#AND ACTUALLY LIKING SEL IN GENERAL!!

[massiveladycat]

me deadass trying to explain to people that liking nick/sel over sel/nick does not entitle them to ripping the other character to shreds just because they're 'in the way' of breesel/breenick

[scoonsalicious]

Unwanted: Chapter 20, Uninhibited - Pt. 2

Pairing: Bucky Barnes x Avenger!Fem!Reader

Summary: When your FWB relationship with your best friend Bucky Barnes turns into something more, you couldn’t be happier. That is, however, until a new Avenger sets her sights on your super soldier and he inadvertently breaks your heart. You take on a mission you might not be prepared for to put some distance between the two of you and open yourself up to past traumas. Too bad the only one who can help you heal is the one person you can no longer trust.

Warnings: (For this part only; see Story Masterlist for general Warnings) Language, alcohol consumption, drug use, dirty dancing, questionable choices.

Word Count: 3.1k

Previously On...: You're still throwing up :(

A/N: BRING ON THE BAD DECISIONS!

NOTE! The tag list is a fickle bitch, so I'm not really going to be dealing with it anymore. If you want to be notified when I update, please enable notifications from my Blog page!

Banner By: The absolutely amazing @mrsbuckybarnes1917!

Thank you to all those who have been reading; if you like what you've read, likes, comments, and reblogs give me life, and I truly appreciate them, and you!

Taglist: (Sadly, tag list is closed; Tumblr will not let me add anyone new. If you want to be notified when I update, please Follow me for Notifications!) @jmeelee @cazellen @mrsbuckybarnes1917 @blackhawkfanatic @buckybarnessimpp @hayjat @capswife @itsteambarnes @marygoddessofmischief @sebastians-love @learisa @lethallyprotected @rabbitrabbit12321 @buckybarnesandmarvel @fanfictiongirl77 @calwitch @fantasyfootballchampion @selella @jackiehollanderr @wintercrows @sashaisready @missvelvetsstuff @angelbabyyy99 @keylimebeag @maybefoxysouls @vicmc624 @j23r23 @wintercrows @crist1216 @cjand10 @pattiemac1@les-sel @dottirose @winterslove1917 @harperkenobi @ivet4 @casey1-2007 @mrsevans90 @steeph-aniie @bean-bean2000 @beanbagbitch @peachiestevie @wintrsoldrluvr @shadowzena43

Tumblr will not let me directly tag the following: @marcswife21 @erelierraceala @jupiter-107 @doublejeon @hiqhkey @unaxv @brookeleclerc

"How do I look?" you asked Wanda and Nat as you came out of your bathroom in your outfit for the party. When Tony had told you your party was going to be 90s themed, you'd been over the moon, since the last time you had a birthday party was probably actually in the 90s. Yes, you'd all gone out for drinks and dancing when you turned 21, and then for a fancy dinner when you turned 30, but it was the first time you'd actually given in to Tony's pleading to let him throw you an actual party, and he was pulling out all the stops, so you wanted to make sure you looked your best. And if looking your best happened to stick it to a certain super soldier, well, that was just a bonus.

"Oh my God," said Nat at the same time Wanda whispered "Holy shit." You were wearing a black leather mini skirt with thigh-high boots and a navy and silver handkerchief top that barely covered your tits. You'd curled your long hair into loose, beachy waves and Nat had done your makeup.

"You look like a fucking seductress," Nat nodded in appreciation.

"Barnes is not going to know what hit him," Wanda concurred.

"If Barnes knows what's good for him," you replied, putting in a pair of large silver hoop earrings and checking out how they looked in the mirror, "he won't even show up tonight. Besides, I only have two goals for the evening: Celebrating my birthday with my best friends and; Getting over one man by getting under another one."

"Amen to that!" Nat cheered, raising a glass of pre-game champagne Tony had delivered to your suite. "Tonight, you flirt with anything that has a penis." Catching Wanda's pointed expression, she added "Anything that has a penis that is not already committed to another vagina." Wanda smiled appreciatively.

"Please, Natty" you said, grabbing your own glass of champagne and toasting with her, "tonight, I'm flirting with anything that has a pulse."

"That's my girl!" Nat wrapped an arm around you and squeezed. You would have fun tonight, Bucky Barnes be damned.

You could hear the thumping of the bass long before you reached the doors of the banquet hall. The party was already in full swing. Before you entered, though, Nat grabbed onto your elbow and palmed something into your hand.

"Happy Birthday, Pocket," she said with a wink, before letting you go and allowing you to open your palm. Nestled inside was a small, white pill.

"Nat!" hissed Wanda as loudly as she could to be heard over the bass, "did you just hand Pocket drugs?!"

"Relax, Wanda," Nat said, rubbing the other girl's arm. Turning to you, she added "It's just some molly. Take it if Barnes shows up and you need to manufacture yourself a bit more fun, that's all." And she threw you a wink. "Just don't tell Mom and Dad."

"Thanks, Natty, but, if anything," you said with a smile, putting the little pill in your pocket in case you needed it later, "Tony'll be pissed you didn't bring enough for the whole class." You hoped you weren't going to need it, but it was rather comforting having it on hand. You hadn't done MDMA in years, and the idea of taking it again was thrilling.

"Fine," said Wanda, and you could both tell she wasn't thrilled with your actions. "Let's just go inside and have a good time, okay?" The three of you linked arms and made your way through the doors to the banquet hall.

It had been positively transformed. Usually, it was the place where Tony held his fancy dinners for visiting heads of state who wanted a look at what the Avengers did all day, tonight it had become a rave out of a fairy tale. There were bubble machines sending cascades of multi-colored bubbles through the air, everyone dancing with glow-sticks, and a DJ booth hung suspended from the ceiling. Tony had brought in what you suspected were real trees and had decked them out with twinkling fairy lights; there was even a fountain in the middle of the dance floor. It was something straight out of your dreams.

The room was crawling with hundreds of people. Most of them you vaguely recognized as people who worked in various positions in the Tower, some old colleagues from Stark Industries, and friends from outside of work, but scattered throughout were the members of your family. You spotted Clint and Laura dancing together in a corner of the dance floor while Nirvana's About a Girl blared, Sam flirting with three different women at the same time, and Thor over by the bar with Steve, a bottle of Asgardian liquor being passed around between them. Maria Hill was sitting in a lounge chair talking with Helen Cho and Vision. You were pleased to see neither Bucky nor Jade in your initial sweep of the room. With any luck, they wouldn’t have the balls to show their faces.

"This is incredible," you murmured, though you were sure neither of your friends heard you over the roar of the music. No one had noticed you'd arrived just yet, so you took the moment of anonymity to just soak it all in. Tony and Pepper had done all of this for you. You couldn't think about it for too long, or you would start to cry right there. They weren't connected to you by blood, but they loved you better than your real family ever had, and you were struck with an overwhelming surge of gratitude and appreciation for them both.

"Oh no!" Nat shouted over to Wanda. "She's getting misty-eyed! We need to get her a drink, STAT!"

You laughed as your two best friends dragged you to the bar. As you entered the throng, people began converging on you, wishing you a Happy Birthday and giving you more hugs than you'd probably ever received in your entire life. It was impossible to not feel the absolute love that came from everyone around you. You nearly toppled over when Wanda pointed out the giant table of presents that sat, waiting for you, in the far corner of the room. Never in your entire life had you felt so appreciated, and coming on the heels of how Bucky had discarded you, you felt your heart soar with love for all of these amazing people.

At the bar, you caught the attention of Thor and Steve, the latter doing a double take at the sight of you. Thor immediately enveloped you in a bear hug, his massive arms dwarfing your body as he picked you up.

"Happy Birthday, my Lady Pocket," he bellowed, planting a loud, sloppy kiss on your cheek. "I would offer you some of my Asgardian mead in celebration, but I fear it would be far too potent for your tiny human body to handle. I would not want to be responsible for your death on this day we celebrate your life."

"Thanks, Thor," you said as he finally put you back down, "I'm fine with good old Earth alcohol tonight."

The bartender handed you a frozen drink without your asking. "It's tonight's signature cocktail," he responded to your confused expression. "The Plum Pocket." Your face soured. The Plum Pocket was a drink you'd invented for Bucky months and months ago. Half of a plum because he loved the taste of them so much, strawberries, (because you loved them), raspberry liquor, lemon syrup, vodka, and a bit of sugar blended with ice into an almost smoothie-like consistency, with some lemon zest for garnish. How would Tony even know about them?

No, you were not going to think about Bucky Barnes tonight. You were going to enjoy your drink, dance, and get your flirt on. In that order. There was no room on tonight's agenda for wallowing in self pity over someone who didn't give a shit about you enough to keep his dick in his pants.

You took a sip. It was damned delicious.

"Hey," a soft voice spoke to you over your shoulder. You turned and looked up into Steve's face. His eyes were slightly glassy.

"Enjoying that Asgardian mead, Cap?" you asked with a teasing grin.

He smiled, a flush creeping up his cheeks at being called out. "Happy Birthday, Pocket. I um... I wanted to tell you, you look really pretty tonight."

The compliment took you aback. You didn't think Steve had ever complimented you on your looks before. He must be far more drunk than you first thought. "Thanks, Steve," you responded with a smile. "I'm glad you're here."

"I'm glad you're here," he murmured.

Before you could say anything else to him, there was a drop in the music, and a spotlight lit up Tony Stark in the DJ booth, dressed in his full Iron Man glory.

"Ladies and gentlemen, distinguished guests, and the handful of people who accidentally wandered in from the fury convention," Tony began, his amplified voice carrying over the crowd, "welcome to the party of the century! I want to thank all of you for coming here tonight to celebrate someone very special to me, to all of us. She's like the kid sister I never wanted, in that now that I've got her, I couldn't get rid of her even if I tried." The crowd laughed and you hid your face in your hands. "Fortunately, I like having her around too much. She's got a brilliant mind, she's funny as hell, and she's the beating heart of this team. Without her, the Avengers would just be a group of coworkers, and not a family. And let's be honest, she's one of the few people who's willing to tolerate me on a daily basis." Somehow, his eyes were able to find yours in the crowd and he gave you a classic Tony wink; you blew him a kiss back. "So, everyone, please raise a glass to (Y/N) (Y/L/N), or as we like to call her, our own little Pocket! Pocket, Happy Birthday, kiddo! We love you! So, everyone, grab a drink, don't hold back on the dance floor, because, let's face it, I spent a fortune on hiring the best DJ in New York City, and let's make some bad decisions! Except for you, Parker. Jesus is watching." 

Through the crowd you could just make out Peter's soft voice saying "Aw, come on Mr. Stark," and you broke into laughter. God, you loved these people.

"Let's go," said Nat, grabbing you by the arm and hauling you to the middle of the dance floor, "it's time to dance!"

The beats were dirty and your body responded to them like a siren's call, your hips moving subconsciously to the rhythm. Dancing was one of your favorite ways to lose yourself, and so you did, melting into the sound, letting your body take you wherever it needed to go. You felt a pair of arms wrap around your waist, and you instinctively knew it was Natasha behind you.

"Bruce not coming out to the floor?" you whisper-shouted into her ear as she moved her body against yours.

"No, he's being a dullard," Nat responded with a sigh.

"Give him time," you told her knowingly. "Once he's been watching you move your ass out here long enough, he'll cave just so he can get his hands on you. He always does."

"I know," she said, grinding her chest against your back, "but I do love giving him a show."

You laughed and continued dancing with your friend. You knew Bruce would come to her eventually. The poor man couldn't stay away, no matter how hard he'd tried in the beginning.

Slowly, the members of your little family found their way to you on the dance floor, and you were all dancing together in a group. Even Bruce had gotten over himself and had finally joined Natasha, who was now running her hands along his chest.

You had to admit, you were having the time of your life.

But then you saw them.

Bucky stood at the bar, Jade not far away. You tried to ignore him, you really did, but his eyes were boring a hole straight through you, and he looked amazing. He was wearing a pair of tight black jeans and the shirt you had gotten him last Christmas, the one that matched the color of his eyes. He'd cut his hair again, just the length you liked it-- the perfect length for pulling while he had his face buried between your-- No. You were NOT going to think about that.

Wanda had moved away from where she'd been dancing with Vision and came over to you, following the line of your eyes. "He has a lot of fucking nerve showing up here with her," she spat. "Do you want me to kick them out of here for you, love?"

You turned and wrapped your arms around her, smiling at her fierce protectiveness of you. "As much as I would love to see it, Wan, it's okay. I think I just want to pretend he doesn't exist and keep dancing. The last thing I need is them ruining my party by bringing more drama into my life."

Wanda put a hand on your elbow and shrugged, then leaned in to whisper "Suit yourself, but my offer still stands if you change your mind," before heading back over to Vision. You sighed, disappointed that the sight of him had dulled your excitement for the evening. But then you remembered Nat's gift.

Reaching into your pocket, you pulled out the tiny pill. You considered your options for half a second before tossing it into your mouth and swallowing it. You were not going to let Bucky Fucking Barnes ruin your birthday.

A couple of hours later, after an enormous cake had been brought out, everyone singing to you and you blowing out your candles, you were feeling positively euphoric. Everything felt amazing. You were so in love with every single person in the room, you could cry. Your limbs were buzzing, as if the music was vibrating through them and your entire body was being poured full of liquid joy. You were connected to everyone. They were all a part of you, and you were a part of them.

You moved to the music, your hands caressing up and down your body, the sensation of touch almost overpowering in its intensity. You practically moaned when Natasha leaned over and whispered in your ear:

"Don't look now, but Steve's been staring at you for the last twenty minutes." You glanced over and noticed the super soldier standing at the bar next to Bucky, but in the clarity of the MDMA, Steve was all you could see. He was watching you intently, his eyes locked on the movement of your hips. You watched him lick his lips as your hands brushed across your chest, sending a wave of shivering pleasure through your body.

You didn't know why, but suddenly, it seemed like a really, really good idea to have Steve come dance with you, so you caught his eye and beckoned him over with a curl of your finger.

You laughed when you saw his eyes grow wide with surprise. He pointed at himself, as if he couldn't believe you were beckoning to him. You nodded and, chugging the rest of his drink before leaving the empty glass on the bar, he made his way to you.

"Hi," he said over the sound of the music when he was standing in front of you. God, he was so much taller than you were. Like a giant. Sublime's Badfish began to play.

"Hi," you hummed, the feelings of ecstasy pulsating through you. "Do you want to dance with me?" You watched his Adam's apple bob as he swallowed hard.

"Very much," he said, so softly that you wouldn't have been able to make it out if you hadn't read his lips. "But I don't really know how to dance to this music."

"I can teach you," you smiled up at him. Turning around, you put your back to his chest. Grabbing his left arm, you wrapped it across your bare stomach, splaying his fingers across your scorching skin. You put his right hand on your hip and let out a soft moan when he squeezed your flesh.

"Just move with me," you whispered, knowing that his enhanced hearing would catch your words through all the extra noise. Your entire body was pressed against his now, and the feeling of his hard muscles against you was sensational. You never wanted him to stop touching you. You slowly started grinding your hips against him, laughing a little when you heard him gasp. He began sliding his hand across your stomach, once or twice brushing the underside of your breasts with his thumb. Each touch was like a wave of light pulsating through you and you craved it. You could feel the length of his semi-hard erection pressing into your back, and somewhere in the far recesses of your mind, the idea of it surprised and concerned you, but in your current state, all you could do was feel. And you felt so. god. damned. good.

You leaned your head back against his chest, reaching back to grab a hold of his bicep and exposing the curve of your neck, and when he reached down and began planting small butterfly kisses where your neck met your shoulder, you thought you were going to come undone right there.

"You're so beautiful, Pocket," he whispered before taking your earlobe between his teeth and nibbling on it. Everything he did, everywhere your bodies connected, felt like pure magic.

You noticed the looks that you were getting from Nat, Wanda, and the others, but you didn't register them. The only thing that mattered right now was how good you felt, how good Steve was making you feel.

You weren't sure how much time went by. The songs changed, your tempo fluctuated, the people around you came and went, but the contact remained the same.

Finally, you turned yourself around in his arms, pressing your chest to his. He looked down at you, the blue of his eyes a mere ring around the black of his pupils.

"Stevie," you whispered, your voice husky, "will you take me back to my room?"

His lips curled up in a wicked grin and for the briefest of moments, you saw Bucky in your mind's eye, but you quickly shook the image away. Steve took you by the hand and, without another word, led you away from the party to the solitude of your bedroom.

<- Previous Part / Next Chapter ->

[ebbyhell]

So i been busy with work and personal stuff, so i have not yet UPDATED That Lucifer doc we shall not speak the name of, i did ask an friend of mine about this legally (Yes they work on Korea) and they said that text while appearing very straghtfored is actually very blurred due the context of PB actions.

First about sharing the previous story events since PB already shared the story with us for free before and then only after put in paywall an person who share they (in case if they paid) cannot be legally held acountable cause (there is no infrigiment of protection rights since the story was acessibale before to public and the person has purchase legalily), what PB CAN DO is try to report the account but CAN NOT SEND AN SUE INVOICE (if their legal team does that is will be very shaddy).

Second the Special pass characthers, they tend to be on an more hard line since their story acess is not free to the public yet (the fact the only manner of access is real money that plays an major in it) so they not acesseble to the public yet, so he recomend holding on that ones (the case would still very blurry in court so PB should be aware of that)

Third PB can sue IF THEY DO NOT MAKE ACESSABLE TO FREE POR GENERAL PLAYERS TO GET, So characthers that can be get with solomon keys, solomon seals even go into an blury line, the reason been this are stuff the normal players can get if they do montaly task so if they wish to sue they have to prove the player obtained in ilegal or monatary means (Very hard on court). So they probaly report the account and try to get shut down insted (not an very good look to an company even an small one).

Fourth with all that said even if they now inform of they terms of notice, they as an company need to be aware that

No charcthers stories that were posted before can abied to this due to the company not giving notice when they relase, so the company is held responsiable and not the buyer/individual (The company commited an careless action of informing their terms of service and can not sue the person due to their own neglict),

2. They can not simple go sending sue to everybody due to this especial cases that require an lawyer to look at (i know turns out the legal world is way more complex than just sending an sue), they also need to be aware in even an 99% chance of lawful stealing of their content they may only be able to sue 2% (even if they manage to prove everybody hacked to obten content they still have more laws to look at).

3. trying to sue someboy that shared an story of an card obtened by Solomons sels wil be very hard since the seals can be abtained by doing general taks and not only by buying, the rights of protections will also not help because even if they did not post on tehy public accounts the fact the person OBTNED ON THE OWN GAME IN N MANNER WERE THE PUBLIC CAN OBTAIN, makes so they did not commit an crime (unless the person share for profit or cause direct warm to PB sales what is very difficult to prove it, PB can not just show this annoucement as terms of service as an sue warrent deal, only as an warning there before can not sue only repport the account, welcome to copyright laws the laws more blurry than an fucking mist seriuous just google when was the last update).

With all been send the conclusion was CAN THEY SAY THEY WILL SUE? YES, BUT CAN THEY ACTUALLY DO IT? HARDLY, if you have doubt you see what happening to other companies that tried to do that with the copyrigt laws you see most of their sues end on settled or loss for the company (excet if you are shady Nintendo then is like very shady sue). They will probaly report the account and try to get they blocked (Shitty look if they do it but leagaly allowed).

What alll that been said i wait till the new King Event to see what they do. (got so see if gonna need to lawyer or to do something different to post the content).

Sorry if it was to much, English not my first language.

[aeithalian]

On Apollo and fatal flaws

Vague question for my fellow apollogists out there: what do we think Apollo's fatal flaw is? I write this realizing that, in all five books of the series, all told from Apollo's point of view, we never actually have it explicitly stated, either from Apollo's knowledge and refusal to share (which, strangely, seems to me like something he would tell us), or from him not actually knowing, either.

Simply stated, a fatal flaw is any kind of weakness of a hero, god or mortal, that can be exploited and can cause the downfall of that character. That being said, we already know some that generally scope out the larger range of what they can be:

Percy: excessive personal loyalty

Annabeth: hubris/pride

Nico: holding grudges

Thalia: ambition

Leo: feeling inferior

Piper: low self-esteem

Luke: wrath

Jason: hesitation and excessive deliberation

And we are certain that immortals have flaws like these, too. Although it isn't explicitly stated in canon what Zeus' fatal flaw is, it's exceedingly obvious that it's paranoia and hunger for power, as well as his sexual infidelity.

I feel like we can easily knock some flaws off the list already:

Holding grudges is off the list for the main reason that, if there's one thing Apollo oozes, it's forgiveness, and the fact that he is always ready to give second chances to people who have wronged him and the world (Lityerses, Luguselwa, Meg, etc.)

For the same reason, I'm going to knock off wrath. Yes, he has moments of rage, but so does everybody else! It's human nature, and, as stated before, it's usually overshadowed by Apollo's choice to let go of that anger and choose forgiveness instead.

Ambition is an interesting one, but it's not at all something that really comes up in the series to the point where it ends up being powerful enough to be his fatal flaw. He rarely seeks power he didn't already have before, especially when you consider he is Zeus' most powerful son, and one of the most powerful gods period. Why would he need more power? Unless, of course, you choose to point out that one time he tried to overthrow Zeus, but I'd argue he was acting more out of a place of 'hey please be better at your job' than 'I want your title and position', which actually falls more under Poseidon's motivations in that myth.

Interestingly, there's a certain aspect of Apollo's character in the myths that totally screws the pooch in terms of this discussion, and that's the fact that Apollo, throughout the stories of Ancient Greece, is a typical example of perfection. Literally, he's written to be virtually flawless, the paragon of young men, and (in the context of Ancient Greek culture) doesn't have many moments of rage, selfishness, or paranoia, or at least, not as many as other gods (looking at you, Artemis).

HOWEVER, as much as the myths seemingly act like he doesn't have a glaringly obvious flaw, we as a part of Apollo's inner circle/audience know he's got one - I mean, look at him! It's in there somewhere, nobody's perfect, and I don't think anybody's pretending as such for Apollo. What irks me is that we know Apollo is not lacking in general character flaws, but there is one, beyond a doubt, that shapes his inner core irreversibly. And we don't know it.

Thankfully, though, we've got five books of content that might help us come to a conclusion.

The Hidden Oracle, being the beginning of the story and the beginning of Apollo's character development, is where we would get an inkling of what Apollo wants us to think his fatal flaw is. To us, Apollo appears vain, self-centered, and, frankly annoying. And he does these things on purpose. Or at least, he tells us these things.

That's the thing: if you look past all the fluff Apollo spits out to the audience throughout the first majority of the book, before his children are taken into the forest, you'd find that his dialogue, aka how the other characters of the story hear and see him, doesn't really reflect that. Most of the annoying, self-centered brattiness is only on the page, and not as obvious in his personal interactions (not saying they're not there, but it's so much worse in his internal monologue). So, what does this tell us?

That those aren't his fatal flaws. He's very good at pretending that they are, probably because, as I've read several other metas very cleverly explain, that this is what gods are supposed to be, and, Apollo, in his desperation be his father's golden child again (or, also to avoid his wrath, take that how you will) has built up a very elaborate mask for thousands of years, because that is what he is not. He's trying to be glossed over in the vast sea that is the gods, and it's not really working because, well, he got turned into a mortal. Again.

As we pass through books 2 and 3, we're still not quite past the whole "pretending to be petty and self-serving because this is what I am supposed to be as dictated by the laws of my immortal people and my father". That, almost certainly, doesn't come until the latter half of The Burning Maze. So it's further safe to assume that our best guess as to his fatal flaw probably coincides with his more honest moments with the audience, eg. books 4 and 5.

Now, I know a popular common answer to this whole question is that it's his ego and his pride. But here's the thing: as we move on to the second half of the series, we get an interesting revealing of Apollo's perception of himself. To put it plainly: Apollo is not a narcissist, as much as he pretends to be (see the above points). Honestly, he might actually hate himself and what he's become as he learns to take a more critical view of himself as the series goes on. Drawn in direct antithesis to his moments in the first two books, when he tells us that he assumes that anybody he meets is willing to help him, after the peak of his development (marked by his promise and Jason's subsequent death), this isn't the case. That's why I'm pretty okay with putting pride and ego towards the bottom of my list of possible fatal flaws for him.

Honestly, if I didn't know any better as we reach the end of the series, I'd say Apollo's fatal flaw might fall somewhere closer to poor self-esteem, insecurity and self-doubt, but for some reason, that doesn't quite fit. I'd argue that a lot of those feelings probably stem from being stuck in the inadequate body of a mortal with a tiny fraction of his usual power - of course he's going to feel like that. That, and it's almost the direct opposite of what his flaw is perceived to be by other sources, so it feels like too large a leap to me.

I'm deliberating from my point, which is this: I still have no clue what his fatal flaw is.

It's not:

narcissism

pride

OR on the other side of the spectrum:

low-self esteem

self-doubt

OR the list of things we knocked off earlier:

holding grudges

wrath

ambition

And when you compare to other characters he might also be like, I would argue he's a totally different animal. The only character I could see a similarity with is Percy. But, again, it's just not the same. Percy's flaw, excessive personal loyalty, still doesn't really fit because, while I'd argue that Apollo's never really put in a situation where he's had to choose to save the life a mortal friend over his task of restoring the Oracles, I do believe he has a strong sense of duty. No, I don't think he would sacrifice Meg's life to do that job, but it's not something we see him forced to pick between (that I can think of, at least). I like to think that, on one hand, Percy would flat-out refuse to do his duty to save the life of a friend out of principle, whereas Apollo might find a clever loophole to save the friend, do the duty, and end up doing harm to himself. If anything, while Percy would be ready to burn the world to save a friend, Apollo would be ready to burn himself first.

That, I think, is our biggest indicator. Apollo loves his friends and the world. He wears his heart on his sleeve, this is something the Triumvirate exploits to no end.

Athena tells Percy something in the PJO series (the Titan's Curse, I think?) and says that the most dangerous fatal flaws are the ones that are good in moderation. And, of course, Apollo is a main character, so naturally his fatal flaw will fall under this category.

I think Apollo's fatal flaw is of the same breed as Percy's, but isn't really the same creature. I'm sure there's a more eloquent way to put this, but it seems to me that his fatal flaw has something to do with his tendency to be self-sacrificing, easily forgiving, and empathetic. He's been stabbed in the back several times and every time chooses instead to show trust and camaraderie, to see the best in people, and give them another chance to prove themselves: with Meg, Crest, Lityerses, Luguselwa, Meg's adoptive siblings, and many, many more. That seems very dangerous in the wrong situation, yes? Especially someone in Apollo's position - there are plenty of bad people who would be ready to take advantage of this.

And what is a story if not the hero learning to overcome their fatal flaw? And, really what is the Trials of Apollo all about? How do we end? What choices does Apollo make for the future at the conclusion of the Tower of Nero that directly contradict his overwhelming urge to choose forgiveness and let others try again?

The Tower of Nero, Chapter 36

At the end of any good epic story, the hero learns to overcome their weaknesses and flaws and do the right thing regardless. For Apollo, this comes when he refuses to forgive one person: Zeus. Apollo ends his pentalogy with coming to an understanding of himself and his relationship with his father, learning to overcome that tendency see the best in everyone, and realize that not everyone can choose to change for the better like Apollo has.

EDIT: a masterlist of my other metas

[theladyfirelord]

For lark and sel at the Merlin academy

Oooh! I'll do my best! I really hope you enjoy it! Thanks for requesting!

Scenario: A longtime rivalry between the two young boys at the Merlin Academy comes to an end with Selwyn Kane being named Nicholas Davis' Kingsmage.

Merlin Academy- Lark and Sel

Lark irritated Sel. Plain and simple. 

To be fair, most people irritated Sel, but Lark just really knew how to push his buttons. 

Maybe the animosity stemmed from the fact that they’ve been pinned against each other since the day Sel arrived at the academy.

~~~

Selwyn Kane was a prodigy. The best of his generation. Just like his mother, Natasia.

None of the other Merlins could even dream of matching his skill level…except Lark.

Larkin Douglas was the only Merlin who could hold his own against Selwyn. But even though this fact remained true, Sel still managed to beat him in every battle. 

No matter the challenge, Sel won. Not to be unexpected considering he was trained by one of the most powerful Merlins of the previous generation, Issac Sorensen.

Which is why today’s duel for a place at the side of the Order’s future king would be no different. Sel would be Nick Davis’ Kingsmage. 

~~~

“In this closing battle, Selwyn Kane and Larkin Douglas will compete to be named Kingsmage.” Gillian announces, while walking to the middle of the arena, where Lark stands in the right corner with Selwyn opposite him in the left corner.

Gillian continues, “Throughout this tournament, our two candidates have been observed based on their capabilities in mesmerization, casting, and aether manipulation.”

“Today, the top two ranked Merlins will duel it out in this arena to assess strength." Gillian looks intensely at the crowd before shifting her gaze to the table of the Regents, "Their individual performances in the other three categories alongside this one will be considered to determine the final result."

At that, Gillian looks to both Sel and Lark purposefully, "Without further ado, let the battle begin."

~~~

The fight was most definitely entertaining to watch. Mostly because of Sel.

Lark barely managed to land a hit on him throughout the entire battle. Each time he would lunge, Selwyn had already moved out of reach. He was agile and limber, something Lark had learned but not yet mastered.

Sel utilized aether with precision and intent. If he wanted to land a hit, then he did, with zero difficulty at that. Lark's defenses were useless against Selwyn.

Lark spent more time on the ground from Sel's attacks than he did actually fighting.

Lark was an excellent fighter. In training, he defeated nearly all of his opponents...that weren't Sel.

And one thing was evident in the fight- Selwyn had a mission that he intended to fulfill.

No one, not even Larkin Douglas, would stop him from satisfying what he set out to do.

~~~

It wasn't unsurprising when Sel won the tournament.

Not only did he excel in the other categories, but he completely annihilated Larkin in the final battle.

After quieting down the anxiously awaiting crowd, Martin Davis speaks, "After careful consideration, a decision has been made." He stops to hold up Selwyn's hand, "Selwyn Emrys Kane has been selected to be the Kingsmage of my son, Nicholas Martin Davis, Scion of King Arthur Pendragon, first-ranked. He will be oathed immediately following the end of this ceremony.”

Sel did it. The very role he worked himself strenuously to achieve was his. He felt...

"Ye complete and utter disappointment, Larkin! All this training and for what? Ye to end up in second place? Because of a Kane at that?" Calum Douglas shouts, clearly angered by his son's loss. He stomps over to Lark and practically drags him off stage.

Before he disappears completely from sight, Lark spares a glance at Selwyn, who was already staring intently at him.

For the first time since the two met, Sel felt empathy towards Lark.

The two were no longer rivals. One had won and the other had loss, but even still, they both were the two greatest Merlins of their respective generation.

Only Larkin's father didn't see it that way.

[roslynwrites]

you’re such an incredible writer, so i only imagine u read extensively too. i’ve noticed ur ao3 bookmarks are empty, but i’d love to get a list of your favorite titles whether it’s zutara, other fandom or traditionally published works.

I do indeed read a lot. The past few years I have read much less fanfic and have focused on original stuff, but I have actually been able to read a few fics in recent times because my brain didn't want to write, I did have a bit of Zutara burnout I think so no Zutara recs here (yet).

But if you, like me, enjoy some Dramione, then, for starters:

anything by phlox (Slowly Toward Desire is my favorite)

Amateur Cartography by worksofstone

A Darker Blue by skitter (legitimately cannot believe this fic didn't blow up, one of the best Dramione fics I've read and that fandom has a ton of good shit, so like. wow. skitter also has a Zutara! I have not yet read but it's on my list and I'm already sure I will love it)

Lights Out by Phoebe

I used to read every pairing under the sun in HP but as I said, haven't read as much fic lately, but two others are Blood & Gold (a Tomione, by the legendary ObsidianPen) and The Wilderness (Luna/Ginny) by speechwriter. If you try nothing else on this list, try The Wilderness. That fic is high art. It blew my entire goddamn mind, my god. I also highly recommend anything by PacificRimbaud (esp. the Paneville)

*cracks knuckles* now for some original stuff:

The Liveship Trilogy by Robin Hobb altered my brain chemistry

Scholomance Trilogy by Naomi Novik. I mean, okay, I worship Naomi generally, so I was shocked to discover it took me a while to get into these. Read the first, thought 'meh', came back to it again later, liked it better, second and third proceeded to BLOW me away

NK Jemisin's Broken Earth trilogy. In case you want a nice dose of a darker twist on Earthbending and an exploration of prejudice.

Juniper & Thorne by Ava Reid for your Gothic horror needs

Lost Boy and Alice, both by Christina Henry. Dark fairy tale retellings, so you know I'm there. She does them so well.

The Burning series by Evan Winter. It has dragons and a dual-sword wielding badass, in case you need those itches scratched

If you want some good published romance (I tend to like fanfic for pure romance stories tbh so I'm usually pickier here) that has some fanfic vibes, I enjoyed Act Your Age, Eve Brown by Talia Hibbert

If you want dark Zutara vibes, my go-to rec and one of my favorite series is The Poppy War trilogy (I will never get over #rinezha)

I wouldn't say I adore The Legendborn Cycle series, but I still like it, you can tell the author has roots in the fan/fanfic scene I think, and again, I think it has some Zutara vibes. Tracy Deonn 100% had to have been inspired by Zuko for her character Sel, I'm convinced. And her take on the Arthurian legend is really unique and creative.

[blue-asher]

Percy Weasley X Squib!Reader

Summary: when you try to buy a book by a Squib author Percy shields you from the discrimination of the bookshop owner.

Let's say that the Weasley family and the Golden Trio decided to go to Diagon Alley to buy supplies for the new school year and they invite you and your siblings (who attend Hogwarts; that's how you met them) to come along.

Their first stop was a library where they got the essentials like paper and quills. There you decided to treat the trio and bought some matching pens that had witches' hats on them. Ron was the most intrigued out of the three.

Then you go to a bookshop with the list of required books in hand. It was then that problems arrised.

Once you enter the bookshop you all part different ways to find your things: Hermione goes straight to grab the school books so as to check out the novels later, Ron and Harry go the adventure books first so as to go for the school ones later, Ginny and her mother look into the new Lockheart's novel and Mr. Weasley went to look after the twins (as instructed by his wife) but soon lost track of them.

And, although you didn't notice at first, Percy decides to look out for you (his words, what if you got lost in all the sections and ended up in a shopping spree) and see if you actually had good taste in books at all—not because he was taking notes for next birthday presents, of course. He also didn't want to leave you alone. The rest of the lot had actual things to do in there and went straight to crossing names from their lists. All of them walked in different directions with confidence, like men on a mission. So he was fairly surprised when you did as well. He wanted to know what you were up to.

He considered going up to you and ask you what you thought about the bookshop after 15 minutes of just watching how you read the tilted of a couple books in sale. Until he saw you grab, rather excited, a particular book. Then the bookseller appeared.

"Good evening, young lady! I'm sorry to bother you but I couldn't help but notice that you picked up a particular book" the bookseller said anxiously "Memories of a forgotten kind. I hope it struck your interest, of course! but I must insist you buy it nonetheless" Y/N was quite shocked at the sudden approach and rambling of the man but she was just about to ask for more information about the magnificent book so she was glad the man came just in time.

The book in question is an elegant hard cover edition with beautiful art work in the front about philosophy. It was from a squib author that discussed the problems with Squib identity and how they perceived themselves in a world that seemed to want to label them one way or the other, essencially robbing them of the core of their existance: the middle. The author also included some biographical aspects in it to help make a point of his stand. You, being the same as him, were very excited to have found it as not only it spoke about an issue that had revolved around your self-confidence all your life (you had to admit you were just a tiny bit jealous of your siblings' magic) but because it was also a rare occurrence to find a squib author in general. Sadly, they rarely got published.

"You see, I've been having a real hard time to sell them. No one wants them—nobody could ever want them, really." His sudden statement quickly pulled you out of your thoughts as you were thinking about what to ask him first. You had just decided to ask whether the guy had written other books when he screamed that first statement.

"I shouldn't have made a deal with the man. I tried to diversify my collection, you know, my partner told me to. But I told him it was a bad idea, he just wouldn't listen" he continued rapidly ". I know everyone wants to say we are in modern times but business are business. You get me"

It was as if he was trying to excuse himself for even having the books in the shop; he didn't even stop to breath. You got concerned. Why was it difficult to sell? Had the writer been in some sort of scandal? Was the information in the book no longer valid? You didn't remember if you looked at the year of publishing but the book seemed brand new. Why was it in sale? It seemed like half the price a book so pretty.

"You don't seem too convinced. That's all right, I understand" you tried to pich in and tell him that he didn't understand at all because not even you understood what he was talking about. But he kept going "I'll make you a deal, just for you. You seemed like a lady of culture. How much is it? 400 sickles? I'll leave it to 300, what do you say?"

'I'll be damned' you thought. Shouldn't it be the other way around? What would he even gain from that amount? You finally got a moment to ask:

"I'm confused, It's such a beautiful edition with great quality, why is it so cheap? Did the author do something?"

You waited for his answer.

The bookseller looked at you like you just grew an extra head but quickly changed his expression to one of realisation "My apologies, ma'am. You mustn't have notice, how silly of me!" He spoke as if the fact was obvious but you still didn't understand. He composed himself and in a more calmer manner said "The author's a squib"

That's all he said.

And Percy thought he had already said enough.

You were stil expecting to hear something more, an aclaration, because clearly it didn't seem like a logical reason. What does that have to do with anything? You didn't have time to say anything else as Percy suddenly appeared beside you and put his hand on your shoulder. You looked at him but his gazed was fixed from above into the bookseller's eyes.

"I think we have heard enough desperate rambling from you. No wonder you can't sell a book for the life of it." His tone was cold and it shocked you greatly. You hadn't seen Percy this angry before, you hadn't ever heard him insult another adult like that.

The bookseller went off pretty angry and told the both of you to not bother coming back if you weren't going to buy a proper book. You were pretty sure you heard him say something about you only looking into the Sale section, most likely an insult.

However, you thought it had all went down hill unnecessarily and were about to question Percy's sudden change of attitude but when you turned you noticed that he was already looking at you. With a sad warmness in his gaze.

"He meant the writer, Y/N"

You stared at him for a few seconds and blinked "What?"

"He meant that the books didn't sell because the writer's a squib"

You felt embarrassed because of how long it took you to pick up on the que. Angry embarrassed. You had just made a fool of yourself, in front of Percy! Just when you thought you had dominated that kind of anti-squib talking.

In the end everyone left without buying a single textbook from the place, not wanting to support such a prick. But not before your siblings gave the bookseller a piece of their mind and spoke every insult the could come up with.

You insisted to the Weasleys that they didn't have to leave: they needed the books and the other bookshop was a good 20 minutes away. Hermione gave a nasty look to anyone who seemed tempted on the idea of buying the books and get the shopping over with. 'Anyone' being Ron -but just for a quick second.

Quickly you started making jokes about how you should have bought it either way because "Where else will I find a book so amazingly cheap? No, Y/N! You mustn't succumb to capitalism!! You have to support the writers" Your antics successfully made the trio and twins laugh and it was only then, when you wanted to raise your fist at the sky in a dramatic way, that you noticed that Percy had been holding your hand. Probably had since you left the bookshop. When you looked at him he sheepishly let go while giving you a shy smile.

You wished he hadn't.

A couple of days later you family had the Weasleys over for a farewell dinner since everyone left the following day for Hogwarts.

Just when everyone had left and you were making yourself comfortable in your room, you noticed a wrapped package in your bed. A gift that was not there before. It was very clearly a book but it didn't have any note as to who might have left it. Did the Weasleys leave a gift for you? You didn't see anyone entering your room.

Dying with curiosity, you opened to see what it was and find a clue of who your mystery friend might be.

It was the philosophy book you had tried to buy a few days ago! You were admiring it with delight when you noticed something falling from the inside of it.

A piece of paper had fallen, it was receipt! From a library you didn't know and where it stated that the book had been purchased at a price much suitable for its quality; probably the original price that the bookseller had tried reducing to nothingness the other day.

But there was something else written at the back of the receipt, something in handwriting.

"Proof that I've bought it at full price.

Found a new bookshop with a section dedicated to squib writers, mind if we explore it together some time?"

You would recognize that handwriting anywhere, and would make sure to send Percy a package of his favourite chocolates with your next letter.

[cosmerelists]

Ranking Cosmere Planets By How Cool I Find Them

[Contains spoilers for all Cosmere! I'll list the books in the title so you can skip the ones relating to books you haven't read]

The Cosmere has some very cool planets: but which are the coolest? In this list, I will rank them by my own definition of cool, which I'm defining here as "Planets where my interest in past or future stories is chiefly driven by the nature of the world itself."

#13: UTol (From Yumi and the Nightmare Painter; this entry also contains a spoiler from The Sunlit Man)

UTol is the sky planet that Painter can see from the surface of his world, Komashi, and we get a glimpse of it just right at the end of Yumi. It's also possible we get a glimpse of the same world right at the end of The Sunlit Man, but I don't think that's confirmed. Anyway. It's an ocean world, and the inhabitants have four arms and may have originally been from Yolen. But we don't learn anything cool about the world itself, really. I guess the fact that it can always be seen even through the shroud that otherwise blankets Komashi--that's cool. But I don't know if that's UTol's doing. Maybe when we get more info, it will turn out this planet is super ultra cool and then I will look like a fool. But for now--eh. Oceans. With water? Yawn.

#12: First of Sun (From "Sixth of Dusk")

First of Sun is a hostile world with jungles and oceans and magic birds. It's cool--as all Cosmere worlds are in my opinion--but none of it had any special, extra coolness for me. I suppose I've never been much interested in parrots, and also its only feature story so far was quite short.

#11: Braize (From Stormlight Archives; this entry also contains a spoiler from The Sunlit Man)

I am legitimately curious about Braize, Roshar's "Hell" where the Fused were imprisoned by the Heralds. Like, what is Hell like in a material sense? I want someone to visit it (and I really want to know if Sigzil has been there himself, based on his mentioning a Hell visit during The Sunlit Man), and my curiosity makes it seem more cool. But not too cool, because for all we know, Braize is super boring. We just don't have enough info yet.

#10: Nalthis (From "Warbreaker")

Nalthis has some interesting things going on, planetarily. People don't always properly die, which anyone who cheated and already looked at my #1 planet already knows is something I enjoy. It has some unique cultures, which is also something I enjoy in a Sanderson world, although the differences are painted in pretty broad strokes. It's colorful. I don't know. I'm not super into Nalthis, but it definitely has some cool aspects.

#9: Taldain (From White Sand)

I have a shocking confession that I forgot to include in my authorial confessions list: I haven't actually read White Sand. At least, not more than a few pages before I got frustrated with how hard it was to read it on my phone, which is where I had access to it. Anyway. I do think the general set up of this planet is legitimately cool: tidal-locked, I think, with a Dayside and a Nightside which each have their own magic system. There's a lot of sand. Water matters. I think there are magic tattoos. So I can't rank this too highly myself simply because I don't actually know much about it, but it does seem "Top 10" cool.

#8: Scadrial (From Mistborn)

Scadrial has an advantage because it has Time Periods, and really is a pretty different world in Era 1 vs. Era 2. I have a dark fascination with Era 1 Scadrial: the ashfalls, the mist, the slow but inevitable apocalypse constantly creeping closer...would NOT want to visit, but it's cool to read about. Era 2 Scadrial is bright and shiny in comparison. I'm not much of a Wild West gal myself, but there are giraffes, and that ups any planet's coolness, even if it has lost its brooding volcanos. Oh! And I hope we hear more about the Southern Scadrians too.

#7: Sel (From Elantris and The Emperor's Soul)

I've been trying to judge these planets based on the planets themselves rather than on their magic systems...but on Sel, can you really separate those? The magic is based on geography, after all! Anyway, I like Sel because of the wild things going on with its pooled investiture. I don't understand computer programming and so I may or may not really get its magic, but I like the fact that it ranges from the stately, sometimes assholish Elantrians to Soul Stamping. It's all very cool.

#6: Lumar (From Tress of the Emerald Sea)

Lumar is very cool. Like, color-based aether seas that each react differently to water? Rain as a deadly but necessary thing? The color borders where one aether sea meets another? Sailing on something other than water?? I ate it all up. Tress's world is wild and creative and definitely lots of fun.

#5: Roshar (From Stormlight Archives)

It's hard to separate Roshar the planet from the people and stories there, as I think it's the Cosmere planet I've spent the most time on, metaphorically speaking. But I gotta say, the idea of a constant, world-spanning storm that spits out magic and death--that's cool. A whole world that's inhabited only by crab-versions of things? Well, I hesitate to call that cool exactly, but it is...something. Plus, so many different cultures and religions and ideas on Roshar, which I really enjoy.

#4: Canticle (From The Sunlit Man)

Listen, I love Threnodites. Wherever they pop up, they are doing wild things and refusing to properly die and having names that are...let's say unique. And Canticle is quite the interesting planet. Imagine--not being able to stay in one place because you're constantly fleeing from the deadly sun while trying not to get too far ahead lest to stray into the constant fire tornado. Imagine powering your ships with dead-people batteries and doing engineering with your captive ghost engineers. The place is tiny and super invested and also an incandescent lightbulb or something. Again, I would NOT want to visit but that world is damn cool.

#3: Komashi (From Yumi and the Nightmare Painter)

I think my love of Threnody really affects these top picks. Komashi doesn't have Threnodites, but it does have the weird creepy shadow monsters which I apparently...love? (Learning much about myself writing this.) But in all seriousness, I really like Komashi and I am so curious about it. The idea of Virtuosity and how she manifests as both magical paintings and magical rock stacking. I am so curious about the magenta and cyan coloring and how Sanderson says its based on printers somehow and that yes there is one color missing (what??). The way the inhabitants just lived in a thick shadow sludge with lights creating small habitable zones...like, again, horrifying but such a cool and creative world to explore.

#2: Yolen (No books so far)

Maybe Yolen is super boring. But it is SO mysterious that it can't help but be cool. I mean, this is where the Shattering happened! I think it's where Hoid is from. I think there are dragons. It's just gotta be cool, right?

#1: Threnody (From Shadows for Silence in the Forests of Hell)

But my favorite planet, for whatever reason, is Threnody. I am dying for another story set on that planet. I am so curious about what the Evil is, and I want to hear more about the people living in the literal Forests of Hell. The Shadows and the rules that you have to follow to survive them, the use of silver, the fact that Threnodites just can't catch a fucking break. I am fascinated by all of it, and I think that Threnody is the coolest planet in the Cosmere.

[dr-futbol-blog]

The Defiant One, Pt. 2

They contact Atlantis. The fact that Sheppard and McKay are suddenly on the same page, suddenly of one mind, is underlined by the fact that they keep using the pronoun "we". Just a moment ago, they both were using the passive voice and "I" and "you", and suddenly it's "we". It's a noticeable, tangible change. And other characters notice it too.

"We figure the Ancient satellite shot the Wraith ship down in the final battle for Atlantis."

"The wealth of scientific and military knowledge we could acquire is invaluable."

"We have to go down and take a look."

"All the more reason we should have a look. We're already here."

I want to highlight the fact that they are both doing this, and they are taking turns doing it. They are speaking with one voice and one mind, here. And not only that, but Weir is treating them the same. As an item. She definitely noticed something going on between them in the previous episode, first in Rodney's lab watching them get just a little too excited, get a little bit too close to each other discussing... theories, and then definitely during the siege, watching McKay, hearing Sheppard. There, she wasn't a barrier between them, she was their go-between.

And they are not just using words to communicate. The whole call to Atlantis, they are talking to the city but they are having a conversation with each other using facial expressions, exchanging looks, nodding at each other, moving their bodies. It's a whole conversation that's happening outside of the words used.

I mentioned in connection with Home (S01E08) that we see several times that Rodney has managed to talk Sheppard into doing something he might not have originally intended or wanted to do. Usually, we only see the result, we see them on some mission on a random planet or station that McKay wanted to check out. Here, we actually see him do it:

He mouths the words "Help me!" to Sheppard. That's all Sheppard needs. He does it... automatically, like he doesn't even think about it, it's just his natural response. Sheppard looks helpless, like he would probably do anything for this man if he thought to ask (and, um, in the second season we see how far Rodney can push that, but let's get to that later).

The "our interest is purely professional" is not only extremely suggestive. He's obviously referring to the planet and the distress call, but he could just as well be saying that about himself and Sheppard in general and he would be lying. But also, he's speaking for the both of them here. He is. speaking. for the both. of them.

They both also look really miffed when Dr. Gaul tries to get in the way of their budding adventure, and the poor guy really did end up paying the ultimate price just for having been in the vicinity of fire and powder, which as they kiss consume.

It should also be pointed out that while McKay is clearly doing the instigating, Sheppard is the one who goes so far as to lie to Elizabeth. That is, he goes above and beyond for McKay. Also, Elizabeth clearly did not believe for one second that their interest was purely professional, whether regarding the planet or their interpersonal relationship. She has clearly given up trying to reign them in.

Once they're on the planet, we see McKay apply a chapstick to his lips and act like a real bitchy queen toward Dr. Gaul (and as he stands with his hands folded across his chest behind the title card, we're not left wondering who the 'Defiant One' of the episode is supposed to be; McKay is the defiant one in that he refuses to go by Sheppard's plan to keep him at arm's length). They start bickering, with very little gusto. Sheppard interjects with: "Alright, knock it off, guys. I've spent the last fifteen hours listening to you two."

First of all, Dr. Abrams might have a whole different characterization of what the past fifteen hours in the jumper had been like:

Second, Sheppard is both jealous of people Rodney gives attention to and uses projection as a psychological self-defense mechanism pretty much constantly.

There's a scene in First Strike (S03E20), where Sheppard seeks McKay out for no other purpose than to spend time with him (he was just out discussing comics with Ronan and Teyla, being completely useless) and he walks in on McKay and Zelenka arguing. He quips with "Why don't you guys just make out and get it over with?" (which just tells us that he a) wanted to make out with Rodney or b) had done so in the past, but we'll circle back to that later and c) he thinks that the best and possibly the only way to get McKay to stop bickering is to make out with him).

He wants to be the one bickering with Rodney. He does not like it when he gives that much attention to someone else, no sir. By what we saw of their interaction earlier, it doesn't seem like McKay had been talking to Dr. Gaul very much if at all on the jumper, having been engaged in learning how to steer it and focusing on trying to trying to find that straight line.

Sheppard manages to do two things, here: he stakes a claim on Rodney and he attempts to reclaim some modicum of distance between them because back in the jumper, he had just completely forgotten why he had started doing that in the first place. Now, in his fatigues and with his hand on his weapon, he remembers again.

He cloaks the jumper and tells the others to remember where they "parked it". It's a very fatherly thing to do. Like they're a family on a vacation. But are we to understand him as a dad with three toddlers he has to watch out for, or..?

The other scientists certainly act like toddlers. They're basically doing the "Are we there yet?" routine, wondering why they had to park so far. They have clearly never been out on a mission before, so Sheppard explains mission protocol to them; that there's a reason that he does things the way he does. By this time, McKay already understand this. Sure, he also whines about having to walk such a long way, but it's more to connect with Sheppard and to show the others that the two of them are on the same team: "Don't worry, Brendan. We weren't all built for fieldwork. Seriously, we're almost there, right?"

Yes, he's kind of tired because he isn't built for fieldwork (and Sheppard knew this perfectly well when he chose him for his team; and we have seen McKay try to learn how to work on the field). But he's also kidding, again trying to get close to Sheppard by pointing out that he has a special connection to the Major where Sheppard tries to keep a distance (emotionally, but he's also walking real close to Sheppard).

They happen across the planet's indigenous life, the shiny space bugs (and tell me Rodney's first instinct here isn't to grab Sheppard's arm), and have the following exchange:

McKay: Oh, what's that? Gaul: Is it a bug? Sheppard: A space bug. Abrams: It's giving off a pretty strong life-signs reading. McKay: OK, did I mention how allergic I was to bee stings? Sheppard: Maybe he smells the food. Gaul: Maybe he's just smelling the girlish fear.

Dude. Dude.

What Dr. Gaul says is not just offensive but a really stupid thing to say on an alien planet in a whole other galaxy. You have no idea what that thing is or what it's capable of. Dr. Gaul clearly never left the lab before. Not only is Rodney McKay braver than he could ever fathom, this man was just afraid of knowing the jumper was moving. Of motion.

Note also that where previously we have seen Sheppard exhibiting many classic signs of attraction, here we get one from McKay: wanting to share personal things, personal information. Over the seasons, we learn mostly through Sheppard bringing these factoids up that he has done this quite a lot. In Spoils of War (S04E12), we witness how Sheppard has both received and retained a lot of this kind of personal information about McKay (remembering details pertaining to someone? Also a sign of attraction), how he feels comfortable sharing what amount to rather embarrassing stories with the Major:

McKay: Don't worry, I've got an excellent sense of direction. Sheppard: Didn't you say you got lost in a garden maze once? McKay: I was ten. Plus, I was running from a bee.

This is really rather important, because this is juxtaposed to what takes place between McKay and Keller in Brain Storm (S05E16), when we are to understand that their relationship is starting to bud. McKay tells Keller: "When I was ten I ate a bowlful of strawberries and threw up. Haven't been able to stomach them since." We are explicitly shown that this is something he does when he is intending to bond with someone romantically. We've seen McKay overshare things about his childhood, as with Sam Carter in SG-1, with him literally telling us that he's doing it to bond with her. Only, he does this with Sheppard a lot. And unlike other characters, Sheppard not only remembers these things later but also returns to them, brings them up again and again to reinforce the bond between them.

It's really quite beautiful how here, Sheppard not only doesn't react to Dr. Gaul's words at all (which probably had the intended purpose of masculine bonding with the Major by picking on Rodney), but he actually soothes McKay's concern. Twice. First, he suggests that the bugs aren't out to get them but just smell the food, and then he uses a really gentle voice, smiles at Rodney and (seemingly punning) says "Well, let's leave it be(e) and it'll leave us be."

Not only is he not ridiculing McKay, he's showing that he's genuinely there for him, both against the space bugs and ignorant lab-rats who clearly don't realize what a hero Rodney really is for him (or what fear is. He knows what fear is).

(Also, returning to Hide and Seek, S01E03, where Sheppard himself calls fear unmanly; we later learn that that's his father talking; the part of his father he has internalized and that Rodney has actually unwittingly helped him combat from the start by showing him that fear and bravery aren't mutually exclusive).

Sheppard and McKay are a team. We see it later in the episode, but already here: they make each other stronger, and help each other overcome their weaknesses.

And Sheppard was never going to join in on mocking McKay.

In the jumper, it was he that actually sought out Rodney to mock Dr. Gaul and his unsuitability for fieldwork, reinforcing the bond between them. And I have to emphasize again how gentle he sounds here. He cares about Rodney and has no reason to pretend otherwise here because he neither cares nor values the opinion of these people. If anything, being able to stand strong for Rodney (for a change!) just makes him feel a sense of pride, being able to be useful to him brings him closer to Rodney.

Continued in Pt. 3

[tenebris-lux]

Old friend, I hope this missive finds you well. Though, as you are now essentially immortal, I would guess that wellness on your part is something of a given.

I realize that you are probably still angry. That is pleasant to know. Much as your perpetual health, I have come to rely upon your dissatisfaction with me. It is one of the cosmere’s great constants, I should think.

Let me first assure you that the element is quite safe. I have found a good home for it. I protect its safety like I protect my own skin, you might say.

You do not agree with my quest. I understand that, so much as it is possible to understand someone with whom I disagree so completely.

Might I be quite frank? Before, you asked why I was so concerned. It is for the following reason:

Ati was once a kind and generous man, and you saw what became of him. Rayse, on the other hand, was among the most loathsome, crafty, and dangerous individuals I had ever met.

He holds the most frightening and terrible of all of the Shards. Ponder on that for a time, you old reptile, and tell me if your insistence on nonintervention holds firm. Because I assure you, Rayse will not be similarly inhibited.

One need only look at the aftermath of his brief visit to Sel to see proof of what I say.

I’m case you have turned a blind eye to that disaster, know that Aona and Skai are both dead, and that which they held has been Splintered. Presumably to prevent anyone from rising up to challenge Rayse.

You have accused me of arrogance in my quest. You have accused me of perpetuating my grudge against Rayse and Bavadin. Both accusations are true.

Neither point makes the things I have written to you here untrue.

I am being chased. Your friends of the Seventh Shard, I suspect. I believe they’re still lost, following a false trail I left for them. They’ll be happier that way. I doubt they have any inkling what to do with me should they actually catch me.

If anything I have said makes a glimmer of sense to you, I trust that you’ll call them off. Or maybe you could astound me and ask them to do something productive for once.

For I have never been dedicated to a more important purpose, and the very pillars of the sky will shake with the results of our war here. I ask again. Support me. Do not stand aside and let disaster consume more lives. I’ve never begged you for something before, old friend.

I do so now.

The beginning chapter snippets of Part Two of The Way of Kings when put together.

If the speaker is who I suspect they are, their demeanor in this letter is very different than usual.

[you-are-my-king-now-cariad]

Discord Thoughts

So basically this is room for me to talk about things in the Discord that inspired/reminded me of certain things, that I wanted to say but the conversation moved on, etc. In other words, I’m just rambling here. But y’all seem to like that, so here. No particular ordering of anything besides the order they came up-and some of them might be from my irl friends, I’m not actually sure.

Alice as Regent/Squire

Staying Close

Root Will Save Him

Willark VS Brelwyn

This might be my Brel Glasses, but it seems like William and Lark are intentionally the opposite of Bree and Sel. We don’t see them much, but we do know a few things: William is unquestionably good and pure, neither of them seem like they’re going to make a move, and Lark is remarkably perceptive about Brel.

1. William and Sel are surprisingly accurate foils. (Is it still a foil when they’re kind of opposites?) One is lawful good (and is proud of that) and the other is chaotic good. One is human, one is demon. One is never going to hurt anyone unless he absolutely has to, the other is… uh, Sel. Obviously both are generally ‘good,’ but Sel is fighting off an internal chaotic evil demon-not exactly going to blame him for being less than angelic. Also considering William has always been a safe space for Bree, particularly when Sel’s actively hunting her, and that they’re friends? It starts to feel intentional. Am I making any sense at all?

2. Both Lark and William are the definition of incredibly adorable gay panic.

Instalove VS Devotion

Okay, this is the first one I’m actually typing out bc I have the most to say about it and it’s probably the least coherent. Thanks @paigeagainstdamachine for making a vague comment that started this whole train-

I’m not saying instalove is ‘bad,’ or that her relationship with Nick is somehow fake because it was fast. Let’s get that out of the way. You can absolutely have a fast romance that is still incredibly real and long-lasting-see my parents, who were dating for 6 months before getting engaged and are still married after ~25 years.

But I will say that as someone currently in high school… I’ve seen this movie a lot. It’s true love with the boy who just moved in next door, until he’s not new and shiny anymore and you start seeing all the shitty parts of his personality. He’s not a bad person, either-just one too many red flags or negatives, but it’s not like he’s abusive or cheating or anything.

This doesn’t have to echo in Legendborn. I do believe that Nick genuinely loves Bree, and that it’s mutual. (At the very least, whatever they have is more than just friendship.) I’m just… if they’re endgame, they shouldn’t feel so immature. Yes, they’re adorable (especially in LB), but it feels like a high school romance-and it is. It feels like my brother’s senior relationship-they were going to different colleges and both agreed that they probably wouldn’t be able to manage long-distance, so there was a time limit from the beginning. I can’t actually explain why Brick feels so… young? It just does.

Brel, on the other hand? Yeah, ofc it’s also a high school romance, but like… there is so much trust and devotion and it feels natural. They have the kind of relationship where you actually can stay friends when you break up because you just fit together. Then again, I’m just a sucker for well-written edgy demon boys, so I could be a little biased. They fight, but a healthy relationship isn’t defined by ‘we don’t ever fight.’ It’s defined by ‘we can forgive and forget.’ It’s defined by ‘no matter how angry I might be towards you, whatever mistakes you’ve made, I don’t want you to suffer.’ And that’s exactly what Sel and Bree have found.

“We fought…”

“We’ll always fight, I think.”

They fight, and they move on. They forgive. They love the other no matter what. And not to be a Sel apologist, but uhh this is exactly the kind of relationship he’s needed for so long and as much as the “I can fix him” mindset is awful she literally is giving him a reason to be a good person. Both make really big mistakes, and they get mad, say and do things they shouldn’t… but they always, always come back together.

[scoonsalicious]

Unwanted: Chapter 13, Uncomfortable - Pt. 4

Pairing: Bucky Barnes x Avenger!Fem!Reader

Summary: When your FWB relationship with your best friend Bucky Barnes turns into something more, you couldn’t be happier. That is, however, until a new Avenger sets her sights on your super soldier and he inadvertently breaks your heart. You take on a mission you might not be prepared for to put some distance between the two of you and open yourself up to past traumas. Too bad the only one who can help you heal is the one person you can no longer trust.

Warnings: (For this part only; see Story Masterlist for general Warnings) Language, the last straw, arguing, violence, Sexually Explicit Content Minors: GTFO; I don’t serve your kind here (angry/rough PIV, fingering, degradation kink), memories of past CSA, self harm, Bucky really, really fucks up.

Word Count: 4k

Previously On...: Tony sent you a very expensive apology gift.

A/N: Ya’ll are getting this early! Just one thing to say:

I am so, so sorry.

Coincidentally, this is getting posted on the day I'll be coming home from NoLa, so I'll arrive just in time to hear you all say how much you now hate me. Yay. -_-

Banner By: The absolutely amazing @mrsbuckybarnes1917!

Thank you to all those who have been reading; if you like what you've read, likes, comments, and reblogs give me life, and I truly appreciate them, and you!

Taglist: (Please let me know if you’d like to be added!) @jmeelee @cazellen @blackhawkfanatic @les-sel @marcswife21 @buckybarnessimpp @mrsbuckybarnes1917 @erelierraceala @hayjat @capswife @itsteambarnes @jupiter-107 @marygoddessofmischief @sebastians-love @learisa @lethallyprotected @rabbitrabbit12321 @buckybarnesandmarvel @fanfictiongirl77 @calwitch @fantasyfootballchampion @selella @jackiehollanderr @wintercrows @sashaisready @missvelvetsstuff @angelbabyyy99 @keylimebeag @maybefoxysouls @vicmc624 @sashaisready @j23r23 @wintercrows @crist1216 @cjand10 @doublejeon @pattiemac1

You weren’t sure how long you sat there, lost in the dark colors, the reflection of the moonlight over the water. The sound of the door opening broke through your thoughts, and you turned to see Bucky shuffle into the room. 

“Hey, sweets,” he said, toeing off his boots.

“Hey,” you said without emotion, turning your face back to  the painting.

“Whacha lookin’ at?” he asked, coming to sit next to you on the couch.

“Apology gift from Tony.”

“What’s he apologizing to you for?” God, you couldn’t even muster up the energy to be angry at him.

“Calling out your unhealthy obsession with Jade in front of the team,” you said, voice flat. 

“I do not have an unhealthy obsession with Vix,” Bucky said, annoyance coloring his words. “How many times do I have to tell you there’s nothing going on between the two of us before you start believing me.” 

“Maybe you should stop telling me there’s nothing and start actually acting like there’s nothing,” you said as you stood up. “Because honestly, I’m tired of hearing your empty words.” You began to walk away, but Bucky reached out and grabbed your arm.

“They aren’t empty, Pocket!” he said. His voice wasn’t loud, but it filled the room as if he’d shouted. “It fucking hurts like hell to hear you say that.”

“Oh, I’m so sorry.” You couldn’t help the sarcasm that oozed from your voice now. “Your feelings are hurt now, so that changes everything. Let me put aside the pain I’ve been dealing with for months to reassure you.” You yanked your hand free from his grasp. “I’m exhausted, Bucky. Nothing is getting better. In fact, things are getting worse, and I keep pretending that I can be okay with things, but you just keep picking her over me, time and time again. I don’t deserve that. Not from someone who’s supposed to love me.”

“Pick her over you? That’s fucking bullshit and you know it,” he said, voice rising.

“Is it?” you asked him. You pointed to the corner where your overnight bags sat waiting for a trip you’d never take. “Is that bullshit, Bucky? Cause we were supposed to be in the Catskills right now, but because that fucking cunt came crying for you, you went running to her and left me sitting here, alone and forgotten. Again.”

“Pocket,” Bucky ran a hand over the back of his neck, a sure sign you were ruffling him. “She needed someone to support her. She’s not like you– she doesn’t–”

“Oh, shut the fuck up, Barnes!” you interrupted, shouting now. “I’m trying to tell you that I’m breaking up with you because of her and you still just stand there and defend her!”

Bucky’s face paled and his eyes went wide. “No,” he said, his voice barely audible.

“What?” You weren’t sure you heard him.

“I said ‘no,’” he said, his voice louder, but still soft. “You're not breakin' up with me. Doll, please. I need you. You said you were gonna fight for us, fight for me. That’s what you said!”

“I’m so tired of fighting for you when you’re off fighting for her! I can’t do this anymore, Bucky,” you practically sobbed. “You are fucking destroying me and feel like you just. don’t. care. I can’t just sit here and let it keep happening. You say you need me, but you’ve made it clear time and time again that you don’t give a shit about what I need. Every time I’ve asked you to put a boundary between you and Carthage, you’ve stomped right over it. And I can’t keep living like this. Yesterday was supposed to be a celebration of one of the greatest accomplishments of my career, and she ruined it.”

“It wasn’t her fault she got bad intel!” Bucky shouted.

“Could you just FUCKING STOP?!” you screamed. “Stop defending her! She either royally fucked up or she set them up on purpose! Those are the only two options! Either way, the entire thing was her fault. Rhodey is unconscious– almost died– because of her! She’s got you so wrapped around her fucking finger that you can’t even see it, and I am SO. GOD. DAMNED. OVER. IT! You promised me you’d make it up to me,” you continued shouting at him. “You fucking promised! But as soon as she bats her lashes, your promises don’t mean shit! You keep making excuses, you keep saying you’re sorry, but you keep doing the same fucking thing over and over again, and the only thing your actions are promising is that she means more to you than I do!”

“That’s not true!” he shouted back at you. “You mean more to me than anything!”

“I don’t fucking believe you!” you screamed, your voice going hoarse.

“I’ll fucking prove it to you!” He grabbed your elbows and pulled you to him, kissing you with such force it would have knocked you over if he hadn’t been holding you up. The moment he broke the kiss for air, you slapped him across the face. Only to immediately kiss him again.

Within seconds, you were ripping at each other’s clothes, desperate to feel one another, skin to skin, your tongues battling against each other as though whomever could dominate the kiss could win your fight. Bucky literally tore your shirt in half before you pushed him down onto your bed. Crawling on top of him, you scratched your nails down his chest, hard enough to draw blood.

Bucky hissed into your mouth, reaching down to yank off his pants and boxer briefs. You hastily pulled them down and off his legs before climbing back up to his mouth. Your kisses were passionate, angry and feral, each of you trying to prove a point to the other. 

You felt both of Bucky’s hands grasp the waistband of your jeans and rip them open, sending the button and zipper teeth flying. “Those were my favorite fucking jeans,” you warned.

“I’ll buy you another pair,” he growled, shoving a hand into your panties and finding your clit. You arched your back as he pinched and rolled it between his fingers, the aggression in his movements igniting your blood. You gasped as he shoved two fingers into you while simultaneously flipping you so you were now on your back and he loomed above you.

He pulled his hand from you, leaving you aching and empty. He kissed you as he divested you of what was left of your jeans and your panties. “Taste yourself,” he said, shoving his fingers into your mouth. You sucked on them, savoring the tang of your essence on his skin. Bucky groaned at the sight before pulling his fingers out and kissing you again. 

“You’re mine,” he growled, grabbing at your breasts and roughly kneading the flesh. “Look at me, Pocket. You’re mine.” You turned your head away, not wanting to meet his eyes, but Bucky would have none of it. Gripping your chin tight enough to leave a bruise, he yanked your head back so you were looking him in the eye. “I said, you’re mine.” He entered you then, the force of it nearly splitting you in half. “You’re mine and I’m fucking yours. Forever.”

He pounded into you as if his very life depended on it, and you clutched at his shoulders for dear life. “God, yes, Bucky,” you cried, all your resolve finally leaving you as the pleasure rose within you. “I’m yours, and you’re mine. Only mine. Only fucking mine!”

With a roar, Bucky picked up one of your legs and draped it over his shoulder, the new angle allowing him to hit you deeper as he drove into you. His thrusts were punishing, as though he were trying to see just how deep he could get himself inside of you before you actually broke in two.

"You like that?" he murmured as he rutted his hips into you.

"Fuck, yes, please, Bucky-- just like that," you moaned. He had you close. So, so close. "Keep going."

"Yeah, I thought so, you dirty slut," he grunted.

"What?" you asked, pulling your head back into the pillow so you could stare at him, wide-eyed as he continued to pound relentlessly into you. His words had taken you aback-- this was not something your loving boyfriend had ever said to you before. You dropped one leg from around his waist and tried to pull the other from his shoulder.

"Knew you loved taking my cock. God, you're such a filthy whore for me."

"Bucky, stop." You pushed gently against his chest, but he was already so far gone to his lust that he didn't seem to hear you.

"Such a good fucktoy for me," he grunted, his pace quickening as he neared his release. You felt your breath coming hard and fast now, but not from your impending climax, which had died with his words, but from an oncoming anxiety attack. “You goin’ dumb on me already, like a good little cockslut?”

Flashes of your miserable childhood flickered through your head, the way Darren would call you his "good little money-making whore" after you'd been raped by yet another of his clients, or when he decided to violate you himself, calling you his own personal slut, his special fuck toy.

"Bucky," you shouted, punching him with your fists, desperate now to get him off you, out of you. "Stop! Get off of me! GET OFF OF ME!" You screamed, thrashing at him. You saw the moment your words registered-- his eyes lost their haze of lust and his hips stopped pumping into you.

"Doll?" he asked, looking down on you in confusion. "What's wr--"

"Get off me, get off me, get off me!" you shrieked as you rolled out from under him, your entire body suddenly on fire with shame and disgust. The second your feet hit your bedroom floor, you were reaching for your silk robe, wrapping yourself in it as though the thin fabric could protect you from his words. From him.

"Pocket," Bucky watched your movements, his eyes betraying his bewilderment at your actions. "What's going on? What did I do?"

"Why would you call me that?" you asked, your words coming out in between your desperate gasps for air. "Why would you say those things?"

Bucky sat up, reaching for you, but you moved away from him. "Baby, what things? What did I s--" Realization dawned on him then, and his entire face fell. "Shit. Oh, God. Oh, Pocket. Sweetheart, I am so sorry. I didn't think--"

"Why would you say that, Bucky?" you asked, fighting back the tears that so desperately wanted to break free. "You've never called me a-a-..." you couldn't even get the word out. "How could you do that?"

"Fuck, Baby..." Bucky began, running his hands through his hair in response to your distress, "I never... I thought you'd like it. I should have realized, after Darren..."

"Don't say his name!" You hadn't meant to shout at him, but you were damned if you were going to invite the ghost of your tormentor into the sanctuary of your room. "Please," you cried, "don't say his name."

Bucky got up and tried to wrap his arms around you, but you pulled away, feeling too vile, too dirty, to even let him touch you.

"Sweetheart, please," he began, reaching for you again, "you're shaking. Let me hold you." You shook your head as you moved away from him yet again, trying to steady yourself.

"Where did that even come from, Bucky? Why would you think... What would even make you think that was something I would want?"

Bucky's hand went to rub the back of his neck as he looked up at you from behind his lashes. "I... I heard girls... like that sort of thing. That it turns them on."

"You can't just start it out of nowhere," you cried, "It's something you need to agree on first! You can't just say it without making sure your partner's okay with it! And I can't believe you'd ever think I would be okay with it! God, who even told you that?" You couldn't imagine any of Bucky's friends saying something like that to him; hell, Steve would have a coronary before even suggesting it. Did he read about it in some degrading kink group online?

"I was talking to Vix, and she said--"

"You what?" you spun to face him, your words sharp in your shock.

"Vixen. Jade. I was talking to her during training one time and she said girls like it when guys talk to them like that during sex. Well, she said she likes it. Said it, uh, turns her on."

Your entire body froze as if you'd been doused with ice water. "You were talking to Jade Carthage about sex and what gets her off." Your voice was hard and clipped. It wasn't even a question, just a statement that made your stomach twist, but you had to make sure you had understood him correctly.

"Well, when you say it like that, it sounds bad," Bucky hemmed, "but sweets, I swear, it wasn't like that."

You called for FRIDAY to turn up the lights, no longer wanting to be trapped in the intimacy of the semi-darkness with him.

"It wasn't like that? Then please enlighten me, Bucky, what was it like? Jesus, how did you two even stumble into that conversation in the first place?"

"Baby," Bucky looked frantic as he grabbed his boxer briefs from the floor and tugged them back on, "I don't even remember how we got on the subject. We were sparring and I pinned her and--"

"You had a conversation about sex while you were lying on fucking top of her?" You could barely contain your rage; you were seething, about to vibrate out of your skin with revulsion.

"Honey, it's not that big of a deal, really."

"Not that big of a deal?" you asked, knowing you were about to tread into some very dangerous territory, but needing him to understand you. "So, it wouldn't be that big of a deal if I let Steve get on top of me and had him tell me what gets him hard? What makes him come?"

Bucky's jaw tightened immediately at the mention of Steve. "Don't," he growled. "Do not bring him into this. It's completely different."

"It's not, Bucky! It's a thousand times worse! God," you threw your arms above your head as you began to pace in front of your bed. "I can't tell if you're actually this naive or if you think I'm fucking stupid."

"I don't think you're stupid, Pocket," Bucky's voice was quieter now, more restrained. "I... God, I just messed up. I'm an idiot. I didn't think it through and..." He trailed off and slumped onto the edge of the bed, his hands pushed into his hair as he stared down at the floor.

You could see his muscles craving to pull you back into his arms, but he resisted. His eyes flickered to you before darting away again, like looking at you caused him physical pain.

"Do you want to sleep with her? Were you imagining her while you were fucking me?" It was a reckless question to ask--a question that you didn’t want the answer to--but it slipped out before you could stop it.

Bucky's head whipped up, his eyes wide with shock as he stared at you. "What? No!" He stood abruptly, hands outstretched towards you. "Baby, no! God, no! I would never... I can't even believe you'd think... Don't even talk like that."

"But you took her kinks, her turn ons, and you brought them into our bed. You spoke words you knew another woman-- a woman you know I fucking loathe-- wanted to hear, you... you used them on me, knowing my history, and you didn't give a shit about what saying them might do to me!" Your voice was trembling with accusation, your body shaking with tremors of hurt and betrayal.

"No! No, sweetheart... it wasn't like that." He kept repeating himself, his words rushed, his face pale with shock and regret. "I didn't mean to disrespect you like that. I heard her say it and I thought... I mean, she's a woman too, right? So, if she liked it, I thought maybe you..." He trailed off, his expression one of sheer desperation as he tried to find the right words.

"But I'm not her. It wasn’t about pleasing me; it was about using what pleases her." You shook your head harshly, a lump forming in your throat. "You don't even see how wrong that is. And you shouldn't even have been having the conversation with her in the fucking first place!"

"What can I do?" Bucky pleaded, his voice a strained whisper as he raked his fingers through his hair again. His face was etched with pain, regret seeping from every pore of him. "How can I fix this? Tell me how to make it right."

But you were too overcome by anger and heartbreak to think straight. You moved further away from him, wrapping your arms around yourself as if you were trying to shield your heart from further damage.

“What did you tell her?” you asked, but Bucky looked at you with confusion etched across his face. “You said it was a conversation. I’m assuming she didn’t do all the talking. What did you talk about? Did you tell her what gets you off? What you like? Were you sharing intimate details about our sex life with a complete outsider? Did you tell her about your ‘sergeant’ kink?”

He didn’t need to speak for you to read the truth in the expression on his face.

The silence hung in the room, heavy and oppressive, as Bucky fought for words. A nerve twitched in his jaw, the only movement in his otherwise frozen face. After a moment of uncomfortable silence, he finally spoke.

"I... Yes, I did," he admitted, his voice a mere whisper. "I didn't think it through. I didn't mean to... I just..."

His voice trailed off again and he sunk back onto the bed, looking completely defeated. His hands covered his face as if he were desperate to hide himself from your accusing gaze.

“Get out.” You couldn’t even stand to look at him. This was a betrayal beyond anything you’d ever have expected from him. 

Bucky’s head snapped up at your words, his eyes wide with shock. He opened his mouth to speak, but no words came out. He just sat there on the edge of the bed, staring at you as though he was seeing you for the first time.

"Get out," you repeated, each word a dagger. "I can't... I can't stand to even look at you right now."

Still, Bucky didn’t move. He just sat there in stunned silence, his face pale and his eyes filled with regret.

"I said get out!" Your voice was shrill, filling the room with a chilling echo that seemed to reverberate through every fiber of your being.

Bucky flinched at your tone, and finally roused himself to his feet. He looked at you one last time, his steel-blue eyes so full of pain that it made your heart ache despite everything. For a moment, it seemed like he might say something else, like he might try to explain, but you’d had enough of his ‘explanations’ for the evening. Hell, maybe for the rest of your life.

Bucky swallowed hard, his eyes filling with a mixture of fear and dread as he nodded slowly. "Okay... yeah," he stammered. "I'll give you some space."

“No. I can’t do this anymore. I’m done, Bucky. This… this is unforgivable. We’re finished.”

"Doll," he breathed, the pet name he had given you sounding like a prayer on his lips, but a curse to your ears. "I love you... I'm sorry. I messed up, I know. But I love you."

“I don’t believe you.” You felt like your heart was being ripped apart as you watched him standing there, consumed by remorse. You had never seen him like this before, his usual charismatic confidence replaced with fearful uncertainty.

“Just go,” you whispered, turning away so you wouldn't have to see the pain in his eyes. You felt a sob rising in your throat, but you held it back, refusing to let it out while he was still there.

With every inch of him screaming resistance, Bucky walked over to the door and hesitated at the threshold. "I'll... I'll do anything to make this right, sweetheart," he promised, his voice choked with emotion. "I'll fix this... We can fix this."

But you remained silent, your back still turned to him as you tried desperately to keep your tears at bay. The sound of the door opening and closing behind him was deafening in its finality.

You wrapped your arms around yourself tighter, suddenly feeling cold. The room was suddenly too big, too empty without Bucky's reassuring presence. You sunk onto the bed, burying your head in your hands as the events of the night washed over you with overwhelming force as you began to sob in earnest.

You weren't even sure what you were angriest about. He’d broken yet another promise and left you waiting, your romantic getaway forgotten so he could be by her side. He'd called you a slut and a whore. He’d discussed your sex life with Jade-- the one woman you hated above all others, and openly discussed her kinks with her, and his own desires in return. He'd forced her kinks on you without your consent.

And then there was the worst part of it all, the bit that made you feel sick and hollow: he'd failed to see what he'd done wrong.

You had thought Bucky knew you better, that he respected you more than this. You'd shared secrets and fears with him, things you'd never shared with anyone else, not even Tony. He knew your past, knew how much trust meant to you - knew how difficult it had been for you to open your vulnerabilities up to something more than just casual sex - and yet he'd violated that trust in such a profound way.

This was just beyond anything else that had come before it. You couldn’t see a way to move forward after this.

Numbly, you began to strip off the sheets from the bed, your hands shaking as you balled them up and threw them into a corner of the room. You couldn't sleep on them now, nor ever again. You couldn't bear the thought of lying down where he'd... where he'd...

Tears started to spill down your cheeks as the reality of what had happened set in. You tried to blink them away, tried to swallow down the lump in your throat. But it was too late. Tears blinded you as you moved through your space on muscle memory alone, grabbing a garbage bag from under the sink in the kitchenette and shoving the offending sheets into it to dispose of later. Boiling them in chlorine wouldn't be able to relieve them of the taint they now carried.

Once the offending sheets were securely bagged and out of sight, you stumbled your way into the bathroom. Turning the shower on as hot as it would go, you stripped from your robe and stepped under the scalding stream from the waterfall shower head.

Hissing as the water hit your body, you let yourself succumb to your emotions. You reached for your loofah and began scrubbing at your skin, doing everything in your power to wash away the intense feeling of shame that had permeated deep under your dermis. You scrubbed until your skin was red, until it was raw and cracked and bleeding, but it offered you no relief.

The sensations were familiar, the burning heat, the stinging of newly torn flesh. It had been so long since you had felt the need to ritually cleanse yourself like this, you had desperately hoped you'd finally found yourself beyond the need to do so, but just a few words from Bucky's mouth had sent you reeling backwards, back to being that worthless, vile, used up girl that no number of college degrees, fancy company titles, or board-approved computer programs could fully erase. It was in your DNA, and you couldn't escape it. You scrubbed and scrubbed until time had lost meaning.

<- Previous Part / Next Part ->

[thecrescentmind]

I have decided to use this blog for general SaSi content along with ocs because reasons, will tag accordingly (TCM au posts will use the tags they’ve been using) so uh sanders sides swap au that’s been rotating in my brain for a while

No one swaps what they represent but they swap roles in the story more or less

Patton swaps with Janus, Roman swaps with Remus, and Logan swaps with an orange side I made up. Virgil is now the protagonist instead of c!Thomas but Thomas doesn’t really take Virgil’s role, I will explain how that works. (Under the cut cause this got very long)

This takes place in a universe where c!Thomas’ life went differently in a variety of ways that led his perception of what parts of him are good and what parts are bad to change very rapidly. I’m not sure how everything ended up the way it did exactly and in case I do end up doing things with this au I’m not going to reveal what I do have decided just yet. (I will say Thomas was unable to pursue his passions here and has a corporate job he hates which is kind of relevant) But whatever happened differently led to the worse parts of the canon light sides being emphasized and the better parts of the canon dark sides being emphasized. Eventually leading them to trade places in terms of how Thomas viewed them.

Sel (Janus. short for self perseverance or selfishness), Ideas (Remus), and Defense (Orange, he’s anger in this au btw) are aware of this, they know they weren’t meant to be in the positions they are, at least not like this. All of them are secretly terrified of losing the positions they’re in. Feelings (Patton), Pride (Roman), and Logic (you know who this is) are also aware of this, and it infuriates them. They were supposed to help Thomas, they want to help Thomas. They just want what’s best for him but for some reason he can’t see that. If they have to push things farther to get things how they should be then so be it.

Caution (Virgil) is a new side, the first they’ve had since Thomas was a kid/teen, he just got here and knows nothing about how things got the way they did. He decides to record his journey to find his place as a part of Thomas, and these vlogs are (for the most part) the pov we would see from.

This au has a bigger emphasis on the mindscape, it’s bigger and more complicated cause I thought it would be cool idk. Specifically it’s part of how Janus keeps the sides he wants repressed hidden. There are parts of the mindscape said to be unsafe that no one’s supposed to go into, Thomas doesn’t know why and when Caution shows up, neither does he. Thomas decides to sneak in one day (he’s more reckless here plus the idea of the supposedly dangerous and scary part of the mindscape always intrigued him) with Caution tagging behind him because if he can’t stop Thomas from acting like a dumb horror movie protagonist he might as well go with him to keep him safe.

What they find is actually a lot calmer than what they expected, maybe even less chaotic than what the rest of the mindscape can be at times. It’s nice but it almost seems fake, too perfect to be real. They look around until they. hear. something. Virgil gets them out of there before either of them can see if the ominous voice in the allegedly unsafe part of the mind is actually dangerous and upon returning get lectured by Janus. Virgil asks wtf that voice might’ve been, Janus says (lying) that he isn’t sure, maybe a monster, an illusion, nothing good that’s for sure. They walk away but Virgil stays by the entrance just a second longer than Thomas and Janus, for a second he sees something try to exit before being forced back inside.

It didn’t look like a monster or an illusion or whatever Janus said was in there though, it looked like another side. Of course the embodiment of anxiety overthinks this so eventually he decides to sneak back in there alone.

And then nothing bad happened to any of them ever (lie)

[religion-is-a-mental-illness]

By: Julian Adorney, Mark Johnson and Geoff Laughton

Published: Mar 23, 2024

In The Divine Conspiracy, Dallas Willard tells the story of a jet fighter pilot who was practicing high-speed maneuvers. As Willard puts it, “She turned the controls for what she thought was a steep ascent—and flew straight into the ground. She was unaware that she had been flying upside down.”

What if we were flying upside down? But let’s go further. What if an entire generation was flying upside down–flying through fog and danger, unable to see either ground or sky, and the well-intended adjustments pushed on them by “experts” were just bringing them closer to catastrophe?

That’s the lens through which we interpret Abigail Shrier’s New York Times bestseller Bad Therapy.

There’s no denying that the youngest generation is in crisis. As the Addiction Center notes, members of Generation Z “run a higher risk of developing a substance abuse problem than previous age groups.” A 2015 report found that 23.6 percent of 12th graders use illicit drugs. The American Psychological Association reports that just 45 percent of Gen Zers report that their mental health is “very good” or “excellent,” compared with 51 percent of Gen Xers and 70 percent of Boomers. A concerning 42 percent of Gen Zers have been diagnosed with a mental health condition, and an astounding 60 percent take medication to manage their mental health.

It gets worse. The rate of self-harm for girls age 10-14 increased over 300 percent from 2001 to 2019 (before the pandemic). According to a 2021 CDC survey, 1 in 3 teenage girls have seriously considered killing themselves.

Well-meaning therapists, teachers, and school counselors are trying to help the next generation to rise up. But what if everyone involved is upside down? What if, like the fighter pilot that Willard describes, what they think is rising up is actually bringing them into deeper danger? Shrier makes a strong case that that’s exactly what’s happening.

Lots of educators encourage kids to spend more time checking in with their feelings. In the 2021-2022 school year, 76 percent of principals said that their school had adopted a Social and Emotional Learning (SEL) curriculum. Common SEL practices include: asking students how they’re feeling at the start of each day, teaching that students should be more aware of how they’re feeling in any given moment, and encouraging students to use activities like writing and art to express their feelings.

The problem is that all of this obsession with feelings can actually make students feel worse. As Yulia Chentsova Dutton, head of the the Culture and Emotions Lab at Georgetown University, says, “Emotions are highly reactive to our attention to them.” “Certain kinds of attention to emotions, focus on emotions,” she explains, “can increase emotional distress. And I’m worried that when we try to help our young adults, help our children, what we do is throw oil into the fire.” Or to put it another way: when we ask kids over and over again how they’re feeling, we’re subtly and accidentally encouraging them to feel bad.

The reason is that, as psychiatry professor Michael Linden explains, most of us don’t feel happy all the time. Dealing with life involves ignoring a certain amount of moment-by-moment discomfort: I’m tired, my feet hurt, I’m sore from sitting down all day, I’m a little worried about my mom. When we encourage kids to check in many times per day on how they’re feeling, we’re tacitly encouraging them to bring to the surface–and then dwell on–all the things going on in their minds that are not “happiness.” That’s why, as Linden puts it, “Asking somebody ‘how are you feeling?’ is inducing negative feelings. You shouldn’t do that.”

But it gets worse.

Obsessing over our emotions can actually prevent us from doing the things that might make us feel better. Anyone who’s spent too long wallowing after a bad break-up knows this; at a certain point, you have to shelve your unpleasant emotions so that you can get on with your life. Psychologists describe two mental states that we can occupy at any given time: “action orientation” and “state orientation.” “State orientation” is where you focus primarily on yourself (e.g., how you feel about doing the task at hand, whether your wrist hurts or you’re starting to get sick, etc.). “Action orientation” is where you primarily focus on the task at hand. As a study published by Cambridge University Press notes, only the latter is actually conducive to pursuing and accomplishing goals. “State orientation is a personality that has difficulty in taking action toward goal fulfillment,” the authors warn. By encouraging young people to focus so much on their feelings, we might be hurting their ability to adopt the mindset necessary to accomplish goals in life. If so, that would make them even more unhappy. 

But the dangers posed by well-meaning “experts” telling students to fly in the wrong direction–towards the ground instead of towards the sky–go well beyond encouraging unhappiness and depression. Rates of suicide and self-harm for young people are skyrocketing. But in their attempts to cope with the spike, well-meaning administrators might be making the problem worse. Here are questions from the 2021 Florida High School Youth Risk Behavior Survey, administered to students age 14 and up:

During the past 12 months, did you ever feel so sad or hopeless almost every day for two weeks or more in a row that you stopped doing your usual activities?  During the past 12 months, did you ever seriously consider attempting suicide?  During the past 12 months, did you make a plan about how you would attempt suicide?  During the past 12 months, how many times did you actually attempt suicide?  If you attempted suicide during the past 12 months, did any attempt result in an injury, poisoning, or overdose that had to be treated by a doctor or nurse?

A survey authored by the CDC asked students “During the past year, did you do something to purposely hurt yourself without wanting to die, such as cutting or burning yourself on purpose?” Another survey offered this question to Delaware middle schoolers: “Sometimes people feel so depressed about the future that they may consider attempting suicide or killing themselves. Have you ever seriously thought about killing yourself?”

Administrators may be asking these questions with the best of intentions, but the end result is to normalize suicide in young peoples’ minds. If you were 12 years old and taking a survey like this along with all of your classmates, you might reasonably conclude that suicide, or at least suicidal ideation and/or self harm, were pretty common at your school. Otherwise, why would everyone your age have to take such an exhaustive assessment about it?

One reason this is so dangerous is that, as Shrier writes, “The virality of suicide and self-harm among adolescents is extremely well-established.” Following the release of Netflix’s TV show 13 Reasons Why, which some said valorized a fictional girl who killed herself, several studies found a spike in teen suicide rates. The CDC agrees. In a post warning about the dangers of “suicide contagion,” the CDC said that journalists should avoid things like:

“Engaging in repetitive, ongoing, or excessive reporting of suicide in the news.”

“Reporting ‘how-to’ descriptions of suicide.”

“Presenting suicide as a tool for accomplishing certain ends” (i.e., as a “means of coping with personal problems”).

But this is most of what the surveys described above are doing. They are deluging students with repetitive and excessive discussion of suicide. They are describing different methods for killing yourself (e.g., cutting or burning yourself). One survey, which asks students who have considered killing themselves why they did so (possible answers include “demands of schoolwork,” “problems with peers or friends,” and “being bullied”) is a textbook example of presenting suicide as a “means of coping with personal problems.”

The authors of these surveys seem to at least recognize the risk that students are flying upside down, and that these surveys might take them closer to the ground. One survey concludes by telling students, “If any survey questions or your responses have caused you to feel uncomfortable or concerned and you would like to talk to someone about your feelings, talk to your school’s counselor, to a teacher, or to another adult you trust.” The survey also includes links to different hotlines.

Communicating to kids that suicide is normal and a possible solution to their problems might be the worst way that some schools are failing kids, but it’s also far from the only way.

Schools are increasingly lax about standards, willing to let almost anyone get away with almost anything. Some accommodations do make sense: for example, it makes sense to give a kid with dyslexia more time to complete the verbal component of the SAT. But Shrier argues that standards are falling for perfectly healthy students too. “School counselors—students’ in-school ‘advocates,’” Shrier writes, now “lobby teachers to excuse lateness or absence, forgive missed classwork, allow a student to take walks around the school in the middle of class, ratchet grades upward, reduce or eliminate homework requirements, offer oral exams in place of written ones, and provide preferential seating to students who lack even an official diagnosis.”

Shrier documents stories of students who have been allowed to turn in work late because they were having a “tough Mental Health Day” or because “I was having a rough day and dealing with my gender identity.”

The problem with this is that one of the primary things that children and teenagers do is try to figure out the boundaries of the world. When a child throws a tantrum, it’s not malicious–they’re trying to understand this new world and figure out what they can get away with. As Jordan Peterson writes in Twelve Rules for Life, young children are “like blind people, searching for a wall.” “They have to push forward, and test,” he writes, “to see where the actual boundaries lie.” What’s true of young children is also true of older children and even (to a lesser extent) adults. All of us are trying to figure out the rules of life–that is, what we can get away with. If well-meaning teachers and counselors tell students that one of the rules is that you don’t have to do your homework on time if you say that you’re having a rough day, then we shouldn’t be surprised when more young people seem to manifest rough days.

But this is the opposite of what students need–especially the truly disadvantaged students who so many of these efforts seem to be aimed at helping. In his memoir Troubled, clinical psychologist Rob Henderson writes that, “People think that if a young guy comes from a disorderly or deprived environment, he should be held to low standards.” But, he warns, “this is misguided. He should be held to high standards. Otherwise, he will sink to the level of his environment.”

So kids are depressed, anxious, and poorly behaved. Educators are trying to help them by encouraging them to tap in more to their feelings, by asking them more questions about suicide, and by trying to accommodate their difficulties even more. But all of this is backwards. Educators are encouraging students to do what they think will take them higher–away from the ground and back to the safety of the sky. But both kids and educators are upside down. And every adjustment that the “experts” are telling kids to make just brings them closer to the ground–and a catastrophic collision.

Now’s a good time to emphasize that this isn’t all schools, all teachers, or all administrators–not by a long shot. There are heroic educators working every day to help students to rein in their problems, stop taking advantage of accommodations that they don’t need, and develop the emotional resilience to deal with the problems of adolescence. But the problems documented above do represent a trend. And while it’s not every school, the trend is too big to ignore.

What will happen if this trend continues–if an entire generation keeps going “up” until they crash into the ground? Most severe and most damaging is the harm to the generation itself. Shrier tells the story of Nora, a 16-year-old girl who helps put a human face on all of the brutal statistics described in the introduction to this piece. Nora describes her friends as going through a litany of serious mental health problems: “anxiety,” “depression”; “self-harm” (as Shrier notes, “lots of self-harm”) including “Scratching, cutting, anorexia,” “Trichotillomania” (pulling your hair out by the roots); and more. As Shrier writes, “Dissociative identity disorder, gender dysphoria, autism spectrum disorder, and Tourette’s belong on her list of once-rare disorders that are, among this rising generation, suddenly not so rare at all.”

But the dangers can also ripple out beyond just one generation. The full danger may be nothing less than an imperiling of our democracy.

As Shrier notes, many kids in school are almost constantly monitored. Her own kids have “recess monitors” at their school–“teachers who involve themselves in every disagreement at playtime and warn kids whenever the monkey bars might be slick with rain.” On the bus home, they have “bus monitors.” Better that kids know they’re being observed by an adult at all times than that one kid push another to give him his lunch money.

One of the most pervasive forms of monitoring is what are called “shadows”—ed techs or paraeducators whose job is to cling closely to one particular student so that they don’t have any issues. The original intention certainly made sense. If a child had autism, a shadow could help the kid to integrate into the main classroom rather than being sent to Special Ed. But, as Shrier notes, scope creep has been substantial. “Today,” she writes, “public schools assign shadows to follow kids with problems ranging from mild learning disabilities to violent tendencies.” Nor is the problem restricted to public schools: “private schools advise affluent parents to hire shadows to trail neurotypical kids for almost any reason.” Shadows monitor and guide almost every interaction with their chosen student, from when to raise her hand to how long to hug a fellow student.

As Peter Gray, professor of psychology at Boston College and an expert on child development, puts it, “Kids today are always under the situation of an observer. At home, the parents are watching them. At school, they’re being observed by teachers. Out of school, they’re in adult-directed activities. They have almost no privacy.”

But when kids spend their entire waking lives being monitored by an adult, they start to think that kind of monitoring is normal. Worse, they start to think that they need it. If a child gets constant guidance from an adult, what are the odds that she’s going to cultivate her own independence? If she expects authoritarian adults to monitor and run every aspect of her life already, what is she going to think of a liberal democracy that more-or-less leaves people free to handle their own affairs?

No wonder just 27 percent of Americans age 18-25 strongly agree with the statement that “Democracy may have problems, but it is the best system of government” (compared to 48 percent of Americans as a whole). 

So what’s the solution? If our kids are upside down and getting lower to the ground, then the only thing that makes sense is to help them reverse course. Is there something that’s the opposite of always asking them about their feelings, telling them that life is too much for them or their peers to cope with, and constantly telling them that they’re too fragile to do their homework if they’re having a rough day? Yes. That something is called antifragility.

Antifragility is the idea that whatever doesn’t kill you makes you stronger. As social psychologist Jonathan Haidt and president of the Foundation for Individual Rights and Expression Greg Lukianoff note in The Coddling of the American Mind, kids are naturally antifragile. That doesn’t just mean that they’re tough. It means that “they require stressors and challenges in order to learn, adapt, and grow.” Not letting a kid hand in homework late doesn’t just teach them to do their homework on time; it also teaches them that they can deal with a 0 in class and not die. They can pick themselves up, brush themselves off, and even earn an A in the class overall if they bust a sweat for the rest of the semester. Telling a kid who’s having a “tough mental health day” that you’re sorry to hear it but they still need to take today’s test doesn’t just teach the kid that low-level excuses don’t fly; it also teaches them that a hard day isn’t enough to stop them. It teaches them that they’re stronger than whatever negative emotions they’re currently experiencing.

It’s time to remind kids that they are strong–before it’s too late.

All quotes not otherwise attributed come from Abigail Shrier’s book Bad Therapy.

-

About the Authors

Julian Adorney is a Contributing Writer to FAIR’s Substack and the founder of Heal the West, a Substack movement dedicated to preserving and protecting Western civilization. You can find him on X at @Julian_Liberty.

Mark Johnson is a trusted advisor and executive coach at Pioneer Performance Partners and a facilitator and coach at The Undaunted Man. He has more than 25 years of experience optimizing people and companies. He blogs at The Undaunted Man’s Substack.

Geoff Laughton is a Relationship Architect/Coach, multiple-International Best-Selling Author, Speaker, and Workshop Leader. He is the founder of The Undaunted Man. He has spent the last twenty-six years coaching people world-wide, with a particular passion for supporting those in relationship, and helping men from all walks of life step up to their true potential.

[sel-smh]

Hi everyone!

So l'm looking for a roleplay partner for a double!

My name is Sel, I'm 23 and I live in GMT + 1 time zone! I don't mind if you live in entirely different time zones, I'm sure we'll make it work.

I have been rping for years but I took a break and wanna jump back in now, so if you're down, l'd love for you to just hit me up in my DMs!

What I'm looking for:

Definitely 18+! There will be smut involved in the RPs and i don't rp with minors.

FxM

Please be active (at least one reply a day would be nice!)... of course we both have actual lifes and jobs but I hope we can just tell each other when we're busy!

My plot would be Chris Evans (more of like a face claim)+Me so you just let me know who your plot will be with.

I can rp pretty much anyone for you as long as you give me all the details and information (:

I’m also down for dark plots but i don’t want the rps to include abuse or such things.

Somewhat lengthy replies, no need for entire paragraphs but detailed for sure! I always feel like i can’t reply to everything that’s happening when the messages are very long. Decent grammar would be great too!

I usually rp myself in first person and the crush for my rp partner in third person. I'm fine with whatever though!

Smut can definitely be kinky! Dom/sub is something I enjoy so please be kink friendly but i definitely want to talk about whatever makes one another uncomfortable beforehand (:

No excretions, no forcing/rape, no pedophilia, no incest, in general no self harm, mental illnesses, abuse (physical or mental) or any such things

So just let me know if you'd like to rp with me!

I'm already so excited to meet y'all!

- All creeps will be blocked -

[jewelstole]

my dad was actually the one who helped introduce me to who selina was. he also explained to me at a young age what a femme fatale was . lol or at least as best as he could since i was so young. and his description wasn’t ‘sexy’ but an attractive woman who knows her worth. that was also when i was very young so , could explain why.

i think it’s important that we discuss the true meanings of a femme fatale. a femme fatale is an independent ( misguided / sometimes evil ) woman. morally grey is a more fun term to use. she may need you for a time , but she surely won’t need you always. she is the woman who operates on her own terms , she’s unafraid of using people. specifically men. baby , she’s not returning your calls. 🫡

going more off of selina’s experience , there is deep seated trauma with her when it comes to men. not just men though , compassionate people in general. i hc sel as bisexual. compassion that she has never known growing up makes it hard to feel safe with it. selina likes to feel safe but she also has a very cynical view of the world. she does believe that even the most compassionate souls are out to use her. no matter how ‘good natured’ they are.

selina absolutely gets revenge every time in style. and she’s got an obsession with showing her enemies that she is the cause. if that means leaving a lipstick stained kiss mark on their foreheads after taking their family fortune or her simply sitting in the frame with a smirk as her target is arrested , she wants her victims to know that it was her. 💋