#12 more to go.

[archerdepartures116]

Ill post this au( inspired by tweet above) i started on my twt on Tumblr too

First part

more comic panels below

Second part

Third part

Fourth part

Shenanigans side extra

this is currently an ongoing series, if this does well here, I will continue posting these in bulk (～￣▽￣)～

for more frequent uploads, you can follow my twitter at ArcherD116, feel free to ask me ab this au and give your suggestions!

[poorly-drawn-mdzs]

At your side [End of Season 2]

[First] Prev <–-> Next

[heybaetae]

maknae line + gestures of love 🫰🏼💋🫶🏼🌹🤟🏼 happy birthday @jkvjimin! ♡

[saintjudasi]

comic about being 12 and realizing youre gay #whocanrelate

[sourtoasterstrudel]

Obligatory gravity falls post because I too had my gravity falls hyperfixation resurrected by book of bill’s release

I’m not super proud of this it took a lot out of me to work on and I kinda tapped out halfway through but despite that I’ll post it because I haven’t shared stuff in awhile

I have a compilation post of stuff I’ve been working on so that’ll probably get shared soon too

[anakirui]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[mozart-the-meerkitten]

*rolls up 15 years late with Avatar the Last Airbender thoughts*

So I've been rewatching clips from the show lately to refresh my memory while I'm writing my Zuko Alone fanfic. And last night I rewatched the clip where Iroh teaches Zuko how to redirect lightning and I have had thoughts about this scene for years so I might as well finally throw them into the void of tumblr.

So, this scene is insane to me, because at the end of learning how he could-hypothetically- redirect lightning, Zuko looks at Iroh and, completely seriously says "okay I'm ready to try it with the real thing now". Like, Zuko, the boy with a massive scar on his face from where his father burned him just looks at his uncle and says, "shoot me with lightning".

And yes, he's 16 and not thinking but that's part of the point because the amount of blind, complete trust Zuko has in Iroh to look at him and say "shoot lightning at me" after the insane trauma he had at the hands of his own father- that is WILD to me. Zuko literally trusts Iroh so much that he just assumes, without even having to think about it, that no matter how volatile and unpredictable the lightning is, Iroh won't hurt him because Zuko cannot fathom his uncle hurting him.

And of course, Iroh's appalled because Zuko's standing there with a massive scar on his face from when his father misused firebending against him and likewise, Iroh cannot fathom hurting Zuko. And since IROH knows how volatile and unpredictable lightning is and how it could literally kill his son nephew he is absolutely NOT going to use it just to let Zuko practice redirecting lightning, but he's so flabbergasted that Zuko would even ask him that that he just kind of splutters angrily that he will ABSOLUTELY NOT shoot lightning at Zuko. (it's also just another layer of how messed up Ozai is because he shot lightning at Zuko without a second thought later)

But I hope Iroh thought about it later and realized the amount of pure, unthinking trust Zuko has in him because ;-; the child didn't even THINK about it. "Okay uncle shoot lightning at me now. I know I'll be safe because it's you." I love them so much 😭😭

[ikemengoessbrrrrr]

Crossover but only 12'Leo with the Rise bros

*Mom mode activated*

[bamsara]

trying to figure out if the continued nausea is related to intense stress and travel schedule or something simple like food poisoning or an infection

[itslilacokay]

idea!

more in op tags for those that see this post reblogged (unless reblogger included the ideatags)

[thevoidstaredback]

How To Balance Your Daytime and Nighttime Activities So That You Don't Burn Yourself Out More Than You Already Have

Tim was waiting for them at the door, sitting one the steps of the Manor's entrance, when they arrived. He grinned an jumped up when he saw the car, not quite running down to meet them. Danny nearly jumped out of the moving car to catch Tim.

"Hey, Danny!"

"Hey, Tim!"

Dick got out of the car after turning it off. He rolled his eyes at the two kids. "Hey, Dick." Tim and Danny snickered at him, ditching a handshake in favor of a high five. "You two have met in person once, why are you so close?"

"Occupational hazard," Danny answered.

"Why? Are you jealous?" Tim teased.

"I am not!" Dick protested, "I'm just curious."

The two didn't believe him for a second. "Yeah, sure."

"I'm not!"

The large oak doors to the Manor opened slowly, not creaking once, pulling the three's attention to the top of the stairs. Just inside of the open left door was an older gentleman in a pressed, three piece suit. "Master Dick," he smiled, "Welcome home."

Dick smiled up at him. "Hey, Alfred. It's good to see you."

"You as well," he stepped to the side, inviting the three inside. Dick walk in first, followed by Tim. Danny took up the rear.

Holding out his hand, Danny said, "You must be Alfred. I'm Danny. It's nice to meet you!"

Alfred closed the door before taking Danny's hand. "Likewise, Master Danny."

"Oh, please, none of that 'master' stuff."

"'Mister' it is, then."

Danny didn't like Bristol, Gotham, New Jersey. It was plastic and fake and reeked of money. The trees and lawns and bushes were all exactly alike, and each property was marked off by wrought iron fences nearly ten feet tall that stretched on forever in every direction.

Wayne Manor, though, had a different feel to it. It still smelled of old money, and the greenery was all perfectly plastic looking, but it felt warm. No. It was almost as cold as the other properties in the area, but there was an underlying warmth to it that was slowly being choked out. Like red dye in a glass of water.

Alfred, Danny decided, was not human. He was perfectly human in every way, but there was something about him that nudged at Danny. His posture was perfect, his clothing pressed and not touched by even a speck of dust. His shoes were shiny, his gloves whiter than snow, and his hair lay perfectly. Danny knew for a fact that Wayne Manor was this man's haunt, even if the man is still of the living. The building was perfectly cared for, and he was sure that Alfred knows where everyone and everything are as long as they're within the Manor property lines.

"Thank you for having me," Danny bowed his head slightly. Alfred's smile grew ever so slightly.

"Please," Alfred nodded, "I must thank you for taking care of Master Dick while I have been unable to.."

"It's not problem, really," he said, "I like helping people."

"Should we be worried about whatever..that is?" Tim whispered to Dick.

"I don't think so?" Dick whispered back.

"You don't sound so sure."

Alfred was the first to move, stepping naturally in front of the group to take the lead. "If you'll follow me to the drawing room, I will bring in refreshments while you all talk."

Dick laughed politely, "Don't be so stiff, Alfie! I'll come help you in the kitchen; leave those two to chat." He winked like he knew something neither Danny or Tim did. They ignored him.

"Very well," Alfred accepted, "I expect Master Tim to show Mister Danny the way."

"Yeah, sure," Tim nodded, "C'mon, Danny, it's this way."

The Manor was large on the outside and inside. The foyer was easily thirty feet tall, a crystal chandelier and white frosted wall scones brightening up the black marble floors and beige walls. A pristine, dark green rug ran up the stairs. On either side of the stairs, imbedded into the walls under the landing, were birch double doors. Dick and Alfred went through the ones on the left, presumably to the kitchen. Tim led Danny through the ones on the right.

The hallway Tim and Danny were no in was only ten feet tall. The floor had become dark oak planks covered by a long, dark red carpet. The walls were the same beige as the foyer, but these were decorated with pictures and paintings of landscapes and cityscapes. Potted plants on small tables and short benches were spaced along the walls. About fifteen feet from the birch doors was a dark wood archway leading into another room.

"This is the drawing room." Tim introduced.

The room followed a similar theme as the hallway. Dark wood floors and beige walls. There was an unlit, red brick fireplace directly opposite the archway, a TV a few inches over the mantel. Bookshelves that were obviously only decoration lined the right wall. A white, circle area rug covered most of the space, accompanied by dark blue and oak furniture, and scratchy white throw pillows. The decorations all matched the hallway, too.

It was all very impersonal.

"What's wrong?" Tim asked after a moment of Danny looking around.

"Nothing," he said, "it all just seems a bit.. manufactured?" He looked at Tim. "Don't take that the wrong way! It's a beautiful building! I'm just- I'm not used to this is all." A lie, but Tim didn't need to know that.

Tim laughed. "It's not my house, so don't worry about it."

Danny's head tilted to the side. "Oh? Then where do you live?"

"Why?" he smirked, "Gonna follow me home if I don't tell you?"

"Maybe." he shrugged back.

The single birch door on the left wall opened, letting Dick and Alfred into the room. They put two trays on the coffee table, one with different snack foods and the other with a few drinks. Alfred was quick to leave the room again.

"Welp," Dick clapped, "I'll leave you two in here to talk. I'm going to-" Danny leveled a glare at him. "-sit here and join your conversation."

Tim stared between the two for a second before laughing again. "Dude! You have to teach me how to do that!"

"Why? Think it'll work on Bruce-man?" That got both Tim and Dick laughing.

"Only one way to find out."

Danny laughed along with them for a few moments before sighing. "I hate to ruin the moment, but I did drag Dick here for a reason." He stepped back a few feet, motioning to Dick.

"Er- Right." Dick cleared his throat. "Tim, I'm sorry for yelling at you when you stopped by Bludhaven."

Tim blinked, giving Danny the impression that he was not used to apologies and the like. Hm. That'll have to change. "It's, um, okay?"

"Great-!"

"No it's not." Danny interrupted, "He yelled at you. You don't have to say it's okay."

"But it is?" Tim reasoned. "I'm used to it."

That's going to change, too.

Part 11 Part 13

[kirjavas]

making my peace with how lyra was characterised in the show vs the books because so much of it relies on her age and even dafne keen being only one year older than lyra when filming set her up to portray a different character from the very beginning. it doesn't seem like a huge difference but lyra being a child and not a teenager is of fundamental importance to her path in the books so it's inevitable that she was written more like a teenager in the show (and you can't stop child actors from ageing, you can only adapt the writing and directing to match how they mature). the show wrote lyra's arc in accordance with her maturing to the age of around 16, so they chose to have her grow out of her habit of lying and instead wield the power of truth to further her on her journey. it was a different journey from the books, but it got her to the same place: saving her friend and countless others with the power of storytelling and a silvertongue

[bruhstation]

can't it even be more obvious thomas. why are you surprised that a sudrian historical site filled to the brim with armor and weaponry that dates back to the middle ages has old people afflicted with the gold dust working around the castle

[anonymouscheeses]

They are everything to me.

[letsgetitblog]

Old wounds resurface by just one tweet.

I got a bone to pick with y'all 12 tmnt haters too just y'all WAIT.

Late 2022 & Early 2023 crossover tmnt fics were hell and y'all need to be adjourned for you're sins. Immediately!!!