Venti's Disney Princess Traits are Lore-Relevant
Credit to Ashikai, specifically in their YouTube livestream discussing the Genshin 3.7 preview stream
So, in the stream today, Ashikai mentioned the idea that Mondstadt is a city of fairytales - with Klee being Little Red Riding Hood, Razor being the Big "Bad" Wolf, and Lisa being a storybook witch.
Finally, my interest in the old versions of fairy tales is relevant!
I believe Venti is Snow White.
Plenty have joked about Venti having a "Disney Princess Moment" when he talked to animals (as witnessed by NPC Sage). I wanna focus on his preference for Apples.
(Venti liking eating the Christian symbol for Original Sin is a whole separate essay, that I believe others have written before)
I believe Venti represents Snow White, the 7 dwarfs the people of Mond, and the Traveler the prince. Who's the Evil Queen? Uncertain.
What Happens in Snow White Again??
Snow, a princess so-named because of her pale skin and black hair, is sentenced to death by her stepmother, the evil queen. The queen wants the hunstman to kill Snow in the woods, and bring back Snow's heart, either as proof that she's dead or so that the queen can eat it to achieve immortality. Snow begs for her life, and escapes to live with the 7 dwarfs. The queen finds out, disguises herself, and, in the original tale, makes 3 attempts to kill her:
1st, with a corset she laces so tight, Snow can't breathe. 2nd, with a poisoned comb she runs through Snow's hair. And finally, with a poisoned apple.
In the first 2 attempts, the dwarfs return, unlace the corset/remove the apple, and Snow wakes up quickly. In the 3rd, the dwarfs cannot figure out what's wrong, and believe she's dead. She is asleep until the prince happens to come by, and wakes her up (how he does this varies by version).
How Does This Relate to Venti?
To my knowledge, Venti has fallen asleep 3 times after achieving archonhood: once after the fall of Decarabian, once after the fall of the aristocracy, and once after the fight with Durin.
After the first 2 sleep periods, the people of Mond were able to wake him up with their prayers. After the 3rd sleep period, he was badly poisoned, and was only healed after the Traveler came along and purified him.
Exactly how/why Venti sleeps so long is unknown to us, but now I'm inclined to say it's involuntary, and in fact caused by Celestia, in order to keep him complacent.
The Evil Queen, Seeking Snow White's Heart
Mayhaps the Evil Queen wanting Snow's heart, and getting a false one, is representing the Tsaritsa sending La Signora to take Venti's gnosis, and (in this case) getting a fake gnosis. This supports the theory that Venti did indeed keep his real gnosis.
Or, to keep with the timeline and happen way before he goes to sleep:
Mayhaps it represents the Anemo Authority.
Maybe it represents the time powers he has thanks to Istaroth, and even Celestia doesn't know the true extent of Venti's power.
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[041222 straits times article]
read online (subscribers only, video interview in the article is viewable without subscription)
[EDIT 051222] video interview now also available on youtube:
text of the article below the cut:
(typed by hand, there may be errors)
Practice makes perfect
Australian violinists Brett Yang and Eddy Chen tell Executive Editor Sumiko Tan that they set up TwoSet Violin to show how classical music can be fun, and to attract the young to it
Violinists Brett Yang and Eddy Chen are joking that if they must name their least favourite composer, Johann Pachelbel would be up there.
“Sometimes, some pieces are really overplayed, they’re put out of context. That gets a bit annoying,” says Yang, referring to the German composer’s pervasive Canon In D.
So you won’t play Pachelbel at your wedding then, I ask.
“Nah,” Chen dismisses.
“No way,” protests Yang. “Maybe at my funeral, you can play that.”
“But it’ll make you so angry, you’ll come out of your grave,” comes Chen’s rejoinder.
They laugh their heads off at this.
I decide not to mention that Canon In D was in fact what I had chosen to play at my wedding, and one of the few pieces of classical music I enjoy.
The two guys behind TwoSet Violin aren’t music snobs, really. They are just very passionate about classical music and see it as their mission to educate people about that world.
In 2013, the Taiwan-born Australians decided to form TwoSet Violin to make funny videos about life as classical musicians, which they posted on social media.
Their YouTube channel now has nearly four million subscribers, and the 1,300 videos there have garnered more than 1.2 billion views. There are also videos on other platforms such as Facebook, TikTok, and Instagram.
Their live shows mixing comedy and violin recital have been seen in more than 20 cities, and they are planning another world tour.
There’s also TwoSet Apparel, a line of music-inspired T-shirts, hoodies and cardigans.
Their videos are both hilarious and educational. Often looking as if they had just tumbled out of bed, they discuss everything from violin hickeys (neck bruises due to prolonged violin playing; I see one on Yang but not on Chen) to misconceptions about musicians (”musical geniuses are born, not created” really riles them up.)
A video of them critiquing a Guinness World Record holder for world’s “fastest violinist” has drawn 9.5 million views. Their Pachelbel’s Chicken video, played with a squeaky rubber chicken, has 3.7 million views.
I’m interviewing the influencers ahead of their Nov 16 concert with the Singapore Symphony Orchestra (SSO).
This was a rather more serious performance. Yang played Mendelssohn’s Violin Concerto, and then Bach’s Concerto For Two Violins with Chen. The latter performed the closing movement of Paganini’s Violin Concerto No. 2, better known as La Campanella, for an encore.
The SSO event was sold out within minutes and its livestream on YouTube amassed more than 986,000 views in two weeks.
Yang had asked over e-mail for restaurant suggestions. I give him four and he picks One-Ninety at the Four Seasons. The hotel says filming there would be difficult and suggests we eat at its quieter Jiang-Nan Chun Cantonese restaurant.
They are fine with Chinese food, and also agree to bring along their violins — in this case, two precious Stradivarius instruments on loan to them for the SSO concert.
In person, they come across as smart, decent and sincere. They also look as if they could do with more sleep.
Yang, 30, is the friendlier, chattier one. When he sees the camera crew milling around, he asks me: “Is everyone eating or is it just us?”
Just us, I say.
“Sorry, guys,” he waves to them.
With his floppy fringe and dark-framed glasses, his style is collegiate preppy.
Chen’s is more hip hop. He’s wearing trendy oversized wire-frame glasses, a big white T-shirt and a sprinkling of jewellery. He appears a little more distant at first, possibly due to a lack of caffeine.
You’re quieter than in your videos, I remark.
“Yeah, people say that a lot,” Chen, 29, says. “I am, actually. But I also think I just haven’t had my coffee today.”
Yang vouches for this. “There is Eddy pre-coffee and after,” he says, mimicking how a tortoise retracts its head in and out of its shell. It sets them off laughing again.
Over our two-hour set-menu lunch, they finish each other’s sentences and reaffirm the other’s opinion or observation, Chen warms up after his caffeine fix from the Chinese tea. They share the same humour and their affection for each other seems genuine.
Sharing similar backgrounds, they have been friends for more than half their lives.
Both were born in Taiwan. When they were four, their families moved to New Zealand before settling down in Brisbane, Australia.
Yang, whose Chinese name is Po-yao, adopted the name Brett in Taiwan when his parents asked his English teacher for Western names. She went down the alphabet in giving them suggestions. His older brother is Alan, he got Brett and his mother is Cathy. “We skipped D as we couldn’t find a good name. My dad’s Eric.”
Chen’s mother picked Michael for him when he started kindergarten in New Zealand, but there were three other Michaels in his class.
He asked her for a new name, and she told him to pick one himself. Chen, whose Chinese name is Wei-chen, decided on Eddy after a fighter character in Tekken, a PlayStation game.
They met when Yang was 14 and Chen 13, at a maths tutoring class in Brisbane attended by Asian students.
The next day, they ran into each other again at a youth orchestra rehearsal they had signed up for. They didn’t attend the same school, but the classical music world was so small that they stayed friends.
Chen’s father was a dentist and his mother a housewife. He and his sister, who’s five years older, learnt the violin and piano. When she was 18, she decided to focus on the piano. “My mum was like, ‘well, we have only one piano, so I’m not giving you piano lessons anymore.’” He did the violin.
As for Yang, his older brother played the cello for a while and is now a dentist — “he’s fulfilling that for my parents”. His father is a semi-retired architect and mother an artist and teacher.
Their childhood revolved around practice, performance and competitions. Both went to Queensland Conservatorium Griffith University, one of Australia’s leading music and performing arts schools, and knew they would make a career in music.
Chen remembers what his father, who died in 2015, once told him.
“He said, ‘Look, I’ve done that whole make your Asian parents happy part, and it’s cool, but I’m staring at teeth every day from the moment I wake up till I go to sleep. So unless you’re really passionate about teeth, maybe think a bit about doing what you’re passionate about.’
“That stuck with me, which is why I chose to do music even though my mum was like ‘be a doctor, be a doctor’.”
Yang tells his friend: “Your dad’s the chillest dad.”
Did your father get to see your YouTube success before he died, I ask chen.
“We had just started. He saw a little bit, but he didn’t see our first world tour, unfortunately, which would have been cool,” he says, sounding wistful.
Yang adds comfortingly: “He left you with his blessing — and passion.”
Around the time they were in university, South Korean rapper Psy’s Gangnam Style video became a global hit. Inspired, they started to make videos.
There was then a popular duo called 2Cellos. Calling themselves TwoViolins would be lame, “like a copy-paste”, says Yang. “So our two set of violins? Okay, TwoSet Violin.”
They got jobs in orchestras after graduation — Yang with the Sydney Symphony and Chen with the Queensland Symphony.
The fanbase of their videos continued to grow. At the end of 2015, they left their jobs to do videos full time. Audiences lapped up content like 8 Most Epic Piano Performances Everyone Should Watch.
In 2017, they decided to raise funds for a world tour and, as they said at the time, “turn our viral classical comedy videos into one crazy recital”.
They busked and slept on the streets of Sydney, and hit their goal of A$50,000 (S$46,000) in five days. From 2017 to 2019, they performed in more than 20 cities, including Singapore.
INFINITE IDEAS
As classical musicians, they saw how audiences were ageing. A key motivation behind TwoSet Violin has been to win over young fans.
“At concerts, it’s a sea of white hair,” says Yang. “You see a few young people in the front, which is usually us, the students, going to watch their favourite artists on student tickets.”
Adds Chen: “In 20 years, what’s going to happen?”
Yang replies: “We’re not going to have a job... It starts from the younger generation appreciating these things.”
I wonder if making videos has felt like they were dumbing down.
Yang points out that they do play the violin. “It’ll be a different story if we were faking it... But we still offer the integrity of classical music.”
Chen reminds me that his partner would be playing the full Mendelssohn Violin Concerto with the SSO. “No YouTube violinist I can think of could do that, right?”
They love it when people tell them how the videos have inspired them to pick up or relearn instruments.
They are brimming with “infinite” ideas on how to make classical music entertaining.
Anything, it seems, can be turned into content.
An idea like whether one can play the violin on the moon could lead to a discourse on how sound and frequency travel in space.
Some videos critique the treatment of classical music in popular culture.
Their recent parody of the Korean group Blackpink’s use of Paganini’s La Campanella drew flak from K-pop fans for being disrespectful, which they have shrugged off.
Blackpink’s treatment of La Campanella was “pretty artistically uninspiring”, says Chen dryly.
“They turned such a great piece into one of the most monotonous-sounding loops. Like they tuned it down, they processed it to sound almost like a machine violin, and then it was just looping like half the sentence.”
Their critiques aren’t mean-spirited, they add.
“I don’t think we’ve ever insulted someone for the sake of insulting. When we’re making videos, we’re coming from a perspective of sharing the world of classical music,” Chen says.
“So it’s like we’re educating about classical music but in a fun and entertaining way. We add some comedy to it, and sometimes with comedy there’s a bit more spice to it, and we add a bit of roast occasionally.”
As performers, they have had their struggles with stress and exhaustion.
When Chen was about 20, he couldn’t play the violin for about eight months and was in a wheelchair for two. He was preparing for a performance when first his arms, then legs, became mysteriously wracked with pain.
Eventually, a doctor diagnosed it to be psychological, and he had to learn to push through the pain. He has since recovered.
In 2020, Yang took about three months off, suffering from exhaustion.
They have since tried to take more breaks. They manage themselves, with a team of about 12, half of whom work part-time. Big agencies have asked to represent them, but they prefer to be independent.
Covid-19 put a halt to touring, but they held a virtual tour in December 2021. The duo, who are single and semi-based in Singapore, have announced another world tour for 2023/2023.
They don’t have any significant sponsors or government funding, and get income from YouTube advertising, concerts and apparel. “We try to make it work from the resources we have,” says Yang. “It forces us to be super creative.”
They are certainly changing the way classical music is perceived. At their SSO concert at the Victoria Concert Hall, they tied up with Tiger Sugar to serve bubble tea. (They are big bubble tea fans.)
A lot of their success — as well as their future — hinges on them staying in sync with the other.
Chen says they are on the same wavelength in most things and have hardly ever fought. “We are very much on the same page in our bigger outlook on life. Obviously, there will be smaller decisions that we might disagree on, but we just discuss it.”
Yang echoes this. They approach situations not from a “me perspective” but seek to understand each other.
As we wrap up the meal, I ask what they like about each other.
Yang says: “Eddy’s a very open-minded person, and he also thinks really deep. So it’s not just one-dimensional. You think broadly, you also think depth.”
Chen says he appreciates his friend’s ability to be in touch with people’s feelings and be considerate in social situations.
“He knows how to bring uncomfortable conversations up in a non-confrontational way. You know how sometimes people just bottle things up and then over time it explodes, right? But with Brett, it never feels like it has to get to that.”
Yang says softly: “Thanks, bro.”
The lunch crowd has gone, and we take over the restaurant to film the video. They play for us a segment of Augustin Hadelich’s arrangement of Por Una Cabeza by Carlos Gardel.
Yang e-mails me later to ask if I’d like a ticket to their SSO concert. I ask for one to their open rehearsal.
There’s nary a head of white hair among the audience. The seats are occupied by happy young people — mostly women — clapping wildly when they walk on stage and soaking in the Mendelssohn and Bach that follow.
I’m not a classical music lover, but, I, too, enjoyed myself.
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