#. yeah. then . you saw what happened

[iknowicanbutwhy]

Tfw you (currently obsessed with ISAT who never plays pokemon) play a soul-link nuzlocke with a friend (in for a world of torment) and you can't pay attention to a health bar for the life of you nor remember what types are weak to what.

Spoiler under the cut :)

Guy how did you manage to un-evolve yourself

[matimatti]

*Sqh voice* bro you are supposed to wear the other one, did you forget the abyss years or something

[storytellering]

Torn apart. Inspired by Romeo and Juliet by Sergio Cupido

[fisheito]

Hmm. No. No i don't think I'll ever get over this

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[genericpuff]

y'all have no clue how wild it is to live in my timeline, because 12 years ago i was a huge fan of these cute lil' zelda strips and at the time i found out through the grapevine that the creator apparently stopped making these comics because they had started drawing NSFW content-

and at the time i was like "oh ok that's wild but respect"

and now in the present the artist who's making the OMORI manga adaption is under fire for being a shota fetishist and it's putting the spotlight back on the OMORI creator themselves for ALSO being a shota fetishist and oh my god the omocat who made those zelda comics over a decade ago is the same omocat who went on to make OMORI holy shit-

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[raggedy-spaceman]

Why am I seeing people suddenly saying Good Omens s2 was actually badly written? It was a fun little journey into the lives of Crowley and Aziraphale with lower stakes than s1, it was a lot of fun and that’s what it was supposed to be, fun. Does the fact that the plot is simple and a little goofy means it’s badly written now? Why? Not every show has to be mind blowing high brow super deep and meaningful, sometimes they can just be silly. 

Hell, What We Do In The Shadows is 5 seasons of dumb vampires doing stupid stuff with no plot whatsoever and it’s one of my all time favourite shows, sometimes we can have just that and it’s ok!

[siffrin-gimmick-blog-number-37]

imagine if sif was having a period during the loops and didnt notice until after act 6

daily 16.5: me and my stupid blinding looney tunes gender be like

[theywontletmebeprincipal]

[aurosoul]

me and my bf spent last night in the desert and I discovered I could make art in the sand

[valzhangism]

sometimes i wonder what exactly the zhang family business is... the only information about it (as far as i know) is that it's an "import/export business" but it's never specified what exactly they are importing and exporting. food? clothing? firearms? the idea of frank's family being this giant shady criminal company while he himself has no idea about it is kind of hilarious.

[tackykachowch]

What's so funny about Jinx smelling Vander's jacket to me is not even that it's inconsistent with the story at this point (i. e. Vander is alive so there is no reason for her to smell his jacket, plus she didn't have a close relationship with him anyway), but because we already had a coat for her to interact with that was established IN SEASON 1 FINALE. SHE TOOK SILCO'S COAT OFF OF HIM. WHERE DID IT GO????? And most importantly why Jinx doesn't care about it at all despite her still coming to his office to "talk" with him? Like. You would think that Jinx, who still keeps keepsakes of her lost loved ones, would take some of Silco's things to remind her of him, but nah. We need a stupid thing with Vander and Silco's jackets where she doesn't even properly interact with the right one.

[quibbs126]

I’m kind of curious now how in potential TF One sequels, the Decepticons are going to interact with Megatron

You know, whether it be positively and they actually care about him on some level, or negatively and they only make him worse and he really shouldn’t have been left with them. Or maybe a mix of both?

Because I’m realizing now that the Decepticons really don’t interact with Megatron at all after he beats Starscream. They acknowledge him and agree with him, but he never actually has a conversation with them or anything. So like, we really don’t know, and I’ve seen people characterize them either way

I mean personally I prefer the idea of them actually caring, but that’s just self indulgence talking because it’s what I like more, and might not be the more likely outcome. What’s more likely, I really don’t know

I guess it depends on how sympathetic they want to make the Decepticons? And probably also whether they want Megatron to fall farther or if he can have some form of redemption

[sideprince]

I resent getting dragged into the discourse but it's wild to me that there are people out there who read the HP books and laud Harry for being brave and having a big heart and redeeming the wizarding world with his unusually great ability to love, yet can't comprehend how he could learn to appreciate Snape's sacrifice.

I'm very specifically thinking of the fact that Harry watches Snape die. Snape, who is lying on the floor, gripping Harry's robes, and whose eyes Harry is looking into and seeing the life leave. I don't understand how people can humanize some fictional characters and treat them as if they were real and completely dehumanize another. Not even for Snape's sake, but for Harry's sake, do these people not understand what it is to watch someone die? What's the expectation, that the Capacity For Love Posterchild protagonist steps out of character and doesn't care about the guy he watches bleed out and die suffering because you, as a reader, don't like him?

Which is it? Does Harry have a huge capacity to love or not? Pick a lane. Either you value this character trait in Harry or you don't. But you have to take or leave everything it comes with, otherwise you're a hypocrite. Or maybe illiterate.

I just don't GET it.

[sunflowersand-bees]

can I just say that I love the way arcane portrays grief. specifically when we refer to powder’s breakdowns in season one act one. when vi tells her to stay behind and then the confrontation between her and vi after the explosion. because it’s ugly. it’s not pretty, it’s not watered down.

and it’s real. that’s how I cry. when I was little and now. if I’m angry and having a breakdown, that’s how I cry. I scream and I yell and I hit myself and I bite myself and I make a mess. our emotions aren’t pretty. and they don’t try and make it pretty.