#13 reasons why s2

[commsroom]

OK I need you to point me to the nearest entry point into this fandom. I don’t know what this is, but you popped up on my dash.. and I need to know what this is. Please lead the way.

oh!! that's exciting. yes. okay!! wolf 359 is a science fiction audio drama about the isolated and questionably competent crew of a deep space research station, the u.s.s. hephaestus. the initial four characters are comms officer doug eiffel, 'everyman' pop culture guy who really, really hates his job; commander minkowski, who cares about her job and the rulebooks that come with it a little too much, and desperately wants to feel like she's keeping everything under control; dr. hilbert... eccentric? station medical officer and mad scientist whose methods and mission objectives are not entirely above board; and hera, the station's mother program, who struggles with her job and the ways she's perceived by others.

there are other characters who show up later - i would say only three of the above characters are "main" characters, while the actual fourth main character is introduced in s2 - but that requires way more context, and i don't want to get into spoilers, obviously.

wolf 359 is a character drama - it's my personal gold standard for character writing - and the brief descriptions i gave you are the most surface, surface level parts of them. the writers once said something about it, like... that they weren't interested in subverting typical sci-fi character archetypes so much as looking at them and asking "why would a real person behave that way?" and i think it really worked. whether i like them or not, they all feel like real people to me. it has great sound design and a lot of "physicality" in the performances for an audio-only show, which i think comes down to gabriel urbina's film background and the way the scripts are written and performed. (and alan rodi's incredible soundtrack and sense for music cues.) you can't see a lot of what's in the scripts, but they're acted out in a way that you can kinda feel it anyway. i love that.

here's a fan made trailer that i think captures a lot of the right energy. it's a show about a lot of things, but some of the primary themes are communication + music, and i think the collaborative nature of the show itself adds something very sincere to that. it's also about corporate and medical exploitation, resisting dehumanization, what makes us human, connection, identity and autonomy, guilt and accountability, the stories people tell themselves to justify who they are or what they feel it's necessary for them to do, and, of course, the enduring philosophical question: "what's wrong with handcuffs?"

you can check it out at the website i linked above, or anywhere you can listen to podcast feeds! it's free, but they added ads a few years ago, which i hate, so you can pay a dollar here for the ad-free feed if that'll make a big difference in your ability to enjoy it: https://www.patreon.com/Wolf359Radio

it's a sequential story, nothing you really need to know about listening order except that i recommend not skipping the mini episodes (they have important character context and are where they are in the feed for a reason) (with the exception of mission mishaps ones near the end; those are comedy bonus episodes you can listen to whenever) and that you should definitely watch the live show after ep 26 and listen to special episode change of mind between s3 and s4.

i also have a folder here of every recording script where i edited any parts that were different from the show's dialogue + added transcripts for the ones that didn't have available recording scripts, if that's something you'd find useful! i also recommend checking them out just to see what i mean about how they're written.

the first season is pretty short, so i'd say stick with it until at least episode 12/13 (two part finale) if you can - i love the first season, personally, but that's the point it really becomes serialized, and so that's where i think you can safely say if it's something that's going to capture your interest or not. ... and that's it! sorry this is kind of an essay, but i got excited about it. i hope you love the show, please keep me updated, and let me know if there's anything else!!

[love-byers]

can you speak more on your experience becoming a byler cos this always fascinates me, especially when it's people who were once milevens thanks!

absolutely, i love talking about this lol

so i watched stranger things 1 when it came out in 2016 & i was 12. my media literacy wasn't great at the time, and like most people i liked mike and el's little romance. but i did think their kiss came way too fast and kind of out of nowhere. wasn't a fan of that. i thought it would've been better if they didn't get to kiss and made both the audience and mike and el wait. and i was like "uhhh how does she even know what a kiss is" but whatever

then s2 came out, i was 13. i LOVED mike and will's relationship, maybe even more than i liked mike and el's. when mike grabbed wills hand i VIVIDLY remember thinking "they would be such a good couple, but they'd never do that. oh well!". at this point in my life i was realizing my sexuality and was super into queer media. i say that just so you know i was receptive to queer representation and enjoyed it. but to me at that time, i saw stranger things for the massive success it was, famous enough that they'd never have a main character be queer. it just wasn't a thought in my mind that it could ever happen.

i loved the snowball scene and thought mike and el were super cute. i remember thinking "wow their bond must be so deep and they take each other very seriously. it's them against the world"

i was 15 and BEYOND pissed when s3 came out and it was clear mike and el were reduced to comedly relief. i wanted their relationship to be lovable like it was in s2. i hated how mike became so unlikable when he was with el when he was previously shown to be so loyal and caring. and above all, i hated how it was like mike and will's relationship in 2 never happened. i remember thinking "wtf mike?? do you not remember how protective you were of him before?? how close you were??" at the time i thought it was bad writing and it honestly turned me off of s3 and i didn't finish it for like 2 years.

when i finally did i was a bit confused. i remember watching the rain fight and thinking "wow that felt more like a breakup than mike and el's actual breakup" it just struck me how sad it was compared to the breakup. but my heteronormativity towards stranger things was so strong that i didn't even clock will being gay until someone pointed it out for me. and i definitely didn't clock that will was in love with mike. i remember noticing how mike and will were always together and positioned next to each other like jancy and lumax were. but for some reason, and i really don't know why, i just didn't really absorb it.

what really surprised me was the s3 finale, like the final goodbye scenes. during mike and will's i saw mikes reaction to will saying "not possible" and i was like.....hm. he sure seems happy. but whatever

mike and el's goodbye scene just confused me. i didn't understand why mike acted like he didn't know what she was talking about when he spent all season trying to say i love you, i didn't understand why mike didn't close his eyes or kiss her back when he spent all season trying to say i love you, i didn't understand why el walked away and winced, i didn't understand why mike looked like that when she walked away AFTER HE SPENT ALL SEASON TRYING TO SAY I LOVE YOU, and i didn't understand why the music sounded so happy as if NONE OF IT HAPPENED. and when mike hugged karen i was like, why does he look like he just realized something??? wtf is happening???

i didn't realize there was any romance between mike and will until s4. actually, i heard people saying will was gay and in love with mike and i was like "pshh no way". then i saw the trailer where el says will likes someone and i was like "oh my god they did make him in love with mike". but again, for some strange reason, i felt like it was a decision made solely for s4. VERY stupid of me.

here i go more in depth about my specific reactions to s4 scenes but theres one i didn't mention and it's the way mike looks will up and down when he says "cool". i was like "uhh that was kinda flirty..."

but i finished vol 1 thinking about byler a little more. i heard there was a masterdoc about them so i read it, and for the first bit of it i didn't really believe any of it. then i saw the eyewitness parallel and i was like HHHHWHAAAAAAAT???????????????????? i VIVIDLY remember thinking "how is this possible?? didn't this come out of nowh--" and then it ALL hit me in the face. my jaw literally dropped. it's like i rewatched all of st in 3 seconds and everything made sense. the eyewitness parallel finally made me accept the writers would have gay characters and romance, and that was all it took. i never went back. mike and will's bond in s2, the decline of mike and el's relationship, mike and will's tension in s3, mikes reaction to not possible, mike reaction to el saying i love you, all of it made sense. at that point i was like 17 and my media literacy and love/skill for writing had grown a lot. the very first tiktok i made about byler was about how it doesn't make sense for the writers to build this up for so long just for it not to go anywhere, because it doesn't at all. and things just grew from there. i bled blue and yellow and i still do!

it was almost entirely heteronormativity keeping me from seeing byler earlier, so i talk about that a lot. because once you remove that, EVERYTHING makes perfect sense

[somehow-a-human]

The Filming of Good Omens Season 2 -

A Chronological Masterpost

I've finally put together this huge piece of meta that I have been working on for a very long time. I haven't written or posted much about GO since the allegations dropped. I don't think I need to explain anything to all of you about that. It has been hard to find my motivation again, but I'm finally feeling motivated to write, what with season 3 (I will not call it 'the finale' you can't make me) beginning filming very soon and all. <3

In this post I will try to put together the filming timeline of season 2, in order to hopefully give us more context and decipher the reasons behind season 2's blatant discontinuity problems.

I used any and all information I could find. From actors/writers/artists social media accounts, news articles, BTS information, filming slates, and more. We will follow a chronological timeline to establish what order the scenes of Good Omens 2 were filmed in. At the end we'll discuss what the findings might mean for the discontinuities of S2.

Are Crowley's sideburns changing lengths for a reason? Or are you just seeing them consistently grow throughout filming? However, why they might let them grow out instead of just trimming them is a different question all together...

Okay let's jump in!

Before the Beginning...

June 29th 2021 - NG posts on Instagram - Announcing GO series 2, and the BBC also releases an article announcing filming will take place in Scotland.

September 23rd 2021 - Prime XRay Trivia - Episode 3, timestamp 13:04 -

"The background plates for this car scene was the first footage shot for Good Omens Season 2 on September 23rd, 2021 at Forrestburn Hillclimb, weeks before the main shoot began."

This is the background scenery for Aziraphale's drive to Edinburgh, and was likely captured while crew were scouting locations.

October 13th 2021 - Michael posts on Twitter - His hair has been bleached for filming.

October 18th 2021 - NG posts on Instagram - First day of filming on the set in Bathgate, Scotland.

October 18th 2021 - Based on the scene number, this is likely a St. James park scene from early in episode 1 (not necessarily filmed at St. James mind you).

October 19th 2021 - Georgia posts on Instagram - David's hair has been dyed for filming.

October 26th 2021 - Aziraphale receives Maggie's note.

October 18th - 31st 2021 - Prime XRay Trivia - Episode 5, Timestamp 3:53 -

“This was the first scene Michael and David filmed together for season 2"

The scene being referenced is the modern day magic shop scene where Aziraphale invites Mutt to the ball. The ball invite scenes were some of the first scenes filmed. (Excluding the invite to Arnolds as the music shop interior was not actually located on set with the rest of Whickber Street, it must have been filmed later.)

November 2nd 2021 - NG posts on Instagram - A photo of Michael and David on set together. This looks to be one of the outdoor whickber street scenes, my best guess is this would also be the scenes where Aziraphale invites the Whickber Street shopkeepers to the ball.

November 2nd 2021 - NG posts on Instagram - a zoomed in photo of the "cupperty" scene. Only Crowley and Aziraphale's faces are visible. Quelin Sepulveda as Muriel was likely available from the start of filming, so some scenes featuring Muriel were able to be filmed at least prior to November 2nd.

November 6th 2021 - Georgia Posts on Instagram - David and Georgia attend "An Audience with Adele" at the London Palladium, so he must have gone home and spend some time with family <3

November 8th - 12th 2021 - Filming at Stirling Castle Graveyard, Stirling Scotland. This would include the episode 3 bodysnatchers minisode scenes in the graveyard, and Aziraphale's present day visit to the graveyard.

November 15 - 19th 2021 - Filming in Dumbarton and Queensferry. This would include the Edinburgh street scenes from the bodysnatchers minisode and scenes with Dalrymple at Hopetoun House. NG also says "Next week we're back in Bathgate".

November 22nd 2021 - Hell scene - Shax asks Beelzebub if she can attack the bookshop.

November 22nd 2021 - Anna posts on Instagram - The caption is: "It's Scotte-land, daddy!" Based on the previous filming slate, if they were filming scenes in Hell, Michael had some free time to spend with Lyra and Anna <3

November 25th 2021 - Ennon's house/courtyard scene is filmed.

November 26th - December 5th 2021 - News Article - Filming crews and the Bentley are seen at circus lane in Edinburgh, this would be to film any of the scenes when Crowley is in the alley.

December 16th 2021 - Georgia posts on Instagram - David facetimes her from set, holding a Good Omens 2 mug and sporting some styled Crowley hair.

December 18th 2021 - Glasgow donut shop Tantrum Doughnuts posts on Instagram about providing Christmas donuts to the Good Omens crew.

December 25th - January 1st - Georgia posts on Instagram - David is home for the holidays and Anna posts on Instagram Michael is home for the holidays.

This is the point at which Jon Hamm joined the production! He was only available halfway through filming so any scenes with Gabriel/Jim in them were filmed after this point.

January 11th 2022 - Aziraphale's arrival to the Edinburgh pub is filmed, multiple sources post about seeing the production take place.

Jon Hamm is also seen arriving on set in Edinburgh to film his and Beelzebub's Pub scenes.

January 13th 2022 - The ball begins & the demons invade Whickber Street. Scene 19 gives us the dichotomy of the warm jubilance inside of the ball contrasted with the scary scene taking shape outside as Nina and Maggie arrive.

January 14th 2022 - "You are out of order!"

January 17th - 19th 2022 - Scenes 21 - 27 are all the goings on inside the ball: the seamstress conversation, Maggie and Nina dancing, Crowley and Aziraphale dancing, etc.

January 23rd 2022 - Instagram user marty.kelly (also the Supervising Art Director of GO2) posts a photo of a stunt banana peel. Could this be the peel that Maggie tosses from her shoulder during the bookshop invasion?

January 26th 2022 - Filming Slate - "Leave now and nobody will be hurt"

February 12th 2022 - Georgia posts on Instagram - David is home.

February 14th & 15th 2022 - Filming at Bo'ness Hippodrome takes place. These are the whiskey delivery and subsequent magic show scenes from the 1941 minisode.

February 16th 2022 - The hitchhiker scenes from episode 4 with Shax were filmed at Forrestburn Hillclimb. A local car club posted about the filming crews visit.

February 18th 2022 - Shax rousing the troops.

February 22nd 2022 - Douglas posts a photo of himself in front of the blue screen set for the Before the Beginning scenes.

February 24th 2022 - Instagram user kaedesmith7, who worked on the set of GO2 posts a photo of a pen of goats with the caption "Just a normal day at work" - We can guess then that some of the Companion to Owls minisode scenes were filmed on or around this date. If I had to guess, these would be the scenes where the large blue screen set was needed.

February 26th 2022 - Georgia posts on Instagram - David and Georgia go out for a date. Sidenote: cute <3

March 1st 2022 - The last scene is filmed on the last day of shooting. Douglas posted the slate on Instagram and Michael posted on Twitter about "hanging up his angels coat"

Conclusions:

SO! What can we learn from all of this brain rot I've compiled? First, let's list the scenes of GO2 in filming order. I'm going to include some scenes I don't have explicit proof of, but were likely filmed at the same time as others.

Crowley and Shax meet at St. James Park

Azi gets Maggie's note, and additional record shop scenes

Crowley and Aziraphale invite the whickber street shopkeepers to the ball

Coffee shop scenes, Maggie & Nina scenes, and bookshop scenes without Jim were likely filmed around this time

Muriel's arrival and cupperty scenes

Bodysnatchers minisode & Aziraphale's present day visit to the graveyard

Shax asks Beelzebub if she can attack the bookshop, more Hell scenes were likely filmed as a batch during this time.

A Companion to Owls minisode courtyard and cellar scenes

Scenes with Crowley in the alley way: Shax tells him Gabriel is involved, Crowley is summoned to Hell by Beelzebub, Shax tells Crowley she thinks Aziraphale is involved

Aziraphale arrives at The Resurrectionist

Gabriel and Beelzebub's meetings through the years

The Ball and demon invasion

The first weeks of february are likely when they filmed most of Gabriels whickber street and bookshop scenes

1941 minisode scenes at the theater

Shax tricks Aziraphale into picking her up as a hitchhiker

Shax rouses the troops prior to the bookshop invasion

Blue screen scenes were likely filmed around this time including Before the Beginning, the opening and closing scenes for A Companion to Owls

The last scenes were filmed on the final day of shooting.

I couldn't find much to indicate when the Heaven scenes were filmed so if anybody has anything, this is very much a working document so feel free to share!

What does this tell us about a 53 year old man's sideburns? Well, to me it seems like they simply grew out during filming. Does this explain Bildad having two completely different wigs?! NO. Does this explain why they didn't just trim them to a consistent length during filming? NO. When his snake tattoo was being applied nearly under his jawline, there must have been conversation about it's placement, but they chose to leave it for a reason. Why? Well hopefully we'll understand some day.

I can also tell you that the progressive wear on Aziraphale's beloved waistcoat is consistent with the filming timeline. I won't bore you with the entire document filled with screenshots, so you'll have to believe me, but it appears to be that his waistcoat simply aged as filming went on.

What do you think? Let me know your thoughts and as we approach S3 filming, happy sleuthing and happy holidays!

As always a massive thank you to the folx @ineffable-detective-agency for their contributions! @embracing-the-ineffable, @noneorother, @kimberleyjean, @lookingatacupoftea, @komorezuki, @maufungi, @havemyheartaziraphale, @theastrophysicistnextdoor, @dunkthebiscuit, @ghstptats, @251-dmr, @commonmexicanname, @eybefioro, @beebopboom

[theoriginalbylergod]

Mike Wheeler is important and there's nothing wrong with analyzing him

Since y'all wanna be insufferable bitches about it I'm gonna explain to you why he's important, why Will loves him, why his struggles should be acknowledged, and why his character depth is pivotal to byler endgame being a satisfying conclusion for both Mike AND Will. Deal with it!

We are not seeing smoke where there isn't a flame. We are seeing smoke where there is a literal fucking forest fire.

Starting off with something a lot of people aren't ready for but I've seen more people talking about: Mike is the main character of s1 at the very least. He is the character that brings us into the world of stranger things. He is the character that the writers chose for this. Mike is the main character of s1 and it was an instant hit. The writers love Mike. Contrary to popular belief, giving a character an arc where they are struggling and their behavior changes from what is normal for the character we know and love does NOT mean the writers hate that character. It means they deliberately chose to give that character complexity and depth. Your inability to like characters that do anything wrong ever is not the fault of the writers. Your decision to act as if a character is not important is not reflective of the actual narrative because it in fact is in direct opposition to the narrative. So just to be clear, if you genuinely believe that Mike isn't important, or that the writers hate him, or don't care about him, or that his story "takes away" from any other character's - ESPECIALLY WILL'S - you are simply wrong.

In s1 and s2 Mike is established as an extremely caring person. He's loving, loyal, brave, intelligent, and trying his best. He is also established to be hot headed, someone who speaks without thinking quite often, someone who is capable of hurting his friends despite that being the last thing he wants to do. He is all of these things and more. He is a human. He is a kid. So in s3, when suddenly he is entirely different, it is completely logical to assume that there is a reason for that. He did not just wake up one day and decide he wanted to be an asshole, push Will away, make his friends feel abandoned, and echo the same sentiments their bullies held. Something is happening with him. He has so much going on in his head and it is painfully obvious. He's holding something in, he's hiding from everyone and from himself. We see glimpses of what he's trying to hide after Will calls him out on his behavior. Will gets through to him. Mike is usually unresponsive to tough love, except for when it's coming from Will. After their fight, it is obvious that he's trying to be better. But he still doesn't wanna face certain things, and he doesn't know how to navigate that. Because he's 13 years old.

There is a reason for all of that internal conflict. There is a reason it comes pouring out of him at certain times. He's crumbling. He is quite literally falling apart because he's holding on to too much. It's not a stretch to assume that, it just takes basic media literacy. Why would the writers have Mike act this way if he was just supposed to be a one dimensional character? Why would Finn be directed to portray Mike the way he does if there was nothing more going on? There are times where Mike looks like he's in physical pain because of his internal conflict. There is a reason for that. And acknowledging that DOES NOT mean people are taking away from Will. That's the most idiotic thing I have ever heard. Do y'all seriously not understand that more than one character can have emotionally complex storylines? Genuinely asking, is this a new concept for you?

Will's love for Mike

Will is head over heels in love with Mike. That is very much established. So when you're dismissing the emotional depth of Mike's individual arc because you think acknowledging it "takes away from Will" you are actually diminishing the significance of a huge aspect of Will's emotional arc. By taking away the significance of Mike, you take away from the significance of Will.

Let's do a quick recap of the very significant role Mike has played in Will's entire life:

Mike is Will's first friend.

They have grown up together and it can be assumed that they've reached important milestones together.

Mike has always been a safe person for Will. He's been a constant in Will's very chaotic and unfair life. Until the summer of '85, Mike had always been something good in Will's life. (That's not to say he is no longer something good, but it can be assumed that the summer of '85 is the first time Mike has been a causal factor in Will's unhappiness)

When Will went missing, Mike did not hesitate to search for him. It wasn't even a question of if. The moment he knew Will was missing he knew exactly what he'd be doing that night. He spearheaded the search amongst the party. He was the leader.

When Will came back, Mike was the only person that didn't treat him like he was gonna break. He cared for him, and he was there for him, but he didn't treat him differently; Will tells us as much. Which means we can infer that the way Mike was with Will in s2 - how gentle and loving he was - was nothing new. He had just always been like that.

When Will was possessed, Mike stayed by his side. Even when it was scary, even when it could've gotten him killed, he stayed. Because once again, for him, it wasn't even a question. That's just where he knew he needed to be. He was in the shed when they were trying to get through to Will. He was set apart from Lucas and Dustin, but he also wasn't equated to family. And his retelling of the story of the day they first met was the final push Will needed to find a way to communicate.

After a year of things being "weird" between them, Mike tells Will that he didn't deserve to be treated the way he had been. Mike tells him that he wants them to be okay again, and for the rest of the season he puts in the work.

Things get rough in s3, and at the beginning of s4, and despite all of that, Will confesses his love (albeit veiled). In a moment where Mike is feeling awful about himself, he tells him that he loves him and needs him, and he tells him why. And to him it doesn't matter that he's breaking his own heart to do it, because it's Mike. Mike, who makes him feel like he's not a mistake at all, and that he's better for being different. For Will, there was no other option. The person he loves was hurting and he knew how to help, and so he did.

Mike is the first person Will tells about Vecna still being alive. Because they're back to being a team. He knows he can trust Mike, and Mike seems to be very determined to prove him right.

SO.

These are all real and canon aspects of Mike's presence in Will's life. Will falling in love with Mike isn't something that just happened for no reason. Will fell in love with Mike because of who Mike is. When you acknowledge that, and when you acknowledge the reasons they've set out for why Will loves him - the reasons Will literally told us - you can better understand Will. But when you dismiss all of these things about Mike, you are dismissing a large portion of Will's emotional and romantic arc. You aren't being a Will Warrior. You are erasing so much of him and his feelings and his lived experience. That is not the hill you wanna die on.

Will loves a person. Not a feeling. Yes, he says that Mike makes him feel like he's not a mistake and that he's better for being different. But that's not why he loves him. He feels that way because he loves him.

Mike is a fully fleshed out character with his own feelings and struggles and fears and traumas and motivations. He's not a plot device. He's not just an accessory to Will's arc. He's not a character that was written only to be Will's love interest. He's Will's love interest because he's Mike.

If Mike didn't matter, and if Mike didn't play a significant role in byler, then they would be able to write in a love interest for Will in s5 and have it be somewhat satisfying. But they can't do that. Will's love for Mike has so much depth because Mike has so much depth. It is genuinely crazy that this has to be stated and that I have to back up this claim because it is simply a canon fact.

So yes, the rain fight affects Mike's character development and his involvement in it is important. Yes, the van scene literally could not exist without Mike and therefore his involvement in it is incredibly important. Yes, every single byler moment has an impact on Mike, and Mike has an impact on it because they are BYLER moments. Yes, Mike will have a lot of significant moments - with Will AND on his own - in s5 because his arc deserves and needs as much attention as Will's in order to execute byler endgame in a satisfying way.

No, none of these facts negate Will's importance or take away from his story. If anything, they add to it because Mike and Will's arcs are corresponding and intertwined.

Mike's struggles

To name a few

Dysfunctional family

Has been bullied his entire life

Extreme self worth issues

Inferiority complex

Hero complex

Lack of self preservation

Suicidal ideation (has been on display since SEASON ONE)

Internalized homophobia

To get this out of the way: Mike's internalized homophobia is allowed to be discussed. Discussion of it is not the dismissal of Will's internalized homophobia. Surprise surprise, two queer kids in the 80s have internalized homophobia! Who'd'a thunk it?! Their internalized homophobia presents in different ways but it is there for both of them. I personally relate to the way Mike's is portrayed way more than I relate to Will's. So why is it that we can't discuss it without being accused of erasing Will's experience? Or without people saying that we're "copy and pasting" Will's story? Because quite frankly, that feels dismissive of my - and likely many others' - real and lived experience. So please for the love of all things that are good just stop with this talking point because it will never hold up.

Moving on

I'm not gonna do a full breakdown of all of Mike's issues. Because contrary to popular belief, there are a lot. And that would be exhausting and I'd get carried away and it's not the point of this post. The point of this post is to defend the acknowledgement and mere existence of them.

If you're a byler that for some reason thinks Mike only exists to be Will's love interest and his trophy as compensation for his trauma, let me ask you this: Have you considered how awful it would be to have a queer character's individuality and emotional depth completely ignored for the sake of focusing on the queer character that "really matters"?

If Mike's own issues, with his queer identity and otherwise, aren't thoroughly explored... What's the point of all this? If Mike really is insignificant in this storyline and his individuality has no effect on it.. where's the emotional payoff? If his perspective doesn't matter... Why have the writers gone to such great lengths to ensure we don't have that piece of the puzzle yet?

Analyzing Mike and understanding Mike is very important to understanding byler. Once again, I think it's crazy that this needs to be said.

I also think it's important to note that characters can have similar struggles. There's no rule against that. Just like real life. Characters having similar struggles is not a bad thing, and acknowledging that their struggles are similar is not dismissive of either character. We're talking about STRANGER THINGS. Jonathan and Nancy's thing is "we've got shared trauma". They have literal matching scars. Shared experiences are some of the main building blocks for this show's romances. Byler has a TON of shared experience, basically their entire lives. We already know that. So wouldn't it be so beautiful for them to learn that they've been struggling with the same thing this whole time? That the entire time they felt alone in what they were going through when really they had each other and they never even knew it? Wouldn't it be so beautiful for Mike's acceptance of Will and Will's love for him was also a step toward accepting himself? Wouldn't it be beautiful for Will to learn that his love makes Mike feel like he's not a mistake? None of that would be in the realm of possibility if Mike didn't have emotional depth and if his individuality wasn't important.

And that leads me to my concluding point...

A satisfying execution of byler endgame hinges on Mike's individual emotional arc being handled well

God I hope this isn't controversial to say. I sincerely hope most people haven't forgotten that.

Here's a hypothetical:

Imagine season five has been released. You're watching it, and you notice that Mike has been relegated to just a supporting character for Will. We don't get any of his perspective. We don't get any explanation for his s3 and early s4 behavior. His breakup with El doesn't have any real tangible effect on him, it's really just used for El's character development. We never see him pining for Will like we saw Will pining for him. And then suddenly Mike is learning about the painting and then suddenly he's confessing his love and then suddenly byler is canon and official.

Now wouldn't that just be awful? Wouldn't that be unfair to the audience, to Mike, and to Will? For us to never learn just how much Mike had to go through to even be able to say it out loud? For Mike to never get the chance to prove to himself through word and action that he is the heart? For Will to never get an explanation for why things did get so "weird" between them? It would leave us with one big, nagging question: What was the point of everything Mike has said and done throughout the entire show if his conclusion is that lackluster?

Disregarding Mike for a moment (I know that's incredibly ironic given what the entire point of this is but just bear with me) - how would that be a satisfying conclusion for Will? I mean, Will's s4 arc was basically dedicated to showcasing his struggle with his sexuality and with his love for Mike. We were shown just how deep that love is. We were shown how patient, unselfish, unwavering, and beautiful that love is. So how would it be satisfying for Mike's love for him to not be shown with just as much depth? How would it be satisfying for Mike to just be a one dimensional character whose s5 arc is essentially "break up with girlfriend, wait to find out best friend is in love with him, say he loves him back, then they live happily ever after"? I think Will deserves for his love to be returned with the same intensity at which he gives it. And I think it should be clear to the audience and to Will himself.

Back to Mike!

Mike has been through so much shit. I don't think anyone that is denying that actually believes he hasn't been through shit. Because you'd actually have to watch the show on mute and with your eyes closed to think this kid hasn't had just the worst time. It's so ignorant to act as if this stuff hasn't affected him. There's stuff we've seen but there's stuff we also haven't seen. There are issues he has that date back to his childhood pre-canon. Just like Will, Mike has been a queer kid growing up in 80s smalltown conservative america. Acknowledging the pain he 100% carries because of that is so important. His perspective has been withheld from us, not because it's unimportant, but because it's the final puzzle piece. If we had Mike's perspective in s4, byler wouldn't be a "will they won't they" (even though we all know they will). If we got his perspective in s4, byler would be a "100% certain without a doubt they will". But the thing about his perspective is that it's so much more than just loving Will. It's fear. It's pain. It's insecurity. It's doubt. It's the belief that his happiness just doesn't matter all that much. All of that has to be explored. All of that has to be laid out in the open for us in order for byler endgame to feel earned. Mike's emotional payoff will lead to byler's emotional payoff.

Mike has known he loves Will. In s5 we will see him make a deliberate and active effort to overcome the things keeping him from doing something about it. And then he will do something about it.

And so when it finally happens. When both Mike and Will finally know that their feelings are requited, and when their arcs end with us knowing that they will face whatever life has in store for them together, that will feel earned. That will feel like the logical conclusion for both of them. Not just for Mike. Not just for Will. For both.

And Mike is just as important to that conclusion as Will is.

And one last thing...

Some people are going to talk about Mike more. Some people are going to talk about Will more. Because newsflash, people have preferences. Some people just relate to Mike more, or they find his emotional arc extremely compelling, or they just like him. It isn't an attack on Will or any other character. No one is saying Mike is more important than any other character (I'm sure there are people that say that but they are a vocal minority and they are simply wrong). We are just saying that he is important. If you wanna engage in media analysis, please understand that "main character" or "central character" does not mean "only important character" and "only character that should be analyzed". If you wanna talk about Will and only Will, that's fine. But you don't get to act like people that talk about other characters are doing a disservice to your fave, because that's not how any of this works.

[blicketdabest33]

Y'all remember that MCYT PJO au I asked for help with awhile ago? WELL HERE'S THE CABINS AND MY EXPLINATIONS BEHIND THEM!!

#1 Zeus Cabin: Jimmy, Joel Jimmy: He's a Zeus kid, but everyone somehow forgets about it. Joel: He's competitive and strong. Also, because Jimmy is his half brother through godly parent, i get to make a fun bit about him dating Lizzie. And one of his origins in Afterlife SMP was a thunderborn

#2 Hera Cabin: Scott Scott: Scott's whole thing is loyalty. Hera is the goddess of marriage and is insanely loyal to Zeus. However, I feel like Hera should get at least one affair. So now Scott can use peacocks as weapons.

#3 Poseidon Cabin: Skizz Skizz: Poseidon kids tend to be really, really loyal to a fault and heroic, both qualities I think Skizz possesses.

#4 Demeter Cabin: Sausage, Shelby, Bdubs, Stress Sausage: This man built Sanctuary in a jungle and has flowers in his hair. He sells wood. There is no other place to put him. Shelby: Mushroom gnome, spooky mangrove witch, powerful storm witch, i need not continue. Bdubs: Moss man. Stress: SHE HAS FLOWERS

#5 Ares Cabin: Martyn, False Martyn: His planet is Mars, which is the roman version of Ares. He ended Limited Life in such a violent way, i can't help it. He was also red for the majority of Secret Life. False: I just feel like False should get to kill people more often.

#6 Athena Cabin: Grian, Pix, Owen, Xisuma Grian: This sums it up pretty well

Pix: Smart man. Archeologist and definitely a nerd. I wanna see him skipping out on training just so he can read history books. Owen: He likes to explore and discover new things in Pirates. In Rats, he's a tinkerer. In New Life, he's an explorer who wants to study hybrids. In Empires, he's a Llama who's curious about how humans work. Just a very curious character overall. Xisuma: Admin. I'm not elaborating.

#7 Apollo Cabin: Gem, Oli, Lyarrah Gem: She is an Apollo kid because of her Empire in S2. She's the sunlight princess. Apollo kid. Oli: MUSIC. MAN. Lyarrah: She writes the captions for the hermitcraft recap.

#8 Artemis Cabin: Pearl Pearl: Y'know, Artemis could've just like... had a kid, even though she took that oath. It wouldn't even have to be with a guy. Gods can change to whatever gender they want. Anyway, Pearl gets to be an Artemis kid because her symbolism is moon, she loves dogs, and will commit murder and hunt at night.

#9 Hephaestus Cabin: Doc, Mumbo, Tango, Impulse, Cub, Zedaph, Fwhip, Iskall Doc: Redstone Mumbo: Redstone Tango: Redstone Impulse: Redstone Cub: Redstone Zedaph: Redstone Fwhip: Redstone AND has a red scarf (don't ask me how that's relevant) Iskall: Redstone

#10 Aphrodite Cabin: Keralis Keralis: Okay, I don't know why, but Keralis gives me the vibes of a very charming person. His voice is nice to listen to, so imagine how useful it'd be if I gave him charm speak.

#11 Hermes Cabin: Scar, Etho, Joe Scar: Trader Scar, scammer extraordinar. Etho: All i must say is Shady-E's. I get "jack-of-all-trades, master of none, often better than master of one" vibes from him. He's funny, he's mischievous, it just works. Joe: Comedy man. Excellent delivery. And, yet again, i look at this man and go "That right there is a multi-talented man with a habit for mischief."

#12 Dionysus Cabin: Joey, Beef Joey: *points at his season one empires theme* i need not say more Beef: Idk, food. I don't really have a reason. I don't know too much about Beef.

#13 Hades Cabin: Zloy Zloy: Zombie man. He writes the Hermitcraft recaps in the dark at 2am with nothing but pure spite.

#14 Iris Cabin: Katherine Katherine: SHE. HAS. COLORS. and also I couldn't put her in Demeter cabin because Shelby is already there and i am NOT excluding Nature Wives from this au

#15 Hypnos Cabin: Bigb, XB, Wels Bigb: Sleepy stuff, right? WRONG. Gaslight. Go in everyones dreams, make fake prophecies, peace out, and cause chaos. XB: I look at his fanon design, I see an alien, and I go "aha he sleeps" Wels: This guy (@dingdinghq) said so and i completely agree. Something about sleeping in S6.

#16 Nemesis Cabin: Edit: wels not here no more

#17 Nike Cabin: Ren Ren: VICTORY. I don't know much about Ren's story in the Life Series, but I look at this man and see someone who has won a lot.

#18 Hebe Cabin: 

#19 Tyche Cabin: TFC TFC: Man goes mining and gets really lucky. That's it.

#20 Hecate Cabin: Lizzie, Cleo, Jevin Lizzie: Witchy vibes. Also, Arson. Cleo: Arson. She uses her magic for Arson. Jevin: He's a magic slime. Also, Arson. All Hecate kids love Arson.

[thesunsethour]

House MD and the use of the word ‘miserable’ (S2)

[S1 stats here]

‘Miserable’ total mentions: 28

‘Miserable’ mentions by House: 9

‘Miserable’ mentions by Wilson: 8

‘Miserable’ mentions by Foreman: 4

‘Miserable’ mentions by patients/families: 3

‘Miserable’ mentions by Cuddy: 2

‘Miserable’ mentions by Chase: 1

‘Miserable’ mentions by Cameron: 1

Times someone accuses House of being miserable: 13 - (6 from Wilson / 3 from patients / 2 from House’s subconscious / 1 from Cuddy / 1 from Foreman)

Full quotes:

2.01

Chase to House: “I assume you have a reason beyond wanting to make me completely miserable?”

2.05

Wilson to Cuddy about House's father : “You know what I figure is worse than watching your son become crippled? Watching him be miserable.”

2.06

House to Wilson about Stacy: “She’s miserable with Mark because he’s not me. So, she’s gotta make me not me, so she makes my professional life miserable…”

2.07

House to Stacy: “Sorry you were miserable.”

Cameron to patient: “This is about your lonely, miserable life.”

Patient to Cameron: “I’m not miserable. And as long as there’s a gay bar around, I’m never lonely.”

2.09

Foreman to Cuddy: “You chose me to make House miserable, didn’t you?”

Cuddy to Foreman: “Apparently, he’s making you miserable. That’s impressive.”

Foreman to Cuddy: “I only did that stuff to prove that he couldn’t make me miserable.”

2.11

Foreman to House: “Cuddy just put me here to make you miserable. Another two days, you can go back to making yourself miserable.”

Wilson to House about Stacy: “This was no great sacrifice! You sent her away because you’ve got to be miserable.”

Wilson to House: “Being miserable doesn’t make you better than anyone else, House. It just makes you miserable.”

2.12

Cuddy to House: “To annoy me, or maybe because you’re miserable, or because you want to self-destruct. Pick one.”

2.13

Wilson to House: “It’s not cancer. You seem to be back to your old, miserable self.”

2.15

House to ducklings: “A hundred bucks says they’re as miserable as the next couple.”

2.16

Wilson to House: “Yeah, that’s why you’re making me miserable.”

Wilson to House: “You’re miserable, and you’re lonely, and you’re going to trap me here to keep me every bit as miserable and lonely too.”

House to Wilson: “I did not make you miserable.”

Patient’s father to House: “You sick, miserable –”

2.22

House to Foreman: “I need you kicking ass here to be all that lets you rise above being miserable.”

2.23

House’s old friend to House: “If you’re right, I’ll be miserable, and if I’m right, I’ll hate myself because I didn’t trust her!”

House to ducklings: “Here’s how to become a great artist. First, get miserable.”

2.24

House's hallucination to House: “And even if I’m wrong, you’re still miserable.”

House's hallucination to House: “You’re miserable for nothing. I don’t know why you’d want to live.”

[mimicha-arts]

Date: 09/13/2023 In my previous post, I wrote that time in s2 is broken and dead. I was curious if this was true for s1, too… For me the main problem of the last month was the dates in the files (character intros), the date of Emma's death + September 9th mentioned in episode 3, so I tried to consider these as related things. I always was confused by April-September thing, I thought that it is a mistake, but. Probably not. So. Let's break down the first episode! It was a deep dive, I'm not sure how real any of this can be, but (c) Let's divide everything into three parts:

Сhronology

It's not about Quede

April is not April

WARNING: SPOILERS

Chronology

April 16, which we see hours later that day. Qiao Ling receives an order from an unknown customer.

The goal is to get financial core data of Quede company. Information has to be obtained by diving in Emma, during the last financial settlement meeting before the release of the financial report, 2 days ago, on the April 14th, photo was posted at 10 pm.

Additionally, it is mentioned that there was an earlier photo, but they start with the most recent one so that the information is not “outdated”.

Events take place from April 16th to 17th in the present for Lu Guang. From April 14th to 15th in the past for Emma and Cheng Xiaoshi.

April 14th: 10:00 pm - start of diving. As Emma, Cheng Xiaoshi lived through the events in the company's office and stayed for overwork.

April 15th: About 2:45 a.m. Emma's parents text to her, Cheng Xiaoshi decided to reply.

9-10 am, morning, the meeting began. A conflict situation occurs, the laptop falls, Emma!Xiaoshi is on the floor. Lu Guang records data from the screen - Cheng Xiaoshi returns to the present time.

Later this day. Somewhere later that day, information about the company is leaked, involved people are arrested (news from April 17th)

Before 10 pm: Emma comes home after this day, she realizes that the situation with Quede is a stain on her career, because she was Mr.Zhu's assistant, there is no way for her to find a job in this field anymore.

Lately she discovers messages (02:48, that Cheng Xiaoshi texted) with her parents - this becomes her motivation for a call. It's the same day, still today (今天）- April 15th. This is the reason why we know that the disclosure of the company's affairs occurred on the same day after the meeting.

After 10 pm, before 10:30 pm Emma goes to the train station but runs into Liu Min, agrees to go with him.

About 10:34 p.m Liu Min attacks Emma.

Somewhere between April 15th and 16th. An accident occurs, Liu Min will be left paralyzed.

April 16: At the moment of dawn, Emma jumps from the bridge.

Later this day, Quede Company was suspended (news from the 17th)

Later, Emma's body is found in the river in the evening (mentioned as "yesterday", news from the 17th)

April 17: present 9-10 am: Lu Guang gives instructions to Xiaoshi, they successfully obtain the information, Xiaoshi returns to the “present” time.” Evening, the same day: We receive information about the disclosure of financial fraud in the past tense until the 17th from the news at the end of the ep. Additional note: in these events, there is another Cheng Xiaoshi from the "future" (events of October 22-23), who hides first in Liu Min's trunk, and then on the bridge with Emma. The chronology of events can be written as follows:

So it's clear - Lu Guang himself receives the necessary information about the company on the 17th at 10 am. By that time, Mr. Zhu had already been arrested 2 days ago and the company's activities had been suspended 1 day ago. Precisely because of financial fraud.

Also his reaction to Emma's death is interesting. Okay, that's a guess, but I always had the feeling that he knew she was dead from the very beginning of the case.

2. It's not about Quede

And so, we know that data about the company and financial fraud were already published on the 15th. The question remains simple - why did the mysterious unnamed client need the data, since he would have received it only on the 17th, after information about the fraud in Quede was already made public before they (the client) offered this task/job. So what other events are happening on nearby dates? They're not in the episode, they're in the characters intro. Obviously, the unknown client was unknown for a reason. As we also know, there is a character (or characters, there are 2 signatures on the documents) who are collecting dossiers on the main trio. There is a high chance that all of this is connected. This event takes place from the 14th to the 17th in total. Date on Qiao Ling's file: april 8th Lu Guang's file: april 10th Cheng Xiaoshi's file: april 12th

Documents for Lu Guang should be destroyed on the 17th, for Xiaoshi - on the 19th. This timing is kinda perfect. In my opinion, this task/job came as part of an "investigation" so that the unknown could better study the process of trio's work, understand the abilities of Cheng Xiaoshi and Lu Guang, probably, what their time limits are. So, yes. If we look at it from this side, this is not about Quede, it is not about financial fraud, it has never been about it. This research is to answer questions about the abilities of Cheng Xiaoshi and Lu Guang that remained on the files.

3. April is not April

April is a lie. Events take place in September. Although it’s more likely that the time has already been broken since the first season, and we technically don’t know which one is correct. Although Lu Guang's watch and documents (character dossiers) point to April, real events cannot possibly take place in April for many reasons.

1. 3rd financial quarter This is the main reason. This is stated in the first episode by Qiao Ling, and should immediately raise questions. The third quarter cannot possibly be April, absolutely. Because the following months are considered the third quarter: July, August, September.

2. News, 3rd ep Qiao Ling listens to the news on her headphones. We are not given a name, but the circumstances are the same - we learn that Emma's "suicide" was most likely a murder. Once again, it's September.

3. Cold weather is coming Emma's parents arrive to bring Emma warm clothes and mention that it is getting colder. If it were April, on the contrary, it would only get hotter, but everything is different when it comes to autumn.

4. Murders I am firmly convinced that the numbering of victims does not correspond to the real chronology. Yes, we know that there were more victims, and Emma was never "first", I mean those cases that were consolidated by the police and are in Xiao Li's documents. We have dates for an early murder in April, Emma being somewhere in the middle of that "break", since she was killed in both “April” and “September”, and there were murders after her, where the month was not indicated. Which once again points to the fact that something is wrong with these two months. Now things are going to get confusing, we consider April like September here. I can't see and understand details, so I'm only able to find the dates, since the numbers can at least be distinguished. Emma is considered the first murder only by number (died "April-September" 16th), but number 4 (Zao Cai, a blond man) died before her, "April-September", 2nd. In the folder, her documents go after his case. I think the fact is that initially the police believed that Emma committed suicide; at first, her case was not classified as a part of a series of murders, so police did not assign a chronological fifth number, but later, with new clues, simply moved her old documents in the "correct" chronological order to fifth place.

This technically makes Emma a 5 case… Or even a 6th. Because case 6 (Nan You) is also not without mysteries. The date of death is 14. I'm not sure why they put her file after Emma. Maybe they're unsure of the date or something and it's just an estimated date? So her date of death also “fell out of space.” But if 14 is correct, then this girl died 2 days earlier than Emma herself, and Emma technically becomes case 6.

The eighth case (Zhao Lin) occurs on 25th. The mystical 7 case is somewhere before that date, but we don't know how much of this is actual April or September.

In addition to mysterious 7th case, we also have 3 other earlier victims. They had to die before "April-September" 2nd, so the time of their death is roughly "March-August". We haven't seen their documents, but we know about their cases because of the photographs (the girl in the pink suit is probably the girl with the dog from ep11, since the BG is the same)

And also Xu Shanshan.

Who technically didn't die due to the time loop, but most likely "died" (since Lu Guang was thrown out) in the original events, which was still visible for Lu Guang in the unaltered photo.

I mentioned this in the post about s2 - the interesting thing is that Xu Shanshan's phone, as shown in s2, does not have a single photo from May to the end of October (current events with unknown date), which is quite. Strange.

All the murders had to happen with the similar style and certain time frame that they could be connected as a series. Given the news about Xu Shanshan: it was written - no new murders had occurred for several weeks (数周未出现新的受害者), which fits the September-October period (s1 ends at October 23). So we know for sure that the last cases with unspecified months should have occurred in September.

So. Obtaining financial information as a goal does not make sense, "someone" studies our main characters at the "perfect time", and all the dates are intertwined and have inaccurate implications. Like, almost half a year was literally “stolen” from time? Or something similar. The dates are so deliberately strange that I am speculating solely that time was broken from this point already, not even in s2 - what happened can only be speculated for now until we are told the background of Lu Guang's story. And who is the real 7th victim if April and September are mixed up, and the time has been “changed”. The funny thing is that everything also connected to the birthdays: April 15th - Cheng Xiaoshi's birthday September 16th - Qian Jin's birthday October 23th - the day Lu Guang was stabbed, exactly before his birthday Maybe I understand something incorrectly and I'm going down the wrong path altogether. No conclusions. My CPU is blown up. Thank you @wrathyforest for discussing this with me, trying to find connections, completing everything with time points, you are the best!

[darkstar225]

@woso-fan13 Updated Masterlist

Updated: 04 January 2024

I have no clue why I did this, I just love this writer sm and wish I could check everything in one place since I keep re-reading the fics lol

PS: If the writer wants me to delete the post and send it to you so you'll post it, feel free to message me! I just love the fics and felt like doing this :D

It didn't fit everything so check out @woso-fan13 for the other masterlist with the rest S2

Sicktember 2023

Number 1: Hopelessly Bad at Self-Care

Number 2: Quest For A Cure

Number 3: “What Happened To Your Phenomenal Immune System, Huh?”

Number 4: Hiding an Illness

Number 5: Preventative Measures (Not Taken)

Number 6: Sick & Injured

Number 7: “You’re A Jerk When You’re Sick”

Number 8: Persistent Fever

Number 9: White Coat Syndrome

Number 10: “The Only Place We’re Going Is To The Pharmacy”

Number 11: Beginner’s Guide To Faking Sick

Number 12: Home Remedy/Old Wives Tale

Number 13: Anxious Stomach

Number 14: “I shouldn’t be worried about you, but for some reason I am.”

Number 15: Sick in an Inconvenient Place

Number 16: Consulting the Internet/Web MD

Number 17: Magical Remedy/ Healing Potion

Number 18: “Wear Your Coat, You’ll Catch a Cold”

Number 19: Curled Up With a Pet

Number 20: Cramping Pain

Number 21: “But if you stay, you’ll get sick too.”

Number 22: Terms of Endearment/Nicknames

Number 23: Coughing Fit

Number 24: “Did you just sneeze?”

Number 25: Confused/Disoriented

Number 26: Forehead Kisses

Number 27: Uncooperative Patient

Number 28: “I should have stayed home”

Number 29: Side Effects/Adverse Reaction

Number 30: Patient 0

WHUMPTOBER 2023

Number 1: “But now this room is spinning while I’m trying just to fill in all the gaps.”

Number 2: “I’ll call out your name, but you won’t call back.”

Number 3: “Like crying out in empty rooms; with no-one there except the moon.”

Number 4: “I see the danger, It’s written there in your eyes.”

Number 5: “You better pray I don’t get up this time around.”

Number 6: “Do or die, you’ll never make me; Because the world will never take my heart.”

Number 7: “I paced around for hours on empty; I jumped at the slightest of sounds.”

Number 8: “I’ve got soul, but I’m not a soldier.”

Number 9: “Learning everything ain’t what it seems, that’s the thing about these days.”

Number 10: “Can’t you see that you’re lost without me?”

Number 11: “All the lights going dark and my hope’s destroyed.”

Number 12: “I haven’t slept in days but who’s counting?”

Number 13: “It comes and goes like the strength in your bones.”

Number 14: “Feed me poison, fill me ‘till I drown.”

Number 15: “I don’t need you to help me, I can handle things myself.”

Number 16: “Would you lie with me and just forget the world?”

Number 17: “You’re the lump in my throat and the knot in my chest.”

Number 18: “I tend to deflect when I’m feeling threatened.”

Number 19: “I’ll take one final step, all you have to do is make me.”

Number 20: “People don’t change people, time does.”

Number 21: “See the chains around my feet.”

Number 22: “They never saw us coming, ‘til they hit the floor.

Number 23: “It’s gonna get me by the end of the night.”

Number 24: “I’ve got a head full of chemicals; mouth full of ridicule.”

Number 25: “You’re not delivering a perfect body to the grave.”

Number 26: “Sometimes I get so tired; I don’t even know myself.”

Number 27: “You drew stars around my scars; But now I’m bleeding.”

Number 28: “We might not make it to the morning; so go on and tell me now.”

Number 29: “I only sink deeper the deeper I think.”

Number 30: “It’s okay, just to say, ‘I’m not okay’.”

Number 31: “I thought that I was getting better.”

Comfortember 2023

Safe

Sweater Weather

Leaves Changing

Warmth

Treehouse

Notes

Sick/Illness

Grief/Mourning

Aftermath

Sadness

Comfort Show/Movie

Dreams

Baking

Late Night Phone Calls

Plushies

Coffee/Tea Break

Heirloom

Cuddles

Loved Ones

Shopping

Relapse

Cry

Anxiety

Blankets

Rain

Friends

Soup

Flashbacks

Sleepover

The New Normal

[brellynotes]

reasons why tua s4 is a fever dream pt. 2

here's pt.1 first:

alr, now for more.

[12] where is sloane???? hello????

[13] where is raymond???????? where'd he go????hello again????

[14] alr correct me if i'm wrong here- - luther gets no update in his power - diego gets no update in his power - allison gets so much of an update that she doesn't even have to speak or say "i heard a rumour" to do what she likes??? - klaus can levitate now (from the comics, i believe) - five's update is that he now has access to the timeline subway thingy - ben grows tails randomly?? - viktor gets no actual update, his powers just turn orange for some reason - lila shoots lasers out of her eyes now??? how is this at all related to her original power (mimicry)?

like- the inconsistency???? and can we talk about how overpowered allison becomes?? she doesn't even need to say "i heard a rumour", which was literally the basis of her power. in s4 all she has to do is glare at someone and she can control them mentally and physically??? like holy shit, do the writers even realise how powerful they made her? it makes zero sense that they lost even after a power like that.

why did they even give her such a big update in the first place when she does nothing substantial with it??? (of course, she saves klaus, but you know what i mean.)

[15] klaus in the graveyard- why isn't he haunted by any spirits (except the dog) when he's literally trapped where they thrive? and before anyone says that reginald taught him to overcome his fear, that was SIX YEARS AGO. there's no way realistically that klaus is still immune after not having his power for 6 years.

[16] wtf even was klaus' side of the story?? that old richard "dick" guy???? a random ass woman shagging him???? also the random ass woman immediately believing without question that klaus has been possessed by her former bf's ghost??? who even came up with that scene???

[17] with regard to klaus, they did him completely dirty. while everyone is running around trying to stop the cleanse, find ben etc, he's gotten kidnapped (AGAIN) and spends most of his time buried alive...

[18] (credit to @blorbos-shoved-ina-drawer for this point!) isn't it weird that five walks into a diner full of alternate versions of himself, sits down calmly, listens, and follows everything they tell him to do? what happened to paradox psychosis??? what happened to "i don't trust him" -"but he's you" -"exactly!" ??? he couldn't trust a single version of himself twice (both in s2 and s3) but he immediately trusts several versions in s4?

[19] this was in s3, but why did sparrow ben have drawings titled jennifer in his room?? does this in any way have relation to jennifer in s4? obviously, there was meant to be some connection but it wasn't addressed at all and ben didn't recognise jennifer either like what

[tangledbea]

I found this interesting post talking about Varians' age and the general series timeline.

Link: https://www.tumblr.com/rachelbethhines/623037451732123648/tangled-timeline?source=share

There are some interesting tidbits, and I have questions about a few of them. The OP references Varians fanon birthday of March 24, which makes sense when discussing Varians' age, but they also reference Rapunzel having a fanon birthday of May 12th. I know about the Varian birthday headcanon, but is this a common birthday headcanon for Rapunzel? If not your headcanon of the summer solstice, I would've figured people would headcanon her birthday being in July or August because it is canonically in summer. If it is a common headcanon, why May? Isn't that a bit early?

It also talks about S3s timeline a lot, particularly Coronan holidays that happened more than once in the series. The post says the day of hearts is 6 months after Rapunzels birthday, yet it's just a few episodes after Rapunzels return (the S3 premiere may not have involved Rapunzels birthday, but it definitely happened arounf that time.) I can explain the S1 goodwill festival happening 6 months after Rapunzels 18th birthday and S2 goodwill festival happening a few weeks after her 19th because it wasn't the real Coronan event, it was something Rapunzel planned in Varados. But the other holiday discrepancies can't be explained this way. So this post says S3 takes place over 2 years instead of 1 like the other seasons. It also says "the series creators" said 4 seasons were originally planned instead of 3. This is why S3 is theorized to take place over 2 years. Thus, due to this extra year, Varian would be 17-18 at the end of S3, not 16-17, as many people think. It would end on Rapunzels 22nd birthday, not her 21st. But is this true? Were 4 seasons originally planned? Was S3 meant to be 2 years instead of 1 as a result?

Also, sorry again if this is really long.

(Lately, I've been finding myself apologizing a lot at the end of these long asks, ever since you said you were gonna turn off anon. I don't even know why I'm apologizing, I know you don't mind...)

Let's tackle this one question at a time.

If you Google Rapunzel's birthday, you'll get May 12th. This is because someone at some point read the star charts she painted on her ceiling in the movie to determine her birthday and decided it meant her birthday was May 12th (for some reason -- I can't read star charts, so I have no idea how they're getting that). I, frankly, like my headcanon for her birthday much more and completely ignore the May 12th thing. It's not her official birthday, though, any more than the summer solstice is.

No one who worked on the series ever said the series was going to be four seasons. No one. Ever. At some point, towards the end of season three, people started saying there would be a season four, partly because they really wanted one (even though it had only ever been planned to be three seasons), and likely partly because originally the series was announced to have more episodes than it ended up having. I more than covered in my FAQ why this is. And therefore, S3 was not meant to take place over the course of two years. S1 is six months, S2 is (approximately) one year, and S3 is (approximately) one year when you include the epilogue (even though we don't know how long after the end of the episode the epilogue takes place). Varian is 14-15 in S1, 15-16 in S2 and 16-17 in S3. Or, alternately, he might be 13-14 in S1, 14-15 in S2 and 15-16 in S3. After all, we don't know when his birthday is, and since the series begins six months after Rapunzel's return, we don't know if his birthday falls before or after hers in the calendar year.

As for the inconsistencies of the holidays, have people even seen the writing of that show? It's inconsistent. They literally do what they want when they want. Maybe the Day of Hearts is based on a lunar cycle, rather than on a day on the calendar, and so the date it falls on fluctuates. Maybe the episodes aired out of order (some of them definitely did). There is definitely an inconsistent amount of time between episodes. It's not like one episode takes place every two weeks.

Maybe the fans just put more thought into it than the writers did.

[feministsouthpark]

South Park Filler Guide - Season 22

Link for Seasons  1  2  3  4  5  6  7  8  9  10  11  12  13 14 15 16 17 18 19 20 21

S22E1 Dead Kids is CANON

Sets up the main theme for the season, which is the fact that school shootings happen way too often. We get comfirmation that Nichole and Tolkien got back together since their breakup in S20E2. Stan gets shot at the end. S22E2 A Boy and a Priest is CANON

Stan has his arms in a cast, which is the only way they ever acknowledge his incident from the previous canon episode, which means this one is canon, even if most of its content is basically filler. Clyde has his birthday party for which is probably the same birthday he invited others in S21E8. Stan also seems to love board games now, which is a follow-up to S18E6. S22E3 The Problem with a Poo is CANON

This is the continuation of the Strong Woman arc from S21E10, in which she got pregnant, and now she is giving birth. Her children will return in later episodes and get their own arcs. Mr. Hankey also gets banished from the town. S22E4 Tegridy Farms is CANON

If there is one episode that you won't ever question the canonicity of is this one. If the season premiere set the tone for the season, this one sets the tone for the next season and basically serves a new pilot for the remainder of the series. They were not joking around with this one. S22E5 The Scoots is LORE

Kenny bonds with Mr. Mackey and while the scooters will appear later, other than their existence, the events of the episode don't matter much. S22E6 Time to Get Cereal is CANON

How could it not be, when ManBearPig not only appears, after being heavily foreshadowed back in S10. (Yes, I know real life context is different, but by storytelling logic that is what has happened), but Satan is also back for the ride and sets up a new development for his arc, but that is to come in the very connected next episode... S22E7 Nobody Got Cereal? is CANON

Satan v ManBearPig fight to the death. This is a big one for the series canon, which has had Satan go through a ton of development that helped him get to this very point. S22E8 Buddha Box is CANON

The Strong Woman arc continues! Seems like this season is really good at switching between a few multi-season storylines to focus on. Eric also gets diagnosed with anxiety. S22E9 Unfulfilled is CANON

Yeah, sure, why not? Tweek Bros. Coffee is no longer alive, due to Amazon, this might have helped Helen's independence in later seasons. The mall workers are now zombies from abandonment. But this is more obviously a set-up for the finale and that one IS canon, because... S22E10 Bike Parade is CANON

This is the culmination of the season as a whole. Although if I really want to find a reason for this one to count, we see Ned to be alive after the events of S22E6, which made it dubious if he survived his incident with ManBearPig.

SPOILER-FREE RUNDOWN

S22E1 Dead Kids is CANON S22E2 A Boy and a Priest is CANON S22E3 The Problem with a Poo is CANON S22E4 Tegridy Farms is CANON S22E5 The Scoots is LORE* S22E6 Time to Get Cereal is CANON S22E7 Nobody Got Cereal? is CANON S22E8 Buddha Box is CANON S22E9 Unfulfilled is CANON S22E10 Bike Parade is CANON *We learn how the scoots in the finale first appeared

CANON counter:

S1: 9 out of 13   S2: 3 out of 18   S3: 6 out of 18   S4: 10 out of 17   S5: 8 out of 14   S6: 11 out of 17  S7: 6 out of 15  S8: 4 out of 14  S9: 8 out of 14  S10: 4 out of 14  S11: 4 out of 14  S12: 8 out of 14  S13: 3 out of 14  S14: 7 out of 14  S15: 6 out of 14  S16: 2 out of 14  S17: 4 out of 10 + a highly lore based game  S18: 8 out of 10  S19: 9 out of 10  S20: 10 out of 10 S21: 7 out of 10 + a highly lore based game + 2 DLCs S22: 9 out of 10

Overall: 146 out of 298 Personal notes: This season is heavily serialized, however unlike S20, not all 10 episodes follow the same storylines, mostly 2 episodes share a storyline and that's it. We have two two-parters and another two that are part of another storyline, a status quo changing episode and several cross-references between them all. South Park keeps finding new ways to handle continuity.

[holywild]

Unpopular opinion (apparently) but I absolutely hate what they've done with Aemond in S2 of HOTD and I have no desire to continue watching it. I didn't even finish ep 3, and yeah, I skipped the brothel scene. Because I'm over the gratuitous sex with him and Alicent. Fuck this character assassination.

The brothel scenes weren't necessary at all. They added nothing to his character but to set up this laughable "falling out" with Aegon as justification for Aemond's betrayal in the next episode.

He was compelling/mysterious without all the sex and we knew he had mommy issues. As an audience, we're not dumb. But the show's writers think we are. Sometimes, less is more and he was a prime example of that. He stole the show in S1. In the 15 minutes he had, he fucking dominated the scenes he was in. Now he's been overexplained, and the mystique is gone.

I had such high hopes going into this season. For two years I looked forward to the aftermath of Storm's End. I thought for sure we'd see how the Greens reacted to what Aemond had done. I wanted to watch him interact with his siblings, to Blood & Cheese, I wanted the dynamic with his mother front and center. Nope, couldn't have that. We just got brothel scenes.

The thing is, if they had done it better, I don't think they would've bothered me as much. If there had been build up to them, if they had shown us how he was driven there due to his family, THAT would have been easier to swallow. Did we get that!? No!

You mean to tell me this man hasn't set foot in a brothel since he was 13 (based on what was shown to us in S1) the same man who rolled his eyes at and looked utterly disgusted with the "madame" and a week after Storm's End he's just there... with her with no build up?? I got fucking whiplash! "Show don't tell" is what makes good writing. Well, the writers this season aren't SHOWING us anything, they're TELLING us and we're just supposed to accept it while they're speedrunning through the season.

The train is going off the rails, and this is where I get off.

(Side note): I know people are saying that the brothel madame didn't sexually assault him at 13. And yeah, I see your point. But then she made that comment: "my how you've grown" while looking him up and down. Why is nobody talking about that? How do you justify that remark? Because if she was just doing her job THEN on pain of death, what was the reason for that gross, disgusting comment NOW? It came off predatory and reads that she enjoyed taking a 13 year old's virginity.

[silviakundera]

Joy of Life S2, ep 13 - 15 comments

Chen Pingping continues to be both using Fan Xian and a good mentor. He contains multitudes! Which is what makes him such a compelling character.

Second Prince is the least interesting he's ever been when he's in scenes with Ye Ling Er playing the victim. It's just too easy to manipulate her and so I can't care very much.

The way Fan Xian's mother is this powerful spectre that haunts the narrative... and it's not just her Seductive Beauty™ . It's in the way we more commonly see with a Great Man trope: a famed marital arts master, a dead legendary general or past king.... a father or grandfather figurehead. I both wish we knew about her but DON'T. She works best as a partial sketch; an unsolved poignant mystery.

Ep 14

Saintess!!!!!!!!!!!! reappears! After Fan Xian finally called her friend in ep 13 (朋友!). I don't believe you either, girl, that it's all about the treasury. You're bros!!!!!! He seduced a bromance out of you.

They basically gave 2P's new guard enough characterization for us to be interested in what happens to him. RIP your hopes & dreams my dude, it's been real

Guao Baokun and Loser Brother is a match made in heaven. I missed all the Beiqi people so much. Fan Xian playing 4D chess and getting them to babysit Guo Baokun. "Let's leave a good impression, he might come back." 😂 The way they have to escort those dumbasses to the border.

Fan Xian wants friends SO BAD it's literally tragic to me. He wants to make Censorate guy his friend because there's no one he can trust not to turn on him for benefits (other than the Fan family).

Ep 15

Chen Pingping & Fan Xian put on a ridiculous show. Very amusing but I feel like they should have been more convincing, if for no other reason than giving the emperor his due. 2nd Prince simply tried harder. Hate to say it about the enemy but facts are facts.

We already got a read on the emperor about Second Prince. A temporary grounding is all he can countenance (even that is a gift to Fan Xian and a warning to not exceed boundaries). To any extent he likes the faction wars and is happy to stir shit up & eat popcorn. But at least right now, he's gonna protect all his sons. In his own twisted way he cares about Crown Prince, Second Prince, and Fan Xian. Just not more than he cares about himself & power & control.

Censor Lai pushing the emperor too far "Are you saying everyone is confused but you?" It's honestly shocking he wasn't executed before this. Bro you just tired of living?

Crown Prince pinching his leg and having fake hysterics while his flunky joins in while 2P looks disgusted. This is why CP is my bestie. He's hilarious.

Fan Xian finally realizing what his brothers already know - that there are limits to the emperor's condescending forbearance. They can't become a potential threat to him and he can't feel they are out of his control. When FX is playing with His Majesty, all is permissible. But when he's not...

The burning indentures scene reminding me of Blossoms in Adversity, a drama I ended up enjoying more than I expected. (If only it was blessed with the quality of acting we see in every cast member of JOL.)

[oracleofdiscord]

possible ninja ages/timeline thing

(note: the reason i say possible is because in general i think trying to find a fully definitive age for any of the ninja is ultimately a futile effort.

there were actually pieces of information that i ignored in this because they contradicted other information i was using, and it's possible i missed something entirely. in general, i tried to ignore twitter and focus on in-show stuff. there are also fan theories i incorporated and fan theories i ignored, so if you subscribe to a different set of headcanons/theories you could easily come up with different results than me)

this isn't me saying "hey guys i cracked the code!" this is me saying that this is a possible timeline for their ages)

okay so this is something i worked out recently when i was trying to develop my ninjago oc, estrella, to help me figure out an approximate age for her.

it uses as a base this rough timeline by @destinysbounty (both in the sense that i used it as a guide and in the sense that when i needed to start visualizing things, i wrote on/drew on/edited this picture)

now, one theory i'm going off here is something that was proposed to me by @destinysbounty when i got confused about how harumi could be roughly the same age as lloyd both in flashbacks and in the present: the idea that after the tea, lloyd's body stopped aging until his mental age caught up with his physical age. this catch-up happened during the timeskip between s7 and s8, which is why his voice got lower

so this assumes that from s8 onwards, lloyd's mental and physical age match. other assumptions/pieces of evidence that i used:

kai mentions being a teenager during the oni trilogy, and thus is 19 at oldest

thanks to the flashback with baby nya, it can be assumed kai is at least a couple of years older than her

thanks to having seen nya and lloyd during s1 (where they have different body forms), it can be assumed nya is a least a couple of years older than him

(i've simplified this down to 2 years between each in my timeline, but there could definitely be an argument for more years. in my case, i felt like 2 years each made things line up in a way that made sense to me. feel free to make your own version and experiment with increasing the gap between nya and her siblings on either side but i've picked a number and i'm sticking to it)

@destinysbounty mentioned that most age estimates they'd seen for the pilots had nya in the 13-14 range

so, let's call nya 13 in the pilots/s1/s2 (the green chunk on the timeline). if lloyd was 2 years younger, he'd be 11, which works with the body form he had. if kai was 2 years older than nya, he'd be 15, which feels reasonable.

and let's call kai 19 during the oni trilogy. this would make nya 17 and lloyd 15, and also mean that 4 years have passed since s1. let's look at our rough timeline above. if the green chunk all takes place within a single year and there's a confirmed 1 year timeskip between s7 and s8, than for 4 years to have passed since the green chunk, the red chunk would need to be 3 years. which is a little on the short side, but within the bounds set by our rough timeline!

if lloyd was 15 in s8, he was 14 in s7. so going back to our earlier theory about his age, his chronological age caught up with his body in-between 14 and 15, and he started aging again. apparently 14.5 is kind of the upper boundary of when boys' voices change, so i'd say this checks out!

and here's my visual diagram of that

(i only included the characters that i used in figuring this out - lloyd and harumi's age relative to each other, lloyd and nya's age relative to each other, kai and nya's age relative to each other, kai saying he was a teenager, lloyd's voice changing...

but i would assume all of the core 4 ninja are about the same age except zane, who has his own thing going on. maybe jay is a year younger than kai, putting him closer in age to nya.)

assuming that the rest of the initial timeline is correct (s11-s14 being a year, the post-seabound timeskip being a year, the merge timeskip being 5 years)...

in crystalized, lloyd would be 17, nya would be 19, and kai would be 21.

in dragons rising, lloyd would be 22, nya would be 24, and kai would be 26.

[cha1cedony]

I think part of the reason Gothcleats has literally like consumed my mind since becoming canon is because I think about the Wilsons in the context of marriage/romantic relationships SO much?? Like. Being aro, I normally don’t like analyzing characters through the lens of romance and how they function with crushes or in relationships… It’s just not that interesting to me, and I don’t like basing a character’s personality or worth on their romantic (or sexual) dynamics with other characters. BUT THE WILSONS? OH BOY.

Ramble under the cut bc this got way too long

ALSO!!! Warning for discussions of sex! Not very in-depth. (It’s mostly just about Grant and Marco hooking up on the Titanic lol)

Anyway!

So so so much of the Wilsons’ identities in canon (and also to an even further extent in my fics/headcanons/mind hehe) are based on their marriages and immediate nuclear families. For Darryl, his entire life WAS his family. As far as we know, the same was the case for Frank, and even Robert Wilson was pretty much always talking about his gal Sal iirc. Like obviously bc this podcast is about family, BUT as your resident Wilsons expert (lmao), I want to put forth that the Wilsons in particular are about marriage!

I think the best example of this, actually, is in S2 when (on the night before Grant’s WEDDING), Darryl is talking to Grant about marriage and says that he and Grant both know that Carol and Marco respectively are too good for them. Which like. is also one of the most loaded and important statements to me in this whole goddamned podcast (and probably THE most important for the Wilsons) for many reasons. but I digress lolol

For Darryl and Grant both, there’s a perceived power imbalance in their marriages: not in an abusive way or anything, but rather as like… a measure of self-worth? For better or worse, their self-esteem and sense of self-worth are dependent on the people close to them, especially their romantic partners.

Darryl is constantly comparing himself to his father (as is Grant), but not just as a father—as a husband, too. Darryl tells Frank that he wishes he had the kind of relationship with Carol that Frank had with Darryl’s mom (which is. doubly ironic and sad bc Darryl’s mom was cheating on Frank, and he almost cheated on her, too. but I digress again oops)

But he compares himself to Carol, too, thinking she’s smarter and ‘better’ than him, and Grant especially compares himself a LOT to Marco, saying that Lincoln would be better off with Marco as a single dad and that Marco is ‘better’ than him in general. I find this extra interesting bc Frank does NOT do the same with Darryl’s mom; in fact, he (albeit light-heartedly) says she’s worse than him for having cheated—I don’t have transcripts in front of me, but something along the lines of “If you think that’s bad…”

And that’s why I think the best (and honestly only) way to really examine the Wilsons as characters/people is through the lens of their marriages.

So much of Darryl’s character especially is based solely on Carol. He’s been with her since she was 13-14 and he was 14-15, and so much of his personality and life is entirely formed around her. She’s his best friend. When he gets the idea that she might be cheating on him, or dead (as a mummy), he loses himself because, like. What else is he if not Carol’s best friend, her husband, the father of her son? Almost any time Darryl has any character development (that isn’t related to his dad or son), it’s about his romantic and sexual relationships and feelings: with Carol, with Sweet Matilda, with the fucking sex pit! Lmao

And he and Carol NOT divorcing after S1 is honestly the only thing that makes sense to me; what else would he do? Even if they never manage to fix it all, what else does he have? (The answer is all of his family and newfound friends, but he can’t see it that way; his self-worth centers around HER, remember; she’s BETTER than him.) So they stay together, and he dies believing she still loves him and will be happy to be unchangingly domestic him with him all over again in heaven, whether it’s true or not. Until then, he lives with a facade of her and their son (btw the fake personal heaven Grant is a kid, so Darryl is presumably reliving his life before the events of S1 without changing anything which… is sad for a whole other set of reasons) because Darryl can’t be alone; what is he alone? ALSO. Okay actually no. I won’t get on my aromantic Darryl soapbox right now, but….. expect it at a later date lol. This part got kinda rambly/headcanon-y oops.

A lot of Grant’s character is ABOUT his romantic feelings/relationships; he’s pretty much inextricable from them. His crush on Yeet was originally his whole character (aside from aloof gamer kid lol): Shy, easily embarrassed, extremely obvious about his crush, trying to impress this cute and cool guy. And then, by the time of the Supper Bowl arc, after the chimera and everything else, he becomes more complex, of course, but those feelings are still at the center of everything—because they’re his escape.

He tells Yeet the TWO things that make him feel alive are violence (whether done TO him or BY him) and his crush on Yeet. Grant’s romantic feelings become linked and equated with violence and rage (which. makes me feel crazy btw but anyway. Sorry I love Grant beyond words) and are the only temporary cures for his dissociation.

So when Grant is an adult, of course he relies on romance and sex like a crutch; it makes him feel safe and real, and it’s an intersection of love and violence that makes him feel at peace.

I know it’s a funny moment, but this always makes me think of him and Marco hooking up on the Titanic: Grant believes wholeheartedly that they are both going to die and that there’s nothing he can do about it (or maybe he just doesn’t even want to try to save them). When Marco finds out what’s happening and sort of scolds Grant for it, Grant is embarrassed and says it’s because he’s just “having so many feelings” (probably not exact words), which is also interesting because that’s pretty much the opposite of his original problem of dissociating.

But, between being overwhelmed and dissociative, at its core, the same root feeling is there: hopelessness and helplessness. Also, in his second conversation with Lincoln is S2, Grant says that violence and killing help with his self-worth, also (which ties back to what I said earlier about the connection between the Wilsons’ self-worth and their marriages). When Grant kills someone, all of his doubts disappear and “it all goes white.” If we’re looking at this through the lens that Grant equates violence and love/sex, it must give him that same feeling of… blissful ignorance? Emptiness.

This leads me to believe Grant copes with feelings of hopelessness and self-doubt not just through killing, but through romance and sex, too—like we see on the Titanic (lol)

There’s a lot more speculation I could do about both Darryl and Grant (and Frank, and even all their spouses), but I’m trying to leave it to at least canon-adjacent stuff. Anyway, let me finally circle this all back around to Lincoln lol…

It’s clear that Lincoln thinks romantic relationships are very important. He thinks marriage is beautiful (and, based on his dads’ marriage, that all marriages are good and happy lol—which is especially funny/interesting to me when you consider the several times it’s been said that something Lincoln did/does is the only thing holding their marriage together, and he’s the whole reason Grant didn’t call off the wedding in the first place). His dads have spent a lot of time educating him about love and sex and personal choice in both of those categories, which he references a few times, but, despite their emphasis on personal choice and not raising him Catholic but encouraging him to believe whatever he wants, Lincoln, at 16, is SURE that he will get married someday (and probably young, since he said to Normal that a few years is a long time to wait lol). The Wilsons’ generational insistence on marriage, romantic relationships, and nuclear families persists regardless of Catholicism, it seems :’)

Lincoln’s marriage to Chris in the simulation was also clearly really important to him—and to Chris, too, since they asked him never to remarry. I know the cast joked about this, but it does make me a little sad that Lincoln’s relationship with Chris seemed to be a lot like Darryl’s with Carol! Granted, we only know a like two things about Chris lol… also, I LIKE Chris and Carol! A lot! No hate to either of them <3 but also, that doesn’t mean those relationships aren’t strained, you know?

Anyway! A lot of Lincoln’s character can of course be attributed to his dads’ marriage, like I said before, but his marriage in the simulation was pretty big, too. Although he doesn’t talk about it a lot, it must have matured him, at least on the inside. He later references the job he had in the simulation, as well as being a dad. When he marries the other teens in space, he still thinks of Chris and what they would think. Once again, like Darryl and Grant, a lot of Lincoln’s decisions and beliefs are tied to his spouse—even if they’re not there or were never even real to begin with. Even once he’s married to the other teens, he takes it VERY seriously with pet names and domesticities.

All of this to say, it makes me wonder about his marriage to Scary in relation to his characterization as an adult! I’m not speculating that their relationship is bad or anything; I don’t want it to be and in fact VERY MUCH hope they’ve broken cycles. I just wonder how it affects him as a character (and Scary, too, of course)!

I was really excited when Gothcleats became canon not just because I shipped them, but mostly because I think the Wilsons are most interesting when looked at through their marriages. Lincoln has always put a really strong emphasis on marriage, and all of his pet names and PDA with Scary in the S2 epilogue confirmed to me that they take after the previous Wilson generations in GOOD ways, which makes me really happy.

I guess the main question I’m getting at is about how Lincoln perceives himself in this relationship. In the years soon after the end of S2, does he still feel that same emptiness and feeling of “not caring”? Does he try to cure it in the same way as his father, making “it all go white” with violence or sex or getting someone else to hold him together, or his grandfather, suppressing his depression and trying to will it away with love and close/‘happy’ romantic relationships? Does he find any of those things in Scary? Does he see himself as her equal, or does he feel inferior, like she’s smarter or more capable or ‘better’ than him? He did say multiple times in S2 that she’s the leader, she’s the one who knows what she’s doing, and he just wants to follow along because he doesn’t care anymore.

I hope not. I hope Lincoln and Scary are really happy together. I hope their self-worth is not determined by their partner. I guess that’s all this ramble is :’)

OKAY WHEW. I’m done. That was fun :D

Thanks for subjecting yourself to my ramblings omfg… please send me all of your Wilsons thoughts always. I’ve been wanting to write a long thing about this FOREVER… The aro Darryl fic(s) will come eventually. Also one about Grant coping (badly lol) with sex, which has been in the works forever bc I am bad at NSFW. But it’s fun. Uhhh I guess that’s all?

OH ALSO. If you want to read more of my post-canon Gothcleats thoughts, I published a 15k fic the other day about Jerry being their foster kid! Here you go :3

Hit the Ground Running - chalcedony

(It’s very fluffy and sweet—which is rare for me, but I promise I’m not lying! It’s silly and fun. And I do not speculate too much about Lincoln’s inner turmoil, I pinky promise)

If you read this all. Um…. Sorry? LMAO. Here is a gold star for you ⭐️

[solar-halos]

i finished the umbrella academy s4. i am not amused. here are my thoughts (looong post incoming)

1. i don’t remember diego being so fucking annoying. actually that’s a lie he’s always been annoying but since he was hot i let it slide but now that he’s not treating lila right (how do u fumble a baddie THAT HARD) i think he should participate in the shut the fuck up challenge

2. “their uncle will pick them up” HUH? like obviously this timeline is different but you’re telling me lila has uncles (and parents! or someone! she was talking to some elderly couple before the party!). what does that mean for the others… were their mothers still killed in this timeline or did klaus live out his little amish dream, even if he wasn’t around to experience it? ykwim? like did they show up to this timeline and someone was like “omg where did u wander off to? i was looking all over for u!” and then it turns out it’s their sibling/uncle/whatever in that timeline and they just have to be like ah yes. i surely do know who u are

3. what they did to lila and diego was criminal!!! “she said she couldn’t get pregnant while breast feeding. but she could” dramatic ass reveal for no fucking reason. like get over yourself diego

4. ok i know they prob couldn’t get rays actor to come back but what the fuck do u mean he walked out. and how can allison afford that nice house when all she’s doing is being in commercials nobody wants. our girl has a BEAMER. also i thought they weren’t supposed to have phones or anything like that so why does allison have a vape lollll. not complaining bc that scene was funny to me but why and how

5. ughhh they were tryna set up lila and five SO BAD in the beginning. and even then they still gave off intense sibling vibes

6. ok maybe im just too american but the gun imagery was kinda not it for me. like idk i think the bit with santa claus coming out shooting at everything was supposed to be funny but idkk i think im just too sensitive bc i was like mkkk whatever not funny. also i know luther has super strength but even in s1 he still got majorly injured when that chandelier fell on him but now he’s fucking indestructible apparently?? like getting shot at and stuff?? what???

7. ok but that grandma loading her old timey gun while she turned to the siblings like O.O was funny i’ll give them that

8. speaking of guns wtf siblings are killing EVERYONE. like ik they started the apocalypse and everything but idek just the way they did it was so weird. like less detached/guilty and more like… triumphant? satisfied? idk but it had a different tone than even s3, i remember in s2 it was such an intense ordeal when allison made those two european brothers kill each other but this time they straight up mass murdered a bunch of ppl in a small town and were like B). like ok. like allsion mutilated that guy in front of her DAUGHTER and it was just chill. major tonal shift

9. “you just had to one up me” 1) you just killed a bunch of ppl diego!! 2) that is NOT the lila and diego i know. the real lila and diego would have started making out nasty style the moment lila killed that guy w her laser eyes. also wtf were the point of the laser eyes. she used them like twice and then that was it

10. with that being said all that affair stuff and recovery and addiction and relapse was getting so heavy. which ik is the point and the umbrella academy has always been heavy but like holy shit u GOTTA pick a struggle. is lila gonna groom five or is klaus gonna give claire trauma cos u can’t have both

11. speaking of claire… “would it help to remind u that we were just as shitty at her age” no u fucking weren’t. u could have breathed at ur british alien father wrong and he would have made u do drills until u puked. don’t play rn

12. why did they not trust the audience to pick up on the fact ben spiked their drinks. like we did not need a full on FLASHBACK. or like to be fully immersed in that scene, a tiny little flashback would have done

13. ok but why is this season so scary. like that train station made me paranoid

14. i will never forgive them for what they did to my girl lila. she used to serve CUNT

15. that british lady alien annoyed the fuck outta me

16. WHERE was pogo. and grace. they needed to find a way to bring them back. maybe they could have transported to a universe where the apocalypse happened and now the world was getting ruled by a planet of [gunshots]

17. why the fuck was diego acting like jennifer and ben weren’t linked in some way when all of s3 they alluded to the jennifer incident every other scene. i get it was supppsed to be so obvious even to someone who has ONLY watched s4 that jennifer and ben were linked so it was just a case of diego being stupid BUT that doesn’t work when it’s already been established that they all know jennifer played a part in ben’s death. hence calling it the Jennifer Incident

18. “they tried to address that in later scenes” they failed. they didn’t know how ben died, fine. but they knew jennifer had something to do w it. i’m tired of scenes that poke fun at diego for being stupid. he’s not stupid—he’s cocky

19. okay no but this season was SO gory. like. whatever they have guns this is a revolution but the guts? the intestines?? they wanted to be stranger things sooo bad

20. no but we need to talk about that. the monster thingie at the end was so stranger things and the guns and the military and everything it was like we were back in s3 (or whenever we met the russians)

21. LOL but that scene where diego finds out about five and lila was lowkey funny. this season was so meta in general

22. speaking of the holidays… i sure did love watching everyone sing christmas carols and walk around in the snow when it was hot asf in real time

23. i do like how many parallels there were to s1. like w viktor and reggie, it was very viktor and leonard in s1. and klaus getting kidnapped. although i was kinda tired of klaus getting abducted and his siblings not giving a fuck. i thought there was supposed to be growth there

24. okayyy but ben and jennifer were cute SORRY. “let’s get married” that would have worked on me. however being rude to me while i was at work WOULDNT have worked on me so maybe yall are right maybe we didn’t need a love interest this season

25. i did NOT expect them to actually drag out lila and five’s love story. other than the age gap (no matter how ur looking at it) you already knew it was gonna be bad as soon as they had their first kiss. i hate those multiple little open mouthed kisses that are literally just ALL lip and spit like that’s fucking gross if ur gonna stick ur tongue in my mouth u better do it by the third little :O we got going on there. and then five was giving boy. like literal boy. and lila is a literal goddess but a goddess that’s well into her 20s and the contrast was so sharp it rlly was giving mom and her caucasian child. i mean that bit about lila viewing it as survival vs five actually clinging onto it showed their different levels of maturity, but since it’s never specified if five is still a 50 year old man or just aging normally, his reaction rlly was such a teenage boy thing. “i’m gonna kill him” man shut the fuck up

26. ok no bc we need to talk about this. i think fives actor is my age—maybe even a little bit older—but i don’t see how anyone over the age of 18 is supposed to find him attractive. like idk it’s weird in the show but even creepier irl cos lila’s actor had to have known him when he was still a minor. why did anyone at the umbrella academy think we wanted this

27. anyway not to make this about myself but when i was writing the odesta longfic there were a lot of lore inconsistencies as we kept going bc i forgot some of the details and was too lazy to go back and read it sometimes, and i think that’s what happened this season. the most notable detail is when klaus covered his ears while everyone was shooting at each other. i was expecting some sort of vietnam flashback but like no. he was just there being normal about it, all things considered

28. “ex-squeeze me?” it wasn’t funny when klaus said it in s1. and it wasn’t funny here

29. alright i think that’s really all i wanted to say about the season tbh… like idk diego and lila starting a family made sense i guess and i know they were falling out of love (even tho they would never do that…) but i didn’t rlly feel any of the love w the kids. like even when lila stepped off the train at the last min and her daughter was banging at the glass it looked more like she was like “oh no :(“ and then just started poking at the glass. i don’t even think it matters that she didn’t fully know what was going on—if you’re a child and ur mom steps away in an unfamiliar situation, you’re gonna start to freak. especially w everything else that was going on

30. ok this is such a small thing to harp on but they abused the fuck outta that time skip font. like i don’t think they ever used it that much before now

31. now let’s get into the ending. this is how i would fix it:

we can keep jennifer. whatever. that thing they added at the very last second about her having a particle that causes the end of the world was… whatever. like i get it. they needed a way to explain the end of the world and that was the thing they used and even if it was very late to introduce such a (admittedly confusing) bombshell, at least it fits in with what we already know about this universe’s rules. magic and particles and marigold and whatever. jennifer is fine.

tbh when jennifer started feeling sick i was honestly thinking that they were gonna go the surprise pregnancy route even though they weren’t even fuckinf hinting at that i just have no media literacy. i wouldn’t have minded that tbh, like the monster transformation made more sense but imagine if we did a twilight ripoff for a second, except that jennifer and ben were both equally protective of the killer baby growing outside of jennifer’s womb (or in her womb… whatever. point is there’s a baby). i don’t think this is a good idea—if anything i think this is a shit idea. but something that’s always been so prominent in tua are the moral implications of what they’re doing, like with everyone wanting to kill harlan in s3 instead of letting the entire world die, and with everything that happened with viktor in s1. there was the whole “i can’t kill my brother” bit, sure, but everyone kinda didn’t rlly seem too enthusiastic about it.

actually the baby addition is actually a shit idea. i’m just keeping that part of the rant in bc we need SOME sort of moral dilemma that isn’t just viktor arguing w hargreeves and then his siblings dropping in later with opinions that don’t even seem that strong. everyone needs to have a strong opinion on SOME sort of moral issue that we wanna introduce—that, in a perfect world, we’d be building up to throughout the season—and then yeah whatever there can be an epic fight scene

i don’t watch/read a lot of time travel stuff, but from what i gathered, the timeline can never be restored once it’s fucked with. there has to be consequences, like with any story. and tua did address that—they tried restoring the timeline thousands of times—but i think they shot themselves in the foot there. time travel with a (somewhat) happy ending is possible—there just has to be something to lose, and it has to be something that isn’t nonnegotiable. claire was nonnegotiable, which is why i think they stayed in s3’s timeline for as long as they did

point is, i think they should have gone back to 2019. i mean i don’t think anyone really wanted them to die. i made a joke in s3’s rant that i would just give up, but lucky for me, i am not a fictional character in tua, so the fact they just die in the last five mins and we’re supposed to be ok w that makes the last three seasons pointless. like, actually pointless. what was the message here? why is the ending of the show painted as some sort of utopia just bc we got rid of the siblings? and why is five okay with that? i think him being on board w dying could have been an interesting route to take if they showed his relationship w his siblings consistently deteriorating (both on screen AND off screen) but they only rlly managed to do that with diego, and it was for something fucking stupid

ANYWAY. bring those fools back to 2019, but don’t make them totally happy. just give them something that makes them all just stay put, like how allison has claire (doesn’t matter which timeline. it could be from the fucked up timeline. i don’t think the cleanse would happen bc of that bc claire is only one person and not an entire fucking organization like tua or an assassination like jfk. so hell. might as well throw harlan and sissy in there for viktor. that makes lila and diego’s motivation really easy for staying put, cos then they have their kids. klaus is klaus and no offense to him but i think hes just gonna roll w the cards he’s dealt without trying to fight back, for better or for worse. then ben can have jennifer and since they love each other idk they just stick around. then five’s motivation for staying is that his family is alive and none of them want to leave and that’s good enough for him bc that’s why he time traveled in the first place

again… i don’t think what i came up with is any good. i just think it’s better than them all dying at the last fuckin second. i think this show relied on a lot of haha random xd humor at the beginning and they tried to keep that intact here but everything got so serious that i think them all dying rlly did seem like the only way out but.. it’s not. they could go back to the way things are as long as there were consequences. it would suck, and none of them would be as happy as they could be, but they know that’s as happy as they’re gonna get, so whatever. like, if we were gonna take the suicide route, we might as well gone the time loop route and gone back from the very beginning when five blinks back to 2019. i think that rly would have driven home the “this all would have happened anyway” point way better than them just being like guess ill die :) bc ughhh. no they wouldn’t. also they wouldn’t let lila leave bc she still had marigold in her but… what about her and diego’s kids?? they’re half marigold, and claire is a quarter, so… what’s up with that?