#25 March 2011 | Explore Tumblr posts and blogs

loz-furbies · 4 months ago

Text

Zelda ages based on when their games came out. Welcome to the team EoW Zelda!

Characters and design thoughts under cut:

For starters, I did a similar Zelda piece a few years ago and ran into the problem that I can't really draw anything else than anime teen girls, which is kind of a problem in a drawing where half the characters are above 20 and their age differences are the whole point. And in addition almost everyone is supposed to be royalty with very similar clothes too. But in my defense, in general it can be pretty hard to tell the ages of 25 to 40 year old anime women anyway.

I needed a reference for the body proportions in order to even get started, so I quickly thought "who is an anime woman who doesn't look like a teenager", and used Yor's character sheet for assistance. The younger characters' proportions are a little inconsistent, since I couldn't choose if I would look at realistic growth chart or go with the anime look (where teens and children are often shorter than they would be in real life) so the result is this weird hybrid.

Four Swords (December 2, 2022) & Four Swords Adventures (March 18, 2004) - Chronologically they are different Zeldas even though they use the same promo art/character design, so I used the promo art design for the original FS Zelda and drew the FSA Zelda based on her sprite. There's not much to these designs, they have very little going on in terms of story or personality to use as inspiration and their character design doesn't offer much anything original when compared to the other more well known Zeldas either. Their only distinct element is the big red hair bow, but I thought it would look too childish when they're supposed to be in their twenties here.

Minish Cap (November 4, 2004) - There's not a lot MC Zelda that I could use for inspiration. But then I remembered that a while ago I wrote about how the pointy hat Queen Ambi wears should be used more often, so I thought I should put my money where my mouth is and draw it here, since Zelda does wear a red cap for a couple seconds in MC. In general the MC Zelda and both FS Zeldas are at a little awkward age for this picture, since they're too old for youthful child designs but not really old enough for more mature queenly designs either.

Skyward Sword (November 18, 2011) - Her design is based on her concept design, which I assume is meant to be her casual look and not the ceremonial costume she wears in the game.

Ocarina of Time (November 21, 1998) - I decided that age-wise she makes the cut of when I start using updos. Why do the Zeldas have such similar canon hairstyles anyway, it was surprisingly boring to work with them. Still not sure about the curls though, my fancy dress design artbook that I used for inspiration had so many cute curly hairstyles but I couldn't really use any here because I worried the characters would become unrecognisable. But since OoT Zelda had some curls in her "sideburns" she fell victim here.

Hyrule Warriors (August 14, 2014) - HW Zelda has a distinct enough design from the other Zeldas that it gives a lot of elements to work with, though her age here limits it a little since she's too young for bikini armour. Also because HW is a spin off, I also considered including the Cadence of Hyrule Zelda, but that led to the realisation that it would have opened the doors to CDI Zelda as well. Which I guess would have been fine, but this is already a pretty wide drawing full of adults, so while a Cadence of Hyrule Zelda would have been easy to fit on the front row, I couldn't justify adding even more adults just for the CDI games. So only HW is included because I've played it and actually like it.

Zelda 1 (February 21, 1986) - The original Zelda is at an age where it's a little awkward how there's little difference between her (38 years old) and OoT Zelda (25). But I couldn't think of any anime that would help me as reference here, and I don't think she's old enough to have that "this character is getting old" wrinkle under her eye (you know the one).

Echoes of Wisdom (September 26, 2024) - I think she looks a bit too old here to be a zero-days-old newborn but work with me here.

Breath of the Wild (March 3, 2017) - She's actually at the age where her mum died, poor girl. She's very refreshing to work with since her look is so different from the other Zeldas.

A Link to the Past (November 21, 1991) & A Link between Worlds (November 22, 2013) - Originally I also had the Oracles Zelda in this since she does have a unique design, but then again I consider the Oracles Link to be the same as in aLttP which ought to apply to Zelda as well, plus the design isn't unique in any interesting way and is just a combination of the OoT & aLttP designs, so in the end I just gave the Oracles Zelda sprite's hair buns to aLbW Zelda. Overall having to use the essentially same design for both aLttP and aLbW Zelda wasn't much fun, especially when neither really offers anything notable in terms of story or personality, but at least they're pretty far apart when it comes to age.

Twilight Princess (November 19, 2006) - I haven't played her game so I don't know a lot about her (other than reading the manga which didn't give me anything to work with either) and she's also close to her canon age (?) here so she ended up looking pretty similar to her canon design.

Spirit Tracks (December 7, 2009) - This was a tough one because technically ST Zelda does have a lot of elements to her story and character that could work for a redesign, but not really for the purposes of this picture. Anything train related is more of Link's thing, and anything ghost related doesn't really fit either since she's not supposed to be a ghost at this age. And as for the Phantom, I got the impression that while she learned to appreciate it, she didn't exactly like using it, and that personality-wise she would prefer not to go on another similar adventure. So In the end I just replaced the regular armour parts many Zeldas have in their designs with the Phantom armour and used the ghost palette for the rest of her look, and I kind of like the result. Her personality looks a little out of character though but I couldn't resist the opportunity to draw this with Grandma Tetra.

Wind Waker (December 13, 2002) - I haven't played WW so I'm not sure how accurate this is, but drawing her with the pirate design definitely added some much needed variety to this picture. I really like her twirly hairstyle in canon, but I also really wanted to draw her with short hair, so it had to go. Maybe ST Zelda can style her hair in a twirl when she gets older to compensate?

The Adventure of Link (January 14, 1987) - Really don't know what happened here, not particularly happy with the end result. I prefer to draw the Zelda 2 Zelda with her sprite design because just reusing the OG Zelda design is boring, but I really should have kept it closer to that since now she's practically unrecognisable.

#legend of zelda #echoes of wisdom #zelda #my art

208 notes · View notes

capricorn-0mnikorn · 29 days ago

Text

I keep seeing / hearing this "fact" every Christmas Season

And it drives me to distraction (in large part because I bought into it, and repeated it myself, without thinking, for a long time):

"Christmas is actually Pagan, because The Bible says Jesus was born during Lambing Season (when the shepherds watch their flocks by night). And Everybody Knows lambing season is in March - April. So: ha! Gotcha!"

And this is repeated by both neo-Pagans, who want to claim that their religion was somehow "stolen" by the early Church, and by Conservative Christians who dislike the secular, party atmosphere, of contemporary Christmas celebrations, and are seeking to (literally) demonize those practices.

But a few years ago, a question popped into my head (I forget exactly what prompted it):

"Lambing Season in Northern Europe is in March - April. But Jesus wasn't born in Northern Europe. When is the (or was) the Lambing Season in Bethlehem?"

First, I looked up the breeds of sheep native to the Middle East, and the most common, ancient breed of sheep in that part of the world is the Awassi Sheep (DuckDuckGo page of image search results). Then, I looked around for breeding & lambing information. According to this 2011 abstract, the ewes can mate in April (not give birth), all the way through September, and their pregnancy is about 5 months long.

So lambing season could've been anywhere from September through February. And the tail end of December is comfortably in the middle of that.

So yeah, maybe December 25 was Jesus' birthday.

As someone who is no longer either Pagan or Christian, this isn't really any of my business, anymore, I suppose.

I just get annoyed by the implicit bias of: "The whole world looks like my back yard. And all of history should feel like my childhood memories." ...Especially when it's coming from people who are otherwise talking about history and or biology.

#holidays and observances #seasons #sheep around the world #Christmas 'debates'

129 notes · View notes

australianwomensnews · 6 months ago

Text

Evidence of a powerful link between smartphones, social media and depression, anxiety and self-harm among teenagers, especially girls, is growing, with new Australian research naming 2012 as the year that ushered in a mental health crisis.

The study of longitudinal data found there is a strong correlation between when an individual was born, how old they were when Instagram and Snapchat came into their lives, and self-reported mental health distress and social isolation.

“Young women born since the late 1990s report much lower levels of mental health than earlier generations and compared to their male counterparts,” the analysis from independent think tank e61 says.

“This generation has lived their teenage years when photo- and video-sharing social media platforms became popular in Australia.

“We also find that lower mental health is highly correlated to self-reported feelings of social isolation as measured through friendship connections.”

The analysis was submitted as evidence to a parliamentary inquiry into mental health and social media and whether age limits should be imposed on young people being able to access such platforms, among other things.

The analysis shows that self-reported scores on young women’s mental health declined from 73 per cent to 62 per cent between 2011 and 2022, while for young men it fell from 74.5 per cent to 67.5 per cent.

“Youth mental health was stable but then began falling sharply after 2012,” said Gianni La Cava, e61 research director.

Women aged 15 to 24 are the heaviest users of social media. Nearly 90 per cent of them use social media every day, or most days, compared with 62 per cent of women aged over 25.

There has also been a corresponding decline in friendships and feelings of isolation.

The e61 analysis notes some experts argue that social media can be a source of good for some young people, and mental health responses are individualised.

It also notes that there have been vast reductions in the stigmatisation of mental health issues among young people, which means that more may be comfortable in reporting it.

However, e61 says this “would not explain a sudden drop since the 2010s”.

In South Australia, former High Court judge Robert French was tasked in May with examining the legal consequences of banning children under the age of 14 from having social media accounts. The model would also require teenagers aged 14 and 15 have parental consent to access social media platforms.

In March, the US state of Florida legislated to ban social media accounts for children under 14, while Texas has legislated to require parental consent before allowing a user under the age of 18 to open an account. Spain also bans children under 14 from accessing a social network.

A growing body of evidence is linking social media and mental health. A survey by mental health service ReachOut this year found that 60 per cent of parents said they were concerned about their child’s use of social media and 55 per cent agreed that social media had a significant impact on their child’s wellbeing.

A US study found that adolescents who spend more than three hours a day on social media face double the risk of experiencing poor mental health outcomes.

Support services:

Lifeline on 13 11 14

Beyond Blue 1300 22 4636

Kids Helpline 1800 55 1800

#feminism #radblr #australia #technology #mental health #women's mental health

221 notes · View notes

sophaeros · 11 months ago

Text

arctic monkeys for q magazine, june 2011 (x) (x)

ARCTIC MONKEYS: Inside Alex Turner's Head

Words Sylvia Patterson Portrait John Wright

The day Arctic Monkeys moved into their six bedroom, Spanish-style villa in the Hollywood Hills, where the first-floor balcony looked over the patio swimming pool, they knew exactly what to do.

"From the balcony, you could get on t'roof and jump in't pool," chirps the Monkeys' most gregarious member, drummer Matt Helders, in his homely Yorkshire way. "We looked at it and said, That's definitely gonna happen. So by the end, we did a couple of 'em. Somersaults in t'pool, from the roof. At night time."

In January 2011, as Sheffield and the rest of Britain endured its bitterest winter in a century, Arctic Monkeys capered among the palm trees, eschewing hotels for a millionaire's Hollywood homestead as they recorded and mixed their fourth studio album, Suck It and See.

The four Monkeys, alongside producer James Ford and engineer James Brown, lived what they called the "American man thing": watched Super Bowl on giant TVs, played ping-pong, hired two Mustangs, cooked cartoon Tom And Jerry-sized steaks on barbecues on Sundays, had girlfriends over to visit, all cooking and drinking around the colossal outdoor kitchen area featuring a fridge and two dishwashers. Living atop the Hills, they could see the Pacific Ocean beyond by day, the infinite glittering lights of downtown LA by night.

Every day, en route to Sound City Studios, they'd travel in a seven-seater four-by-four through the mountains, via bohemian 60s enclave Laurel Canyon, blaring out the tunes: The Stones Roses, The Cramps, the Misfits' Hollywood Babylon. For the sometime teenage art-punk renegades whose guitarist, Jamie Cook, was once ejected from London's Met Bar for refusing to pay €22 for two beers, the comedy rock'n'roll life still feels, however, absolutely nothing like reality.

NICK O'MALLEY: "It were really as if we were on holiday. When we came back it's the most post-holiday blues I've ever had!"

JAMIE COOK: "It's hard to comment on that. It were just really good fun."

MATT HELDERS: "We always said, As soon as things like that feel normal, we're in trouble. But it's just funny. You might think it would get more and more serious as you get older but it's getting funnier. We've done four albums now and I'm still only 24, I'm still immature to an extent. So who cares?"

Alex? Al? Are you there?

ALEX TURNER: "Yeah, it were good times. But we were in the studio most of the time. So there's no real wild Hollywood stories. Hmn. Yeah."

Wednesday, 16 March 2011, Strongroom Bar, Shoreditch, East London, 11am. Alex Turner, 25, slips entirely alone into an empty art-crowd brasserie looking like an indie girl's indie dream boy: mop-top bouffant hair which coils, in curlicues, directly into his cheekbones, army-green waist-length jacket, baggy-arsed skinny jeans, black cord zip-up cardigan, simple gold chain, supermoon sized chocolate-brown eyes.

Almost six years after I Bet You Look Good On The Dancefloor became the indie-punk anthem of a generation (from the first of Arctic Monkeys' three Number 1 albums), and nothing prepares you for the curious phenomenon of Alex Turner "in conversation". Unlike so many of the Monkeys frenetic early songs, he operates in slow motion, seemingly underwater, carrying a protective shell on his back, perhaps indie rock's very own diamond-backed terrapin. The most celebrated young wordsmith in rock'n roll today talks fulsomely, in fact, only in shapeless, curling sentences punctuated with "maybe... hmn.. yeah", an anecdotal wilderness sketching pictures as vague as a cloud. He is, though, simultaneously adorable: amenable, gentle, graceful, and as Northern as a 70s grandpa who literally greets you with "ey oop?".

"People think I'm a miserable bastard," he notes, cheerfully, "but it's just the way me face falls." Still profoundly private, if not as hermetically sealed as a vacuum-packed length of Frankfurter, his fante-shy reticence extends not only to his personal life (his four-year relationship with It-girl/TV presenter Alexa Chung, whom he never mentions) but to insider details generally. Take the Monkeys’ Hollywood high jinks documented above: not one word of it was described by Turner. Before Q was informed by his other Monkey bandmates, Turner’s anecdotal aversion unfolded like this:

Describe the lovely villa you were in. AT: "Well... we certainly had a... good view."

Of what? AT: "Well, we were up quite high."

The downtown LA lights going on forever? AT: "I dunno. It was definitely that thing of getting a bit of sort of sunshine. Is it vitamin D? If you can get vitamin D on your record, you've got a bit of a head start. So we'd get up and drive to the studio."

What were you driving? AT: "Nothing... spectacular. But yeah, we'd drive up the studio, spend all day there and sort of, y know, get back. To be honest... we had limited time. So we spent as much time as possible kind of getting into it, like, in the studio.

So your favourite adventures were what? AT: "Well, they were really… minimal. We were working out there!"

Any nightclubs or anything, perhaps? AT: "You really want the goss 'ere, don't you?"

Yes, please. AT: "I could make some up. Nah!"

And this was on the second time of asking. It's perhaps obvious: Alex Turner, one of the most prolific songwriters of his generation (four Monkeys albums and two EPs in five years, The Last Shadow Puppets side-project, a bewitching acoustic soundtrack for his actor/video director friend Richard Ayoade's feature-length debut Submarine), is dedicated only to the cause – of being the best he can possibly be. He simply remembers the songs much more than the somersaults.

Throughout 2009, Arctic Monkeys toured third album Humbug – the record mostly made in the Californian desert with Queens Of The Stone Age man-monolith Josh Homme – across the planet. While hardly some cranium-blistering opus, its heavier sonic meanderings considerably slowed the Arctic Monkeys' live sets and on 23 August 2009, Q watched them headline the Lowlands Festival, Holland and witnessed a hitherto unthinkable sight – swathes of perplexed Monkeys fans trudging away from the stage. With the sludge rock mood matching their cascading dude-rock hair it seemed obvious: they'd smoked way too much outrageously strong weed in the desert.

"Heheheh, yeah," responds Turner, unperturbed. "That's your theory. You probably weren't alone."

Back in the Strongroom Bar, Turner's arm is now nonchalantly draped along the back of a beaten-up brown leather sofa. He ponders his band's somewhat contrary reputation…

"I think starting the headline set at Reading with a cover of a Nick Cave tune perhaps was a bit contrary. D'youknowhat Imean?! But to be honest, that summer, at those festivals, we had a great time. And I know some fans enjoyed those sets 10 times more. And you can't just do, y’know, another Mardy Bum or whatever. Because how could you, really?"

With Humbug, notes Turner, "I went into corners I hadn't before, because I needed to see what were there," but by spring 2010 he wanted their fourth album to be "more song-based" and less lyrically "removed". He was "organised this time", studied "the good songwriters" (from Nick Cave, The Byrds and Leonard Cohen to country colossi Johnny Cash and Patsy Cline), discovered "the other three strings" on his guitar, and wrote 12 songs through the spring and summer of 2010, mostly in the fourth-floor New York flat he shared with Chung before the couple moved back to London late last summer (the New York MTV show It's On With Alexa Chung was cancelled after two seasons). The result: major-key melodies, harmonised singing and classic song structures.

At the same time he revisited the opposite extreme: bands such as Black Sabbath and The Stooges ("we wanted a few wig-outs as well"); he was also still heavily influenced by the oil-thick grinder rock of Josh Homme, who is clearly now a permanent Monkeys hero. After four months' rehearsals in London, on 8 January the Monkeys relocated to LA for five swift weeks of production and Homme came to visit, singing backing vocals on All My Own Stunts. Tequila was involved.

"Tequila is probably me favourite," manages Turner, by way of an anecdote. "But it takes a certain climate... It's not the same... in the rain. Yeah. [Looks to be contemplating a lyric] Tequila in the rain."

Vocally, he developed the caramel richness first unveiled on The Last Shadow Puppets' Scott Walker-esque The Age Of The Understatement, finding a crooner's vibrato. "Everything before was so tight,” he notes, clutching his neck. "Probably just through nerves. That's just not there any more." Suck It and See contains at least four of the most glittering, sing-along, world-class pop songs (and obvious singles) of Arctic Monkeys' career: the towering, clanging She's Thunderstorms, the summertime stunner The Hellcat Spangled Shalalala, the heavenly harmonised title track and the Echo & The Bunnymen-esque jangly pop of closer That's Where You're Wrong.

Elsewhere, in typically contrary "fashion", there's preposterous head-banger bedlam (Brick By Brick, the rollicking faux-heavy rock download they released in March "just for fun", featuring vocals by Helders; Don't Sit Down 'Cause I've Moved Your Chair, and Library Pictures). News arrives that the first single proper will be Don't Sit Down 'Cause I've Moved Your Chair. Q is perplexed. Brilliantly titled, certainly, but arriving after Brick By Brick, the new album will appear to the planet as some comedy pastiche metal album for 12-year-old boys.

You've got all these colossal, summery, indie-pop classics and you've gone for... The Chair? AT: [Laughing uproariously] "The Chair! I'm now calling it The Chair, that's cool. Well for once it weren't even our suggestion. It was Laurence's (Bell, Domino label boss). And I were, Fucking too right! He's awesome. It'd be good to get a bit of fucking rock'n'roll out there, won't it? It's riffs. It's loud. It's funny."

If you don't release The Hellcat Spangled Shalalala as a single I'm going round Domino to kick Laurence's "awesome" butt. AT: "I think it'll be the next one!"

The record's title, meanwhile, could've been more enigmatically original than the un-loved phrase Suck It and See. The band, struggling with ideas due to the opposing sonic moods, invented an inspiration-conjuring ruse: to think of new names for effects pedals in the style of Tom Wolfe, Turner being long enamoured with the American author's legendarily psychedelic books The Electric Kool-Aid Acid Test and The Kandy-Kolored Tangerine-Flake Streamline Baby, "cos that just sounds awesome".

"There's the Big Muff pedal," he elaborates, "That’s the classic. I've got the Valve Slapper. And there's the Tube Screamer. So we came up with the Thunder Suckle Fuzz Canyon. And… wait till I assemble it in me mind… em… it'll come to me… The Blonde-O-Sonic Shimmer Trap. So we were going for summat like that."

A wasted opportunity?

"Nah. Because some of those things ended up in the lyrics anyway. Suck It and See was just easier."

Alex Turner, rock'n'roll's premier descriptive art-poet, still writes his lyrics long-hand in spiral-bound notebooks. "Writing lyrics is a craft that I've practised a bit now," he avers. "In me notebook it looks like sums. Theories. There's words and arrows going everywhere. There's always a few possibilities and I write the word 'OR' in a square."

For our most celebrated colloquial sketch-writer of the everyday observation (all betting pencils, boy slags and ice-cream van aggravations) the more successful he becomes, the less he orbits the ordinary. "I'm not struggling with that, to be honest," he decides. "In fact I'm enjoying writing lyrics much more than I did. Stories. Describing a picture. Um. There's quite a bit of weather and time in this one. Which is probably not reassuring. 'Oh God, he's writing about the weather.' Maybe leave that out!"

There are also some direct, funny, romantic observations: "That's not a skirt, girl, that's a sawn-off shotgun/And I only hope you've got it aimed at me..." (from the title track).

Some of your romantic quips, now, must be about Alexa. AT: "Right. Yeah. Definitely. Well... there's always been that side to our songs, when we weren't writing about... the fucking taxi rank. It's kind of inevitably... people you're with." [At the mention of Chung's name, Turner is visibly aggrieved, head sliding into his neck, terrapin-esque indeed.]

It must have been very grounding being in a proper relationship through all this madness. Because if you weren't, girls would be jumping all over your head. AT: "Em. Hmn. Well, of course that helps you to... I don't really know.. what the other way would be."

Does Alexa wonder if the lyrics are about her? AT: "Oh there's none of that. Yeah, no, there's no looking over the shoulder."

She must be curious, at least. "Maybe."

Did you ever watch Popworld? AT: [Nervous laughter] "Em! Now and again."

Did you ever see the episode where she helps Paul McCartney write a song about shoes? AT: "Ah, yeah I think so, maybe I did see that."

Well, if I was you, I'd have been thinking, "She's the one for me." AT: "Well. Yeah... maybe that would've... sealed the deal! Hmn. But maybe that wasn't when i got the ray of light. When was? Nah [buries head in hands]. I might have to go for a cigarette..."

Q can't torture him any more and joins him for a snout. Turner smokes Camels from a crumpled, sad, soft-pack and resembles a teenager again. As early song You Probably Couldn't See For The Lights But You Were Staring Straight At Me says, "Never tenser/Could all go a bit Frank Spencer…”

In January 2006, when Arctic Monkeys' Number 1 album Whatever People Say I Am, That's What I'm Not became the fastest-selling debut in UK history, inadvertently redefining the concept of autonomy and further imploding the decimated music industry (& wasn't their idea to be "the MySpace band", it was their fans': the Monkeys merely kick-started viral marketing by giving away demos at gigs), the 19- and 20-year-old Monkeys were terrible at fame. They weren't so much insurrectionary teenage upstarts as teenage innocents culturally traumatised by the peak-era fame democracy.

To their generation (born in the mid-'80s) fame was now synonymous with some-twat-off-the-telly a world of foaming tabloid hysteria where renown and celebrity meant, in fact, you were talentless. Hence their interview diffidence and receiving awards via videos dressed up as the Wizard OfOz and the Village People. Which only, ironically, made them even more celebrated and famous. (“That were a product of us just trying to hold onto the reins," thinks Turner today. "Being uncooperative.")

Q meets The Other Three one morning at 11am, in the well-appointed, empty bar of the Bethnal Green, Bast London hotel they're staying in (all three live in Sheffield, with their girlfriends, in their own homes). First to arrive is the industrious, sensible and cheerful Helders, crunching into a hangover-curing green apple. He has recovered from last year's boxing accident at the gym, which left his broken arm requiring a fitted plate. Now impressively purple-scarred, the break felt "interesting" and the doctor couldn't resist the one-armed drummer jest: "D'you like Def Leppard?"

Currently enjoying an enduring bromance with Diddy, he still doesn't feel famous, "it just doesn't feel that real, there's no paparazzi waiting for me to trip up." He and Turner, during the four-month rehearsals last year, became an accomplished roast dinner cooking duo for the band. "I reckon we could have us our own cookbook," he beams. "Pictures of us stirring, with a whisk."

O'Malley, an agreeable, twinkly-eyed 25-year-old with a strikingly deep voice and a winningly huge smile, is still coyly embarrassed by the interview process. A replacement for the departed original bass player Andy Nicholson in May 2006, he went from Asda shelf-filler to Glastonbury headliner in 13 months and still finds the Monkeys "a massive adventure". His life in Sheffield is profoundly normal – he's delighted that his new home since last October has an open-hearth fireplace: "Me parents had electric bars." He has also discovered cooking. “I’m just a pretty shit-hot housewife, most of the time," he smiles. "I cook stews, fish combinations, curries, chillies. I made a beef pho noodle soup the other day, Vietnamese, I surprised meself, had some mates round for that."

Recently, at his dad's 50th birthday bash, the party band, made up of family and friends, insisted he join them onstage "for ...The Dancefloor. So I were up there [mimes playing bass, all sheepish] and it were the wrong pitch, they didn't know the words or 'owt, going, Makin eyes... er..." He has no extra-curricular musical ambitions. "I'm happy just playing bass," he smiles. "I've never had the skill of doing songs meself. It'd be shit!"

Cook, 25, is still spectacularly embarrassed by the interview process. He perches upright, with a fixed nervous smile, newly shorn of the beard and ponytail he sported in LA: "Rockin' a pone, yeah, because I could get away with it." With his classic preppy haircut and dapper green military coat (from London's swish department store, Liberty), he looks like a handsome '40s film star. (Turner deems Cook "the band heartbreaker" and had a word with him post-LA: "I said to him, Come on, mate, you've got to get that beard shaved off. Get the girls back into us. Shift some posters.")

His life in Sheffield is also profoundly normal. He still plays Sunday League football with his local pub team, The Pack Horse FC (position, left back), remains in his long-term relationship with page-three-model-turned-make-up-artist Katie Downes and "potters about" at home, refusing to describe said home, "cos I'll get burgled".

A tiler by trade, he always vowed, should the Monkeys sign a deal, that he'd throw his trowel in a Sheffield river on his last day of work. "I never did fling me trowel," he confirms. "Probably still in me shed." He's never considered what his band represents to his generation. "I'd go insane thinking about it, I'm pretty good at not thinking about it… Oh God. I'm terrible at this!"

Back in the Strongroom Bar, Alex Turner is cloudily describing his everyday life. "I just keep meself to meself," he confounds. He mostly stays indoors and his perfect night in with Alexa is "watching loads of Sopranos. And doing roast dinners".

No longer spindle-limbed, he attends a gym and has handsomely well-defined arms – "You have to look after yourself."

Suddenly, Crying Lightning from Humbug rumbles over the bar stereo. "Wow. How about that? I was quite happy the other morning cos Brick By Brick were on the round-up goals on Soccer AM. It's still exciting when that happens. It was like Brick By Brick is real."

He spends his days writing music, "listening to records", and recommends Blues Run The Game by doomed '60s minstrel Jackson C Frank ("who's that lass?... Laura Marling, she did a cover recently), a simple, acoustic, deep and regretful stunner about missing someone on the road.

Lyrically, he cites as an example of greatness the Nick Cave B-side Little Empty Boat [from ‘97 single Into My Arms ], a comically sinister paean to a sexual power struggle: "Your knowledge is impressive and your argument is good/But I am the resurrection babe and you're standing on my foot."

"I need a hobby," he suddenly decides. "I'd like to learn another language." Since his mum is a German teacher (his dad teaches music), surely he can speak some German? "I know how to ask somebody if they've had fun at Christmas." Go on, then. "Nah!"

Where Turner's creative gifts stem from remains a contemporary rock'n'roll mystery; he became a fledgling songwriter at 16, after the gift of a guitar at Christmas from his parents. An only child, did his folks, perhaps, foresee artistic greatness? "I doubt it!" he balks. "Cos I didn't. I wasn't... a show kid." Like the others, he doesn't analyse the past, or the future.

"You can't constantly be thinking about what's happened," he reasons, "it's just about getting on with it." The elaborate pinky ring he now constantly wears, however, a silver, gold and ruby metal-goth corker featuring the words DEATH RAMPS is a permanent reminder of he and his best friends’ past. The Death Ramps is not only a Monkeys pseudonym and B-side to Teddy Picker, but a place they used to ride their bikes in Sheffield as kids.

"Up in the woods near where we lived," he nods. "Just little hills. But when you're eight years old they're death ramps." The ring was custom made by a friend of his, who runs top-end rock'n'roll jewellery emporium The Great Frog near London's Carnaby Street. Ask Turner why he thinks the chase between his writing and speaking eloquence is quite so mesmerisingly vast and he attempts a theory.

"Well, writing isn't the same as speaking," he muses. "Not for me. I seem to struggle more and more with... conversation. Talking onstage... I can't do it any more. Hmn. I'll have to work on that."

The ever-helpful Helders has a better theory.

"Since he's been writing songs," he ponders, “It seems like he’s always thinking about that. So even when he’s talking to you now, he’s thinking about the next thing that rhymes with a word. Even when he’s driving. We joke he’s a bad driver, his focus is never 100 per cent on what he’s doing. Which is good for us cos it means he’s got another 12 songs up his sleeve. I think music must be the easiest way for him to be concise and get everything out. Otherwise his head would explode.”

The Shoreditch.com photo studios, 18 March. Alex Turner, today, is more ethereally distracted than ever, transfixed by the studio iPod, playing Led Zeppelin, The Rolling Stones, a version of I’d Rather Go Blind. Occasionally, he’ll completely lose his conversational thread, “Um. I’ve dropped a stitch.”

The first to arrive for Q’s photoshoot, he greets his incoming bandmates with enormous hugs (and also hugs them goodbye). Today, Q feels it’s pointless poking its pickaxe of serious enquiry further into Turner’s vacuum-packed soul and wonders if he’ll play, instead, a daft game. It’s called Popworld Questions, as first posed by someone he knows rather well.

“Oh, OK. Let’s do it,” he blinks, now perched in an empty dressing room. He then vigorously shakes his head, “Um…I’ve gotta snap back into it.”

Here, then, are some genuine “Alexa Chung on Popworld” questions (2006-2007), as originally posed to Matt Willis, Amy Winehouse, Robbie Williams, Pussycat Dolls, Kaiser Chiefs and Diddy.

Why do indie bands wear such tight jeans? AT: “Um. I supposed they do. They haven’t always. When we first were playing I was definitely in flares. You need to be quite tall to get the full effect, though. So, that's why this indie band wears such tight jeans, cos we've not got the legs for flares."

What makes you tick in the sexy department? AT: "Wow. Pass. What do I find most attractive in a woman? Something in the head? That's definitely a requirement. Well... Hmn. I'm struggling."

Tell us about all the lovely groupies. AT: "No!"

If dogs had human hands instead of paws, would you consider trying to teach them to play the piano? AT: "Absolutely. I'd teach Hey Jude."

How many plums d'you think you can comfortably fit in one hand? AT: "They're not very big. [Holds small, pale, girly hand up for inspection] It's a shame. Probably three. Diddy only managed two? Maybe not then. I can carry a lot of glasses at once, though. If they're small ones I can do four."

Are you cool? AT: "Not as much as I'd like to be. There's this clip where Clint Eastwood is on a talkshow and he gets asked, Everybody thinks of you as defining cool, what d'you think about that? And he gets his cigs out, takes one out, flicks it into his mouth, lights it and says, I have no idea what you're talking about."

Here, Turner locates his Camels soft-pack and attempts to do a Clint Eastwood. He flicks one upwards towards his mouth. And misses. Flicks another. And misses. "Third time lucky?" He misses. "I'll get it the next time." And succeeds. "Hey. Fourth time. Don't put that in! So there you go. I'm four steps away from where I wanna be."

Thank you very much for joining me here on Popworld, here's my clammy hand again. There it is, let it slip, hmmn. You can let go now. AT: "OK! Were you a Popworld fan, then? It was funny. Cool. What were we talking about, before?"

Blimey, Alex. What must you be like when you're completely stoned out of your head? AT: "Stoned? What d'you mean, cos I seem like that anyway? Yeah. A lot of people... tell me I'm a bit... dreamy. But I like the idea of that. Of being somewhere else."

Two days earlier, Turner had contemplated what he wanted from all this, in the end. Many seconds later he gave his deceptively ambitious answer.

"I just wanna write better songs," he decided. "And better lyrics. I just definitely wanna be good at it. Hmn. Yeah.”

—

RUFUS BLACK: AKA Matt Helders, on his ongoing bromance with Diddy

Matt Helders has known preposterous rap titan Diddy since they met in Miami in 2008. “He goes, Arctic Monkeys! Then he said summat about a B-side and I was like, He's not lying! I just thought, This is funny, I'm gonna go with this for a while." Last October Diddy texted Helders, suggesting he play drums with his Diddy Dirty Money band on Friday Night With Jonathan Ross, to give his own drummer a day off. “I were bowling with me girifriend at the time. In Sheffield, on a Sunday." On the day of recording, says Helder, "We had a musical director. That were one of the maddest times of my life. Next day Diddy said, Why don't you just stay? Come along with me. So I went everywhere with him." Diddy had "a convoy of cars" and made sure Helders was always in his. "He'd stop his car and go, Where's Matt? You're coming with me! So I'd get in his car. Just me, him, his security, driver." Diddy, by now, had given him a pseudonym - Rufus Black. "He kept saying, I don't wanna fuck up your image. And I'm, I don't think it's gonna do me any harm!" He stayed in Diddy's spectacularly expensive hotel. Some weeks later, Helders almost returned to the Dirty Money drumstool for a gig in Glasgow. "But we were rehearsing in London. I were like, I might come, how are you getting there? And he were like, Jet. Jump on t��jet with me. But I had to stay in Bethnal Green instead.”

Love’s young dream: Diddy (left) with Helders

#arctic monkeys #alex turner #matt helders #nick o'malley #jamie cook #sias era #interviews #q magazine #my image id #bands #this is such a funny interview honestly shfjwjs #self proclaimed housewife nick my beloved......#also why did the interviewer describe alex's hands as small pale and girly HELPME #btw im missing page 93 it's probabky just a photospread but yeah #i managed to find the dead links' images on vk #eye contact #not my scan

295 notes · View notes

girlactionfigure · 5 months ago

Text

The @UN created an exhibit dedicated to all terror victims worldwide, without including a single Israeli victim of terrorist violence.

To highlight the blatant absurdity of the UN, here’s an incomplete list of terror attacks against Israelis, by decade:🧵

2020s

1. April 7, 2022 Tel Aviv Shooting - Casualties: 3 people killed, 6 injured - Group Responsible: Palestinian Islamic Jihad

2. November 23, 2022 Jerusalem Bus Bombing - Casualties:2 people killed, 18 injured - Group Responsible: Hamas

3. October 7, 2023 Massacre - Casualties: Over 1,200 people killed, thousands injured, and many taken hostage - Group Responsible: Hamas, along with several other Palestinian terror groups.

2010s

5. March 11, 2011 Itamar Attack - Casualties: 5 members of the Fogel family killed (parents and 3 children) - Group Responsible: Two Palestinian attackers, later linked to the Popular Front for the Liberation of Palestine (PFLP)

6. March 23, 2011 Jerusalem Bus 74 Bombing: - Casualties: 1 person was killed, 30 injured. - Group Responsible: Hamas.

7. November 18, 2014 Har Nof Synagogue Massacre - Casualties: 6 Israeli and 1 Druze killed - Group Responsible: Two Palestinian attackers, praised by Hamas

8. June 8, 2016 Tel Aviv Sarona Market Shooting: - Casualties: 4 people were killed. - Group Responsible: ISIS.

2000s (Second Intifada)

9. June 1, 2001 Dolphinarium Discotheque Bombing - Casualties: 21 people killed, over 100 injured - Group Responsible: Hamas

10. August 9, 2001 Sbarro Restaurant Bombing - Casualties: 15 people killed, over 130 injured - Group Responsible: Hamas

11. January 17, 2002 Bat Mitzvah Massacre: - Casualties: 6 people killed, 33 injured. - Group Responsible: al-Aqsa Martyrs' Brigades.

12. March 2, 2002 Yeshivat Beit Yisrael Massacre: - Casualties: 11 people, including 7 children, killed. - Group Responsible: Fatah al-Aqsa Martyrs' Brigades.

13. March 9, 2002 Café Moment Bombing: - Casualties: 11 people killed. - Group Responsible: Izz ad-Din al-Qassam Brigades (Hamas).

14. March 27, 2002 Park Hotel Massacre - Casualties: 30 people killed, 140 injured - Group Responsible: Hamas

15. November 15, 2002 Hebron Shooting Attack - Casualties: 12 Israeli soldiers and security personnel killed - Group Responsible: Islamic Jihad

16. November 21, 2002 Kiryat Menachem Massacre: - Casualties: 11 people killed. - Group Responsible: Hamas.

17. January 5, 2003 Tel-Aviv Central Bus Station Massacre: - Casualties: 23 people killed, over 100 injured. - Group Responsible: Fatah al-Aqsa Martyrs' Brigades.

18. March 5, 2003 Haifa Bus 37 Suicide Bombing: - Casualties: 17 people killed, with most victims being students from Haifa University. - Group Responsible: Hamas.

19. May 18, 2003 French Hill Suicide Bombings: - Casualties: 5 people killed - Group Responsible: Hamas - Event: A suicide bomber disguised as a religious Jew detonated on a bus. A second bomber prematurely detonated, only killing himself.

20. August 19, 2003 Shmuel HaNavi Bus Bombing: - Casualties: 24 people killed including 7 children, 130 people injured. - Group Responsible: Hamas.

21. September 9, 2003 Tzrifin Bus Stop Attack and Café Hillel Bombing: - Casualties: 14 people killed - Responsible Group: Riyad-us Saliheen Brigade of Martyrs - Event: Two Palestinian suicide bombings occurred within hours of each other; one at a crowded bus stop near Tel Aviv, the other at a popular Jerusalem nightspot.

22. October 4, 2003 Maxim Restaurant Bombing: - Casualties: 21 people killed, over 60 injured. - Group Responsible: Islamic Jihad.

23. December 25, 2003 Geha Interchange Bus Stop Bombing: - Casualties: 3 people killed - Responsible Group: Popular Front for the Liberation of Palestine (PFLP)

24. March 14, 2004 Ashdod Port Attack: - Casualties: 10 people killed, over 23 injured. - Responsible Group: Hamas and Farah.

25. August 31, 2004 Beersheba Bus Bombing: - Casualties: 16 people killed, over 100 injured - Responsible Group: Hamas.

26. February 24, 2005 Stage Club Bombing: - Casualties: 5 people killed, over 50 injured. - Responsible Group: Hamas.

1980s - 1990s

27. 1987-1993 First Intifada - Casualties: Hundreds of Israelis, both civilians and soldiers, killed over 1,400 injured - Group Responsible: Various Palestinian groups including Hamas and Islamic Jihad

28. October 19, 1994 Dizengoff Street Bus Bombing - Casualties: 22 people killed, 50 injured - Group Responsible: Hamas

29. January 22, 1995 Beit Lid Suicide Bombings - Casualties: 21 Israeli soldiers and 1 civilian killed, over 60 injured - Group Responsible: Islamic Jihad

30. July 30, 1997 Mahane Yehuda Market Bombings - Casualties: 16 people killed, 178 injured - Group Responsible: Hamas

1970s

31. May 22, 1970 Avivim School Bus Massacre: - Casualties: 12 people, with 9 victims being children. - Responsible Group: Popular Front for the Liberation of Palestine – General Command.

32. May 30, 1972 Lod Airport Massacre - Casualties: 26 people killed, 80 injured - Group Responsible: Japanese Red Army, in collaboration with the Popular Front for the Liberation of Palestine (PFLP)

33. September 5-6 1972 Munich Olympics Massacre - Casualties: 11 Israeli athletes and coaches killed - Group Responsible: Black September (Palestinian terrorist group)

34. April 11, 1974 Kiryat Shmona Massacre: - Casualties: 18 people killed with 8 victims being children, over 16 wounded. - Responsible Group: Popular Front for the Liberation of Palestine – General Command.

35. May 15, 1974 Ma'alot Massacre - Casualties: 31 people, including 22 schoolchildren, killed. - Group Responsible: Democratic Front for the Liberation of Palestine (DFLP)

36. July 4, 1975 Zion Square Massacre: - Casualties: 15 people killed, 77 wounded. - Responsible Group: Palestinian Liberation Organization (PLO).

37. March 11, 1978 Coastal Road Massacre - Casualties: 38 Israeli civilians killed, 71 injured - Group Responsible: Fatah (a faction of the Palestine Liberation Organization)

1950s and 1960s

38. Fedayeen Raids (1950s): - Description: A series of cross-border attacks by Arab militants (Fedayeen) from neighboring countries, targeting Israeli civilians and military personnel. These raids included shootings, bombings, and infiltrations, leading to significant Israeli casualties.

38. March 17, 1954 Ma'ale Akrabim Massacre: - Casualties: 11 Israeli civilians killed - Description: A bus traveling from Eilat to Tel Aviv was ambushed by Palestinian militants who shot and killed most of the passengers.

39. November 23, 1964 Latrun Convoy Attack: - Casualties: 11 Israeli civilians killed - Description: A civilian convoy was ambushed by Palestinian militants near Latrun, resulting in multiple deaths.

End 🧵

The Persian Jewess

@persianjewess

#Israel #Terror Attacks

122 notes · View notes

digimonarchive · 5 months ago

Text

Digimon in all animated media - Anime, Movies and OVA

1st pic = Digimon Adventure anime (Japan: March 7, 1999 - March 26, 2000; USA: August 14, 1999 - June 24, 2000)

2nd pic = Digimon Adenture 02 anime (Japan: April 2, 2000 - March 25, 2001; USA: August 19, 2000 - May 19, 2001)

3rd pic = Digimon Tamers anime (Japan: April 1, 2001 - March 31, 2002; USA: September 1, 2001 - June 8, 2002)

4th pic = Digimon Frontier anime (Japan: April 7, 2002 - March 30, 2003; USA: September 9, 2002 - July 14, 2003)

5th pic = Digimon Savers / Data Squad anime (Japan: April 2, 2006 – March 25, 2007; USA: October 1, 2007 - November 2, 2008)

6th pic = Digimon Xros Wars / Fusion anime (Japan: July 6, 2010 - March 25, 2012; USA: September 7, 2013 - August 16, 2015)

7th pic = Digimon Xros Wars: The Evil Death Generals and the Seven Kingdoms anime (a.k.a Digimon Xros Wars part 2) (Japan: April 3, 2011 - September 25, 2011; USA: March 8, 2015 - August 16, 2015) **

8th pic = Digimon Xros Wars: The Young Hunters Who Leapt Through Time anime (a.k.a Digimon Xros Wars Hunters or Digimon Xros Wars part 3) (Japan: October 2, 2011 - March 25, 2012) ***

9th pic = Digimon Adventure Tri OVA (Japan: November 21, 2015 - May 5, 2018; USA: September 15, 2016 - September 20, 2018)

10th pic = Digimon Universe Appli Monsters anime (a.k.a Appmon) (Japan: October 1, 2016 - September 30, 2017)

11th pic = Digimon Adventure: (a.k.a Digimon Adventure 2020 or Digimon Adventure reboot) (Japan: April 5, 2020 - September 26, 2021; USA: November 19, 2022 - April 13, 2023)

12th pic = Digimon Ghost Game (Japan: October 3, 2021 - March 26, 2023)

13th pic = Digimon Adventure (Movie) short film (Japan: March 6, 1999; USA: October 6, 2000 as the first segment part of Digimon The Movie)

14th pic = Digimon Adventure: Our War Game! movie (Japan: March 4, 2000; USA: October 6 2000 as the second segment part of Digimon The Movie)

15th pic = Digimon Adventure 02: Vol. 1: Digimon Hurricane Landing!/Vol. 2: Transcendent Evolution! The Golden Digimentals movie (a.k.a Digimon Adventure 02 Vol 1 and 2) (Japan: July 8, 2000; USA: October 6, 2000 as the third segment part of Digimon The Movie) ****

16th pic = Digimon Adventure 02: Diablomon Strikes Back / Digimon: Revenge of Diaboromon movie (Japan: March 3, 2001; USA: August 5, 2005)

17th pic = Digimon Tamers: The Adventurers' Battle / Digimon: Battle of Adventurers movie (Japan: July 14, 2001; USA: October 16, 2005)

18th pic = Digimon Tamers: The Runaway Digimon Express / Digimon: Runaway Locomon movie (Japan: March 2, 2002; USA: October 2, 2005)

19th pic = Digimon Frontier: Revival of the Ancient Digimon!! / Digimon: Island of Lost Digimon movie (Japan: July 20, 2002; USA: October 23, 2005)

20th pic = Digital Monster X-evolution movie (Japan: January 3, 2005; USA: August 1, 2020)

21st pic = Digimon Savers The Movie: Ultimate Power! Activate Burst Mode!! movie (Japan: December 9, 2006)

22nd pic = Digimon Adventure 3D: Digimon Grandprix! short film OVA (Japan: July 20, 2000)

23rd pic = Digimon Savers 3D: The Digital World in Imminent Danger! short film OVA (Japan: July 8, 2006)

24th pic = Digimon Adventure 20th Anniversary Memorial Story Project OVA short films (Japan: November 22 2019 - December 25, 2020)

25th pic = Digimon Adventure: Last Evolution Kizuna movie (Japan: February 21, 2020; USA: September 29, 2020)

26th pic = Digimon Adventure 02: The Beginning movie (Japan: October 5, 2023; USA: November 8, 2023)

** This is the 2nd part of Digimon Xros Wars saga with Taiki, Kiriha and Nene on their adventure while Akari and Zenjirou are left out.

*** This is the 3rd part of Digimon Xros Wars saga with Tagiru, Yuu and Taiki as the protagonists. This 3rd part has the overly long title so we fans prefer to call it 'Digimon Xros Wars: Hunters' or 'Digimon Young Hunters'.

**** Yes, this movie has an overly long title. I had a hard time deciding whether to highlight it in bold or not.

Happy Digimon Day!

#Digimon #Digimon Adventure #Digimon Adventure 02 #Digimon Tamers #Digimon Frontier #Digimon Savers #digimon data squad #Digimon Xros Wars #digimon fusion #Digimon Ghost Game #Appmon #digimon adventure 2020 #picspam #digimon day #odaiba day #odaiba memorial day

144 notes · View notes

sister-2-sleep · 1 year ago

Text

The Last Time Every MCR Song Was Played

I saw someone do this for tbp so I'm doing it for all the songs

Bullets

Romance: May 12, 2006

Honey : October 24, 2010

Vampires : March 26, 2023

Drowning lessons : October 17, 2004

Our lady of sorrows : March 25, 2023

Halos : October 11, 2022

Skylines and turnstiles: March 17, 2023

Monroeville : October 29, 2005

Best day ever : October 11, 2022

Cubicles : Never played live (from what i can find)

Demolition Lovers : October 11, 2022

Three cheers

Helena : October 20, 2024

Give em hell kid : March 26, 2023

To the end : May 12, 2006

Prison : March 26, 2023

I'm not ok: October 19, 2024

Ghost of you: March 26, 2023

Jetset life: May 4, 2008

Interlude: May 4, 2008

Venom: March 26, 2023

Hang em high: October 12, 2022

Fashion statement : March 26, 2023

Cemetery drive: March 14, 2023

Ntywidfal: October 12, 2022

Black parade

The end: October 20, 2024

Dead: October 20, 2024

How I disappear: October 20, 2024

Sharpest lives: October 20, 2024

Wttbp: October 20, 2024

I don't love you: October 20, 2024

House of wolves: October 20, 2024

Cancer: October 20, 2024

Mama: October 20, 2024

Sleep: October 20, 2024

Teenagers: October 20, 2024

Disenchanted: October 20, 2024

Last words: October 20, 2024

Blood: Never (only ever audio recordings)

Danger Days

Na na na: October 20, 2024

Bulletproof heart : September 8, 2022

Sing: October 17, 2022

Planetary: March 25, 2023

Only hope: October 15, 2022

Party poison: April 23, 2011

Save yourself: October 15, 2022

S/C/A/R/E/C/R/O/W: October 15, 2022

Summertime : March 20, 2023

Destroya: March 25, 2023

Kids from yesterday: March 25, 2023

Vampire money: March 19, 2023

Conventional Weapons

Boy division : March 26, 2023

Tomorrows money: August 30, 2022

Ambulance : Never been played

Gun: Never been played

World is ugly: March 26, 2023

Light behind your eyes: Never been played

Kiss the ring: August 8, 2009

Make room: September 24, 2022

Surrender the night: September 15, 2022

Burn bright: September 10, 2022

Mad Gear and Missile Kid

F.T.W.W.W. : Never been played

Ravenkroft: October 15, 2022

Black dragon: Never been played

Other

Foundations: March 26, 2023

Sister to sleep: October 17, 2022

all the angels : October 14, 2022

Heavan help us : October 17, 2022

Kill all your friends: March 25, 2023

My way home: May 9, 2008

Eagles : March 26, 2023

Fake your death: October 17, 2022

Desert song: October 12, 2022

Bury me in black: March 26, 2023

Desolation row: October 11, 2022 at

Song 2 (blur cover) : June 18, 2007

Under pressure (queen cover) : March 29, 2005

We will rock you (queen cover) : August 26, 2011

If I missed any lmk lol.

#my chemical romance #mcr #mcr5 #gerard way #mcr5 truthing #frank iero #mikey way #mcr5 is real to me #ray toro #i brought you my bullets you brought me your love #ibymbybmyl #three cheers for sweet revenge #tcfsr #the black parade #tbp #danger days #conventional weapons

275 notes · View notes

thegeneticopera · 1 year ago

Text

after seeing many misconceptions on the ages of the characters and also the general lack of knowledge on relevant key events, I thought I'd create a timeline!

A comprehensive breakdown of important dates in Repo! The Genetic Opera:

1993: Rotti Largo was born (July 14th)

2006: On April 5th, the first ever death for NOS (Neuro-Overstimulation Syndrome) was recorded. GeneCo was then founded later that month in Milan, Italy by Giuseppe Largo and Dr. Michael Whatley who eventually discovered a treatment using an experimental drug called Zydrate and genetic manipulation.

2011: Marni was born (No date)

2016: Nathan was born (No date)

2017: Blind Mag was born (July 5th)

2019: Luigi Largo was born (November 20th)

2024: Pavi Largo was born (September 29th)

2025: By this point, The Genetic Opera, an interactive TV show, was sponsored by GeneCo to promote designer organs and keep the public "status-conscious" in order to continue boosting profits.

2032: Carmela Largo/Amber Sweet was born (August 23rd)

2035: Graverobber was born (No date)

2036: Marni brings Mag to meet Rotti Largo

2039: Shilo Wallace was born (August 27th), Marni Wallace dies, Nathan becomes a repo man

2040: Mag's eye transplants (March 21st)

2048: Blind Mag's Corpus Crusade tour

2053: Tao of Mag, a charity concert event held for blindness

2056: Rotti signs his last will and testament, declaring Shilo as the sole heir of his estate (August 7th). The events of the film take place on November 7th - Nathan, Rotti, and Mag die. Shilo presumably goes missing. Amber takes over GeneCo at a later unspecified date.

Some common misconceptions cleared up by the timeline:

Mag did not receive her eyes at 19, the date listed on her repossession chart says otherwise

Marni and Mag have a relatively large age gap. At the time in which Marni brought Mag to meet Rotti, she was already 25, and Mag was only 19. I personally like to think that Marni was a singing mentor of some sort (since in Chase the Morning we see that Mag has a memory of Marni singing), and perhaps worked with disabled people and this is how they met!

The age difference between Shilo and Graves is only 4 years!

Mag and Luigi only have a two year age difference. Her being under GeneCo's thumb since she was 19 and Luigi was 17 is probably why they have a relationship.

On that topic, Nathan is only 3 years older than Luigi, there's no way him or Mag could have "baby sat" the Largos as children if they're all approximately the same age (excluding Amber, but considering Nathan had his own daughter to raise and was a repoman and Mag was a world class opera singer I still doubt that would be the case)

This one doesn't have a specific date, but I felt it should be added regardless: Pavi's face disfigurement seemingly happened very recent to events of Repo! We see several times within the film that there are posters and billboards of him with his original face, even in the pictures Rotti has he didn't have the scarring yet. The posters say that GeneCo offering face replacements will be happening in 2057. Pavi was the one in charge of that, and he was stealing faces prior to his scarring (as seen in the pictures). We also know from several sources, including Luigi himself, that Pavi's face happened because of a botched surgery. It's safe to assume this was because of the new face replacement campaign that was being offered, and it was within the last year or two before the events in the film.

#repo! the genetic opera #repo the genetic opera #r!tgo #rtgo #mod luigi #blind mag #luigi largo #pavi largo #amber sweet #shilo wallace #repo graverobber #nathan wallace #timeline

303 notes · View notes

pridequest64 · 4 months ago

Text

Klarion The Witch Boy Reading Order

This is, based of my research the complete reading list in release order for all Klarion Comics as of September 24th 2024. Release dates were used when available but compromises were made with cover date when necessary. If you see anything that is wrong or needs new additions feel free to let me know!

(Comic Vine was a massive help with this project)

1. The Demon 7- March 1973

2. The Demon 14- November 1st 1973

3. The Demon 15- December 1st 1973

4. Wonder Woman 280- June 1981

5. Wonder Woman 281- March 5th 1981

6. Wonder Woman 282- August 1981

7. The Demon 3- September 1990

8. The Demon 4- October 1990

9. The Demon 5- November 1990

10. The Demon 7- Janurary 1991

11. The Demon 8- February 1991

12. The Demon 9- March 1991

13. Books Of Magic 4- March 1991

14. The Demon 10- April 1991

15. The Demon 11- May 1991

16. The Demon 12- June 1991

17. The Demon 13- July 1991

18. The Demon 14 August 1991

19. The Demon 15- September 1991

20. War of the Gods 1- September 1st 1991

21. The Demon 17- November 1991

22. Conjurors 1- April 1999

23. Conjurors 2- May 1999

24. Conjurors 3- June 1999

25. Sins of Youth: Batboy and Robin- April 2000

26. Sins of Youth Secret Files- May 2000

27. Sins of Youth: The Secret/ Deadboy- May 2000

28. Sins of Youth: Aquaboy/Lagoon Man- May 2000

29. Young Justice: Sins of Youth 1- May 2000

30. Young Justice: Sins of Youth 2- May 2000

31. Young Justice 22- August 1st 2000

32. Seven Soldiers: Klarion 1- June 1st 2005

33. Seven Soldiers Klarion 2 August 1st 2005

34. Seven Soldiers Klarion 3- October 1st 2005

35. Seven Soldiers Klarion 4- December 1st 2005

36. Infinite Crisis 6- April 5th 2006

37. Infinite Crisis 7- May 3rd 2006

38. Robin 157- February 1st 2007

39. Robin 158- March 1st 2007

40. Countdown 34- September 5th 2007

41. Countdown 33- September 12th 2007

42. Countdown 32- September 19th 2007

43. Countdown 31- September 26th 2007

44. Countdown 30- October 3rd 2007

45. Justice League Of America 46- June 30th 2010

46. Justice League of America 47- July 28th 2010

47. DCU Halloween Special 2010- October 20th 2010

48. Batgirl 18- February 9th 2011

49. Superman/Batman 82- March 23rd 2011

50. Superman/Batman 83- April 20th 2011

51. Superman/Batman 84- May 18th 2011

52. The All New Batman: The Brave and the Bold 12- October 12th 2011

53. Batman: Li’l Gotham -8- September 8th 2013

54. Justice League Beyond 2.0 11- January 11th 2014

55. Batman Beyond Universe 6- January 22 2014

56. Justice League Beyond 2.0 12- January 25th 2014

57. Batman Beyond Universe 7- February 19th 2014

58. Justice League Beyond 2.0 13- February 8th 2014

59. Batman Beyond Universe 8- March 19th 2014

60. The Multiversity: The Society of super heroes: The conquerors of the counter world- September 17th 2014

61. Teen Titans: Futures End- September 17th 2014

62. Klarion 1- October 8th 2014

63. Injustice: Gods Among Us Year Three 2- October 22nd 2014

64. The Multiversity: The Just- October 22nd 2014

65. Injustice: Gods Among Us Year Three 3- November 5th 2014

66. Klarion 2- November 12th 2014

67. Injustice: Gods Among Us Year Three 4- November 19th 2014

68. Klarion 3- December 10th 2014

69. Injustice: Gods Among Us Year Three 6- December 24th 2014

70. Klarion 3- Janurary 14th 2015

71. The Multiversity Guidebook- January 28th 2015

72. Injustice: Gods Among Us Year three 9- February 11th 2015

73. Klarion 5- February 11th 2015

74. Klarion 6- March 11th 2015

75. Teen Titsns Annual 1- April 1st 2015

76. Multiversity 2- April 29th 2015

77. Teen Titans 9- June 24th 2015

78. Teen Titans 10- July 22nd 2015

79. Teen Titans 11- August 26th 2015

80. Secret Six 7- October 21st 2015

81. Teen Titans 13- November 11th 2015

82. Secret Six 8- November 18th 2015

83. Secret Six 10- January 20th 2016

84. Gotham Academy 17- April 13th 2016

85. Scooby-Doo Team-Up 19- October 26th 2016

86. Justice League 33 November 15th 2017

87. Justice League Dark 1- July 25th 2018

88. Sideways 7- August 8th 2018

89. Justice League Dark 2- August 22nd 2018

90. Catwoman/Tweety and Sylvester- August 29th 2018

91. Sideways 8- September 12th 2018

92. Raven: Daughter of Darkness 8- September 26th 2018

93. Raven: Daughter of Darkness 9- October 24th 2018

94. Sideways Annual- November 7th 2018

95. Suicide Squad Black Files 1- November 7th 2018

96. Raven: Daughter of Darkness 10- November 28th 2018

97. Sideways 10- November 21st 2018

98. Suicide Squad Black Files 2- December 5th 2018

99. Raven: Daughter of Darkness 11- January 2nd 2019

100. Suicide Squad Black Files- January 9th 2019

101. Raven: Daughter of Darkness 12- January 30th 2019

102. Suicide Squad Black Files 4- February 6th 2019

103. Justice League Dark 8- February 13th 2019

104. Suicide Squad Black Files 5- March 6th 2019

105. Justice League Dark 9- March 13th 2019

106. Suicide Squad Black Files 6- April 3rd 2019

107. Justice League Dark 10- April 24th 2019

108. DC’s Year of the Villain Special- May 1st 2019

109. Justice League Dark 11- May 22nd 2019

110. Justice League 26- June 19th 2019

111. Justice League Dark 14- August 28th 2019

112. Justice League 30- August 28th 2019

113. Justice League Dark 15- September 25th 2019

114. Justice League Dark 16- October 23rd 2019

115. Justice League Dark 17- November 27th 2019

116. Harley Quinn’s Villian of the year- December 11th 2019

117. Flash Forward 4- December 18th 2019

118. Justice League Dark 18- January 1st 2020

119. Justice League Dark 19-January 29th 2020

120. Zatana and the House of Secrets- February 2020

121. Year of the Villain: Hell Arisen 3- February 26th 2020

122. Year of the Villain: Hell Arisen 4- March 18th 2020

123. DC The Doomed and The Damned- October 13th 2020

124. DC’sVery Merry Multiverse- December 8th 2020

125. Wonder Woman Black & Gold 6- November 23rd 2021

126. Justice League Incarnate 2- December 21st 2021

127. DC VS Vampires 8- August 02 2022

128. The Flash 786- September 20th 2022

129. Batman VS Robin 2- October 11th 2022

130. Catwoman: Lonely City 4- October 25th 2022

131. Batman VS Robin 3- December 20th 2022

132. Lazarus Planet: Alpha- January 10 2023

133. Lazarus Planet: Omega- February 21st 2023

134. Superboy The Man Of Tomorrow 4- July 11th 2023

135. Speed Force 5- March 12th 2024

136. Outsiders 5- March 12th 2024

#dc comics #dcu #dc universe #comic books #comics #klarion #klarion the witch boy #klarion bleak #teekl

48 notes · View notes

mattnben-bennmatt · 6 months ago

Text

Matt & Ben || John & Paul

Here’s a story. Matt Damon told it. But it’s not about Matt Damon. It’s about Bono. But it’s not really about Bono, either; it’s about Paul McCartney. But Damon heard it from Bono. One day, Bono flew into Liverpool. Paul was supposed to pick him up at the airport, and Bono was shocked when Paul picked him up at the airport alone, behind the wheel of his car. “Would you like to go on a little tour?” Paul said. Sure, Bono said, because Bono, you see, is a fan of Paul’s, in the same way that Damon is a fan of Bono’s. “Bono’s obsessed with the Beatles,” Damon said at the table in the lobby of the gated hotel in the little town in Germany. “He’s, like, a student of the Beatles. He’s read every book on the Beatles. He’s seen every bit of film. There’s nothing he doesn’t know. So when Paul stops and says 'That’s where it happened,’ Bono’s like, 'That’s where what happened?’ because he thinks he knows everything. And Paul says, 'That’s where the Beatles started. That’s where John gave me half his chocolate bar.’ And now Bono’s like, 'What chocolate bar? I’ve never heard of any chocolate bar.’ And Paul says, 'John had a chocolate bar, and he shared it with me. And he didn’t give me some of his chocolate bar. He didn’t give me a square of his chocolate bar. He didn’t give me a quarter of his chocolate bar. He gave me half of his chocolate bar. And that’s why the Beatles started right there.’ Isn’t that fantastic? It’s the most important story about the Beatles, and it’s in none of the books! And Paul tells it to Bono. Because he knows how much Bono loves the Beatles.”

— Matt Damon, interviewed by Tom Junod for Esquire (August 2013).

Ben Affleck and I actually had a joint bank account, and the bank account was money that we’d made doing local commercials, and we could only use it on trips to New York to audition […] If one kid had enough for a candy bar, then the candy bar was bought and split in half — that’s just the way it’s been.

— Matt Damon, interviewed by Piers Morgan for CNN (March 2011).

First of all, I think I should say that we pale by comparison to The Beatles. But my understanding of how [Lennon and McCartney] worked was that they would go off and work separately. Matt and I worked together in the same room most of the time, riffing off of one another’s ideas for scenes or certain lines of dialogue.

— Ben Affleck, interviewed for eDrive (February/March 1998).

Q: But you didn’t compose your stuff separately, as other accounts have said? JOHN: No, no, no. I said that, but I was lying. [Laughs.] By the time I said that, we were so sick of this idea of writing and singing together, especially me, that I started this thing about, “We never wrote together, we were never in the same room.” Which wasn’t true. We wrote a lot of stuff together, one-on-one, eyeball to eyeball.

— John Lennon, interviewed by David Sheff for Playboy (September 1980).

[Ben and I] have been bizarrely close for a long time. You know, I was watching Get Back—the Peter Jackson documentary—and at the end of that you see the Beatles playing on the roof in London and it says, “This is the last time that they ever played together, live.” And it made me so sad to think of; because you look at them and they’re so happy! And Ben and I, I called him and said, “Look man, we were talking about doing this and it’s been 25 years or something since Good Will Hunting. What are we doing? We both kind of hit the lottery! Why aren’t we working together more often?” And after my dad passed in 2017—and Ben was very, very close with him—it’s like it changed something in us, I think. You start to see the end game and to feel like, “I want to make every second count.” I don’t want to fritter away time anymore.

— Matt Damon, interviewed by Chris Wallace for CNN (July 2023).

I needed to make this post because way before the Matt & Ben brainrot had the chance to set in, John & Paul had already taken complete hold of my being. And even if this hold has gentled in recent years, they nevertheless rewired my neural circuits. And thus, everything now inevitably leads back to Lennon/McCartney. One day I'll make a (probably very tinhatty) post highlighting specific parallels between Matt & Ben and John & Paul. Today is not that day.

For now, I merely wanted to marvel at how it's not only me who inevitably sees same-sex friendships and creative partnerships through the Lennon/McCartney goggles, but, being Lennon/McCartney arguably one of the most famous same-sex friendships and creative partnerships in history, they influence how other friends who are also creative partners—such as Matt and Ben—see themselves.

For example, the Chocolate Bar story. First of all, I can't believe I only realized yesterday that one of my favorite bits of Beatles lore—a story so special Paul hasn't told it anywhere else—was made public by Matt Damon (which is kind of ironic, given how private and protective he is over his own friendship with Ben). But then, it made me re-evaluate one of Matt's quotes. You see, I thought Matt saying "If one kid had enough for a candy bar, then the candy bar was bought and split in half" about him and Ben was one of those crazy coincidences I could see thanks to my Lennon/McCartney vision. Rather, Matt seems instead to be directly referencing the Chocolate Bar story, even if only a handful of people would understand the reference at the time. By drawing this comparison, a candy bar is no longer just a candy bar. It represents the founding principles of generosity and equity on which a great partnership can be built. Like John and Paul before them, Matt and Ben chose to tie their fates together and share what they had so they could make it.

And as soon as they made it, the world started comparing them to Lennon/McCartney, as we can see by Ben's quote. And it's interesting to think how the generalized perception of Lennon/McCartney at the time might have influenced how they felt about the comparison. Imagine you and your best friend/writing partner just achieved your wildest dreams. But that also means the eyes of the world are now turned on you, and your very real friendship is being used as a marketing ploy and starting to be ravenously consumed by the public. Now imagine that people start comparing you to The Beatles, and the very famous songwriting partnership at its core, Lennon/McCartney: two friends who rocketed to the toppermost-of-the-poppermost, but who broke up very acrimoniously in less than a decade. The Beatle-People will know that they deeply loved each other throughout it all, but that was not the prevailing narrative until a few years ago, when Get Back came out. So no wonder Ben's first instinct was to go "RIP to John and Paul but Matt and I are different."

And then, Get Back comes out and it makes them realize that they both are and are not different. They are not different in the sense that the pressure of fame did affect their relationship. Not to the extent of John and Paul's, whose private troubles were made public. Whatever conflicts Matt and Ben might have had throughout the years, they gracefully kept it private, which allowed their relationship to naturally heal without the press poking at the wounds. However, I do believe the intensity of the public gaze made them shy away from collaborating again. They mention working on numerous projects throughout the years (particularly after their Oscar win with Good Will Hunting), but none of these saw the light of day. And even though they say they were working so much they did not have time to write, it's odd that it took them over two decades to even co-star in another movie again. I think that, much like John and Paul in the 70s, the pressure placed on an eventual reunion was so great—both in terms of living up to their past success and of inviting all that scrutiny again—that Matt and Ben opted to remain private friends, at the sake of their creative partnership. Which makes total sense, because, like John and Paul, there's no partnership without the friendship. But this sacrifice is tragic in its own way, because the creative partnership was a big part of their friendship. Acting, writing, directing—creating—was what drew them together in the first place! It's like asking them to amputate one of the fundamental components of their relationship.

Which is why I find the last quote so incredibly moving. While watching Get Back, Matt was not only reminded of the joy of creating with his best friend—he was confronted with the preciousness of it. Because this is where Matt and Ben are most different from John and Paul: Matt and Ben have been granted the luxury of time. Unlike John and Paul, Matt and Ben could get to their 50s and realize, "What are we doing? We both kind of hit the lottery! Why aren’t we working together more often?" They could realize that they didn't give a fuck about what anyone said or thought anymore. That being together doing something they loved was more important. And so, unlike Paul, Matt got to hear his wife say that writing with Ben was the most she'd seen him laugh in many years. And Ben, unlike John, got to feel that total happiness was seeing his children every day and working with his best friend, and that there's nothing more that he wants in life. In fact, working together on Air made them feel so profoundly accomplished and realized, that both Ben and Matt thought they were about to die, since they'd apparently reached the "mountain top".

And so, it is with great joy that I await what lies in store for Ben and Matt. They have just created their own studio, Artists Equity, and are slated to collaborate in some of its future projects. Nothing will ever replace John and Paul in my heart, and their love story is ongoing in its own way; oh, but how wonderful is it to be able to witness a creative partnership and friendship whose future is still ripe with possibility! And how poetic that the tragedy of John and Paul's story played a part in ensuring that?

#matt damon #ben affleck #john lennon #paul mccartney #the beatles #lennon/mccartney #mclennon #matt & ben #(this is the culmination of a month-long obsession)#(even if I'm speaking all of this into the void I just needed to speak it)#(but please can anyone join me in obsessing over these four)#quote #compilation #analysis #originals

67 notes · View notes

marleneoftheopera · 1 year ago

Text

Holiday Audio/Video Gifts!

For the holiday season, here are some audio gifts from various shows and one Phantom video! The link to them is here and the info is below the cut:

Happy holidays and I hope you are all having time for some rest!

Audios

POTO

Jon Robyns, Paige Blankson, Joe Griffiths-Brown, Kelly Glyptis, Matt Harrop, Adam Linstead, Francesca Ellis, David Kristopher Brown, Maiya Hikasa August 22, 2023; London

Tim Howar, Harriet Jones, Nadim Naaman, Lara Martins, Nicholas Garrett, Arvid Larsen, John Ellis, Valerie Cutko, Kelsi Boyden March 19, 2023; Greece

Josh Piterman, Corinne Cowling (u/s), Danny Whitehead, Katy Hanna (u/s), Ross Dawes, Kris Manuel (u/s), Sophie Caton (u/s), Paul Ettore Tabone, Georgia Ware October 17, 2019; London Matinee.

Jeremy Stolle (u/s), Samantha Hill, Greg Mills (u/s), Michele McConnell, Richard Poole (u/s), Tim Jerome, Ellen Harvey, Christian Sebek, Kara Klein, Scott Mikita (u/s) March 9, 2013; Broadway Matinee performance.

John Owen-Jones, Deborah Dutcher, Matthew Cammelle, Bruce Montague, Charles Shirvell, Margaret Mary Kane (u/s), Janet Murphy, Jeremy Secomb, Lucy Middleton January 5, 2002; London

Love Never Dies

Tam Mutu, Celia Graham, David Thaxton, Daniel Dowling August 25, 2011; London Tam Mutu's last performance.

Les Miserables

Christopher Jacobsen (u/s Jean Valjean), Stewart Clarke (Javert), Katie Hall (Fantine), Will Callan (Marius), Lulu-Mae Pears (Cosette), Amena El-Kindy (Eponine), Luke Kempner (Thenardier), Claire Machin (Madame Thenardier), Dejan Van der Flyert (Enjolras), Alex Shaw (Gavroche), Clohe Sullivan (Little Cosette), Tom Hext (Grantaire/Majordomo), Adam Pearce (Bishop/Claquesous), Ellie Ann Lowe (Factory Girl), Jordan Simon Pollard (u/s Foreman/Bujon), Matt Dempsey (Bamatabopis/Lesgles), Annabelle Aquino, Hazel Baldwin, Emily Olive Boyd, Ben Culleton, Matt Hayden, Sam Kipling, Anouk Van Lake, Harry Lake, Ben Oatley, Jonathan Stevens, Phoebe Williams, Ollie Wray September 28, 2023; London 15,000th show in London and the 5th show for the new company.

Sunset Boulevard

Nicole Scherzinger (Norma), Tom Francis (Joe Gillis), David Thaxton (Max von Mayerling), Grace Hodgett Young (Betty Shaefer), Ahmed Hamaad (Artie), Tyler Davis (Sheldrake), Charlotte Jaconelli (Johanna), Jon Tsouras (Cecil B. de Mille) September 28, 2023; London

Rebecca

Laureen Jones (I), Richard Carson (Maxim de Winter), Kara Lane (Mrs Danvers), Sara Harlington (Beatrice), Neil Moor (Giles), Piers Bate (Frank Crewley), David Breeds (Ben), Alex James Ward (Jack Favell), Shrley Jameson (Mrs Van Hopper), Nicholas Lumley (Colonel Julian) September 27, 2023; Off-West End

POTO Video

Ian Jon Bourg, Olivia Safe (u/s), Kyle Gonyea 2001; Hamburg, Germany VOB files. One of the most legendary Phantom's opposite one of the youngest Christine's!

130 notes · View notes

misstarsss · 27 days ago

Text

OMG OF THE NEW EPISODE

SPOILER!, THIS IS MY ANALYSIS, DONT GO DOWN IF YOU DIDNT WATCH GO WACTCH!!!!

youtube

In this new episode they revealed something important to us, the victim's past, something that many of us had previously theorized as how he would have lived if he was discarded.

They gave us very important things, number one, the name is fundamental when creating because as we realized the second time Alan created victim, he remembered what happened and from there began Alan's torture/revenge towards victim for a year which ends on March 25, 2007 when he escapes, but do you know who emerges a month later that same year? Chosen!

In his trajectory, the victim escapes from a rocket that he himself made with parts of Alan's windows, flees throughout the internet to get as far away as possible from his tormentor, we see firsthand how the internet goes through newgrounds and then creates all the outernert's connections to everyone's computers, I pause here.

Victim, before reaching the outernet, arrived at a computer belonging to a girl who had created, so to speak, a civilization, creating someone who would be a strong victim for Misti, a sweet girl who helped him in his lowest moments and his traumas due to him. Alan's year of torture.

Returning to the plot, four years pass where victim lives with the beings of a village, creating over time rocket corp, where it appears to agent smith that he went to the place where misti and victim fixed things for the ghent and with the passing of years (more precisely four years) the empire that we know as Rocket Corp was forged, which before being an agency dedicated to capturing Chosen and the others, was only about technology.

(PSDT, we can notice that purple's parents are there)

(misti and victim)

As the years go by, the victim forgets the source of his torture, Alan, and only focuses his life on creating technology, spending his time with both the girl who brought him forward and with Agent Smith, who were a trio of best friends.

(agente smith was working already with rocket corp)

Then it is reflected to us that four years have passed, both of the life of a victim and the torture of being an adblocker in search of freedom, more specifically, October 2, 2011

Misti gives a party for Rocket Corp's anniversary, where at one point as much as she and Victim dance, we focus on Victim when he turns to see his friend but from one moment to the next he disappears. He turns his back on Misti where he hears an explosion, and she disappears, turning around, not seeing her there and only her triangular-shaped hat (reference to the pointer or how the victim identifies, Alan)

NewGrounds is being attacked, By whom?, The chosen one and The Dark lord.

In ava 3 they explain to us what happened but in ava 11 we see the perspective of the victims, how they died and suffered at the hands of both TCO and TDL, everyone flees and attacks, a normal mechanism in each being when they feel attacked

When NewGrounds is attacked, it takes everyone out of the outernet, returning to the place of origin where they were published, getting the terrible surprise of a massive attack.

Another thing I should add in theory is that possibly Purple's mother died in the TCO and TDL attack, since they were there and that Purple experienced that attack firsthand.Being the originator of NewGrounds, who sends all creations to the outernet.

Misti and Agent Smith meet again where she helps him get out of a box that indicates his origin, they give us an understanding of Misti's nature in wanting to help everyone else by making them safe but it is something that unfortunately costs her life, although in theorizes, I can understand that sacrificing herself to help others or those she helped gives shim peace, and she dies.

After Misti's death, before, Agent Smith tried to help her but he died and we are given to understand that her murderer was none other than The Chosen One, where a massive hatred arises from Smith against Chosen, who murdered his sister and best friend.

(happy to know my baby tdl is there)

Agent Smith flees, knowing that he was a rival for them and where he follows a group as they escape through a hole that leads them to the outernet.

(smith escaping)

Agent Smith returns to Rocket Corp, where there are only three people and two of them comfort each other, while a gray stickman guides him to the victim where he uses the artifact to see his memory (in his prototype base) remembering over and over again how Misti disappeared.

(Memory machine prototype)

Victim tells Agent Smith to sit in the memory machine where he does it and they review his memory of everything that has happened, leaving the death of his best friend and his safe place being a badass captured in Victim's memory. impact for him and also for agent smith by reliving that painful memory again.

(victim knowing misti dead and agent smith suffering again)

Victim finds out about the murderer of his friend, chosen, generating an unimaginable memory towards him, as time passes being a calculated one (nine years), where the shutdown would be, the fight between chose, Alan against dark, which is in the year 2018 dates, August 19, again give us two perspectives, based on a certain thing.

Victim had let that version be that he warmly mistook, leaving a cold, calculating and vengeful being, a more specific day, the date August 19, 2018, agent Smith arrives in a dark room with an employee who brings a tablet, Smith tries to give him I console ViciTM but he rejects it and tells them to get to the point, showing on the tablet the video of the worker who was entering a forest who was suffering an attack and there they show the image of Chosen and Alan, two parallel images.

(Ava 11, 14/12/2024)

Ava shutdown 8, 19/8/2018)

Victim in a certain state, perhaps of denial or seeking confirmation from the worker of the veracity of the video, he nods that yes, where the victim only stands and claps to turn on the lights in the room, reflecting the victim's obsession towards the chosen one, where the victims are discharged from the room. Rocket Corporation is lost by stopping manufacturing and focusing on searching more for its killer, previously only being the target of the victim, chosen

But after Alan's revelation everything changes there, Victim assumes and affirms that the culprit of the entire attack and the mastermind is none other than Alan, relating both Alan and Chosen in a wrong idea, we can justify the fact that the culprits They were chosen and dark but without victimizing everything that Alan has done against chosen and dark but chosen, here it takes us to a certain point, dark and chosen only joined together because chosen asked them to, dark only had the objective of destroying a chosen, they both joined together to destroy Alan, achieving only the PC, then all the events happen and we arrived here.

We can understand before that the victim had panic attacks when he saw the image of Alan's cursor in mirrors or windows, but as time went by, those attacks stopped when he overcame that fear and found his tormentor because at first the victim was mentally broken from Alan's torture by him. an entire year, living them every day of his life, wishing to have a peaceful death that his creator does not grant him, an unbridled punishment for merely defending himself against his death; Misti is like a safe haven that he goes to, where he feels at peace and over time they let him know that Alan will never return, he is safe on the outernet where it is impossible (for that time) to bring him back and torture him.

Creating a company with his friend where he lives in peace for 4 years until his death where for 7 years he searches for the chosen one, giving a clue so relevant to him and where he possibly lives those memories, imagining that his creator upon learning of so much happiness he had sends to his henchmen, chosen and dark, to take away all those years of peace and improvement, turning them to pieces, tearing apart that being that they had created so much and dying with Misti, spending another four years up to three years where captures chosen and the second coming, who with the memory machine learn many things among them only two notable ones, the powers of the second coming and that yellown can bring Alan Becker (the cursor), Yellow being essential for their revenge and how good, they are quickly captured when the stickmans want to rescue chosen and second, hahaha, I laughed a lot at that

I guess that would be it, an exciting analysis of everything that happened and I'm glad to wait more years to see what happens!

#alan becker #ava the chosen one #animation vs animator #ava tco #ava the dark lord #ava #ava tdl #ava victim #ava misti #ava 11 #ava agent smith #Youtube

47 notes · View notes