#...or maybe something else entirely?

[binarybreak]

句工呂工冊回几: [己と几卞丹メ ヨ尺尺回尺] ₱Ⱡ₳ɎɆⱤ: [₵Ø₥₱łⱠ₳₮łØ₦ ɆⱤⱤØⱤ]   ]҉༙྇ Я҉༙྇ O҉༙྇ Я҉༙྇ Я҉༙྇ Ǝ҉༙྇  Ɔ҉༙྇ I҉༙྇ Ә҉༙྇ O҉༙྇ ⅃҉༙྇ [҉༙྇  :҉༙྇ ɿ҉༙྇ ɘ҉༙྇ n҉༙྇ Ɉ҉༙྇ ɿ҉༙྇ ɒ҉༙྇ ꟼ҉༙྇ ⎾ℇ⍻ℇ⎾: [☈ℇ⎎⌾⌰☈⍧ℇ ℇ☈☈⌾☈] ꓤOꓤꓤƎ ƎꓛⱯꓞꓤƎꓕNI[ :ʇdǝɔuoꓛ ] D͈̳͗e͍̞̲ͬ̆ͣm͕͂ͅe̩̩̓̒̂̇ąͅnor: [̦ͩ͢R̭̪̬U̴̬̒Nͪ̐̀T͌͌IME ER̳ͧ̅_̵̸ͤROR]

(Drawn by Claire and Ann, respectively)

[akanemnon]

Maybe they shouldn't have brought up Asriel... The aftermath

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[futuristichedge]

Someone I am not

[a-scary-lack-of-common-sense]

Putting the Gravity Falls characters into the Trolls universe just because I can

[wasyago]

squeaky_toy_sound_effect.mp4

[marshmallowgoop]

no thoughts just Heiji Hattori (HD)

[shitpostingkats]

Riz Gukgak and his bloody hands

SUCH a metal visual and motif. Kalina, Baron, they tease him for it, they twist it into one of his worst qualities, just as they belittle that he his heart, leverage his fear that he cannot love anyone enough.

Riz Gukgak loves. He will claw himself to shreds on love. He will dig through reality, lacerating himself on crystal, just to help his childhood friend. He will hiss at the devil, he will bite out eyes, he will do anything to help his friends feel safe. He will attempt to eat an entire dragon. Out of love for a father he barely knew.

"That’s you saying “I love you” to the people who matter to you the most."

[wackywatchdotcom]

imo jax has no clue that hes miserable. like hes putting on a face for sure but i dont think he actually has the emotional awareness to know WHY hes doing that. he just wants to look cool and masculine and thats as far as he thinks on it. theres more to it but he doesnt know that. being sad isnt cool so he wouldnt even entertain the idea that hes secretly sad

[fisheito]

I started reading beastars so now HE's reading beastars .wait

THEY'RE reading beastars

[ahamkara-apologist]

okay disclaimer: ik that categorizing female characters as the 'mom friend/figure' is a legit disease in fandom caused by general misogynistic views of female characters, and it's something that personally greatly irritates me bc its not only awful to do, it also tends to ruin the characters its put upon. ESPECIALLY in D2, which is outstanding in its cast of strong female characters

however. in the case of Eramis, I do believe that the fact that she was a mother and is a genuinely caring, nurturing person at heart is something that is a deeply important core part of her character, as well as thematically important to the future of the Eliskni moving forward. It's important because in her case, I believe that her motherly inclinations are why, pre-Witness-whispering-through-the-Darkness, Eramis was such a successful kell- because unlike some other kells who sought a future for the Eliksni via domination, her main focus for them was to create a haven for her people that could be defended from Lightbearers. Riis-Reborn wasn't something to sniff at- it was the closest thing to an actual Eliksni city in a very long while. What got her was her trauma of the Whirlwind and her desire to destroy the Traveler to level the playing field for everyone involved- trauma that the Witness preyed upon in order to get to us. Like a parasite, seeking its secondary host. Eramis certainly is not the only Eliksni who lost her family during the Whirlwind, but I think that her specific brand of anger is closest to that of a mother lion whose cubs are in danger, and is lashing out in a furious fight-or-flight reflex at anything that she perceives as a threat. It's just that in this case, her 'cubs' were the Eliksni as a whole, and the threat she perceived before the Witness started torturing her was the Traveler.

I also think that her relationship with parenthood also makes for a very interesting character contrast to Misraaks (aka the other successful kell viewed as a source of hope for the Eliksni), and helps to set them up as antiparallels to each other. Eramis was a gentle, nurturing mother with a reverence for the Traveler who turned into the bitter, cunning warrior we see now when she lost access to her wife and children; Misraaks was a fearsome, ruthless pirate before he became a father, which gentled him and turned him towards being more pious. Eramis represents the old ways, and offers hope to the Eliksni who cannot bear to cohabitate with humanity; Misraaks represents a change in the tide, and kells the open-minded Eliksni who are willing to lay down their arms to live among the humans of Sol. Misraaks is of Light (change, forgiveness, moving forward), while Eramis is of Darkness (memory, control, looking back). They're opposites in every way except for the fact that both of them were/are amazing parents, and I'd argue that their ability to nurture and overlook others is what led to their success as kells.

Most importantly, however, is their relationship to Eido, who represents the future of the Eliksni. Misraaks was her father, and he did his best to raise her to be kind and openminded, but he also shielded her from the horrors of the past a little too well. She's outgrown that, and now that she's strong enough to handle said horrors, Eramis has been acting as a mentor to fully introduce her to the tragedy of what she lost and why elder Eliksni are so angry about it- and I don't think that she would have been receptive to Eido attempting to talk to her if it weren't for the fact that under all of her prickly armour, she's still that nurturing person at heart. It's her desire to care for others and to see a better future for her people that has kept her going despite her having no hope for herself, and it's that loving heart that has saved herself and her people from utter destruction at both our hands and Fikrul's- because if she didn't look at eido and go 'oh this child is the future of our people and i must protect her with my life', then both her and the rest of House Salvation would have been marked for death. And now here she is, continuing to care for Eido even as her father declines by telling her stories about Riis and helping her track down an apothecary to try to cure him, despite her not believing in his ways. I don't think it's entirely because she used to be a mother, but...I do think that it's playing a huge role in it.

(I also think it's personally fascinating to see how someone who used to be known for being a doting, sweet mom to her hatchlings and a caring mate to her wife can turn into someone who's a terrifying warrior on the battlefield and a cunning, politically saavy ruler, but even then, that doesn't surprise me all that much- if you've got a dearth of experience wrangling hatchlings, then being kell of a house is basically just wrangling a bunch of grown-up hatchlings. Same principles, just upped a level or two in complexity.)

[stinkrat-aleks]

a thing i like about xmcu cherik is that you can see that every single time erik looks at charles, his eyes soften

Agreed. Erik's overly intense eye contact >>>>>

[gonchillunchis]

ancient josuyasu doodle (circa 536 a.d)

[burr-ell]

#no literally like. why not just have it take place somewhere else. if you’re going to take all the steam out of the anger #and the desperation and the settling grief like #vex hunched over percy’s body . scanlan asking her to join the rest of them and she refuses to leave percy’s side (now. when it’s too late) #scanlan fucking. carving a crest into her forehead. keyleth weeping . #and like obviously they can’t do everything. i don’t expect them to #but even if they do have a group kill ‘this is for percy’ moment with ripley later it’s like. the energy is gone #part of what is so like. horrible and compelling about that moment is like. their grief is still being processed in its immediacy #and it is complete Vengeance that they are wreaking on ripley in percy’s name #not retribution because that would just be a shot between the eyes. #but like percy wanted for his family. every member of vm wants their pound of flesh #and that simply Cannot hit the same or similarly if they’ve buried him and sat by his coffin and slayed a dragon while saying ‘for percy’

Part of what makes that moment so compelling and enduring is that Vox Machina is enacting the very vengeance Percy explicitly let go of during that fight by forgiving her. They're turning all of Ripley's cruelty back on her and just straight up torturing her to death and Vex in particular gets two final quietly vicious shots, and then the battlefield goes quiet...and none of it mattered. Percy's still dead, he didn't make it through the fight when they know he should have. It's an incredibly bittersweet moment of hollow victory and it's a feeling shared among the entire team, because they're now realizing what Percy did—vengeance and catharsis don't bring back what you lost or make anything right.

And now? Even if they go chase her down, it won't hit the same. There isn't a quiet battlefield where two shadow archetypes met and neither made it out but one is grieved and loved and that makes all the difference. Instead Ripley gets to sail off and, I dunno, feel bad about herself? Get more unhinged? Ask herself how she managed to get punked by a 23-year-old twice? Why is it so damn important to keep her alive at this point, other than "well we blew our load on Thordak in episode 9 and the last three episodes have to have some tension (and we haven't really put in the work to make Raishan vs Keyleth compelling enough to carry the end of the season)"?

[autismofficial]

pony posting

[wishchip106]

need more of them honestly

my favorite female charles xavier love interest ^^^

she knew what she was doing

[triangular-static]

okay this is one of those things that i imagine people who read journal 3 a while ago already knew but i'm just reading it now so.

static when a dimension is destroyed that's fun huh :] when the cause is a dimensional rule being broken :] i wonder if the same kind of rule would apply to whatever bill did trying to show a 3d reality to a 2d world :]