Nevada - Imogen Binnie (2013)
Date Read: Dec 13, 2022 - Jan 29, 2023
TW: Trans Trauma, Transphobia, Body Dysphoria, Gender Dysphoria, Drug Abuse, Alcoholism.
Synopsis: Maria, a trans woman in her thirties, is going nowhere. She spends her aimless days working in a New York bookstore, trying to remain true to a punk ethos while drinking herself into a stupor and having a variety of listless and confusing sexual encounters.
After her girlfriend cheats on her, Maria steals her car and heads for the Pacific, embarking on her version of the Great American Road Trip.
Along the way she stops in Reno, Nevada, and meets James, a young man who works in the local Wal-Mart. Maria recognizes elements of her younger self in James and the pair quickly form an unlikely but powerful connection, one that will have big implications for them both
Rating: 2/5
Review: I really wanted to like this book but it was confused, the plot didn't happen until the last 30% of the book and then it ends abruptly with zero arc. It's very monologue heavy and easy to tune out of or get distracted from. The rating of 2 is literally because of how honest it is. The characters are fine other than you don't really have time to discover who they properly are and it feels like they use the reader as a therapist too much. If the book's story had started later so that the plot actually had some kind of arc than I think it could have been a more enjoyable read.
I totally respect that this book is about illustrating a trans experience and I think it does do that well, I'm a cis woman so the discussions on gender and sexuality from this particular angle is not something I'm familiar with, but I think it's discussed well just felt that as a fictional novel I would've liked it to be a bit more of a story with characters going on an actual adventure instead of it being monologues that suspiciously look like the academic readings I studied during my media degree. The points this book brings up are food for thought and it is fantastic that so many people find this book relatable and/or thought-provoking. I just really found it a chore to read and have found it extremely unsatisfying to finish.
[Originally posted on Goodreads Jan 30 2023]
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I've seen complaints about how Marry My Husband is being adapted into a live action drama, but personally I like the changes, they keep me on my toes.
I mean, the fact that they changed the year it takes place in is reasonable, but what actually threw me off was that they had the same ages they would've had in that year. Buuuut the aging up gives way for other sideplots, like the pregnancy scare plot which would've been relevant at their age as it was more of an expectation in their thirties than in their twenties.
I loved how Kang Jiwon looked with the perm and long hair, but thematically, a hair cut makes so much more sense as a "closing cycles" type of thing.
And having Kang Jiwon straight out tell Sumin "hey, I no longer like you" also makes sense to me. Sure, she had her 20-step-revenge-plan, but even with her visit to prison in the end, I feel like she didn't get the closure (pleasure?) of standing up for herself at the moment stuff was happening.
Also the moment Jiwon sets up for Sumin and Minhwan to sleep together is soo good. In every version. But I think that so far, live action is my favorite. Park Ming-young did a good job with the "I made this bed of nails, I have no choice but to lie on it now" vibe.
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In the Sue and Chris confrontantion in the 2013 movie, Chris said that Carrie deserved being bullied since they were in 6th grade because she always said that everyone, except her and her mother, will go to hell. What do you think about this?
It's taken from the novel if I remember correctly, and I wouldn't put much stock into what Chris says; it's contrarian to what other's have said about Carrie. Tommy, in the book, asks Sue what Carrie ever did to her, and obviously Sue has nothing to say for herself-- Carrie keeps to herself, she's not harassing the town like her mother does. I think it has more to do with Carrie being associated with Margaret rather than what she has done or said herself. Carrie, in her internal monologue, says that she has done everything she could to fit in and wash away the mark that singles her out from everyone else, but nothing she does is ever enough. I seriously doubt that Carrie, while trying to fit in, would be evangelizing her classmates. Lol. It seems to me a lot of the time that Carrie believes that she herself is going to hell. She resents her mother because she see's her as sinless-- having defeated the evil thing inside of her-- But Carrie is not.
Long story short: No, Carrie was not evangelizing her classmates. As Sue would have said, Chris was just thinking up better reasons for pulling the wings off of flies. She's full of shit.
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SDCC 2024: Mikey Way Rings in Holidays All Year Long with Christmas 365 (Interview)
By Justin Epps - Published Sep 7, 2024
Dark Horse Comics
☰ SUMMARY
• Christmas 365 from Dark Horse Comics releases this year, a festive series about a family celebrating Christmas all year round.
• Co-writer Mikey Way talks about the nostalgia and magic of Christmas, and the importance of family in his work.
• Way collaborates with Jonathan Rivera and Piotr Kowalski to craft a dream project embracing the 80s/90s Christmas movie feel.
Full interview under the cut:
Christmas has come early for Dark Horse Comics readers. During this year’s San Diego Comic-Con, the publisher revealed it would be releasing Christmas 365 later this year. This festive new series comes from the creative team of Mikey Way, Jonathan Rivera, Piotr Kowalski, Brad Simpson, and Joshua Reed.
Christmas 365 tells the story of a family who has gone through a particularly challenging year and their attempts to come back together through a Christmas season that lasts the whole year round. Screen Rant caught up with Christmas 365 co-writer Mikey Way and dug into his thoughts behind this unique holiday story.
Screen Rant: From the premise I'm guessing you're a big fan of Christmas. But why Christmas 365?
Mikey Way: As a child of the 80s, a lot of my favorite movies were Christmas movies. I think the holiday stuck with me, the the mythology of it, the imagery really resonated with me. I know I'm not alone on this, the world is obsessed with Christmas. You go in stores and the Christmas stuffs out in August. It was after 9/11 I noticed Christmas started earlier at the store. I remember taking a mental note of that. People needed it at that time. I feel like with social media people have been able to express their love of Christmas and find like-minded people that are like-minded. There's Christmas podcasts, there's Christmas basements.
Mikey Way: Anyway, child of the 80s. Christmas Story, Scrooged, Christmas Vacation, Gremlins, Die Hard, Santa Claus: The Movie, all those great Jim Henson movies. These were important stories to me. And so I've always had that itch in me to tell a Christmas story. And I think it was around 2013 I watched a bunch of Christmas movies in a row and it wasn't Christmas time, it was summertime, I think. I remember watching Home Alone and Christmas Vacation and being like "What stories are left to tell?". Then it hit me like a bolt. "What about a family that're kind of disconnected and one of them gets the the wild idea to celebrate it all year long?". Like that's gonna fix everything.
With Christmas, there's this effort to see the world through the eyes of a child and recapture that feeling of wonderment. Is that what you wanted from your story?
Mikey Way: It's the one month out of the year where you can forget about life's pressures a little bit. And there's wonder and magic and hope and promise. Especially when you have children. It's the Super Bowl. For a child things revolve around "Christmas is coming!". So getting to see it through my two girls' eyes...that's what it's all about. There's so many layers to it. It's a layered holiday. But it's just something that's so great. In a world full of gloom and doom, it's something that's just awesome and great. Like there's a velvet cloud around you in December. Even November.
Mikey Way: There's there's a lot of bad stuff that happens in the world. People get busy, people get stressed, people have responsibilities. And it's the time where you can celebrate being a family, celebrate the people you love, and you could show them how much you love them.
You're co writing this with Jonathan Rivera. Both of you guys did books for DC Young Animal which was definitely a more experimental line, but you guys are trying to tell a more grounded story here, correct?
Mikey Way: We're very like-minded. He went to art school with my brother. We all like the same stuff. Trainspotting, Britpop, Stone Temple Pilots, The Crow, action figures, X-Men, anime. Jon was a kindred spirit. He's one of my best friends in the world. He's someone I wanted to write a story with. This was the perfect opportunity because he feels the same way about this 80s/90s Christmas story. He's got the same itch to scratch.
Your previous book, Collapser, had a real strong family theme to it, which seems carry on in Christmas 365. What is it about family that speaks to you so strongly in your work?
Mikey Way: Family's everything. As you get older you start to realize that. And it plays into the holiday of Christmas. When it comes down to the family's all you got. You can have an important job. You can have all the material possessions in the world. You could have fancy this and that. But when it comes down to it, who's sitting at the dinner table with you? Those are who's important and the people that pick you up when you're needing it. They're there for you, you're there for them. So the family unit has always been something extremely important to me. Especially as I get older and have children and extended family. That's really all you got in this world and it's the most beautiful thing there is.
In addition to Rivera, you're also working with Piotr Kowalski. How was it crafting this dream project with him and his art?
Mikey Way: What's interesting about him is he's mostly a horror guy, really. When we got his artwork, most of the demonstration pages and pieces were horror and then I went on his Instagram recently and it's all horror and I'm like "It kind of works, because this is supposed to be an 80s/90s Christmas movie.". If you watch these movies, they're all dark and they always tried to sneak a horror element into it. In Home Alone there was the scary boiler.
For me, it was A Christmas Story when Ralphie goes on the slide and the Santa just boots him down.
Mikey Way: There's always a moment of playful scariness in those movies. So I think it fit the tone, because you want it to look a little VHS. I feel like he was able to tell it exactly. Like if we closed our eyes and we were envisioning Christmas 365 as a movie, that's what it would look like. Me and Jon saw his art and were like "This is the guy.".
You previously spoke about the influence of suburban genre movies like The Burbs and Better Off Dead. How did these movies inform your Christmas story?
Mikey Way: So the story goes me and my brother watched Better Off Dead probably a couple of times a week for years. That and One Crazy Summer, those those two movies for me and my brother were very important. There was this Gonzo stuff in it. It was a slightly grounded, suburban comedy that had all these kind of wacky, fantastical ideas in it. All those movies had a sport. Better Off Dead was skiing.
Oh, like Heathers and croquet?
Mikey Way: Team Wolf had basketball. They all had a sport. Also there's a weird claymation dream sequence, remember? There was all this weird stuff, but there's something about that movie that struck a chord with me and my brother and we watched it literally once or twice a week for decades. But yes, Savage Steve Holland was a big influence on me and Jon Rivera.
Christmas 365 #1 is available on December 4th from Dark Horse Comics.
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