#-you build a true character

[poorly-drawn-mdzs]

Get Their Ass.

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[starleska]

psst, hey, fellow selfshippers and lovers of fictional characters!! something i want to share and reassure folks on as a person who gets character crushes super easily: don't be embarrassed by whoever's making your brain light up 🥰💖 i see some lovely folks get really in their head about this. perhaps they've always crushed on a specific kind of character, so when they get one who's a little different, they feel like they can't talk about it. maybe they've touted themselves as having one crush and have been super dedicated that whole time, so feel like it's a betrayal somehow, or makes them less of whichever label (e.g., yume, selfshipper, etc.) they've identified with. i'm here to tell you that's all nonsense!! 💖 this is fandom. you're not an influencer and you don't need to keep up a specific 'brand'!! if you see a character who makes your heart all gushy, don't think up an imaginary critical audience who is going to yell at you for not fixating on the 'right' thing. life's too short to deny yourself happiness 🫂

[doctorsiren]

Meet the people of Woodward Ranch! To most West Virginians, the place is just a normal animal sanctuary, but to those in the know, it’s a cryptid conservation ranch :)

Wyatt Woodward is the grandson of the man who used to own the ranch (I haven’t figured out that guy yet so…). His grandfather passed and left the ranch to Wyatt in his will, despite Wyatt only having met the man once or twice when he was little. Now he’s tasked with running the place, as well as grappling with the reality that monsters, cryptids, and the supernatural are very very much real

Lucy Lovejoy is a farmhand / wrangler on the ranch. She grew up living there and is miffed that Wyatt was given ownership. She believes she’s entitled to it because she actually knows the place and Wyatt didn’t even believe in the supernatural until he came to the ranch

Dr. Herschel Finch is the ranch’s science boy (that’s probably not the official title) and he does his magic + science stuff to keep the ranch safe as well as be the resident cryptid expert. He’s very chaotic neutral and would probably kill someone…yknow…for science! Nobody really quite knows his history, despite him telling lots of strange backstories about his past.

Denny is a feral little orphan werewolf girl that lives on the ranch and has deemed it her home. She causes trouble for Wyatt because he’s easy to mess with, but she’s also the one (other than the Mothman) who sees him as family the fastest

The Mothman is one of the cryptids who regularly stays at the ranch. He was Wyatt’s grandfather’s favourite, and so Wyatt quickly becomes the new favourite of the Mothman. Just look at him 🥺 he’s so,,,🫶

Bonus:

Cryptoria is Finch’s ex-wife. Nobody on the ranch has actually met her, but Finch’s reasoning for why they got divorced was that “she was evil”. They question why he didn’t take that into account when marrying a literal demon, and also why that was the dealbreaker, seeing as he’s not one to be opposed to some evil from time to time, but he doesn’t elaborate. He does explain, however, that she tried to kill him. Despite that, he also actively laments the relationship, clearly missing his hot demon wife. Cryptoria divorced HIM because she found him annoying. They’re soooo toxic for each other. They’re the kind of exes that simultaneously hate each other but would totally make out again if they had the chance.

[rizwalda]

fantasy high!au of conrad, liv & kingskin for @belligerentbagel's @d20exchange gift <3

[devilsskettle]

The X trilogy + "psycho-biddy" influences

[smartzelda]

Sorry guys I gotta speak my truth on this one

I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)

And here's why.

I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.

In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses

When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.

Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.

For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.

Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy

You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters

And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.

Here's another example.

Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin

Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).

Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.

Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.

Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?

This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.

Thank you for coming to my ted talk.

[itspileofgoodthings]

I don’t even fully know why but “what do I do when I miss you so much?” / “Just wait, and pray desperately” was a knife to my heart in the best way.

[vaguely-concerned]

I keep imagining the whole 'I'm still here sequence from treasure planet' scenario that must have gone down between rye and varric before the game starts and rye with their wide newly hopeful eyes like 'boy hope no one weaponizes this rare warm safe nurturing relationship in my life that makes me feel real and alive for the first time in so long against me in some of the cruelest and most premeditated ways imaginable somewhere down the line because that would sort of wreck me as a person maybe'. and then I don't feel so bad about where I'm headed

[ganymedesclock]

Taylor has become very square since I initially designed them so I had to update their skeleton form to accommodate.

[fiona-fififi]

...

[fischiee]

my favorite hobby is going on the rvb reddit to see their takes and then immediately getting fed up with their takes in 0.2 seconds

[childofthestone]

thinking abt the veilguard companions and sighing heavily

[blood-starved-beast]

A lot of mariadeline fics have Adeline be the one to die first. Which yeah, makes sense that Maria would kill herself after major tether to this Earth perishes. But consider!! The tragedy of Maria killing herself before Adeline dies.

Lady Maria always prioritizes herself (and how own issues/faults) to the detriment to her understanding of others. I'd argue this is why she never notices Gehrman's mania despite it being pretty obvious (I doubt the Doll was the first time he pulled such an act.) I wouldn't be surprised, therefore, that she in her overwhelming guilt and shame over her own actions, she forgets the connections she does have on Earth and the people who would miss her when she's gone.

Idk, this was inspired by how in the Hunter's Nightmare, when you first encounter Saint Adeline she asks if you were Maria, but climbing the Clocktower Maria is currently dead (until she is Not). More likely, the fics are right but again, it's a fun tragic fanfic concept to explore.

[forgaeven]

🌱

[stardestroyer81]

So, guess who's Steven Universe trash now?

After being convinced by my fellow Starfighters to give the series a shot, I've since fallen in love with it only fifteen or so episodes in, and I just had to whip up a design for what my Gemsona would look like! MASSIVE shout-out to @stephysalcido and @minxxikuo for collaborating with me on her design— it wouldn't have been possible without them! 💚✨

[modperseus]

jax so stupid and mean i love him. don't let the haters stop you king💪