#AH who cares
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nerdallwritey · 28 days ago
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Snippet Sunday!
Thanks for the tags @ladyduellist and @obsessedwhyyes!! I didn't have anything for a hot minute but I've got some stuff now 😈
Part 6 of Beauty and the Bard is HAPPENING, baby!!! Without further ado, here's the beginning so far:
“Would you relax?” you whispered sharply to the vampire currently brooding to your right. “How can I be when this… ancient woman just tried to murder you?” Astarion threw a dramatic hand forward, gesturing to Jaheira, who was walking in front of you towards the Last Light Inn. You all had just arrived at the well lit sanctuary in the Shadow Cursed Lands, only to be interrogated by the High Harper, and vouched for by Mol, who’d managed to find her way here as well. “I handled it,” you hissed. “It’s going to be okay.” “While I admire your optimism, darling, I still don’t trust her.” Karlach buzzed behind you, clearly in disbelief. “Mate, you must be joking. That’s the Jaheira!” Astarion slowed his pace a bit to meet Karlach’s eye. “And, I take it, you know the old crone?” “Astarion!” Wyll sounded surprised. “You’ve lived in Baldur’s Gate longer than I have! And you don’t know the tales they tell of Jaheira and her party of adventurers?” Your crew of seven came to a halt in front of a moss covered fountain to gawk at the elf. He clicked his tongue. “Mmm… that’d be a no.” “He’s lying,” Shadowheart rolled her eyes. “I am not!” Gale lifted a quizzical eyebrow. “Come now, Astarion, surely you’ve heard passing tales of the heroes of Baldur’s Gate? Or perhaps read a book of their exploits?” Lae’zel narrowed her eyes. “I do not know of this ‘Jah-hee-rah’ person. Her heroics must not be that impressive if I have never heard of her.” “Nor I,” Halsin cut in. “Yes, well, being freakish outsiders from the Astral Plane and the middle of the forest will deprive you of basic history lessons.” Astarion crossed his arms. You snorted. “So what’s your excuse?”
This one's interesting because I skip around in time quite a bit to get to Act 2 but I'm having a great time! I'm making slow but steady progress :)
No pressure tagging: @arzen9, @kalmiaphlox, @maladaptive-menace, @xxnashiraxx, and @busy-baker!
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I've never met a mentally stable ginger girl, and I doubt I ever will
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leoneedincorrectquotes · 1 year ago
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Shiho: Being gay is a constant battle between "I wish to sit on a window bench with my lover, our legs tangling as we listen to the birds" and "Hey, let's go throw rocks at fascists" and I think that's very sexy of us. Ichika: If the window's open and you time it right, you can do both.
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toseeclearly · 2 years ago
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illustrations for Dice Shame, based on tarot [major arcana] (2023)
yeah I drew art for the show I'm on, sometimes you just need a project.
materials: watercolours, ink, pencil crayon, gold leaf (which scans terribly, I might add)
from top to bottom: The DM (Jo) / The Magician
Red / The World
Jack / The Heirophant
Mairi / The Star
Dorin / Judgement
There are easter eggs in each one, FYI. Love me an egg.
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idiotdriftinginspace · 3 months ago
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Ahem- may I?
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Steve Irwin in a Jaeger would be entertaining.
Look over there. There’s a Catergory 3 Kaiju. Biggest one yet. 
Ah’m gonna wrassle with it. 
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strawberryjamikins · 24 days ago
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DM: “Your skin !!!!!! You lost your skin [DM’s girlfriend]!!”
this is not in character. this is not part of the game. what is happening
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pastelchaos12 · 6 months ago
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Ight it's pride month, time to draw my OCs but gayer
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dappercritter · 4 months ago
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Having fun with Chainsaw Mappa so far
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puppetmaster13u · 1 year ago
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Prompt 124
Bruce crouched next to the small child that had been bounding around for the last few months healing people, watching idly as they scribbled on a paper with quiet chirps. Spirit, the rest of Gotham had named them, Spirit and their Sister. 
“Hi Mr. Bat!” The child beamed from behind the mask when they finally looked up, burn scar stretching slightly. 
He ignored the gibbering man in the corner, at least for now, seeing as he’d just arrived. “Is your sister around?” The other, well he wouldn’t call them vigilantes seeing as the kids (He’d be surprised if Sister was an adult) focused more on evacuation or healing, but it was the closest word. 
“Nope!” the child put their crayons away in one of the many pockets inside the almost victorian-styled coat, one of the reasons they’d gotten their name. “Uncle Kerian is watchin’ me tonight, ‘cause Sister is busy.” 
“Uncle?” 
“Uncle!” 
Bruce could be forgiven for the startled wheeze when the literal shadows twisted and ripped, a pair of Lazarus-green eyes- or whatever they were- gleaming from the darkness, dark hair twisting as sharp teeth similar to the siblings’ were bared in very open warning. As if the giant flaming sword wasn’t enough of a warning already. 
Ah. That’s who had traumatized the several would-be kidnappers then. 
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christakisbang · 1 year ago
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discendia · 7 months ago
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So, I did the thing... I mean, can you imagine the power it holds... How could I not do it?
[REF]
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kashmimo · 8 months ago
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Pest control
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rendevok · 2 years ago
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The sensation of waking up next to you ❤️💙
+bonus doodle:
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…and they mimir’d happily ever after the end. ❤️
(ID under cut!)
Miles is roused from sleep by sunlight shining on his face. Slowly, his eyes adjust to the light, until finally, his scope of awareness broadens to a body he had been sleeping on.
Page 2
Miles looks up to the figure that holds him, and upon seeing, his eyes widen in recognition.
Miles looks up to the figure that holds him, and upon seeing, his eyes widen in recognition.
The bottom panel of the page shows minimal details of a window shedding light onto the bed and blankets as seen from a higher view in the room.
Page 3
On the other side of the bed, Phoenix rests, his head propped by the headboard. His hair is messy from sleep, and his expression is thoughtful. The light of the morning highlights his features.
The sun shines through the blinds of the window.
Phoenix finally notices his observer, and turns to look at him.
Page 4
Phoenix takes Miles’ hand in his, and lifts it to gently kiss the ring on Miles’ finger. They both move to share a kiss, and their hands shift to hold one another. Miles’ ring sparkles in the sunlight.
Page 5
They link their fingers as they kiss, and the morning creates a quiet atmosphere around them.
They part, but remain close, their fingers fully interlocked. Phoenix greets “Good morning,” with a tender, loving expression as he looks at Miles. Miles’ own expression is soft, unguarded, and fixed on Phoenix.
Page 6
Phoenix and Miles settle back into their shared bed; the morning sun illuminates them. They both smile softly, seeming happy and at peace. Miles rests his head under Phoenix’s neck, and his hand on Phoenix’s chest. One of Phoenix’s hands rests over Miles’ own on his chest, while his other hand holds Miles closer, revealing a matching ring of his own. Both rings shine softly in the sunlight.
Bonus image
A small simple drawing of Phoenix and Miles having fallen asleep again while holding each other as in the final page of the comic.
End ID.]
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sergle · 1 year ago
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I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question. and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost. Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half." All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon
#there is actually nothing morally wrong with running an account that just reuploads ppl's artwork or their jokes or their cosplays#if you just put a VISIBLE LINK in the description of your post with proper credit then it would be beneficial for everyone#because you can get your little clout or whatever it is you want by putting a bunch of same-category content on a page#but nobody's getting fucked over because if your post blows up then people just get FUNNELED to the source#because it's placed so plainly where everyone can see it#and yeah it's better to retweet or reblog but#on the rare occasion that I see my shit reuploaded on tumblr WHICH IS WEIRD BC I MAKE MY OWN POSTS HERE but anyway#someone making their own post where they upload my stuff. and it's always the floral self portraits so let's say it's a post with all those#if I scroll to the bottom and it says like. Artwork by Serglesinner on Twitter <-- clickable link [Sergle's Prints] <-- clickable link#to my etsy#I'm like oh okay and all the anger leaves my body and I'm like ah I see. and I toss the rock aside#like oh okay so you actually care that a person made these pieces. Instead of posting the caption ''women <3'' or smth#like you've GOTTA die if you do that. but if you just link back#or if you go to the effort of writing like a description with a BLURB? like it's a damn museum. like a light paragraph of info#about what the art is and who made it and their links#I am literally sucking you in a strange and peculiar manner. that is extremely helpful#and maybe other artists don't want this AT ALL and they'd rather people not reupload even if it is credited#but I feeeeeeeeel. like 99% of the time this would solve the issue#reposters could genuinely be helping ppl. sometimes the repost gets more traction than the real thing#as long as it credits the creator then that's an okay thing to happen!#that can land somebody a sale! a commission order! a new fan! A JOB#A JOB!!!!!!!!!!#sergle.txt#I didn't write this eloquently AT ALL what the fuck ever barkbarkbarkbark
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werewolfsmile · 6 months ago
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The Eliot Spencer Details Masterpost
I have been recording details about our beloved Eliot Spencer on my latest watch through. And now, it's finally time to reveal the details!! If I have gotten any details INCORRECT, I beg of you to correct me, at which time, this post will be updated and credit given. (Note: S1 was aired out of chronological order. I am going by chronological episode numbers - aka the correct order - and providing the episode titles as well to minimise confusion.) !! This post contains details from Leverage: Redemption! Read the episode references carefully if you are wanting to avoid certain spoilers !!
Shirtless Moments
S1 E7 The Two-Horse Job: The flashback scene when Aimee asks Eliot what his excuse was for not coming back to her, we see him being dragged/tortured, shirtless. "Tell us what you did with the monkey!"
S2 E2 The Tap-Out Job: Eliot is shirtless for the fight match.
S4 E9 The Cross My Heart Job: Ehh he's not completely shirtless here but whatever. At about 16 mins in, Eliot and Parker are getting changed together, Eliot strips to a singlet then throws his shirt at me the camera. (I didn't include other scenes of Eliot in a singlet here because in this scene he's actively undressing, whereas in others he's not.)
Necklaces
The earliest sighting of his guitar pick necklace is S1 E2 The Homecoming Job. It continues to pop up frequently in episodes, though noticeably less in S1. I thought about recording every occurrence of it here but ... lmao it's in legit waaayyyy too many episodes for me to bother.
S2 E10 The Runway Job: Honourable mention of the necklaces Eliot wears with his fashion week outfit. The longer one is kinda dogtag-esque, the shorter one is ... I think it's a fleur de lis? He also wears a range of chain necklaces later in this episode.
S4 E18 The Last Dam Job: Bird pendant (possibly kingfisher) visible at 34 mins 39 seconds. Full credits to @wolves-in-the-world for this one including the time stamp! You can check out their reblog of this post with more details here!
Dammit Hardison
S1 E13 The Second David Job: The FIRST INSTANCE of dammit Hardison in the entire show! Said upon discovering each other in the gallery, around 4 mins 15 seconds.
S2 E1 The Beantown Bailout Job: Said around 22 mins 30 seconds, immediately following, "What are the odds that Eliot's crotch will actually explode?" Iconic.
S2 E6 The Top Hat Job: When setting up for the magic show and discovering the rabbit missing, roughly 19 mins 45 seconds.
S3 E3 The Inside Job: Running from security, around 31 mins 30 seconds.
S3 E4 The Scheherazade Job: Trying to enter McRory's at the same time, around 1 min 30 seconds.
S3 E5 The Double Blind Job: This is an honourable mention because this time NATE is the one to say dammit Hardison! 9 mins 15 seconds.
S3 E6 The Studio Job: Upon discovering the master tape isn't in the case, roughly 32 mins.
S3 E7 The Gone Fishin' Job: Eliot and Hardison running in the woods for their lives, arguing as always. This one is a bonus 'dammit' because Hardison says it straight back to Eliot after Eliot yells it at him! Around 21 mins.
S3 E12 The King George Job: Discussing Hardison's forgery work, followed by Eliot regretting touching anything. Around 23 mins 55 seconds.
S3 E13 The Morning After Job: Pretending to be cops and accidentally ending up with a prisoner to take back to jail, around 16 mins 20 seconds.
S3 E14 The Ho Ho Ho Job: Honourable mention of Chaos mocking Eliot by saying dammit Hardison. Roughly 21 mins 15 seconds.
(phew, S3 was rough on Hardison! given what Eliot was going through with the whole Moreau thing.... ooh that's delicious angst)
S4 E5 The Hot Potato Job: Honourable mention for Sophie saying it this time! While playing the role that was meant for Eliot, around 24 mins.
S4 E6 The Carnival Job: Mixing chemicals for a distraction, roughly 25 mins 30 seconds.
S4 E17 The Radio Job: Hardison running away from being thrown off a high floor, around 5 mins.
S4 E18 The Last Dam Job: Sneaking around at the Bellington Dam, roughly 13 mins 35 seconds.
S5 E1 The (Very) Big Bird Job: 'Accidentally' putting a brew pub menu in front of Eliot, around 10 mins 20 seconds.
S5 E15 The Long Goodbye Job: Emotional scene that we do not speak about, around 12 mins 40 seconds.
RS1 E1 The Too Many Rembrandts Job: After knocking Harry out and asking Hardison to help carry Harry, and Hardison refuses. 11 mins 40 seconds.
RS1 E2 The Panamanian Monkey Job: Upon discovering that security is headed to the vault where Parker is, and the only way down there is through the vents. Around 34 mins 10 seconds.
RS2 E1 The Debutante Job: We get 3! In this whole episode! Probably to make up for Hardison being gone for most of Redemption. Anyway! First one when Eliot and Hardison are in Ralphie Roy's place and Hardison has no idea who Ralphie is, around 23 mins 15 seconds. Second is when they're breaking into the elevator and Hardison won't help fight or move the unconscious guards, roughly 37 mins 40 seconds. And third, after the job when Parker says that Hardison was the one who took out all the guards. Around 45 mins 10 seconds.
RS2 E3 The Tournament Job: Right at the start after Eliot says gaming isn't a sport and Parker texts Hardison, so Hardison starts blowing up Eliot's phone. Lmao. Around 4 mins 20 seconds.
RS2 E4 The Date Night Job: After realising Breanna stole his truck, Eliot says dammit, then aims it at a grinning Hardison, since Breanna is already running away. Around 46 mins 50 seconds.
Dammit Parker
S1 E4 The Snow Job: Parker jumps out of a second floor window, Eliot catches her. 15 mins. (Parker gets a dammit from Eliot before Hardison does!!)
S3 E8 The Boost Job: Parker driving erratically, Eliot thrown around in back seat. (Technically there's a pause between dammit and Parker but I'm still including it) 35 min 35 seconds.
S5 E12 The White Rabbit Job: Searching the mark's house, Parker wants to steal a shirt. Again, this isn't technically a proper dammit Parker, as Eliot instead says, "Put it back! Dammit." But I'm still including it because it was aimed at her. 21 mins 20 seconds.
RS1 E9 The Bucket Job: Parker is pretending to be a hacker heavily modelled off Hardison. Not a proper dammit Parker as, again, Eliot only mutters "dammit" under his breath, but still counts to me. Just after 18 mins.
RS1 E10 The Unwellness Job: At end of episode, after Parker admits that she didn't even learn Eliot's name till after the team broke up the first time. 44 mins 30 seconds.
RS1 E13 The Hurricane Job: After washing up on shore and entering the Beacon Inn, Parker and Eliot are bickering about Maria. He doesn't strictly say dammit Parker but there's absolutely no doubt who he's directing the dammits towards. 3 mins 30 seconds.
RS2 E6 The Fractured Job: When farewelling Billy and Parker says next time she'll finish telling him about the robot bodies. Again, it's just dammit not dammit Parker but it's close enough. 41 mins.
RS2 E8 The Turkish Prisoner Job: Another standalone dammit that is most definitely aimed at Parker! When breaking Romero out, Parker says she's a firefighter (with far too much glee), around 14 mins 30 seconds.
RS2 E10 The Work Study Job: A full dammit Parker this time! When Parker reveals that it's super easy to steal from a university and produces a whole bunch of stuff, roughly 22 mins 40 seconds.
Very Distinctive Moments
S1 E2 The Homecoming Job: Eliot ID's the weapon from the gunshots, around 8 mins. Later, he ID's a guy off his knife fighting style, around 18 mins 50 seconds.
S2 E6 The Top Hat Job: ID's a CIA guy from his stance, roughly 7 mins 45 seconds.
S3 E11 The Rashomon Job: ID's the smell of peppermint on Hardison's breath, around 21 mins.
S3 E12 The King George Job: ID's former British paratroopers by their haircuts, 30 mins 10 seconds.
S4 E1 The Long Way Down Job: ID's a former spetsnaz guy by his footprint, 13 mins 45 seconds.
S4 E5 The Hot Potato Job: Honourable mention of Eliot ID'ing ex-military personnel by their stances, he just doesn't say very distinctive. 18 mins 50 seconds.
S4 E11 The Experimental Job: Honourable mention of Eliot ID'ing a helicopter by the whumpa-whumpa (there's 7 of them did you know). Around 7 mins.
S5 E3 The First Contact Job: ID's military satellite transmission by the static, 7 mins 20 seconds.
S5 E9 The Rundown Job: ID's a Navy Seal who enlisted between '90-'95 by his watch, around 16 mins.
RS1 E2 The Panamanian Monkey Job: ID's a drone (Breanna's) from the sound. 11 mins 50 seconds.
RS1 E3 The Rollin' On The River Job: ID's Russian mob by the tattoos, 36 mins 30 seconds.
RS1 E7 The Double-Edged Sword Job: Honourable mention for Maria ID'ing the way Eliot disarmed her gun, 7 mins 50 seconds.
RS2 E4 The Date Night Job: Eliot ID's a guy as not having a distinctive anything - which is what is so distinctive. 20 mins 40 seconds.
RS2 E13 The Crowning Achievement Job: ID's MI6 off their search pattern, 6 mins 50 seconds.
Known Family
S1 E6 The Miracle Job: When discussing Bibletopia, Eliot says his nephew would like it. This is the ONLY mention of a nephew in the entire show, Redemption included; nor is there any direct mention of a sibling beyond this (which leads me to believe that this nephew is actually the son of a close friend/cousin/military buddy, rather than a direct family relation, but that's just my headcanon).
S2 E3 The Order 23 Job: When talking to the abused boy, Randy, Eliot says he has an uncle named Randy.
S5 E11 The Low Low Price Job: Eliot's dad owned a hardware store and he wanted Eliot to take over one day. But Eliot wanted to get out of that small town, so he joined the service. Fought with his dad the night before he left and hasn't been back since. He goes back at the end of this episode and knocks - but his dad never answers the door 😭
RS1 E9 The Bucket Job: While interrogating/torturing Eliot with Red Haze, Bligh says that Eliot's dad's friend from Vietnam has invited Eliot to join them for Christmas. At the end of the episode, Eliot goes to join them for dinner, only to get a message from 'J' that his dad was a no show. This 'J' is widely accepted as Eliot's unknown sibling but that is incorrect! 'J' is Eliot's dad's buddy from Vietnam!
RS2 E6 The Fractured Job: The ultimate Eliot family backstory episode!! (if you haven't seen it yet and don't want spoilers, skip this one!) Eliot was adopted by a black couple, Billy and an unnamed woman, after being abandoned/surrendered at a hospital as a baby. His father was a war hero who got none of the glory and sustained a wound, ruining his civilian career path, so Billy never wanted Eliot to follow in his footsteps. Eliot loved the stories of his dad in the military so joined up to be like him. His mother died while Eliot was on an op and he couldn't get leave to come back for the funeral, deepening the rift between him and Billy. Ultimately, they reconcile, (Eliot says his dad was always a hero to him, Billy say's he's proud of Eliot, they hug), and I cry every time 😭❤️ [Edit: Eliot being a baby at the time of being found at the hospital and consequently brought home by his adopted mother is unconfirmed and my presumption. We have no clear info on his age at adoption. Thanks to @nival-kenival for picking that up!]
Phrases: Ain't
S1 E4 The Snow Job: Said to Nate, right before Nate tells him to go skip some rope.
S1 E9 The Stork Job: Says it twice while conning Irina.
S1 E10 The Juror #6 Job: Upon being told to go help Parker instead of watching a sports game, Eliot takes his beer back.
S2 E2 The Tap-Out Job: Discussing the fights the mark runs, says they ain't the UFC.
S2 E3 The Order 23 Job: Said right before threatening to throw Randy's abusive father over the railing of a stairwell.
S2 E4 The Fairy Godparents Job: Upon spotting a hitman sent to kill McSweeten and Taggart.
S2 E8 The Ice Man Job: After hearing Hardison call himself the Ice Man, says he won't bail him out when things go wrong.
S2 E9 The Lost Heir Job: While trying to get Parker to the court room and end up cut off by the police.
S2 E11 The Bottle Job: When Hardison wants help to clean up Nate's apartment and Eliot refuses.
S2 E14 The Three Strikes Job: When Nate says to meet outside the ballpark but Eliot refuses because now he's sucked into the sport.
S3 E3 The Inside Job: Twice while arguing with Hardison about how to rescue Parker, once when Parker offers him a lift down the stairwell with her on her harness rig and he refuses. This is the most he says ain't in a single episode!
S3 E7 The Gone Fishin' Job: Once when the militia try to make him kneel, later when the militia kid catches him and Hardison near the train tracks.
S3 E11 The Rashomon Job: When Sophie changes her story to mock Eliot's accent and mannerisms.
S3 E15 The Big Bang Job: When confronting Moreau with Hardison.
S4 E1 The Long Way Down Job: Upon arriving at the base camp and complaining to Nate.
S4 E7 The Grave Danger Job: When looking for a buried Hardison and hearing the sprinklers.
S4 E10 The Queen's Gambit Job: At the end, swearing revenge on Sterling.
S4 E12 The Office Job: Arguing with Hardison about Eliot's sandwich while searching the warehouse.
S4 E13 The Girls' Night Out Job: When trying to convince Nate to socialise at the very start.
S4 E14 The Boys' Night Out Job: Exactly the same as the previous episode, so this one barely counts.
S4 E17 The Radio Job: In the patent office, when trying to figure out who lured Nate into this situation. The same scene is used later as a flashback.
S4 E18 The Last Dam Job: Warning Nate of the consequences of taking a life with your own hands.
S5 E2 The Blue Line Job: When ambushed by Marko when leaving the ice rink.
S5 E9 The Rundown Job: Once when going to wring information on the hit out of Riley, once when Hardison steps on the trigger plate of the claymore.
S5 E13 The Corkscrew Job: First time talking to Betty about how Leonard's a jerk.
RS1 E1 The Too Many Rembrandts Job: Twice when ambushed by RIZ thugs in the warehouse.
RS1 E2 The Panamanian Monkey Job: Once when discussing Ryan Corbett at the start, once when refusing to let Hardison have a turn with the diamond-tipped drill.
RS1 E3 The Rollin' On The River Job: When warning Breanna to be certain of her calculations for how to get him and Parker out of the casino's vault.
RS1 E8 The Mastermind Job: Once when discussing hiring people to overthrow a government, once when discussing how they're going to do like 6 things at once, including saving Harry.
RS1 E9 The Bucket Job: Said twice while talking with Blanche, after Blanche helped rescue Eliot from RIZ.
RS1 E14 The Great Train Job: While digging through the tainted soil with Harry.
RS2 E1 The Debutante Job: When trying to get to Volkov's plane with Parker and seeing that two guards are in the way.
RS2 E5 The Walk In The Woods Job: Talking to Paul after rescuing Harry, who was pretending to be Eliot.
Fun fact: for every ain't that Eliot says, Hardison says at least two more. And that's too many for me to bother recording!
Phrases: Y'all
Never. Not even once.
Hardison, on the other hand, says y'all all the damn time - every season, multiple times, sometimes even multiple times in the same episode.
Honourable mention for Chaos saying y'all as an incorrect mockery of Eliot's accent in S3 E14 The Ho Ho Ho Job.
... Okay, okay! So Eliot says it a few times in Redemption! But only in ONE episode!
RS1 E1 The Too Many Rembrandts Job: Said 4 times when playing a character and convincing people to clear out of the auction house.
That's it.
Aliases
These are all the names that Eliot's gone by or used on cons that I could find, not just full blown aliases.
S1 E1 The Nigerian Job: Detective Lieutenant Carden (the scene with this alias was cut from a lot of versions of this episode)
S1 E4 The Snow Job: Vince Fetkey, Hans Von Schwesterkrank
S1 E7 The Two-Horse Job: Brad Mackie
S1 E9 The Stork Job: Dale
S1 E12 The First David Job: Professor Sinclair
S1 E13 The Second David Job: Professor/Dr Adam Sinclair
S2 E2 The Tap-Out Job: Kid Jones (on the fight match poster)
S2 E4 The Fairy Godparents Job: Coach Brewer
S2 E5 The Three Days Of The Hunter Job: Earl
S2 E9 The Lost Heir Job: Officer Hilts
S2 E10 The Runway Job: Julian
S2 E14 The Three Strikes Job: Roy Chappell
S3 E1 The Jailhouse Job: Dr Abernathy
S3 E2 The Reunion Job: Lloyd Hickey
S3 E4 The Scheherazade Job: Guy Hamilton
S3 E5 The Double Blind Job: Phil
S3 E6 The Studio Job: Kenneth Crane
S3 E7 The Gone Fishin' Job: Agent Quint
S3 E8 The Boost Job: Skeeter
S3 E9 The Three-Card Monte Job: Detective Moffat
S3 E10 The Underground Job: Eric
S3 E11 The Rashomon Job: Dr Wes Abernathy
S3 E16 The San Lorenzo Job: Ray Laroque
S4 E2 The Ten Li'l Grifters Job: Charlie Siringo
S4 E4 The Van Gogh Job: Lieutenant (only granting him this one because CK played him in the flashback)
S4 E5 The Hot Potato Job: Tom Boonen
S4 E12 The Office Job: Mr Dennis
S4 E14 The Boys' Night Out Job: Luigi
S4 E15 The Lonely Hearts Job: Jackson Cooper
S4 E16 The Gold Job: Tobias Bowden
S4 E17 The Radio Job: Cowboy (*cough* John McClane *cough*)
S5 E2 The Blue Line Job: Jacques "Jack" Labert
S5 E3 The First Contact Job: Willie Riker
S5 E5 The Gimme A K Street Job: Steven Turner
S5 E6 The DB Cooper Job: DB Cooper/Young Steve Reynolds (again, technically not an alias but whatever it's here anyway)
S5 E7 The Real Fake Car Job: Barry McElroy
S5 E11 The Low Low Price Job: Archer
S5 E14 The Toy Job: Carl
Honourable mentions of Eliot being called: "Rambo" by Hardison in S1 E2 The Homecoming Job [thanks @independent-fics for this!]; "Emeril" by Parker in S1 E3 The Wedding Job [thanks @aardvaark for this one!]; "Sparky" by Parker in S1 E10 The Juror #6 Job and by Tara in S2 E15 The Maltese Falcon Job; and "Skippy" by Hardison in S3 E7 The Gone Fishin' Job.
RS1 E1 The Too Many Rembrandts Job: Will Gallagher
RS1 E6 The Card Game Job: Glenn the Savage
RS1 E7 The Double-Edged Sword: Emmett Milbarge
RS1 E8 The Mastermind Job: Frank Farmer
RS1 E10 The Unwellness Job: Hank
RS1 E12 The Golf Job: Reed Wilkins
RS1 E13 The Hurricane Job: Calvin
RS1 E15 The Muddy Waters Job: Armus Vagra
RS2 E7 The Big Rig Job: Kris
RS2 E8 The Turkish Prisoner Job: Nick O'Brien
RS2 E10 The Work Study Job: New Blood, Caterpillar
Honourable mention of Eliot being called "Skipper" by Hardison in RS1 E16 The Harry Wilson Job.
Known Associates
This is in direct reference to hitters/people from the criminal world that Eliot knew or was aware of prior to the Leverage Team. Quinn is not included in this list due to that distinction (sorry Quinn).
S1 E3 The Wedding Job: The Butcher of Kiev
S2 E7 The Two Live Crew Job: Mikel Dayan
S3 E11 The Rashomon Job: Gutman
S3 E15 The Big Bang Job: Chapman, Damien Moreau
S3 E16 The San Lorenzo Job: Damien Moreau
S4 E4 The Van Gogh Job: Frank, Randall
S4 E6 The Carnival Job: Roper
S5 E4 The French Connection: Rampone
S5 E9 The Rundown Job: Riley
Trivia
S2 E6 The Top Hat Job: Eliot claims he only sleeps 90 minutes a day, and that he cured his claustrophobia as a kid by locking himself in the woodshed behind his house for a couple nights.
S3 E6 The Studio Job: Eliot is nervous to perform in front of an audience, to the point that Parker startles him and she's surprised that she did. Interesting to note that he seems to have no issue playing sport in front of crowds.
S3 E7 The Gone Fishin' Job: Eliot says he hates beets.
S4 E5 The Hot Potato Job: Eliot chews gum. He does this throughout a LOT of episodes across the seasons but I've only noted down this one episode for it.... thanks, past me 🙄 [Edit: thanks @nival-kenival for more info! Another confirmed episode is S1 E2 The Homecoming Job, and S3 E13 The Morning After Job!]
S4 E9 The Cross My Heart Job: Eliot says he fought a guy with a Nerf sword in Damascus, 2002.
S5 E11 The Low Low Price Job: Eliot drives an F-150 to his dad's house in Oklahoma. This is a THIRD vehicle that apparently belongs to Eliot, in addition to the Chevrolet Silverado and Dodge Challenger we see in other episodes. The F-150 is not seen again.
S5 E12 The White Rabbit Job: Eliot has 'special sedatives' aka a little psychotropic he picked up outside of Bogota.
Eliot mostly walks at the back of the group, presumably to be the rear guard and make sure no one falls behind. See ... just about every damn episode for evidence.
RS1 E3 The Rollin' On The River Job: Parker says that Eliot has cut his way out of an ice cave, escaped a gorilla enclosure, and catered a wedding for the mob.
Eliot is seen wearing glasses throughout various episodes. A flashback in S1 E1 The Nigerian Job shows him wearing presumably his own glasses. All other instances of him wearing glasses (that I can think of) are when he takes someone's glasses for a con. It is unconfirmed if Eliot actually needs glasses to correct his eyesight or not, but is a fandom headcanon. In S3 E1 The Jailhouse Job there is an interaction where Nate ribs Eliot for taking so long in a fight, and Eliot says it's because of new glasses. An argument could be made that this means Eliot does require glasses. [Thanks @independent-fics for picking this up - for pretty much all the details pertaining to Eliot's glasses!]
And there you have it! All the details that I've spent the last 3 months collecting!! Now it's time for me to take a good, long break because my brain is fried! 😂
Once again, let me know if you find any errors so I can update the post. Data from Redemption S2 is where I've most likely missed things, since I don't have it on DVD and it's sooo much harder to scrub through streaming footage to find things. When will they release RS2 on DVD I need itttt.
If you've made it this far, thanks for reading! I hope this post can be a helpful reference for you!
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strawberryjamikins · 2 months ago
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NO YOURE SO RIGHT. the orange joe thing was probably one of those tiny little things that just spiraled. the amount of things that guy would’ve just. found out of nowhere at some point. would it feel like losing Mari again is what i wonder. with every reset, every “new” version of Mari, did it feel like he lost the last one? was it some fucked up cycle of “well i’m remembering the truth. guess i gotta kill you again to start over.” cause if it was you KNOW that messed him up so bad. maybe that’s WHY that room with all the copies is there. cause even if he couldn’t speak with the old copies anymore, he couldn’t bear to truly get rid of them. i’m so normal about this game
the way that omori changed even the tiniest details in headspace so he’d have no way of remembering the truth. this motherfucker made Kel drink milk instead of orange joe JUST so he couldn’t remember the incident where Kel spilt it on the carpet, because if he remembered that, he’d remember other things Mari did in the real world, all the way to her death. this game fucking ruins me
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