiss as his hand moved down to your thigh, slipping underneath your dress.

‘Say it,’ he murmured into the kiss. ‘Say it, or I stop.’

‘I belong to you. I’m yours,’ you replied instantly, thinking of nothing worse than having him stop in that moment.

The familiar blue light surrounded you both again and you found yourself being pressed into the mattress, Five’s lips and teeth marking up your neck and shoulder as he shoved the skirt of your dress up to your waist. His hand slipped between your thighs, groaning when he felt how wet you were through your panties. ‘Good girl,’ he praised, lifting your leg to rest on his shoulder and pressing a kiss to your inner thigh as he settled between your legs. The moment he pulled your panties to the side and kissed your clit gently, your legs closed automatically, only to be stopped by Five’s hands gripping your thighs and pulling them apart, spreading them wide as he dove in.

Five licked and sucked at your pussy until you were a trembling mess on the bed, your hand sliding into his hair, keeping his lips pressed to you. ‘Five,’ you whined, your head thrashing on the pillows as you tried to hold back your orgasm, wanting to wait until Five was inside you. As if sensing what you were doing, Five’s eyes lifted to meet yours, mischief glinting in them as he slid two fingers inside you, crooking his fingers upwards just as he nibbled gently on your clit, throwing you into your first orgasm of the night. He kept licking you until your whines changed from pleasure to protest and kissed his way back up your body, groaning happily when he saw you’d pulled your dress off of your body completely.

Ducking his head, he wrapped his lips around one of your nipples, sucking softly, making your back arch up off of the bed. You were half tempted to let him have his fun with your body but your need for him quickly outweighed everything else. ‘Five, I need you,’ you begged, pulling his face up to yours and pressing your lips together.

Five blindly reached down for his belt, removing it and pushing his trousers down far enough to reveal his cock springing up. Nudging your thighs apart once again, he teased the tip of his cock through your pussy, tapping your clit and grinning when he felt your legs clench around him. ‘Look at you,’ he cooed, breaking the kiss and tucking a strand of hair behind your ear. ‘Already this much of a mess after only one orgasm, Diego wouldn’t even know what to do with this body, would he?’

‘No,’ you said breathily, tilting your hips up to try and catch the tip of his cock at your entrance but failing when he tapped your clit again, making you cry out.

‘If Diego thinks that it’d be so easy for him to pull you away from me, maybe I should make sure he knows who you belong to, hmm?’

‘I think you’ve already done that,’ you replied, grinning up at him as you referenced the hickeys he’d scattered along your neck, making sure that some of them would be near impossible to cover up.

‘I had something a little more permanent in mind,’ he said, kissing you softly, a kiss that took your breath away and brought tears to your eyes with how much love you felt in it.

‘What were you thinking?’

‘A baby,’ he said, making your whole-body freeze as you moved your head to look at him. He was looking at you with nothing but love in his eyes and that was how you knew he was being deadly serious. You’d spoken about having kids before, you both wanted them, but the apocalypse had always gotten in the way. Now, thinking about it, seemed like the perfect timing. ‘You don’t have to say yes, I was just,’ he started when you hadn’t replied after a moment.

‘Yes,’ you said, cutting him off and smiling softly at him. ‘I want to have a baby, I want to have your baby.’

You watched his whole body soften at your words before kissing you gently, wrapping his hand around your thigh and bringing it around your waist. ‘I love you,’ he whispered against your lips as he lined his cock at your entrance.

‘I love you too.’

He pushed into you softly, gasps and quiet moans spilling from both of your lips as he pushed in until his hips met yours. The two of you shared a moment of just looking into each others eyes, excited at the prospect of having a baby together before Five began to move.

‘You’re going to look so beautiful filled with my baby,’ he said, burying his head in your neck as he rutted into you, your arms coming around him, keeping him as close as possible. ‘Everyone’s gonna know you’re mine,’ he groaned into your neck, his hips speeding up against yours. He didn’t want to admit it but the idea of him getting you pregnant turned him on way more than it probably should and, paired with the jealousy that coursed through his veins when he saw you dancing with Diego earlier, he knew he wasn’t going to stop until you were pregnant.

‘Please,’ you gasped as his cock repeatedly brushed against that spot inside of you that made you see stars.

‘That feel good, baby?’ he asked, already knowing the answer as he grinned wickedly down at you, you only nodding in response, unable to speak between your moans. Your hips were moving up against him and he knew that you were getting close. Sliding his hand down your body, tweaking one of your nipples as he went, he settled his thumb over your clit, rubbing tight circles as his pace grew more erratic. ‘Tell me again,’ he begged, pulling his head out of your neck and looking at you, pressing his forehead against yours. ‘Tell me you’re mine.’

‘I’ve always been yours,’ you managed to get out between moans, your hands tightening in his hair, grounding you to him as your orgasm swept over you, the feeling of your walls tightening around him throwing him into his own orgasm, his hips pressing tightly to yours as you both moaned at the feeling of him filling you up.

You both lay there for a while, Five still inside you as you caught your breaths, his whole body weight resting on top of you in a comforting manner. ‘Was this all because you got jealous of me dancing with Diego?’ you teased, running your thumb along his cheek softly.

‘No,’ he chuckled as he looked at you, a lazy smile playing on his lips. ‘But it definitely feels good that the next time you see him you’re going to be full of me.’

You couldn’t stop your gasp at his words, your walls clenching around him again as he softly began to thrust his hips against you again.

‘What are you doing?’ you asked, overstimulated pants escaping your lips.

‘You didn’t think that was it, did you?’ he asked, tilting his head at you and giving you a semi-patronising smile. ‘You’re not leaving this bed until you’re carrying my baby.’

[webslingingslasher]

spiderman saves cherry one time (but not even from smth serious) and suddenly she falls in love and tells peter ab her new obsession w him that she didn’t understand before and he’s literally cheering on the inside at how she’s closer to falling for him without realising

happy sunday!

--

'you know how you're always trying to get me to like spider-man?'

'yes.'

you hold the back of your hand to your forehead and dramatically swoon, your back lands on peter's bed. 'i've been swayed.' peter's got a strong feeling it's because you ran into spider-man today but he has to pretend he doesn't know that yet.

'did you have another dirty dream?' you gasp at the question, peter rushes out he was just joking. 'you're not funny, fyi.'

'you're cute when you have a crush.' you kick your feet on his bed, peter's being extra annoying. 'i don't have a crush! i was going to tell you i saw him today but nope, nevermind.'

peter knows how to work around your attitude. it's a special trick he's learned. 'you met spider-man? that's so cool, where were you?' you grin at him and start speed talking, peter loves being right.

'the bookstore! well, outside the bookstore. when i was leaving i was reading the back of a book and i walked right into him! i dropped my book and he caught me and when i looked up, bam, spider-man. he grabbed my book for me and asked if i was okay, like i didn't run into him!'

you replay the moment, you swoon again. 'ugh, petey, he was tall and so broad! it felt like i ran into a wall, but he was also like... i could've given him a hug and he wouldn't mind.' you lift your head up to look at peter, it's a similar feeling with him.

'i think he's kind of like you. cause you're mr. strong guy but you're the perfect amount of soft for cuddles. basically, i think i'm gonna marry spider-man.'

peter has to act like he's jealous, he doesn't mind. you like spider-man now and nothing else beyond that matters. if anything, this is a bonus for him.

'please tell me you didn't get his number, i can't compete with a superhero.'

'no!' you think about it for a second, you're not spider-man's number one fan but you see clips and articles online all the time. 'i don't think spider-man dates, i've never seen him out on one. but also, i don't think he can eat dinner with his mask on... wait, do you think he dates outside the mask and has to pretend he isn't spider-man?'

peter blinks two times, 'i don't know, i've never thought about it.' he's very flat with his reply. you huff, he's no fun. 'if you were spider-man, do you think i would know?'

'um, well, if you don't know i'm spider-man, then no, i don't think you would know.' you nod, he makes a good point. 'fair.' you keep thinking about it, you'd be thrown for such a loop if that happened to you.

'that's crazy. imagine dating someone for months or years and he tells you he's spider-man, i think i'd freak out. i wonder if anyone in his life knows who he is. wait, do you think there are people just walking around the city that know spider-man's true identity?'

peter didn't prepare himself for hypotheticals, he's wondering why he wanted you to like his alter ego so much. when you didn't care, you didn't ask questions.

'what do you think he looks like? i think he looks like you, he's probably cute. do you think he's our age? damn it, i should've asked him all of this when i had him in front of me.' you sigh again, searching for your phone you youtube his name and start watching compilations of fights caught on film.

'god, he could throw me around like nothing.'

peter grumbles out the corner of his mouth, 'i could throw you around like nothing.' you happily hum, the idea is enticing. 'could you wear the suit while you do it? wait, you better not, i wouldn't be able to stop myself from... things.'

you stare at the screen, you start to have flashes of imagery and you bite down on your bottom lip. 'oh god, i'm feeling a hyperfixation coming on.' spider-man is hot, his strength, his power, how fucking kind he is.

you sit up to look at peter, 'wanna makeout?' peter wants to know how he went from mentally begging you to like spider-man, to actually being jealous of how you fawn over him. 'i'm not a placeholder for your fantasies.'

'i never said you were. come kiss me... and maybe get between my thighs and make me feel good.' spider-man is attractive because of the mystery, peter's hot because, fuck, just look at him. peter's giving you a look that's testing, he's baiting you for more information. 'don't make me beg, it's not cute.'

'no, you just wanna kiss me because you're hot and bothered over spider-man.' it shouldn't bother him, but it does. 'i don't want spider-man's fingers in me, i want yours.'

'only because you can't have him.' you groan, he's dragging it out more than he needs. 'maybe i do, maybe he's not scared to touch me.' peter's quiet, you immediately fill in the silence. 'wait, that's me being bratty. i'm not trying to force you into sex.'

peter smiles, 'you can't force the willing, cherry.'

you pat the empty space between your legs, 'then will you come fill me up? please?' peter doesn't need to be asked a third time, you're instantly settled the second he's caging you under him and pressing his lips on yours.

peter's fingers drag up your thigh, you sigh into his mouth. 'mhm, spider-man.' peter's done, he pulls off you and you're whining and trying to keep him over you. 'no! i was kidding, i swear i was just kidding!'

'too late. you're cut off, think about your actions.'

'fine. but you know who would've found that funny?' peter raises his eyebrows, he knows what's about to come. 'say his name one more time and see what i do.'

'will you punish me and show me who i really belong to?'

and... oh, that has peter bricked up.

why didn't he think about that? he would have proved how much better he is, he could've kissed you breathless until you're babbling and only whimpering his name. and the way you're looking at him tells him this was more of a ruse than anything.

peter's never dated a brat, he's still learning your quirks. you blink pretty, you have a way of acting like an innocent virgin after saying something dirty, it's an unspoken card you always pull out when convenient.

peter grips the skin above your knees and pulls you into him, your hips slam into his. 'think you can be quiet this time?' you shake your head, peter grins at your messy hair. 'no?'

peter leans down, his lips brush yours. he whispers against your mouth, a hint of a kiss. 'didn't think so.'

and peter makes you say his name so many times, spider-man's is a distant memory. 

[nickfurysrighteye]

Practise?

chase davenport x reader

summary: the school's gonna do a play and it's gonna be Romeo and Juliet. Chase was supposed to help with the behind the scenes but instead he gets to play Romeo, and you, Juliet, offer him some help with his lines..

cw: sfw, kissing, that's it i think

a/n: this is my first time writing for this fandom and also my first time making my writing public so please be kind :') ...i haven't written any type of fanfic in a veeeery long time. this is just for fun!!!

"Seriously?! I can't believe it!"

Janelle yells storming into the gym. Everybody stops what they're doing to look at her puzzled. This year Mission Creek High decided to organize a play and upon a great request it was decided to stage 'Romeo and Juliet'. Janelle volunteered to direct the entire planning of it.

"Our Romeo decided it was a great time to break his arm, therefore we don't have a Romeo anymore!" she says walking towards Leo, who's busy painting the fake wooden balcony. Leo decided to take part in the production only to have an excuse to be with Janelle, and doing so he dragged Chase along, just to have some company.

A few people gather around to see what was going on, you take your eyes off the script you were revising to look at your classmates on the opposite site of the room.

"So? What's the big deal?" says Leo "The understudy can take his place."

"The big deal is we don't have an understudy! We barely have enough people working on this play, do you really think we have extras?" Janelle is furious.

"Why don't we pick somebody from the crew?" you barge into the conversation, feeling the eyes of everyone onto you "I mean, it's not like we have time to redo auditions.."

Everybody is silent, eyes going left and right scanning the room for someone brave enough to take on one of the leading roles. You look behind Leo's shoulder "I bet Chase could do it."

Chase was surprised and slightly confused by your statement "Me? But I'm not an actor." he says, struggling to speak loud enough to be heard.

"Neither am I, and neither is everyone else..this is a high school play not Broadway, no of us are actors." you shrug while looking over to the brown haired boy.

Janelle looks over to him "Chase, do you think you could do it? You'd be a life saver, honestly." you could hear the tension in her voice from all the stress the planning brought her.

"I-i mean, sure I could give it a try" Chase tried so hard to sound confident in his choice but you could hear the slight tremor in his tone.

"Perfect, problem solved!" Janelle said.

Once everyone got back to work you get closer to Chase, "If you want we can practise the lines together, I could also give you some tips."

"Sure, I'd love that." Chase says with a sweet, soft smile. "Cool, you can stop by at my house today if that's ok." you smile back

"Yeah, sure, I'll see you later."

-

After school, the two brothers head to the lab and Chase is panicking, regretting the choice he made earlier that day. "Why would I agree to do something like this?! Why didn't you stop me Leo?! This is going to be a disaster! The play's gonna suck!" he spits out the words so quickly he can barely keep up with his thoughts.

"Chase chill out! You'll be fine, like Y/n said no one here's an actor, you're all gonna suck" Leo's already tired of his complaining.

Chase's worry isn't only his acting, but the fact he's gonna be the lead in a romantic play with you as his love interest. He's also terrified by the idea of having to kiss you multiple times on stage, in front of a ton of people. This is stressing him out way more than anticipated.

He already knew who you were long before taking part in this project. He saw you walk around the halls, he saw you sitting a couple of desks in front of him in some classes you have together. He always thought about you as the pretty girl he would only talk to in his imagination. Nobody could have predicted the two of you acting as lovers in a school play. Certainly not Chase.

-

With his heart beating out of his chest, Chase knocks on your front door. You open the door and invite him in. "We can go upstairs in my room" you say, guiding him upstairs.

You go through the script together, focusing on the more difficult parts to memorize. You're suprised Chase could memorize all these lines so quickly, and he's getting better at getting into character.

He says every line with the right feeling, you two work in harmony, it's like you're no longer acting as the characters but are living the story as yourselves.

"You're quite talented you know that Chase?" you smile

"Thanks, I'm actually a bit nervous if I'm being honest." he chuckes while lowering his eyes, looking at his fingers fidgeting with the corner of the script's page.

"How come? You're doing great." you tilt you're head slightly. You sit on your bed, taking a small break.

He shrugs, sitting down beside you "I don't know, I just am" he mumbles.

You stare at him with a soft gaze, you study his expression, you're lightly mesmerized by the way the light beam from the setting sun is hitting his face, shining through your window. His eyes now being a warmer hazel tone.

He can hear the beat of his heart in his ears "Actually, I'm scared 'cause --" he stops "I'm worried about our kiss."

"Our kiss?"

"Yeah, it scares me a little having to kiss in front of an audience."

"It's gonna be a quick kiss don't worry about it."

"I know, it's just that --" he looks down again "I've never done it before."

"You've never kissed anyone?" you say, the slight surprise in your voice makes him feel even worse now.

"It's fine Chase, I get it. There's no need to be ashamed of it." you try to reassure him. "Wanna practise?"

"The kiss?" he looks at you.

"Yeah, I mean, we probably should anyway since it's part of the play." you say, standing up and placing yourself in front of him like you would be on stage.

"Yeah, ok, that's..a good idea" he stands up as well. Chase tries to hide his uncertainty.

"You sure about this?" you ask, you don't want to pressure him.

"A hundred percent" he's anxious, he's rubbing subtly his hands on his jeans because they're starting to sweat, his knees get weaker and he hopes they'll be strong enough to support him.

"Ok now, just follow my lead." you take his hand, leaning nearer. Your other hand cupping his cheek, your lips are now inches apart. Your touch feels warm on his skin, making him breathe faster.

"Close your eyes." as he does so, your place your lips onto his gently, and start to slowly and softly kiss him.

A warm feeling of joy starts to bubble up in his chest as he copies your movements and picks up the pace. The kiss gets more intense, more impatient as he tastes your lips. You get closer and your hand that was on his cheek is now on the back of his neck, tangling your fingers with his hair. His hands start to move, although he's still unsure of what to do.

You stop for a brief moment. "It's ok if you wanna touch me, y'know." Chase laughs a little, he then places his hands on your sides, sliding them down to your waste. He grabs a little harder and pull you into another kiss, this time greedier, messier.

He didn't think it would feel this good kissing you, his heart is racing so fast you could probably hear it. Your lips are exploring eachother, you're both enjoying this much more than you should be. After a few moments Chase decides to wet your bottom lip with the tip of his tongue, you part your lips a bit and he slips part of his tongue in. The feeling of your tongues tasting eachother sends shivers down your spine, you feel your cheeks getting warmer.

"You taste amazing" he blurs out the moment he stops to catch his breath, then he pulls you again into another kiss. His words make you melt.

Chase has lost track of time. Actually he has lost track of anything, he can only feel you. Your lips, your tongue, your taste, the sweet smell of your perfume and the warmth of your body standing so close to his. A few moments pass and you pull away to catch your breath, your faces still close to eachother.

"Was i good?" his question makes you chuckle.

"Yeah, you were. You know the kiss isn't supposed to last this long though, right?"

"Sorry i got a bit carried away." Chase laughs a little. You smile softly, caressing his cheek with your thumb.

"I don't think you're gonna have problems on stage, Chase"

"Although we should probably get back to revising the lines"

"We should, but after we're done we should go back to the kissing part, just to be sure"

[mercillery]

I love your writings and I'd love to see more Julius, could I get a sfw alphabet with him?

WARNINGS: GENDER NOT SPECIFIED + NOT PROOFREAD

NOTES: He’s so cute and angelic and beautiful and handsome and pretty and gorgeous and majestic and elegant and ravishing and lovely and stunning and charming and

A = Affection (How affectionate are they? How do they show affection?)

He’s the kind of guy who exudes a subtle, but unmistakable, affection when you're out and about. While he’s not one to engage in overly passionate displays of affection that make everyone else uncomfortable—like that couple you occasionally spot practically glued together and making out like it’s the end of the world—he has his own way of showing how much he cares. Picture that one guy you once saw casually strolling down the street, hand in hand with his partner, both of them laughing and clearly enjoying each other’s company. There's an easygoing joy about them, a visible connection that makes you think, "I wish I had that." That’s the kind of lover he is in public. He’s all about those little gestures that speak volumes—a squeeze of the hand, a playful nudge, a shared smile that tells a whole story.

When it’s just the two of you, though, he transforms into someone much more demonstrative. In private, his affection is boundless, almost overwhelming in its intensity. It's as if he has been saving up all his love for these quiet moments together. He can't seem to keep his hands off you, not that you’re complaining. He’s always seeking that physical connection, whether it's a gentle hand resting on your hip, his arm draped around your shoulders, or simply holding your hand. It's like he's drawn to you, unable to resist the pull.

For him, it’s almost like a necessity—a way to constantly reassure himself that you’re right there with him. The physical contact isn't just for show; it's a genuine expression of his feelings. When he's got his hands on you, he's happiest, feeling complete and content. Whether you’re curled up on the couch watching a movie or lying in bed whispering to each other, he’s always reaching out, making sure there’s no space between you.

B = Best friend (What would they be like as a best friend? How would the friendship start?)

As a best friend? Oh, he’s absolutely the type of best friend everyone should have at least once in their lives. Julius Novachrono is wise, strong, caring, and genuinely good-hearted. He possesses so many admirable qualities that having him in your life would be a game changer in so many ways. Your depression? Gone. Your anxiety? Practically non-existent. Most of your problems? Vanished. Having him as your best friend is not just a flex—it’s a life-altering experience. As your best friend, Julius would invite you on all sorts of magical adventures. His enthusiasm for exploring new magic is incredibly infectious. You’d find yourself looking forward to each new expedition, eager to uncover the secrets of magic and history with him. His vast knowledge would turn even the simplest conversations into fascinating discussions, leaving you both enlightened and inspired!

But it’s not just his wisdom and sense of adventure that make him an exceptional friend—Julius is also incredibly supportive. He’s always there to lift you up, whether you’re in need of encouragement or just a little bit of company. His constructive feedback and positive reinforcement would help you grow both as an individual and as a magic user, and his unwavering belief in your abilities would bolster your confidence, pushing you to achieve things you never thought possible. Overall, having Julius Novachrono as your best friend would be a positive experience!

As for how the friendship would start, it’s likely that he saw you using your magic and thought, “Woah, cool magic!” And then he approached you and you both just became besties from there.

C = Cuddles (Do they like to cuddle? How would they cuddle?)

Are you kidding? He loves cuddling!

Please hold him close and don't let go until he's practically out of breath. If there's one thing he loves more than wrapping you up in his arms, it's being enveloped in yours. He relishes those moments when he can rest his head on your lap, your shoulder, or anywhere on you. The feeling of your arms around him is his ultimate comfort, his sanctuary. He’s more than happy to set aside his responsibilities, forgetting all about the pile of papers waiting for him, just to be near you. And you can tell he genuinely doesn't mind, because to him, nothing compares to the warmth of your embrace. He completely surrenders to it, losing himself in the softness of your touch and the steady rhythm of your heartbeat. It's almost as if the world outside fades away when he's with you. His usual worries and duties become distant echoes, drowned out by the sheer pleasure of being held by you. Those moments are his escape, his bliss. If someone were to see him like this, completely at ease and utterly content in your arms, they might be astonished. They’d probably find it hard to believe that this relaxed, affectionate man is the Wizard King himself.

He doesn’t have a preferred cuddling position; he just goes for whatever he feels like. As long as you’re close to him in some way, he’s content.

D = Domestic (Do they want to settle down? How are they at cooking and cleaning?)

Honestly, settling down isn’t something that occupies much space in his mind—at least not until he meets you. Before you came into his life, he was fairly indifferent about the whole idea. It wasn't something he actively opposed, but it wasn't something he spent time thinking about either. It was more of a "meh" concept for him, something he'd consider vaguely in the distant future, if at all. However, I can definitely see him embracing the role of a family man if the topic were to come up. If you were to broach the subject, he would genuinely give it some thought. He’s not the type to dismiss it out of hand, especially if it’s important to you. He’d weigh the idea carefully, reflecting on what it would mean for both of you and your future together. So when it comes to whether he wants to settle down or not, the answer is nuanced. It’s a maybe, a so-so, a “let’s see where life takes us” kind of thing. His feelings are flexible, and they’re shaped largely by the bond he shares with you. If settling down with you means building a future filled with love and companionship, then it’s definitely something he would consider.

Julius is decent at cooking. Could be better, but he’s still decent. Not much to say for this part.

He’s a decent cleaner too.

E = Ending (If they had to break up with their partner, how would they do it?)

He would handle the breakup with the utmost respect, maintaining his polite and considerate nature throughout the entire process. Even if you were to have a breakdown or blow up at him, he wouldn’t be upset in the slightest. He would fully understand your emotions and reactions, offering his empathy and support even as he’s ending the relationship. He knows how tough these moments can be and would never hold your feelings against you.

After the conversation concludes and you both come to terms with the end of the relationship, he will make it clear that he’s still there for you. He’d tell you that you’re always welcome to reach out to him if you need help or support, regardless of your new status as ex-partners. His kindness doesn’t stop with the breakup; he genuinely cares about your well-being and wants to ensure you’re okay even after you’ve gone your separate ways.

Overall, he’ll never harbor any anger or resentment toward you. Instead, he’ll continue to offer his support, showing you that his respect and care for you extend beyond the romantic relationship. It’s a testament to his character and the genuine regard he holds for you as a person. Even in the face of ending things, he remains a steadfast source of compassion and understanding. <3

F = Fiance(e) (How do they feel about commitment? How quick would they want to get married?)

Julius is someone who approaches commitment with the utmost seriousness and thoughtfulness. He views commitment as a sacred bond, not just a promise. When he commits, he does so with his whole heart, fully devoted to and deeply invested in making the relationship work. He’s extremely dedicated, and he hopes you’ll bring the same level of dedication to the table. He also places a high value on trust and mutual respect, seeing these as the bedrock of any strong partnership. Without trust, he believes a relationship simply can't thrive. And so, he makes it a priority to foster an environment where you and him can feel secure and valued. He’s committed to treating you with the highest regard and hopes for the same in return, so please don’t let him down.

When it comes to the timeline for marriage, Julius approaches this decision with patience. He’s acutely aware of the significance of such a life-altering commitment and understands the importance of not rushing into it. He would want to be absolutely certain that both he and you are truly ready for this next step. He believes in letting the relationship develop naturally, allowing it to progress at its own pace—valuing the process of getting to know each other deeply and thoroughly before contemplating marriage. He’s not one to jump into things without being sure, so he’d ensure that the foundation of your relationship is solid and well-established.

However, once Julius feels confident in the relationship and is certain about the strength of your bond, he will embrace the idea of marriage wholeheartedly. With that being said, it’d likely take about 4-5 years of growing together and building a strong partnership before he decides it’s time to make things official.

G = Gentle (How gentle are they, both physically and emotionally?)

THE MOST GENTLE A MAN CAN BE. ❤️❤️❤️

Physically, he treats you like you’re made of the finest, most delicate glass. The kind of glass that, if you so much as breathe on it wrong, might shatter into a million pieces. He’s never firm with you, except in situations where your safety is at stake. In those rare moments, he might show a bit of firmness, but only out of sheer necessity to protect you. But once the danger passes? Back to treating you like the most precious thing in the world. He wouldn't dream of hitting you, pinching you, or even accidentally stepping on your foot. And if he ever does accidentally bump into you or causes you the slightest discomfort, you can be sure he’ll be apologizing profusely, practically on his knees. To sum it up, he’s a complete softie with you, and he wouldn't have it any other way.

Emotionally, he treats you with the same level of care and consideration. He treats your feelings with the utmost care, as if they’re the most fragile thing he’s ever encountered. Please, bring all your problems to him. Whether it’s something minor like tripping on a rock or something more serious like feeling completely drained and unmotivated, he’s got your back. He’s there for every little worry, every concern, and every conflict. He'll listen, offer advice, or just be a shoulder to cry on—whatever you need. You name it, he’s there, always ready to help. No matter what’s plaguing your mind, he’s your number one supporter, utterly devoted to being as gentle and understanding as possible when it comes to your emotions.

H = Hugs (Do they like hugs? How often do they do it? What are their hugs like?)

He loves hugs as much as he loves cuddles, which I just discussed—meaning he absolutely does love them.

Honestly? He’s more of a hand-holding guy. It’s not that his hugs are rare; he just sometimes forgets that hugs are even a thing because he’s always holding your hand. And for him, that’s more than enough. There’s something about the simple act of holding your hand that he finds deeply satisfying. It’s his go-to gesture for showing affection and staying connected with you.

BUTTTTTTT, when he does remember to hug you, those hugs are something special. They’re gentle, warm, and comforting. He’s not the type to squeeze you until you’re gasping for air. Sure, he loves you a lot, but he’s not trying to turn you purple or anything. His hugs are all about making you feel safe and cherished, not squished and breathless. So, if you’re wondering whether his hugs are tight or gentle, they’re definitely on the gentle side. He knows how to give you that perfect, tender embrace that says “I love you” without making you feel like you’re in a wrestling match.

I = I love you (How fast do they say the L-word?)

He would take his time to ensure that his feelings for you were genuine and deep before uttering those three magic words. So when he finally says, “I love you," it's a profound and meaningful moment, underscoring his commitment to the relationship.

J = Jealousy (How jealous do they get? What do they do when they’re jealous?)

He is prone to jealousy, but it’s a rare occurrence. He’s not the kind of guy who gets jealous just because another man is talking to you, walking alongside you, or sharing a laugh. That kind of thing doesn’t bother him at all. However, if he sees someone openly flirting with you, that’s when his jealousy kicks in. But even then, he usually keeps it under wraps. He doesn’t want to make a scene or make anyone uncomfortable. Instead, he waits for the right time when you’re alone together to bring it up—preferring to discuss his feelings privately.

When you’re alone and he voices his jealousy, he’s never rude or accusatory. He remains polite and respectful, hoping you’ll reassure him that your heart belongs to him alone. He trusts you, but he also wants to feel secure in your relationship. It’s important to him to talk things out rather than letting jealousy fester into anger or resentment.

To sum it up, he’s a man who believes in communication. When he’s feeling jealous, he’d rather have a calm, honest conversation with you than let it turn into something negative. He values your relationship too much to let jealousy get in the way!

K = Kisses (What are their kisses like? Where do they like to kiss you? Where do they like to be kissed?)

His kisses are gentle—everything about him is gentle. When he kisses you, it’s like you can feel yourself melting from the tenderness and love in those moments. Most of the time, his kisses are soft pecks, but even these brief touches are packed with affection and care. Each kiss, no matter how quick, carries a weight of love that you can feel. And then, there are those rare moments when he gives you a deep, intense, and passionate kiss. That's when things start to heat up a bit. He becomes more handsy, drawing you closer, his touch growing more insistent and fervent. But that’s another topic for never, lol.

He loves to kiss you anywhere, as long as he can feel your skin against his lips. That's all he needs to be content. However, he wouldn't deny that kissing your hand feels the most intimate to him. It's his way of showing you a profound sign of respect and reverence, which makes it even more special for him. Every kiss, whether it’s on your forehead, cheek, or lips, carries his affection, but there’s something uniquely meaningful about those hand kisses.

He absolutely adores it when you pepper his face with kisses. His face practically begs for it. Every part of his face is fair game—cheeks, nose, forehead, you name it. He can't help but feel a delightful tingle shoot through him each time your lips touch his skin. With you so close, showering him with kisses, he can’t help but feel like a teenager with a big fat crush. It’s like he’s caught in a whirlwind of excitement and giddiness every time you lean in to kiss him. And let’s be real, he’s definitely making heart eyes at you whenever you do. To him, your kisses are like magic. So go ahead, shower his face in kisses—he'll be absolutely smitten every single time.

L = Little ones (How are they around children?)

He’s an absolute angel, like an angel sent not just from the heavens but by God himself. His sweetness and caring nature shine through in every interaction, and his sunny disposition is enough to make a child's day brighter. It almost makes you want to see him as a father. He's incredibly patient and always nice, even when a child is a bit of a handful. And, of course, he’s the type who would secretly sneak in just one piece of candy for a kid, adding a touch of magic to their day. I can definitely picture him being adored by many children, his playful and kind nature making him a favorite among them.

M = Morning (How are mornings spent with them?)

He loves to lay in bed with you for a few extra minutes before starting his day, savoring the time to cuddle and bask in the warmth of your embrace. Those quiet moments together are something he cherishes deeply, a perfect way to start his day before he dives into his Wizard King duties. If you’re a coffee person, he makes a mental note to prepare your coffee first thing in the morning. It’s a small gesture, but it’s his way of showing he cares about your little comforts. He’s all about making sure your day starts off right, whether that means a few extra cuddles or a perfectly brewed cup of coffee. That's just how he is, always thinking of the little things that make you happy.

N = Night (How are nights spent with them?)

I have a very strong feeling that when sleeping with him, he always has to have an arm either around or on you—it’s like a subconscious need to keep you close. There’s not much else to say about how he is during the nights; he just sleeps like any other normal person, except for this habit. Oh, and he kinda snores loudly too. It's not exactly a quiet night, but somehow it’s endearing. And when he sleeps, he sleeps like a baby—completely at peace, relaxed, and sometimes even with a faint smile on his face. So, besides the gentle snores and the need to hold you close, he’s pretty much like anyone else when he’s catching some Z's. 💤

O = Open (When would they start revealing things about themselves? Do they say everything all at once or wait a while to reveal things slowly?)

From the beginning, he'd be open about the general aspects of his life, such as his role as the Wizard King, his responsibilities, and his immense love for magic and understanding the world. These are the things that define him and what he’s passionate about, so he’d share them early on. However, when it comes to more personal and intimate details about his life, thoughts, and feelings, those will be shared gradually as your relationship with him deepens. There's nothing too unusual here; it’s all about letting things unfold at a natural, comfortable pace.

Julius isn’t the type to divulge everything all at once. He’d reveal aspects of his personal history, his fears, and his hopes gradually, allowing you to take in each piece of his story bit by bit. As the relationship grows, he’ll become increasingly open about more sensitive and personal topics. He understands that vulnerability is a vital part of intimacy, and he would want to share his true self with you, but only at an appropriate pace—a pace where he’s sure that you and him are comfortable. He’s aware that rushing this process can be overwhelming, so he takes it slow.

To sum it up, Julius would reveal things about himself gradually, allowing the relationship to develop naturally. It goes at a normal, appropriate pace—one that makes both you and him feel comfortable and connected!

P = Patience (How easily angered are they?)

The closest you’ve seen him to being angry is when he gets serious, which usually happens when there’s a threat or something urgent demanding his attention. But other than those moments, he’s never angry—especially not with you. He’d never dare raise his voice at you.

Q = Quizzes (How much would they remember about you? Do they remember every little detail you mention in passing, or do they kind of forget everything?)

He remembers absolutely everything about you. It’s like he has a mental encyclopedia dedicated solely to you, where every fact and memory is meticulously stored away. He knows every little detail about you like he knows his way around magic—if not, better. He’s not the type to forget even the smallest detail about you. Whether it’s your favorite color, the name of your childhood pet, or the name of your plushie from when you were only a kid, he has it all locked away in his memory.

R = Remember (What is their favorite moment in your relationship?)

This may sound basic, but his favorite moments in the relationship are simply every moment he spends with you—especially the ones where you’re just being together, sharing the same space. He finds immense comfort and joy in having you nearby, within his sights, knowing he can talk to you whenever he wants. Whether it’s to ramble about some fascinating new magic discovery or to vent about all the paperwork Marx is making him do, your presence is his sanctuary. It’s these simple, everyday moments he treasures most—the companionship, the shared smiles, and the effortless way you both fit into each other’s lives.

S = Security (How protective are they? How would they protect you? How would they like to be protected?)

Julius is inherently protective, driven by his role as the Wizard King and his genuine care for the Clover Kingdom and its people. This protective nature isn’t just about physical safety—it extends to your emotional and mental well-being as well. He would go to great lengths to ensure that you feel secure, supported, and cherished at all times. He’s acutely aware of the dangers and challenges that exist in the world, and he takes his role as a protector seriously. However, he’s not the possessive type of protective. You never feel smothered or restricted by his concern; rather, you feel genuinely safe and at ease knowing he’s always looking out for you. His protection is about creating a space where you can thrive, feel loved, and be yourself without fear. Whether it’s standing guard against external threats or simply being there to listen and support you through life’s ups and downs, Julius ensures you always feel secure and cared for!

He protects you in every and any way he can. Just trust me when I say that he’d go far and beyond to ensure your safety—whether it’s emotional, mental, or physical.

He doesn’t need much protection, but he won’t stop you if you want to protect him. He’ll gladly let you shield him in any way you can, as long as it doesn’t harm you in the process. Your desire to protect him is something he deeply appreciates, and he finds it incredibly touching. However, when it comes to physical danger, he might draw the line. The last thing he wants is for his beloved to get injured while trying to protect him. He’s grateful for your courage and love, but he’d much rather be the one to take any hits in battle. It’s his way of ensuring your safety, which is his top priority. But outside of physical confrontations, he’s more than happy to let you protect him in any way you wish. Whether it’s offering emotional support, helping him navigate stressful situations, or simply being there for him, he values and welcomes your protection. Just remember, he wants you to stay safe and sound, too.

T = Try (How much effort would they put into dates, anniversaries, gifts, everyday tasks?)

He’s the epitome of effort and devotion. Julius is definitely not the type to forget anniversaries, skimp on gifts, or neglect everyday tasks that show how much he cares. He pours his heart and soul into making you happy, going above and beyond to ensure that every moment you spend together is filled with joy and love. Whether it’s planning a surprise anniversary dinner, selecting the perfect gift that he knows will light up your face, or simply taking care of the little things that make your day brighter, he’s always thinking of ways to show his love and appreciation for you.

U = Ugly (What would be some bad habits of theirs?)

None. He’s perfect.

V = Vanity (How concerned are they with their looks?)

He’s not too concerned about his appearance. When passing by a mirror or anything reflective, he’ll quickly glance at it to make sure he doesn’t have anything on his face. It’s more of a quick check to ensure he’s not inadvertently walking around with something like a piece of food stuck at the corner of his mouth or something—just to ensure everything looks presentable. But beyond that, he's not one to obsess over his appearance or spend hours in front of the mirror. He’s comfortable in his own skin.

W = Whole (Would they feel incomplete without you?)

Absolutely. Julius would indeed feel incomplete without you. If he found the one (you), he'd be deeply attached. If something were to happen to you, he wouldn’t be able to simply move on. You would consume his thoughts incessantly, leaving an irreplaceable void in his heart. Losing you would be like him losing a part of himself.

X = Xtra (A random headcanon for them.)

Loves stargazing and baking with you!

There's something incredibly serene and tranquil about those quiet, nightly moments spent under the vast expanse of the night sky. It's in those moments that he finds solace and peace, especially when he's sharing them with you. He delights in spending hours identifying constellations, tracing the paths of shooting stars, and pondering the mysteries of the celestial bodies scattered across the heavens. And of course, he can’t help but ramble on about all of this to you. It’s like his own personal astronomy lecture, but with the added bonus of your company.

He also enjoys baking with you because it’s just so much fun! Especially when you’re trying out a new recipe or tackling something a bit more challenging. He’s the type of guy who’ll playfully smear a bit of dough on your face just for the fun of it, and then can’t help but giggle at the sight. Before you know it, what started as innocent baking quickly turns into a full-blown food fight in the kitchen!!! Flour flying, frosting splattering—it’s chaos, but it’s the most enjoyable kind of chaos. He’s not afraid to get a little messy and let loose, especially when it means making such fun memories with you.

Y = Yuck (What are some things they wouldn’t like, either in general or in a partner?)

Julius wouldn’t be drawn to someone who is inherently evil. He seeks someone with a warm and good-hearted nature, someone who embodies empathy and treats others with respect and kindness. Even if someone may come across as naturally mean or tough on the surface, as long as they possess a kind heart deep down, Julius would appreciate that. He believes in the power of redemption and the potential for people to change for the better. However, he has no tolerance for those who are callous or lack empathy towards others.

Z = Zzz (What is a sleep habit of theirs?)

I think I answered this question already in section N, lol. But I have a very strong feeling that he sleeps in these:

[daenysx]

hello can i ask for another aemond hurt comfort fic (if ure still writing for him, if not thank u anyway <3) make it hurt pls thank you 😞

p.s: i absolutely sobbed reading that drabble of him getting snappy at reader bcs they wanted to go out while it's sunny + also why i went back on ur blog and coincidentally saw ur requests open lol

i don't think i'll ever stop writing for aemond, i love him too much ♡ thank you for your request, lovely, i hope you like this!

modern!aemond targaryen x fem!reader, hurt/comfort

aemond isn't used to have someone taking care of him, not when he's like this.

his mother was doing the best she can when he was younger; holding his hand when he had an appointment with his doctor, sleeping next to him and rubbing his back when he couldn't get any rest, kissing his forehead and telling him how brave he's been. as he grew older he stopped asking for help, she had to have her own life. he did anything he can to convince her that he's fully capable of taking care of himself now. "thank you, mom, i'm fine."

alicent put her children before her every time, sacrificing her youth just to make sure they are well. aemond felt guilty when he realized how little his mother cares about her own life, only to take care of her half blind son. it pains him, still, but he's a grown man now. he'll be okay when she's out of town with her newly wedded husband.

he lies in bed for hours, waits for the pain in his eye disappear. the room is dark, it's silent in a disturbing way. aemond curses under his breath when a sudden pain flashes in his head, he might prefer dying over this.

no, he can't cry. it'll only make the pain worse. does he deserve to live his young days like that? laying in bed like a sick man, waiting for help but being too prideful to ask for it, spending hours only to be able to breathe without suffering. he's mad these days, always angry and tense. vengeful for something that happened years ago, tearing up for his wound that will never be okay.

the door creaks open slowly. you close it back to let the darkness stay still. quiet steps, almost hesitant as if he'll tell you to leave. you put on a brave face as you approach him with a cool glass of water in your hand.

"aemond?" you whisper. you can't see his face clearly, he doesn't react as you put the glass on his nightstand.

"i'm okay." he says. dishonesty drips down his voice.

"can i help you?" you whisper again. it's the first time in your new relationship that he's been so bad. you don't know what to do.

"i'm used to it." he replies. "you can leave if you have somewhere else to be, i don't think i can leave the bed for the rest of the day."

your heart breaks. does he think you'll leave him like this? he might prefer suffering silently but you won't let him. he seems like he doesn't even get the point of having a relationship. he treats you like you aren't his girlfriend, like you are just another person in the room. it makes you wanna curl up in bed and cry, you know you don't deserve this.

he's still in pain so you can't be mad at him. it'll only make things worse. "i can leave- if you want to be alone. i'd rather stay with you, though."

you can't see his face but you can feel he tries to decide. you like aemond too much and you think he likes you too. you know he does. it definitely has to do something with his past. you try to take a silent breath, completely still to not disturb him.

aemond doesn't even know what to say, he'd kill to have someone by his side. to have you. he selfishly wants to keep you even when he feels like he shouldn't. you deserve someone better. you deserve a man who doesn't have to stay in complete darkness because of his past. you are shining everywhere you go but aemond is dark, there's no spark in him. he likes you too much to let you go, his inner turmoil does him nothing good.

"stay with me." he says finally. "please."

"can i sit?"

"mm-hmm."

you sit on bed carefully. you treat him like he's someone delicate, like he deserves something good. aemond isn't sure how to deal with your kindness, he still hasn't found a way. he likes it too much, though. he likes everything about you.

you hold his hand gently. his fingers are cold, you rub his knuckles with a soft thumb. he lets out a breath he doesn't know he's been holding when you press on a tight spot, right where his thumb meets his pointer finger. it feels nice. you keep rubbing his hand until you hear a protest.

"s nice." he says quietly.

"my mom used to do this when i got headaches. i know yours is different but-"

"s really nice." he says again. "thank you."

you take his other hand, treating with same kindness. he holds a lot of tension in his body, he doesn't even know how much. a massage to his hands is a small thing to help him relax but you want him to know you're with him.

"do you want to put your head on my leg?" you ask. "maybe i can rub your temples a bit."

you are not afraid of his rejection, willing to do anything that might help him. to your surprise, he sits on bed, waits for you to get comfier. you place yourself properly, he puts his head on your leg just the way you want and you start massaging his head.

"i like your hair so much." you whisper. "so soft."

"i like yours better." he replies, whispering. "but thank you."

you press your fingers to his temples slowly, he lets out another shaky breath. "i'm not gonna hurt you, i promise. you'll feel better in a minute."

he nods slightly, feeling of your warm fingers on his skin makes him somewhat excited. he is distracted with your quiet words and kind fingers, for a moment he forgets about the dull pain in his head.

you keep rubbing his temples until your fingers go numb. you stroke his hair then, silky platinum blonde strands flow in your hands. you play with his hair, braid a little piece of it. he truly is distracted at this point, too grateful to say something.

"i think i'll fall asleep." he can say.

"that's okay." you tell him. "i'll be here when you wake up."

somehow he knows you'll be here with him until the end. he can feel how his emotions for you fill his heart and his mind until they are both full of you, only you and no one else. it's a nice feeling, having someone by his side. being someone's choice, not responsibility.

[isadollie]

hello !! i saw your reqs for hcs and scenarios were open so i thought i'd send something in. can you do the OM brothers w/ an s/o who isn't really tech savvy? coming from someone who grew up surrounded by technology but absolutely sucks at it. thank you !! <3

obey me! brothers x bad at technology gn!s/o

a bit funny (or so i tried), pretty unserious sorry 😭

— Lucifer:

• this proud expression on his face

• gets all cocky

• secretly glad to be the one who teaches you all this

• would give you head pats probably,,,

• starts to explain with a gentle tone

• then diavolo calls for him and he gets annoyed cause his precious time with you has been disturbed

• helps diavolo as fast as he can and comes back to you

• he's like "okay, so... where did we leave off?"

• and then you say "oh no, it's okay, Levi already showed me everything when you were gone"

• and then Levi went missing

— Mammon:

• a wicked smile instantly forms on his face

• says you picked the right person to teach you (you picked the worst person to teach you)

• "Aww, don't worry, it's okay. The Great Mammon will teach you everything you have to know!"

• *some time later*

• "okay, so basically, this is the only app you need for now. the bank app. now look, here you type my name... yes, good. and now you type, hm.. let's say, 1000 grimm. perfect! and now you click 'send'! just like that! amazing!"

• "also forgot to mention, this is a very important operation for your phone. so you have to repeat this process twice a day, okay? make sure you type my name there or else it won't work"

• then he runs away and prays you won't tell Lucifer about it

— Leviathan:

• will actually help you!!

• or at least he claims to do so

• 100% called you a normie but well, he does that all the time

• explains what he thinks is the most important

• and you think to yourself "oh, okay, cool, i get it!" and you're eager to learn more cause he's actually helping

• eventually it ends with him showing you where you can watch the whole hana ruri movie for free

• then wants to play games with you

• end of learning

— Satan:

• side eye

• "why would you want to learn such things anyway? the real knowledge comes from books"

• gives you like 10 different books to read, obviously none of them is related to the subject

• it ends up being a cute reading date

• in reality he's just too proud to admit that he's terrible at technology himself

• poor man just doesn't want to embarrass himself in front of you

— Asmodeus:

• will be so happy you asked for his help!

• in fact, you didn't ask, he offered it himself, but would tell everybody that you came to him first

• but forgive him for lying, cause he's actually helping

• he shows you the most important apps you should have on your phone, what do you when this or that is wrong with your computer, how to order at akuzon and ask for a refund and honestly everything you can think of

• is also pretty chill about it, seems like it brings him joy to share what he knows with you

• only disadvantage is, he will cling to you the whole time

• will hold your hand at all times and if you try and dodge his touches, he will stop talking unless you hold him back

— Beelzebub:

• doesn't really wanna help

• would prefer to take you out to a restaurant

• but you insisted

• so he agrees, cause he always agrees to whatever you say sooner or later

• takes your phone and downloads every possible food delivery app

• proud of himself

• but then he gets hungry (who would have thought)

• and tells you to order you two some food from your phone

• you do it and he's happy cause 1. he feels like he taught you things and 2. he'll get food

— Belphegor:

• alright, no problem

• at least that's what he says

• then it turns out there is a problem

• cause he doesn't know how to turn on the computer

• you said it's okay, you can try another time

• but he says no, he will figure it out in a minute

• more than a minute passed and he didn't figure it out

• you two gave up and just went to Levi's room

hope it's okay haha, it was pretty fun to write ngl

requests for scenarios/hcs always open!

[strangertheories]

I've been seeing people saying that platonic Stobin is only benefitting Steve or that Robin only exists to redeem Steve from past homophobia and I'd like to politely disagree. I don't think enough people realise just how crucial their friendship was to Robin's character development outside of Steve, so I'll just spell it out here in this long post for the four year anniversary of Robin coming out to Steve.

At the start of S3, Robin is deeply sarcastic and jokingly rude, but this is not entirely what she is actually like deep down and the true Robin doesn't emerge until her and Steve are talking to each other in the bunker. She says that she acts like she doesn't care and that she floats above it all (in reference to popularity) but deep down, she just wants to feel normal and accepted.

But Robin knows she could never be accepted fully because of her attraction to women. If she acts like she doesn't care and holds Steve at an arm's length, it keeps her safe. Robin can't be rejected if she doesn't let him in. She doesn't believe anyone could ever be friends with her if they knew her secrets, so constructs this personality around herself, however deep down she is just insecure and struggling with internalised homophobia.

A lot of people talk about Robin's coming out scene, rightfully so, but I think we need to talk more about what happened before. When Steve tells Robin he's attracted to her, she looks devastated. With her guard let down after a near death experience and drugs, she was finally able to bond with someone who she now has to reject.

At first, she tries to talk Steve out of liking her. She tells him that he doesn't know the real her and that if he did, not only would be not want to date her, but he wouldn't even want to be her friend. This is where it all becomes clear that Robin's sarcasm and refusal to let her guard down is not linked to her sexuality but rather because of it.

This is why Steve accepting her is so crucial for her character from then onwards. For the first time in her life, Robin let someone see her true self, knowing that she would be rejected and lose her only friend. And yet she wasn't. Robin let Steve in and his acceptance finally enabled her to realise that just because she is gay it doesn't mean that she's abnormal or could never be happy. Obviously, there are safety concerns that prevent her from running through the streets of Hawkins with a pride flag, but I believe this acceptance is crucial to the version of Robin we see in S4.

After S4, there were a lot of complaints that the Robin we saw in that season wasn't like S3 enough and felt like a completely different character. Firstly, Robin was shown to speed talk, be unhelpful and miss social ques when nervous in the final episode of season 3, so I disagree with that criticism. But most importantly, the reason that S4 Robin is different to the one in S3 is because S3 Robin was never real. It was a character she built in order to avoid dealing with the pain of rejection or accepting that she cares about what other people think of her. But due to Steve, Robin is able to realise that she doesn't have to be someone else, hence her personality shift.

That's also kind of why I dislike the idea that her relationships with Nancy and Vickie are better than her one with Steve because she wouldn't have had those relationships if it wasn't for him. Steve enabled her to open up and let down her cool and sarcastic persona. Robin is anxious and awkward with Nancy and Vickie from the get go unlike with Steve, which ends up enabling her to ultimately make more real bonds with them much quicker. She would not have been able to do that if it wasn't for the value his acceptance brought into her life.

I'm going to get a bit mushy and personal here, so feel free to skip to the end, but platonic Stobin isn't just meaningful to the fictional character of Robin. I'm an autistic lesbian and I have had a lot of struggles with making and maintaining friendships. For a while, I didn't have any friends at all and I was very depressed. But now my mental health is so much better because I was able to find a friend who fully accepted me, who I didn't have to mask around, who I easily came out to. Becoming friends with her has enabled me to become way more comfortable with unmasking my autism outside of that one relationship because being more vulnerable is what enabled that friendship to be so much better in the long term.

Robin is a character I relate to a lot, and I've written a lot of posts on autistic Robin in the past. I think seeing friendships portrayed on screen where a girl is able to let down her mask, learn to become herself and become much less distant to the point that she explicitly feels comfortable telling someone she has issues with social ques is great for all kids. So many people, especially autistic people, struggle with being themselves and with finding friends. Maybe Robin did just exist to redeem Steve or whatever, but I know seeing that friendship on screen meant a lot to me. It's so difficult to find someone who accepts you and to open up to someone, but I think that platonic Stobin shows that it can be worth it.

Sorry for the mushy side tangent at the end, but I hope this post explains the importance of Steve's acceptance to Robin's character development. Acting like she only exists for Steve is dismissive of the impact that friendship had on the development Robin has and will have, especially if you view Rebel Robin as being somewhat canon. Not to mention, clarifying a loveable character is no longer homophobic feels like a pretty good thing.

[likeadevils]

1989 Timeline

This is a very long post that puts all the songs on 1989 in order of Taylor creating them. I’ve also included a few other songs she worked on while writing 1989 and quotes from Taylor and her collaborators talking about her process

Of all the albums in Taylor's discography, I think this is the one that improves the most when you listen to it in order. All of those things Taylor was talking about in the promo for this album-- how this is an album of her coming into her own, figuring out her values, learning to stand on her own two feet-- it all clicks into place. Listening to it in order has made me cry on more than one occasion, and it's also the thing that made me start this whole crazy process of figuring out the dates she wrote each song.

If you don't want to read the whole post, check out this playlist of the album in order or this playlist of her entire discography.

I’ve also added this color coded scale of how sure I am of the date: 

Confirmed: There is some type of official source for the date

Inferring: Nobody has officially said “This is when we wrote it,” but all available evidence points to that date

Speculation: This date is based on guesswork and is highly likely to change, or, all that is known is the general season.

Unknown: All that is known is the year (from the US Copyright Offices)

Without further ado...

Oct 6, 2012: Taylor seems to have been in a studio in London (Note: I have no idea where this photo comes from and I can not find a place that specifies if this is a music studio or radio interview.)

This Love: Oct 17, 2012 (Confirmed)

October 19, 2012: Taylor mentions wanting to work with Imogen Heap, prompting Imogen to get in touch with Taylor

Time Interview: Who’d be your dream collaboration, especially now that you’re taking more musical risks? Let me think. Imogen Heap! She’s amazing. Taylor: Someone asked me in an interview "Who would you like to work with?" and I said Imogen Heap. I get an email to my management, sent like "Imogen just saw that Taylor just said an interview that she would like to work together" She said "Why don't you come out to my studio." Imogen: I got a phone call [in 2014] saying Taylor Swift was in London, she'd love to work with me and the only date she could do (between 4 sold out 02 arenas!) was the day after we got back, Sunday. It was both unexpected and not at the same time as I'd heard Taylor was a fan a while back via this Time magazine piece but somehow didn't think it would actually happen.

Fall 2012: Taylor possibly writes a song with Harry Styles and Jacknife Lee (her producer for The Last Time).

Jacknife Lee: “It was out of my field of expertise and interest, but I was intrigued and my girls were thrilled. Taylor was nice and very professional. She knew what she wanted and there was no fucking about. She was seeing Harry Styles at the time, so he came to Topanga on her recommendation. She wrote a few songs with him, and it was the same thing – quick. But this time it was more directed by the management and label. They were after something specific. I wanted more acoustic and gentle, almost Americana, and they wanted bombast. They got what they wanted, and that was the extent of my foray into teen-pop territory. It was fun.”

All You Had to Do Was Stay: Jan 10, 2013 (Confirmed)

Taylor is photographed outside Conway, and then tweets "Back in the studio. Uh oh..." Later, Taylor confirmed that she was recording All You Had To Do Was Stay. Taylor: I had a dream that my ex showed up at my door, knocked at my door, and I opened it up, and I was about ready to launch into the perfect thing to say [...], Instead, all that would come out of my mouth was that high-pitched chorus of people singing, 'Stay!'...and then you go to say something else, and it's just like 'Stay! Stay! Stay!' And I woke up, I was like 'Oh, that was mortifying. But that's kind of a cool vocal part.'

January 11, 2013: Taylor is photographed outside Conway again

How You Get The Girl: Jan 15, 2013 (Confirmed)

Taylor posts a picture of her playing a guitar in the studio, captioned "Somewhere in LA..". Later, Taylor confirmed that she was recording How You Get The Girl. Given what was going on in her personal life, she likely wrote this sometime in the fall/winter of 2012, but all we know for sure is the date she recorded it.

February 9, 2013: Tweets "Grammy rehearsals last night, studio today, who knows what tonight holds! (I do. Laying around watching TV and eating candy.)"

March 6, 2013: Taylor is photographed outside a studio in LA

March 23, 2013: Posts a picture of her playing guitar captioned "Pre show. Columbia, South Carolina"

I Wish You Would: May 28, 2013 (Inferring)

Taylor is photographed out for lunch in Rhode Island with Lena Dunham and Jack Antonoff on May 27, before leaving for her show in Phoenix, Arizona the next day Taylor: "Max Martin and [Karl Johan] Shellback [Schuster] were the last people I collaborated with on [2012 album] Red, and I wished we could have done more and explored more. So going into this album, I knew that I wanted to start with them again. Then I thought, “Wouldn’t it be amazing to work with Ryan Tedder?” And then I was with Jack Antonoff and Lena Dunham at the beach, and we started talking about our favorite ’80s music. All of this started happening organically, and I found myself gravitating toward pop sensibilities, pop hooks, pop production styles." Jack:  "We were hanging out at her house in Rhode Island and we were talking about John Hughes movies, and a lot of the music that inspired [them], and just this general culture of sound in that time period that was really larger-than-life in an anthemic, positive way. These songs could be at the end of films that were really, really beautiful and said a lot. That actually ended up being a song called 'I Wish You Would' which is going to be on her album. We first worked on that song together and realized we kind of have a good thing. Taylor: “This is a song I did with Jack Antonoff, and Jack is one of my friends and so we were hanging out and he pulled out his phone and goes "I made this amazing track the other day. It's so cool, I love these guitar sounds." And he played it for me and immediately I could hear this finished song in my head, and I just said "Please, please let me have that. Let me play with it, like send it to me" And so he sent it to me and I was on tour and this was me playing the track on my laptop recording me singing the vocal into my phone and it ended up being a song called "I Wish You Would", because Jack wrote back and said "I love that".”

June 7, 2013: At the CMA fest, Taylor is asked if she's started writing for her next album yet

“It's starting, all the anxiety is starting and when the anxiety starts, then the writing happens right afterward, usually. Um, so, yeah, I basically... I like to, I like to write for about two years before I'm finished with an album because I... at this point I kind of know that whenever I write in the first year is going to get thrown away, because, I'm going to like it, but it's going to sound a little bit like the last project I had, and the second year usually ends up sounding like the next project. So I think at this point, at this point I feel like staying the same is the easy way to go but it's not the way that I want to go, creatively. I think you need to challenge yourself, I think you need to change up your influences, I think you need to be inspired by different things that you've been inspired by before, and, uh, y'know, It's harder to call people you don't know, and it's harder to think of topics you haven't covered and think of new ways to say old emotions that everyone feels, but, that's the goal at this point."

June 20-21, 2013: Taylor and Selena Gomez hang out, and Taylor potentially writes Wildest Dreams.

July 15, 2013: Taylor gives a brief interview to Rolling Stone

“The floodgates just opened the last couple weeks,” she says of the songwriting process. “I’m getting to that point where I’m irritating to be around because I’ll be with you for half the conversation and then the second half of the conversation I’m clearly editing the second verse of whatever I’m writing in my head.” “I really loved collaborating [on Red],” she says. “You work with a lot of different people and you find the people you have this dream connection with in the studio. I know those people and I know the ones I want to go back to. But I also have a really long list of the people I admire and I would really love to go and contact. So that’s kind of where that is.” “I think that the idea of having a different approach to every single one of my albums is so exciting to me. I never want to make the same record twice. Why do it? What’s the point? It’s so overwhelming that when you’re starting a project there are such endless possibilities if you’re willing to evolve and experiment. If you’re willing to become a different version of yourself, you can really go anywhere with it. And that’s kind of where I am. The kind of the laboratory experimental stage of really catching onto a new thing that I’m liking.”

July 18, 2013: Taylor unfollows the three backup dancers that left her tour for Katy's, meaning Bad Blood was likely written sometime between July and November 2013.

Sweeter Than Fiction: Summer 2013 (Speculation)

Taylor wrote this one over email, and then it was recorded in New York (partially in Jack's living room, partially in an actual studio)

August 25, 2013: Taylor and Selena Gomez hang out at the VMAs, and Taylor potentially writes Wildest Dreams.

August 25, 2013: Taylor gives a brief interview on the VMAs red carpet

"But I think [songwriting is] about to start to kick into full gear. I'm about to go into the studio. It's about to get really intense."

Out Of The Woods: September 14 2013 (Inferring)

On September 14, Fun cancelled their show. Taylor was likely either flying to or from Charlottesville, where she had a show for the Red Tour. Jack: "When I did the track for Out of the Woods, which is a Taylor song that I'm really proud of, there was some issue at a venue and our show was canceled that night and I didn't have my stuff, I had left it on the bus, so I only had these old samples on what was on my laptop, and caught up that 'oh oh'' thing, and I only had one drum kit on there, and these dumb little things [sometimes turn into a great song]" Jack: "So 'Out Of The Woods' was the third thing we worked on together, and probably the easiest. I sent her the track for it, and she sent back a voice note with the verse and chorus in what felt like five seconds. And it was just perfect. It's eerie how similar it is to what the final product is." Taylor: "This is a track that Jack Antonoff sent me, and I was actually on a plane, I got it and I got on a plane and I'm listening to it, and I'm just like listening to it and mumbling melodies cause the song came to me immediately like, in full [...] I think what I should start by playing you, is when I got the track, what I sent him like an hour later, and it is, me.. um, me singing what came to me, which ended up being the finished version of the song, or at least really close to it."

September 20, 2013: In a brief interview with USA Today, Taylor says she plans to work on her next album between the next few legs of the Red Tour

"I’ll be in the studio, figuring out what comes next. I really like to take two years to make a record, and I’ve been writing and doing stuff for the last year. This is kind of the year that it goes into overdrive, and it’s all I think about and I become obsessive over it and I’m hard to talk to"

September 22, 2013: Taylor gives an interview to New York Magazine where she talks about her plans for TS5

These days, Swift is thinking a lot about her next record. While on the Red tour, she’d been writing songs and stockpiling ideas: reams of lyrics, thousands of voice memos in her iPhone [...] she plans to spend much of 2014 writing and recording the new album, a prospect she finds exhilarating and terrifying. “I worry about everything. Some days I wake up in a mind-set of, like, ‘Okay, it’s been a good run.’ By afternoon, I could have a change of mood and feel like anything is possible and I can’t wait to make this kind of music I’ve never made before. And then by evening, I could be terrified of the whole thing again. And then at night, I’ll write a song before bed.” Swift hopes to collaborate with new songwriters and producers. But she planned to begin, she said, by heading back into the studio with Max Martin and Shellback. “I want to go in with Max and Johan first, just to figure out what the bone structure of this record is going to be. “I have a lot of things to draw from emotionally at the moment. But I have to draw from them with a different perspective than on Red. I can’t say the same things over and over, you know? I mean, I think it’s just all the more important that I don’t ever allow myself to coast. At the same time, there’s a mistake that I see artists make when they’re on their fourth or fifth record, and they think innovation is more important than solid songwriting. The most terrible letdown as a listener for me is when I’m listening to a song and I see what they were trying to do. Like, where there’s a dance break that doesn’t make any sense, there’s a rap that shouldn’t be there, there’s like a beat change that’s, like, the coolest, hippest thing this six months—but it has nothing to do with the feeling, it has nothing to do with the emotion, it has nothing to do with the lyric. I never want to put things in songs just because that might make them popular, like, on the more rhythmic stations or in dance clubs. I really don’t want a compilation of sounds. I just need them to be songs.”

September 28-October 5, 2013: Taylor and Selena Gomez are in the same city, and Taylor potentially writes Wildest Dreams.

October 12, 2013: Taylor gives an interview to the Associated Press

Swift: I think the goal for the next album is to continue to change, and never change in the same way twice [...] How do I write these figurative diary entries in ways that I’ve never written them before and to a sonic backdrop that I’ve never explored before? It’s my fifth album, which is crazy to think about, but I think what I’m noticing about it so far is it’s definitely taking a different turn than anything I’ve done before. AP: You said recently you’ve been working on songs for the new album for about six months. What can you tell us about what you have planned? Swift: It’s too early to tell who are going to be my predominant collaborators, but I do know that my absolute dream collaborators were Shellback and Max Martin on the last project. I’ve never been so challenged as a songwriter. I’ve never learned so much. I’ve never just been so excited to show up to the studio every day, just because you never know what we’re going to put together. I’ll bring in ideas and they’ll take such a different turn than where I thought they were going to go, and that level of unexpected spontaneity is something that really thrills me in the process of making music. ... What if we did this? What if we made it weirder? What if we took it darker? I love people who have endless strange and exciting ideas about where music can go."

October 14, 2013: At the NSAI, Taylor talks about reinventing herself for different albums

"I’m making my 5th record now, so I think you have to change things up, you have to explore different corners of music as much as you can. Cause I really, it’s been a big goal of mine to never make two albums that sounded the same. I really want my fans to be able to be like "Oh that song? Clearly that's from the Fearless album", "No that one, that one was from Red" and so I’m in the process of doing that thing all over again for my 5th album and it’s amazing to be in the studio and to be songwriting again, and be honored for songwriting tonight"

Blank Space: October 26, 2013 (Inferring)

It looks like she’s wearing the same outfit in this behind the scenes footage and these candids Taylor: "I was going into write with Max Martin and Shellback, who are two of the primary collaborators on 1989, and I... was preparing all these things, and I, I think Blank Space was like the third thing I played them, and they just stopped and they were like "NO, this is the first thing we're working on today." [...] I had the idea for the chorus and I had the hook, but a lot of the verse was gibberish." Taylor (On what song took her the least amount of time to write): "Blank space, cause I'd written a lot of the lines down already in the year preceding the session"

October 29, 2013: Tweets "Sitting in the studio writing the next album (!!!!) and wanted to thank you for the American Music Award nominations!"

November 1 : While promoting Keds, Taylor is asked about her next album

"What I go through is going to be the story that I tell. I think lyrically, I always try to tell my fans exactly what’s happened to me in the last two years, and that’s the thing they can expect. Everything else, they won’t be able to expect. Having been in the studio with this one, I’m just like… oh, this is going to be fun"

Bad Blood: Fall 2013 (Speculation)

The backup dancer drama seems to have kicked off in mid-July. Given that it's produced by Max Martin and Shellback, and Taylor was in the studio with them pretty much non-stop from October-November, we can assume that it was recorded sometime in the Fall of 2013

New Romantics: Fall 2013 (Speculation)

Unfortunately, Taylor doesn't really talk about this song. Given that it's produced by Max Martin and Shellback, and Taylor was in the studio with them pretty much non-stop from October-November, we can assume that it was recorded sometime in the Fall of 2013

Wildest Dreams: Fall 2013 (Speculation)

Selena reportedly told a fan she was there when Taylor wrote this, and I've noted above all the times Selena could have been with Taylor in 2013 (Here's my personal ranking of how likely each date is). Given that it's produced by Max Martin and Shellback, and Taylor was in the studio with them pretty much non-stop from October-November, we can assume that it was recorded sometime in the Fall of 2013.

Wonderland: Fall 2013 (Speculation)

Another one Taylor just doesn't talk about all that often. Given that it's produced by Max Martin and Shellback, and Taylor was in the studio with them pretty much non-stop from October-November, we can assume that it was recorded sometime in the Fall of 2013

Nov 20, 2013: Taylor posted "While in the studio, I came to the realization that my bangs are long enough to use as a sleep mask on long flights. Then I remembered I don't ever use sleep masks on flights. So really, I just need a haircut"

November 25, 2013: Taylor and Scott Borchetta have a meeting to talk about her plans for TS5 and are both asked about the next album at the AMAs

Taylor: “We got a lot already. There are probably seven or eight [songs] that I know I want on the record. It’s really ahead of schedule for me. I’m just stoked because it’s already evolved into a new sound, and that’s all I wanted. And I would have taken two years to make that happen, but it just kind of happened naturally, so that’s all I could really ask for.” Scott Borchetta: "Well earlier today we got together and she played me seven new songs, and she’s just on fire. The level of desire and passion that she has just to keep getting better, she’s an artist that just really never wants to just say ‘Well okay this is good enough’. It’s always gotta be better. She’s in amazing creative place right now." By the end of November, Taylor had likely recorded This Love, All You Had To Do Was Stay, How You Get The Girl, I Wish You Would, Out Of The Woods, Blank Space, Bad Blood, New Romantics, Wildest Dreams, and Wonderland. That’s 10 songs total, 5 of which were likely recorded in the past two months, and 7 that had been made since Taylor and Jack had their conversation about 80s music in May.

Dec 21, 2013: Taylor briefly talks to Billboard about TS5

"I’m really loving collaboration right now [...] I see it as a bit of an apprenticeship. I want to be around people who love writing songs and have done it for years. Every time I’m in a studio I’m learning, like how to build a drum track, and getting a new perspective on things. It’s so thrilling to keep learning on your fifth album. As soon as [an album] comes out I’m figuring out what the next one will be. It’s gotten to the point where each one is a reinvention, which is what I like best. I like it when it sounds new and people don’t know where you’re going to go next."

Say Don't Go: Jan 1, 2014 (Confirmed)

Diane Warren: Warren, who typically writes on her own, says the two of them “sat down and wrote the song […] from scratch” during the last few days of 2013. She remembers being impressed with how specific Swift was with her lyricism and how considerate she was about how her fans might receive it. “She was very particular about how she said certain things. It was a really interesting experience. She gets her audience [...] She’s deeply aware of how her fans want to hear something. I can’t explain it, but that’s probably why she’s the biggest fucking star in the world.” Several days after writing the song together, they got into Warren’s office to record a demo, where Swift played it on her acoustic guitar. “We demoed it on New Year’s Day. And I’m a workaholic, and that’s fine for me,” she says. “But I remember being impressed that she did, too. Everybody’s on vacation, but she showed up.”

You Are In Love: Jan 2014 (Inferring)

This song is copyrighted for 2014. Taylor has said a few times that Clean, Shake It Off, and Style were the last songs written for the album, meaning You Are In Love was likely completed in January or early February. Given Taylor's busy schedule in late January and early February, I'd guess this was written at some point in early January. Furthermore, I'd guess it was sometime after the 9th, when she returned from looking at house in New York.

I Know Places: Jan 22, 2014 (Confirmed)

Taylor: "I sent this voice memo to Ryan Tedder because I'd always wanted to work with him, and finally we scheduled some studio time. So I always wanna be prepared, I wanted to send him the idea that I was working on before we went into the studio just in case he wrote back and said "I can't stand that, I wanna work on something else, think of something else" So I just sat down with the piano, put my phone on top of the piano and just kind of explained to him where I wanted to go with the song, how I saw the melody sitting in and we ended up recording the song the next day and it ended up being on the record called "I Know Places" So this was the voice memo that I sent to him the night before we ended up finishing the song"

Welcome To New York: Jan 23, 2014 (Confirmed)

Ryan Tedder: "I thought we were going to walk in and start something from scratch because that's what I was used to. Then she calls me and says, 'Is it cool if I already have an idea?' I said, 'Sure.' She said, 'I have this song, I'm obsessed with New York and I just moved there, I want to write an ode to New York because no one's done it in a long time.' And then she sent me a voice memo. She's like, 'I want it to sound like 1980s.' So the next day I brought in a Juno-106, which is a very 1980s keyboard and I literally programmed that entire song right in front of her. It was very much on the fly, and that song was done in about three hours. And I did the rest of the production I think later that week. I was in Switzerland on a tour bus, and I did four versions of 'Welcome to New York,' one of which I liked personally more, but the thing about artists is they become very obsessed with the demo. She was in love with the demo so no matter how hard I fought, she brought it back to the demo, so really what you hear is what I did on the first day."

January 26 2014: Dianne Warren says that she recently wrote a song with Taylor

"I worked with Taylor Swift on a great song [...] I'm excited about the [song] that we did, it's pretty cool Dianne in 2016: “I know [Swift] likes it, so hopefully it will see the light of day. I know she really likes the song. She didn’t want me to give it away, so hopefully that means she wants it.”

January 26 2014: Taylor loses Album of the Year at the Grammy's to Daft Punk. She tells a few different stories about what the rest of the night looked like for her-- in some she goes home alone, in some she has some friends over-- but in all of them, this is the night where she decides that she's gonna name the album 1989, and she's not going to let her label tell her to put any country songs on it.

Clean: Feb 9, 2014 (Confirmed)

According to Imogen Heap's blog post, Taylor had the first verse and chorus by the time they got into the studio, and then wrote the second verse and bridge during the session. Taylor's part was wrapped up in 9 hours, ending at 8pm, while Imogen stayed up until 4am because she didn't want to stop working on it. Taylor: ""Shake It Off" and "Clean" were the last two things we wrote for the record, so it shows you where I ended up mentally. “Clean” I wrote as I was walking out of Liberty in London. Someone I used to date— it hit me that I’d been in the same city as him for two weeks and I hadn’t thought about it. When it did hit me, it was like, ‘Oh, I hope he’s doing well’. And nothing else. [...] The first thought that came to my mind was – I’m finally clean." Imogen Heap: I was really writing the tiniest amount just to help her do what she does. I put some noises to [“Clean”], played various instruments on it, including drums, and anytime she expressed she liked something I was doing, I did it more. It was a really fun day. She recorded all her vocals [for “Clean”] during that one session. She did two takes, and the second take was it. We always thought she would probably re-record it, because we thought it can’t possibly be that easy. But after we lived with it for a few months, we felt it was great.

February 15, 2014: Taylor posts "It was a studio Valentines Day with Max and Johan!"

Shake It Off: Feb 15, 2014 (Confirmed)

Lover Diaries (From Feb 22): "This week I’ve been in the studio with Max and Johan every day and it has been the most creatively successful and fulfilling time. The first day, Johan just made a really up tempo drum beat because we decided we needed something UP and light. We worked at it for a few hours before I just started singing “shake it off, shake it off.” And then the best way I know how to describe it is that the chorus just fell out of the sky. It ended up being this song about doing your own thing even though haters are gonna hate, and you just have to dance to your own beat. We all went home and I wrote the first and second verses and brought them in the next day. We wrote this chanty cheer leader bridge that I absolutely LOVE. We spent all day doing vocals and the next day recording background vocals. I think it’ll end up being the first single and Max said it’s his favorite song he’s ever been a part of." Taylor: "The problem was, I had all these lyrics, and I didnt have, like... writing session was coming up and I'm just like "I'm not getting a melody, I'm dead, I don't know what I'm gonna do." The thought terrified me, so I just sorta sulked into the studio and I was like "Guys, I have like an idea but its like, lyric, but I... and I know the vibe I want-- I want it to start off and the second the song starts, I want it to be the song where like, if it's played at a wedding, and there's this one girl who hasn't danced all night at the reception, all her friends come over to her and there like "You have to dance, come on, you have to dance on this one!". That's what I wanted. So I was like "Shellback, can you just go to the drum kit and try to play that?" Taylor: "There's one thing that I've always said to Max, is like "I don't like horns" I just always had a thing about it, I was always like weirdly scared of it, or intimidated by horns, I don't know what it was? It's a weird, like, nerdy studio fear of mine. I was like "No, no horns!" and I don't.. I don't even know, I don't have a reason for it, I love songs that have horns on them, I was just like "I don't think I can pull off horns." Strange. But, he goes over to the mellotron and he starts playing this horn sound. I'm like "What are you doing. Don't do that." and he's like, "No, I think this is cool" and I'm like "No it's not cool, and where are your chorus chords, because, that, you're just playing three chords over and over again and I can't make a chorus out of them, why don't you go to like a chorus chord that starts off the chorus, where is the one, like why don't you go--" and then there was this moment, where I thought of the whole chorus, and it's over the chords that I had just told him are not "chorus chords", which is a ridiculous thing to say."

February 18, 2014: Taylor is photographed entering Conway Studios

Style: Feb 19, 2014 (Confirmed)

Niklas Ljungfelt (guitarist): I played on “Style,” a song I started with Ali Payami for ourselves. He was playing it for Max Martin at his studio; Taylor overheard it and loved it. She and Max wrote new lyrics. But I recorded the guitar on it before it was a Taylor song. It was an instrumental. I didn’t have a clue that Taylor would sing on it. The inspiration came from Daft Punk and funky electronic music. Taylor: I'm pretty sure after we finished this one I knew the record was done. Shake It Off and Style were the last two songs to be written for 1989.

March 2014: Taylor's interview with Glamour is published (likely conducted two months beforehand)

TS: Working on this album has been unbelievable [...] I'm already in love with it. It's so different. CL: What's the new sound? TS: On Red I did three songs with Max Martin Shellback [...] I think we'll be doing a lot more than three songs together on the next album [Laughs].

March 26, 2014: Taylor is photographed entering a music studio in New York

"Slut!": 2014 (Unknown)

Taylor: The song “Slut!” is a song we wrote for 1989 and in it, I kind of cheekily play on the discussions at that time of my life around my dating life. And that’s not the only time on 1989 that I’d done that, I’ve done that on “Blank Space” and when I came down to having to pick songs for the album, I think I though, “Okay, well, I’m going to choose ‘Blank Space’” and, unfortunately, had to make some tough decisions in terms of what to put on the tracklist. But I love this song because I think it’s really dreamy. And I always saw 1989 as a New York album, but this song, to me, was always California, and maybe that was another reason it didn’t make the cut, because sometimes, thematically, I just had these little weird rules in my head. But I’m so happy it’s finally going to be something you guys hear, because I have always been proud of it, I’ve always wanted it to come out into the world and now it is, so yay!

Suburban Legends: 2014 (Unknown)

Taylor hasn't talked about this song, and it was produced by Jack Antonoff, who she didn't schedule time in the studio with in the same way she did with Max Martin and Shellback, so there's not a lot to work with.

Is It Over Now?: 2014 (Unknown)

Similarly to Suburban Legends, Jack produced this, so there's no obvious point in time to point to. She has spoken briefly about it though. Taylor: “Is It Over Now” is a song I wanted to end the album with because I think it’s kind of a fun play on words of like, “Is the album over now?” I always saw this song as sort of a sister to “Out Of The Woods” and “I Wish You Would,” I kind of saw those songs as similar, so, unfortunately, when we were making these decisions of what to put on 1989 and what to leave behind, I had to make some tough choices, and now it doesn’t matter anymore because you guys are going to hear all the songs. I’m so happy this song is out. I really love the “let’s fast forward to three hundred takeout coffees later,” that session, I just feel like head banging to every time it comes on. Hope you agree.

May 30, 2014: Taylor writes in her diary:

So a crazy story unfolded in the last 24 hours. Last night, I had this vivid dream where the photo I’d chosen for the album cover wasn’t good enough, intriguing enough, artful enough. It woke me up. I couldn’t shake it and it stayed with me all day. Because that nagging feeling I’d been pushing back for weeks was now confirmed in my gut … It wasn’t good enough. I went to the venue, mind racing, wondering if I’d have to do an entirely new photo shoot … I got to my dressing room with newer versions of the “cover.” I looked at it and felt nothing. The team pulled up this new scanned file of the Polaroids we had taken during the shoot. I saw within 10 seconds. The shot. The cover. It’s a Polaroid of me sitting against a beige wall with a blue seagull swear shirt on. You can see my red lips, but the photo cuts off my eyes. From some reason unknown to me, it’s the most intriguing photo I’ve seen. I think it’s the mystery of not seeing my eyes. Maybe it just looks effortlessly cool. The craziest moment came when something caught my eye. The cover photo is photo 13. I kid you not.

August 23, 2014: Taylor is photographed walking out of a studio in LA (Note: I can not find a place that specifies if this is a recording studio, dance, photography, radio, or television studio.)

Now That We Don't Talk: Summer 2014 (Speculation)

Seeing as Taylor said she didn't have time to figure out the production, I imagine this came fairly late in the process. Taylor has a habit of adding songs right up to the deadline-- with Folklore and Evermore, she added multiple songs a week before the album came out. The latest she added songs to albums while signed to Big Machine was September, though (both Forever & Always and So It Goes...), so I assume that's the absolute latest she could've added a song to 1989. Taylor: "Now That We Don’t Talk” is one of my favorite songs that was left behind, it was so hard to leave it behind, but I think we wrote it a little bit towards the end of the process and we couldn’t get the production right at the time. But we had tons of time to perfect the production this time and figure out what we wanted this song to sound like. I think it’s the shortest song I’ve ever had, but I think it packs a punch, I think it really goes in. For the short amount of time we have, I think it makes its point.

And that's all for this timeline! Check out my others:

TIMELINES: debut • fearless • speak now • red • 1989 • rep • lover • folklore • evermore • midnights PLAYLISTS: debut • fearless • speak now • red • 1989 • rep • lover • folklore • evermore • midnights • entire discography GENERAL: tag

[mirai-e-jump]

Uchusen Vol.184 (Spring 2024) Bakuage Sentai Boonboomger | Detail of Super Sentai ft. Main Cast & Staff Interviews (translations below)

Publication: April 1, 2024

Iuchi Haruhi x Hayama Yuki x Suzuki Miu

"First, regarding the three of you, we'd like to ask, what motivated you to pursue the entertainment industry and acting in the first place?"

Iuchi: When I was in my second year of middle school, I saw the TV drama "Death Note" starring Kubota Masataka-san, which motivated me to become an actor. When I was in elementary school, I was really lacking confidence and always wanted to be someone other than myself, so when I saw Death Note, I felt that I could become someone else if I was an actor.

Hayama: I joined my current agency at 16 after being contacted in Osaka. At the time, I wanted to become a hairstylist, and at first I was thinking of turning down their offer, but the agency contacted me for over six months, and my mother said, "Since they're going this far, why don't you take atleast one audition?" And so, I took it and passed, and now I'm sitting here (laughs). I can say this now, but I did my first job without knowing what I was doing……But as I did it, I learned to enjoy the work, and from there I decided to become an actor.

Suzuki: When I was little, I was a regular reader of "Nicola," a fashion magazine for middle schoolers, and I'd carry it with me everywhere I went every day. It started when my sister recommended that I audition as an exclusive model. I applied when I was in my fifth year of elementary school and made it to the final round, but was rejected there. I was so disappointed, that I applied on my own the following year and was accepted.

"Why did you decide to also pursue acting after joining as a model?"

Suzuki: It started when I took acting lessons at my agency. At first, I wasn't very good at the lessons, but after 2-3 years, I had a moment where I felt that acting was fun. It all started with something trivial during a lesson, but from there I wanted to become better, and now I'm working hard at acting.

"Have you watched any of the previous Super Sentai or other tokusatsu productions?"

Hayama: I loved "Kamen Rider Kabuto," and had the transformation items for all the Kabuto Riders and I used to play with them with my younger brother.

Iuchi: I also watched alot of them. My house was full of Kamen Rider toys and my cousin's house was full of Super Sentai toys, so we used to play with them at each other's houses. I remember "Kamen Rider Wizard" being my favorite.

Suzuki: My older sister liked Super Sentai, so because of her, we used to watch "Mahou Sentai Magiranger" together. The other day, when Director Watanabe Katsuya asked me, "Have you seen any of the older tokusatsu shows?" I said, "I watched Magiranger!" and he said, "I used to film that too." I was deeply moved and happy to think that I'm now creating new heroes together with the people who created heroes for me to admire when I was a kid.

Hayama: Someday, we'll also become the ones who people admire.

Suzuki: I want to become one!

Iuchi: There's no doubt.

"What were your first impressions of Boonboomger?"

Iuchi: When I saw the materials for Boonboomger at our meeting, I felt that the designs and naming were back to the "taste" of the old days compared to the recent Super Sentai (laughs).

Hayama: When I read the script, my impression was that Boonboomger would be a cheerful and easy to understand show that both parents and children could enjoy together.

Suzuki: When I first saw the visuals, I thought it was quite original (laughs). It's like it was etched into my mind at first sight. The tires being slapped onto their faces leaves an unprecedented impact.

"How do you feel about the characters you're playing?"

Hayama: I had heard that he was a really cool character, and that's what I thought when I read the script, but as the story progressed I couldn't help but wonder……Is Ishiro really that cool? (laughs). My impression of him changed.

Suzuki: Mira is an innocent, energetic and cheerful mood maker, and I get the impression that she's similar to me. I think it's very easy to play, and that I'm able to project what I have into the role.

Iuchi: My first impression of Taiya was that he was interesting but difficult. When I read a script, to form my first impression, I often think about how the character's personality is similar to that in an anime or movie, but that didn't come out at all with Taiya. Gradually, I'm trying to find my own version of Taiya.

"What were your first impressions of each other?"

Iuchi: I've been together with Yuki-kun since the audition. I was Red and Yuki-kun was Blue, which is a common combination, and while everyone at the audition was nervous, my first impression of Yuki-kun was that he was sharp, cool, and very much Blue. It's completely different now (laughs).

Hayama: Hey?! (laughs).

Iuchi: Once I got to know him, there wasn't a hint of coolness (laughs).

"What about Suzuki-san?"

Iuchi: My first impression at the meeting was that she's someone who pays close attention to her surroundings, and she gives off the image of treating each person in the way they'd like to be treated.

Suzuki: That was your first impression?! I'm glad (laughs).

Iuchi: My impression of Suzuki-san hasn't changed (laughs).

"Hayama-san, what about you?"

Hayama: As Haruhi mentioned, I often worked with him from the early stages of the audition. I wasn't aware of it at first, but Haruhi had also passed the audition, and I was happy that the partner I was competing with for so long was there. My first impression of Haruhi was that he was a quiet person. But when it comes to acting, his voice changes, or rather, the way he speaks changes. His on and off switch is amazing. Now that I can see more of Haruhi's natural side, the image I get is that he acts appropriately for his age (laughs).

"What about your impressions of Suzuki-san?"

Hayama: The four male members of Boonboomger are surprisingly shy, and when we're unsure of what to say, Miu-chan will talk to us and bring the four of us together, so I have the image that she's a caring person. Now, she's surprisingly outspoken and is showing new sides of herself.

"Suzuki-san, what are your impressions of these two?"

Suzuki: Haruhi-kun has a very distinct voice. I got the impression that he was someone who spoke in a very calm and comfortable tone. Also, at the first costume fitting, when they asked if anyone had any problems with their costume, Haruhi-kun raised his hand and said, "I don't know how to walk in these sneakers." The heels on Taiya's sneakers are about 6cm high, and I was really impressed by the way he walked in a very unusual way, without bending his knees, he looked like a penguin (laughs).

Iuchi: They had a high bottom like heels. I've never worn heels before, so I didn't know how to walk in them (laughs). I ended up having the insoles lowered so I could walk safely.

"What about Hayama-san?"

Suzuki: My first impression was that he was a cool person. It's different now (laughs). He's very silly, very meddling, and an interesting Kansai person.

Hayama: How strange (laughs).

"Filming has progressed and we think you've gotten a feel for your characters, but what parts of your performance are you mindful of?"

Iuchi: As mentioned earlier, I still haven't fully grasped Taiya himself yet, but I decided to create Taiya not by thinking about him, but by thinking about the kind of character he is when he's with "this person." I'm getting to know Taiya through his relationships with the people around him, such as the sense of distance between him and Ishiro, and between him and Mira.

Hayama: There are many things about Boonboomger and our character's pasts that I can't talk about yet, but I've had the opportunity to learn more deeply about Ishiro's relationships and the way he interacts with people, and thanks to that, I feel I have a better grasp on my performance as Ishiro.

Suzuki: It's a small detail, but when I speak with a loud voice, my voice tends to come from higher up. However, Mira is an aggressive kid who's always moving forward on her own, so I try to act with the image of putting her voice forward as much as possible. When I saw the broadcast of the first episode, I felt that my voice came out too high, so now I'm trying to express Mira's momentum by bringing my voice forward.

"Did you two get any feedback on your performance from watching the finished footage?"

Iuchi: Taiya's a character who isn't overly emotional, but the Director pointed out that I was too conscious of this and that there was little intonation in my line delivery. When I watched the first episode again, I realized that when the sound effects and BGM were added, my dialogue was drowned out and lost. My voice is loud during battle scenes, but I thought it sounded kind of monotonous in other scenes. I felt that alittle more inflection and speed could be added from the time I'm Taiya before transforming into BoonRed.

Hayama: For me, it was more a reflection than a new discovery. At first, there were parts where I didn't fully understand what the Director was saying, but after watching the footage, I finally realized what it was he was trying to say. I'd like to make the most of it in future shoots.

"After watching the footage, It seems that everyone's performance may change in future episodes. So, is there anything you'd like to challenge yourself with in Boonboomger?"

Iuchi: I'd like to act with more emotion. Like Mira, she's happy, angry, or sad to the fullest, Taiya hasn't had a scene like that yet, so I'd like to try it.

Suzuki: I'd like to try the so called "swapping episode." The other day, we all practiced for a possible situation where our roles have been swapped. For example, I tried predicting what Ishiro would be like in Mira by saying certain lines. So, if there was a swap, I think everyone would be able to do it at a pretty high level (laughs).

Hayama: For me it's action. The first time I practiced action, it was so difficult that I couldn't imagine what it would be like to film it while acting and saying lines. But, I think I can learn alot from it, so I want to give it a try.

"And finally, please tell us some key points to watch out for to make Boonboomger even more enjoyable."

Hayama: Some may feel that Ishiro is a cold person based on his attitude toward Mira at first, but he's a character kinder than anyone else. He doesn't view things with a biased perspective, and is a man who treats people with respect. So, as the story progresses, please pay attention to the relationships between Ishiro and the people around him. I especially hope people look forward to his relationship with Mira.

Suzuki: The five of us are all unique, and if we were in the same class, we would never belong to the same clique. What will happen to these five going forward? I think we may clash with each other when we're together, but how will we change and "become one color"? I'd like you to pay attention to that.

Iuchi: I'd also like you to pay attention to the battle scenes. The staff told me that they place importance not only on coolness, but on how to incorporate a comical touch to the coolness. The voice actors adlibs are also amazing, for example, in the first episode, Mizuki Nana-san, who plays Ittasha, adlibbed "Ka-click" before saying "Ignition," and Matsumoto Rica-san, who plays Bundorio, also adlibs, which is always fun. Because I've read the scripts, I can see that there are alot of lines that aren't in them, and I think you can especially see that in the battle scenes. I'd be very happy if you could pay attention to the comical side within the coolness.

Saito Ryu x Soma Satoru

"First, please tell us how you both became interested in the entertainment industry and acting."

Saito: When I was in my second year of high school, I won the Grand Prix in the Junon Superboy Contest, and that's when I entered the entertainment industry. When I was in middle school, I had the opportunity to think about my career path, but at that time I couldn't find what I wanted to do. However, I admired heroes and wanted to do something to help others, and after that I studied to become a high school teacher. Still, since we only have one life, I wanted to do something even bigger, so I applied to Junon, and that's when I decided to pursue a career in the entertainment industry.

"Does that mean you admired (super) heroes? Did you watch tokusatsu shows?"

Saito: I watched Super Sentai and Kamen Rider. Heroes who purely fight for the sake of others are cool, I admired them. Boys like that kind of thing even after they grow up, don't they? I thought that I wanted to get a job where I could protect people, like a firefighter, policeman, or a school teacher who leads people.

"BoonBlack, who's also a police officer, is a perfect role for Saito-san."

Saito: This character is the very embodiment of my dream!

"Soma-san, what about you?"

Soma: When I was in high school, I was thinking about what I wanted to do, but nothing came to mind. I thought that I might be able to change if I came to Tokyo, so I moved to Tokyo, found employment, and worked in sales for four years. I had alot of connections during that time, and as I worked at my current agency, and was given the opportunity to do things like model, my desire to do acting grew stronger……and that's how it all started.

"What kind of roles do you want to play?"

Soma: I'd like to play characters who are psychopaths (laughs). Genba Bureki isn't a psychopath, but he's a mysterious person whose true identity is unknown, so I think there are some similarities. I've always wanted to take on a role like that, so I'm really looking forward to discovering many new things about myself by playing the role of Genba.

"Saito-san, you said you admired heroes, so can you tell us about the tokusatsu shows you watched during your childhood?"

Saito: I'm from the generation of "Engine Sentai Go-onger," but I was really into "Kamen Rider Ghost." I love historical stories, especially "Romance of the Three Kingdoms," so I was waiting to see if any generals from the Three Kingdoms would appear in Ghost.

Soma: I used to watch "Kamen Rider 555" and "Kamen Rider W," and for Super Sentai, I still have the "Ninpu Sentai Hurricanger" book that I got in preschool at my parents house.

"Soma-san later made an appearance in Avataro Sentai Donbrothers……"

Soma: After playing the role of a playboy (the one who tried to pick up Sononi in episode 8), I finally became a hero this time (laughs). The first filming location for Boonboomger was the same for me in Donbrothers, so I thought, "This is where I was picking up women!" It's kind of inappropriate to say though (laughs).

"When it was announced that the two of you would be appearing in the next Super Sentai production, including your family, what was the reaction from those around you?"

Saito: I didn't tell my family until the very last moment before the production announcement. On the day of the announcement, I told them in a video call that, "I'm going to be playing the role of Black in the next Super Sentai." My father, mother and older sister froze for a moment and then burst out laughing for some reason (laughs). They congratulated me, but then my mother immediately said, "More importantly, there's no snow in Akita, so we can't make snow huts (kamakura)." I thought, "What do you mean more importantly?!" (laughs). No matter how hard I tried to explain it to her, my mother kept talking about snow huts. Especially since I don't come from a family that makes a living off building them (laughs). Still, rather than them expecting too much, I think I preferred it being this easy, so I didn't feel any pressure.

Soma: I think my mother was particularly pleased. Also, my older sister has a 3 year old child, so I'm hoping that when they're older, they'll watch Boonboomger. I want to tell them that their uncle is a Boonboomger.

Saito: If my nephew asked me to "Henshin!" I think I'd do it immediately (laughs).

Soma: I'd call Ono Yukimasa-san (BoonOrange's Suit Actor) to transform for me (laughs).

"What were your initial impressions of Boonboomger during the auditions?"

Soma: At the time of the audition, I didn't even know the name "Boonboomger" yet. However, when I read the script, I felt that the atmosphere would be alittle different compared to recent Sentai.

Saito: I went into the audition thinking that I wanted to be Red, but my image of Red was that from older productions……I imagined Red as a super hot blooded and serious character, but Taiya isn't like that at all. Rather, I'm more like Jou, and as a result, I perfectly fit into his character (laughs).

Soma: Since I'm 27, I didn't aim for Red. I have the impression that recent Sentai casts include older members among the younger ones, so I was auditioning with a pinpoint aim for that position.

"Did you two meet each other at the audition?"

Soma: We met in the third or fourth round of the audition, right?

Saito: I remember my impression at that time. Satoru-kun was really mysterious and I didn't know what he was thinking. Because it was an audition, everyone was very intense, but for better or for worse, only Satoru-kun was just mysterious. He was so laid back, but he had such a strong presence that I thought, "Who is this guy?" That's why I was scared of him at first. But when I talked to him, I found out that he wasn't like that at all (laughs).

Soma: He spoke clearly and had a fresh feel to him, and I felt at ease knowing that he wouldn't be playing the same role as me.

"What are your impressions of Red, Blue and Pink?"

Saito: To be honest, from the beginning of the audition, I felt that Haruhi and Yuki-kun were Red and Blue.

Soma: That's for sure.

Saito: Haruhi's voice and way of speaking are truly Red. The moment I heard his voice at the audition, I immediately "shifted gears" that Haruhi was already Red (laughs). It's not good to focus solely on Red, as Yuki-kun's way of speaking and personality are also Blue. Then I thought about what I could do and gave it a try.

"What about Suzuki-san?"

Saito: I'm not very good at remembering women's faces and names, and I don't really remember much about Miu-chan from the audition……However, I was impressed by a girl who gave me a fist bump, and later I found out that that girl was Miu-chan (laughs).

"Now, please tell us about the characters you're playing."

Saito: Jou's a character with a high amount of freedom, and I'm often asked to adlib or "try something" on set. It's a really incredible role, but it's difficult. The other three male members are cool or mysterious and don't show much emotion. Jou shows his emotions, so I try to express them through my face and body, but it's still difficult. I'm learning how difficult it is to express myself, because I sometimes feel that I'm not expressing myself well, or that it's unnatural. I hope to bring out more of the pitiful and clumsy, yet still lovable character of Jou.

Soma: Up to the current episode that's aired, there are many aspects of Genba that even I don't understand. However, he's the kind of character who will reach out to you when you need him, so I hope I can express both his sketchiness and kindness. He's a character I've never played before, so it'll be difficult.

"What are you mindful of when playing your roles?"

Soma: I'm the oldest of the Boonboomger members, and Genba is also older than the other characters, so I'm conscious of giving off a sense of seniority by speaking in a calm manner. And then there's being suspicious (laughs).

Saito: I feel that Jou's a character that's as close to me as possible, and I think it'd be good if I could bring him closer to me. However, when I try to express Jou's straightforward feelings, I find it difficult to do so. Because the character is so close to me, it's difficult to express the parts of him that are different from me.

"Was there anything that the Director told you during filming that left an impression on you?"

Saito: Director Watanabe Katsuya told me, "You're a rugged and passionate guy like the old Reds, give it your all." I was happy and could feel the Director's passion.

Soma: Genba's hair is orange and permed, so the Director's first order to me was, "I don't want him to come off as a player." I was conscious of the way I spoke and the tone of my voice, keeping my voice low so it doesn't sound too loud.

"Have you spoken with the post transformation Suit Actors?"

Saito: At the beginning of the story, when Jou doesn't appear much and doesn't transform, I didn't have much of a chance to talk to Shige-san (Ito Shigeki). However, I had alot of performances where I was suspended by wires, and Shige-san gave me advice on how to move.

Soma: I can't talk about BoonOrange in detail yet, but I'm trying to make him look more mature while talking with the Suit Actor Ono Yukimasa-san and the Directors. Other than my own role, I'm paying attention to the performance of the Nejiretta. Within Boonboomger, I like the Nejiretta the most!

Saito: Satoru-kun imitates the Nejiretta any chance he can get (laughs).

"Going forward, is there anything you'd like to do in an episode of Boonboomger, or is there anything you'd like to try as an actor?"

Soma: I'd like to do a swapping episode, which may become an annual thing. I'd like to play a character that I'd never play, someone like Mira.

"In our interview with Suzuki-san, she also mentioned that she'd like to do a swapping episode. However, she predicted that Ishiro would be in Mira (laughs)."

Soma: She's been taken (laughs). But, it'd be fun to swap characters with anyone.

Saito: You love the Nejiretta so much, that you'd swap with one of them (laughs).

Soma: I'll go all out when the time comes! (laughs).

"Saito-san, what about you?"

Saito: I'd like to do a battle scene before the transformation. Of course, I want you to see Black's battle after his transformation, but I also want to fight myself. I've been taking action lessons and I think I can do some basic things, so I'd like to do some pure action scenes. I hope the time will come when I can show you the results of my daily muscle training (laughs).

Soma: When changing clothes, everyone else changes in the dressing room, but he changes his clothes on set and shows off his muscles (laughs).

Saito: I'll pull myself together and make sure I'm ready for you all to see me without being embarrassed (laughs).

"And finally, could you tell us about some key points to watch out for to make Boonboomger even more enjoyable?"

Saito: I think Super Sentai in recent years has had many heroic action scenes, and the Robo battles are also very powerful. I hope you'll enjoy the real thrill of tokusatsu. And then there are the Sanseaters. They're not just villains, but rather, lovable characters who are somewhat clumsy, so I think you'll enjoy it even more if you pay attention not only to us Boonboomgers, but also to the enemy characters.

Soma: Don't forget the Sanseaters and Nejiretta (laughs). The members of Boonboomger have distinctly different colors and personalities, so I think you'll be able to discover new aspects of each character every time. I'd be happy if you enjoy discovering these new aspects of every character each time you watch.

Producer Kuji Yoshito x Main Writer Tomioka Atsuhiro

"Kuji-san has been involved in the production of many Super Sentai series, but this is his first interview with this magazine. May we ask about your background?"

Kuji: I joined Toei in 2011, and was one of the rare new employees at Toei who loved tokusatsu (laughs). I was involved with "Space Sheriff Gavan The Movie," and for Super Sentai, "Zyuden Sentai Kyoryuger" and later "Shuriken Sentai Ninninger," but after that, I was transferred to the Educational Video Department and was separated from tokusatsu. Last year, I heard about the use of LED walls in King-Ohger and was very interested, so I gathered information within the company and visited the filming location. I don't think this had anything to do with it, but I was later transferred to the Drama Planning and Production Department and joined the team as a Producer for King-Ohger. As a tokusatsu enjoyer, this was something I couldn't have hoped for, but on top of that, as I was entrusted with the job, I was told that, "You'll also be the Chief Producer of the next Sentai…"

"In addition to the production currently being aired, he'd soon take charge on a new one…! Did you have an idea who the Main Writer would be at that point?"

Kuji: I originally loved "Battle Spirits," which Tomioka-san wrote for. Because of that impression, I was hoping to work with him someday. So, as soon as I started thinking about the new project, I consulted with Tsukada Hideaki, who had worked with Tomioka-san on the anime "Fuuto PI" as Chief Director, and said, "I'd like to meet Tomioka-san! Please introduce me!"

Tomioka: Suddenly, I received an e-mail from Toei, so I assumed it was a request from Toei Animation.

"Tomioka-san has participated in many productions by Toei Animation, such as ONE PIECE and Dragon Ball Super."

Tomioka: When I read it carefully, I was so happy that I jumped up and down because it was a request for a live action production, which I had longed to do. However, there was no mention of the "to" character for "tokusatsu" in the e-mail, so when it was decided that we would meet……I wondered if I'd be able to write about "Kasouken no Onna." After hearing about the Super Sentai series, I wanted to write a live action drama, which is why I originally entered this industry, and furthermore, I wanted to write a tokusatsu hero story, so I said, "I'll do it!"

Kuji: He was very enthusiastic. I was also very happy because we were taking a chance. Joining in on Tomioka-san's high motivation, the conversation proceeded at a rapid pace from there.

"What was the reason you originally wanted to write tokusatsu?"

Tomioka: I love toys! Even when I was working on my debut work in anime "Brave Exkaiser," I was collecting toys of the Gattai Robos. I always wanted to write a tokusatsu show that's closely intertwined with the toys, but I could never find the right opportunity to do so. And then, Kuji-san approached me. I had written stories for various productions in the past while keeping pace with the toy release schedule, so there was no trouble in creating the story. When I heard that the motif this time was cars, I was excited and thought, "I can do car action!" but then I calmed down and realized that you can't really do car crashes in the city nowadays. Nagahara Hideichi-san, my Scriptwriting mentor, wrote "Seibu Keisatsu" in which they drive an armored car through Ginza and had car action, so I'd like to create a world like that someday (laughs).

"It was decided from the beginning that cars would be one of the motifs, right?"

Kuji: Although the keyword was ultimately decided after discussions with TV Asahi and Bandai, I originally wanted to use "creative" as a keyword. Of course, there are many Sentai productions that use cars as a motif, but if we were to upgrade them to modern values, I thought it would be possible to incorporate the "manufacturing" that children are familiar with from videos and games. For example, in the past, the super machines would be given to them by a large organization or an unknown entity like, "We'll give this to you guys!" So instead of that, I thought that building and riding machines from their own hands would be an easier choice for admiration in the modern day. From there, I expressed to Tomioka-san this desire to portray a team doing something creative while gathering together for a mission.

Tomioka: In other words, it's like "Fast & Furious" (laughs). In addition, it's tempting to make cars talk as a way to appeal to younger viewers, but if you're really conscious of the fact that they're cars, it's better not to make them talk. I wanted to express that a machine is the best it can be because of the awesome power of the human driver. Also, in addition to the Boonboom Cars, the five of them would've had a car (through production), and I suggested that their occupations be car related, but that didn't work out……As you can imagine, we can't send out five cars all at once.

"At the same time as Tomioka-san, was pilot Director Nakazawa Shojiro also sent an offer?"

Kuji: When I was thinking about the image of the heroes I wanted to create, I wanted a Director who would take the direction I had created with Tomioka-san and push it even further beyond our imaginations. I think that Nakazawa-san is a Director who adds twists to the story, not just pure coolness. I asked Nakazawa-san to direct the pilot because I wanted him to take Boonboomger to a place where my sensibilities couldn't go. Besides, Tomioka Atsuhiro x Nakazawa Shojiro was the combination I most wanted to see. This combination is "alchemy" at its finest.

"Because of the use of LED walls in the previous work King-Ohger, we think there was more filming on set than on location. On the other hand, in this production, there's alot of filming on location due to driving cars. What were your guidelines for filming?"

Kuji: They really pushed King-Ohger to the limits to see how far they could go with their technological capabilities. This allowed the staff to share the work "calories" for each process. As Tomioka-san mentioned earlier, it's difficult to produce five regular theatrical cars. However, I had alot of discussions with the staff about the possibility of producing many Boonboom Cars by using assets (3DCG model data). Live compositing is used to represent the Boonboom Cars cockpit, the highway space, and the maintenance room. While considering sustainable work calories, I thought about how to produce the best image in a timely manner.

"In the first episode, Mira joins the Boonboomger and the story begins with a three member team. How did you come up with the story?"

Tomioka: We were thinking of doing something that would be most pleasing for children, our main audience, in other words, the classic battle hobby for boys. Taiya and Ishiro, and even Bundorio were already a team, and were strong from the beginning. In my experience, this structure, where it's important to be strong from the beginning, and then add the newcomer Mira to further strengthen them, is something that children feel good getting into. When I heard Kuji-san's idea of each person being a car related professional, Shirakura Shinichiro-san, who happened to be present at the meeting, said, "It's like the Hissatsu series." Actually, I love the Hissatsu series, and Shirakura-san's words made me really excited, thinking, "I can do something that I've always wanted to do but haven't been able to do!" I hope I can portray adults that children will admire to become. The style that's often depicted in the Hissatsu series is that a newcomer (Mira) joins the professionals, and the pasts of the other members are slowly revealed. Then it naturally becomes a story about the bonds of the team. The story line of Boonboomger is moving in an increasingly interesting direction as we incorporate ideas from other Scriptwriters one after another.

"Looking back at the Super Sentai series over the past few years, Ohsama Sentai King-Ohger, Avataro Sentai Donbrothers and Kikai Sentai Zenkaiger have been written almost exclusively by a single Scriptwriter. Tomioka-san, you're working with multiple Scriptwriters to create Boonboomger, what's your goal?"

Tomioka: I believe that by incorporating ideas that come from other people, not just myself, the characters will be able to develop. I'd love to write all the episodes by myself, but I think it's more appropriate if this production is written by a team of multiple people. Besides, it'd be boring to keep the heroes I've always wanted to myself. The style I like is to call my friends and then we all go wild in this new world together. First, since I was approached for "Fuuto PI" by chance, I was sure that Higuchi Tatsuhito-kun, who was in charge of the composition for the Fuuto series would be invited. Additionally, I approached Yamaguchi Hiroshi-san, who worked with me on "K-tai Investigator 7," once the project had been decided to a certain extent. Yamaguchi-san also writes to the extreme at full power. When I came to the Toei Tokyo studio with Yamaguchi-san, he said, "You're always on the opposite side, right? (at Toei Animation)" (laughs). Also, we have a younger man named Morichi Natsumi-san participating. Higuchi-kun and I are inspired by each and every tokusatsu scene, and our members have a deep and reassuring love for the characters. I've also reached out to Konuta Kenji-san, a former Writer for "Uchusen," and I'm hoping to work with this team until the final episode. There's also the fact that each of us wants to write only for the characters we have a strong attachment to (laughs). Like the Sanseaters……

"We'd like to ask you about the enemy characters here, but the Sanseaters seem to have a formation that we've seen in a production that Tomioka-san has worked on…….?"

Tomioka: Team Rocket from "Pokemon," right? (laughs). This time, due to various restrictions, the enemy doesn't have a hideout, so I wondered what kind of enemy I should make…..When I thought about it, I suddenly remembered the Greeed from "Kamen Rider OOO" and Heart and the others from "Kamen Rider Drive." Every time they're in some unknown place, they're talking to each other. When I thought about if I could get any inspiration from that……I came up with Team Rocket. I thought, "Villains who sleep outdoors!" (laughs).

Kuji: It was Tomioka-san's idea. There was no reason to hit the brakes anymore. We all stepped on the gas during the meeting.

Tomioka: To begin with, Yamaguchi-san and I grew up watching "Himitsu Sentai Gorenger," so when we think of Sentai enemies, we got the impression that they're monsters who are abit stupid and do interesting things.

"Listening to his story, we can see that Tomioka-san, who is an authority in children's productions, is putting into full use what he's cultivated. However, you haven't worked on a tokusatsu show since K-tai Investigator 7, and this is your first time working on a Toei tokusatsu production. Did you feel at a loss in that respect?"

Tomioka: In "K-tai," the enemy wasn't monsters. The main focus was on fighting hackers, and the only thing "tokusatsu" was the cell phones (Phone Braver) moving. In contrast, in the Super Sentai series, there are monsters, they become giant, the heroes announce themselves, they transform, and…..alot of other things. I thought I knew what I was getting into, but when it came time to actually write the script, it was difficult.

"There's something you have to do each time."

Tomioka: That's right. On top of that, in order to create something interesting, we received a variety of ideas from tokusatsu Director Butsuda Hiroshi for the giant battles, as well as feedback on what to do with the regular sized battles from Directors with past experience. The interesting part is the drama part, where the Directors don't often express their opinions. Therefore, when thinking about the drama part, I prioritized what Kuji-san wanted to create. I think this is the biggest difference from anime.

"Do you mean that you put the Producer's opinion first?"

Tomioka: In my experience, it's rare for a Producer to lead a production by himself, because in the case of anime, the opinion of the author is important if it's an original story, and the opinion of the Director or series creator is important if it is an original production. However, when Toei's tokusatsu shows are first announced, fans are always wondering who the Chief Producer is, aren't they? It's refreshing to know that fans are also paying attention to who will lead the production.

Kuji: That's what Tomioka-san says, but from my point of view, I'm being too dependent on him. Normally, the Chief Producer of Toei tokusatsu productions usually leads the discussion in meetings, but Tomioka-san took my opinions into consideration and organized the discussion by saying, "This is what you want to do, isn't it?" By incorporating the opinions of other Writers, he makes it even more interesting by saying, "This one's more explosive!" I think this is reflected in the footage in a good way. Maybe this is a style that hasn't been used in the past 47 series.

Tomioka: Come to think of it, in anime, a series composition chart is created to show what happens from the first episode to the final episode, but it seems that they don't usually prepare one for the Super Sentai series.

Kuji: Even though we have a rough idea of what we want to do, it has a strong "live" feel, so there's a possibility that we'll have to adjust the story halfway through.

Tomioka: I couldn't help but be anxious about that……So, before writing episodes 3 and 4, I told Kuji-san, "I want to decide how the story will develop until the end." Of course, taking into consideration the scheduled release of items and Robos, I made a series composition chart, and decided to some extent how many episodes with Taiya would be depicted in the series. But basically, we hope that everyone will enjoy each week's explosive episodes. And then, I'd be very happy if you thought, "That was fun! Let's play with toys too!"

"Boonboomger is finally airing, and it's going to be a year of excitement. We'd like to ask you about some key points of interest that readers who are looking forward to Boonboomger can enjoy even more."

Kuji: Boonboomger is a show that'll cheer you up when you watch it. The staff has put together what they think is "cool," so whether you're an adult or child, there's sure to be a key point in each episode that'll stick with you. We're working diligently on this production, hoping that it'll be a show that'll allow people to absorb the exciting energy on Sunday mornings and look forward to the following week. We'll continue to rev our engines so that we can provide excitement to everyone of all ages and genders!

Tomioka: I see this production as a story of friendship between Taiya and the alien Bundorio, and a growth story depicting the relationship between the Boonboomgers. In addition, as a toy lover, I'm excited to write about how much I can make the Boonboom Changer and Gattai Robos more appealing. Of course, we'll do our best to bring out the charm of the untransformed actors and make this a production that'll make children want to play as Boonboomgers. Now that they've finally started running, where will they go from here? I'd be happy if you look forward to watching them all year long!

[shiro-s2e2-erukinzu]

Anime only watchers and people who aren't caught up with the Manga, BEWARE... Cuz I'm about to discuss Spy X Family Short Mission 14... You have been warned...! 👌

[SPOILERS AHEAD FROM THIS POINT ON]

Today's chapter was a Short Mission and it was ADORABLE!! 😍

WE'RE GOING TO THE MOVIES WITH THIS ONE FELLAS!! 🗣 So let's talk about Short Mission 14, shall we...? 😄

Just like in Mission 105 before it, Short Mission 14 involves going to the movies in it, but this time...:

...Becky wants to take Anya to the movies!😆

Anya wants to go see a movie called Gobyzilla Vs. King Chihuahua (which looks HILARIOUS 🤣), but the movie that Becky is taking Anya to go see is the same movie that Franky and the Teller saw at the end of the last chapter, Love Distance:

Oh Anya, never change...!! 😂

Anya then tells Becky that she only likes movies with fighting in them, but Becky (who still thinks that Anya has a crush on Damian) insist that Anya will never get with Damian she doesn't learn about romance, which makes Anya think that it's for The Friendship Scheme (AKA Plan B) so she's willing to go now and Becky even invites Yor to come along as well...!! 😄

Once at the theater, it's very clear that Becky is the one that is most engrossed into the film (though they all seem to be enjoying it thus far...!! 😁)

Then, by the time the movie reaches what I assume is its conclusion, THIS is everyone by the end of it...:

I love how UNAMUSED Mathra looks while Anya, of course, IS ASLEEP by the end!! 🤣

Once out of the theater, Becky expresses how much she loved the film, while this was Anya's response about the movie...:

🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣 YET AGAIN, NEVER CHANGE ANYA!! 😂😂😂😂😂😂😂😂

After that, Becky starts talking about how she loved the kissing scene in the movie and we get this adorable exchange between Yor and Martha!! 😄:

I LOVE THIS SO MUCH! 💗😆💗

Then, Becky comes to the conclusion that maybe Anya is too young for kissing, while Anya reassures her friend that she did in fact learn something from the movie, that being:

And Anya even states that she rather be a protector than someone being protected!! 👌😎 So then, Becky asks Yor help back her up on the side of romance, but...:

Sorry Becky, but I'd have to side with Yor, Anya and Martha on this one...!! 👌😌

And that was Short Mission 14, a very fun girls day out chapter, AND I LOVED EVERY MINUTE OF IT!!! 😆 Though I DEFINITELY side with Anya in liking action and cool stuff a lot more, I do love me a good romance like Becky (though I probably wouldn't really call that movie, Love Distance, a good romance 😅) and I hope that she can find someone that shares her love for romance because sometimes, it's really nice to have someone else enjoy the things that you do love as well!! 😁 Also, I always love seeing Yor and Anya spend time together, it always makes me so happy, as well as Anya and Becky hanging out, their friendship is also a favorite of mine...!! 🤗

I believe that's all I wanted to say on today's chapter...! So like always; take care, be safe out there and be kind to one another!! 💗 I'll see you all in the next Mission! LATER! 👋😄

[solarmorrigan]

hallo! I saw the angsty prompt list thing, and the “don’t trust me.” One kind of stood out to me. You don’t have to write it, but you’re one of my favorite writers on here so I thought it might be cool :)

Hullo! So I did fill this prompt once already, but I'd had a bunch of ideas for it and I was in the mood for something a little softer, so I did another! Thanks for giving me the opening to write it (and for the compliment, you're so kind?? 😭)

[General warning for mention of Steve's shitty parents and their generally shitty parenting technique]

Angsty-ish Prompt List

-

“Why am I the one doing this?” Steve grouses, straining slightly as he struggles with the full box on the top shelf. “Instead of, y’know, you?”

“You’re stronger than me,” Eddie replies readily.

“Bullshit, I’ve seen you lugging amps and shit around during your shows,” Steve shoots back, grumbling as he works the box free from the high shelf.

“You got me.” Eddie grins, though Steve’s back is turned to him. “I just like watching you work, sweetheart.”

From the depths of the storage closet, Steve gives an audible snort of laughter, but he also stops arguing. Then, with a little noise of triumph, Steve finally manages to tug the box free, holding it aloft long enough to back out of the closet and then heaving it down onto the floor, where it lands in a clatter of plastic and jingling bells.

“Excellent.” Eddie falls upon the box, rubbing his hands together in anticipation before tugging at the tucked flaps. “There’s one more box, would you mind? It’s on the floor; long rectangle.”

“You said there was one box,” Steve says, eyes narrowed.

“Whoops, miscounted,” Eddie says breezily, smiling up at Steve with as much innocence as he can muster. “You know how bad I am at all that academic shit.”

“Says the guy who plays a math game for fun,” Steve drawls.

For the sake of time, Eddie leaves the bait where it is, instead batting his eyelashes up at Steve. “Pretty please, pretty boy? It’s definitely the last one.”

Steve holds out for exactly five more seconds before retreating into the closet with a roll of his eyes. “If you suddenly remember one more after this, I’m suddenly gonna remember something I have to do back at my house and leave you to do all the decorating on your own,” he calls back, muffled from behind the coats Eddie can hear him shoving aside to find the last box.

Eddie’s at least eighty percent sure he’s bluffing, but it’s no matter – he hadn’t been lying. Most of what he needs is in the box in front of him: strands of garland, wrapped tangles of lights, and the same ugly pinecone wreath with the world’s most annoying string of jingle bells attached that Wayne’s been hanging since Eddie was a kid. Everything else—the ornaments, more lights, and, of course, the tree—is in the hefty, rectangular box Steve is currently hauling out into the entryway.

Normally, Wayne would be there to help, but his and Eddie’s work schedules have fallen out of sync in the hectic holiday rush of extra shifts; if one has the day off, the other is too tired by the time they get home to entertain anything as energy-consuming as getting up on a ladder to hang lights. Eddie and Steve, however (somehow; miraculously), share at least one day off a week, which has seen Steve recruited as Eddie’s backup decorating partner.

“That it?” Steve breathes as releases the box and stands straight, tugging his sweater down from where it’s ridden up (Eddie can’t believe he’s dating someone who unironically wears ugly Christmas sweaters. He can’t believe Steve makes them look good).

“That’s it,” Eddie promises. He plucks two balled-up strings of lights from the box in front of him and stands up, one under each arm. “So here’s what I’m thinking: I’ll get started on the outside, while you,” Eddie puts a boot to the tree box and shoves it towards Steve with a grunt; even across the laminate flooring it doesn’t slide easy, practically cocooned in layers of packing tape from so many years of opening and resealing, “get the tree going.”

Already halfway wrapped up in how he’s going to string the lights (he’d always loved decorating the outside of the trailer, and now he gets to figure out a new configuration for the tiny porch on his and Wayne’s equally tiny new house; it ain’t much, as they say, but it’s home – or, at least, it’s starting to feel like it), Eddie nearly misses the look of confusion that crosses Steve’s face.

“Uh… how do you want it set up?” Steve asks.

Eddie cocks an eyebrow at him. “Stand goes on the floor, pointy end goes up. I have faith in you, Steve.”

Steve rolls his eyes again, but with his frown in place he looks like he might actually be irritated. “I mean, you have to tell me how you want it, like, decorated and shit. Where it’s supposed to go, that sort of thing.”

“I’m pretty sure you’ve decorated a tree before, man,” Eddie says. “I know I saw one at your house last time I was there.”

“Yeah, but that’s my house. This is yours. You have to tell me how you want it,” Steve says.

Once again for the sake of time, Eddie leaves the obvious opening for a joke where it lies. “Steve, it’s – y’know, lights, garland, ornaments, it’s not rocket science. I trust you to do a good job.”

“No, don’t trust me, just tell me how you want it decorated,” Steve insists. “If you don’t tell me, I’m going to do it wrong.”

“It’s… a Christmas tree, sweetheart,” Eddie says slowly. “You can’t do it wrong.”

“Oh, I assure you, I can,” Steve says with a laugh. “Seriously, like – people are super particular about how their trees are set up, I think. My mom always has been. I remember when I was, like, ten, she and my dad had been away for a while, and we were coming up on Christmas pretty fast, and none of the decorations were up, so I figured I’d at least put the tree up. Surprise them when they got home, right? Except my mom lost her shit when they got home and saw it.”

“Noooot in a good way, I take it,” Eddie hazards.

“Nah, I did it all wrong. The tinsel wasn’t spread out right, and there’s only supposed to be a certain number of ornaments on each branch, and she wanted the angel on top, not the star, so she made me take the whole thing down.” Steve shrugs. “So, seriously, even if you don’t think you have a certain way you want it done, I’ll probably manage to find the exact way you don’t want it, so you should just tell me.”

“Steve, I promise, that tree is, like, older than I am; you can’t make it worse. As long as you don’t set it on fire, I’ll be happy with it,” Eddie says.

“That’s not–” Steve cuts himself off, running one hand through his hair with a strained little laugh. “I don’t understand why you won’t just tell me how you want it done.”

Eddie shakes his head, dropping the bundles of lights back into their box; he hates when this happens – hates when he stumbles over some mundane thing that Steve’s parents have fucked up for him that Eddie only manages to poke like a kid with a sharp stick at a beehive because he didn’t even realize it could be an issue. Who the fuck gives their kid a complex over how the Christmas tree is decorated? Who does that?

(Then again, Eddie’s pretty sure it’s about more than just their expectations for the tree.)

“Okay, I need you to listen to me,” Eddie says, voice firm but hands gentle as he reaches for Steve’s own. “I swear I’m not trying to set you up for failure. I’m really not. The tree isn’t supposed to look perfect. It’s supposed to be kinda crooked and covered in dumb ornaments you can’t even remember the stories behind and only have, like, half a string of popcorn around it because you ate most of it when your uncle wasn’t looking and didn’t leave enough for the tree.”

Steve stares at him, brows furrowed, like he’s trying to piece what Eddie’s telling him into what he already knows about the world, like he needs both things to be true, even though they don’t fit together.

“Actually…” Eddie says slowly, deciding that it may be best to change tack, “come to think of it, there’s one thing about decorating the tree that I should’ve told you. Most important thing, really. Can’t believe I forgot.”

“What?” Steve asks, halfway between wary and eager for the instruction.

“You’re supposed to do it together. That’s what makes it good.” Eddie lets go of one of Steve’s hands to smack the heel of his own to the side of his forehead. “Duh. Silly me.”

Steve shakes his head, letting it hang forward with a little huff of a laugh as some of the tension leeches from his shoulders. “You’re such a dork, do you know that?”

“Mhm,” Eddie hums, grabbing Steve by the front of that stupid, ugly sweater (it has reindeer on it, how does it not look awful on him?) and pulling him up for a quick kiss. “So how about you help me do the outside lights, and then we’ll come back inside and do the tree together?”

One last flicker of uncertainty crosses Steve’s face. “What about Wayne?”

A flutter of fondness rolls through Eddie’s chest, the same as it always does when Steve doesn’t just consider Eddie, but the things and people important to him. “His favorite part is stringing the popcorn. We can do that when he gets home.”

“Oh.” Steve nods, as though he is considering this very seriously, then smirks at Eddie. “Should we make some to eat before he gets back, so you leave enough for the tree?”

Eddie smacks him on the shoulder, holding back a laugh. “Alright, Harrington, just for that, you’re the one untangling the lights.”

“What, like it’s a punishment?” Steve asks. “I’m great at untangling Christmas lights.”

“Oh, baby,” Eddie presses a hand to his heart and pretends to swoon over the box of decorations, “when you say things like that, it makes me want to keep you forever.”

And Steve’s answering grin at that is far brighter than anything they’re going to decorate with today, Eddie is certain.