#7 June 1893

[rabbitcruiser]

On June 7, 1893 a fire destroyed a part of the Mercado da Ribeira in Lisbon. 

[davidhudson]

Dorothy Parker, August 22, 1893 – June 7, 1967.

[loki-cees-all]

Against All Odds {TVA!Loki x Female Reader Longfic}

Cee's Loki Fic Masterlist / AO3 Link

Series Summary : It was supposed to be a one-time thing : Loki was just trying to blow off some steam, and you were just trying to salvage your birthday evening. But time has a funny way of repeating itself, and now you are irrevocably entwined with each other.

Because Loki's going to turn your whole world upside down, and you're going to help him do it.

Pairing : TVA!Loki x Female Reader (Brad's date from the Zaniac movie premiere)

Tags / Content : Alternature Universe - Canon Divergence after S2 E2), Strangers to Lovers, Smut, Time Travel Shenanigans, S2 of Loki compliant-ish, Angst, Fluff, Hurt/Comfort

18+ only - Minors DNI

⊱ ─ ༓ ── ⋅•⋅⊰ ─  ⋅ ∙ ∘ ☽ ༓ ☾ ∘ ∙ ⋅  ─ ⊱⋅•⋅ ── ༓ ─ ⊰

Chapter 1 - Against the Wall {takes place on June 18th, 1977}

Chapter 2 - Against Each Other {takes place on June 25th, 1977}

Chapter 3 - Against Better Judgement {takes place on June 25th, 1977}

Chapter 4 - Hope Against Hope {takes place on June 26th, 1977}

Chapter 5 - Every Now and Again {takes place on June 27th, 1977]

Chapter 6 - Your Word Against Mine {takes place on June 30th 1977}

Chapter 7 - A Race Against Time {takes place on October 5th, 1893 / July 1st, 1977}

Chapter 8 - Two Strikes Against {takes place on December 24th, 1977}

Chapter 9 - Against the Tide {takes place on December 25th, 1977}

Chapter 10 - Up Against It {takes place inside the TVA / March 27th, 1977}

Chapter 11 - Against the Clock {takes place on December 26th, 1977 / April 3rd, 1994}

Chapter 12 - Against It All {takes place inside the TVA / February 14th, 1979}

Chapter 13 - Hold It Against Me {takes place on August 20th-27th, 1978}

Chapter 14 - For or Against {takes place on February 14th, 1979 / April 3rd, 1994}

Chapter 15 - Against Time Itself {takes place inside the TVA}

Chapter 16 - Let's Try This Again {takes place inside the TVA}

Chapter 17 - Again and Again {takes place inside the TVA}

Chapter 18 - Gainstand {takes place inside the TVA}

Chapter 19 - Epilogue {spoilers}

Click here to be added to my Loki fic tag list! 💚

[garadinervi]

München, February 22, 1943 / 2024

«Einer muss doch schließlich mal damit anfangen. Was wir sagten und schrieben, denken ja so viele. Nur wagen sie es nicht, es auszusprechen.» – Sophie Scholl, Justizpalastes, München, February 22, 1943

«Die Verurteilte war ruhig und gefasst.» (Protokoll über die Vollstreckung des Todesurteils des Volksgerichtshofes an Sophie Scholl, München, den 22. Februar 1943)

«freiheit» (the reverse side (detail) of a document belonging to the Chief Prosecutors, February 21, 1943, with handwriting «freedom» by Sophie Scholl)

Sophie Scholl (May 9, 1921 – February 22, 1943), student Hans Scholl (September 22, 1918 – February 22, 1943), student Christoph Probst (November 6, 1919 – February 22, 1943), student Alexander Schmorell (September 16, 1917 – July 13, 1943), student Kurt Huber (October 24, 1893 – July 13, 1943), professor Willi Graf (January 2, 1918 – October 12, 1943), student

and

Hans Konrad Leipelt (July 18, 1921 – January 29, 1945), student Margaretha Rothe (June 13, 1919 – April 15, 1945), student Reinhold Meyer (July 18, 1920 – November 12, 1944), student Friedrich Geussenhainer (April 24, 1912 – April 1945), student Katharina Leipelt (May 28, 1893 – January 9, 1944), dr. rer. nat. Elisabeth Lange (July 7, 1900 – January 28, 1944) Margaretha Mrosek (December 25, 1902 – April 24, 1945) Kurt Ledien (June 5, 1893 – April 23, 1945), dr. jur.

«Das wird Wellen schlagen»

«Allen!»

(image: Sophie Scholl, ca. early-1940s, in Christine Hikel, Sophies Schwester. Inge Scholl und die Weiße Rose, Oldenbourg Verlag, München, 2013, p. 94)

[yaggy031910]

The napoleonic marshal‘s children

After seeing @josefavomjaaga’s and @northernmariette’s marshal calendar, I wanted to do a similar thing for all the marshal’s children! So I did! I hope you like it. c: I listed them in more or less chronological order but categorised them in years (especially because we don‘t know all their birthdays). At the end of this post you are going to find remarks about some of the marshals because not every child is listed! ^^“ To the question about the sources: I mostly googled it and searched their dates in Wikipedia, ahaha. Nevertheless, I also found this website. However, I would be careful with it. We are talking about history and different sources can have different dates. I am always open for corrections. Just correct me in the comments if you find or know a trustful source which would show that one or some of the dates are incorrect. At the end of the day it is harmless fun and research. :) Pre 1790

François Étienne Kellermann (4 August 1770- 2 June 1835) 

Marguerite Cécile Kellermann (15 March 1773 - 12 August 1850)

Ernestine Grouchy (1787–1866)

Mélanie Marie Josèphe de Pérignon (1788 - 1858)

Alphonse Grouchy (1789–1864)

Jean-Baptiste Sophie Pierre de Pérignon (1789- 14 January 1807)

Marie Françoise Germaine de Pérignon (1789 - 15 May 1844)

Angélique Catherine Jourdan (1789 or 1791 - 7 March 1879)

1790 - 1791

Marie-Louise Oudinot (1790–1832)

Marie-Anne Masséna (8 July 1790 - 1794)

Charles Oudinot (1791 - 1863)

Aimee-Clementine Grouchy (1791–1826)

Anne-Francoise Moncey (1791–1842)

1792 - 1793

Bon-Louis Moncey (1792–1817)

Victorine Perrin (1792–1822)

Anne-Charlotte Macdonald (1792–1870)

François Henri de Pérignon (23 February 1793 - 19 October 1841)

Jacques Prosper Masséna (25 June 1793 - 13 May 1821)

1794 - 1795

Victoire Thècle Masséna (28 September 1794 - 18 March 1857)

Adele-Elisabeth Macdonald (1794–1822)

Marguerite-Félécité Desprez (1795-1854); adopted by Sérurier

Nicolette Oudinot (1795–1865)

Charles Perrin (1795–15 March 1827)

1796 - 1997

Emilie Oudinot (1796–1805)

Victor Grouchy (1796–1864)

Napoleon-Victor Perrin (24 October 1796 - 2 December 1853)

Jeanne Madeleine Delphine Jourdan (1797-1839)

1799

François Victor Masséna (2 April 1799 - 16 April 1863)

Joseph François Oscar Bernadotte (4 July 1799 – 8 July 1859)

Auguste Oudinot (1799–1835)

Caroline de Pérignon (1799-1819)

Eugene Perrin (1799–1852)

1800

Nina Jourdan (1800-1833)

Caroline Mortier de Trevise (1800–1842)

1801

Achille Charles Louis Napoléon Murat (21 January 1801 - 15 April 1847)

Louis Napoléon Lannes (30 July 1801 – 19 July 1874)

Elise Oudinot (1801–1882)

1802

Marie Letizia Joséphine Annonciade Murat (26 April 1802 - 12 March 1859)

Alfred-Jean Lannes (11 July 1802 – 20 June 1861)

Napoléon Bessière (2 August 1802 - 21 July 1856)

Paul Davout (1802–1803)

Napoléon Soult (1802–1857)

1803

Marie-Agnès Irma de Pérignon (5 April 1803 - 16 December 1849)

Joseph Napoléon Ney (8 May 1803 – 25 July 1857)

Lucien Charles Joseph Napoléon Murat (16 May 1803 - 10 April 1878)

Jean-Ernest Lannes (20 July 1803 – 24 November 1882)

Alexandrine-Aimee Macdonald (1803–1869)

Sophie Malvina Joséphine Mortier de Trévise ( 1803 - ???)

1804

Napoléon Mortier de Trévise (6 August 1804 - 29 December 1869)

Michel Louis Félix Ney (24 August 1804 – 14 July 1854)

Gustave-Olivier Lannes (4 December 1804 – 25 August 1875)

Joséphine Davout (1804–1805)

Hortense Soult (1804–1862)

Octavie de Pérignon (1804-1847)

1805

Louise Julie Caroline Murat (21 March 1805 - 1 December 1889)

Antoinette Joséphine Davout (1805 – 19 August 1821)

Stephanie-Josephine Perrin (1805–1832)

1806

Josephine-Louise Lannes (4 March 1806 – 8 November 1889)

Eugène Michel Ney (12 July 1806 – 25 October 1845)

Edouard Moriter de Trévise (1806–1815)

Léopold de Pérignon (1806-1862)

1807

Adèle Napoleone Davout (June 1807 – 21 January 1885)

Jeanne-Francoise Moncey (1807–1853)

1808: Stephanie Oudinot (1808-1893) 1809: Napoleon Davout (1809–1810)

1810: Napoleon Alexander Berthier (11 September 1810 – 10 February 1887)

1811

Napoleon Louis Davout (6 January 1811 - 13 June 1853)

Louise-Honorine Suchet (1811 – 1885)

Louise Mortier de Trévise (1811–1831)

1812

Edgar Napoléon Henry Ney (12 April 1812 – 4 October 1882)

Caroline-Joséphine Berthier (22 August 1812 – 1905)

Jules Davout (December 1812 - 1813)

1813: Louis-Napoleon Suchet (23 May 1813- 22 July 1867/77)

1814: Eve-Stéphanie Mortier de Trévise (1814–1831) 1815

Marie Anne Berthier (February 1815 - 23 July 1878)

Adelaide Louise Davout (8 July 1815 – 6 October 1892)

Laurent François or Laurent-Camille Saint-Cyr (I found two almost similar names with the same date so) (30 December 1815 – 30 January 1904)

1816: Louise Marie Oudinot (1816 - 1909)

1817

Caroline Oudinot (1817–1896)

Caroline Soult (1817–1817)

1819: Charles-Joseph Oudinot (1819–1858)

1820: Anne-Marie Suchet (1820 - 27 May 1835) 1822: Henri Oudinot ( 3 February 1822 – 29 July 1891) 1824: Louis Marie Macdonald (11 November 1824 - 6 April 1881.) 1830: Noemie Grouchy (1830–1843) —————— Children without clear birthdays:

Camille Jourdan (died in 1842)

Sophie Jourdan (died in 1820)

Additional remarks: - Marshal Berthier died 8.5 months before his last daughter‘s birth. - Marshal Oudinot had 11 children and the age difference between his first and last child is around 32 years. - The age difference between marshal Grouchy‘s first and last child is around 43 years. - Marshal Lefebvre had fourteen children (12 sons, 2 daughters) but I couldn‘t find anything kind of reliable about them so they are not listed above. I am aware that two sons of him were listed in the link above. Nevertheless, I was uncertain to name them in my list because I thought that his last living son died in the Russian campaign while the website writes about the possibility of another son dying in 1817. - Marshal Augerau had no children. - Marshal Brune had apparently adopted two daughters whose names are unknown. - Marshal Pérignon: I couldn‘t find anything about his daughters, Justine, Elisabeth and Adèle, except that they died in infancy. - Marshal Sérurier had no biological children but adopted Marguerite-Félécité Desprez in 1814. - Marshal Marmont had no children. - I found out that marshal Saint-Cyr married his first cousin, lol. - I didn‘t find anything about marshal Poniatowski having children. Apparently, he wasn‘t married either (thank you, @northernmariette for the correction of this fact! c:)

[museumelina]

July 25, 2024. Last week I was going on about how I wish field trips were a more regular thing in adulthood. Lo and behold, this week I went to Arles with three museum friends and can assure you, the whole field trip idea is even better when it's outside the work context.

We went specifically to see the exhibition Van Gogh and the Stars at the Fondation Van Gogh. The star (ha) painting was Van Gogh's Starry Night Over the Rhone, a loan from the Musée d'Orsay as part of the 150th anniversary of impressionism, an event being marked all over France, not just in Normandy. The painting's presence in this exhibition is special because this is the first time it's being shown since its creation in Arles 136 years ago!

The exhibition is (surprisingly) large but there are only two paintings and one drawing by Van Gogh himself, all the other works are by other artists on the theme of the stars and all the subcategories you can probably think of. So the name of the expo is kind of clickbaity but overall, it's still an impressive exhibition.

Here's a very small selection of works visible at the expo:

Vincent Van Gogh (1853-1890), La nuit étoilée sur le Rhône, 1888, oil on canvas, Paris, Musée d'Orsay.

?

Camille Corot (1796-1875), L'étoile du Berger, 1864, oil on canvas, Toulouse, Musée des Augustins.

Kasimir Malevitch (1879-1935), Construction cosmique magnétique, 1916, oil on canvas, Private collection.

Étienne Léopold Trouvelot (1827-1895), Group of Sun Spots and Veiled Spots, Observed on June 17th 1875 at 7 h. 30 m. A.M., 1881, print, New York, New York Public Library.

Augusto Giacometti (1877-1947), Ciel étoilé (Voie lactée), 1917, oil on canvas, Chur, Bündner Kunstmuseum.

Frédéric-Auguste Cazals (1865-1941), Jean Moréas rallumant son cigare aux étoiles, 1893, gouache on paper, Private collection.

Vincent Van Gogh (1853-1890), Veillée (d'après Millet), 1889, oil on canvas, Amsterdam, Van Gogh Museum.

Vassily Kandinsky (1866-1944), Bleu, 1927, oil on board, New York, Museum of Modern Art.

[withpastremnantsarchives]

From Wikipedia, the free encyclopedia This article is about the food products brand formerly known as Aunt Jemima. For the vaudeville performer using the Aunt Jemima stage name, see Tess Gardella. For the brand that replaced Aunt Jemima, see Pearl Milling Company. Aunt Jemima was an American breakfast brand for pancake mix, table syrup, and other breakfast food products. The original version of the pancake mix was developed in 1888–1889 by the Pearl Milling Company and was advertised as the first "ready-mix" cooking product.[1][2] Aunt Jemima was modeled after, and has been a famous example of, the "Mammy" archetype in the Southern United States.[3] Due to the "Mammy" stereotype's historical ties to the Jim Crow era, Quaker Oats announced in June 2020 that the Aunt Jemima brand would be discontinued "to make progress toward racial equality",[4] leading to the Aunt Jemima image being removed by the fourth quarter of 2020.[5] In June 2021, the Aunt Jemima brand name was discontinued by its current owner, PepsiCo, with all products rebranded to Pearl Milling Company, the name of the company that produced the original pancake mix product.[5][6][7] The Aunt Jemima name remains in use in the brand's tagline, "Same great taste as Aunt Jemima."[5] Nancy Green portrayed the Aunt Jemima character at the 1893 World's Columbian Exposition in Chicago and was one of the first Black corporate models in the United States.[1] Subsequent advertising agencies hired dozens of actors to perform the role as the first organized sales promotion campaign.[8]

[opera-ghosts]

OTD in Music History: The immortal Pyotr Ilyich Tchaikovsky (1840 – 1893) is born in what is now the Udmurt Republic, a federal subject of Russia. Tchaikovsky is undoubtedly the most popular Russian composer of all time. Although he has sometimes drawn scorn from critics and academics, his music has always held great appeal for the general public because of its incredible melodic inspiration, lush (and often surprising) harmonies, and colorful orchestration. Although Tchaikovsky did not seriously begin studying music until his early 20s -- and although he died in his early 50s -- he composed prolifically and managed to produce 20 choral works, 11 overtures, 11 operas, 7 symphonies, 5 suites, 4 cantatas, 3 ballets, 3 piano concertos, 3 string quartets, a violin concerto, a string sextet, and more than 100 individual smaller songs and piano pieces. Tchaikovsky's work can admittedly be rather uneven in quality, but, as often as not, he achieved a remarkable unity of melodic and harmonic inspiration, dramatic content, and (sufficient) mastery of form -- and his finest masterpieces easily elevate him into the first rank of history's great "classical" composers. PICTURED: A nice 1890’s cabinet photograph of Tchaikovsky, which he signed and dated on June 7, 1893 – just five months after the world premiere of “The Nutcracker,” and just five months before his sudden and untimely death in November 1893. Per the date of the inscription, Tchaikovsky signed this photograph while he was visiting Britain (from May 25 – June 30, 1893) to receive an honorary Doctorate from Cambridge University. His distinguished musical colleagues Camille Saint-Saens (1835 – 1921), Max Bruch (1838 – 1920), Arrigo Boito (1842 – 1918), and Edvard Grieg (1843 – 1907) (who was not able to attend due to illness) were also awarded honorary Doctorates at the same ceremony, which took place on June 13th. A photograph of Tchaikovsky dressed up in his ceremonial garb and preparing to receive his Doctorate at the ceremony is included at the end of this photo set.

[corallapis]

Henry ‘Chips’ Channon: The Diaries (Vol. 1), 1918-38, entry for 29th June 1923

— Friday 29th June Lunched at Lady Cunard’s. The usual potpourri and brilliant chat. She told Lord Balfour he was like God and ‘yet so Christ-like’! Dined with Michael Horby¹ at Shelley House² and we went to Stop Flirting, the popular revue in which two charming little people, Americans, called Fred and Adele Astaire, are the stars.³ Later a most lovely ball at Someries House⁴ ... Lady Zia Wernher’s.⁵ It was successful indeed and starts a new era in entertaining .... I was presented to a tallish gentleman, the Crown Prince of Sweden⁶ ... he is to marry the Lady Louise Mountbatten.⁷ It will be announced next week. What luck for her as she has only about £300 a year and is living in obscurity at Kensington Palace. The Mountbattens after being degraded during the war⁸ to the rank of mere marquises and earls are now much on the ascendant ... they are ever a lucky family, poverty-stricken, they specialise in brilliant marriages. I sat in the garden with Lady Desborough⁹ and found her witty and wily as ever ... does everyone realise, as I do, that she is the character of the age?

—

1. Michael Charles St John Hornby (1899-1987), son of St John Hornby, was the founding partner of WH Smith.

2. The Hornby family’s house in Chelsea.

3. Frederick Austerlitz (1899-1987), who took the name Fred Astaire, was an American actor, dancer and singer who achieved worldwide fame in the 1930s in a series of Hollywood musicals renowned for their dance routines; and his sister Adele Marie (1896-1981), with whom he began a vaudeville act as children as 1905, when they changed their name to Astaire. By 1923 they had a Broadway act, which they were touring in London.

4. A Crown State property rented by the Wernhers in Regent’s Park, designed by John Nash and damaged by bombing during the Second World War. It was demolished in 1958.

5. Countess Anastasia Mikhailovna of Torby (1892-1977), elder daughter of the Grand Duke Michael Mikhailovich of Russia, and therefore a great-granddaughter of Tsar Nicholas I. She married, in 1917, Harold Wernher (1893-1973), later 3rd Bt. She was granted the rank and precedence of an earl’s daughter after her marriage and stopped using her Russian title, being known as Lady Zia Wernher thereafter.

6. Oscar Fredrik Wilhelm Olaf Gustaf Adolf (1882-1973), from 1950 King Gustaf VI Adolf of Sweden. He was the widower of Princess Margaret of Connaught (1882-1920), whom he had married in 1905; she was the cousin of King George V, and had died suddenly while eight months pregnant with her sixth child. 7. Louise Alexandra Marie Irene Mountbatten (1889-1965), previously Princess Louise of Battenberg, married the Crown Prince of Sweden (vide supra) in 1923, and was Queen Consort of Sweden from 1950. She was daughter of Prince Louis of Battenberg, who became 1st Marquess of Milford Haven when renouncing the German titles in 1917. She had earlier turned down proposals from King Manuel II of Portugal and had been secretly engaged to Prince Christopher of Greece, who was unable to marry her because he had no money; a second engagement was to Stuart Hill, an artist, whom she met while nursing in the Great War and who turned out to be homosexual. 8. There was a protracted debate between Lloyd George, King George V and Lord Stamfordham, the King’s private secretary, in 1917 about the titles to be bestowed on German members of the King’s family who had pledged allegiance to him and had been prepared to forfeit their German ranks. The King was cautioned against granting too many titles and to avoid bestowing any dukedoms. The Mountbatten marquessate was a compromise and their rise would indeed be unstoppable, with the surname of members of the House of Windsor becoming Mountbatten-Windsor in 1960, thirteen years after the marriage of the future Queen Elizabeth II to Philip Mountbatten. 9. Ethel ‘Ettie’ Fane (1867-1952), married in 1887 William Henry Grenfell (1855-1945), 1st Baron Desborough, a former Liberal MP who had joined the Conservatives in 1893 over his disagreement with the second Home Rule Bill for Ireland. Their three sons (qqv) predeceased them, two killed in the Great War and a third in a car crash.

[abwwia]

Dorothy Parker in 1924, photographed in the backyard of her New York residence — Source.

Dorothy Parker (née Rothschild; August 22, 1893 – June 7, 1967) was an American poet, writer, critic, and satirist based in New York; she was known for her wit, wisecracks, and eye for 20th-century urban foibles. Via Wikipedia

Parker, c. 1910s-1920s

[theoriginalblackwoman]

Matilda Sissieretta Joyner Jones, known as Sissieretta Jones, (January 5, 1868 or 1869[1] – June 24, 1933[2]) was an African-American soprano. She sometimes was called “The Black Patti” in reference to Italian opera singerAdelina Patti. Jones’ repertoire included grand opera, light opera, and popular music.[3]

Matilda Sissieretta Joyner was born in Portsmouth, Virginia, United States, to Jeremiah Malachi Joyner, an African Methodist Episcopal minister, and Henrietta Beale.[2] By 1876 her family moved to Providence, Rhode Island,[4]where she began singing at an early age in her father’s Pond Street Baptist Church.[2]

In 1883, Joyner began the formal study of music at the Providence Academy of Music. The same year she married David Richard Jones, a news dealer and hotel bellman. In the late 1880s, Jones was accepted at the New England Conservatory of Music.[1] On October 29, 1885, Jones gave a solo performance in Providence as an opening act to a production of Richard IIIput on by John A. Arneaux‘s theatre troupe.[5] In 1887, she performed at Boston’s Music Hall before an audience of 5,000.[2]

Jones made her New York debut on April 5, 1888, at Steinway Hall.[1] During a performance at Wallack’s Theater in New York, Jones came to the attention of Adelina Patti’s manager, who recommended that Jones tour the West Indies with the Fisk Jubilee Singers.[2] Jones made successful tours of the Caribbean in 1888 and 1892.[1]

In February 1892, Jones performed at the White House for PresidentBenjamin Harrison.[2] She eventually sang for four consecutive presidents — Harrison, Grover Cleveland, William McKinley, and Theodore Roosevelt— and the British royal family.[1][2][3]

Jones performed at the Grand Negro Jubilee at New York’s Madison Square Garden in April 1892 before an audience of 75,000. She sang the song “Swanee River” and selections from La traviata.[3] She was so popular that she was invited to perform at the Pittsburgh Exposition (1892) and the World’s Columbian Exposition in Chicago (1893).[4]

In June 1892, Jones became the first African-American to sing at the Music Hall in New York (renamed Carnegie Hall the following year).[1][7] Among the selections in her program were Charles Gounod‘s “Ave Maria” and Giuseppe Verdi‘s “Sempre libera” (from La traviata).[1] The New York Echowrote of her performance at the Music Hall: “If Mme Jones is not the equal of Adelina Patti, she at least can come nearer it than anything the American public has heard. Her notes are as clear as a mockingbird’s and her annunciation perfect.”[1] On June 8, 1892, her career elevated beyond primary ethnic communities, and was furthered when she received a contract, with the possibility of a two-year extension, for $150 per week (plus expenses) with Mayor James B. Pond, who had meaningful affiliations to many authors and musicians.[8] The company Troubadours made an important statement about the capabilities of black performers, that besides minstrelsy, there were other areas of genre and style.[8]

In 1893, Jones met composer Antonín Dvořák, and in January 1894 she performed parts of his Symphony No. 9 at Madison Square Garden. Dvořák wrote a solo part for Jones.[1]

Jones met with international success. Besides the United States and the West Indies, Jones toured in South America, Australia, India, and southern Africa.[1] During a European tour in 1895 and 1896, Jones performed in London, Paris, Berlin, Cologne, Munich, Milan, and Saint Petersburg.[9]

In 1896, Jones returned to Providence to care for her mother, who had become ill.[1] Jones found that access to most American classical concert halls was limited by racism. She formed the Black Patti Troubadours (later renamed the Black Patti Musical Comedy Company), a musical and acrobatic act made up of 40 jugglers, comedians, dancers and a chorus of 40 trained singers.[2] The Indianapolis Freeman reviewed the “Black Patti Troubadours” with the following: “The rendition which she and the entire company give of this reportorial opera selection is said to be incomparably grand. Not only is the solo singing of the highest order, but the choruses are rendered with a spirit and musical finish which never fail to excite genuine enthusiasm.[10]

The revue paired Jones with rising vaudeville composers Bob Cole and Billy Johnson. The show consisted of a musical skit, followed by a series of short songs and acrobatic performances. During the final third of each show, Jones performed arias and operatic excerpts.[9] The revue provided Jones with a comfortable income, reportedly in excess of $20,000 per year. She led the company with reassurance of a forty-week season that would give her a sustainable income, guaranteed lodging in a well-appointed and stylish Pullman car, and the ability to sing opera and operetta excerpts in the final section of the show.[8] This allowed Jones to be the highest paid African American performer of her time.[8] Jones sung passionately and pursued her career choice of opera and different repertory regardless to her lack of audience attendance.[8] For more than two decades, Jones remained the star of the Famous Troubadours, while they graciously toured every season and established their popularity in the principal cities of the United States and Canada.[11] Although their eventual fame and international tours collected many audiences, they began with a “free-for-all” variety production with plenty of “low” comedy, song and dance, and no pretense of a coherent story line.[12]

Several members of the troupe, such as Bert Williams, went on to become famous.[1] April 1908, at the Avenue Theatre in Louisville, Kentucky, an audience made up mostly of whites (segregated seating was still prevalent), accepted Madam ‘Patti’ after singing ‘My Old Kentucky Home’ with much respect and admiration, and marked “the first time that a colored performer received a bouquet at the theatre in this city”.[12] For almost ten years, racial segregation had kept Jones from the mainstream opera platform, but by singing selections from operas within the context of a hard-traveling minstrel and variety show, she was still able to utilize her gifted voice, that people of all races loved.[12] The Black Patti Troubadours reveled in vernacular music and dance.[12]

Jones retired from performing in 1915 because her mother fell ill, so she moved back to Rhode Island to take care of her. For more than two decades, Jones remained the star of the Famous Troubadours, while they graciously toured every season and established their popularity in the principal cities of the United States and Canada.[12] She devoted the remainder of her life to her church and to caring for her mother. Jones was forced to sell most of her property to survive.[1][2] She died in poverty on June 24, 1933 from cancer. She is buried in her hometown at Grace Church Cemetery.[2]

In 2013 Jones was inducted into the Rhode Island Music Hall of Fame.[13]

Source: https://en.wikipedia.org/wiki/Matilda_Sissieretta_Joyner_Jones

Photos from Wiki Commons

[davidhudson]

Dorothy Parker, August 22, 1893 – June 7, 1967.

[coochiequeens]

Today In Women’s History Month we celebrate the birthdays of Louise-Florence-Pétronille Tardieu d’Esclavelles and Wanda Hazel Gág

Louise-Florence-Pétronille Tardieu d’Esclavelles, dame de la Live d’Épinay, byname Madame D’épinay, (born March 11, 1726, Valenciennes, Fr.—died April 17, 1783, Paris), a distinguished figure in advanced literary circles in 18th-century France. Though she wrote a good deal herself, she is more famous for her friendships with three of the outstanding French writers and thinkers of her day, Denis Diderot, Baron Friedrich de Grimm, and Jean-Jacques Rousseau.

Mme d’Épinay interested herself in literature and the welfare of men of letters after the breakdown of her marriage to Denis-Joseph de La Live d’Épinay, a financier. She set up a congenialsalon in her country house at La Chevrette, near Montmorency, and offered hospitality to the Philosophes, the leading intellectual figures of the period immediately prior to the French Revolution. Her friendship with Grimm was long and untroubled, and Mme d’Épinay collaborated with him on his famous correspondence. Her association with Rousseau, on the other hand, was brief and stormy: in 1756 he accepted her offer of accommodation in the “Hermitage,” a small dwelling near her country house, and wrote his novel La Nouvelle Héloïsethere. But then he quarreled with his hostess, and the two became implacable foes. Mme d’Épinay was the author of several novels and works on education, but her writings are of interest now chiefly for their autobiographical revelations.

Her Wikipedia page had more information about her works

Her pseudo-memoires are written in the form of a sort of autobiographic romance, L'Histoire de Madame de Montbrillant, begun when she was thirty but never published in her lifetime. It intersperses fictionalized set pieces exhibiting the sensibilité of the earliest generation of Romantics,[6] with genuine letters and autobiographical material. Bequeathed to Baron Grimm, a mangled version of the manuscript was edited by J. P. A. Parison and J. C. Brunet (Paris, 1818) as Mémoires et correspondance de Madame d'Épinay with all the names changed to identify the supposed originals: Madame d'Épinay figures in it as Madame de Montbrillant, and René is generally recognized as Rousseau, Volx as Grimm, Gamier as Diderot, who is sometimes credited with major interventions in the text. The work has had a checkered career since.[7] The only accurate edition is George Roth, ed. Les Pseudo-mémoires de Madame d'Épinay, 3 vols., 1951.

Other works

Her Conversations d'Émilie, a dialogue recollecting the education of her granddaughter, Émilie de Belsunce, was published in 1774.[8] The Mémoires et Correspondance de Mme d'Épinay, renfermant un grand nombre de lettres inédites de Grimm, de Diderot, et de J.-J. Rousseau, ainsi que des details, &c., was published at Paris (1818) from a manuscript which she had bequeathed to Grimm.

Many of Madame d'Épinay's letters are contained in the Correspondance de l'abbé Galiani (1818), which provided material for Francis Steegmuller's joint biography,[9] and have since appeared in a definitive redaction.[10] Two anonymous works, Lettres à mon fils (Geneva, 1758) and Mes moments heureux (Geneva, 1759), are also by Madame d'Épinay.

In January 1783, three months before her death, she was awarded the Prix Monyon, recently established by the Académie to honour the author of the "book published in the current year that might be of most benefit to society"; it was her Conversations d'Émilie (1774).[11]

Wanda Hazel Gág, (born March 11, 1893, New Ulm, Minnesota, U.S.—died June 27, 1946, New York, New York), American artist and author whose dynamic visual style imbued the often commonplace subjects of both her serious art and her illustrated books for children with an intense vitality.

Gág was the daughter of a Bohemian immigrant artist. While attending high schoolin Minnesota, she helped support her family by contributing drawings to a children’s supplement to the Minneapolis Journal. She attended the St. Paul Art School on a scholarship, and from 1915 to 1917 she studied at the Minneapolis School of Art. In 1917 she traveled to New York City and entered the Art Students League, where she studied with John Sloan and other noted teachers.

A show of Gág’s drawings, lithographs, and woodcuts at the Weyhe Gallery in New York in 1926 brought her first recognition as a serious artist, and subsequent shows there in 1928, 1930, and 1940 increased her reputation. She was represented in the Museum of Modern Art’s 1939 exhibition “Art in Our Time,” which was presented at the time of the New York World’s Fair. At the suggestion of a children’s book editor, she wrote and illustrated Millions of Cats (1928), which became a classic children’s book. Her subsequent books for children include The Funny Thing (1929), A.B.C. Bunny (1933), Gone Is Gone (1935), and Nothing at All(1941). She also translated and illustrated Tales from Grimm (1936), Snow White and the Seven Dwarfs (1938), Three Gay Tales from Grimm (1943), and More Tales from Grimm (1947). Growing Pains: Diaries and Drawings for the Years 1908–1917 (1940, reprinted 1984) is a memoir based on her journals.

[garadinervi]

München, February 22, 1943 / 2023

«freiheit» (the reverse side (detail) of a document belonging to the Chief Prosecutors, February 21, 1943, with handwriting «freedom» by Sophie Scholl)

«Die Verurteilte war ruhig und gefasst.» (Protokoll über die Vollstreckung des Todesurteils des Volksgerichtshofes an Sophie Scholl, München, den 22. Februar 1943)

Sophie Scholl (May 9, 1921 – February 22, 1943), student Hans Scholl (September 22, 1918 – February 22, 1943), student Christoph Probst (November 6, 1919 – February 22, 1943), student Alexander Schmorell (September 16, 1917 – July 13, 1943), student Kurt Huber (October 24, 1893 – July 13, 1943), professor Willi Graf (January 2, 1918 – October 12, 1943), student

and

Hans Konrad Leipelt (July 18, 1921 – January 29, 1945), student Margaretha Rothe (June 13, 1919 – April 15, 1945), student Reinhold Meyer (July 18, 1920 – November 12, 1944), student Friedrich Geussenhainer (April 24, 1912 – April 1945), student Katharina Leipelt (May 28, 1893 – January 9, 1944), dr. rer. nat. Elisabeth Lange (July 7, 1900 – January 28, 1944) Margaretha Mrosek (December 25, 1902 – April 24, 1945) Kurt Ledien (June 5, 1893 – April 23, 1945), dr. jur.

«Das wird Wellen schlagen»

«Allen!»

[gravemattersguru]

Hattie E. Busler (1839-1899) and John T. Busler (1839-1893). Ft. Sill Post Cemetery, Ft. Sill, Comanche County, Oklahoma. Photos taken 7 June 2022.

[bluehairedspidey]

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