#tim howar

[flagbridge]

"Anywhere you go let me go too."

Tim Howar (w Amy Manford and Jeremy Taylor in POTO West End in 2019, for @bonzlydoo's first onstage Phantom.

Only footage of Tim in the West End. That cape FOOM! Him proposing on one knee! Not included: the very loud THONK of him chucking Barb (the mannequin) during Final Lair. And woof...lots of poor manhandling in Final Lair.

[operafantomet]

Is it true that the recent West End deformity has gotten less bulky?

I believe the sculpt itself is the same, but that it depends on the makeup artst and/or head of costume how pronounced and (pun intended) fleshed out it is. For example, there is quite a difference between the official photos of Killian Donnelly and Jon Robyns - both from the West End revival:

Killian Donnelly's deformity makeup was more red in the "wounded" area and toned out towards his skin. This was pretty much the same style as seen before Covid closed the production.

Jon Robyn's deformity makeup was more beige in the "wounded" area, and with white contours. But to my eye the sculpt itself looks rather similar. As a comparison, here's Ben Forster from before the production closed down:

It is however true that the makeup on the "good " side is much duller today than in the past. The "good" side used to be accentuated, with a defined or lifted eyebrow, noticeable eye-makeup and contoured chins. Sometimes also quite red lipstick. The whole face was also usually pancaked. Here's James Paterson in the original West End production:

John Owen-Jones in 2003, when they really accentuated the eye and eyebrow:

And West End's next-last original Phantom, Tim Howar:

As a contrast, Killian Donnelly, the first Phantom in the revival:

And Jon Robyns, who left just a few days ago:

I mean, it is a choice, and it does make the "good" side prettier for photos. Still... maybe I'm just used to the good ol' days, but I do think the current look is too discrete for stagewear. I wish they'd funk and contour it up just a tiny bit. But the whole production has this "more natural" philosophy in both makeup and wigs, so I'm guess the new look is there to stay.

[wheel-of-fish]

Do you happen to know the name of the Phantom who booped Christine on the nose in the final lair

Tim Howar! Shown here with Amy Manford.

[marleneoftheopera]

UM…?!

[cdaae]

Down Once More

x

[timebird84]

Remember when Tim Howar played the Phantom in London 🤣?

[cometomecosette]

Video Review: Les Misérables, 3rd National Tour, 2000, Act II (long)

Here’s the second half of my review of this complete Les Mis performance, which I wrote some time ago but I'm sharing again in honor of Barricade Day.

Main Cast

Jean Valjean: Ivan Rutherford

Javert: Stephen Bishop

Fantine: Joan Almedilla

Thénardier: J.P. Dougherty

Mme. Thénardier: Aymee Garcia

Marius: Tim Howar

Enjolras: Kevin Earley

Éponine: Sutton Foster

Cosette: Regan Thiel

Grantaire/Bamatabois: Trent Blanton

Young Cosette: Stephanie Mieko Cohen

Gavroche: Christopher Carlson

“Upon These Stones,” “On My Own,” “The Barricade,” “Javert at the Barricade,” “Little People”

Sometimes the smallest details can change our impressions of a character. For example, Sutton’s Éponine purposefully gets Marius’s attention by touching his back as she walks past him. Éponines who do this create a different sense of their desires and motives than Éponines who don’t. There’s also a big difference between Éponines who sing “Little you know! Little you care!” alone after Marius leaves and those who, like Sutton here, sing it as an outburst directly to Marius’s face, angrily snatching the letter from his hand. Every Éponine I ever saw in both the 3rd National Tour and the 2006 Broadway revival did the latter. Personally, I think it’s a bit petulant compared to singing the line alone. But if we assume she’s come to the barricade hoping Marius will finally love her for joining the battle – which her purposefully letting him know she’s there might imply – and yet he still doesn’t get it, I suppose an outburst to his face is understandable.

I like that neither Tim’s Marius nor Ivan’s Valjean are too harsh with Éponine. Tim strikes a good balance between stern and caring, while Ivan is nicely gentle instead of automatically treating her like a spy for Javert. His letter-reading is good too, though I wish the camera showed his face instead of focusing on Éponine as she eavesdrops.

I’ve written about Sutton’s “On My Own” before, but I’ll restate my feelings here. I honestly don’t think anyone has ever sung the song more beautifully; her voice is like flame and crystal combined in sound form. And her journey from happy dreams to raw anger and despair is vivid and deeply felt without a trace of sentimentality. I can’t fault it, even though I personally don’t care much for angry renditions of this song.

The barricade boys’ pledge to hold the barricade and defiance of the officer’s warning are gripping as they should be, especially the magnificent high A sung by Ben Davis’s Feuilly on “We’ll be there!” It’s no wonder that he went on to sing operatic roles as well as musical theatre.

Christopher’s Gavroche comes into his own in “Little People.” His Act I might have been slightly bland, but here I can fully believe in his spunk and cheek.

Kevin’s commanding presence as Enjolras and the rich-voiced stolidness of Stephen’s Javert are still outstanding.

The tone of the “Little People” scene definitely changes when the now usually-cut lines before and after “Shoot me now or shoot me later…” are included. Instead of just a few boys clamoring ineffectually in the background to shoot Javert, the barricade erupts into chaos after Javert is outed as a spy, with Courfeyrac, Feuilly and others forming an impromptu firing squad to shoot him in blatant defiance of Enjolras’s orders, and with Enjolras and Combeferre’s cooler heads just barely prevailing in the end. I still wonder why the scene was written this way, when it has no basis in the novel. I can only assume the musical’s authors thought it would be more moving to see the barricade boys come close to falling into bloodlust and anarchy under the stress of adversity, only to ultimately choose idealism, courage and unity, than if they were always disciplined and unified. Maybe on the stage, this is true.

At any rate, I like the detail of Gavroche grabbing a gun to join the impromptu firing squad and a woman trying to wrest the gun from him. It’s a welcome, subtle touch of comic relief and fully in character for the boy.

“A Little Fall of Rain,” Night of Anguish,” “First Attack, “Drink With Me”

Kudos to Sutton for remembering to act wounded even before she collapses, climbing very slowly down the barricade, having to stop and rest midway down, and then clutching Marius for support. Not all other Éponines do that. During the song she never cries out or writhes in pain, but I think it works. The motionless tension of her body makes me assume that her Éponine is hiding her pain from Marius, which fits with the lyrics, and of course lets us focus on the moment’s tender emotions. In the last verse, I like the way she gently fades away, loosening her grip on Marius’s arm and lying completely still except to move her lips as she sings, but then, at the very end, finding the strength to pull herself up and kiss him. It evokes the way Hugo’s Éponine lies so motionless that Marius thinks she’s already dead, only to open her eyes and utter her love confession.

Tim’s concern and tenderness compliment Sutton’s performance perfectly, and though his grief is quiet and understated, it’s still poignant.

The moment when Enjolras comforts Marius is understated yet touching too. Kevin’s Enjolras is clearly pained by Éponine’s death but seems at a loss for what to say or do for Marius. In the end, a silent shared arm-clasp is all that’s needed.

When Valjean arrives, the Amis take a fairly calm, wary yet respectful approach to interrogating him, lowering their guns as soon as they realize he’s not a real National Guardsman. I’m tempted to like this better than versions like the 2012 movie where they’re aggressive and almost ready to shoot him on sight, although the latter is valid too.

During the battle, I see another detail I remember reading about in reviews. When Kevin’s Enjolras kneels down to assist the student who’s been wounded by the sniper, only to be narrowly missed by another bullet from said sniper, he falls backward and sits paralyzed in shock, looking like “a frightened little blond boy” (as I remember one fan writing) until Valjean helps him up. I know that some fans can be touchy about Enjolras showing any weakness, but I personally don’t mind this detail. It’s only a brief moment, and like the above-mentioned moment with Marius, it’s a humanizing image that makes Enjolras believable not only as a staunch leader, but as a young man facing the threat of death for the first time. (Yes, I know Hugo’s Enjolras also fought in 1830, but the musical never mentions this.)

Besides, I love the way Grantaire snaps out of his motionless stupor to reach out to Enjolras when that brush with death occurs.

Stephen and Ivan are both excellent in the releasing scene. Stephen moves believably from rage and disgust at having Valjean as his executioner, to confusion when he’s freed, to smug disdain when he thinks he’s figured out Valjean’s motive, to a slow, speechless, dumbfounded exit, while by contrast Ivan’s Valjean remains staunchly calm, not losing his temper at Javert’s insults, but firmly committed to doing the right thing.

Moving on to “Drink With Me,” Trent’s Grantaire puts an interesting spin on his solo by addressing specific lines to specific individuals, to whom (if we know the Ami’s individual personalities in the novel) each line has the most meaning. “Can it be you fear to die?” he directs to Joly, the hypochondriac. “Will the world remember you when you fall?” is aimed at Feuilly, the orphan who has no family to remember him. And of course “Will your death be one more lie?” he addresses to Enjolras.

Then we have a beautiful Enjolras/Grantaire reconciliation, which unfortunately the cameraperson only shows us in part. Enjolras first stares at Grantaire, then angrily grabs his shoulder, with poor Grantaire shielding his face as if he expects to be hit. But then they gaze at each other, for a long time, and then finally, warmly clasp hands. It’s too bad that the cameraperson chooses to pan around the stage during their long shared gaze instead of showing us their expressions leading up to the hand-clasp. But I suppose the E/R relationship wasn’t quite at the fandom’s forefront in 2000 the way it is now (it was already a popular ship, if I remember correctly from my middle and high school days, but slightly less so than Éponine/Marius or Enjolras/female OCs).

Tim’s soft, sad delivery of Marius’s verse at the end is very touching and I like the consoling pat on the knee Trent’s Grantaire gives him before walking away

The ensemble work is excellent, as always.

“Bring Him Home,” “Dawn of Anguish,” “Second Attack (Death of Gavroche),” “The Final Battle,” “Dog Eats Dog”

Ivan’s “Bring Him Home” is beautiful.

I hope that someday, somehow I see a production of Les Mis that includes the “Drink With Me” reprise. It add so much more emotional weight than there is when the women simply hurry off and the battle commences. By the way, here’s a question for people who were fans before the cuts were made. Did the “Drink With Me” reprise always end with Enjolras and Marius clasping arms at the top of the barricade? Was this a universal part of Nunn and Caird’s staging? It’s a beautiful reinforcement of Enjolras and Marius’s friendship and Marius’s now-unwavering loyalty to his friends, but still, if I were to direct a new production, I’d be tempted to have Grantaire share that moment with Enjolras instead. I think it might be a better moment for their reconciliation than “Drink With Me.”

Christopher’s Gavroche is still less vivid than others I’ve seen, and the moment of his death looks slightly unconvincing (he breaks the fall with his hands a bit too obviously), but he still gives a solid performance overall.

To the very end, Kevin’s Enjolras is fully believable as the staunch, dignified, heroic leader, yet still a human being. His slow descent from the barricade after Gavroche’s death – the only movement onstage while everyone else is frozen in shock and grief – and seeming obliviousness to the offstage officer’s voice as he stands and ponders what’s happened and what’s to come is both poignant and true to the spirit of Hugo’s Enjolras. We can sense his pain, yet he faces it with stoic dignity and undying courage. His “Let others rise…” is powerful, even though he neither shouts nor goes for the high note on “…is free!”

And then there’s the heartbreaking moment after Marius falls, when Enjolras hurries to him, throws poor Grantaire aside, and tries vainly and irrationally to revive his seemingly dead friend before rushing off to his own death. Some might argue that this is out of character for Hugo’s Enjolras, and it’s definitely not realistic for the middle of a battle when, as Hugo repeatedly writes, you can’t stop for anything. But it’s moving, although I would have liked a more meaningful last interaction with Grantaire than just a quick glance.

The fall of the barricade and the tableau of Enjolras’s body on the barricade are epic and heartbreaking, as always. No other staging can surpass the original.

J.P.’s Thénardier definitely feels more alive in his sinister scenes than in the comedy scenes. I’m not quite sure why I always remembered him as being mainly a comic Thénardier. It was probably his looks, I’m sorry to say – it was too easy to mentally pigeonhole him as “the funny fat guy.” At any rate, his “Dog Eats Dog” is deliciously dark and mocking.

“The Sewers,” “Javert’s Suicide,” “Turning,” “Empty Chairs at Empty Tables,” “Every Day”

I remember one thing J.P.’s Thénardier used to do that annoyed fans back in the day was to silently break the fourth wall by visibly waiting for the audience to applaud after “Dog Eats Dog,” then shrug his shoulders when they didn’t. He did this the first time I saw the show. But thankfully he doesn’t do it here.

Kudos to Ivan for actually carrying Marius throughout the sewer sequence. We get none of the standard “Marius tries his best to look unconscious and disguise the fact that he’s actually walking while Valjean supports him” business seen in so many other performances.

Stephen gives a powerful rendition of “Javert’s Suicide,” both in his sumptuous voice and in his vivid rage and torment.

“Turning” is poignant, as it should be. The fact that the pregnant woman is played by a black actress instantly makes me think of the fandom’s widely-accepted headcanon of Musichetta as a woman of color – as far a my imagination is concerned, it’s her, and the unborn baby’s father was either Joly or Bossuet. I’ll also imagine that she’ll eventually meet Marius and Cosette and they’ll help to support her and provide for the baby.

Tim’s “Empty Chairs at Empty Tables” is beautiful and moving. His warm, darkly-shaded voice is wonderfully suited to the music, and while his grief is subtly conveyed, it can still be deeply felt. This is a trend throughout this particular performance, I think: the story is told with as little sentimentality as the material allows, and the male characters in particular are all played with a stoicism not seen in other portrayals, but their emotions can still be felt no matter how quiet they are.

The uncut “Every Day” is gently and sweetly performed by Regan, Tim, and Ivan when he joins them. The ending is adorable, with Marius and Cosette holding hands and almost face-to-face when they notice Valjean watching them, and being the modest 19th century pair they are, quickly draw apart and try to look “seemly,” only for Valjean to lovingly rejoin their hands. Unfortunately, Regan goes a bit off-pitch on her final note, but that note tends to be a hit-or-miss one for most Cosettes.

“Valjean’s Confession,” “Wedding Chorale/Beggars at the Feast”

Ivan and Tim are both spot-on in “Valjean’s Confession.” Ivan is more stoic than Hugo’s Valjean is in this scene, but this is true of his Valjean throughout, and as always, in his subtle way he still conveys his struggle and pain. I’ve heard other Valjeans be more forceful and demanding on “Promise me, M’sieur, Cosette will never know!” but the way Ivan’s voice becomes so soft and pleading instead is probably even more disarming to Marius.

Moving on to the wedding, it’s so nice to hear Marius’s exchange with the Thénardiers uncut. Éponine is remembered, her parents earn more hate with their cold, selfish response, and they build up their revelation about Valjean with just the right preamble to entice Marius – even if they do have to chase him around the ballroom to do it. I notice that Tim’s Marius tries to walk away before Thénardier brings up the “murder” (presumably he thinks they’re just going to reveal that Valjean is a convict, which he already knows), but a soon as Thénardier makes the murder claim, he becomes concerned and listens. This is different from Niklas Andersson’s London Marius in the same year (so far the only other video I’ve watched of the uncut scene), who stalked away in disgust after Thénardier made the murder claim, refusing to believe that Valjean could be a killer as well as a thief.

Regan’s Cosette looks appropriately startled and confused after Thénardier drags her into a wild spinning dance and then Marius punches him. I wonder if she recognized him in that moment?

J.P. and Aymee do a fine job with the Thénardiers’ final flourish. Just enough slapstick to get laughs (e.g. Aymee’s pantalette-flashing fall when she tries to curtsy, the business with the dropped silver later), but not enough to turn them into caricatures. “Beggars at the Feast” is just the right exuberant uplift (however cynical the lyrics) that we need before the finale.

Epilogue

As is characteristic of this cast, Valjean’s death and heavenward ascent are depicted calmly and gently, with tears and sentimentality kept to a minimum, but with genuine love and warmth in abundance. Ivan’s Valjean infuses his last moments with quiet dignity and tenderness, as well as beautiful soft singing, while Joan’s Fantine is appropriately angelic, and Regan’s Cosette, Tim’s Marius and Sutton’s Éponine beautifully round out the scene. The moment when Fantine kneels before Valjean and he reaches out to take her hand, only for Cosette to take her mother’s place for their last reunion, is very touching. So is the way Regan’s Cosette lingers over her father’s lifeless body, staring into his face in utter disbelief until finally Marius gently draws her away. The little hug she gives Marius near the end of the final chorus is also as sweet as can be (as I’ve mentioned before, they were a couple in real life at the time).

The final chorus is magnificent, as it always should be. An excellent end to an excellent performance.

[phantomtrader19]

Just thinking back to my first time seeing Phantom back in July 2019, what a cast that was! Like Kelly and Amy as Christine, Adam & Tim as Phantom, Kimberly Blake as Carlotta who NEEDS to come back!!

[hermes-whistle]

Valentines day

[aneverydaything]

Day 1790, 18 May 2023

[amaliatheartist]

Saw The Phantom of the Opera and it was so good!!! Oh my god!! The stage!!! The costumes!! The orchestra!!! Everyone did such a great job!❤️

[insufferableprotagonistpoll]

Please note that a character currently needs at least 3 submissions to make it into the poll

That said:

Has 3 Submissions or more:

Achilles - The Iliad

Adrien Agreste - Miraculous Ladybug

Alexander Hamilton - Hamilton

Batman - DC

Blitzo - Helluva Boss

Charlie Morningstar - Hazbin Hotel

Claire Fraser - Outlander

Clary Fray/Fairchild - Shadowhunters

Daphne Bridgerton - Bridgerton

Dean Winchester - Supernatural

Dr. Heinrich Faust - Goethes Faust

Ebony Darkness Dementia Raven Way - My Immortal

Edward Elric - Fullmetal Alchemist

Elena Gilbert - Vampire Diaries

Feyre Archeron - A Court Of Thorns And Roses

Frasier Crane - Frasier

Gray Wing - Warrior Cats

Holden Caulfield - The Catcher in the Rye

Jimmy - Mouthwashing

Joker - Persona 5

Kirito - Sword Art Online

Kohaku - Dr. Stone

Makoto Itou - School Days

Marinette Dupain-Cheng - Miraculous Ladybug

Navier - Remarried Princess

Nesta Archeron - A Court of Thorns and Roses

Quentin Coldwater - The Magicians (books)

Scott Pilgrim - Scott Pilgrim

Tim Jackson Drake - DC

Tom Paris - Star Trek: Voyager

Victor Frankenstein - Frankenstein, or the Modern Prometheus

Yukitero "Yukki" Amano - Future Diary

Has 2 Submissions:

Animal Crossing New Horizons' Player Character - Animal Crossing New Horizons

Arthur Pendragon - BBC Merlin

Bakugou Katsuki - My Hero Academia

BEOWULF - BEOWULF

Bloom Peters - Winx Club

Claire - Ship It

Dawson Leery - Dawson’s Creek

Duck Dodgers - Duck Dodgers in the 24 1/2 century

Eikichi Onizuka - Great Teacher Onizuka

Elizabeth - Bioshock Burial at Sea

Elric of Melniborne - The Elric Saga

Emiya Shirou - Fate Stay Night

Eren Jaegar - Shingeki no Kyojin

Ezra Bridger - Star Wars Rebels

Hazel Lancester - The Fault In Our Stars

Jack Torrance - The Shining

James Bond - James Bond

Jaune Arc - RWBY

John Proctor - The Crucible

Odysseus - The Odyssey

Oliver Armstrong - Fullmetal Alchemist: Brotherhood

Peppa Pig - Peppa Pig

Piper - Orange is the new Black

Rhaenyra Targaryen - House of the Dragon

Riley Matthews - Girl Meets World

Roy Musang - Fullmetal Alchemist Brotherhood

Sasuke - Naruto

Sheldon Cooper - Big Bang Theory

Shen Qingqiu (Shen Yuan) - Scum Villain’s Self Saving System

Snow Villiers - Final Fantasy 13

Wade Watts - Ready Player One

William Afton - FNaF Ultimate Custom Night

Zack Morris - Saved by the Bell

Has 1 Submission

Ahsoka - Ahsoka Disney+

Ahsoka Tano - Star Wars: The Clone Wars

Akiyama Shun - Ryu Ga Gotoku/Yakuza

Aragorn - Lord of the Rings

Arek - So This Is Ever After

Ataru Moroboshi - Urusei Yatsura

August Landry - One Last Stop

Ayin - Lobotomy Corporation

Beatrice "Tris" Prior - Divergent

Betty Cooper - Riverdale

Bill Dickey - The Eltingville Club/Welcome to Eltingville

Billy Buddy/Dr. Horrible - Dr. Horrible's Sing Along

Billy Hatcher - Billy Hatcher and the giant egg

Black Star - Soul Eater

Blake - Pokemon Adventures Black 2 and White 2

Bubsy - Bubsy 3D

Caleb Widogast - Critical Role

character Tommy - Dream SMP

Charley Pollard - Doctor Who

Charlie - Charlie's Inferno - That Handsome Devil

Choromatsu Matsuno - Osomatsu-san

Claire Danvers - Morganville Vampires

Clear Sky/Skystar - Warrior Cats

Colin Bridgerton - Bridgerton

Corrin - Fire Emblem Fates

Cory Matthews - Boy Meets World

Dal - Star Trek Prodigy

Damian Wayne - DC

Damon Salvatore - The Vampire Diaries

Daniel X - The Dangerous Days of Daniel X

Data - Star Trek The Next Generation

Dorrigo Evans - The Narrow Road to the Deep North book

Doug Eiffel - Wolf 359

Drizzt Do'Urden - Legend of Drizzt

Dr. Hanna Heath - People of the Book

Ellison Oswalt - Sinister

Emma Nelson - Degrassi: The Next Generation

Equality 7-2521 - Anthem

Frankie Landau Banks - The Disreputable History of Frankie Landau Banks

Galadriel Higgins - The Scholomance Trilogy

Geralt of Rivia - The Last Wish, The Witcher books

Go Siwon - A Guy Like You

Hamlet - Hamlet

Haruto Kirishima - A Town Where You Live

Haruyuki Arita - Accel World

Heathcliff - Wuthering Heights

Hermione Granger - Harry Potter

Homer Simpson - The Simpson

Howard Roark - The Fountainhead

Humbert Humbert - Lolita

James Bond - The Sean Connery James Bond Movies

James Holden - The Expanse book series

Jaypaw - Warrior Cats

Jean-Luc Picard - Star Trek The Next Generation

Jeff Winger - Community

Jim Hopper - Stranger Things

JJ - Cocomelon

Joaquin Monegro - Abel Sánchez

Jon Snow - ASoIaF

Jotaro Kujo - Jojo's Bizarre Adventure

Joy - Inside Out

Jughead Jones - Riverdale

Kade - Down to Earth Webtoon

Kazuya Tsukasa - Kamen Rider Decade

Kai - The Witch King

Kang Jinha - A Guy Like You

Katara - Avatar the Last Airbender

Katnis - Hunger Games

Kaz Kaan - Neo Yokio

Keiichi Maebara - Higurashi when they cry

Kelsier - Mistborn

Khai - Theory of Love - Thai BL Show

King Arthur - King Arthur: Legend of the Sword (2017)

Korra - Avatar: Legend of Korra

Koyomi Araragi - The Monogatari series

Kun-chan - Mirai

Lelouch Lamperouge - Code Geass

Leroy Jethro Gibbs - NCIS

Lily Blossom Bloom - It Ends With Us

Lionblaze - Warriors (Power of Three and Omen of the Stars)

Luna - Retro

Luffy - One Piece

Lyn - Fire Emblem

Makoto Naegi - Danganronpa: Trigger Happy Havoc

Mal - Firefly

Manaow - Love Senior

Mark Watney - The Martian

Mary Poppins - Walt Disney's Mary Poppins

Merlin - BBC Merlin

Meursault - The Stranger

Mia - La La Land

Michael Burnham - Star Trek: Discovery

Mike Wheeler - Stranger Things

Miyo Sasaki - A Whisker Away

Mordecai - Regular Show

Nancy Botwin - Weeds

Natsuki Subaru - Re:Zero

Nick Carraway - The Great Gatsby

Nicole - Class of 09

Nightheart - Warrior Cats

North Italy - Hetalia

Okajima ""Rock"" Rokuro - Black Lagoon (Anime)

Okazaki Tomoya - Clannad

Okonkwo - Things Fall Apart (Chinua Achebe)

Otis Milburn - Sex Education

Patrick Bateman - American Psycho

Piper McLean - Heroes of Olympus

Pippa Fitz-Amobi - A Good Girl’s Guide to Murder

Ramona Flowers - Scott Pilgrim Vs. The World

Ramsey Snow - Game of Thrones

Rebecca Bunch - Crazy Ex-Girlfriend (TV show)

Remy the Rat - Ratatouille

Richard Cypher - Sword of Truth

Robert Langdon - The Da Vinci Code

Rodion Raskolnikov - Crime and Punishment

Rorschach - Watchmen

Rory Gilmore - Gilmore Girls

Ruby - Max & Ruby

Ryo Saeba - City Hunter

Sabrina Grimm - The Sisters Grimm

Sabrina Spellman - Chilling Adventures of Sabrina

Sami Reese - Little White Lie

Satou Kazuma - Konosuba

Senku Ishigami - Doctor Stone

Serena - Pokemon

Sherlock Holmes - BBC Sherlock

Shiori - Six Crimson Cranes

Shrek - Shrek

Souji Tendou - Kamen Rider Kabuto

Spike Witwicky - Transformers IDW comics

Star Butterfly - Star vs The Forces of Evil

Stiles Stilinski - Teen Wolf

Sydney Atherton - The Beetle

Tai Kamiya - Digimon Adventure

Takao - Garden of Words

Tara Webster - Dance Academy

Tarl Cabot - The Gor Chronicles

Teriella Rufeon - My Husband Changes Every Night

The Beheaded - Dead Cells

Tom Wachowski - The Sonic Movies

Traveller - Genshin Impact

Ukiyo Ace - Kamen Rider Geats

Vanellope von Schweetz - Ralph Breaks the internet

Velvet Crowe - Tales of Bersia

Violetta - Disney's Violetta

Winston Smith - 1984

Wolverine - X-Men

Wreck it Ralph - Ralph Breaks the Internet

Yu/Ai - Final Fantasy Unlimited

Yuri Zhivago - Doctor Zhivago

Yuusaku Godai - Maison Ikkoku

Available for Resubmission (needs at least 1 resubmission to participate)

Aang - Avatar: The Last Airbender

Alex Eagleston - YIIK

Anakin Skywalker - Star Wars

Aquamarin Hoshino - Oshi No Ko

Ash Ketchum - Pokemon

Atsuko Kagiri/Akko - Little Witch Academia

Beca Mitchell - Pitch Perfect

Brambleclaw - Warrior Cats

Coriolanus Snow - The Ballad of Songbirds and Snakes

Eragon - Eragon/Inheritance Cycle

Erika Shinohara - Ookami shoujo to kuro ouji

Frank Reagan - Blue Bloods

Gregory - FNaF Security Breach

Harry Dresden - The Dresden Files

Harry DuBois - Disco Elysium

Katarina Claes - My Next Life as a Villainess

Kiris - On the Emperor's Lap

Kvothe - The Kingkiller Chronicles

Kyouya Sata - Ookami shoujo to kuro ouji

Mal - Descendants

Naofumi Iwatani - The Rising of the Shield Hero

Peter Pan - Peter Pan

Pucca - Pucca

Rand al'Thor - Wheel of Time

Rey - Star Wars

Rintaro Okabe - Steins;Gate

Scott McCall - Teen Wolf

Skullduggery Pleasant - Skullduggery Pleasant

Sophie Foster - Keeper of the Lost Cities

Stolas - Helluva Boss

Stuart Little - Stuart Little

The Tenth Doctor - Doctor Who

Tori Vega - Victorious

Wanda Maximoff - MCU

Wei (Ying) Wuxian - Mo Dao Zu Shi

Xander Harris - Buffy the Vampire Slayer

Y/N - Fanfiction

Currently unavailable for a new Round:

Aelin Ashryver Galathynius/Celaena Sardothien - Throne of Glass

Artemis Fowl - Artemis Fowl

Bella Swan - Twilight

Bloom Peters - Fate: The Winx Saga

Bojack Horseman - Bojack Horseman

Caillou - Caillou

Dr Gregory House - House MD

Elsa - Frozen

Evan Hansen - Dear Evan Hansen

Ferris Bueller - Ferris Bueller's Day off

Harry Potter - Harry Potter

Heywood Floyd - Space Odyssey

Izuku (Deku) Midoriya - Boku no Hero Academia

Kazuya Kinoshita - Rent-a-Girlfriend

Light Yagami - Death Note

Meliodas - Seven Deadly Sins

Oscar - Shark Tale

Owen Grady - Jurassic World

Peter Griffin - Family Guy

Rachel Berry - Glee

Richard Rahl - Seeker of Truth/Legend of the Seeker

Robin - Teen Titans Go

Ross Geller - Friends

Ted Mosby - How I Met Your Mother

Tony Stark - MCU

Velma - Velma

Walter White - Breaking Bad

Zoey Redbird - The House of Night

[operafantomet]

Hello! Do you happen to know who picked out the appliques for Phantom's cloak in mainly the Broadway production? I've done my own research and my own recreation, and it seems any of them are vintage appliques. Was it just all completely random?

I think many costume supervisors and costume makers has kept Maria Bjørnson's vision of antique pieces alive, where possible. Some Phantom cloaks are still decorated with antique jet beading, often sourced from scattered or ruined Victorian mourning pieces. But finding good pieces has become increasingly rare, so modern substitutes seems just as common.

For a costume display in the World Tour they wrote that:

"The cape is fine wool with antique jet beading"

This was true for the elder Aussie style as well as the UK. Probably elsewhere too, depending on the availability. One way to identify vintage or antique jet beading is that they use fairly small beads and with lots of hand-embroidered details, often in an openwork-pattern. The thread and/or fundament will often also have faded to brown. Here's typical examples of jet beading, in the cloaks of John Owen-Jones and Scott Davies in West End:

And the back of Ben Forster's West End cloak:

Last, but not least, Tim Howar in West End Live:

But many Phantom cloaks has also been fitted with either vintage or more modern sequin and bead appliquées. I think it's harder to separate what's new and what's antique in these. Here's some examples from the US where I'm not sure whether we're talking old or new (or maybe it's a mix).

The sequins may give a clue, as newer ones are often bigger and synthetic, while older ones tends to be smaller and maybe made of an early metal-plated synthetic material - or even metal if they are really old. But I would have to study them up-close to tell for sure.

There are also versions with mostly black tube beads, where the direction of the beading is what makes them glitter and sparkle from all angles. Here's Jonathan Roxmouth's cloak in the World Tour:

A cloak used in the Restaged US Tour:

And the collar of a vintage Golden Angel cloak, worn by Davis Gaines on Broadway:

I don't know exactly where Sam Fleming and other US costume supervisors sourced their materials, other than hunting vintage stores, antique stores, flea markets, the fabric NYC district etc. Anything that would make goodies surface, basically. It is in sync with the preferences of designer Maria Bjørnson, as she did favour vintage pieces when possible. Hence vintage materials are still often seen as accents and decorations on the POTO costumes. But vintage pieces have become increasingly harder to come by, so layering modern materials to create a similar effect is also common.

I hope that answered your questions!

[wheel-of-fish]

Nadim Naaman, Harriet Jones & Tim Howar | Thessaloniki 2023

[marleneoftheopera]

More photos from POTO Greece!

[cdaae]

A snippet of the Final Lair

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