#1976 mary a

[littlequeenies]

September 23rd, 1976 - Chrissie May, Brian May, John Deacon and Pete Brown, (middle row) Roger Taylor and Jo Morris, and (front row) Mary Austin, Freddie Mercury and John Reid  at Kempton Park Racecourse in Surrey, to promote Queen’s album ‘A Day at the Races’.

John Reid invited Queen members and their couples to bet on a horse race. Without knowing, all of them chose the same horse, who won.

Photos by Andre Csillag/Shutterstock.

[texaschainsawmascara]

Carrie (1976) / The Virgin Suicides (1999)

[heartshapelocket]

[blacksatindahlia]

feeling a lot like film girls covered in blood lately

[br3akfestattiffanys]

My biggest advice to any blogger, something that took me a while to come to terms with since I started my blog really young, is to not let envious people deter you from cultivating a blog you feel proud to call yours. ⋆ ˚｡⋆౨ৎ˚

[ozu-teapot]

Marie-poupée (AKA Marie, the Doll) | Joël Séria | 1976

Jeanne Goupil

[peachyfuck18]

Horror family headcanons

The Meyers-Voorhees

Dads

+

Their kids they stole adopted

The Batemans

Maternal Grandma

+

Older Brother + Sister

The Lecters

Dads

+

Son

So anyway if you have any other headcanons let me know

[stevienicksrarities]

Adorable unseen polaroid of Stevie and Mary Torrey in 1976

Credit to Mary Torrey Devitto for sharing

[sundaysprettydolls1891]

[digitalfountains]

Marie Helvin by David Bailey

- 1976

[cmonbartender]

Ward 81 (1976) - Mary Ellen Mark

[deadteenboys]

Marie Poupée (1976)

[pretty-little-fools]

[sesiondemadrugada]

Underground (Emile de Antonio, Mary Lampson & Haskell Wexler, 1976).

[ludmilachaibemachado]

The McCartneys at the airport 1976🌼🌵🌼

Via @paulandlindaforever on Instagram🌵

[theunderestimator-2]

Punk Magazine staff: photograher Roberta Bayley, journalist Mary Harron & co-founding editor John Holstrom as captured outside CBGB by Godlis in 1977.

Mary Harron, a filmmaker in later years best known as the director of American Psycho, had actually lived in England and had attended Oxford University before moving to NYC and becoming part of its '70s punk scene. In 1976 she was sent to London to interview the Sex Pistols for Legs McNeil's legendary Punk Magazine:

"You could really feel the world moving and shaking that autumn of 1976 in London. I felt that what we had done as a joke in New York had been taken for real in England by a younger and more violent audience. And that somehow in the translation, it had changed, it had sparked something different. What to me had been a much more adult and intellectual bohemian rock culture in New York, had become this crazy teenage thing in England. I remember going to see the Damned play that summer, who I thought were really terrible. I was wearing my Punk magazine T-shirt and I got mobbed. I mean I can't tell you the reception I got. Everyone was so excited that I was wearing this T-shirt that said "Punk". I was just speechless. There I was backstage, and there were hundreds of little kids, like nightmares, you know, like little ghouls with bright red dyed hair with white faces. They were alll wearing chains and swastikas and things stuck in their head, and I was like, 'Oh my god, what have we done? What have we created?' I felt like we had been doing this thing--and now that we had created something else that we never intended, or expected. I think English punk was much more volatile and edgy and more dangerous." Mary Harron from "Please Kill Me: The Uncensored Oral History of Punk"

(via & via)