#2 beautiful serves

[karoiga]

oh serve and volley i could kiss you on the mouth

[inkskinned]

as we enter the start of a semester and the dreaded Hour of Making Friends us upon us... if ur ever at a loss for what to say in one of those weird social situations where you only vaguely-know people, one of my favorite questions to ask is "what is your favorite food crime." a food crime is like the food combination that you love that other people find revolting. press them to take it further than pineapple on pizza, that's rote. food crimes is a good topic that has many benefits as it turns out all people are degenerates and also it will give you some cool ideas to try out later in the privacy of your own degenerate kitchen

the other good thing to ask is "okay but has anyone here ever been someplace haunted" bc it turns out if you ask most people directly they don't believe in ghosts, but many people are like "oh yeah i lived in a haunted house. ghosts aren't real tho"

[babybison]

utsukushii kare s1 → s2 → eternal

[secondarysefikura]

Back when he was still with Shinra Sephiroth used to secretly write fanfiction about himself. All of it was basically him having a normal life with his friends Angeal and Genesis, and of course his mother Jenova. It was pretty well received by those who read them, but even if they weren’t Sephiroth just enjoyed writing them. Years later after returning from the lifestream yet again Sephiroth decides for old time’s sake to write again. And while people are happy that NormalHuman7777 had returned they’re all also very confused because their stories have now drastically changed. Their new stories are no longer about the late general in a normal and domestic setting, but now their about him becoming a god? And Sephiroth’s mother is also now an alien? Where’s Angeal and Genesis, they used to have huge roles in the stories, but they’re not even so much as mentioned. Also who’s this Cloud person the author keeps shipping with Sephiroth? Every new story now has Cloud in it and the author spends paragraphs detailing everything involving Cloud, talking about how beautiful he is, and how much Sephiroth wants him, and they always get together at the end if not sooner. Is he a self insert? Also the author really hates their OCs Tifa and Aerith, always having the two die in the most horrific ways.

You know what would make this all so much funnier? If young Cloud was a fan of NormalHuman7777's works. Perhaps he even had a bit of a friendship with NormalHuman7777, with the two messaging from time to time and bouncing ideas off each other.

When Sephiroth starts writing again, Cloud gets a little notification about the new fic. He decides that even though he has no interest in reading Sephiroth fanfiction anymore, he may as well comment on the fic for old time's sake. Except when he goes to the comments, people are asking about this new Cloud character and this whole "God" plotline.

Sephiroth's fanfic: Cloud leaned his head back, exposing his neck to his god in a sign of submission. He looked even more beautiful than normal as his mouth parted just enough for his tongue to dart across his chapped lips. As Sephiroth reached out and touched Cloud's neck, the blonde's throat bobbed in nervous anticipation. A rather feminine looking man, it was nearly impossible to see or notice Cloud's adam's apple. Still, the faint bulge of Cloud's adam's apple felt devine under Sephiroth's thumb, and Sephiroth pushed harder to feel the cartilage better.

"Beautiful," Sephiroth praised.

Cloud's eyes fluttered shut with content pride as his god praised him. He felt stupid for ever opposing the great god and for trying to hide from Jenova's warm embrace.

"I know," Sephiroth said, sensing the distress that washed over precious doll as memories of those horrid women came back to him, "but now you are exactly where you belong, and you will never leave me again. We will be together forever--a god and his most cherished possession--and there is nothing those fools can ever do to change that."

"Sephiroth, please," Cloud begged, leaning further into Sephiroth's touch, "please fuck me. I want to be one with you in everyway. I need you inside of me!"

Cloud: What the actual fuck.

[thevaelguard]

My great friend @noodle8 gave me permission to post my comms of my favorite DA companions she's done for me in the past year !! You may have seen the Fenris and Anders earlier on her blog but I still wanted to include them :]

Asked her to make some edits to the characters like changing Bull's Christmas-colored pants (sorry), making Alistair be more half-elfy, Anders looking wayy older, and Seb being a blend of his concept art and in-game model + having brown eyes and moles she added personally (I adore them hehe)

Also posting the solo Seb she made for pride month for me hehe, it has stayed as my Discord pfp since !!:

[moonlit-knightz]

the women of dune part 2! ❤️

[wilsons-divorce-papers]

I AM WEAK IN THE KNEES

[iruludavare]

{ ooc. the new laptop is finally here and set up and my god

i can see ALL of the detail. ALL the colours. everything is so smooth and nice😭

extended end of financial year sale my beloved thank you for dropping this absolute beast of a laptop and its upgrades down to an affordable price }

[mrbluesummers-moved]

My pettiest Trigun Stampede gripe is the fact that we haven't gotten a single scene with Knives and Legato. What's up with that?

[fandom-space-princess]

spent the morning tentatively constructing an essay in my head about the differences between Golden Age and New Wave science fiction and their conflicting approaches to the concepts of utopia and cultural perfection. and then realized that it's yet another thing I'm happier daydreaming about than actually writing. alas.

[comas-are-for-sleeping]

the most beautiful thing about stories is that they end

[sar3nka]

Today was such a fever dream... I went out with my white face paint on to test how it stays on. And while walking around the city I got super sad. Out of nowhere a bunch of punks approached me and told me I look sick, why am I sad, and if I wanna join them. I spent the whole day with them under some bridge, they got drunk, I held some girls hand when she was pissing (lol). We cried and yelled and danced around. Thank god for punks and goths fr!!!

[starbiastra]

what if i jumped did you ever consider that

“what do i say to convince you that i need you too?”

[knivesrey]

The way you win at DnD is making your friends CRY!!!¡

[v4mpbl0ood]

Hehehehehehehe 😊😊

charles sketches

[uisceb]

Okay I want to talk about this moment between Morrible and Glinda for a sec because it adds such a wonderfully sinister layer to a scene that is otherwise a triumphant defining moment for Elphaba, and it sets up the dynamics for Part 2 so perfectly.

At this point, we are in the thick of “Defying Gravity.” Everyone’s attention is on Elphaba - and rightfully so, she’s up there declaring war on the Wizard, displaying incredible feats of magic, of course everyone’s attention is on her.

…Everyone, except Morrible.

Morrible has realized that Plan A was a bust, but rather than panicking, she’s already worked over Plans B through Z in her head and has realized that Glinda, not Elphaba, is actually the key figure here. Glinda is actually the best thing that could have happened to them.

Mind you, Morrible hates Glinda. She thinks Glinda is vapid and attention-seeking and completely without talent. It would be extremely easy for her to brand Glinda as an accomplice to Elphaba, have the guards drag her off, imprison her, never have to deal with her again, nice and neat.

Instead, while everyone else is focused on Elphaba, Morrible only has eyes for Glinda. She zeroes in on her, releases her, and comforts her, because she understands what no one else understands, which is that yes, that’s great that the Wizard now has an enemy to unify his people against, but they also need a symbol of hope, something that is the exact antithesis to Elphaba, something to keep everyone at extremes. 

The Wizard himself can’t really be a symbol of hope, because the key to his success is that he remains shrouded in mystery, and yes people think he’s wonderful, but there’s a level of uncertainty and intimidation to him. He is Oz the Great and Terrible, and everyone’s preeeeeetty sure he’s a good guy, but if you have someone like Elphaba out there - who Morrible knows from experience is very smart, very articulate, and has her own sort of magnetism - there’s a potential that she could turn at least enough people against the Wizard to make things very inconvenient.

So what they need, now that they have an enemy, is to have an equally magnetic figurehead representing the Wizard who embodies all these one-dimensional ideas of goodness, someone for the public to adore and fawn over so the association between Wizard and Goodness is crystal clear.

And by bringing Glinda along, Elphaba has unknowingly served that figurehead up on a platter.

Glinda is everything Elphaba isn’t, from personality, to appearance - Morrible has already set Elphaba up by calling her green skin an “outward manifestorium of her twisted nature,” which paves the way for Glinda, who is the perfect conventional beauty, to be an “outward manifestorium” of pure goodness. 

Morrible realizes they need these two lightning rods of Absolute Evil and Absolute Good in order to manipulate people - fear alone isn’t enough; the only way to effectively radicalize the populace is to make sure there is no gray area whatsoever, no room for question: you're either good, or you’re evil. And the Wizard alone isn’t a strong enough representation of “goodness” when by virtue of existing, he has to remain in the shadows. Glinda on the other hand? With her looks and her charm and her openness and her ability to expertly win over a crowd? Perfect for the role.

Now the tricky part for Morrible is taking into consideration that Glinda and Elphaba love each other. But we also know from earlier scenes that Morrible is a master at manipulating emotions. Right from the start when Elphaba is having trouble with her magic, Morrible casually brings up the “Animals should be seen and not heard” disturbance from class, spoon-feeding her just enough to get Elphaba upset, triggering her magic, after which Morrible makes sure to give her assurance and praise to keep Elphaba optimistic about her power.

She’s also aware that Glinda does have quite a bit of influence over Elphaba, because when Elphaba flees, Morrible immediately tasks her with winning her over, rather than simply relying on the guards or even going after Elphaba herself. She knows if anyone has a chance at roping Elphaba back in, it's Glinda.

Obviously, Glinda isn’t successful in getting her back, but while this puts a dent in Morrible’s plans to get control of Elphaba, it does give her an extra weak spot to exploit in Glinda.

So now, at the height of “Defying Gravity” when Elphaba has officially taken her stand against them, Morrible sees Glinda, and Glinda is at her most vulnerable, her most emotionally fragile. Not only is she heartbroken and in shock, she’s also just witnessed in real time exactly how easy it is to turn an entire nation against someone. She’s scared, she’s powerless. She’s just lost the love of her life her only friend, she has no one to turn to - Morrible has definitely picked up on the fact that even though Glinda has countless people who fawn over her, none of them can be considered a true friend except for Elphaba, which means Glinda is completely isolated. Glinda also has a very limited understanding of the bigger picture of what the Wizard is trying to accomplish, and because she’s never been a victim of the system the way Elphaba has, she is still desperately clinging to the idea that everything will be okay as long as she plays by the rules of the people in power.

She has been perfectly primed for Morrible to begin manipulating, not through violence or intimidation, but by offering her comfort when no one else would - when not even Glinda’s only friend would - when no one else is even paying attention to Glinda, because they have the very real and present threat of Elphaba quite literally hanging over them. In this moment, Morrible chooses Glinda, which Glinda has been striving for since the beginning. Elphaba has chosen her principles, the Wizard has chosen his enemy, but Morrible has chosen Glinda, and in this moment of being so alone and so afraid and so betrayed, that makes all the difference.

We also get kind of a parallel shot too - Elphaba really sealed her fate the second her hand closed around the broom. But here, Glinda seals her fate when she gives in and reciprocates Morrible’s hold on her.

THIS is the moment that sets us up for Part 2, with Elphaba and Glinda as our lightning rods for Absolute Evil and Absolute Good, but more to the point, it makes it clear that they’ve BOTH been used, they’ve BOTH played right into these respective roles Morrible and the Wizard need in order to be successful - even if it wasn’t how Morrible originally planned for things to go.

I just love it, because “Defying Gravity” is Elphaba’s song - it’s triumphant, and it’s heartbreaking, and it’s everything a defining moment should be for a character. But by injecting this little moment between Morrible and Glinda into the scene, we also get an underlying current of dread because we know we’re about to see the consequences of Elphaba’s defiance versus Glinda’s compliance and how both serve to benefit the Wizard/Morrible’s propaganda.

TL;DR - when I said "I want to talk about this scene between Morrible and Glinda for a sec" I clearly meant "I'm gonna write a whole essay. Like a nerd."