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#70s brutalism
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Renaissance Center Marriott | Detroit, Mi | John Portman | 1977
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evan-collins90 · 10 months
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Detroit Marriott at the Renaissance Center (1977)
Designed by John Portman & Associates
Scanned from the Dec. 1977 issue of Contract Interiors Magazine
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atomic-chronoscaph · 1 year
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Zardoz (1974)
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galina · 2 years
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October, I love you
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kleinefreiheiten · 11 days
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06.2024 Hamburg
City-Nord
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disease · 1 month
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"FALLINGWATER | BEAR RUN, PA" (ARCHITECT: FRANK LLOYD WRIGHT) EZRA STOLLER // 1971 [gelatin silver print | 20 × 16"]
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modernbrutalismus · 3 months
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After two years out of print due to sales success, here comes the new edition of BRUTALISMUS, with a new cover even more brutal and all the photographs I have uploaded to modernbrutalismus.tumblr.com
Of course, we ship worldwide: https://alohaeditorial.com/producto/brutalismus/
Some information about the book:
- Buildings from Spain, France, the United Kingdom, Italy, the Czech Republic, Slovakia, Croatia, Austria and Luxembourg.
- 308 pages.
- 24x31cm.
- 294 pages of photographs, including 240 in black and white and 54 in colour.
- 4 texts by architects and international experts.
- 200g coated paper and 90g cream paper.
- Spanish/English bilingual edition.
- Hardcover in 3mm cardboard.
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fabio-271205 · 5 months
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Another little experiment with my Agfa Box, but because of the film being expired for almost 30Years now, the results were underexposed and yellow.
In the end I digitally edited them to death and that‘s the result 😂😂
It was a ISO 100 medium format film by Kodak from somewhen about 1990 cause it expired in 1994.
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zombie-bait · 10 months
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Listen I could spend forever writing an essay on why Rocky Horror Picture Show works so well but I think it comes down to the movie just being unapologetically horny and queer. It’s a film that says it’s ok to let go of everything dragging you down, it’s ok to be monstrous and strange in all the ways normal society just can’t understand. You should go and be the person you are because you just might end up really enjoying it.
And above all that you can be desirable. You can be sexy and free and fucked up with everyone else who’s just like you.
Why be normal when you can be extraordinary?
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edfartwhoreton · 22 days
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The Farmer's Daughters (1979)
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brutalistinteriors · 2 months
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Jennie King Mellon Library, Chatham University, Pittsburgh. Johnstone, McMillan & Associates
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phoenixtakaramono · 2 months
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Would anyone want hear my honest unfiltered opinion(s) or breakdown about what I liked/ didn’t liked/ wished the writers had done differently for The Boys season 4, now that the season is complete and all 8 episodes are out?
Because, spoiler alert:
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(Click here for the detailed episodic breakdown)
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dziubomir · 5 months
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reverie-darling · 5 months
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james: maybe in another universe i actually open up about how i feel...
sirius: maybe in another universe i wouldn't be blamed for everything...
remus: maybe in another universe i wouldn't feel like a bother..
peter: maybe in another universe i would be the first choice, the only choice maybe?
regulus: maybe in another universe i wouldn't be left behind!
barty: maybe in another universe i would make my father proud!
evan: maybe in another universe I'd be strong enough to protect the people i love?
me: "..."
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kleinefreiheiten · 3 months
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06.2024 Hamburg
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giantkillerjack · 1 year
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After learning about the video game "CONTROL" and watching Julia LePetit-Drawfee play it, I have amended my views on brutalist architecture.
I used to think that brutalist architecture was a completely miserable and hideous style of architecture to expect human beings to exist in or around, with absolutely no acceptable applications.
But NOW I think that brutalist architecture is a completely miserable and hideous style of architecture to expect human beings to exist in or around, which is actually quite suitable for a visually striking video game about a living building that fucking hates you and is actively trying to kill you and everyone in it. ✅ ✅ ✅
I'm being silly but tbh anyone who disagrees with me can go ahead and spend 10 years commuting in the dingy gray concrete brutalist dimness of the DC metro system and then fucking get back to me.
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