#1883 icons

[televsion]

Isabel May as Elsa Dutton 1883 (2021-2022), Season 1

[grqnticons]

please like if you use.

[visit-new-york]

Exploring Brooklyn's Icons: A Guide to Empire Stores Dumbo and the Brooklyn Bridge

Brooklyn, New York, is a treasure trove of iconic landmarks and historical sites. Among these, Empire Stores Dumbo and the Brooklyn Bridge stand out as must-visit destinations. Whether you're a local or a tourist, here's everything you need to know about getting to these attractions, navigating the Brooklyn Bridge, and discovering the rich history that surrounds it.

How to get to Empire Stores Dumbo?

Empire Stores, located at 55 Water Street, Brooklyn, NY 11201, is easily accessible by various modes of transportation. If you're using public transit, take the subway to the High Street-Brooklyn Bridge station (A, C trains) and enjoy a picturesque stroll toward the East River. Alternatively, several buses serve the Dumbo area, providing convenient options. If you prefer driving, parking facilities are available in the vicinity.

Are there any restrictions for cyclists on the Brooklyn Bridge?

Cyclists are welcome on the Brooklyn Bridge, and there's a dedicated lane for them. However, it's important to be aware of any restrictions during special events or maintenance periods. Adhering to traffic rules and being mindful of pedestrian traffic ensures a safe and enjoyable ride across this historic bridge.

How many lanes does the Brooklyn Bridge have for vehicular traffic?

The Brooklyn Bridge boasts six lanes for vehicular traffic, with three lanes in each direction. The outer lanes accommodate regular traffic, while the inner lanes are reversible, changing direction based on the time of day to optimize traffic flow.

What is the current condition of the Brooklyn Bridge?

As of the latest available information, the Brooklyn Bridge is generally in good condition. Regular inspections and maintenance work are conducted to preserve its structural integrity. For the most up-to-date information, it's advisable to check with local authorities or official sources.

Are there any interesting events or stories related to the construction of the Brooklyn Bridge?

The construction of the Brooklyn Bridge, spanning from 1869 to 1883, is a tale of engineering marvels and human determination. Notably, Washington Roebling, the chief engineer, faced decompression sickness during construction. His wife, Emily Warren Roebling, played a pivotal role in overseeing the completion of the bridge, a testament to her resilience and dedication.

How many years did it take to build the Brooklyn Bridge?

The Brooklyn Bridge took a total of 14 years to build, showcasing the dedication and perseverance of the individuals involved in this historic project.

Has the Brooklyn Bridge ever undergone significant renovations?

Over the years, the Brooklyn Bridge has undergone significant renovations to ensure its longevity. Preservation efforts focus on maintaining its historic elements while incorporating modern engineering standards to meet safety requirements.

Are there any guided tours available for the Brooklyn Bridge?

Immerse yourself in the history and architecture of the Brooklyn Bridge by taking a guided tour. Several local operators offer insightful tours, providing a deeper understanding of the bridge's significance. Check with local tour providers or visitor centers for the latest information on available tours.

Can you see the Statue of Liberty from the Brooklyn Bridge?

While the Brooklyn Bridge offers breathtaking views of the Manhattan skyline, keen observers can catch glimpses of the Statue of Liberty from certain points along the bridge. The panoramic vista makes the bridge a unique vantage point for appreciating this iconic symbol.

Are there any special events or celebrations held on the Brooklyn Bridge?

The Brooklyn Bridge occasionally hosts special events, celebrations, and festivals. Fireworks displays, cultural events, and charity walks are just a few examples of the diverse activities that take place on or around the bridge. Stay updated on local event listings for information on upcoming activities.

In conclusion, exploring Empire Stores Dumbo and the Brooklyn Bridge is a journey through history and modernity. Whether you're fascinated by the engineering prowess of the bridge or captivated by the events surrounding its construction, Brooklyn's iconic landmarks promise an enriching experience for every visitor.

[pmamtraveller]

EDVARD MUNCH - THE SCREAM, 1893

Originally named "The Scream of Nature," the painting shows a figure resembling a skeleton, standing on a bridge with hands covering his face, screaming. Two individuals observe from afar. The simplified shapes, color palette, and perspective are all characteristic of Munch's unique style.

Munch wrote in his diary his inspiration for this piece. It reads, “I was walking down the road with two friends when the sun set; suddenly, the sky turned as red as blood. I stopped and leaned against the fence, feeling unspeakably tired. Tongues of fire and blood stretched over the bluish black fjord. My friends went on walking while I lagged behind, shivering with fear. Then I heard the enormous, infinite scream of nature.”

What Munch witnessed could possibly be attributed to the explosion of a volcano on the island of Krakatoa in May 1883, located in present-day Indonesia. The massive explosion had a global impact. Munch and his friends likely witnessed the amazing red sunsets due to gases being dispersed into the atmosphere. Similar effects were reported as far as the United States, quite far from its origination.

This work speaks to individuals and is interpreted as a representation of the universal anguish of modern humans. Today, it is considered an iconic symbol. It is acknowledged not only by art enthusiasts but also by the general public. In 1994, this particular edition of “The Scream” was stolen from the National Gallery in Oslo, Norway. Luckily, it was found shortly thereafter.

[ghostflowerdreams]

Who are your favorite artists? The art kind.

I'm a bit surprised I haven't been asked this question before!

I appreciate so many artists that it's hard to narrow it down. But based on what I can remember and what I can check on my Instagram and bookshelf, here are some of my favorites:

Gustave Doré (1832–1883) → A French artist, illustrator, and sculptor, celebrated for his intricate and dramatic engravings and illustrations. He is best known for his illustrations of classic literary works, including Dante Alighieri's The Divine Comedy, John Milton's Paradise Lost, and Edgar Allan Poe's The Raven. His skillful blend of realism and romanticism, combined with his mastery of visual storytelling, has established him as a significant figure in the history of illustration and fine art.

Vincent van Gogh (1853–1890) → A Dutch post-impressionist painter renowned for his expressive use of color and bold brushwork, which had a profound influence on 20th-century art. His most famous works, such as Starry Night, Sunflowers, and The Bedroom, showcase his unique style and emotional depth, capturing the beauty of the world around him.

Henriëtte Ronner-Knip (1821–1909) → A Dutch-Belgian painter best known for her detailed and charming depictions of domestic cats. Specializing in animal paintings, her style combined realism and a romantic touch, often portraying cats in cozy, playful, or elegant settings that captured their personalities and grace. She was celebrated for her ability to convey texture, particularly in fur, and created intimate, lifelike scenes that became popular in 19th-century bourgeois society.

John William Waterhouse (1849–1917) → A British painter associated with the Pre-Raphaelite movement, known for his romantic and mythological subjects. His art style blends elements of Romanticism and Classicism, featuring realistic figures, rich colors, and a strong focus on nature and detail. Waterhouse is best known for his depictions of female figures from mythology and literature, such as The Lady of Shalott and Ophelia, which convey a sense of beauty, melancholy, and mystery, making his work iconic in the realm of 19th-century art.

Harry Clarke (1889–1931) → An Irish stained-glass artist and illustrator. His work was influenced by Gothic art, Symbolism, Art Nouveau, and Irish folklore. This blend resulted in a distinctive aesthetic that harmoniously intertwines beauty with darker themes. Clarke is best known for his illustrations in classic literary texts, including James Joyce's Dubliners and Edgar Allan Poe's Tales of Mystery and Imagination. In these works, his illustrations masterfully balance whimsy and darkness, creating striking visual narratives that continue to resonate with audiences.

Alphonse Mucha (1860–1939) → A Czech painter and decorative artist best known for his distinctive Art Nouveau style, characterized by intricate, flowing lines, elaborate floral motifs, and a harmonious use of soft colors. Mucha's work often features idealized female figures, embodying beauty and elegance, and is heavily inspired by his fascination with nature and Slavic folklore. He gained fame for his poster designs, particularly those promoting the actress Sarah Bernhardt, as well as his decorative panels and illustrations.

J.C. Leyendecker (1874–1951) → An American illustrator renowned for his iconic magazine covers and advertising art, particularly his work for The Saturday Evening Post and the Arrow Collar Man campaign. Leyendecker's mastery of visual storytelling and branding helped shape American commercial art in the early 20th century, and he significantly influenced later artists, including Norman Rockwell.

Leonid Afremov (1955–2019) → A Belarusian-born artist known for his vibrant, impressionistic paintings created using a palette knife technique. His distinctive art style features bold colors and dynamic brushstrokes, often depicting landscapes, city scenes, and emotional moments, such as rain-soaked streets or sunlit parks.

Ayami Kojima → A Japanese artist and illustrator best known for her work in video game design, particularly as the character designer for the Castlevania series. Her art style is characterized by intricate, gothic aesthetics, combining dark fantasy elements with a detailed, ethereal quality.

Victoria Francés → A Spanish illustrator known for her evocative illustrations that blend gothic, fantasy, and romantic themes. She is particularly known for her illustrated books, including the popular series Faery Tales, which showcases her unique blend of fantasy and gothic aesthetics.

Yoshitaka Amano → A Japanese artist and illustrator renowned for his distinctive style in character design and concept art, particularly for the Final Fantasy video game series. His style fuses his interests in traditional Japanese aesthetics like those of wood block prints with Western fantasy elements. It results in ethereal forms, and a dreamlike quality, especially with Amano's use of watercolor techniques and intricate details to create a sense of movement and fluidity in his work.

Nico Delort (IG: nicodelort) → A French illustrator known for his detailed, black-and-white artworks created using scratchboard techniques. His art style is heavily influenced by the aesthetics of 19th-century engravings and woodcuts, blending elements of Gothic, fantasy, and mythological themes. Delort's work is recognized for its dramatic use of light and shadow, intricate textures, and atmospheric depth, often depicting moody, fantastical scenes.

Vania Zouravliov → A Russian-born artist known for his intricate, surreal illustrations that blend dark, fairy-tale-like themes with fine detail and symbolism. Zouravliov's work explores beauty and darkness, merging the macabre with the fantastical.

James Jean (IG: jamesjeanart) → A Taiwanese-American visual artist and illustrator known for his surreal, highly detailed works that blend elements of fantasy, mythology, and pop culture. Jean gained early recognition for his award-winning covers for DC Comics' Fables series.

Audrey Kawasaki (IG: audkawa) → A Japanese-American artist known for her blend of contemporary Japanese aesthetics and Western art influences. Her ethereal paintings often depict young women surrounded by nature, featuring intricate line work and a soft color palette. Her works are typically painted on wood panels, adding a quality that enhances the emotional depth of her subjects.

Jessica Cioffi (IG: Loputyn) → An Italian artist known for her enchanting illustrations and concept art that seamlessly blend traditional and digital techniques. Her work reflects the influence of 19th century neo-gothic and Japanese manga, and among the artist's favorite themes are witchcraft, folklore, and mystery.

Wenqing Yan (IG: yuumeiart) → A Chinese-American digital artist and illustrator known for her detailed, expressive art. Her style blends elements of anime, fantasy, and realism, featuring vibrant colors and intricate designs. Yan draws inspiration from nature, technology, and personal experiences, and she is well-known for her webcomic Fisheye Placebo and art series like Knite, which explore themes of activism, technology, and the environment.

Gretel Lusky (IG: gretlusky) → An Argentine digital artist and illustrator, Gretel Lusky is recognized for her whimsical, vibrant artwork featuring fantasy characters, and magical themes. Her style blends cartoon and anime elements, characterized by bold lines, expressive characters, and a colorful palette. She is well-known for her enchanting illustrations on social media, where she shares art tutorials and collaborates on various comics, book covers, and other projects. She is also known for her debut graphic novel Primer, an original graphic novel for DC Comics.

Margaret Morales (IG: margaretmoralesart) → A Filipino watercolor artist currently residing in America. Margaret Morales is known for her dreamy, ethereal portraits that intertwine feminine figures with elements of nature, such as flowers and animals. Her style, characterized by soft brushwork and pastel hues, creates a surreal, fairytale-like atmosphere. Her evolving work draws inspiration from art nouveau, mythology, fantasy, natural elements, Japanese/manga art, and fashion.

Tactooncat → An Indonesian digital artist known for creating illustrations that feature cats in a humorous and whimsical style, particularly cat memes and videos. Their work appeals to cat lovers and fans of lighthearted, expressive illustrations.

There are so many more, but hopefully the ones I've mentioned have caught your interest enough that you'll want to look them up. Each artist offers a unique perspective, whether through their distinctive style, use of color, themes, or techniques—there’s plenty to discover and enjoy.

[diioonysus]

geneviève lantelme (1883-1911) was a french stage actress, socialite, fashion icon, and courtesan. she was considered by her contemporaries to be one of the most beautiful women of the belle epoque. she is remembered for the mysterious circumstances of her death: on the night of 24/25 July 1911, she fell from the yacht of her husband, alfred ddwards.

[billboard-hotties-tourney]

Before the Billboard Hotties Tourney finale commences (and yes, it is still temporarily postponed, unfortunately) I wanted to share a few statistics on the contestants that I thought were interesting.

First, we have the countries of origin of our contestants. Of the 256 that were in the tourney, over half of them were American (additionally, 2/3 of the quarterfinalists, 3/4 of the semifinalists, and both of the finalists are from the United States.) But we also had representation from about a dozen other countries and five different continents! Maybe if there's a sequel tourney next year, we'll see more countries represented.

One of the biggest differences between this tournament and the one at our inspiration (hotvintagepoll) is...just how many people are still alive. While only a handful of the men from the vintage actor tournament are still alive, just over half of our competitors here are with us to this day, or at least the day the polls started--some are even close to centenarian status. I guess that ten-year difference in year constraints makes all the difference!

Considering that many of the contestants fall into the genre of rock or pop in some form, I thought it would be interesting to look at how many of them are in the Rock and Roll Hall of Fame. While it's not the be-all and end-all of music, it's one of the most iconic musical halls of fame, and we certainly have our share of icons here. Of the 256 individuals in the tournament, 157 are in the RRHOF either as solo artists or as part of their band, including brand-new inductees Lou Gramm of Foreigner and Peter Frampton. As for the 99 contestants who aren't in the club (yet,) don't worry; it doesn't mean you're inarticulate. (Bye-bye, Jann Wenner)

As for when the contestants were born, there was a clear and overwhelming majority. 157 of the 256 contestants were born in the 1940s, most likely beginning their musical careers in the 60s and 70s. Those who were 1950s-born made up the second-biggest group with just 34. There was, to my delight, still a handful of contestants who were born in the 30s or earlier, the oldest contestant being Edgard Varèse (born in 1883!) Each image next to the decade depicts the longest-surviving person from the respective age group, and as you can probably tell, the young(?) guys really killed the competition.

Stand by, everyone, for the Billboard Consolation Prizes and the finals of the Billboard Hotties Tourney!

[moodoo-van-spoon]

Figaro's Famous Fanfare | 66 Brilliant Baritones Battle OUT NOW!

Gioachino Rossini’s opera Il Barbiere di Siviglia (The Barber of Seville) remains one of the most beloved and enduring works in the operatic repertoire.

Among its many memorable moments, Figaro's entrance aria, "Largo al Factotum," stands out as a tour de force for the baritone voice and a cornerstone for both character development and comedic expression.

The famous "Figaro, Figaro, Figaro" section, performed unaccompanied, exemplifies Rossini's wit, musical humour, and masterful control of operatic timing.

This moment showcases the singer’s vocal precision, agility, and musicianship, while also highlighting their acting skills, characterisation, dramatic flair, and ability to engage the audience.

In this 10-minute video, 66 great operatic baritones bring their own unique interpretations to this iconic a cappella passage.

List of Figaros:

Giuseppe Campanari [1855–1927] — Over 200 Met performances Mattia Battistini [1856–1928] — ‘King of Baritones’ Joseph Winogradoff [1866–1936] — Sang Figaro in Yiddish John Forsell [1868–1941] — Debuted as Figaro Mario Sammarco [1868–1930] — Noted for versatility & acting Emilio De Gogorza [1872–1949] — Recorded prodigiously

Riccardo Stracciari [1875–1955] — Figaro a signature role Giuseppe De Luca [1876–1950] — Created Sharpless & Schicchi Titta Ruffo [1877–1953] — ‘Voice of The Lion’ Pasquale Amato [1878–1942] — Sang at the Met 1908–1921 Peter Dawson* [1882–1961] — Bass-baritone. Over 1500 recordings Carlo Galeffi [1882–1961] — One of the finest interwar baritones

Enrico Molinari [1882–1956] — Sang as bass & baritone Armand Crabbé [1883–1947] — A lead in London 1906–1914, 1937 Giuseppe Danise [1883–1963] — Four Met premieres Anafesto Rossi [1883–1933] — Graduated as a bass Enrico De Franceschi [1885–1945] — Figaro in Turin & Honduras Umberto Urbano [1885–1969] — Recorded ‘marvels of lyric beauty’

Apollo Granforte [1886–1975] — c.1800 performances Giulio Fregosi [1887–1951] — Figaro in Paris Luigi Montesanto [1887–1954] — Created Michele Giacomo Rimini [1887–1952] — Sang Figaro with GalliCurci Heinrich Schlusnus [1888–1952] —Top German interwar lyric baritone Mariano Stabile [1888–1968] — Outstanding singing-actor

Richard Bonelli [1889–1980] — Sang Figaro in early sound film Benvenuto Franci [1891–1985] — A top Figaro interpretator John Charles Thomas [1891–1960] — Hollywood Walk of Fame Mario Basiola [1892–1965] — 66 roles. Taught by Cotogni Giovanni Inghilleri [1894–1959] — Sang with Ponselle & Gigli Lawrence Tibbett [1896–1960] — Legendary singer & actor

Iso Golland [1898–1961] — Respected pedagogue Dennis Noble* [1898–1966] — Bristolian [UK]. Prolific broadcaster Carlo Tagliabue [1898–1978] — Sang Wagner, Excelled at Verdi Ivan Petroff [1899–1963] — Debuted as Figaro Igor Gorin [1904–1982] — Cantor fluent in 8 languages Alexander Sved [1906–1979] — Taught by Sammarco & Stracciari

Frank Valentino [1907–1991] — 26 roles in 21 seasons at the Met Leonard Warren [1911–1960] — Met lead. Had a top C Gino Bechi [1913–1993] — Cast in musical films Tito Gobbi [1913–1984] — 136 roles over 44 years Paolo Silveri [1913–2001] — Sang as bass, baritone & tenor Giuseppe Valdengo [1914–2007] — Debuted as Figaro

Josef Metternich [1915–2005] — Created Hindemith’s Kepler Giuseppe Taddei [1916–2010] — Aged 69 at Met debut Robert Merrill [1917–2004] — Met’s principal baritone Manuel Ausensi [1919–2005] — Famous full recording of this opera Sesto Bruscantini [1919–2003] — Also sang Bartolo Aldo Protti [1920–1995] — Student of Basiola

Ettore Bastianini [1922–1967] — Recorded this opera for Decca Cornell MacNeil [1922–2011] — ‘Rivals, but [..] no equals’ Renato Capecchi [1923–1998] — Singer, actor & director Frank Guarrera [1923–2007] — Figaro a signature role Rolando Panerai [1924–2019] — More than 150 roles. Famed for buffo Piero Cappuccilli [1926–2005] — 17 major Verdi roles

Nicolae Herlea [1927–2014] — Sang Figaro c.550 times Peter Glossop [1928–2008] — A lead in London, Europe & USA Hermann Prey [1929–1998] — Figaro in film and live TV Yuri Gulyayev [1930–1986] — Figaro a best role Yuri Mazurok [1931–2006] — People’s Artist of the USSR Stoyan Popov [1933–2017] — ’The Bulgarian Titto Gobbi’

Sherrill Milnes [1935-] — Recorded Figaro under Levine Franco Pagliazzi [1937–2018] — Became dramatic tenor Silvano Carroli [1939–2020] — Taught by Mario Del Monaco Muslim Magomayev [1942–2008] — ’Soviet Sinatra’ Allan Monk [1942-] — Awarded a Golden Jubilee Medal Amartuvshin Enkhbat [1986-] — Numerous international awards

*Recorded 'Largo al Factotum' in the Key of Bb

Please join me for the premiere of this new video and share your thoughts in the comments and in the chat! I’m curious… Who’s YOUR favourite Figaro?! 🎶

There's a 'notify me' option available on the video page

Feel free to invite anyone else who might enjoy it— I look forward to you joining me there! Moodoo Van Spoon

[lillipad72]

The Annotated Anne of Green Gables ~~ a special rereading

CHAPTER IV ~~ Morning at Green Gables

hello everyone, i am back! i have actually been traveling this past month abroad and have not really had much ability to be on tumblr, but i have returned so expect more from me again!

"I think he's lovely...He is so very sympathetic. He didn't mind how much I talked -- he seemed to like it. I felt that he was a kindred spirit as soon as I ever saw him."

Anne's iconic recurring title of 'kindred spirit' for people she connects with on a deep level probably comes from a well-known poem by Thomas Gray, a very popular English poet, despite only publishing thirteen poems in his lifetime. The poem "Elegy in a Country Churchyard" was found in the Fifth Royal Reader, published in 1873, so it is likely Anne would have come across this term there, but this term is also located in The Story of an African Farm by Olive Schreiner, published in 1883, and Elizabeth Von Arnim's Elizabeth and Her German Garden, published in 1898. While it is not completely certain where L.M. Montgomery would have first heard this term, odds point to the Gray poem, and based on the timeline of Anne, it appears this would also be where Anne Shirley would have picked it up. That part of the poem goes as follows: "for thee, who mindful of the unhonored dead / Dost in these lines their artless tale relate, / If chance, by lonely contemplation led, / Some kindred spirits shall inquire thy fate," (Stanza 24, 11. 93-96). Gray's poem was partly inspired by the death of fellow poet Richard West and its themes include death and remembrance. This is an interesting place for Anne to pick up from, noting that she herself has experienced loss, most intimately in that of her parents. I wonder if she thinks of herself as her parents' kindred spirit who thinks about them after they passed, and she herself longs for someone who will remember her so deeply even when she has gone somewhere else.

"Oh, I like things to have handles even if they are only geraniums. It makes them seem more like people. How do you know but that it hurts a geranium's feelings just to be called a geranium and nothing else? You wouldn't like to be called nothing but a woman all the time. Yes, I shall call it Bonny. I named that cherry-tree outside my bedroom window this morning. I called it Snow Queen because it was so white."

This passage makes it abundantly clear that L.M. Montgomery inspired Anne from her own childhood experiences. This instance is taken almost exactly from her journal. On September 21, 1889, when she was thirteen years old, she wrote: "There wasn't any school, so I amused myself repotting all my geraniums. Dear things, how I love them! The 'mother' of them all is a matronly old geranium called 'Bonny.' I got Bonny ages ago -- it must be as much as two or three years ... I called it Bonny -- I like things to have handles even if they are only geraniums ... And it blooms as if it meant it. I believe that old geranium has a soul!" It seems that L.M. Montgomery went through her earlier journals and looked for examples of youthfulness that she could use to create Anne!

next chapter

[schmergo]

I've recently done a little bit of research for some stuff adjacent to the production of The Adventures of Sherlock Holmes that I'm in right now and, in checking whether certain scientific institutions and inventions would have existed during the time of the play, I discovered something kind of interesting: many of the ones I've looked up were coincidentally established within 5-10 years of the setting.

The first bunch of Sherlock Holmes stories, the source materials for this play, came out between 1887 and 1893. The Natural History Museum? Opened fully in 1883. The Prime Meridian? Officially established in 1884. Tower Bridge? Built between 1886-1894. The Tube running northwest from Baker Street? 1880. London's first electrical power station? 1882. Those are just the ones I happened to look up. Telegrams are common in the Sherlock Holmes tales, and by the later Sherlock Holmes stories, he's using a telephone and even automobiles are mentioned.

Reading the Sherlock Holmes stories with that context of a world full of rapid changes and advancements, I feel like it comes across differently. It seems to say, "There's a scientific answer for everything." His unique detecting style, based on simple observations, made it seem like the age-old problems of crime and criminals could be defeated by logic and reasoning. I think there's a level of idealism, that even the most difficult crimes are solvable and bad actors are no match for modern scientific knowledge.

Reading Sherlock Holmes cases often gives the comfortable feeling of order and justice being served. I think that's the same reason true crime content is so popular today in another age of rapid digital advances-- and if we guess the solution, it's doubly satisfying. It's also why Sherlock Holmes is so easily translated to modern day.

But that also makes me think about another book and another equally iconic character that came out around that same time period: Dracula, published in 1897. And Dracula takes a lot of the same themes and seems to say the exact opposite.

I think one of the biggest things that surprises first-time readers of Dracula is how modern Dracula feels and how much technology is used in the book. Like the Sherlock Holmes stories, it was set in roughly 'modern day' when it was written. The 'good guys' use trains, telephones, typewriters, and even blood transfusions. But when Dracula, an old-world monster, arrives in their modern newfangled city of London, all of that technology is useless against him. And so is any ability of theirs to deduce a simple scientific explanation for what's going on.

When Dracula starts sneaking into their friend’s house and sucking her blood each night, the signs are obvious, right down to the puncture marks on her neck. The reader and audience knows what’s up waaaay before the characters do. It’s infuriating! You want to jump up and down and yell, “A VAMPIRE IS KILLING HER!” But why don’t they see what’s right in front of their faces? Because they’re thoroughly modern upper-middle class British people who live in a scientifically advanced world and believe in reason.

The chaos of true evil is more powerful than logic and reason. To defeat him, they need to get on his level and use superstition and religion and folklore. It's the polar opposite of a story like "The Hounds of the Baskervilles," published five years later.

All that said... I would love to see a Sherlock Holmes and Dracula crossover. How long would it take Holmes to deduce that he had run into a real vampire? Would he make all the correct observations and keep coming to the wrong conclusions? Would he be able to accurately predict the patterns of Dracula's behavior when his opponent has superhuman abilities and can transform into multiple different types of animals?

Or, given Holmes' somewhat addictive and adrenaline-driven personality, his superior attunement to his senses, his surprising revival from the dead, and his innate instinct to 'catch his man' at any cost... would he himself make the most dangerous vampire of all?

[gogmstuff]

Images of Geneviève Lantelme -

According to Wikipedia "Geneviève Lantelme (born Mathilde Hortense Claire Fossey, 20 May 1883[1] – 24/25 July 1911) was a French stage actress, socialite, fashion icon, and courtesan. Considered by her contemporaries to be one of the most beautiful women of the Belle Epoque and bearing a resemblance to American actress Ethel Barrymore, she is remembered for the mysterious circumstances of her death: on the night of 24/25 July 1911, she fell from the yacht of her husband, Alfred Edwards."

1902 (May issue) Lantelme in Paquin, Les Modes May issue. From verbinina.wordpress.com/page/8/ 2106X3000.

1902 Geneviève Lantelme, Théâtre du Gymnase, photo by Reutlinger, Les Modes July 1902. From les-modes.tumblr.com/image/51225719455; fixed spots w Pshop 1280X1779.

Genevieve Lantelme in Doucet by Reutlinger. From tumblr.com/beautifulcentury859X1600.

ca. 1905 Geneviève Lantelme by Henri Manuel. From Wikimedia 2283X2883.

1907 Mademoiselle Lantelme by Giovanni Boldini (Galleria Nazionale d'Arte Moderna e Contemporanea - Roma, Italy). From Wikimedia 1474X2776.

1907 April Mlle. Lantelme of the Theatre Rejane with lace-trimmed celadon day dress, with pink roses and feathers in her red hair, wearing rings of white and black pearls, photographed by Paul Boyer, on cover of French periodical les Modes 853X1280.

Lantelme in Paquin day dress by Félix. From verbinina.wordpress.com/page/6/ 1266X2806.

ca. 1908/1909 Lantelme in Vionnet gown by ?. From verbinina.wordpress.com/page/3/; fixed larger spots w Pshop 1280X1707.

1910 (June) Genviève Lantelme in Maison Drion-Régnier sheath evening dress, Les Modes - photo by Félix. From les-modes.tumblr.com/page/28 1280X1784.

1910 Geneviève Lantelme in Le Costaud des Epinettes by Abel Faivre (location ?). From Wikimedia 1190X1620.

Lantelme in Paquin afternoon dress by Félix. From verbinina.wordpress.com/page/6/ 1789X2395.

1910 Lantelme in Paquin photo Reutlinger. From verbinina.wordpress.com/page/6/ 2048X3060.

1911 Elegante et son chien (Lantelme with blue hortensias) by Antoon van Welie (location ?). From verbinina.wordpress.com/2015/03/06/an-unknown-portrait-of-lantelme/; doubled size 1600X1032.

1911 Lantelme photo in 2 August 1911 issue of The Bystander. From verbinina.wordpress.com/page/2/; fixed spots w Pshop 815X1186.

1911 Un Vendredi au Salon des Artistes français by Jules-Alexandre Grün (Musée des Beaux-Arts de Rouen - Rouen, Normandie, France). From verbinina.wordpress.com/page/7/; fixed spots & abrasion flaws w Pshop 4800X2800. Lantelme is at the visual center of this work.

Lantelme and dogs by Reutlinger. From verbinina.files.wordpress.com/2015/06/lantelme-cabinet-photo-with-2-dogs; adjusted borders & fixed flaws w Pshop 1094X1594.

Lantelme in La Gamime wearing Paquin by Reutlinger. From verbinina.wordpress.com/page/6/ 1230X1636.

Lantelme in Paquin by Manue. From verbinina.wordpress.com/page/6/ 2197X3360.

Lantelme in Paquin. From verbinina.wordpress.com/page/6/ 1401X2000.

[televsion]

Isabel May as Elsa Dutton 1883 (2021-2022), Season 1

[thedeadleafs]

Chapeau 1911

Les Modes (Paris) May 1911 Mme Lantelme—Chapeau de la Maison Suzanne Weiss :

Chapeau de paille rustique garni d’une pluie de mères de famille, de gros coquelicots et de roseaux.

Model is Geneviève Lantelme (born Mathilde Hortense Claire Fossey, 20 May 1883 – 24/25 July 1911) a French stage actress, socialite, fashion icon, and courtesan.

[visit-new-york]

Unveiling the Marvel: 10 Fascinating Facts About the Brooklyn Bridge

Step back in time to the bustling era of the late 19th century, where innovation and ambition converged in the heart of New York City. The Brooklyn Bridge, an iconic symbol of engineering prowess, stands as a testament to human ingenuity. As we embark on a journey to uncover its secrets, let's explore ten captivating facts that will transport you to the enchanting world of this architectural marvel.

When was the Brooklyn Bridge completed?

The Brooklyn Bridge, a testament to enduring craftsmanship, was completed on May 24, 1883. Imagine the excitement and awe that swept through the city as this colossal structure emerged, connecting the boroughs of Manhattan and Brooklyn.

Who was the chief engineer of the Brooklyn Bridge?

The visionary behind this grand undertaking was none other than John A. Roebling, an engineer with a relentless passion for suspension bridges. Tragically, Roebling succumbed to an injury during the early stages of construction, leaving his son, Washington Roebling, to carry on his legacy and oversee the completion of the bridge.

How long is the Brooklyn Bridge?

Stretching majestically across the East River, the Brooklyn Bridge spans a total length of 5,989 feet. Its dual towers loom high above the water, a testament to the bridge's grandeur and endurance.

What are the main materials used in the construction of the Brooklyn Bridge?

The bridge's construction harnessed the power of steel and stone. The towers were built using limestone, granite, and cement, while the span itself relied on a combination of steel cables and iron. This blend of materials ensured both strength and aesthetic appeal.

How many towers does the Brooklyn Bridge have?

The Brooklyn Bridge proudly boasts two towering sentinels, each standing as a majestic guardian at the entrance of their respective boroughs. These granite-clad towers not only serve as structural anchors but also as enduring symbols of the bridge's resilience.

Can pedestrians walk across the Brooklyn Bridge?

Absolutely! The Brooklyn Bridge welcomes pedestrians with open arms. Take a stroll across its wooden-planked walkway and revel in the breathtaking panoramic views of the Manhattan skyline, the Statue of Liberty, and the bustling river below.

Is there a fee to walk or drive across the Brooklyn Bridge?

Fear not, adventurers! Walking across this historic bridge comes with no price tag. However, if you plan to drive, be prepared to pay a toll. But trust us, the pedestrian experience is unparalleled.

What is the purpose of the Brooklyn Bridge?

Beyond its functional role as a vehicular and pedestrian thoroughfare, the Brooklyn Bridge stands as a symbol of unity, linking two boroughs and transcending the waters that once divided them. Its purpose goes beyond transportation – it's a living testament to human ambition and the relentless pursuit of connection.

How tall are the towers of the Brooklyn Bridge?

Stand in awe as you gaze up at the towering giants of the Brooklyn Bridge. Each tower rises to a majestic height of 276 feet, piercing the sky and leaving an indelible mark on the city's skyline.

How many cables support the Brooklyn Bridge?

The strength of the Brooklyn Bridge lies in its cables, and there are a staggering 14,680 of them! These cables, meticulously woven and anchored, provide the bridge with the support it needs to withstand the test of time.

Conclusion:

The Brooklyn Bridge, a marvel of engineering and a testament to human resilience, continues to captivate hearts and minds. Whether you traverse its walkway, gaze at its towers from afar, or simply revel in its historical significance, the bridge remains a living testament to the spirit of innovation that defines New York City. As you navigate its storied path, remember that you're walking not just across a river but through the pages of history itself.

[sensitiveuser]

Victorine Rouchy-Brocher

Heroine of the Commune, one of icon of anarchism...

Victorine Malenfant is the daughter of Pierre Malenfant, a fervent republican, who had taken part in the fighting. In December 1851, her father was on the proscription list as an opponent of Napoleon III. He took refuge in Belgium. At the age of 21, she was forced to marry Jean Rouchy, a member of the Imperial Guard. She worked as a seamstress. In 1865, Victorine joined a section of the International, then she participated in the founding of a grocery cooperative. Her commitment allowed her to meet Eugène Varlin.

On March 20, 1871, she enlisted as a canteen worker for the Battalion of the Defenders of the Republic. On April 7, the battalion marched towards Neuilly, where a violent battle took place. Victorine became an ambulance woman.

On May 17, she was congratulated by the Official Journal of the Commune for the audacity she had shown "in following the battalion into action and for the humanity she showed towards the wounded during the days of April 29 and 30."

On May 25, the court martial of the 7th sector unjustly condemned her as an arsonist. She managed to take refuge in Switzerland. In Geneva, she worked in a shoe factory. She founded a "shoe cooperative", which allowed her to help former Communards and Russian refugees.

After the St Imier Congress, Victorine joined the Jura Federation, and she was in contact with the Lyon refugee circle. According to Max Nettlau, François Dumertheray (co-founder of the newspaper Le Révolté with Kropotkine) and Antoine Perrare, who had both been involved in the Lyon Commune, "preferred anarchy to communalism very early on" and "arrived in their own way, independently, at anarchy; especially in opposition to certain circles of the Geneva proscription who still felt in possession of the power they had had during the Commune" (Max Nettlau, Histoire de l'anarchie, 1927). What is important, concerning their involvement in the Jura Federation, is that Victorine, François Dumertheray and Antoine Perrare were the first to evoke the idea of ​​a form of communist anarchism (Kropotkine would develop the idea in his theses a few years later). In 1878, while she was clandestinely returning to French soil, Victorine met Ballivet in Lyon. She belonged to the circle that had prepared the speech that Ballivet presented at the Congress of Lyon.

After the amnesty, in 1880, she returned to Paris, and she met Andrea Costa and Errico Malatesta. She is said to have witnessed Malatesta's arrest. It was then that she frequented an anarchist group. She wrote for La Révolution sociale, a magazine directed by Egide Spilleux alias Serraux, secret agent of prefect Louis Andrieux. In 1881, Victorine participated in the founding Congress of the International Working People's Association, as a delegate of the Cercle d'études sociales and the Cercles anarchistes. Before the Congress of the IWPA, she defended the idea of ​​declaring solidarity with any revolutionary act carried out by any group, considering that the greatest solidarity must exist between groups.

In March 1883, she participated in the demonstration at the Invalides, alongside Louise Michel. I recall that it was precisely during this event that Louise Michel raised the black flag for the first time. She began to write for Le Cri du peuple and for anarchist newspapers in Lyon. Following the death of Jean Rouchy, she returned to London, where she married Gustave Brocher, who was none other than the secretary of the IWPA Congress. Victorine and Gustave made their house a refuge for many French, Italian, Russian exiles, and they adopted children of communards.

In 1890, with Louise Michel, she participated in the founding of the Ecole libre.

In 1909, in Lausanne, she published her Memories of a Living Dead Woman. A Woman in the Commune of 1871. Until the end of her days, she continued to write for anarchist newspapers.

She died in 1921.

[mtaartsdesign]

Happy 140th birthday to our city’s iconic landmark, the Brooklyn Bridge! On this day in 1883, the Brooklyn Bridge opened for crossing, connecting Manhattan and Brooklyn with the first permanent fixture over the East River.

Mark Gibian’s “Cable Crossing” (1996) at Brooklyn Bridge-City Hall (4,5,6) and Chambers St (J,Z) stationspays homage to the Brooklyn Bridge's pioneering use of steel cables. Within the west mezzanine a web of cables recalls the graceful forms of the bridge, suspended beneath a skylight. At the turnstiles, three panels use cables as a functional barrier. For the artist, the "lacy" curves of the panels "echo the beauty of the bridge's cross-hatched cables and the feeling of flight as it springs across the East River." The energy of “Cable Crossing” suggests "the controlled power of the subway and its network of metal and concrete that undergirds the city. I wanted to explore movement, using soft curves with hard materials," Gibian says.

Photos: Cathy Carver