#AM I MAKING SENSE???????????????

[sholmeser]

so like it’s 1999 and solid snake is in zanzibar land and gray fox tells you that all he can do is fight. it’s all he has and it’s probably all you’re ever going to have, too, because deep down you know your father is right, you know he is right as you click the lighter and burn the flesh off his skin, you know he is right when he tells you, this will never go away. i am always going to be a part of you. it’s 2005 and solid snake is in shadow moses island, alaska and gray fox tells you that’s good, snake. hit me harder. do it more. that’s good. when you meet meryl you kill the guards, and then snake thinks he loves her, so you kill psycho mantis for her, ocelot tortures you and you withstand it for her, you beat liquid to a pulp for her and while his blood is on your fists he smiles and tells you that you two, you’ll always be the same. gray fox means violence means meryl means violence, so what’s love if not that? what is it if not the feeling of broken bones under your knuckles, if not the smell of your father’s burnt flesh? but she's too young, she doesn’t understand you and she couldn’t if she tried, because she’s eighteen years old and doesn’t know any better and doesn’t understand that after you sleep with her you’re going to get up and let the pillow grow cold, she thinks you’ll tell her everything and when you don’t, because you can’t, she’ll leave you. you kill him with your fists and for her you destroy shadow moses and you hear him say to you again that’s good, snake, that feels good, do it harder. but it isn’t a coincidence that in mgs1 you meet otacon at the same time you meet gray fox. otacon who is so scared of battle he pisses his pants and otacon who cries over a woman who could never love him back and otacon who thinks good people like dogs, kind people like dogs, otacon who passed you a meal, ready-to-eat and a bottle of ketchup across the bars of your cell and when you ask him why the fuck are you here if you cant help me he says to you, i thought you might be hungry. otacon who gives you her handkerchief that was once her mother's and will be hers once again when she dies, when you rest it atop her glazed-over irises, a cycle of love. she was a good person, snake, and so are you. she liked the wolves and you do too. otacon who cries over his baby sister’s little body, who blames himself for being seventeen years old under the touch of the woman who should have been his mother. otacon who when it's 2014 will make you the solid eye and the octocamo suit and the mk. ii to keep you safe and say to you, don't hurt anyone, snake. will say to you: i'll follow you wherever you go, like this. otacon who blubbers like a baby and cries too much and who, when it's 2009 in new york city, you have to say to, go rescue the hostages, because if you don’t he’s going to crumple in on himself, a dying star. this is how you love, you don’t say to him, and how i love, because you showed me how. wrap your arms around his shoulders and hope it’s enough.

[macdenlover]

it came to my realization that 99% of my fandom related headaches would be cured if everyone understood this

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[lilislegacy]

imagine being someone at new rome university and not knowing percy is the same guy as “percy jackson, son of poseidon, two-time hero of olympus, former praetor” because the thought doesn’t even cross your mind. like… he’s percy. he’s a total frat boy. on a normal night, he walks into a party, refers to everyone as bro or dude, socializes with every living (and not-living) person in the room, makes at least 50 sarcastic comments, plays 12 rounds of beer pong, drinks way too much, and then skates around campus on his skateboard yelling “I LOVE NEW YORK” (which makes no sense, because they’re in california) until someone calls his girlfriend to come get him.

and then one day there’s an attack, and frat boy percy is all of a sudden a fighting machine. he’s yelling battle cries alongside the praetors frank zhang and hazel levesque as they lead everyone into battle. (why is he with the praetors? and why…. why in the world do the praetors seem to be following his lead?) his sword slashes through armies of monsters faster than you’ve ever seen. he’s controlling the entire river surrounding the camp, creating huge waves as tall as skyscrapers that crash down all around him, wiping out monsters and causing mass destruction to his enemies’ ranks. the sky is suddenly dark above you, ice-cold water droplets are slashing through the air, and the wind is blowing so aggressively that it’s making it hard to stand up steadily. because he’s somehow created a hurricane.

and he looks terrifying. you can feel the power radiating off of him. he’s like a god. or maybe a monster. it’s hard to tell. you’re a little scared of him, to be honest. but also in total awe, because it’s extraordinary. he’s extraordinary.

frat boy percy is not who you thought he was.

[stil-lindigo]

frankly, the people whose kneejerk reaction to bisan asking for a global strike form the 21st-28th is to say that it takes years to organize a general strike are really unhelpful! no one is saying otherwise, but palestine will be a smoking crater if we all wait for years to do anything - bisan is asking us to do something now. Like are we only supposed to do something if we can do it perfectly??? At some point it’s a valid critique about the work that goes into social movement, and at another point I feel like some people are just trying to absolve themselves from not putting any effort into observing a week of economic inaction.

like idk! I get it, okay! People have bills to pay that don’t magically go away for a strike, we don’t have nearly enough social infrastructure in place to support people to fully stop going to work for a week. But fuck, dude! Stop immediately responding in such a defeatist way! Cut out unnecessary purchases! Try to shop local! Put more effort into promoting Palestinian voices online! Attend a protest, call a local rep, do something!

[pissed-whizard]

my blog is a gateway drug to cooler and better blogs (my mutuals)

[mythicalcoolkid]

You don't wish your disability was worse or more visible, you wish your disability was taken seriously. Please stop confusing the two, I guarantee you would not get the support you need JUST by being more severe or more visible. Please listen to visibly disabled people when we tell you it isn't better on our side

[rogueshadeaux]

“I hate the script, the vault dwellers sound so cheesy—“ my Brother in Steel you realize that’s the point, right? They were bred to act like the physical embodiment of an HR e-mail. Did you not catch the memo that Vault-Tec put out regarding their experiment facilities?

[saessenach]

What is honor compared to a woman’s love? What is duty against the feel of a newborn son in your arms… or the memory of a brother’s smile? Wind and words. Wind and words. We are only human, and the gods have fashioned us for love. That is our great glory, and our great tragedy.

Jon Snow - and family that haunts him, because sometimes ghosts make for the best love stories.

[lookliketaylorswift]

what i think this album did was separate people who treat taylor as taylor swift the human vs taylor swift the brand

[uncanny-tranny]

The leftism/anticapitalism leaving people's bodies the zeptosecond you imply that disabled people who aren't "productive" still matter in society and need to be treated like intrinsic equals who have a place in this world:

[sttoru]

“ryo,” it rolls off your tongue. naturally—as if you’ve called him that thousands of times before. you don’t realise it until he stops his movements.

sukuna narrows his eyes. you turn your head and look up, oblivious to your slip-up. the sorcerer doesn’t utter a word and instead glares down at your short frame. he looks irritated, or more annoyed.

“oh,” you realise why only a few seconds later. you bow your head at him and try to explain yourself in a hurry. normally, you’d address him with respect like everyone else does. ‘my lord’, ‘lord sukuna’, or even ‘master’.

you nearly fall to your knees. you don’t know how or what sukuna’s going to do now that you’ve dropped the honorifics on accident and called him by a nickname. you hold your hands together, “my deepest apologi—“

“again,” sukuna demands in a rough voice. you freeze for a second before tilting your head back. you catch a glimpse of his expression; he’s amused, intrigued and perhaps still a bit annoyed. he repeats, “call me that again.”

sukuna isn’t annoyed by the fact that you’ve called him by a nickname for the first time. he’s annoyed, because your sweet voice makes him feel stuff he’s sworn to never feel for a regular human. that warm feeling in his chest. . . he hates it. yet he yearns for it. from you.

you hesitate for a second, unsure if the firm tone in sukuna’s voice was a bad sign or not. you decide to just comply and hope for the best, “. . . ryo.”

sukuna grits his teeth. you think he’s mad, but in reality, he’s trying to eliminate the feelings of love from within him. your voice calling him so affectionately—so intimately; it makes him feel that warmth in his chest.

no one’s dared to call him anything like that before. everyone’s formal with him. it’s a must. sukuna’s used to everyone acknowledging his superiority in the conversations he holds. it’s a given.

no one refers to him so casually. no one dares to.

you’re the first one to break that pattern. the first one to make sukuna’s cold heart tremble. if it were anyone else, they’d be his dinner by now. but it’s you so it’s. . . fine, he assumes. an exception.

silence falls in the hallway. luckily, not another soul is around to witness the king of curses struggling to contain his own ‘foolish’ emotions. sukuna clicks his tongue and sighs before continuing to walk ahead of you.

you scurry after him—keeping your head low. you don’t wish to upset sukuna any further. you feel like you overstepped a boundary just now. the silence continues for a couple seconds, both of you deep in thought.

sukuna’s the one to end the quiet atmosphere. his voice is as deep and cold as ever, though there’s no denying the subtle softness that creeps in whenever he talks with you.

he takes a deep breath and sighs. sukuna keeps walking and doesn’t spare you a glance, however his voice and words tell you enough;

“from now on, that’s the only way you’ll address me until i say otherwise, understood?”

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[chimifuckinchanga]

why is deadpool just straight up the most shippable character of all time. this man can be with anyone and it’s adorable. logan?? goes without saying. spidey?? for sure. vanessa?? totally. cable?? why not.

it’s becoming baffling at this point like. is he drinking magical ship juice. how did this man harness such lovable magnetism

[dell-amor-te]

Aw, heck, yeah, Lucanis romance crumb that’s gr—

WHAT SETS WHAT OFF?