#100 ways to say i love you*

[mediumgayitalian]

Nico wakes up to gagging and a soft glow coming from the bathroom.

His first thought is, bizarrely, that Hazel’s home. But her bunk is still empty, and her shoes aren’t by the door, and she didn’t wake him when she came in. She always wakes him when she comes in, even if it’s four thirty in the damn morning, because nothing makes her cackle quite like Nico choking back curses and tweaking under her smothering pillow.

“Shit,” comes a small voice from the bathroom, followed by more retching. “Shitshitshit, no —”

Nico bolts for the door.

“Hi,” Will says, or tries to. His scarred knuckles clench with every gag, wrapped too tightly around the rim of porcelain to tremble like the rest of him.

Something about the wobbly smile he keeps trying to form in between gags. Something about the sweat that has drenched his t-shirt, something about the deep circles under his eyes, something about his spot in the bed completely cold, wrinkled.

Something is not adding up.

“You’re not sick,” Nico murmurs, pressing the back of his hand to Will’s forehead. Will mutters something about bliss, leaning into Nico’s hand; he smiles again, but it is strained, and at odds with the glassy look in his eyes. The sharp, rapid breaths.

“Just don’t — feel good.”

Every word is punctuated by a big, heaving gasp, like he’s trying to breathe through heavy cotton. On a hunch, Nico slides his hands down Will’s face, brushing the goosebumps on his neck, the irritated, pulsing tendons, and rest flat against his chest, over his heart.

His heart that is pounding, so quickly it is actually challenging to recognise as a beat rather than a buzz.

“You’re having a panic attack,” Nico says quietly.

Will shrugs. He gags again, but clamps his mouth shut before it goes anywhere, breathing deeply and carefully through clenched teeth, squeezing his eyes shut. His heart pounds faster, and the rapid movement of his chest grows shallow, but he manages to choke back his bile, swallow down whatever nausea is plaguing him.

“I’m — fine.” His laboured breathing is the loudest sound in the cabin. In the camp. “I’m handling it.”

Nico watches him. Watches him clench his jaw and squeeze his eyes shut and make a noise like he is being betrayed, like he is being sold for thirty silver by his own body, his own mind; watches him flex his muscles rigid and hold himself still like he can stop the nails and thorns from coming. He thinks of wide smiles and far away eyes and mental health pamphlets and cheerful slogans on infirmary walls.

“I think one of those things are true.”

“I don’t need —”

Whatever he doesn’t need is forgotten, because he is heaving again, only this time his body finds something to dredge up, even if that something is stomach acid and he cries as it burns its way up his throat, and in between heaving he wheezes, horrible whistling gasping noises, and his hair plasters to his forehead, and his body slumps into Nico’s hold and jerks away from him like rocky waves against a lakefront.

“How long have you been here?”

Will just shrugs again, and he cries, and he says “Leave, please,” and Nico wraps an arm tighter around his waist, and presses a kiss to his sweaty temple, lingering, holding, tasting salt from Will and from his tears both, and squeezing his eyes shut, and holding back the anger. Gritting his teeth and softening his hold, deliberately, resting his fingers delicately on the dip of Will’s hip, the raised pink of the stretch marks along his ribs.

“I hate it when you run from me,” he murmurs, and Will sobs again.

“I can’t breathe,” he says, and Nico squeezes and promises he can. “I’m dying. I’m dying, I’m gonna —”

“I’m here, Will.” He doesn’t say you’re not dying. He doesn’t say you’re fine, because this is the longest they’ve sat together in five days, because it is the the quiet middle of June, because yesterday Kayla spent half her shift screaming at Will to get out and ignoring him when he shouted back. Because the bandage around Will’s wrist has been worn to threads, because Lee’s hoodie has not been washed in weeks, because there is a newcomer named Michael and Will cannot even look at him. Because it has been bad. “I’m here.”

It is as much a reminder as it is a plea as it is a reprimand as it is a fruitless nothing, because when Nico struggles he gets angry, when Nico struggles he gets mean and biting and violent, but when Will struggles he wants the world to kill him. And for all that Nico is halfway to the grave he has clawed and chewed and fought his way to survival. And when Will scratches at the skin around his ears and screams into his hands and opens the chapped over scars on his lips his palms his fingers, Nico can only hold him, Nico can only gently pry his nails from his flesh and tell himself that one day they will get to the point where Nico wakes up. Where Will wakes him up, where he burrows into the place between his arms and his chest and hides in someone else for once. Where he trusts someone outside of himself enough to bare his back.

“I’m here,” he whispers again, and he presses his lips to Will’s hair and holds him as he sobs, “I’m here, I’m here, I’m here.”

[hivemindscape]

HAPPY BIRTHDAY SHOU!!!

Fluff for the occasion!!! set in 2015; in the current day and age he's turning 25 which is crazy, hope mans nailing adulthood

bonus air kiss to my fellow queers and especially aspecs:

[fascinationstreetmp3]

This is a rather high-risk romance we've embarked upon, isn't it? Brings new meaning to the term 'strange bedfellows'.

[odetojupiter]

so, we know that abuse and victim responses to abuse are very central to aftg, but what i find interesting is how other characters respond to the victim’s reactions, especially when it comes to mourning their abuser. there’s something about kevin mourning riko, aaron mourning tilda, neil mourning mary, andrew mourning cass, thats so important to me because it really truly highlights how even when people are united through similar traumas, the differences in their situations makes it impossible to fully understand the relationship a person has to their abuser. neil, aaron, and andrew are united through the abuse, neglect, or - what the fuck is the word i’m thinking of? permit? condone? i mean, knowingly allowing it to happen and not intervening - stemming from a maternal figure. but neil can’t understand why andrew would hold on to cass for so long - he refused to let her go until aaron came into the picture. and andrew can’t understand why aaron would mourn for tilda, potentially viewing aaron’s grief as a betrayal of their promise. and they all ridicule kevin for his reactions to riko. of course, neil and andrew are also abused by riko, but they still can’t understand the complicated relationship between kevin and riko because, at the end of the day, they just weren’t there.

i mean this is primarily an observation but i really love how trauma and trauma response is depicted as nuanced, complex and overall just difficult to understand from an outsider perspective in the books. it reads as really real, and though it can be frustrating when a character doesn’t understand a different character’s response, you have to understand that their perception of said character’s response is warped by their own experience of abuse.

andrew bounced from home to home, never had stability, so obviously he held tight on to the first mother-figure that didn’t outright hurt him. his self-worth was probably low enough that he thought living with drake was a fine price to pay to keep cass.

neil only ever had his mother, and he’d willingly accept her harsh hands because he believed she was just keeping him safe from the very real dangers that were closing in on them.

aaron was dealing with an addiction, and so was his mother; he was equally dependent on her to avoid withdrawal as he was scared of her anger.

i don’t really have a point anymore but you get what i’m saying

[shroomerr]

I love this orange airpod

[to-be-a-dreamer]

No, because I've already talked about this to the Discord besties but I'm still vibrating over the fact that Percy didn't just sacrifice himself for Annabeth, he outsmarted her. He tricked her into letting him be the one to stay behind that's such an amazing detail

[ratatatastic]

Vanha Kauppahalli date: en full, a 2 minute 50 second masterpiece...

Primetime Panthers | 11.6.24 (x)

[iamritabonita]

100 Ways To Say I Love You (1/100)

Their First and Last Words To Each other

[hopeswriting]

was thinking about takeshi and how he's my favorite brand of unconditional devotion btw. the utter and absolute and all-consuming kind that runs so deep to the very core and is so intrinsic and fundamental to it, it can only express itself in the most casual and natural and certain way. without second thoughts, without any room for doubts or for any moral dilemma to be had over it, because of course he ought to always be breathing and living for his chosen person first and foremost. of course he ought to hang on their every word and make them true no matter what, no matter what he has to do to make it happen, no matter what he has to do to other people to make it happen, and no matter what it might turn him into in the process. because it's obviously the way the world should be for his chosen person. at their feet, ready to bend over backwards and break and build itself again to better answer to all their needs even if they don't ask it for it. it's the only right way it should be for them, and of course takeshi's going to do his utmost at all times to make it a reality as much as possible.

and his devotion comes out as naturally as breathing, comes out lighthearted and nonchalant like he might as well be talking about the weather, but it's not unaware of itself. it's not that takeshi doesn't know it's unhealthy and wrong and that he's willing to go entirely too far in its name for anyone's good. it's not that he wouldn't hear you out if you were to sit him down and explain to him just why he needs to tone it down a little (a lot). logically, he'd agree with you and know you're right. and then he'd tell you he's still not going to do anything whatsoever about it. that he's not bothered by it and doesn't feel the need to change anything to his attitude. makes it a point to never let anyone or anything sway him even an inch in the stand he took when it comes to that, no matter how many thousand of times you might go over the subject with him.

because the morality of his devotion isn't the point at all. is entirely irrelevant to it and doesn't affect the way he expresses it all. it's not the metric with which he draws a line in the sand to hold it accountable to. because the thing is, takeshi's entire world revolves around tsuna--tsuna is his entire world altogether, and it's just a matter of fact, that simple. to him it's a truth as unchanging as the sky being blue, and so being the way he is according to that truth is the only way he can imagine being that'd feel right to him. and so the actual and only metric that matters here is "would tsuna be happier if i were to do this?" and/or "is this something tsuna needs me to do?"

and like. i don't think takeshi ever stops being a kind person capable of compassion and understanding and mercy and forgiveness even ten years later once they became mafia through and through. and i don't think either he grows up to be feared and called a monster per se despite the things they inevitably had to do during those ten years (and the things they'll inevitably keep having to do as long as they keep being mafia), at least not in the way, for example, they'll never stop fearing and calling mukuro one. but i do think that among the tenth gen, he ends up being the one with the most ruthless, merciless and horrific blood on his hands of that particular and distinct loving kind. you know the one i mean, right? he comes to be the one most expected and the one first expected to be willing and to take it upon himself to go through with it when the need arises. and to think little of it after, if anything at all. all in the name of making tsuna's reign as easy on him as possible.

and it's to the point where it's the kind of blood that makes even mukuro pause at times. or, when takeshi is the one coming up with solutions himself during meetings, makes even reborn blink. not because it's unjustified or wouldn't be safe or efficient or anything of the sort, but because it is unwarrantedly thorough in its retaliation. and sometimes, at times like this, he's the one tsuna needs to step in for the most, because he's the only one who can reason with him that "yes, this would work in getting rid of our problem" but "no, please, don't do that takeshi". because if tsuna is the only thing that infers on just how much and in what ways he'll let himself be devoted to him, then of course, he's also the only one takeshi's willing to reign himself in for without second thoughts. because he'd hate to ever do something tsuna would disapprove of or wouldn't want him to do. or do something that'd make tsuna see him differently or love him back less even in the slightest.

and it's also like. his devotion isn't an undisciplined one. it's not one he doesn't have control over, the very opposite. it's a very purposeful and conscious choice he chooses to keep making over and over again every step of the way, and he taught himself to have control over it, to know when it's needed and/or wanted, and how much and in which ways it is when it happens, and to keep it down otherwise. and, yes, to also reign it back in at tsuna's request at times when it still slips past his control. because it's all about making tsuna's happiness easier and secure and long-lasting, and never about burdening him with just how committed he is to do that.

so it comes down to this: takeshi willing to go above and beyond and more for tsuna unless tsuna explicitly asks him not to. and to tsuna needing to ask him not to every now and then. and to other people pointing out to him how too many times tsuna's already needed to stop him, and that maybe there's a hint for him to take there. and to takeshi seeing the hint, looking it straight in the eye and recognizing it for what it is and just. deciding it doesn't apply to him because it's all perfectly normal behavior to him. because it's the only kind of behavior that makes sense to him and feels right.

and so—to circle back to my first point—he can only express his devotion as naturally as breathing, so casually, almost like it's something inconsequential and not worth talking about despite how unmistakably it couldn't be further away from being the truth. it's the only way he could have always known how to express it, because, after all, who has ever taken time to ponder about the details and the hows of the way they breathe?

and i, for one, absolutely eat that shit up every time, thanks for coming to my ted talk <3

[turtleblogatlast]

[ cw: violence mention / death mention / ]

Will never stop thinking about how Leo, all alone in an endless void and being beaten again and again and again by the only other living thing around, still finds comfort in that space. The situation he was in was completely hopeless, and in any other circumstances he would not have escaped, at least not fast enough to save him from permanent (or even fatal) damage, be it physical or mental.

And yet, despite the bleakness of his situation, despite the agony and helplessness, all he needs is one glance at a crumbled photograph, one glance to remember his family, and that’s enough of a reason for him to smile.

Maybe that’s why his powers center around manipulating space - because no matter how much space is between them, no matter how dire his own situation may be, just the thought of his family, alive and okay, is enough to give Leo hope.

[mediumgayitalian]

“I’d pick you up at the airport.”

“What?”

“If we were normal. I would — have one of those signs, you know. When you came back from your adventures.”

“Oh.” Nico snorts. “I’m still fucking off all the time when we’re normal? And you’re not coming?”

“It is woven within your very soul to fuck off as you please,” says Will sagely. “You get antsy. You know, like a house cat.”

He laughs when Nico shoves him. Less when he loses his balance and rolls into a tree, but he crawls back, anyway, kicking Nico’s ankle as he lies back next to him, folding his hands over his ribs. Nico watches him for a moment, tracing the round edges of his knuckles, until Will’s smile begins to twitch with him knowing, and he looks hastily back to the sky. It’s embarrassing, Will’s snorting huff of amusement, but more than that it’s electrifying, zapping a trail down Nico’s spine and making him shiver.

He can feel the heat Will is always throwing off, blazing every centimetre from his shoulder to his heels, a hair’s breadth away, a millimetre of distance.

“What else would it look like?” He clears his throat. “Our, um. Our normal?”

Will hums. “New York, probably. Big-ass penthouse with your trust fund.”

“I’m a trust fund baby?!”

“Hey, Nico, how much does dish soap cost?”

Nico opens his mouth, and closes it again. Will’s snickers get louder. Is it considered bad etiquette to banish one’s significant annoyance to the Underworld? Only permanently, probably. If he only keeps him there for a couple weeks it should be find. A couple weeks would be appropriately humbling.

“And what do you contribute?” Nico asks, instead of answering. (Not because he doesn’t know. Obviously. Because he is dignified, that’s why.) “Your dimples and boyish charm?”

“Yes, obviously.”

Well.

“…Okay, fair.”

Will snickers triumphantly.

“You still a doctor?”

“Mhm.” Will shifts, mouth curled in amusement. “Paediatric in Mount Sinai. We live close, by the way. You said it’s cause it’s close to Central Park but really you like to hide my lunch in the mornings to have an excuse to come see me.”

“Sounds like you forget your shit a lot, actually.”

“That, too.”

He looks over and smiles at Nico and for a moment he is convinced, wholly genuinely and truly, that the sun that’s been hiding behind the clouds all day has finally peeked out, because he can actually feel his whole body warm, in that slow-rising, penetrating way; he can actually smell the surge of sunshine in the air, feel the red glow in the backs of his eyelids, taste the brightness of the light. Every one of his neurons sinks into his system, sighing, cells reacting to thousands of years of memory of the gentle warm of the Earth’s closest star.

But the sun is not shining, and there is only Will, and his too-big teeth brush against the bottom of his lip, and his dimples show, and his eyes crinkle, and he is more radiant in even his old stained camp shirt and fraying jean shorts than his father has ever been and could ever hope to be. A thousand planets could thrive under a hundred blazing stars and none could come close to him. He knows it, how those ancients felt, the drunken surety as they stood and challenged the gods, swore up and down that their beloveds outshone Venus, Diana, Juno; Will does, Will does, and Nico understands intimately the hubris in a way he scoffed at as a child, because the words bubble and boil and threaten bursting inside of him now. What claim have the Olympians? Over sunlight? Over beauty? Over Will?

“We’re happy?” he says instead, choking hoarsely over the veneer words, over the blocked desperation, truth. “In our normal, we’re happy?”

“Always,” Will whispers. He twists onto his knees, crawling the two inches over to press close, close, closely, hand gentle on Nico’s stomach when he tries to sit up, and presses his lips to Nico’s cheek, dry, twitching with his smile, shaking with his laughter. Nothing is funny, and he isn’t joking, but Nico can feel the giddiness bubbling up and out of him the way sadness flows out in tears; when Will is giddy he giggles, constantly, hiding it barely in his hands, and now he presses it into Nico’s skin, because he knows how Nico aches to hear it, how he watches him like he’s burning it into the ridges of his brain. “I am always happy with you, Niccolò.”

“I love you,” Nico says, fiercely, and it will never be enough, not in English, not in Italian, not in Greek, but he will try. “Te amo. Capiscimi? I love you, Will, I —”

“I know.” The tiny little vibrations of his laughter are — intoxicating; Nico is drunk, ascending. “I know, di Angelo. Sap. I love you, I know.”

He dissolved into giggles into the crook of Nico’s neck, and Nico is lying, still, facing the clouds, and he is warmed, and he is warmed, and he is warmed.

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[poorly-drawn-mdzs]

It's the 6 month anniversary of this blog! Check out these cool bugs I found.

(EDIT: Check out this amazing fanart by thecornermushroom!)

Part 2 - Part 3

[shima-draws]

THAT right there, ladies and gentlemen, is a LOVE CONFESSION

[caligvlasaqvarivm]

Do you think if the trolls all came back, like everything in the main comic did happen and they were alive again. Do you think Feferi would actually forgive Eridan? Or want to even be his friend after everything? I don't personally like the erisol and fefertasprite interaction…felt rushed…..so I just wanted to know your opinion if things were different! :)

Yeah, I think they would be! Feferi is one of the trolls who takes dying the least badly (relentless optimism) and Eridan does genuinely feel bad, which means a lot when it's Eridan. I think she really is genuine when she says she wants them to be friends and also that she's really not the type of person to hold a grudge, and like... death is SUPER cheap in Homestuck, it's really not the horrific, irredeemable, irreperable damage that it is IRL - and if you're talking about (Feferi) and (Eridan), then they're both dead (and irrelevent) now, so the score is kind of even.

In general, the fandom - I mean, people in general, really - tend to have difficulty divorcing themselves from other people. We tend to assume that the people and characters they like will hold similar opinions to themselves. This is how people who like Karkat and don't like Eridan can mentally gloss over or even block out their clear, close friendship, or how people who dislike Cronus can end up overlooking that Meenah actually takes his opinion seriously and unironically defends his wizard thing. Feferi really isn't mad at Eridan or upset about dying the way we probably would be, because she's friends with the horrorterrors, relentlessly cheerful, comfortable with death in general, and death is also just not really that big of a deal in this setting. "I'm really sorry about that, that was shitty of me" is honestly probably all the apology she needs, especially if they came back to life anyway.

[trashy-greyjoy]

i'm so sorry to break it to you, but two actors telling me their characters do not want to kiss, is in no way going to deter me from thinking they're soulmates. it does not even come close to working that way.