#2021 lightsaber

[bo-katan]

Went to the library today in hopes of finding the high republic comics bc Hoopla doesn't let me screenshoot, but no luck for physicals :(

[spiritshaydra]

Oh shit I got like just over a week to brainstorm ideas for my sixth annual birthday shitpost

[bereft-of-frogs]

oh no

I have petty fandom beef with MYSELF

tragic.

[mercuriiarts-04]

Next dump is Galriah!!!!

A lot of his lore is on my old blog, @mercuriiarts but very simply Maul accidentally picks up a complete himbo of a togruta with his mums old lightsaber and a couple scraps of jedi training. Bro went to the grocery store to find a lost holocron and all he got was a boyfriend ✨✨✨✨✨

Riah was my first star wars OC and formed a lot of the art i made between 2021-2023. i don’t really engage with a lot of star wars stuff anymore but Galriah will always have a special place in my heart

[enbycupcake]

[ID, copied from ALT text: an illustration of anakin skywalker from the star wars: revenge of the sith in an art nouveau style. his eyes are closed, brows furrowed. his prosthetic hand is against his bleeding chest, and his lightsaber dangles from his left hand. in the background are rising flames. graphic circles halo around anakin's head; the text "hero without fear" rests on top of the halo. the second image is the same but with a sephia filter on top. end ID]

a recolor from 2021 from a piece that i did in......2017. do not go looking for the original it was bad

[skykind]

A Clone Wars Episode Deep Dive

I didn't discover The Clone Wars fandom until 2021 and only started watching the show in mid-2023 (finished a few months ago), and I want to discuss and analyze all sorts of odds and ends—years after most people watched. This includes cool stuff in episodes I think some fans understandably skip when doing re-watches and therefore no longer remember well, but I’m digging into one of them anyway. So, have a long post about S2:E11, "Lightsaber Lost," and then come talk to me about it if you’d like!

This episode is saying three things at once, and the closer you get to the symbolic message meant for mostly adult audiences, the wilder things get.

The literal plot: Ahsoka’s lightsaber is stolen, and she recovers it with the help of a Jedi elder who teaches her life lessons along the way.

The morality tale for young viewers: gun control (a bold choice).

An eerie interlude for older viewers: A pair of brief scenes—only 45 seconds or so in length combined—communicate the future purge of the Jedi order via symbolic visual storytelling and a speech that’s being broadcast in the background. No dialogue required.

I'm going to focus on this third bullet point, but I also recommend a re-watch for the gun control angle. (Hint: if you think the writers are only arguing for handling guns responsibly, you haven’t taken the Jedi’s current context into account; also, the writers aren't referring to literal in-universe guns—Ahsoka’s lightsaber is the gun.)

Back to the episode’s message for older viewers: Split over two scenes, the audience watches Ahsoka chase a bounty hunter in possession of her lightsaber, then the bounty hunter partially damage and destabilize an enormous levitating billboard so she can get away from Ahsoka, and finally Ahsoka tumble down and precariously cling to the billboard’s screen. The billboard shows Palpatine delivering a—likely prerecorded—speech that is meant to sound supportive of the Jedi, but is instead priming Coruscant residents to believe anti-Jedi rhetoric; just before this two-scene sequence ends, Palpatine also begins to explain why he needs more executive power in order to support the Jedi.

It's great to pinpoint an example of Palatine's propaganda, but what does the visual storytelling communicate, with this speech for a backdrop?

Note: the text of Palpatine’s speech, shown in captions in the following screenshots, is not in alt text as that would chop the speech up between image descriptions, and is instead in a single paragraph after the final screenshot.

Palpatine's Speech

"I have no doubt that the Jedi are doing their very best to ensure the safety of every citizen in the Republic. The accusations that the Jedi created the Clone War to give themselves more power over the government is absurd and I will not stand for it."

Ahsoka as Symbolically at Palpatine's Mercy

After a scene break, Palatine's speech picks up mid-sentence and we see just how small and vulnerable Ahsoka is compared to Palpatine's soaring and vast projection. She appears entirely at his mercy, and somewhat at the mercy of Coruscant as well.

Palpatine's Speech, Resumed

"…Count Dooku and his droid army. To support the Jedi's efforts in the war, I ask the Senate to pass these new laws, giving more jurisdiction…"

The Genocide to Come

As this speech is broadcast to Coruscant, the seemingly trustworthy and dependable Chancellor of the Republic symbolically collapses beneath Ahsoka and leaves her stranded over a chasm. All while Palpatine spreads propaganda that will eventually convince the public to support her people's genocide.

Perhaps the best way to describe this is:

An unarmed Ahsoka struggles to hang onto the edge of a high precipice, that precipice is a symbol for Palpatine—and in a few years, Palpatine will shove the entire Jedi order off the edge of a much higher cliff.

Given how the sheer visual scale of Palpatine in this second scene represents the power he can wield over the Jedi—as the staging emphasizes Ahsoka's relative smallness and her physical vulnerability—it's clear the Jedi will not be able to rescue themselves when this future betrayal comes; Palpatine has amassed too much power and put too many plans in place. And no one who's bought into Palpatine's propaganda will try to catch the Jedi when they go over the edge.

Ahsoka’s Survival

Ahsoka’s individual survival of Order 66 is signaled here by her ability to get off the levitating billboard, but nothing about the staging suggests this comes down to unique skill—any number of well-trained Jedi could have gotten out of her predicament when the right opportunity (a single speeder that veers out of its lane and passes unusually close to the screen) presented itself.

In both “Lightsaber Lost” and "Victory and Death" (S7:E12, see below), her survival involves flinging herself through open air (and into an out-of-place flying vehicle), a nice nod to Ahsoka’s association with flight and Morai, though I feel like that’s a coincidence (?) as of season 2. Or maybe not. I have no idea if Ahsoka’s symbolic associations—flight in the case of “Lightsaber Lost,” rather than Morai specifically—were planned out in advance.

What About the Propaganda?

Returning to season 2, we come to the final big-picture takeaway of the "Lightsaber Lost" scenes: I’ve referred to Palpatine’s speech as something that plays in the background because Ahsoka doesn’t pay attention to his propaganda, even though it’s literally in her face. What does this mean if we treat Ahsoka as a stand-in for the Jedi, and Palpatine’s speech as a stand-in for his growing threat to the Jedi?   In these scenes, Ahsoka first doesn’t pay attention because she’s trying to stay alive in precarious circumstances, just as Jedi across the galaxy are kept distracted from the big picture by trying to keep themselves, their Padawans, their troops, and civilians alive as war swallows up the galaxy. Then, Ahsoka is distracted by tracking the bounty hunter who has her lightsaber; in the context of this episode (which asks, ‘who should be allowed to use a lightsaber, and when?’), Ahsoka’s lightsaber also comes to represent Jedi’s efforts to fight the Clone Wars as ethically as possible. It presumably takes more time and effort to fight a war when you’re concerned with morals, at least when the opposition is perfectly happy to commit war crimes.   By tossing the Jedi into a war, Palpatine keeps them too busy to systemically search for the Master Sith (in addition to Sith stuff diminishing the Jedi’s ability to use the force), as their time is eaten up by upholding the equivalent of the Geneva and Hague Conventions (etc.) when almost no one else is, by protecting as many other lives as possible, and by staying alive.

And The Clone Wars communicates all of this in a minute! Though I’ll admit my final point about Ahsoka’s lightsaber representing ethical combat is a stretch. I love it when TV shows and movies make full use of visual storytelling, and The Clone Wars is fabulous at it.

Whew—and that’s that! I’m grateful if even a single person has read this far and would love to know what you think, but regardless, I had fun analyzing this episode and organizing my thoughts about it. Cheers to the Clone Wars fandom.

[codywanweekspotlight]

Weekly Spotlight

✨Art

@cillyscribbles // Art // outfit/armor swap // 2021

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@nhyhu // Art // morning // 2022

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@youngstalactites // Art // morning // 2022

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@raphaerolo // Art // rebel husbands au // 2024

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@thebrainofoctavian // Art // sleeping // 2023

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@agreekdemigod // Art // nature // 2022

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@astriloquiis-art // Art // tattoos // 2021

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@wrennette // Art // comfy clothes vs. slut attire (a ho never gets cold!) // 2024

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@ghostbo-yuh // Art // lightsaber // 2021

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@i-degrinald // Art // fluff // 2020

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✨Fics

@tesdradgon // Fic // battle couple // 2023

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@yellowisharo // Fic // dimension travel (by one character) // 2024

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@wanderingjedihistorian // Fic // medbay // 2021

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@nook-of-fanfic // Fic // beating rival suitors off with a stick // 2024

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@Xenomorphic // Fic // time travel // 2022

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@ankahikoibaat // Fic // fix-it // 2021

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@pencildragons // Fic // jedi/sith artifact/temple // 2023

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@Siderea // Fic // little brothers // 2023

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@unole_fawn1010 // Fic // beating rival suitors off with a stick // 2024

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@inkformyblood // Fic // au // 2021

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✨Please give our creators a reblog and a comment!

[gffa]

My current progress on The High Republic books, comics, etc. I DESERVE CONGRATULATIONS AND WELL-WISHES TO CATCH UP BEFORE THE ACOLYTE AIRS. MAIN STORYLINE NOVELS - PHASE I:

The High Republic: Light of the Jedi

The High Republic: A Test of Courage

The High Republic: Into the Dark

The High Republic: The Rising Storm

The High Republic: Race To Crashpoint Tower

The High Republic: Out Of The Shadows

The High Republic: Mission to Disaster

The High Republic: The Fallen Star

The High Republic: Midnight Horizon

MAIN STORYLINE NOVELS - PHASE II:

The High Republic: Path of Deceit

The High Republic: Convergence

The High Republic: Quest for the Hidden City

The High Republic: Cataclysm

The High Republic: Quest for Planet X

The High Republic: Path of Vengeance

MAIN STORYLINE NOVELS - PHASE III:

The High Republic: The Eye of Darkness

The High Republic: Escape from Valo

The High Republic: Defy The Storm

MAIN STORYLINE COMICS - PHASE I:

The High Republic (2021) - 15 issues

The High Republic Adventures (2021) - 13 issues

The High Republic: The Monster of Temple Peak - 4 issues

The High Republic: The Edge Of Balance - 2 manga volumes

The High Republic: Trail of Shadows - 5 issues

The High Republic: Eye of the Storm - 2 issues

MAIN STORYLINE COMICS - PHASE II:

The High Republic: The Blade - 4 issues

The High Republic (2022) - 10 issues

The High Republic Adventures (2021) - 8 issues

The High Republic: Edge of Balance: Precedent - 1 manga volume

The High Republic Adventures: The Nameless Terror - 4 issues

MAIN STORYLINE COMICS - PHASE III:

The High Republic: Shadows of Starlight - 4 issues

The High Republic (2023) - 5 issues [ONGOING]

The High Republic Adventures (2023) - 4 issues [ONGOING]

MAIN STORYLINE AUDIODRAMAS - PHASE I:

The High Republic: Tempest Runner

MAIN STORYLINE AUDIODRAMAS - PHASE II:

The High Republic: The Battle of Jedha

ONESHOT COMIC ISSUES - PHASE I:

Star Wars Adventures (2020) #6 - “The Gaze Electric”

The High Republic Adventures: Free Comic Book Day 2021

The High Republic Adventures Annual 2021

The High Republic Adventures: Galactic Bake-Off Spectacular

Star Wars Adventures (2020) #14 - “A Very Nihil Interlude”

The High Republic Adventures: Free Comic Book Day 2023

ONESHOT COMIC ISSUES - PHASE II:

The High Republic Adventures: Quest of the Jedi

ONESHOT COMIC ISSUES - PHASE III:

The High Republic Adventures: Crash Landing

ANTHOLOGY NOVELS - PHASE I:

Star Wars: The High Republic: Starlight

ANTHOLOGY NOVELS - PHASE II:

Star Wars Insider: The High Republic: Tales of Enlightenment

ANTHOLOGY NOVELS - ALL PHASES:

The High Republic: Tales of Light and Life

EVERYTHING ELSE:

Star Wars: Young Jedi Adventures - 25 episodes

This is a bit misleading in that several of these I'm halfway through, I've been watching Young Jedi Adventures in the background while I do other things and it's super cute! It's very much a preschooler-aimed series, but the animation is gorgeous, the voice acting is adorable, and it's fun to have on in the background. (It does make me pine for this style of animation to be used for more familiar characters, what I wouldn't give for baby Mace Windu in this style or baby Obi-Wan or baby Plo or baby Shaak, THEY WOULD BE SO CUTE.) I'm also halfway through The Fallen Star, which isn't as far as I'd like considering I started it several days ago, but I don't have as much on-line time these days and I listen to it in the background while doing other things. It's fine so far, I'd say! I'm eager to get to Phase III, though. One thing that's really hitting me all over again, especially as I'm wrapping up reading Shadows of Starlight is that the Nihil are now trying to set up their own area of the galaxy, to set up a government in their claimed area, they've been strong-arming planets into being forced to join them, they've been actively killing Jedi--including one general who opens his coat to reveal a collection of lightsabers to show that he'd be a good fit to join the Nihil--and it's so many echoes of the prequels that it's fascinating. Because the way the Jedi react, the need to align with the Republic for strength, the need to fight back against an enemy that is specifically targeting them, the need to help free the worlds that are being occupied by this government that claims to have nobler intentions, but really just wants to crush worlds under its boot? It's really showing, consistently, the Jedi being put in the same positions as the prequels Jedi and showing why their choices weren't great, but they had to choose something, because the alternative was worse. Reading all of this has given me a more sympathetic reading of the prequels' set-up, served up to me on a silver platter. OKAY, WISH ME LUCK in getting through at least one more comic run today and tell me how your High Republic reading journey is going, too!

[laughhardrunfastbekindsblog]

Just a few Star Wars moments that COMPLETELY rewired my brain:

^ I didn't watch The Mandalorian until early 2021, after the second season had aired. I had seen stills of "Baby Yoda" and thought he was cute, despite knowing nothing about the story except it involved a bounty hunter and a Baby Yoda who isn't actually Yoda as a baby. But then I was watching the first episode and saw this, his first appearance, and... Dear goodness, I've lost count of how many times I've watched this show and I STILL squeal!!! 😍😍😍

(This show ended up being the one that convinced me to watch all the other Star Wars shows, which created a lot more brain rewiring...)

^ Hands down my favorite lightsaber duel in Star Wars. Enough said.

^ First Star Wars movie I watched in theaters (growing up with a Star Wars aficionado for an older brother, I already knew the OT like the back of my hand), and young as I was I knew Qui Gon was my favorite... And then he died. Going into this movie, I was still under the impression that all stories had happy endings and all the heroes made it through to the end of the story. Needless to say, Qui Gon's death shattered this delusion into a million pieces.

^ I just... 😭😭😭💔💔💔

^ Look, I KNEW Fives couldn't possibly succeed... But I still hoped he somehow would! 😭😭😭💔💔💔

^ I already loved the clones, and then this batch of misfits showed up. Tech in particular instantly grabbed my attention - I think it's the goggles 😍

...I could go on with more examples, but I'll stop there.

[tremendouskoalachild]

Evolution of Vernestra Rwoh art

April 2020: concept art reveal (art by who? i haven't been able to find out).

Notably, her lightsaber is blue in this art. Her hair is ambiguously black/purple and tied in a bun.

January 2021: first appearance (cameo in Light of the Jedi and main cast in A Test of Courage) - pictured on AToC cover and interior art by Petur Antonsson.

Vernestra is wearing her concept art clothing but her lightsaber has her final purple color. Her hair is purple as well and in a distinctive long ponytail.

February to May 2021: The High Republic comic appearances as a minor character, with art by Ario Anindito.

Her tattoos are present in the previous art but more visible here. She is wearing her hair similar to her original concept art. This is also the first time we've seen Vernestra in the brown outer robes.

June 2021: variant cover of The High Republic issue 6 by Marco Turini.

July 2021: cover of Out of the Shadows by Ario Anindito and Grzegorz Krysiński.

Vernestra's hair seems pinker here, though it's probably because of her lightsaber's reflection.

December 2021: Vernestra's story in The High Republic Adventures Annual 2021. Cover by Stefano Simeone and variant by Derek Charm, art by Yael Nathan.

This story takes place an undefined number of years before the main book plot, and lets us see Vernestra's Padawan braid. Her hair is a lot purpler on the covers and blacker in the comic. She is also wearing a Stellan-style white cloak over her robes.

January 2022: Mission to Disaster with art by Petur Antonsson.

She looks similar to the illustrator's previous work on A Test of Courage, though we get a good look at her outer robes this time.

February 2023: the reference book Chronicles of the Jedi with art by Yihyoung Li.

Here we see Vernestra in ceremonial Jedi robes, standing next to her taller student, having a hyperspace vision, and wielding her lightwhip. All iconic aspects of her character.

April 2023: new concept art at Star Wars Celebration.

The colors are a lot more vibrant than in the original art. It is also one of the very few times we see her smiling instead of calmly focused or in combat.

April 2023: YA boxset cover art by Tara Phillips.

This is the closest close-up we've seen of Vernestra, showing her tattoos in detail.

October 2023: Japanese edition of Out of the Shadows, with art by 5Health.

The cover art especially makes her eyes look blue-ish.

November 2023: phase 3 concept art by Ario Anindito.

Big change! First time we've seen her outside of Jedi clothing. Her hair is very purple, and obviously shorter.

March 2024: cover art for Defy the Storm by Corey Brickley.

First canon appearance of her phase 3 look, closely following the concept art.

[tarisilmarwen]

Rebels Rewatch: "Jedi Night"

Right, just going to go ahead and pass around the boxes of tissues.

Live reaction version.

And here we are at last. The entire latter half of the season had already began shifting at "Rebel Assault", but here the shift becomes permanent.

From the promos and synopsis put out before this episode, the genre-savvy among us could kind of already tell what was coming. But it was still devastating.

All right, enough stalling, let's get into it.

Aww man, this is the same spot Ezra sits in the finale isn't it?

Dammit we're barely ten seconds in and I'm already sad.

The Loth-wolf theme is heavy over this scene as Kanan is bombarded with an audio portent and foreshadowing of things to come in the WBW.

"You want a ride?" "The Jedi Temple is in danger." "Kanan, you haven't gotten me a present since we met." "You can learn what it truly means to be a Jedi." "You didn't prepare me for this, Kanan." "There's something I need to tell you." "I know I can always count on you."

Kanan hears mostly himself, and the two most important people in his life--Hera and Ezra. He hears Ezra's despair at losing him, and his resolve in entrusting his life and mission to Sabine. He knows the Jedi Temple is in danger. He's connected deeply with the wolves at this point, and either knows or at least suspects what he and Ezra will be asked to do.

This is probably where those extra episodes explaining Kanan's backstory and connection to Lothal would have come in handy. As it is we get the mysterious voiceover dump and have to piece things together after the fact.

What I think makes the most sense is that the Loth-wolves stopped Kanan from going to rescue Hera last episode precisely because--connected deeply as they are in the Force, associated with the WBW--they could see ahead to the potential futures of that course of action and knew that if he went after her, he would die. No matter what he did, no matter which way he moved, one way or another, it would happen. So they warned him. They showed him why lay ahead.

If you do this, we cannot save you, they told him.

And that's why he spends so much of this episode trying to mentally prepare the others, especially Ezra, for his absence.

Because the wolves still a Jedi to save the Temple from Palpatine's evil intentions.

Kanan is resolved in his purpose: He's going to save Hera. He's resigned to his fate: He will trade his life for the chance. And he's determined in his resilience: "Then I will make it count." He won't just make his death a meaningless sacrifice. He will ensure the completion of her mission, honor her by fulfilling the end goal of her failed attack. He will save Lothal by destroying the fuel pods and bringing the factories to a halt. He will give his life for Hera's dream.

Kanan proves in the end that he understands how to love without attachment. (Also why he makes Ezra formulate the plan, because he knows his feelings are compromised when it comes to Hera.) He will not cling selfishly to her. He will free her and then let her go and then let his own life pass away. He will take his place in Hades, and then teach Ezra how to grieve. Because Ezra won't be able to save him.

Because you can't go back down into Hades to retrieve the ones you lose.

“In mythology, if you go to Hades to get them back you’re not doing it for them, you’re doing it for yourself. You’re doing it because you don’t want to give them up. You’re afraid to be without them. The key to the dark side is fear. You must be clean of fear, and fear of loss is the greatest fear. If you’re set up for fear of loss, you will do anything to keep that loss from happening, and you’re going to end up in the dark side. That’s the basic premise of Star Wars and the Jedi, and how it works."

George Lucas, Mellody Hobson George Lucas - Virtual Speaker Interview, 2021

I love this shot, Ezra entering lightsaber-first, a visual emphasis on the fact that they are Jedi, and the Force requires much of them. Much sacrifice, much compassion, much selflessness. To whom much is given, much is required. With great power comes great responsibility.

All that jazz.

Kanan is preparing Ezra for the greatest responsibility he's going to have, to be asked to do what is right regardless of what it will personally cost him. And he's about to become a very painful object lesson.

He also talks like he's been given multiple visions of the future and is arranging things specifically so that they'll fall out in a specific way. It mirrors how Ezra speaks in the finale--If Thrawn shows up too soon, then this path, if he doesn't, then this one.

Some very painful paralleling that you don't realize the first time through.

Ezra's a bit uncertain at first, but honors Kanan's request, and gets started formulating a plan to get them into the Capital.

OH HEY WOULD YOU LIKE TO DESPISE PRYCE A BIT MORE?

Conducting the interrogation personally in her own office is quite the flex.

Once again paralleling to the Season One finale, another character comes in to start the questioning, and gets awfully personal with the digs, bringing up the interrogated party's painful past and history. In this case, Thrawn has brought Hera's kalikori down from its pedastel in his office on the Chimaera--that "place of honor" he promised her--in order to rub it in how he's deciphered the cultural meaning behind it.

Really leaning in hard on those icky cultural appropriation vibes aren't we, writers? Let's be clear, it's not that Thrawn was curious about Twi'lek culture and researched what meant what on a kalikori that's so gross, it's that he did so in order to learn more about Hera specifically so that he could hurt her more personally, namely by taunting her about her dead brother. It's the context, not the curiosity.

Thrawn is an Imperial warlord and only comes into contact with these cultural relics because he's a member of the tyrannical force currently oppressing those cultures. If he really respected or cared about them as items important to the people the Empire was conquering, he should leave them in their damn place. OR, if destruction of the relics at the hand of the Empire was inevitable, he should save them from that destruction and then be finding a way to give them back to the people they belong to or the closest equivalent. Instead he hoards them in his own art gallery to dissect and study to glean more insight into the cultures, so that the Empire might better defeat them.

Yeah no, the staging parallels to the Grand Inquisitor are super 100% on purpose and deliberate.

Also! Because I like ruining people's days, would you like some more Fridge Horror that you may or may not already have seen if you've been following me?

IT-O droids monitor prisoner vitals. Heartrate, blood pressure, adrenaline, other hormones and physiological markers. Hera's already pregnant at this point. Possibly far enough along that the IT-O was able to detect it.

Thrawn and Pryce might knowingly have tortured a pregnant woman.

~You're weeeeeeeeeelcooooooooome.~

Love Sabine whacking Zeb and shushing him to not interrupt Ezra as he's meditating and sensing out.

Also this look. <3

And also the soft conspiratorial smiles between Ezra and Sabine as they vibe on the same wavelength in regards to this plan.

The Kiners go all out on the music this next scene, as we montage building the gliders and Kanan preparing to shave and cut his hair, fully reclaiming his identity as Caleb Dume, The Last Padawan, again.

Kanan's theme plays, in bright flute, with bouncy string accompaniment. It's ritualistic how he moves. Like a samurai slicing off his topknot. Luke's Theme crossfades in through his to mark the heroism of the moment, as the preparations are finished.

And thus begins a long series of hidden goodbyes.

"This is one of those times I'm glad the Force is with you." Zeb says, about how crazy the plan is, and Kanan just silently puts a hand on his shoulder, the last time the two men would ever speak.

(The animators also go all hell out, making this episode one of the most gorgeous yet put to print.)

Cut to our favorite blue asshole. And he's been summoned to Coruscant for a meeting of heads of state to quibble about budgetary proportions lol. Of all things to yank Thrawn away from Lothal, it's politics and bureaucracy, par the course. Thrawn seems offended and claims Palpatine assured him he supports the Defenders.

And while I'm sure Palpatine has paid a bit of lip service to Thrawn's face... yeah no sorry honey, Palpatine was always going to go with the Death Star thing, it's been in the works since before the Clone War broke out. The only issue is that it's sucking all the funding and resources of everything else dry because of the constant delays and problems (Krennic is apparently mismanaging to hell) so now they are considering ganking money from other various projects to feed it.

And that's just... SO like the government lol.

So exit Thrawn, straight into the Thrawn: Treason novel. And I am still SORELY disappointed that Zahn did not take full advantage of the fact that Treason was basically a Rebels tie-in in order to have Thrawn sloooooooowly losing his mind and patience over things dissolving on Lothal while he's not there so that by the time we get him back in the finale, his irritation and annoyance is peak comedy and perfect characterization follow-through.

"I was gone for ONE HOUR and you blew up my project???!??"

The gliders are telegraphed to us with a very slight sound effect, and the rigid wings. So it's amazingly effective at fooling the Troopers lol. Rukh on the other hand has probably picked up a whiff of Zeb lingering on the others so he's alert.

Aaaaaand hidden goodbye number two, frick my heart this one hurts. There's so much Kanan can't tell Ezra, lest the fear of loss cripple him and make him unable to act, drive him towards the Dark Side. Kanan needs Ezra to be able to function for this mission, so he just praises Ezra for being a good listener--a veiled admonition for him to continue listening to the will of the Force, to his instincts, to the wisdom of others, to the wolves--and tells him and Sabine, "May the Force be with you."

He entrusts their safety to the Force, and tells them to trust in it in turn.

"Ezra and Sabine have each other, they'll find their way home."

Oh boy, on this edition of "Terrible Rebels takes that make zero sense except to the perpetually offended", there were actually multiple people who complained about Hera's confession coming about as a result of the truth serum, and they were mad that her loopy state because of the truth serum was played for laughs.

To which all I will say is, shut up, Hera drunk on truth serum is hilarious. Maybe quit having such a stick up your butt about bad things happening to female characters and let them get in on the jokes and slapstick occasionally.

Heroic Main Theme here as Kanan makes his entrance.

About 90% certain the thing Hera wanted to tell Kanan here was that she was pregnant. I refuse to accept that time on the fuel pod as the first time she told Kanan she loved him. Does not make sense, rejected.

Not gonna comment much on the Kanan/Hera scenes, they're adorable and sweet and heartwarming and heartbreaking in hindsight but I will say this soft romantic cue that accompanies them is very lovely.

Pryce sounds more than a bit pissy that Hera got rescued right from under her nose. This leads directly into her recklessness later with the fuel pods.

Love Ezra and Sabine casually commandeering a gunship. "I'm the backup pilot, so I'm in the back." And the Troopers just accept that logic lol.

And the "something" Kanan needs to tell Hera is either that he knows she's pregnant (but maybe doesn't know she knows?) OR about his upcoming expiration. Too bad Rukh interferes.

Oh hey, another sad parallel, neither Jedi have their lightsaber for their moment of ultimate sacrifice.

Hgngnh watching all the pieces move into place for what I already know is coming is awful.

Still cannot get over just how polluted the streets are, look at that rust colored smog.

Lol Ezra's little fist pump, completely forgetting where he is a moment. He's so cute I love him.

Their teamwork in taking out the other Imperials is great too.

*watches the kiss, sighs with sadness*

You did not have to dig so hard into the mood whiplash guys. You really didn't.

All right, let's just... pull off the bandaid.

The animation, the music full of mournful male chorus and high siren wail, the muted soundtrack, the emphasis on Hera and Ezra, that Kanan is so deeply utterly in tune with the Force that his blindness doesn't even matter (which is what his eyes clearing up was, clumsily, attempting to convey) he can see them...

And then he's gone.

And how awful it was for Ezra, who literally just felt his bond with Kanan snap inside his head, to have to be the competent leader and shout at Sabine to, "Go! Go!". For him to have to be the one thinking clearly, because Hera is completely numb and in shock.

Sabine wiping her eyes as she flies them out of there, somehow still able to see through her tears.

And then a stark white and gray titlecard as ashen dust flickers down around the text.

:((((((((

Frick man it still hits hard. Looking back though, it was inevitable. The death flags were all there, the pieces all set up and in place. This wasn't done on a whim, this was meticulously thought out, to devastating effect.

I was never quite as emotionally attached to Kanan as a lot of other people in the fandom, and I'm also a grown adult, so Kanan's death, while incredibly saddening, was not nearly as emotionally devastating to me as it was to quite a few younger viewers. For a lot of fandom this was their first time experiencing a fictitious loss like that, of having a character, a person they had as a staple in their lives, suddenly leaving it. Leaving behind an empty hole.

And that's one of the reasons I have to respect the writers for doing it. They had a story they needed to tell--about loss, about dealing with grief, about how to pick yourself back up and continue doing the right thing, as a Jedi specifically for Ezra, and as a person for everyone else--and they knew they needed to give it the weight and gravitas it merited.

You can't cling to things forever. It's one of the core staple lessons of Star Wars, the "point of the prequels" to borrow a common if oft-misused phrase.

Loss will happen. Death will happen. Do not give into fear about it. Do not let your fear of loss drive you into darkness.

Give yourself time to process the loss. Let yourself grieve.

And then let go.

So I appreciate that the next few episodes are spent almost as if in a funk, the cloud of grief hanging over us as we process through our loss with the characters and then pick ourselves back up and return to the mission. Because the war isn't won yet, and there are still things left to do.

It is darkest before the dawn.

[howtofightwrite]

Hi! Are there certain types of asks you don’t respond to, and/or do you have a huge backlog of them? I sent one in like 3 or 4 months ago and still haven’t seen it come out, so I’m just curious as to what’s going on :) (I’m sorry if you do have guidelines posted anywhere I could not find them)

There are a few topics we won't touch. As a general rule, we're not particularly interested in covering sexual violence, violence on children, child abuse, and animal abuse. That list shouldn't be much of a surprise.

Beyond that, there are a few other things we, generally, won't cover.

The most common are cases where someone wants us to write their fight scene for them. We do offer that as a Patreon perk, but it's not something we're ever likely to do for free here. Off-hand, I think we've gotten about a dozen of those asks this year. The most recent was in the last couple weeks. Now, some of these asks do get public responses, but it's usually in the form of discussing world-building, or because one of us thinks we can get something interesting out of it. The recent “water horse,” question was one of these. So was Professional Monster Removal, now that I think about it. The original ask didn't come through Tumblr, and so I decided to revise it without the prompt. Which, part of why the tone of first couple paragraphs didn't exactly match the rest of the text (if anyone noticed.)

We also can't privately audit your work. At least, not through the ask system. This does come up from time to time when someone will send a sample of their writing (this did happen twice in the last four months.) There's two issues here. One, I wouldn't, so you'd get Michi editing and she is an absolutely merciless editor. The second thing is, there isn't really a way to do that privately in Tumblr. If you did it through Patreon, it would probably be through a shared Google Doc, or via Discord, but if you're in that tier, get in touch, and we can work with you.

I know this isn't relevant to you, but hate mail doesn't generally get a response. This should go without saying, but, I did publicly clown on that Dragon Age fanfiction writer over her attempted death threats a few years back. Similarly most of the misogynistic responses from Women are not Weaker than Men, or any of the subsequent posts, tends to get summarily executed. That stray fan of Shane O'Mara who never really understood his work, tends to get ignored. Though, I haven't seen anything from them in a year or two. Similarly, that guy who wanted me to know that “Space lizards are very important for the economy,” will probably have to wait... forever.

The real problem you're running into is probably because of how our backlog works. It tends to runs in a FILO pattern. That is to say, “first in, last out,” meaning new asks go on the top of the pile, and pushing down earlier questions in the queue. This has more to do with how Tumblr organizes its inbox rather than an intentional decision. For example, if I remember a question from five years ago, and want to answer it, I probably could not find it. I might be able to write up a post without that ask, but I wouldn't be able to notify the original sender (assuming they still use Tumblr.) This is the other reason that the dude who wanted to talk about space lizard economics will have to wait forever, that question was in 2013 or 2014, and there are roughly four-thousand asks burying his inquiry. (As a general rule, the only stuff that actually gets deleted is some of the hate mail.)

Another way to ensure a question won't get answered is to send it to Michi's personal Tumblr blog. There's only 153 in there, but, when answered, they don't get posted to How to Fight Write, and as a result, they're likely to get missed. (To be fair, the most recent ask in her inbox is from April 20, 2021, so that's not you.)

If you're asking about invisible lightsabers, I wouldn't completely give up hope. It wasn't really suitable for a full post, but assuming I can get Tumblr's inbox to cooperate again, it might show up in a batch of questions like the ones earlier this week.

-Starke

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[mbmbat]

The McElroys explain the January 2021 Game Stop short.

[jewishcissiekj]

asgcgsakfjhgfa ok. Star Wars The High Republic phase I comics reading the fall of Starlight edition. picking up directly from where I dropped last time (2 minutes ago) with the end of THR Adventures #13

Lula makes me so happy but girly you might die in a sec pls get yourself knighted

Beautiful panel. Beautiful Daniel José Older (the comic writer) in the bottom right corner. great ending. certainly a choice not to show the fall of Starlight here

I understand Emerick on a spiritual level that's all I'm gonna say (Loooove the vibe of this outfit, such an early-development ANH fit with the lightsaber and all)

scratch that I am not sure I want to

Beautiful cover you've got there does it panifull parallel the first issue's cover oh it does ok fuck you man

I support women's wrongs

HOLDING THE BEACON TOGETHER. SAME AS ALWAYS. oh jesus

I'm so not emotionally prepared for phase III so gonna take a months long break with Phase II that would go so well for me

THR variant covers Deekriss my beloved

For Light and Life... For Light and life man

from THR Adventures #13 and the FCBD issue I'm gonna be sick I love them so much

Trail of Shadows covers are so pretty I love Emerick and Sian

Emerick killing one of The Nameless is like probably the most badass thing anyone has ever done in phase I tbh

Lourna don't freak out but there's a bug next to you. It's short and blue and it's gonna kill Asgar plssss kill it. please.

Is this a dance party. what are you doing. (Contrary to everything I said I do not hate Marchion Ro I just think it's funny to dunk on him)

First of all fuck you second

Just remembered I didn't source my last THR reading post brb gonna do it to cope

The High Republic Adventures (2021) #13 | The High Republic - Trail of Shadows #4 | The High Republic (2021) #15 | Free Comic Book Day 2023: Star Wars - The High Republic Adventures & Avatar: The Last Airbender | The High Republic - Eye of the Storm #1-2

[exoplanetupdates-blog]

EXO MVs in Chronological Order

2012

What is Love (Korean) | What is Love (Chinese)

History (Korean) | History (Chinese)

MAMA (Korean) | MAMA (Chinese)

2013

Wolf (Korean) | Wolf (Chinese)

Drama Episode 1 (Korean) | Drama Episode 1 (Chinese)

Drama Episode 2 (Korean) | Drama Episode 2 (Chinese)

Growl (Korean) | Growl (Chinese)

Growl 2nd Version (Korean) | Growl 2nd Version (Chinese)

Miracles in December (Korean) | Miracles in December (Chinese)

2014

Overdose (Korean) | Overdose (Chinese)

2015

Call Me Baby (Korean) | Call Me Baby (Chinese)

Love Me Right (Korean) | Love Me Right (Chinese)

Lightsaber (Korean) | Lightsaber (Chinese)

Love Me Right ～romantic universe～(Japanese)*

Sing For You (Korean) | Sing For You (Chinese)

Lightsaber (Japanese)

2016

Lucky One (Korean) | Lucky One (Chinese)

Monster (Korean) | Monster (Chinese)

Lotto (Korean) | Lotto (Chinese)

Dancing King (Korean)

Coming Over (Japanese)*

For Life (Korean) | For Life (Chinese)

2017

Ko Ko Bop (Korean) | Ko Ko Bop (Chinese)

Power (Korean) | Power (Chinese)

Electric Kiss (Japanese)*

Universe (Korean) | Universe (Chinese)

2018

Tempo (Korean) | Tempo (Chinese)

Love Shot (Korean) | Love Shot (Chinese)

2019

Obsession (Korean)

2021

Don't Fight the Feeling (Korean)

2023

Let Me In (Korean)

Hear Me Out (Korean)

Cream Soda (Korean)

Note : *To watch full version click here

[savage-kult-of-gorthaur]

"...THE STORY OF A BOY, A GIRL, AND A UNIVERSALLY CELEBRATED POSTER DESIGN." -- NORDIC EDITION.

PIC INFO: Resolution at 1000×1381 -- Spotlight on the Danish one sheet movie poster for the American epic space opera film "STAR WARS" ("Stjerne Krigen" in Danish), with repurposed artwork by the Hildebrandt Brothers & Tom Jung. 20th Century Fox.

EXTRA INFO: "In Denmark, Jung’s human and droid quartet were simply embedded within the Hildebrandts’ brightly realized background, with Luke’s lightsaber maintaining the brothers’ starburst effect over Jung’s cross."

-- STAR WARS AT THE MOVIES (blog), "The Story of a Boy, a Girl, and a Universally Celebrated Poster Design," c. 2021

Source: www.starwarsatthemovies.com/blog/2021/3/6/the-story-of-a-boy-a-girl-and-a-universally-recognized-poster.