#-and actually let them learn and grow and put focus on portraying THAT.)

[sallykie]

I've decided. I don't like the HTTYD movie sequels' xenophobia era. I don't think the themes should have gone that way.

[novlr]

I'm working on a monster apocalypse story, but I'm struggling to make it unique. My focus is on the main character finding happiness and peace with his teammates, even though I plan to kill them off. I want to explore how he will overcome his past abuse and traumas while not just portraying the team as a family. I want to depict them fighting together, growing stronger, and forming closer bonds because they have all lost their families at the start of the apocalypse.

What do the series Friends, Harry Potter, and Percy Jackson all have in common?

The Found Family trope.

Found family is a classic trope in stories. But that doesn’t mean it’s overdone and can’t be used to get deep into your characters’ interiority. In fact, this trope can pack a deeper punch than most think.

Sure, it’s easy to have a group in the story with you, the writer, telling how the characters work together–like how one is easily the “mom of the group,” for example. But if you want something much deeper between your characters, and want the trope to work on multiple levels of storytelling, you must show those group connections forming and existing. Get deep with the what, why, and how your found family became a tight-knit group and work well together.

To do this, there are a few questions to ask while creating your characters. These questions flow from basic character knowledge, to in-depth details as an exercise you can do at any time, and with any story or pair/group of characters.

Let’s get started!

What is each character’s personality/identity, and what role in the group are they assigned to because of it?

From friends, to couples, to even crime-fighting superheroes, each group is made up of personalities that fit into a role the group dynamic needs. And in most cases, it’s natural.

For example, let’s say we have two characters dating each other as a couple. One character is more savvy with their finances while the other is not. This can lead to the money-savvy character filling a role for the couple as the money manager (or one with money advice, if the other character wants to learn how to better manage money instead).

You can also have a kind-hearted and loving character act as a parental figure in the group. That is, if other characters tend to get into trouble often, are opposite of kind-hearted, or are without their real parents.

First, It’s important to know exactly who your characters are , how they act, how they respond in a crisis, and so on. Only then can you put together what each character can provide to the group.

It’s just as important to make each character in your group unique. Two jokers in a group is fine, but if they act exactly the same way, and think the same things, you may actually have two characters needing to merge into one, for the sake of redundancy.

Let’s use my book’s found family of superheroes for further example. I have:

A broody, loves-to-research-type soul who’s stuck over the mysteries of his past.

His twin sister, highly personable, yearns for outside validation, and prefers the past to stay as far away as it can.

Their hot-headed childhood friend, who takes no issue picking fights and rises above any occasion with sheer tenacity.

The oldest, but cheery and justice-oriented friend, says “dude” a lot, and is like a child stuck in a man’s body.

His wife, a doctor with a heart full of gold, sass, and sees the team as misfits who are in trouble without her help.

Finally, the reserved intellectual who keeps her words short, unless you start her on science, engineering, and intel gathering.

With this make-up, I can naturally set up the characters’ roles in the group, based on personalities alone. I label the broodster as the detective and problem-solver, his sister “the public face” of the group, the childhood friend the quick-witted action-taker, the oldest “dude” the honorable leader, his wife the classic “group mom” with extra flair, and the quiet one the scientist.

Notice how each character has their own core identity, and how that creates the role they play in the group. Yes, some characters, like my twins, will likely have a small overlap of quirks–just for being family. However, it’s still important to focus on what makes each character internally different. Otherwise you lose the chance of uniqueness in your group dynamic.

As a group, what is the primary goal they want to accomplish, and why?

As you finish putting each character together with their core identity and role, another question to ask is what goal they want to accomplish together.

Here’s another way to phrase it: Why are they together in the first place, and what stops them from going separate ways?

The Avengers band together to save New York against Loki and an alien invasion. They can’t do it by themselves . Harry Potter needs new relationships upon entering wizarding life, fueling him to face Voldemort. In season one of The Mandalorian, Mandalorian Din Djarin and Grogu must face Moff Gideon together, or die trying to face him alone.

None of those groups can separate because the stakes are too high to tackle alone. Each Avenger, Harry Potter, and the adorable Star Wars father-son combo will fail their missions without their found family.

What needs/desires do each character fulfill for one another in the group?

This is where we get into the juicy character interiority and backstory. Despite how it looks, the Found Family trope is much more than what “role” characters fit into for the sake of group dynamic.

It’s also how that dynamic affects each character; and how each character relates, or fills a need, for another.

Let’s go back to The Mandalorian for this example. Din Djarin is a lone wolf mercenary who lost his family at a very young age. While he found a new purpose as a Mandalorian, it’s still not what he needed: love, family companionship. This is where Grogu came in, and why Din was unable to hand Grogu over and complete a mercenary job.

We’re talking internal plot with characters–as in, what they need so they can accomplish their goals. Not what they think they need, and not just overcoming the external plot (in this case, facing Moff Gideon).

Din needed love and family, just as Grogu needed to discover his true self. These personal goals were accomplished with the help of the other. Grogu became the “son” that helped Din overcome self-limiting beliefs about newfound companionship, while Din provided Grogu the safety and protection to discover himself and his force powers.

Maybe you have a character who, on the outside, loves to goof around and tell jokes. But what do they really need as a human being to grow? Do they need a coming-of-age-moment that only one character in the group can provide? Do you have two characters, a childless mother and an orphaned boy, who seek a second chance of love, and can find it again through caring for each other?

Captain America may be the stoic leader butting heads with playboy philanthropist Iron Man, but even those two fulfill a desire the other has: Belonging. Acceptance. Companionship.

So take a look at one of your character’s backstory, and see what other members of the group can do–in their own individual way–to help that character heal and grow.

This, ultimately, is what gives the Found Family trope unique meaning and depth in your story. Because once you truly incorporate this trope into every aspect and detail of your characters and story like this (external plot and all), it cannot be done the same way again–because only you can write your story the way you can!

How to add further depth in the Found Family trope

There was no way I was answering this question without mentioning the one thing that could add even more connection and depth between characters.

Conflict.

Just as conflict is the best method to writing a story that works, it’s also the perfect tool for establishing a found family. There are two ways to do this:

Have two or more characters in the group start as rivals or enemies, before adopting each other as a found family.

Have your found family be completely dysfunctional at the beginning. Let the characters form a group, but act unsynchronized with each other; thus failing challenges together until they finally accept one another, their talents, and grow as one to achieve their goal.

Depending on how you write your found family, these points can be one and the same. But I felt it vital to differentiate between them for the sake of being thorough in explanation.

Conflict against a character in the story is what provides opportunity for growth (or failure, if writing tragedy). The more conflict the character must face, the more opportunities they have for the growth, and thus, the deeper the character development.

This is why so many people love edgy characters and redemption arcs (like Zuko in Avatar). For edge and redemption, a character must already be at a low point in order to rise back up from their failures, and succeed.

This same concept can be done with rivals/enemies in your found family. The relationship between two characters is at a low point, which then provides all kinds of conflict, and therefore creates growth for your characters (and found family) to experience. This is also why many like the enemies to friends/lovers tropes. The character development in the journey from rock-bottom to top, if done right, is a highly rewarding story.

For writing your found family as dysfunctional at first, the story is the whole group at a low point for not being able to work together properly. And they must face extra conflict for extra growth before they can accomplish other goals as one.

All in all, the more effort your characters must give to bond with others, the deeper the drama becomes, and the more rewarding the final bonding and connection. In most cases, it’s too easy, and not as fulfilling for a reader, if all characters already start off as good friends, or become friends quickly upon joining a found family. Give one character a trait or two another character doesn’t like. Have one character forced to learn and accept another for who they are. How their abilities, quirks, or other aspects can actually be a benefit.

This kind of conflict set-up matches perfectly with any story theme that involves one needing to set aside differences with another in order to succeed and/or survive. Once more, Avengers is the perfect example of it. They were a dysfunctional group of people that didn’t trust each other. But, after losing Coulson, only saving the world mattered.

And there you go! The simple, yet meaningful basics of how to write the Found Family trope and make it work for you. If you need more examples, a quick google search will hand you a plethora of stories you can use for reference and research.

Otherwise, I look forward to seeing your found families emerge in your story. Happy character plotting and writing!

written by Lindsay Sfara

[zucchinibread777books]

King of the Armadillos Book Review

King of the Armadillos: A Novel by Wendy Chin-Tanner Book Review

Summary:

When Victor gets diagnosed with Hansen’s disease, his life is turned upside down. Already being from an immigrant family in the 1950s, and facing racism from being Chinese, he and his family don’t know exactly how to react when he is sent to a treatment home. How will he grow when healing seems like an impossible goal, and tensions in his interpersonal life push him further from his friends and family?

SPOILERS AHEAD!!!!!!!!

The Good:

As someone who hadn’t even heard of Hansen’s disease (of course I knew it by its old name, but had no idea it even still exists), this book is a really great way to bring attention to it and inform the reader. There was a lot that I didn’t know that I am now aware of because of this book and I appreciate it for that. I also don’t think there is a lot of Hansen’s disease representation in media and I am now hoping to find more!

Hansen’s disease wasn’t the only hard topic that this novel addressed of course, it also was very deeply about immigrant families during the time period and the issues they faced. It also discussed the treatment of not only Chinese immigrants, but also Jewish people during the war. The treatment of interracial couples also came up, along with power imbalance within the Hansen’s Disease Center.

Herb was absolutely my favorite character in this book. Of course I always love unexpected queer characters, but he was also such a great mentor figure for Victor that I found myself looking forward to any mention of him. His unrelenting encouragement of Victors talents along with his general grumpy grandpa vibe really made him loveable.

The Bad:

I really had high expectations going into this book. Even though I didn’t know anything about it when I picked it up, after reading the author’s note I thought it would turn out to be one of those hard-hitting books that discuss difficult topics in a way that leave you feeling different about your place in the world. Instead it was just hard to get through. I spent a month forcing myself to reread the same pages over and over because there was just nothing driving me forward within the plot.

The harder topics that the author chose to discuss also felt pushed to the background in favor of many, many cheating plot lines. Not just cheating, but childish love triangles that file the female characters down to nothing, their personality overtaken by the romances and possible romances she’s involved in. It was a shame that such important topics were put in the backseat for such trivial ones. Especially at the end, with the death. The futility of constant positive test results being overshadowed by Victors personal love crisis made Donny’s death seem so trivial.

Other than the one character, who barely had any involvement in the plot, I kind of just didn’t like anyone in this book. Of course, books don’t necessarily have to focus around any likeable characters, but these were the kind of characters that I just didn’t want to read the POV of. They made questionable decisions, treated others really poorly, and well that’s it. Despite the love and aid of others they didn’t seem to truly learn or grow at all. They said they changed but in the end they were put right back where they started and for what? In the end what was the point of this? Not one of the issues they went through felt truly resolved by the end.

Overall:

This book seems to have great reviews and have been very popular. I honestly think it was because it focused on a character with Hansen’s disease, which is not a common topic. Because the author portrayed Victor as just a normal kid despite having this disease with such a large stigma, it did change the narrative. But I don’t think she actually did anything with it. She addressed all of these very serious topics only to let them fall flat, not really saying anything about them in the end. I don’t think the actual plot or writing itself would have gotten such high reviews. I don’t see myself rereading this in the future, and I’d honestly rather recommend people read nonfiction about Hansen’s disease than this, but I will say that it informed me of things I didn’t know and did address a topic that is not talked about enough. For those reasons I give it

2.5 Stars

[set-wingedwarrior]

After today’s episode I saw, well within reason, a lot of people talking about Prospera’s brainwashing of Suletta, and I wanted to share my two cents.

First of all, my (probably) unpopular opinion: Prospera was kinda right this time.

DON’T KILL ME, LET ME EXPLAIN PLS.

So, Prospera’s technically right: they are being attacked my terrorists, they are in mortal danger, and they need to fight back to survive and save everybody, and that will mean most likely taking lives. Like, that’s fair. War isn’t pretty and survival demands sacrifice.

What’s really wrong and fucked up is:

 1) the way she says and explaines it. Her whole voice and behaviour, the words she chooses, so calm and chill and apparently comforting but actually really dismissive (and kinda creepy imo). She approaches Suletta and the whole situation as if it’s not a big deal.

But at the same time, she does underline that they’re in danger, even pressing on Suletta’s rightful fear in order to have her move forward and fight.

This isn’t a “this is unfortunate, but it’s either us or them” kind of speech, but a “we must get to our goal at all cost”. The line is thin, but there’s a difference. And, most importantly, it is portrayed as if it’s a natural progression and not just a situational thing.

The thing is, we saw Suletta impacted by death, and these words alone aren’t enough to wipe away your morals. That brings me at point two, the most fucked up and vicious:

2) how Suletta has been raised and educated until then. She’s always following her motto with a smile, and helping others, never letting anyone (aside her mother) see her sad or overwhelmed. And what’s her mother’s answer every time she comes to her? “If you run, gain one. Move forward, gain two”.

After Miorine confronting her, we know that Suletta is scared every time and every time her motto is her way to cheer herself up, wear a smile, and keep going. The focus is always on moving forward, on the goal, and it NEVER AKNOWLEDGES OR QUESTIONS HER PRESENT FEELINGS.

It’s very likely that growing up, every time Suletta had to face something scary (harmless growing up stuff), she’s always been encouraged to move forward with that stupid motto instead of processing her feelings and thinking things through. Prospera just never taught her.

So, what does Suletta do instead? Say her motto like a mantra, and move forward withouth questioning anything, actively ignoring and burying her unprocessed feelings under a smile to the point that she doesn’t even realize it (it’s no surprise why she’s also so terrible at social cues and stuff).

Her whole bubbly happy persona is the product of her whole life having to face scary things withouth learning how to process how that made her feel, ignoring everything in favor of putting up her happy persona.

The result? Going from this

to this

because she doesn’t know any other way to “keep moving forward” that isn’t “do what you must and brush everything else off with a smile”. But what’s the result? Saving Miorine at the cost of their relationship because she’s rightfully horrified.

The problem isn’t even that Suletta killed a man; we already estabilished that this is a survival, and even if you can argue that she could have simply incapacitate the terrorist, considering that she’s been fighting for their lives until then it isn’t too unbelievable that instinct woul kick in and end it all the same way.

The problem is, obviously, how she reacted to it. I’d bet anything that, despite being still shocked, if Suletta just stayed serious (maybe still ignoring what she did in in favor of checking on and take care of Miorine because, again, this is a “live or die” situation) then Miorine would have understood and seen Suletta’s actions differently (”she made a sacrifice by doing something terrible to protect me”). But Suletta fucking laughed! How fucked up is that? Was she having fun?

All of this isn’t caused by Prospera’s words alone because they do have some merit in the given circumstances. No, this is about the way she speaks them and the way she knows how Suletta would perceive them.

She spent years raising her to move forward no matter what, withouth ever questioning if moving forward even is the smartest choice (and we saw with Guel the consequences that come from not thinking it through). Raising her to make her the perfect little soldier.

And she succeeded.

[bossmodeplus]

I love Obsidian’s commentary on trauma. 

It’s about how people look down on you if you show obvious signs of trauma. It’s a cautionary tale on what a lack of support does to someone.  Glassboy gets ragged on for his open imperfections, causing him to find something meant to remove his cracks rather than embrace them. There’s even the cute touch of having him say “Oh crack!” as opposed to exclaiming ‘Oh crap!’, cementing the idea that cracks/trauma in the Glass Kingdom is a bad thing.

We also get PB’s, Marceline’s, and Molto Larvo’s stories, central to understanding the commentary. All characters have been deeply hurt and manifest it through fronting. PB’s near-death experience with the Lich in season 2 was a wake-up call for her mortality.  With her harrowing experience and with new threats pestering her kingdom, she took on a more cold persona. She didn’t allow herself to outwardly feel vulnerable or even (resume) a romantic relationship. It’s what caused her to take on some questionable actions, which we’d later see, she isn’t personally onboard with (’Responsibility demands sacrifice.’). 

Marceline saved her mother from a mutated wolf, though it meant using her demonic powers to drain its soul. Her mother was terrified and this made Marceline think she herself was a monster. This got the ball rolling on Marceline’s deep pains. She saw as the crown gradually sapped the sanity of her father-figure in her early years, her biological father was absent for much of her life, she had a toxic ex-boyfriend, and fell out with PB. These pains are what led to a self-serving side of Marceline in the past and beginning of the series.

 Molto Larvo witnessed his friends get killed by a large predator. He narrowly escaped with a forehead scar. Him being in the Glass Kingdom bearing obvious signs of trauma caused him to become ireful. With no one to talk to about his deep pain, it only caused the anger within to grow.

None of them had anyone to talk to and therefore they lacked a support system, leading them to become as cold as they did for so long.

One thing I love in relation to Obsidian’s take on deep-seated pain is how well this manifests in Marceline’s Woke Up song.

Marceline and PB begin conflicting with one another. Marceline acts selfish about the Glass People and PB is so bogged with work that she responds to Marceline with icy reception. PB”s comment on her being monster trash tapped into her memory with her mother. 

The memory that started it all. 

Marceline lays into PB all while pretending she isn’t that hurt and toward the end, this happens.

Molto lashes out at Marceline, leading her to focus her ire on him instead. Thing is, neither of them are actually mad at each other. It’s misdirected anger. 

People with deep pains and unresolved issues often take it out on other people they aren’t mad at. Neither of them hurt each other.

The What Was Missing parallels with the door and what it represents add onto Obsidian’s takeaway. The door in both cases is a representation for letting others in. When PB uses shields to ward off Molto, when Marceline in-directs her ire onto Molto, and when the Glass People shut the door on him, it all comes together to mean that they refuse to open a dialogue. The same applies with What was Missing with PB and Marceline’s turns with the door. Marceline almost gets the door open but closes it through her song because she caught herself being vulnerable. She wasn’t ready to talk to PB about her feelings yet, though it was put out that she wanted to reconcile. PB had no chance to open the door because she didn’t allow herself vulnerability in any way.

Marceline song (where she taps into her most painful memories) fully works when she sings to console PB. They both open up a dialogue and it allows Molto to feel vulnerable. He comes out of this dialogue a completely different creature, one who’s far more sentimental. PB and Marceline are more honest with each other. Marceline is no longer the supposedly bloodthirsty vampire keeping everyone at arm’s length. PB is allowing Marceline to be let in and is slowly learning to swallow her pride.

Molto and Marceline are linked beyond their misdirected anger. When both characters were introduced they were portrayed as antagonistic and monstrous. Marceline used her monster forms to scare away Finn and Jake. When more was known about Marceline, the less terrifying she became. The same with Molto Larvo. Deep down, they’re both actually soft. Molto’s transformation hardening during the song Monster perfectly illustrates the effects of festering, deep issues. They only grow and grow until you gain the support to get through them.  

PB, Marceline, and Molto Larvo’s stories are excellent examples of how dealing with pain or opening up aren’t overnight. PB and Marceline throughout the series slowly let down emotional barriers to make their relationship work. This was made possible through support, which led to self-reflection, which led to personal growth.

One day, if you gain that support system you need, things will feel just a little bit brighter. Before you know it, you feel less on guard. You get a little better, a little softer each day. Before you know it, you’re learning to laugh and love again.

[sitaarein]

Desi rep

okay so this is partly inspired because of a whole bunch of incredibly, incredibly dumb asks my friend has gotten but it is ALSO, more importantly, because I am sick of the shit I have seen so here, have a not very concise post about what to do and what to avoid if you are writing desi rep (this can also be applied outside of writing I guess??)

If you give a character an Indian name and call it a day, I will actually come and murder you. For starters, India has a whole CULTURE that you have very much decided to ignore and that. is. not. okay. If you can give your white characters all the attention and details and research in the world, you can do the same for your desi characters. Secondly, the word “desi” is used to describe so much more than simply Indian. Wanna know which countries qualify as desi? India, Nepal, Bangladesh, Pakistan, Bhutan, Sri Lanka, and the Maldives. Don’t you even dare assume desi=indian and leave it at that.    

This point ties into what I just said about desi people. Please, I am actually begging you, include more than Indian characters if you want to include south asia in your writing. I am Pakistani and I am so so sick of my identity being erased wherever I look. NOT that I have anything against India or Indians. It is simply the ignorance of people assuming the whole of South Asia is simply India that is supremely horrible to see

 This is based off of personal experience. People actually think that either a) India isn’t a part of Asia or b) there are no countries in South Asia aside from India or c) both of those incredibly ignorant views. And all I can say is: what. the. fuck. Do not do that. Indians are Asians. Pakistanis are Asians. Nepalis are Asians. Bengalis are Asians. Bhutanese are Asians. Sri Lankans are Asians. Maldivians are Asians. If you do not think so, then that is actually just racist of you. Don’t talk to me until you’ve looked at a map.

Another personal point that just.. hurts. Do you know what the Muslim population of the Indian subcontinent is? (The Indian subcontinent is made up of all the countries mentioned above) The answer is: around 600 million. Out of 1.7 billion people, 600 million of them are Muslims. Put into perspective, its not a lot. But the Muslims have a whole separate identity. A separate culture. The whole reason Pakistan even came into existence is because the Muslims of the subcontinent were so fundamentally different. So if you have a desi based country or continent, please, please take a moment to think about the different cultures. 

The above point, but apply it to Sikhs and Brahmins and the numerous identities I do not even know of. They’re all unique. Look them up. Don’t just call a stereotyped culture “Indian” and leave it there.

Speaking of culture: Just. Do your bloody research. Each of the countries in the Indian subcontinent have different national languages, and then INSIDE the country there are multiple dialects based on areas and tribes. Going to take Pakistan as an example: Our national language is Urdu, but the language most commonly spoken by far is Punjabi. So the average Pakistani you meet is almost definitely bilingual, and if they have had an english education, they are almost definitely trilingual. Same goes for all the other countries, I’m sure

Speaking of culture, part 2: there is literally too much to talk about for me to cover it all in one post, so I’m just gonna say: all desi countries are very different to each other, and inside the countries the various provinces are incredibly different. In addition to the changes in language, you’ll also get different staple dishes (even though most the food of the Indian subcontinent are the same in every country, you get some kind of twist that is always uniquely of that country or region or province’s), different folk tales, different poetry and literature, different icons and heroes- the list goes on. So, once more: Do your research.   

I mentioned food briefly in the point above which reminded me of something else: I resent the fact that food that is pretty much native to the whole subcontinent is simply called... Indian. Once again, this is absolutely NOT out of hate for India, it is because that is such a generalization.  Its because by calling it Indian you are effectively dismissing 5 other countries who eat and cook the same food because it belongs to them just as much as it does to the Indians. If you want a general name, call it desi food. 

this point is... less serious than the others, its just something I find fun and could use more of in media. Desi people are obsessed with sports. Like, obsessed. Some of us pretty much breathe cricket. I just think its an interesting fact and pretty much a part of culture at this point, so I’d like to see the stereotypical desi uncle who wouldn’t miss a match for the life of him every once in a while

Back to seriousness. If you even bloody imply that your desi character is violent, I will duct tape you to a chair and make you watch dramatic pakistani dramas on repeat (it won’t be fun, trust me). I have had it with South Asia being portrayed as a terrorist hub. Do not even think of conforming to such a stereotype. I will literally hunt you down and make sure you never, ever even think of doing so ever again. 

Also: If you bloody dare imply that we are, in any way, backward, I will once more carry out the above punishments. Stop. Just stop.

Oh man, talk about the history of the Indian subcontinent. Talk about the heritage. Have you like... seen the architecture????? There’s more than just the Taj Mahal here my dudes. Forget all the “dangerous countries” bullshit. Focus on the brilliance of, well, everything, instead. 

Oh oh speaking of: Have you guys heard of mohenjo daro?? Look it up. There’s some fantasy/mystery potential there. Use it for whatever, it would make my day

Time to talk about geography. So first off: Mountains. So many amazing mountains. Both Everest and K-2 (the tallest and second tallest) are located here. The Himalayas are located here. Pretty amazing, eh? Second off: Deserts. Do you know how many mineral riches are hidden in those? Its amazing. Third off: Rivers. Oh man the rivers. Did you know the Indus river is full of blind dolphins native to the Indus river only? Did you know they’re very very endangered? Find some funds for them while you’re looking up info about them, btw. Also another sea animal native to South Asia which has pretty much been driven out of Pakistan and Myanmar: the gharial. look them up too, seriously. That would be great. Fourth off: The plains. Do you have any idea how fertile our soil is? Because. Its insane. And there’s so much more about the geography and topography of the Indian subcontinent, guys. Look it all up. I’m so sick of vague desert land descriptions for the Indian subcontinent.

Religion. Now this overlaps with culture a lot, since quite a few people choose to define their religion as their culture, but we’re still touching upon it. This is pretty vague, but there are definitely at least over seven. Each comes with its entirely unique practices. Do not even try having a desi character who is Sikh but knows nothing about Sikhism, or Muslim but knows nothing about Islam, because even if they aren’t practicing, they grow up learning about whatever religion their family practices, most of the time. 

If you’re desi, feel free to add on whatever you think is relevant here. If you’re not, shut the fuck up. This is not about you, and it will never be. Feel free to reblog, but kindly keep your comments or opinions to yourself if they are not in agreement with all the above points or promises to be less ignorant.

My inbox is open if you have any questions. Desi people let me know if I said something wrong or offensive and I promise I’ll do my best to correct it

[familyagrestefanblog]

Analysis of the Family Agreste Portrait

Quarantine strikes again and since the Agreste family portrait has fascinated me for a loooong while now I decided to put my thoughts into words and write another essay x3

The amount of informations we get out if it is amazing and its not only highlighting the absolute TRAGEDY it is that this family is about to face such a horrible fall out, it also hints at the former family dynamic before everything went to hell.

So make yourself comfortable and get something to drink, because we will be here for a while.

Here we go: My analysis of this beauty of a fictional portrait

Let's start with the most obvious one: Hawkmoth.

Its commen knowledge by now that the background makes it seem like Hawkmoth is standing behind the Agreste family like a bad omen waiting for fate to take its course and cause their doom. The portrait is brilliantly designed so the illusion is created that Gabriels body (here in a blue suit closer to Hawkmoths normals dark purple one) overlaps with Hawkmoths and a darker line is connecting the two faces as well, which rest on the same height right beside each other. The very same line grows bigger as it goes further behind Emilie - coloring her entire background - showing us that EMILIE is all Gabriel sees when he becomes Hawkmoth. But notice that Adrien on the other hand can hardly be concidered part of Gabriels “sight” at all.

Its forshadowing 101 and damn beautiful if I may say so. But this isnt what I want to focus on in this post.

I want to elaborate on two other key factors that tell us about the former dynamic of the Agrestes instead and what they tell us about the present and future.

The heart:

This is hitting me on another level because look at the heart these three form with Adrien right in the middle! He was so LOVED. This family may have never been anywhere close to ideal but still, there was LOVE and now he's gonna loose it all.

Adrien already lost his mother which led to his father getting even more distant and cold and now his father is becoming increasingly more abusive as he falls deeper and deeper into villainy. Gabriel was never a good father, the show has already made this clear with episodes like "the bubbler", “the collector” or "Gigantitan" for example but gosh there was hope for their little family! The end scene in "Jackady" portrayed it perfectly and I wrote a whole other post just covering the sigificants of Adriens and Gabriels hug in that episode. Check it out here if you want, it goes hand in hand with this one.

Miraculous is all about love and the completely different ways it can affect us, our behavior and actions. Because love isnt just wonderful, pure and empowering, it also can be twisted, destructive and cause the darkst nightmares. And with this family the writers know how to portray the complex love in an abusive houshold thats destined to go up in flames and they also know how to hint at their troubled past with the family portrait.

But this heart visual tells us even more in connection with the positions of their hands. And with these two key factors, lets start with Gabriel:

His hands convey it so strongly. He loves/d Emilie and Adrien so much and no doubt this love for them was certainly the reason why he started his quest as Hawkmoth. But he is now losing himself more and more in the pleasure of his villainy to the point where he forgets why he's doing it in the first place and becomes a complete monster (of a father). But this turn and spiraling into villainy didn't came out of nowhere - this root already had to be in him to grow like that. And this is also something the portrait indeed hints at as well.

Because Gabriel is the only one of the three who:

1. We see so completely open and without hesitation reach out and hold BOTH his family members.

2. Is visually “cut off” from them as well.

But this doesn't mean he was excluded and the only one who truly cared and loved, it just shows that things were more... complicated...as usual.

This is best explained with Adriens hand placements:

One hand is holding his mothers but the other one is visibly not reaching out for his father. But as we all know, that's not because Adrien doesn't love him. In season 1-3 it is made more than clear that Adrien does not hate his father - he loves him alot and tries to be there for him and be patient because he knows that the loss of his mother brought his father terribly down.

Sure, Adrien gets frustrated and angry with him, literally how could he not?? But Adrien tries his best to reach out to Gabriel so they can bond and come out of this tragedy stronger.

But this loving willingness to forgive his father for the chance of growing a father-son bond with him doesn't change the fact that these two didn't had a bond prior to this. And let's be honest here, does anybody actually think this distance between them was caused by Adrien? I don't think so.

So notice how Adriens hand - not reaching out for his fathers - is the only one in the portrait NOT inside or forming the heart.

When the connection of the hands between the family members symbolise their connection to another, then Adrien keeping the hand for his father away from the display of love is VERY telling. It tells us very directly what this distance did to Adriens side of the relationship. Despite Gabriels hand being right there, Adrien does not meet the gesture. And I cannot believe that he did it out of resentment, nothing in the show indicated such strong negative emotions from past Adrien.

It's much more likely that Adrien not reaching for his fathers hand is meant to show us that Adrien felt that he either CAN'T return the gesture because he fears that it'll end in an unpleasant reaction from Gabriel - that it isn't Adriens "place" to reach out to his busy and distant father like that, like it's demanding something - or Adrien simply didn't took Gabriel laying his hand on his shoulder, in the context of posing for a portrait, as a gesture of love and affection.

The way I interpret the portrait is that prior to Emilies dissappearence Adrien did not exactly try to reach out to his father the same way he did from s1-s3, which, I mean, of course wasn't the case. Not only is it NOT the 13 years olds (or younger) job to form an emotional connection to their absent parent - when that’s the PARENTS job - it also wouldn't be necessarily "needed" for Adrien to do so.

Because Emilie at this point was still in the picture so and she was the complete opposite. She was a (or maybe the ONLY) safe, reliable and loving constant of parental attention, affection and care in his life and because of these two HARSH contrasts Adrien learned from very early on to focus mostly completely on her in that regard while kinda blocking his father out.

That most likely wasn't even an active choice whatsoever - Gabriel proofed to be an unreliable resource so Adrien learned to subconciously treat him that way out of self protection. That doesn't mean he had any kind of dislike or malice against his father it just means that he wasn't able or allowed to connect with Gabriel the way he needed. Several episodes show that Gabriel deadass only parented like 15 minutes tops in his life with one of the worst offenders kinda being “Gigantitan” ngl.

So yeah, when I see that the portrait wants to tell me that prior to Emilies loss, Adrien - a 12-13 year old at most - is THIS used to rely solely on the strong bond he has with his mother and not even really reaching out for his fathers love, then I can't help but interpret it in the way that... Well... Gabriel was so distant and emotionally unreliable to Adrien for all his life, that Gabriel simply... wasn't needed by his son. Not at that point of time at least.

And while this may seem weird, because obviously Adrien only now starts to stop craving for his fathers affection and approval (which is btw a horrible, HORRIBLE thing and not something good. A half orphan losing the last remaining hope he had left of having the chance to finally get to form a bond with the only other parent he has left, just to be crushed by disappointment and abandonment all over again until he let's go, is REALLY NOT as much of a good thing people will make it out to be. This is... plain awful) it's actually quite logical.

Adriens hand outside the heart doesn't mean that his father meant nothing to him and therefore refuses to meet and accept his affection (that's literally the complete opposite of what the show shows us), it means that Adriens and Gabriels father-son relationship suffers from a fatal emotional disconnection caused by miscommunication/ a lack of communication.

And this was caused by Gabriel. How? Let me elaborate on that by going a bit far afield (cuz lbh we all have time for this. I’m writing this in quarantine and youre reading this is quarantine, so lets gooooooooooooo).

In "The bubbler" Adrien says that his father "always forgot his birthday", but I cannot agree with this in true honesty. Gabriel is controlling his sons entire life, calls him "the epitome of perfection" and temporarily truly gave up being Hawkmoth for him, he definitely never forgot Adriens birthday.

"The bubbler" even SHOWS us that Adriens perspective of the situation is actually not the truth:

This is Adriens first birthday after Emilies dissappearence and it's incredibly telling how Gabriel handles the planning.

What this entire little sequence tells me is that Gabriel is completely and UTTERLY used to NOT be the one to take care of anything related to Adriens birthday. So Emilie was always the one who did it but somehow - now without her - Gabriel apparently still hasn't even considered changing anything about that nasty non-involvement and just expected Natalie to pick everything up where Emilie left it.

Because let's be real here, knowing Natalie she would NOT have forgotten to get a present if Gabriel truly had told her to. Natalie is never presented to do mistakes like that but Gabriel on the other hand IS definitely presented to us claiming things about himself as ultimate, blameless and true when they simply do not reflect reality. A great example: Gorizilla

You didn’t even speared a minutes of your time for Adrien and he DID try to! Asshat… It's a problem guys. The lack of self awareness Gabriel displays in moments like this is legitimately concerning when you think about how deeply this man is falling right now.

But back to the topic:

Because even if Gabriel didn't even consider doing anything himself for Adriens birthday - not even taking the time to SEE his son (who just recently lost his mother, come on Gabe, really?) - one thing one cannot hold against him: he sure as hell remembered Adriens birthday like any decent parent would and it wasnt portrayed as a this-year-for-the-first-time thing.

And yet Adriens statement still makes complete sense. Because a big, BIG problem with Gabriel is just how much he takes things for granted. He EXPECTS things to be universally known and to never be doubted, just because that's how HE sees them. I will write 10 essays if it's needed to make people understand that Gabriel DOES truly love Adrien, it's just that Gabriel HIMSELF is such a rotten, twisted and toxic person that he cannot see how much his (oppressing) behavior and the way he (doesn't) express his love hurts Adrien and that HE is the one at fault. (for more, once again, read this)

Gabriel LOVES Adrien but he takes the love he feels as such a matter-of-fact that he just completely... forgets to show it.

And when we take Adriens words and look at the Family portrait it unfortunately seems that...

…. Gabriel ALWAYS forgot to show it.

Adriens hand - that should at least be reaching out to his father - is outside of the heart in accepting certainty. Because that's what Gabriels non-presence was for Adrien while growing up: an unreliable and unreachable certainty he had to accept early on as safer to not try to emotionally depend on too much or else he will get hurt.

So yeah, Adrien is the one in the portrait who is very openly not reaching out but only because Gabriel never gave him the needed affection and stability to be able to create that bond.

But let me correct what I said a little earlier: Adrien ALWAYS needed his father. Every kid, especially one in a bad situation like Adrien, does need their parents/friends etc as support system to become independent and confident in a healthy way. And if they don’t have that they WILL crave and look for it!

What Adrien has been doing up to now IS normal for a teenager - humans NEED affection, belonging and safety. What ISNT/SHOULDN’T be normal is Adriens disconnection towards his father in the portrait and just how much Gabriel fails to take care and BE THERE for his son in BOTH TIMES!

Collector:

Bother Christmas:

One thing I like about the show is that it portrays their young main cast with one very important truth: The psyche of a child/teenager of their age will react and adapt so it SURVIVES, even if it results in unfortunate consequences in other relationships and places. Thats the psyches main concern and it'll try to cope with the limited experience and development it has in whatever way necessary to get itself to the next day. A coping mechanism is not there to make you a better person, it ensures your SURVIVAL, everything else is a secondary concern.

So seeing pre-show Adrien not react to Gabriels touch and even feel completely unloved and disconnected from him is no surprise to me. Kids are incredibly observant. They may lack the needed experience and knowledge to truly understand that they deserve better and to stand up for themselves but they are masters in picking up red flags in people and can put this danger into perspective while comparing the different danger levels of their options of people and places to adjust their behavior.

Feast:

Stormy Weather 2:

So the broken connection between father and son we see in the portrait (that Gabriel doesn't even notice but Adrien fully internalized) isn’t there because Adrien “didnt needed” or wanted his father, its because Adrien NEEDED Gabriel so much in his isolated upbringing but Gabriel didn’t LET him need him - so Adrien had to adjust to that accordingly. Big, huge, ENORMOUS difference.

Honestly the most miraculous thing about Miraculous is that Adrien was able to bring up the strength to stay positive and friendly and to forgive Gabriel in hope for a better future. That boys situation is 7 kinds of depressing and traumatizing...

It's just flabbergasting to me how well this portrait shows how basically non-existent their relationship was at that point. And it's horrible to know that this estranged and unformed bond is all Adrien had left after Emilie dissappeared, just alot worse because after Emilie incident Adrien states that his father changed alot for the worse as well.

So to think that all Adrien had left wasn't even this former basically non-existent relationship with his aloof father - who would only barely show his true affection for his son because he's either not around enough to do so or he thinks it "unnecessary to proof his affection" for/to Adrien because he already thinks it so obvious and undoubtable.

Well he thought wrong. And GOSH, it breaks my heart!

So now comparing the "Gabriel" hand from Adrien with the one representing his connections with his mother conveys a pretty harsh contrast.

Because last but not least, let's take a look at Emilies hand placements:

But here is now an interesting difference to Adrien. Whereas we openly see that Adriens side of the Adrien-Gabriel relationship is completely disconnected from the heart/love - showcasing just how badly Adrien has always been neglected by his father - we don't see Emilies hand in her Emilie-Gabriel relationship AT ALL.

Once again just like with Adrien, this doesn't mean she didn't love her husband and that Gabriel was used and fooled by the woman he so utterly adored. It just means that from Emilies point of view things were a bit more complicated. What exactly this is, the portrait is keeping secret from us. We have no way of knowing if and how Emilie is returning her husbands gesture. All we can say is that if she does she is definitely not doing it in such an open and unconflicted way as she does with Adrien.

But since when has anything with this family been this easy?

One thing the portrait makes very clear, Adrien and Emilie had a strong and good bond. Definitely the healthiest because the Adrien-Emilie connection is the only one depicted without any kind of disruption from both sides. Both mother and son are reaching out for the other ones hand creating a whole half of the heart, showcasing their affection for another openly and without any of the implied doubts the other connections display. And honestly? Comparing all the hand placements, the one connecting Adrien and Emilie just comes across as strikingly pure and true (which makes it even worse that it was HER Adrien lost…)

As I said it's a HARSH contrast to the one Adrien shears with Gabriel. This contrast is highlighted even further by the way these three face on another.

Emilie and Adrien are positioned facing another and so are Emilie and Gabriel. Telling us that Emilie was "face-to-face" aka involved with both her husband and son. It is Adrien and Gabriel were this looks wildly different. These two have no way of seeing each other in the eyes the way they stand now/then, further displaying their deeply rooted disconnection. It's portrays perfectly how important Emilie was in this family dynamic, because even though Adrien and Gabriel bearly had a connection at all they at least had Emilie as a link between them, keeping the family together. But then they lost her and where this left both father and son off we know oh too well...

So to collect all the informations we get out if this portrait:

-Adriens and Emilies relationship was the strongest and purest. Both of their hands connect and reach out for another in the heart, showcasing that they had a loving and positive bond.

-Adriens and Gabriels relationship is heavily scarred by a deeply rooted disconnection leaving Adrien feeling unloved and unwanted by his father to the point where Adriens side of their dynamic is outside the heart altogether. Gabriel may love and adore his son just like he loves his wife and never thought he displayed his love for him in a lacking way, but fact is: this love never reached Adrien the way it should have and Adrien is the one in their dynamic who got severely hurt and damaged by it.

-Gabriel was the only one completely unconflicted and happily at peace with the former Family situation. He's reaching out to both his family members with open love and affection in blissful oblivion that neither his wife nor son could return them the same way (to different degrees for different reasons). Gabriel was the ONLY ONE in the Agreste family who didn't saw problems in their lives and thought them all happy, hence why he's so obsessed with changing the past and bringing THIS state of their family back. He was happy and he had everything he needed and loved right with him, of course he wants THIS back. He's not aware that Emilie and ESPECIALLY Adrien did not feel the same about their former situation and that bringing all of them back to this is not the perfect happy ending for their entire family as he thinks.

-Emilie may not have been as unconflicted with Gabriel as he was with her but she is NOT feeling the same disconnection her son feels and isn't depicted with negative feelings towards Gabriel. Her side in the Emilie-Gabriel relationship is neither shown outright positive as with her son or outright bad as Adrien with Gabriel. Her side of their bond is depicted through her unseen hand placement in the unknown area in between.

-Despite their not so unconflicted feelings towards Gabriel - and Gabriel himself being aloof - neither Emilie nor Adrien are actively trying to cut Gabriel out. They aren't flinching away from his touch or exclude him from the heart whatsoever. He's happily included, obviously feeling loved. They may not be 100% happy and Gabriel doesn't notice it, but they aren't denying him his happiness and make him unhappy. Again, he's the only one truly happy here. Something neither Emilie nor Adrien tried to take away from him.

-Emilie and Adrien are facing each other as do Emilie and Gabriel, implying the presence of communication and a bond. Adrien and Gabriel do not face each other, showing their disconnected bond. If they could see each others face Adrien would have been able to see that Gabriels hand is a gesture of genuine affection and Gabriel could see that Adriens expression does not exactly display pure happiness the way he thinks. This also goes for Emilie. Emilie just like her husband is placed BEHIND her son, so even if she is facing him she would not be able to really see just how much Adrien is not satisfied and truly happy with his life at that point (meaning how unhappy being looked up, friendless and at distance with his father actually makes him).

- This fascinating family makes me sad and I like it lol

[princehrry-writings]

Y/n's a witch and Harry's her soulmate

I'VE LITERALLY BEEN WORKING ON THIS FOR 2 MONTHS!!!

lanfvksbkvjbs I hope you guys like it because I poured my whole soul into this!!!! I wanted it to be over 10k but I felt like I was just dragging it on and the ending isn't great but it's ok.

I switch between present and past tense without meaning too- oops :)

wordcount: 9911

warnings: uhhh, swearing, google translated latin :) catcalling and unwanted male attention (with a bad witch moment... see what i did there😏), a little bit of violence, very lightly edited lmao

She didn’t quite understand what was going on. Was this another witch? No, she would have felt that energy differently. So he had to be a mortal. But why did it feel like she had just been set on fire in the best way possible.

“Thank you…” He muttered, eyes glazed over. “M’Harry, by the way.”

Harry.

What a magical name, she thought.

or

Harry walks into Y/n’s shop one day, sees the brooms sweeping by themselves and gets a little curious.

.

.

.

“Althea, get your claws out of there. You’re gonna get hair in the muffins!” Y/n shrieked, quickly shooing the troublesome feline away from the open bowl of batter sat atop the counter. The cat just meowed at her, unbothered by her person's shrieking. Thea was quite the diva. She couldn’t give a flying fuck even if she tried.

“Oh Stars, look what you’ve done!” Y/n continued, cleaning up the trail of paw prints left in the flour on the table. “How many times do I have to tell you to stay out of the kitchen when I’m baking Thea! Why don’t you ever listen!”

Y/n has been a little strung up lately. That’s probably the understatement of the century. Maybe if she hadn’t been put in charge of the shop for the first time by herself while her mother went to gather supplies and place orders for said shop, she wouldn’t be so stressed. She’s only 22 years into her eternal lifetime. She’s yet to learn the virtue of patience, her mind never ceasing to run with ideas and thoughts and feelings.

Her mother always griped about how she needed to take a deep breath and let go of the tension in her shoulders because now that she had stopped ageing- she had all the time in the world (literally) to do everything she was worried about. Y/n would argue that she’s not worried so much as eager. She’s just very excitable.

“Why do I even bother yelling at you anymore.” Y/n grumbled, flicking her wrist in the direction of the broom closet. The broom and dustpan came floating out and got to work sweeping up the bits of flower seeds and petals that had dropped off the table instead of into the mortar like she had planned.

Y/n’s never been known for her cleanliness.

Out of the blue, the hair on the back of her neck and arms stood at full attention, a warm shiver shooting down her spine. What the hell? She thought to herself. Thea didn’t seem bothered by whatever energy was coming closer so she knew it wasn’t any danger, but it was something. Y/n flicked her wrist once more, quickly sending the broom away and going to hide behind a wall where whoever this was couldn’t see her.

The little bells above the door chimed, alerting anyone inside that someone had just arrived. In walked, who Y/n thought to be, the most beautiful boy she thinks she’s ever seen. Chestnut curls shielded by a knit beanie, sea glass eyes, broad shoulders, a kind smile on his face. He looked as ethereal as she was.

She felt the earth shift under her feet, her heart speeding up slightly in his presence. He was magnificent, she thought. The shiver she felt was steadfast and unchanging, finding a home in the goosebumps covering her whole body. She had never felt like this before.

The witch watched from behind the wall as the man gazed about the shop, his hands rested behind his back. In a pair of black jeans with a rip in the knee and a white tee shirt with a cardigan thrown over it, he shuffled about.

Y/n took a deep breath, collecting herself before making her presence known. She walked out from behind the wall, stepping behind the main checkout counter and clearing her throat lightly.

“Welcome in! I’m Y/n, let me know if you need any help!” She said, trying not to cringe at how scripted that sounded.

His head popped up, eyes connecting with hers and that’s when they both felt the energy in the room grow. Thea came sauntering out of the kitchen area in the back, Y/n made a mental note to check the muffin batter for cat hair later, no doubt at the electrical charge of the room.

She didn’t quite understand what was going on. Was this another witch? No, she would have felt that energy differently. So he had to be a mortal. But why did it feel like she had just been set on fire in the best way possible.

“Thank you…” He muttered, eyes glazed over. “M’Harry, by the way.”

Harry.

What a magical name, she thought.

There was a pause, where neither of them wanted to move, in fear of this moment passing and never getting to feel like this ever again.

It felt like having a picnic on a warm summer day, where it’s not too hot but just right. It felt like the first breath of fresh Spring air, like hearing a baby giggle. She felt fuzzy and warm. Like she was wrapped in a hug. Y/n felt… peaceful. She felt all of her anxiety about the shop melt away, as if it had never been there.

Harry smiled at her, a pink tinge coating his skin, and pulled his eyes away (he didn’t want to make her uncomfortable by staring), continuing on with his peruse of the shop. He had no idea why he was here, truly. Didn’t realize where he was until he pushed through the door. He doesn’t even know what any of this stuff is, he’s just looking so it seems like he knows what he’s doing.

He felt something brush his ankle, looking down and seeing a fluffy snow white cat with striking green eyes (just like his!), and cooed at her.

“Is it alright if I pet her?” He asked, looking back up at Y/n. He would take any chance he got to look at her. She was the most beautiful girl he’d ever seen. With her shiny hair and kind eyes, a smile that made you want to hug her. She looked so welcoming. He felt… oddly peaceful.

“Yeah of course! She’s my little attention whore, aren’t you Thea?” Y/n giggled and Harry thought his heart would stop right there. Her little giggle was the most glorious sound he’d ever heard, he decided.

She got up from her little stool behind the counter and floated over to him, using her cat as an excuse to get closer. She just couldn’t figure out why she had such a pull to him. It didn’t make sense to her. Maybe he was a witch and was just masking his energy really well, maybe he was some sort of other creature, or maybe… no, that can’t be it.

Well…

Maybe… he’s her Flame. Her Twin Flame… Her Soulmate.

No. There’s no way. It’s so rare for witches to find their flames. And especially at such a young age. Y/n’s parents didn’t find each other for almost 75 years, and here she is at just 22, stumbling upon some magical happenstance where her Flame just saunters into her family’s shop.

Harry scratched behind Thea’s ear, a motor-like pur erupting from her little belly. She nuzzled into his touch, and then sprung up onto his shoulder from the table, startling the man. Y/n giggled at the look on his face, reaching up to scratch just above Thea’s tail, her favorite spot.

“She does that when she likes someone.” Y/n explained. A blush appeared on his face at this.

She likes him.

“So was there anything in particular you were looking for?” Y/n continued, hoping to make more conversation with him. Her fingers are buzzing, wanting to reach out and hold his hand or touch his arm, anyway she can get her hands on him really, but she knows that would be inappropriate so she refrains (however difficult it may be).

Harry was in the same boat. He felt the need to wrap her up in his embrace and never let her go. It was the strangest thing he thinks he’s ever felt.

“Honestly, no. I don’t really know what any of this stuff is… I didn’t even realize when I walked in but I didn’t want to look like a psycho just walking in and out of shops randomly.” A shy smile displays on his features.

Y/n chuckled. This furthers her hunch that he is, in fact, her Flame. Getting a random urge to come in here could only mean that the invisible string tying them together was leading him to her. Pulling them closer and closer everyday until this very moment, when they were fated to meet. Written in the stars to know each other, whether that be for love or friendship only time would tell.

She really hopes it’s love.

“Ok… We’re kind of just a general shop. We carry crystals, herbs, spices, oils, candles, and my mother does a lot of crafts, so we sell those here too.” Y/n went on to explain, Harry’s eyes flitted around to all the things she mentioned. He saw glittering crystals, by themselves but also made into jewelry like rings and necklaces, he saw bundles of different flowers and vials of liquids he assumed were the oils she mentioned.

“What is all this stuff for?” He questioned. He had never heard of anyone suddenly needing Oxeye Daisies or black onyx crystals, but he’d never been one to judge.

Y/n paused, thinking of the best way to explain everything. Practising “witchcraft” wasn’t an unusual topic to humans, but they didn’t know that witches with magic that was (semi-inaccurately) portrayed in movies and tv shows actually existed.

“Uhm, anything in the shop can be used for a number of things. Apothecary, gardening, herbal remedies, manifestation.” She explained. He nodded along with her words, doing his best to focus on what she was saying rather than just her. His body was tingling the closer she stood. He never wanted this feeling to go away.

Whatever this feeling was.

Harry looked around, his sights landing on a shelf full of colorful candles. His eyes lit up, trotting over to them, picking up one that was a light lavender color. He didn’t know he was drawn to this one in particular, but something had pulled him to grab it. Something was telling him to buy it, bring it home, and burn it on his bedside table, right next to his head every night.

It was Y/n’s favorite color.

The girl's cheeks burnt when she realized this was the one he had picked out. The occurrence might seem random to anyone passing by, anyone who didn’t know two halves of a soul had just been reunited with one another after being apart for however many years. But Y/n knew, and hopefully Harry would know soon.

She didn’t want to scare him though. He would think she was crazy. Imagine a random stranger that you’ve never seen before in your entire life tells you that you’re meant to spend the rest of your life together. He would run away screaming.

So she has to start slow.

“Think I might get a few candles…” Harry trails off, looking around at all the different shapes and sizes of colored wax sitting before him. Y/n smiles at this and nods, letting him know she’ll be at the counter if he needs anything.

Please need something, she hopes to herself.

He didn’t end up needing anything, but he ended up purchasing 3 candles, all of them being that same lavender color.

* .

. * .

It was a few weeks later when Y/n felt a familiar tingle run down her spine. Harry must be near, she thought.

She had spent the last fortnight and then some moping about the shop and her flat, hoping her Flame would turn up again. Her mother, Asteria, had been ecstatic when she heard that her daughter had found her Flame, and empathised with her pain, understanding that he was a mortal and it was difficult to form bonds with them quickly. The woman always found it interesting how the most indefinite creatures took the longest to form their bonds. But then she remembered they had no knowledge of Twin Souls and often settled for one not fated to them.

“Mama, he’s close. I can feel him!” Y/n cried, tidying her appearance in the reflection of the window. She hopes to the Stars that he’s coming to see her and not just passing through.

Waving away the brooms fluttering around the shop, she busies herself restocking shelves. Asteria had just finished a new batch of candles that needed shelving. The mother had been trying new recipes lately and was excited to see how they would fare.

Y/n almost misses the little chime of the bells signaling that someone has just entered. If it weren’t for the energy in the room skyrocketing and all the hair in her body standing at attention, she wouldn’t have noticed it at all. Turning, her gaze falls upon a familiar set of sea glass eyes and chestnut curls that have enchanted her mind every passing second since the first time they met. She tried her damndest to hide her grin, but had to turn away so he wouldn’t be able to see it.

Harry looked around the shop before his gaze fell upon the girl he hadn’t stopped dreaming about since he last was here. There she stood, back turned to him, with her shiny hair and adorable outfit. In a lavender colored sundress, hair pulled back by a white scarf, she fussed about the candle shelf that Harry had searched the last time he came.

Everytime he burned that candle, he thought of the way her eyes sparkled when she talked about the different items in the shop and how she smiled at him when he asked her a question.

Harry had never been one to jump into things quickly. He was the kind of guy that liked to get a feel for a situation before he really dived into it. But there was something about this girl that made him want to jump in head first, fearless. He hadn’t stopped thinking about her, daydreaming about little scenarios that he wished would happen between them.

He knows he sounds crazy, but he has a crush on her. And he’d only met her once! That is so not like him at all.

Y/n turned once again, sure that she had calmed the burning in her cheeks, greeting Harry as if she hadn’t thought of him in weeks.

“Welcome in,” she says, wondering if it would be weird to him if she remembered who he was, she decided she doesn’t care, “Oh, hi Harry!”

“Hello Y/n!” He smiles. Y/n felt her heart stutter in her chest when her name fell from his lips. As if she was floating (she had to check to make sure she actually wasn’t), she followed the sound of his voice, going to stand before him. Her first instinct was to hug him, and she was very sad that she had to stop herself.

“What brings you back?” She asked, itching to reach out and hold his hand. His gaze flits around for a few seconds before landing back on her face, a rose tint now on his cheeks.

“I- uh, I don’t really know. I just felt like I needed to come back…” He stuttered. A smile graced her lips, causing an identical one to grow on his own. Asteria watched from behind the counter, beaming at the couple.

“Y/n dear, who’s this?” The witch called. Y/n snapped out of her love-drunk haze, looking to her mother.

“Mama, this is Harry. He came in a few weeks ago while you were away.” She answered, giving her a look that said “please don’t say anything.” Asteria had a tendency to butt into her daughter's life, and Y/n needed to figure this out on her own.

Thea came flouncing out from whichever corner she had burrowed herself into and nosed at Harry’s feet before launching herself onto Y/n’s shoulder and staring at Harry from her new height advantage.

“Well look at you Thea, sittin’ all pretty up there!” Harry reached out to scratch behind her ears. Thea began purring loudly, louder than she did when Y/n petted her (Y/n did her best not to roll her eyes at her attention whore cat). The one thing the girl loved about this was now she had a reason to step closer to the boy before her. He smelled like citrus and woods, with a hint of weed (she’s not judging, she just wouldn’t peg him for a stoner so it’s a little surprising). She let it take over her senses until all she could think about was HaryHaryHary, having to stop herself from purring just like the cat.

“Well, whatever led you back here, it’s nice to see you again!” She blushed, deciding to let her affection for him shine through lightly. Y/n realized she didn’t really want to waste time dancing around mortal niceties. She didn’t want to scare him off but she wouldn’t feign disinterest. The witch wanted to make it clear she was smitten with him. So this was her way of starting slow, letting her blushes be seen, maybe resting a gentle hand on his bicep if he says something that makes her laugh, letting her longing gazes be caught before she looks away.

Like she said before, she’s going to start slow.

“I am too…” Harry wondered if maybe she felt the things he was feeling too. If she couldn’t stop thinking about him the way he couldn’t stop thinking about her. He wondered if it would be weird to ask her out. See if she wanted to get dinner with him, or have a picnic in a park on a sunny afternoon while he stared, as uncreepily as he could, at her bright smile and star-stricken eyes.

Very quickly, like it almost didn’t happen, Y/n saw a blush pink haze surrounding the boy. He was feeling love. The heat in her cheeks rose, fluttering of her heart increasing.

Now she knew for sure, he was her soulmate for love- not friendship. Thank the Stars!

* .

. * .

The next few weeks, Harry would come in every few days just to see Y/n. After realizing that she might be feeling the way he was, he wanted to make it clear to her that he was smitten. So he’d come in after he got done with whatever he’d been doing that day, bring her flowers or a blue-raspberry red bull italian soda (he saw her drinking one one day when he came by) and they would talk and sometimes he’d bring food if it was late and they would eat at the counter in the back kitchen. It became a routine, and he started showing up almost everyday. On slower days, she would close up early, so as not to have a single distraction from her Flame.

The two would talk about the most obscure things, not giving a rat if others heard them cackling at each other's jokes and misspeakings (Y/n stumbled over her words quite a bit when she was tired, he came to realize. He thought it was adorable).

In return for the beautiful flowers and the delicious drinks he’d bring her, Y/n would give him little spell jars or charmed items to make his life easier. He didn’t know they were spelled or charmed, but he thought it was cute how she gave him a lavender colored pen and told him he would think of her every time he wrote anything down (she had charmed it to always spell things correctly) or a little jar filled with lavender and chamomile buds, a few drops of lavender oil and a small amethyst crystal sealed in white wax to help quell the anxiety he’d been feeling with his job lately.

He appreciated them more than any material thing she could have purchased for him. He liked that she wanted him to think about her or that she wanted to do away with his ailments. He came in with a cold once and she spent the better part of an hour fussing over him, telling him all these little tricks to clear his sinuses and giving him different blends of herbs and spices that should clear this up in no time! He thought she was very adorable, worrying over a little cold and wanting to make him better.

Harry found that each time he left her, the force that pulled him to her grew stronger. He wanted to be in her presence more and more every time he walked out the door of the shop. The boy still didn’t really understand what it was about her, but he’s long since stopped asking questions and was just rolling with the punches.

Speaking of things Y/n did that Harry thought was cute- the things she said enamoured him, rendered him so speechless sometimes all he could do was sit there and look at her, (ironically) wondering what magical force brought her to him. He had no idea that the Universe herself was the one who chose his favorite girl.

“Oh Stars Thea! Get out of the nettle! It makes you sneeze, silly cat!”

“Stars forbid you ever listen to me, mother.”

“Althea Rose get your furry ass away from that hot wax before I feed you to the hellhounds!”

He loved how she was always saying Stars where he would normally say Jesus Christ. He never was one to be into religion but it was just something people around him said.

As the weeks went by, they began to sit closer and closer to each other. What started as across the table from one another, began to turn into her at the head and him on the corner next to her, then both of them sitting on one side but a bit of space between them, and then side by side, thighs touching, on the bench seat. Eventually, Y/n would lay one of her legs over his and he would rest his hand innocently on her skin, his thumb absentmindedly brushing back and forth, tapping his fingers to an imaginary beat as she told him a story about a kooky customer that came in.

That was another thing he loved that she said a lot: kooky.

Their goodbyes had grown more and more affectionate over time as well. From a little wave and a shy smile to a little hug, to a bear hug with a kiss on the temple from Harry.

Things were moving very swimmingly. Y/n was happy with the progress the two had made in getting to know each other. She had learned that he worked at a marketing firm but his passion was music, that he was in a band when he was in high school, and he’s from a village in Manchester.

Harry learned that Y/n has a degree in herbology and really likes the woods, and the show The Chilling Adventures of Sabrina (despite the inaccurate depiction of witches, she thinks the characters are pretty).

Y/n has been trying to figure out the best way to tell Harry about her… lifestyle. It’s going to be a big shift in his reality and she worries that she’s going to overwhelm him. Her parents didn’t have this problem because they were both witches, but she had been fated to a mortal, which she’s not complaining about because loves Harry and all his human afflictions (loves!), but it’s quite a task keeping him in the dark until she’s ready to shed light on everything.

Especially on a day like today.

Her mother is out again, leaving her in charge of the store, again! And as previously mentioned, Y/n gets a little strung up when she’s left in charge. She’s forgetful, her mind flying all over the place. Her messiness gets worse, leaving different things all over the place (she somehow left a grimoire in the refrigerator at home), losing things… Basically, Y/n’s not doing so hot at the moment.

A busy spell had just finished, she had like 7 different customers in at once, all of them needing her for different things and all the chamomile and lavender oil rubbed behind her ear in the world couldn’t calm the anxiety flowing through her at the moment. She’d been so strung up that she hadn’t noticed the warm golden shiver running down her spine or all the hair on her body raising to attention or the jingle of the bells on the door when Harry walked in.

Walked in to see… the brooms sweeping up by themselves? And different pots and pans flying back into place… with no one carrying them. And Y/n muttering words he didn’t understand while her fingers wiggled, making the pestle inside what he learned to be called a mortar, moving by itself.

To say the least, Harry was very confused. And a little scared. Was he dreaming? Did today even happen? Was he still at home lying in bed?

The only thing that makes him realize he’s not is the shriek Y/n let’s out when she sees him standing frozen in the doorway, eyebrows pulled together in confusion (and a little bit of terror), mouth agape like he wanted to say something but didn’t know where to start. All at once, every moving item ceased and dropped, including the pots and pans which made a very loud noise, scaring Thea so much that she did the loud “meow!” that you only hear cats do in movies, and Y/n let out a quiet“Shit!”

“Harry…” She muttered, standing up slowly and treading towards him.

“Um… Y/n. What- what the fuck… was all of that?” He stuttered, and she continued to walk to him.

“Love, why don’t we go sit down and I’ll explain everything to you!” Y/n said slowly. She had taken to calling him Love lately, not being able to stop herself. They had yet to really “confess their feelings” to the other, but it was like a silent thing that no one said but they both just knew. So the name didn’t surprise him. Actually in the midst of all this craziness (and how his whole world had just seemed to be flipped in a matter of 5 seconds) he was clinging to the familiarity of the pet name.

He nodded, his eyes glazing over as he tried to wrap his head around what he was seeing. Y/n waved her wrist, everything that had dropped seeming to come to life again and be put back into their rightful places. Harry stared in amazement. Seeing it for the second time really drove the nail into the coffin that holy shit this is really happening…

They sat down side by side on the bench where they normally did but Y/n didn’t put her leg over his like they had grown used to. She missed the contact but figured a little space while she explained everything would be best for her Flame. Harry didn’t agree and tugged her closer to him. She didn’t fight it.

“Ok,” She sighed, cracking her knuckles as she took a deep breath, “Harry… my darling Harry. I need you to keep an open mind while I tell you all of this ok? It’s gonna be a lot for you to take in and I don’t want you to get a headache.” He nodded, and she took his hands in her own, running her thumb over his palm and channeling positive energy between the two of them. She saw Harry relax a little, letting her know it worked. He was ready (as ready as he could be) to hear what she had to say.

“Love, I’m a witch.” She says, letting it sink in for a moment. Harry doesn’t say anything for a moment. Y/n wonders if he’s even breathing. The strong pulse thumping in his wrist is a steady reminder that he’s ok, just shocked. (Very, very shocked).

“I come from a very long line of very powerful witches. I have magic, kind of like you see in movies and tv shows except I don’t worship the devil or eat children. None of us do. We’re usually very gentle creatures, unless we’re put in danger. Witches don’t use magic to hurt others, quite the opposite actually.”

“So… you cast spells and stuff?” He asks quietly. She breathes a laugh through her nose, nodding her head, continuing to channel him by rubbing her thumbs over his palms.

“I do, that’s what you saw me doing at the counter. I was actually strengthening the anti-anxiety jar I gave you a few weeks ago, because you told me you had a big project coming up and I didn’t want you to get too stressed out.” The girl said.

Harry couldn’t really focus on one thing for too long, letting his gaze flit around the kitchen area. He felt oddly… calm.

“Why do I feel so calm right now? I feel like I should be freaking out a little bit more than I am…” He voiced, finally looking into her eyes.

“I’m channeling you… look.” She said, pointing her gaze to their hands. He sees her thumbs rubbing gentle circles into his palms and looks back into her eyes.

“You’re casting a spell on me right now?” Harry wonders out loud.

“Channeling isn’t necessarily a spell, I’m just focusing and directing positive energy onto you right now, to help keep you calm. Like I said, I don’t want you to get a headache or pass out on me. I can stop if you want me to though!” She added quickly at the end but he shook his head.

“No, don’t stop…” He almost cried, pulling her closer to him.

“Ok, I won’t. It’s ok!” She shushed him, letting one of her hands float to his cheek, brushing over his cheek bone and pushing a fallen curl out of his eyes, before her hand found his again.

“Was it a spell that made me want to come in here that first day?”

“No baby, that’s actually a little different. This might be a little much so you gotta bear with me ok?” She explained and he nodded, heaving out a heavy breath.

A beat of silence passes and Y/n lets her eyes lock with his.

“We’re Twin Flames… or what you would know as Soulmates. We were fated to be together. That’s why you felt a pull to come in here. We were… destined… to meet each other.”

Harry doesn’t say anything and Y/n feels like her heart is about to beat out of her chest. She knew he was going to find out someday, but really didn’t expect that day to be this one. This crazy long day where everything had seemed to just bubble over and explode. She should have known something was going to happen when this morning, the flame on the candle she had lit for Harry on her altar was taller than it ever had been. She had written it off to him just thinking about her or something (if this was the case, it would be to the ceiling all day everyday because he never stops thinking about her), but she should have known. And now, here she was, terrified that Harry was going to walk away from her. She would understand if he did, it’s a lot to take in, and having your whole world flipped on its head is a bit much.

It would still break her heart though.

“So… this is normal?” Harry broke his silence.

“Is what normal?”

“That I want to be around you all the time? That I think about you all the time? What I’m feeling is normal?”

Y/n’s face softens. He’s so cute, she thinks. She could just wrap him up in a little bow and keep him all to herself for the rest of time.

“Yes, baby. It’s normal! I’ve been feeling the same things as you ever since we first met!” Harry’s mind is a little clearer now, so he picks up on the new pet name. Baby. He likes it, he decides.

“You feel this way too?” He looks like a little puppy right now, Y/n could just cry. She nodded her head, scooting impossibly closer to him, practically sitting in his lap. It seemed now that he was even calmer than he had been before, even without her channeling. She stopped for a second to test his reaction and he was ok. He didn’t tense up, eyes didn’t well in tears, didn’t lose consciousness. So she moved her hands to cup his cheeks now, feeling him lean into her touch.

“You’ve been the only thing on my mind since before you even walked through the door that first day. You’re in my dreams every night, I see you every time I close my eyes, I’m completely taken with everything you do.” Y/n confesses, feeling a weight lift off her chest.

“I know it seems fast to you, as a mortal. Your kind usually takes this kind of thing slowly, really learns a person before you become vulnerable. Out of fear for being judged or whatever it might be, but I would never judge you. I want you to know it’s ok to let your guard down with me. Whatever you're comfortable with! I don’t want to overwhelm you in any way, and I know all of this is so so much to take in. I just want what’s best for you, my Love.”

It’s not lost on Harry that she adds my before Love. He feels his heart flutter.

“I’m taken with everything you do too. Absolutely everything.” He whispers, if he speaks too loudly the moment might be lost.

They stare into each other's eyes, feeling the energy in the room grow. Flames from the lit candles around the room grow tenfold, reflecting the rising energy. Harry has half a mind to break his gaze from the girl before him, seeing the tall flames before bringing his eyes back to hers. He sees her gaze drop to his lips repeatedly. He doesn’t think she even realizes that she’s leaning in to him, but he’s not going to stop her.

When she’s so close he can feel her breath fanning over his face, she pauses, looking back up to his eyes, silently asking for permission. With her hands still cupping his cheeks gently, she closes the distance between them, pressing her lips delicately to his. Harry places his hands in two places: her waist and her neck. He pulls her in closer, pressing their lips together more firmly. A wildfire spreads from head to toe on both of them. It seems as though time has paused for this very moment, and again the earth shifts. A piece of the universe has just been restored, two halves of a soul reunited.

Harry’s fingertips send sparks flowing down her spine, she hums against his lips. The kiss is simple, just two people getting to know each other, learning the other's body, but it’s long. It’s not just one peck. Harry presses his lips against hers multiple times, slotting her bottom between both of his.

When Y/n pulls back to catch her breath, Harry chases after her, not ready to end this moment yet. She chuckles and grants him a few more kisses until she really is about to pass out because she needs to breathe. Pushing him gently, she breaks the kiss and rests her forehead against his, keeping her eyes closed.

She so badly wants to let the three words sitting on the tip of her tongue go, but doesn’t want to overwhelm him with too much all at once.

“Do you feel that?” He whispers, pulling her to sit astride his lap. She moves pliantly, letting him take control of the situation.

The air feels charged, thick, like it should be hard to breath but it flows, smooth as water, into their lungs.

Y/n’s head feels heavy, like she’s high on every drug there ever was, her mind fuzzy, unable to think outside of this moment. Outside of this little wrinkle in time where Harry is the only other thing that exists.

“Yeah,” She whispers back, reconnecting their lips, slotting them together over and over until their lips are puffy and red. Harry slides his hands around her waist, wrapping his arms around her, pulling her flush against him, not even a slip of paper would fit.

Pulling away, Harry heaves in a deep breath, squeezing Y/n’s hips.

“I’ve been wanting to do that for so long…” He says, nudging his nose against hers. She smiles, letting his affections wash over her, warming her eternal soul.

“This doesn’t freak you out?”

“Oh, I’m so freaked out but I'm kind of just going with it, living in the ambiguity and all that shit.” He heaves a laugh through his nose, pressing kisses to her cheek and down her neck, smoothing his hands up and down her back.

This was the best possible outcome of the situation, if Y/n had to be honest. It could have gone so many ways. Harry being freaked out but rolling with it… she’ll take it.

“How about we make dinner and you can ask me any questions you have?” She suggested and he nodded.

So they did just that. But Y/n closed the shop early and they went back to her place. Hand in hand they walked the few blocks, side glaces of reassurance and little squeezes of the hand, letting the other know they were there, and they weren’t going anywhere, with Thea in her little travel backpack (that she was absolutely in love with surprisingly).

They came upon an unsuspecting alleyway. Harry thought they were just passing through as a shortcut but Y/n stopped walking in the middle of a blank brick wall and muttered a few words she didn’t understand while waving her hands. He started to realize maybe this wasn’t just a shortcut.

Before his eyes, a door appeared. His brows shot up in surprise (he’s gonna get worry lines on his forehead if he doesn’t stop doing that, he realizes). Y/n looked over her shoulder at him, trying to hide a smirk but the look on his face was too good.

“Pretty wicked huh?” Harry didn't say anything, just chuckled and nodded, following her when she opened the door and a set of stairs appeared. Walking up the dimly lit hallway, they come to another door with the cheeky The Witch Is In sign.

“Cute.” Harry smirks at her and she laughs, opening it and letting him walk through first.

“Make yourself at home! I’ve got records on the shelf over there, you can pick one if you want. I’m just gonna feed Thea and get her all settled and we can get to making dinner.” Y/n explained. Harry ventured off into her living room, seeing the shelf she was talking about and browsing through. There were many different artists from Fleetwood Mac to Taylor Swift to Weezer. He picks out Hozier's self-titled album and puts it on, the beginning of Take Me To Church crackling through the speakers.

“Good choice,” He hears from behind him and smiles, turning around to see the girl he was apparently destined to spend the rest of his life with standing before him.

“Jackie and Wilson has been stuck in my head the last few days so,” He said, sauntering over to her and snaking his arms around her waist.

Taking a look around, he sees many different trinkets and items similar to what was in the shop. A lot of jars filled with different things, candles of all different colors, crystals, a broom (he didn’t realize witches actually had brooms but ok), among other things that he didn’t know the purpose of.

“Wait… how are there windows in here? I didn’t see any outside.” He asked, pulling back from the hug and looking at her.

“Well, there aren’t any windows in the alley. But there’s also a glamour spell on this building so nobody can see my apartment. That’s why you can’t see the door until I do the little thing you saw me do.” She answered. A sheepish smile broke onto his face.

“Oh,” he said and she laughed from her chest, petting a few fallen curls back from his forehead. She could get used to this, she thinks as she stares into his eyes, green as the forest and wide with wonder at everything he’s discovered today.

Who knew the girl he was falling in love with would be a witch… with actual powers.

* .

. * .

“Wait so, if no one can see your front door… how do you get mail?” Harry asked, reaching around Y/n for the salt.

“At the shop,”

“Oh,” He says. She laughs, kissing his cheek and continuing on cutting up veggies for the salad they're making.

“Have you always been able to do magic or was it something you grew into?” Y/n thought back to when she was little, remembering how she struggled to harness her powers for a few years before she started getting the hang of things.

“I always had powers, but imagic isn’t something you just wake up and know how to do so it took a while for me to really settle into and control. Magic is a skill, same as reading and writing, so I had to be taught and I had to work on it. Does that make sense?” She pauses while she explains, looking into his eyes. Harry nods, but his light hearted curious expression turns into one of embarrassment and she doesn’t understand why.

A rosy red color surrounds him, telling her he was feeling… embarrassed? Why did he feel embarrassed?

“Baby? What’s going through your head?” She asks, wanting to help him feel better.

She doesn’t like when he’s feeling anything other than happy!

“I just… I feel like I’m asking you so many questions about all of this stuff and it’s just tough to wrap my head around I guess.” She puts the knife down and sets her hand on his wrist, stopping from what he’s doing. She places her other hand on his shoulder, coaxing him to face her.

“Harry, this is a lot to take in, yeah? It’s not something you can just find out and move on from. It’s gonna take time to process. You’re gonna feel a lot of emotions, and that’s ok! I would be worried if you weren’t feeling a little off, as much as I hate that you’re not feeling 100%.”

She places a series of gentle pecks on his lips, doing her best to soothe him in any way.

“Ask all the questions you want! You don’t have to worry about being judged or saying something wrong, you have a right to be curious.” She feels him relax in her hold which in turn makes her relax.

“Thank you for being patient with me,”

He’ll get used to this, he thinks. He’ll get used to the fact that real witches actually exist, he’ll start to understand the words she mutters when she waves her hands, he’ll get it eventually. But right now, he doesn’t really get it, he’s not really used to it. But she’s worth it. She’s worth more than everything.

“I think you’re the one thing I know how to be patient with,” Again, she wants to mutter those three words on the tip of her tongue, but he’s already been through so much today, she doesn’t want to overwhelm him any more than he already is. So she’ll wait, because one day (hopefully soon) he’ll be ready to hear them.

“Can you do a spell? I kind of want to see how they work…” Harry asks after a moment of them just enjoying the silence that only really comes when two people understand each other.

She chuckles and nods, telling him she will show him a few spells after dinner. He agrees and they go back to making their meal, dancing around each other and laughing just like they always did and it felt good. Felt like this would be ok. Y/n was still scared because he could still decide to leave, that this was too much for him. That she was too much for him.

But for right now, things were ok.

* .

. * .

“Amoris et lux sum ego ipse, et carorum beatum facere potest, per potentiam solem et lunam, ut superius, et inferius.”

(I am love and light, I bring happiness to myself and my loved ones, By the power of the sun and moon, as above, so below)

Harry doesn’t think he’s ever heard anything weirder in his life...and his college roommate freshman year was a conspiracy theorist.

As Y/n spoke the words, she stirred a brew of tea infused with different herbs clockwise. He watched from beside her as she did this, his hand placed on her thigh so that his energy could be used in the spell along with hers.

Before she said the spell, she told him to set an intention and he had no idea what that was so she did a little lesson after reassuring him that his question was valid. (He’s still feeling insecure about not understanding anything she was talking about.) She told him to “close your eyes, take a deep breath, and clear your mind. Think of something you want in life that isn’t material.”

His immediate thought was that he wanted to spread kindness and love in the world (Y/n did her best not to tear up at her Flame’s pure intentions) so she nodded, telling him to think about that and only that, and set her intentions to the same thing so the spell would work. Mixing lavender, rose petals, and chamomile in a large mug, she pours in hot water to steep the herbs and, as previously mentioned, stirs it clockwise (something about clockwise being for manifestation), , rubs her palms together and snaps her fingers, and snuffs out the candles she had lit.

When all is said and finished, Y/n pulls Harry into a sweet kiss, and then has him take a sip of the tea telling him be careful my Love, it’s still hot. He kisses her back, taking a sip of the tea (he’d never been one for lavender things but this was actually really good. He wonders if it has anything to do with the fact that Y/n made it).

“So we just drink this and then what?” He asks, handing her the mug.

“We sacrifice an animal,” She says, not skipping a beat and taking her sip. Harry chokes on his spit, gasping for a breath of air before the girl bursts into a fit of giggles.

“I’m just kidding, baby. That’s it. That’s the whole spell. You just have to honestly believe it for it to work.” She says and he heaves a sigh of relief.

“Don’t joke like that!” He whines, more giggles escaping from Y/n’s throat.

“I’m sorry bub, I won’t do that anymore.” She says, still fighting off laughs. They continue to sip the tea, Y/n telling Harry about different things she did during the day.

Harry looked upon her as if she hung the moon just for him, and was telling him all about how she did it. Without even realizing it, he started to feel warmer and like a buzz was coursing through his veins.

“I feel weird…”

“What do you mean you mean you feel weird?” She voiced, pressing the back of her hand to his forehead and then feeling his pulse. Both were normal.

“I feel warm and like I’m buzzing… Kind of like I’m high…” He explained and she nodded her head, a small sigh of relief escaping her.

“That’s the spell working baby. You’re ok!”

“Oh, ok. It just worried me a little,”

“You’re ok! I want you to tell me when something worries you or feels different or off.” She says, and places a hand on his thigh. Harry agrees and they continue with their conversation.

When they both took their last sips on the tea, they cuddled up on the couch, an incense stick and candle lit on the coffee table.

Y/n sat, manipulating the smoke and flame simultaneously while Harry watched with a wide eyed gaze. She had explained how this was something he would be able to learn if he wanted to, and that she had been practicing for years to be able to do both things at the same time.

“I started when I was… I want to say 5. It’s a simple skill that promotes concentration. You have to stay extremely focused to even manipulate one element at a time. It’s only been these last few years that I’ve been able to concentrate enough to do both.” She explained, taking a break. As much as she loved showing Harry all these different things, it took a lot of energy out of her and it had already been a dreadfully long day.

“How about we go to sleep and I’ll show you more tomorrow? I’m pooped!” Harry hums an agreement, lifting his head from her lap and letting her lead the way to her bedroom.

Light lavender walls adorned with shelves full of plants and different nicknacks, and a desk with more candles, herbs, and other eclectic items sat atop it.

“What is all of this?” He sifts through all the things on the desk, not touching as Y/n had explained to him at some point today, I know you don’t have any ill intent, but a lot of this stuff absorbs other people's energy which can mess up what I use it for, so look and don’t touch. If you want a closer look, I’ll pick it up. There are different colored stones of varied shapes and sizes and many candles. One in particular catches his eyes. A green one with a very tall flame with something carved into the side of it. “What’s up with this green candle?”

“This is my altar, and the green candle is the one I have lit for you. I’m assuming that because you’re here, it’s going a little crazy. Nothing to be afraid of! I’m actually going to put it out since you’re here with me.” She explained quickly, reaching towards the flame with her finger and snuffing it out.

“Wait, you had a candle lit for me?” His eyes rounded, a shy smile coming onto his lips. An identical smile graced her features as she turned to look at him.

“Yeah, I’ve had one lit for you since the day we met. I made a sigil and carved it into the side and keep it lit day and night as an extra layer of protection for you.” She explained. Harry felt his heart melt at this.

She couldn’t get any cuter, he thinks.

A candle lit for him… to keep him safe. That’s adorable.

He leans in and places a gentle kiss on her lips, brushing the little hairs away from her face.

Y/n led him further into her room where her ensuite bathroom was, giving him a tooth brush and letting him know he could shower if he wanted to. When he came back into the room after getting ready, Y/n laid out on the bed in a sports bra and shorts. He just wore his boxers.

Climbing into bed next to her, she cuddled up to him right away, his arm finding a home around her body and her head laid on his chest, listening to his heart beat.

“Been dreaming about this moment my whole life,” Y/n mumbled, cheek smushed against his skin, making her look all cute and cuddly. Harry had to hold back a coo at the sentiment.

“Me too Moppet, me too,” He sighed, and they both drifted off into warm, fluffy, dream-like states, wrapped in the safety of each other's arms.

* .

. * .

Walking down the street at night isn’t the best idea for normal women, Y/n had learned over her 22 years of life. But Y/n is not a normal woman. She’s a witch.

And while most women carry their keys between their knuckles and have tasers or pepper spray or mace at the ready, Y/n didn’t really need that. This was one of the only instances where she would use her magic to harm anyone. Like she’d said before- only when she’s put in danger (or someone else around her is put in danger).

So when a prick who reeks of whiskey starts tailing her, she waits for him to take the first blow. Waits for him to get a little too close, so she can turn around and unleash her wrath on him. All the while making it seem like it’s not her doing. Like causing a brink to fall off the roof above her and hit him in the head. She wouldn’t actually do that but a witch could dream.

No, she’ll trip him up without turning around and if he still insists on gaining her attention, she’ll spin around quick, flick her wrist and send him into an unconscious daze and let him sleep off his inebriation on the lovely warmth of the concrete sidewalk.

That’s exactly what she does.

“Hey sweetheart, where you goin’?” He slurs, beginning his trek behind her. She’s unresponsive which leads him to believe she’s playing hard to get because his fragile little man ego can’t fathom that a woman would ignore his attention.

“Oh c’mon baby don’t be like that!” He speeds up, already wobbling but this only serves to make him clumsier.

She does her thing, flicking her wrist in his direction (discreetly) so he trips, but this doesn’t stall him. He reaches out, effectively grabbing her arm. She whips around to face him, cheeks growing red hot with anger. Ripping her arm out of his grasp and twisting his arm around, she gets close to his face.

“Touch me again, I fucking dare you!” She snarls, doesn’t even realize her grip is burning into his flesh- her magic gets a little crazy when she’s mad. Releasing him (tossing his arm away from her in a rough manner), she flicks her wrist once again and mutters a quick “et obliviscere somnum*”, watching him fall to the ground, unconscious. She looked around to see if anyone was watching the scene go down but no one was sober enough to pay attention to some drunk bloke harassing a young woman.

*(forget and sleep)

She shakes off her frustration as she comes to a stop in front of an unfamiliar building. Where her Flame lives.

She had agreed to let him make her dinner at his house, so she packed an overnight back and made her way further into town. He had given her an address and while, yes she did use it, she also let their bond lead her to him. She just kind of knew where to go, it seemed. Harry had expressed that he felt something similar the first time he went into the shop, though he didn’t understand why he wanted to walk in- just felt like he had to.

Making her way up the stairs, she let’s Harry know she’s there, beginning to feel the familiar tingle rush down her spine. She hadn’t seen him for a week and a half since he's been busy with a project at work- a client wasn’t happy with all the work he and a coworker had done so they had to quickly re-do an entire proposal to meet the client's deadline. Needless to say- the little anti-anxiety jar she made him was coming in real handy lately. Y/n had also had him put citrine and amethyst points on his desk while he worked to help him focus and stay calm so he didn’t stress too badly.

She always had a little something to make his life easier, whether it be a stone, or a jar of different things (a spell jar, he’d learned), or whatever it may be- she always had something to help.

When she made it to his floor, he was standing there waiting for her with open arms. She ran to him, jumping into his arms and holding onto him tight.

“I missed you, my wild girl,” He muttered into her neck, spinning her around. Her face flushed without fail, her arms wrapping tighter around him.

“Missed you most,” She sighed, nuzzling into him.

“Don’t think that’s possible.”

She hummed in disagreement while he walked them inside, Y/n still wrapped around him like a koala bear. His house smelled of peach and mango. It’s sweet- just like him. The thought made her smile.

Giving him a big smacking kiss on the cheek, she pulls back to have a look at his face, seeing he’s smiling like an idiot. It warms her heart to see him smile, butterflies breaking out of their cocoons and fluttering about her tummy.

“What’re you smiling for?” She voices, giggling at him.

“M’ happy you’re here,” He sighed, “Don’t like not seeing you.”

“I don’t like not seeing you either,” She frowned, petting his wild curls back and placing little pecks all around his face.

His cheeks flushed at her affection.

Harry set Y/n down on the kitchen counter, standing in between her legs, hands resting on her hips. Leaning forward, he pressed his lips to hers lightly, before slotting them together, fully indulging himself in his girl. She responds immediately, letting her hands rest around his neck.

She will never not be amazed by how soft his lips are. Kissing him feels like floating through clouds, like laying down in bed after a long day on your feet. Kissing him is like the first breath of warm summer air after the longest winter. Kissing him feels like coming home.

Y/n’s heartbeat picks up as the kiss becomes more needy, leaning into him further. Harry pulls her closer, his hands ghosting up the bare skin under her shirt and fiddling with the band of the bralette she’s wearing. A gasp escapes her lips when he pulled the fabric up, letting it snap back to her skin causing a smirk to grow on his face- struggling to keep up with her lips.

He kisses her breathless before pulling away, watching as her eyes flutter open and she heaves air into her lungs, her cheeks flushed and supple.

“Don’t want the food to burn,” He smirks again, hands falling away from her body, moving the pots and pans on the stove around to the counter so he could plate their dinner.

“Asshole,” He hears her mutter.

Harry could get used to this, having Y/n around. Being able to come home to her, make them dinner, make out in the kitchen, fall asleep together. He can’t believe he ever thought he loved anyone before she came along. There was just no way. Y/n came into his life and took over every aspect and now he couldn’t imagine a world without her in it. He hopes to the Stars he doesn’t have to.

Yeah, she’s got him praying to the stars now.

[xx-narcissa]

Here are some fics I’ve got in my drafts:

Name TBD: A JJ Maybank x OC fic. It’s the first thing I’ve written in first person before.

Summary: You meet JJ over the summer while you’re staying with your grandmother in OBX. The closer you get to him, the more he wants to learn about the real reason you came.

Name TBD: A Wanda Maximoff x Avenger!Reader fic. The reader has the power of invulnerability, and can’t feel pain or get hurt, meets their long lost twin and secrets are revealed feelings are hurt oooh

Summary: After an encounter with what seems to be a doppelgänger, a whole world of truths is revealed.

I’ve Got A Secret (The World Crumbles Around Us 3): I want to finish this series eventually, but just know a lot of events might be out of order and a lot of characters may do things that are ooc, and that’s because 1 i’m just trying to have fun with this and 2 it’s been a while since i watched Teen Wolf so i don’t remember everything.

Summary: Scott, Stiles, and Allison finally tell you what’s going on. Lydia goes missing.

Teddy Bear: Dark!Tony Stark x Reader, Wanda Maximoff x reader. this is inspired by Melanie Martinez’ song ‘Teddy Bear’ so this fic will portray an abusive relationship between Tony and the Reader.

Summary: Tony makes your life hell but you can’t seem to escape it. That is, until a witch promises your salvation.

Summer Breeze: Florence Pugh x Actress!Reader. i’ve never written for someone that wasn’t fictional before so i’m not 100% sure about this but if y’all wanna see it then idm finishing it since i’m like halfway done.

Summary: You suppress your growing feelings for Florence under the impression she could never like you the way you did her. One fateful summer that all changes.

Name TBD: A Natasha x Wife!Reader here they have a child that they adopted or something I guess, and Natasha gets badly hurt and so it’s a little angst with that but happy ending most likely.

Summary: Natasha gets hurt and you wonder if it’s worth it.

Name TBD: Peter Parker (Andrew but can be imagined as Tom) x Mom!Reader where Peter is like 22 and you’re like 36 cus i see a lot of age gap stuff for a male character who is older than the reader so i wanted to put a spin on it and who better to do it with than with everybody’s favorite spider <3

Summary: May has a get together and Peter planned on staying in his room all night, until he saw you.

I’ve obviously got a lot more, but these are some that I actually want to finish and I just want to see how y’all will like them. So pls reply, reblog, or send an ask saying which ones you’d like to see or any requests you might have, so I know what I should put my focus on. Or let me know if I should add more to the list so that y’all have more options. Okay thanks! <33

[nonbinarykai]

Ok since two people asked

Why Lloyd is my least favorite ninja and how I rewrite him

Notes:// you know the rodeo by now, long post so it’s going to be under a read more, and I’m not gonna tag this with Lloyd because of the criticisms I have against his character, if you don’t want to hear Lloyd be critiqued then don’t reas the post

Why I don’t like Lloyd

Maybe it’s because I’m a Kai kinnie or maybe it’s because I have a bias agaisnt the younger sibling but Lloyd has never really been a favorite of mine

He was enjoyable in s1 but after that he kinda lost all personality for me and I stopped enjoying him

I think this is mostly for two reasons:

1. His screen time

2. His “character arcs”

I’ll go ahead and knock out his screentime here because it pretty much speaks for himself

Lloyd takes up so much screentime in the show that it’s actually jarring, he’s the character with the most seasons, having s1-2, s4, s8-11, and finally s14 ((the island special)). Which I think makes lloyds writing flaws all the more noticable

A big reason, albeit a bit of a petty one, for why I don’t like him is because he constant hyjacks other characters plots and makes them about him, this happened with Kai in both s4 and s11

Even if he’s not the main focus of a season, he always has a side plot focusing on him like in s3 and s12

The writers need to include Lloyd in other seasons is making it harder for the other main characters to actually have enough screentime to grow and develop on there own

And as a side effect of this, Lloyd gets to become the most important character in every season he is, taking roles from other characters who needed them

My best example is Cole being leader, he was set up and established as leader in the pilots and s1, and he did pretty good in it! Cole being a leader is a interesting concept that I would have loved to see been developed

But after Lloyd grew up they threw that plot point into the trash so they could have the mystical green ninja be leader even though throughout s1-7 he hardly actually talks to the main cast and him being leader doesn’t add any interesting dynamic like cole and kais rivalry despite Kai being a sort of right hand man to Coles leadership.

And in s1-s7 especially everything literally revolves around Lloyd to the point where his existence is more important than everyone else’s, and everyone’s motivations are to protect him.

Again I understand he is important, he’s the green ninja, but you have to let your other characters grow and develop, Lloyd is not the only main character in your show

Like for fuck sakes I don’t need 3 arcs about Lloyd and his dad, can I finally have another Kai season

Lloyds character arcs honestly kinda suck

Im going to be honest with you

Lloyds kinda an ass

The reason I like jay more then Lloyd even though jay has been way more mean spirited then Lloyd throughout the entire series is because you can atleast make the argument that jay doesn’t know when his jokes can hurt. And the show doesn’t portray jay as in the right, he gets what he deserves for some of the meanier things he says.

The same can’t be said about Lloyd

Lloyd says things to the other ninja that is honestly so mean spirited it’s jarring to hear it from him

Best example being when Lloyd told Kai to get over his shit when Kai was grieving in s4

But what makes it so frustrating is that the show always portrays Lloyd like he’s in the right which is why a lot of his character arcs feel flat or uninteresting

The only time this doesn’t apply is in s2 and in s3, in s2 the show paints Lloyd as being unfair to Misako when he RIGHTFULLY gets mad at her for abandoning him, I’ll get back to this later

The second time in s3 is when he’s traveling with Garmadon and having to be taught to balance his powers, which is actually one part of s3 I really liked, it was nice to see these two bond and have Garmadon teach Lloyd something that wu would other wise not teach him. And it’s a real shame the season cut it short AGAIN

The biggest example of the show making Lloyd seem in the right no matter what is in s4, Lloyds whole arc there was to learn how to view things from a different perspective and appreciate the things others have done for him. And this is would work if the show decided to do the same.

Again back to that scene with Lloyd and Kai in s4, the show treats Lloyd as if he’s in the right and it’s never addressed after this. Even though this is supposed to be the beginning of lloyds arc where he’s supposed to learn to view things from a different perspective

This scene would have worked if

1. The show didn’t paint him in the right for this, either by having Lloyd apologize or having the show acknowledged how it might have hurt Kai

2. If the plot Lloyd has remained a side plot instead of taking up the entire focus

Seriously, s4 could have been the ONE season where you can have a Lloyd side plot thats not forced and yet they fucked it up and made it the entire focus of the season thanks a lot.

To quote what I said in my Nya anayalsis awhile back

“I’m not upset that he has a flaw, just that it’s not recognized as one”

Lloyd would work way better as a character if the show just let him have consequences for his actions

Ever since he grew up and got the green ninja role he’s been treated like he can’t do no wrong which is clearly not true

But since we’re already on this topic

Hurting Lloyd doesn’t make him a good character

I feel like Tommy ((and sometimes the fandom)) really misunderstand what the use of suffering for in a story

There atleast 3 reasons writers make there characters suffer

1. To undergo a arc and realize where they have been wrong or to give a character a lot more depth to expand upon

2. If the story is a fallen hero one and the character suffers because of his Huberius

3. If the story is a tragedy

Ninjago is neither a fallen hero story or a tragedy and his pain doesn’t develop him as a character

A lot of writers don’t understand that suffering isn’t what makes a character good, it’s what pushes them to become good, you can’t just throw a character at the wall and expect them to instantly be a well written fleshed out character

A lot of the suffering Lloyd has to endure is mostly for no reason and it’s really mean spirited because it adds nothing to the plot, it’s just there to hurt him

Let’s bring up s11 as an example, Lloyd didn’t HAVE to fight the ice emperor from a writing standpoint, if anything it should have been kais battle because his lose of power and Zane going evil would have been a perfect reflection of s4 and tie it up after it ended kais character a bit open ended

But no let’s have Lloyd do it instead because haha isn’t trauma COOL and HIP

Now to be clear, I’m not saying that all of your stories have to end on a happy ending or anything like that, if your a writer then your allowed to do whatever you want with your personal writing

What I am saying is that ninjago is an actual SHOW made by PROFESSIONAL writers and they can’t understand the concept of a story structure

And the lack of actually addressing his trauma is really bringing down Lloyd as a character

Because it comes to a point where you understand why Lloyd is sometimes mean or distrustful of other people and it’s frustrating because you know that it’s flaws of him that are never going to be fixed because there writers want there trauma baby

How I would rewrite him

I’ve seen a lot of people suggest Lloyd become a villain in a future season and you know what, I sort of agree

But not in the way you think

I feel like it would be way more compelling if Lloyd was a villain but is still a ninja, instead of Lloyd switching sides, the show is switching perspectives

More or less I want Lloyd to be a reflection of the “true” villain, which is how wu ((and subsequently Lloyd)) put small Victories as more important then the ninjas life, passion, and desire, and how there black and white thinking of good and evil ends up to a lot of problems because there’s a lot of grey area there choosing to ignore

I want Lloyd to start of being loyal to wu’s philosophy and the protagonist, for random example let’s say Kai, sudden turn on these ideas in order to look outside the box to find if there truly is a better way to protect people without harming himself

I want Lloyd to be upset over what he thinks is a turn to the dark side when in reality, it would make his motivations make sense and not make his turn to “villainy” be out of character.

And over the course of the season he starts to realize how wus and subsequently his leadership has hurt the others and himself, and have him reflect on if all the pain they suffer through just to clean up wus mistakes is really worth it like wu says, or if there’s a better way like kai says

As for Lloyds actual character himself, I’d like for his flaws to be more noticeable

Have Lloyd be a gifted kid who gets praise when he doesn’t deserve it but still kinda acts like a brat because he’s still mentally like 10

Have him be a control freak who follows the rules way to strictly and is all serious when they have to do missions

Have his idealization of wu be realized and critiqued because honestly wu sucks ass

Would this make his character less like able? Maybe, but then he’d actually have depth and something to improve on

He can still have his s3 and s4 arcs, it’s just now they’re more important because he’s actually learning to be better

AND BEFORE ANYONE SAYS IM PURPOSEFULLY MAKING LLOYD WORSE SO THAT KAI LOOKS BETTER

ILL HAVE YOU KNOW AWHILE BACK I MADE A POST SAYING THE EXACT SAME THING ABOUT KAI AND HIS FLAWS SO THERE (/hj /lh)

[vizowrites]

“We” vs “Me”| or “Why BlitzStrike Works So Well For Me But Stolitz [as of episode 6].....Doesn’t”

Alright my Loves, so I said that I was going to talk in further detail about my feelings regarding Stolas and the multi-layered portrayal of his relationship with Blitz in the new episode, and today’s the day where that happens!!  First of all, though, before I really get into my feelings about things, I want to just make it ABUNDANTLY clear that I’m not trying to sway anyone from one side to the other, or trying to shame anyone for shipping two fictional characters.  I’m fully in the boat that you are completely entitled to ship whoever you want, but I also think it’s wise to at least be able to recognize the faults and flaws in a pairing--and especially to be able to recognize them in the context of an IRL relationship.  In this analysis in particular, I’m specifically focusing on these two relationships within the realm of the Helluva Boss universe [......Hell] and within the specific context of their characters as they’ve been portrayed in the show thus far.  And, my biggest disclaimer of all: I’m doing this for no other reason than I felt like putting my jumbled thoughts together into a cohesive post so that they don’t have to stay bouncing and buzzing around in my head.  Please keep that in mind that this is just pure personal opinion and interpretation before anyone comes at me with torches and pitchforks.  <3 <3 

SO WITH THAT LONG ASS DISCLAIMER OUT OF THE WAY 

Let’s finally get to the good stuff.  And the not so good stuff.  :D

So I don’t think it’s a surprise to anyone who follows me here that I’m a huge BlitzStrike fan.  What I think fewer people know is that when I first entered the fandom a few months ago, I actually was on board the Stolitz train like so many others that I’ve met here in the fandom.  Naturally Stolitz was the first major pairing I was introduced to, and I did find both the characters of Blitz and Stolas incredibly interesting and compelling in their own rights AND saw the potential in how they could really come to grow into one hell of a relationshp over time.  I was honestly really excited to see it happen, too.  

And then I watched Episode 5 [still my favorite episode, btw] for the first time and had this sudden question hit me like a truck that even now is still relentlessly burning in the back of my mind because I still haven’t found a legitimate answer for it: Why in the FUCK wasn’t Blitz falling head-over-heels in attraction to Striker throughout this fucking episode??

And I don’t mean that in a “They’re so hot and I ship them now why didn’t they get together?? DX DX” kind of way--I mean that in the genuinely perplexed “I don’t understand based on what has been presented to me thus far about Blitz as a character and the storyline overall why he’s reacting so nonchalantly to this whole thing”.  To Note: This is me wondering this from the context of what’s in the show itself, not from any extra fan materials like the Instas or Twitter or just straight up knowing that the most likely answer is that there are people on the creative team that ship Stolitz really hard and realistically wouldn’t have probably written Blitz as being attracted to Striker because that would just be--to quote Jack Sparrow--blowing holes in their own ship.  No, this is me disregarding ALL of that and trying to rationalize this with myself from the perspective of a fan whose entire knowledge of the show and its characters comes exclusively from what’s in the episodes themselves.  .....And that’s where I just can’t find my answer, except for the Stolitz positive “He’s not attracted to Striker because he’s in love with Stolas” answer.  Which really doesn’t even feel like a satisfying answer, because the entire vibe I’ve gotten from Stolitz in the show has just felt.....strangely.....off.  Like, the framework is there and the elements are there, but I’d felt as though they had so far to go still that it would be entire SEASONS before they got there.    

And THEN the new episode [Episode 6] came out and I’d heard a handful of fans going crazy because the show was finally addressing Stolitz in full, and I thought to myself, “Well, maybe if the show really is going to go with saying that the reason Blitz wasn’t interested in Striker is because he’s in love with Stolas.....sure.  I’m curious to see how they finally establish it in an episode, especially since there’s only two more episodes left in the entire first season.”  And then I watched the episode.  And then it hit me why Stolitz just does not do a damn thing for me but BlitzStrike does despite the fact that we’ve had 4/6 episodes [5/7 if you count the Pilot] of Stolitz but only 1/6 [1/7] of potential--not even canonical--BlitzStrike:

When Striker talks about Blitz, or interacts with Blitz, he always talks about them as a “we”.  As a team.  A partnership.  OR he just straight up puts the entire focus on Blitz and his accomplishments and keeps himself out of it entirely.

When Stolas talks about Blitz, he always talks about them within the context of “me”--of himself--of what Blitz does or should do for him.  Even here in episode 6, in the most “selfless” instance we’ve seen yet, where he does ask about Blitz’s safety first BEFORE going right back into how Blitz’s actions affect him and what Blitz should be doing in response for him.  Stolas’s focus is always automatically set to himself--and even when it comes to the people he supposedly loves the most.  

To explain what I mean here, let me give some examples directly from the show itself, starting with the Stolas side of things: 

Episode 1

Blitz, in the middle of trying to hide so much that he actually clamps both of his hands over his mouth just to muffle the sound of his own breathing, knowing damn well that this psychotic bitch who already shot him once won’t hesitate to do it again if she finds him.....gets a call from Stolas.  Stolas, who we clearly see from his leisurely hang out time in his bubble bath, is literally watching this happen and is fully aware that calling Blitz right then was potentially putting him in danger. But what does he say when he gets Blitz on the phone?  He offers--not help--but Blitz the use of his book in exchange for monthly sex.  Stolas literally uses Blitz’s peril as leverage here--consciously or not, though given the fact that he knows the situation at hand, I’d find it very hard to argue that he didn’t do this on purpose--just to get him to agree to be his bootycall until further notice.  

Stolas not only doesn’t lift a finger to help Blitz once in all of this--even at the moment where he and Millie are about to be shot in the face--but instead continues to stay on the phone talking about all of the things he wants for their upcoming future rendezvous.  He already got exactly what he wanted out of this and he still just continues to go for more for himself.

Episode 2

.....There are honestly so many fucked up things that happen here as far as Stolas and his relationship with Blitz goes but honestly the thing I want to draw the MOST attention to is actually Stolas’s storyline with his daughter, Octavia.  I know it’s a little left field, but bear with me--this is actually something I want to use as comparison for Stolas’s relationship to Blitz as we go along:

When Stolas first decides that he’s going to take his daughter to Loo Loo Land, he does so while completey setting aside the fact that she doesn’t want to go.  He just offers her assurances that it’s going to be so much fun because he remembers that she loved it so much when she was a little girl--effectively putting his memory above her wishes even as she’s sitting right there and telling him that she doesn’t enjoy the idea of going now.  

Stolas doesn’t actually notice just how uncomfortable he’s making Octavia throuhought their entire trip by spending his time sexually harassing paying more attention to Blitz than he is trying to cheer her up.  This tells me that Stolas--though I do believe he genuinely wanted to do something to make her happy--still wasn’t able to completely overcome his own self-centered tendencies at first even when it’s for her.  And this is the person that Stolas loves more than anyone or anything else in the entire world. It still wasn’t enough.

It’s only when Octavia runs off and completely breaks down that Stolas finally gets the much needed slap-to-the-face of reality to understand just what he’s putting his daughter through--and, for the first time in the entire show, he actually puts someone else’s needs and well being above himself.  It’s the one solid honest display of love that we see from Stolas in the entire show--and it’s how we as the audience come to learn that that’s how Stolas shows that he loves someone: When he puts their needs above his own with no strings attached or expectations of something in return.  A true selfless act just because he loves them.  **Keep in mind the parallel of Stolas carrying Octavia out of Loo Loo Land at the end, and how it compares to Stolas carrying Blitz out of D.H.O.R.K.S headquarters.

Episode 5

The. Fucking. Cigarette.  I had no idea that something so small and quick would be able to infuriate me as much as it did, but the fact that Blitz used the post sex cigarette to free Stolas from his wrist bondage but then Stolas turned around and put the cigarette out on Blitz’s horn which is literally a part of Blitz’s body just.....honestly it sums up exactly what I’m trying to get across in this entire huge ass post: Stolas only ever thinks of himself first and anything pertaining to anyone else just doesn’t cross his mind at all unless you blatantly put it there in front of his face.  And the fact that he’s still at this point with Blitz all the way here in Episode 5 is not.....promising for their relationship.

The fact that Stolas literally cannot stop himself from calling Blitz “Blitzy” or talking to him in such a condescending way no matter how frustrated Blitz gets and how many times he asks him to stop.  I just--how is that supposed to be interpreted as someone talking to a person that they love?  There’s no respect or dignity given to Blitz at all on Stolas’s part, and the fact that it seems to be presented as a “Oh teehee it’s just their cute couple thing” is just.....I really, really don’t like that.  It also doesn’t match with the Stolas in the very next episode which I quite frankly think is because the creators have been listening to the feedback from fans and were like “We need to SHOW THEM that Stolas actually does speak to Blitz respectfully!!” but that’s just my personal opinion there and, also, it still didn’t happen.  

Episode 6 

Keeping in mind that THIS is finally the episode where we see Stolas actually save Blitz from danger and demonstrate even the slightest inclination towards his well-being.....I think that honestly makes the next few things here even more fucked up

First and foremost: “WE”.  The second after Stolas asks if Blitz is alright and gets the assurance that he is, he roughly grabs his cheek and points out that “If you get in trouble, I get in trouble!  WE don’t want that”.  The fact that this is the first time that Stolas ever talks about Blitz in the context of “we”--when really what he’s really saying is that him [Stolas] getting in trouble is going to be a bad thing for all of them--is just.....so, so disappointing.  At least with this I could hope that perhaps the idea here is that Stolas is genuinely afraid that if he gets in trouble, he won’t be able to protect Blitz from the undoubtedly much worse trouble that he would be in as an imp, but still.  The fact that Stolas immediately reverts back to his self-centered perspective so quickly after supposedly being so worried about Blitz’s wellbeing, really makes it seem as though it’s just his own ass that he’s trying to protect.  And that.....isn’t  exactly what I’d been expecting from “the episode that confirms Stolitz is canon” feedback I’d been hearing.

"Am I going to get ANY thank you for the rescue Bltizy?”  This for me was kind of what actually lead to me having this whole epiphany over Stolas’s selfish perspective in the first place.  I realized that even here--even when he’s just been the most “romantic” towards Blitz that he’s ever been in any previous episodes up until now [and yes this shift in his character was incredibly jarring for me because of that]--Stolas still goes right back to thinking about what he’s going to get out of this now that he knows Blitz is safe.  Let’s take this back to that thing I was saying about Episode 2 and comparing how Stolas rescued Octavia and how he rescues Blitz.  Obviously they’re going to be different because it’s Stolas’s daughter vs his hook up BUT just think about where the focus is for Stolas in both of these scenes.  With Octavia, Stolas is entirely focused on making things up to her--taking her to do something she wants to do--even if it’s something that he himself doesn’t fully understand or isn’t fully into.  That doesn’t matter though, because the entire point is that he’s doing something just for her.  It doesn’t have to be about him.  But now go back to the scene where Stolas is carrying Blitz out of the room.  What does he do?  Ask what Blitz is going to do for him.  That just takes the idea that this scene was a confirmation of their love and throws it right out the window.  Stolas--as we’ve been shown before--would never ask for something in return from someone that he actually loves.  

Now let’s take a look at the one and only episode we have of Striker and Blitz interacting together, with an honorary shout out at hallucination!Striker’s appearance in Episode 6: 

Episode 5: 

Striker knows Blitz’s name.....and he uses it.  He’s literally the ONLY other character that we’ve seen so far refer to Blitz as “Blitz” instead of “Blitzo” or “Blitzy” by someone who wasn’t a member of I.M.P..  Aka someone who wasn’t a member of Blitz’s family.  He shows Blitz respect at that basest level, and only builds on that from there going forward.

Striker first recognizes Blitz for being “the bold imp that started his own killin’ biz”.  Not his hotness, not his skills in the Harvest Moon games because at that point he hasn’t seen them yet.....but for his accomplishment in starting up his own successful business down in Hell.  He treats it as an accomplishment.  With the kind of respect that comes with acknowledging another person for their accomplishments.  Right there, within two seconds of meeting him, Striker demonstrates more respect for Blitz than Stolas has yet to do in the entire show.

The Harvest Moon Festival Games.  Now this is something I find fascinating to think about from Striker’s perspective in particular.  We as the audience are shown pretty early on that Striker has a strong desire to be the one who comes out on top.  He likes the idea of being superior and he openly relishes in the praise and attention he gets for being better than everybody else.  ....Except Blitz.  When they tie in the games, Striker doesn’t seem bothered with sharing the spotlight with him at all.  If anything, he--again--respects just how skilled Blitz is in rightfully earning his place beside him on the stage.  That, to me, is HUGE.  I’m not going to go so far as to say that Striker necessarily sees them as equals because I think that might be going a bit too far for his ego but he does still fully acknowledge that Blitz is in the same general class as him: that is to say, better than most.  Worthy of the same kind of acknowledgement and praise that Striker gets.  I literally can’t get over just how big of a thing that is for what we’ve been shown of Striker’s character, and I think it’s unfortunately something that’s incredibly easy to miss or gloss over. :(

And now--for what I personally think is the most significant thing of all--we have: “We”.  How many times does Striker suggest during that final scene between them that he really wants Blitz to join forces with him as equals?  He never demands that Blitz join up with him, he doesn’t threaten him into joining up with him--Striker barely even hurts Blitz at all during their fight scene compared to how he tried to straight up murder Moxxie--and, most of all, Striker continues to acknowledge that Blitz deserves better than his current arrangement with Stolas.  And he’s right.  But instead of putting it as “I’M right and this is why you should do this”, he always puts his focus on Blitz himself, or the two of them together as a partnership:  “You are so above sucking on a a digusting rich pompous Goetia” | “We could be the most dangerous beings in Hell, Blitz” | “You could partner up with me and klll the unkillable--starting with the one that treats you like a plaything”.  It’s just--I honestly can’t believe it’s taken me this long to put together why Striker appeals so much more to me as a romantic interest for Blitz, but really breaking it down episode by episode and comparing the differences in wording between Striker and Stolas’s dialogue when it comes to Blitz is just.....holy shit. 

Honorary ShoutOut of Episode 6: 

The fact that the only thing hallucination Striker has to say to him is “But you don’t want to do things alone Blitzo!” is really, really interesting to me in the fact that he’s.....not......wrong??  Like, To be fair, Striker, RoboFizz, and Verosika all spill their harsh truths, but the thing is.....Striker’s is markedly different in that his wording really isn’t harsh or aggressive at all the way the other two are.  He’s just kinda stating a fact in an overexaggerated way because tripping balls hallucination sequence.  It’s very interesting to me that that’s the worst that Blitz can imagine him to say--as well as the fact that halluci!Striker calls him “Blitzo”, which is really weird considering that Striker’s never called him “Blitzo” once in the entire show.  Makes me kinda wonder where that came from tbh. 

Alright so, in conclusion of this very long and rambly styie post: I want to take things back to where I started by reiterating that this is not me trying to convince anyone that BlitzStrike is “right” and Stolitz is “wrong”, or that you should stop shipping what you’re shipping in the fandom.  This was just me honestly getting way more excited than I should’ve been over having my “Eureka!” moment for realizing why this new episode didn’t put me back on the Stolitz train like it did for so many other people--and why, in fact, it actually made me think even more favorably of the idea of Blitz and Striker being together.  

Thanks for sticking around with me for this very long read, I hope you found it interesting, and I really really hope that it didn’t piss anyone off or rub too many people the wrong way.  Like I said at the beginning, ship who you want to ship!!  That’s part of the fun of being in a fandom.  I’m just hoping that this might help make it easier to understand at least one perspective on why Stolitz is seen as being so problematic as a ship [as of where they are right now].  

Here’s to seeing where things go from here!! 

[slimy-eye]

Well I’m gunna be real. I don’t watch 90% of Star Wars content anymore. I’m, admittedly, bored of milking the same period over and over again. Put the Skywalker name to rest for now, and let’s move ahead (or behind). We don’t need more chosen ones. We don’t need more Skywalkers or Palpatines. I want more Jedi Order stuff tbh. I don’t care if it’s way in the future, or Old Republic stuff (or High Republic stuff). I want a genuine, Jedi focused type show where we can see them living their lives, going on heroic missions and saving and helping people. Ya know… Jedi stuff.

And it can have Sith, but I don’t want the story to be focused on Sith. I want something like… idk. Sure there’s conflict, but I want the focus to be on the Jedi, how they work internally, all the amazing cultures they share with one another. Show their relationships, Jedi who love each other (because unlike anti-Jedi belief, Jedi ARE allowed to love) either as brothers, parents, kids, and overall, as a family. And even some romance, perhaps. Because to be clear, Jedi were not required to be celibate, and if they decided to take it to the next level and get married and leave the Jedi? Guess what? They could! And they were supported, not shamed! They were even allowed to visit the temples to keep in touch with friends! They just couldn’t let their love become possessiveness, or blind them from right and wrong. aka letting a whole ass planet explode and kill billions because you chose to save your lover, as Jedi are expressly trained to make sacrifices when required. That’s their whole, “there is no death, there is the force” part of their code. A Jedi will step in front of a bullet to save a life. They’re just genuinely good people (and yes I know that there are occasional pricks and assholes that fall to the dark side, Jedi are still people and are prone to mistakes).

Hell, Jedi have even protected and defended fallen Sith in Old Republic content because their whole “protect the defenseless” does in fact apply to their greatest enemies if they’ve been gravely wounded and disarmed. That’s what we should expect when we hear Jedi. Genuinely kind, compassionate, and selfless people that still make mistakes, but have a strong support system that helps them learn and grow from them, and even offers redemption to those who have fallen deeply into the dark side, but were willing to accept help. Yes, they would capture and rehabilitate Sith routinely, no matter how far they had fallen (and yes, some Sith could not ever be redeemed, but the Jedi were never cruel to them regardless). Some Sith would even become Jedi, spending the rest of their lives working to heal any pain they caused. Others would never leave a cell, but were redeemed to the light and granted peace of spirit and mind regardless. Point is? Being a Jedi is a lot more than fighting wars and waging battles. They were doctors, psychiatrists, historians, councilors, scholars, engineers, farmers, teachers, and so so much more than popular media portrays them.

So give us that. Give us a show with heavy focus on the Jedi just being Jedi. There should still be themes relevant to today ofc, because realistically, the Jedi would stand against poverty, racism, sexism, etc. The Jedi going out to help overthrow tyrannical governments and such, because remember, in Old Republic, the Jedi did that. They were a neutral entity not controlled by The Republic (but were Allies of The Republic). When they saw evil shit happening, they went to go fix it regardless of the consequences. I want wholesomeness. I want heroics! I want a deeper look into the Jedi Order as a whole so people can put their “the Jedi are evil, actually” shit to rest.

Will we actually get this? I dunno. Disney seems to like milking Skywalker and Palpatine. But I hope we do one day. For now I’ll stick to my SWTOR legends content until they decide to make it canon again, I guess.

[a34trgv2]

Fixing Ed, Edd, n Eddy's Girl Problem

Ed, Edd n Eddy is one of the funniest shows I've ever seen. It's got amazing slapstick humor, well crafted animation, memorable characters and outstanding voice acting. All that said though, it has a big problem that has held the show back since the beginning: the female characters are NOT good. That's not me being sexist, I'm genuinely saying Sarah, Nazz and the Kanker Sisters are the least interesting, most underdeveloped and otherwise annoying characters out of the entire show. So in this post, I'm going to explain my problem with these girls and how I would've written them better.

Might as well start off with the obvious: Sarah is a spoiled brat. She's loud, annoying, bossy, rude, and not once gets in trouble. Ed's too kind hearted and naive to tell her off, so I personally would've made an episode as far back as Season 2 that changes this. This episode would've shown Sarah pushing Ed too far, maybe ruining his latest addition of his favorite comic or something. This would've caused Ed to finally snap and let it all out on her. All the pent up rage Ed had inside him from all the beatings and humiliation he had to endure because of his sister would be brought to the forefront and she would finally know how her brother really felt. Sure they would make up by the end, but from this point onward Ed would never again let Sarah push him and his friends around and she would eventually learn to be not just more considerate, but potentially helpful to the Eds and their scams. Optimistically, I'd like for Sarah to no long be a spoiled brat by the end of Season 2 and at the start of Season 3 she would actually help the Eds out into scamming the other kids.

I've made it no secret that I don't like girls portrayed as nothing more than eye candy and Nazz is one of the most egregious examples of this. I hate how throughout the entire show, Nazz is never once seen by the boys as anything more than a pretty face. Not helping is the fact that she's severely underwritten, only makes scattered appearances throughout each season and when every she does show up, her personality is almost nonexistent. The way I'd change this is to take an element from Season 5 and have that be her character throughout the show. In Every Which Way But Ed, Nazz is shown in one flashback to have been rather plump in size at one point. Not sure if that's officially canon or not, but I would've just made Nazz an insecure plump girl who grows more confident and slimmer with each season until she's a healthy, athletic and confident young lady in Big Picture Show. Also, NO romance between her and Kevin because it just doesn't work. Maybe her and Double D, but I'd rather the show focus more on slapstick comedy than romance.

Last but not least, there's the Kankers. I'll admit, when I was a kid I did find it funny that the Eds were constantly kissed by these characters. As a grown man who supports the #MeToo movement and strongly stands against any and all forms of harassment though...yeah, these characters have not aged well. Personally, I would've had the characters get their comeuppance during Season 2, maybe with Sarah and Nazz teaming up to fight the Kankers in a girls vs girls brawl, with Nazz and Sarah coming out victorious and the Kankers never bothering the Eds again. Just thinking about what that would look like in my head puts a genuine smile on my face. As for who would be recurring antagonists for the rest of the show, I'd just make new characters, hopefully ones that won't age so poorly like the Kankers.

For as good as Ed, Edd n Eddy is, it's important to acknowledge the the show has it's problems. Among it's other problems though, such as the lack of other characters residing in Peach Creek and some jokes not landing as well as others, it's biggest shortcoming is failing to make good female characters. Most people's favorite characters from the show are either one of the Eds, Rolf, Johnny, Kevin, Jimmy or even Plank. I've never seen anyone say Sarah is their favorite character from the show, nevermind Nazz or any of the Kanker Sisters. That's what's most disappointing about these characters: they're NOBODY'S favorite and unfortunately it's for good reason. To conclude, I know Ed, Edd, n Eddy is never getting remade so long as Danny Antonucci still owns the rights, but if I were to make my own slapstick comedy, I'd do my best to make the female characters just as funny, memorable and quotable as the male characters.

[shinidamachu]

I haven't watched anything after ATLA, but I was shocked to find out that Zuko and Mai don't work out. What are your thoughts? Do you think the writers could have gone in a different direction or was it for the best?

I gotta be honest, you're not missing out much by not engaging with the extras. I only watched Legend of Korra and I don't really remember Mai even being mentioned on it.

They did give Zuko a daughter, though. Her name is Izumi. And even though they never explicitly revealed the mother to be Mai (or what was made of her), I just assumed she was the mother due to the remarkable resemblance:

Now, I haven't read the comics (nor will I ever), so if you're actually refering to them, my knowledge is very limited. But it is my understanding, from the metas I've read about them, that Zuko and Mai break up and make up, as it was their modus operandi in ATLA.

Mai not being around in LOK doesn't necessarily mean she's dead or that they broke up for good. The fate of their relationship was purposefully left open and they do end up together at the end of ATLA, so what happens after doesn't really matter since not everybody takes the comics or LOK as canon, anyway.

Now, since you asked for my opinion... I wasn’t shocked to find out about how they were portraying Maiko in the comics at all. First, because Bryke suck at writing romance. Second, because from the interactions in ATLA, this was more or less what I imagined their relationship would play out and that’s why I never shipped them.

MAIKO CRITICISM UNDER THE CUT!

The writers should have gone in a different direction, but in the ATLA finale. I love Zuko. And I love Mai. But I don’t like them as a couple because I think they are not fitted for each other. And I’m not just saying that because I’m a Zutara shipper, let’s get this out of the way right here, right now.

I’m saying this because I would rather they had ended up alone than together. Not only them, but Aang and Katara as well. They were all so young I feel like there wouldn’t be any harm for the story if no couples were canonized. 

Especially because, again: Bryke suck at writing love stories (with the notable exceptions being Yukka and Sukka) and romance was actually the less compelling part of ATLA.

More than that, if Zuko and Mai had to end up with a love interest, it shouldn’t have been each other because Maiko is actually a disservice to their characters. In some aspects, it keeps Mai from growing and it regresses Zuko's development.

You see, their relationship always struck me as something they would eventually grow out of. Don’t get me wrong, I have no doubt they really cared about each other. But the narrative went out of its way to show us that the years they spent apart changed their dynamic fundamentally.

Mai and (especially) Zuko aren’t the same people they were when they first met. And when they finally reunited, no real effort was made to learn who was this new person in fron of them. He tried to open up, but she shut him down. 

Instead of reconnecting, of deepening the relationship, they insisted on jumping head first into dating and picked things up where they left off, desperatelly trying to cling to what they knew and forcing two pieces of a different puzzle to click. Of course it wouldn’t work.

The person Zuko became needed someone passionate by his side. Someone he could open up to and confide in. Someone with the same sense of honor, of justice. Someone who understood him and his actions, who got how important it is for him to take the throne and right the wrongs of his country. Someone he could count on to help him get there. I guess we can all agree that this doesn’t sound like Mai.

The person Mai became needed someone who would focus on her and her needs for once. Someone who would have made her a priority. Someone who could actually see past her poker face. Someone who would take her away from the boring royal stuff she hates so much. I guess we can all agree that this doesn’t sound like Zuko, either.

When he took off to join the Gaang, he left the life style he had always known behind because it didn’t fit who he was anymore. He can’t go back from that. And this includes Mai. She is the personification of that life. And as much as they liked each other, being together just doesn’t make sense anymore. Especially because becoming Fire Lady inevitably traps her in the life she was trying to get away from. It’s one of the worst endings they could have given to these characters.

And the way it was executed? Even worse. They reconciled without as much as a conversation about what happened: his “betrayal”, the end of the war, what it means for their relationship, if their feelings were still the same. In fact, apparently Zuko kind of... completely forgot she was in prison and made no move to get her out because he had been too busy fighting Azula and taking lightning to the chest for Katara.

Mai isn’t even a part of the apotheosis of his arc. He got where he needed to be and she wasn’t one of the characters who activelly help him get there. This is very symbolic. And the apotheosis of her arc? Was saving him from Azula, but she didn’t did it because she understood his reasons and wanted to be supportive. She did it because he is the guy she likes. Which is fine, but not enough to “award” her with Zuko. There were feelings there, but they were never on the same page.

“Mai Alone,” is what she deserved. To travel the world on her own. A different place every day. Never the same, always moving. Maybe that way she would have seen the things Zuko did. Maybe this way she would have understood. And after tasting freedom, she would have realized she would have never want to be confined to palace walls ever again. Not for Zuko, not for anybody.

She would have been much happier as the first woman in the White Lotus or as a Bounty Hunter. A spy who, after seeing what the Fire Nation did to the world, finally found her calling by working on the shadows to make sure nothing will break the peace the Avatar and the Fire Lord managed to achieve.

And Zuko deserved the family he always wanted, with a partner who would not only put up with the political duties, but would have been thrilled to do so. Katara seems like the obvious choice here, but even Jin would have been a better fit.

Sometimes things aren’t meant to be and that’s okay. Zuko and Mai work better as friends.

[miraculouscontent]

Asks I got about the “Marinette makes mistakes” tweet:

i-would-rather-be-a-fairy said:

I’m starting to think that the writers don’t particularly like Marinette.

Did Marinette spill coffee on the laps of the writers and they’ve been salty ever since? Because that’s all I can imagine.

Anonymous said:

Is there ANY episode where Marinette doesn't make a mistake and has to learn a lesson? There has to be right?

I feel like there must be? Like, “Silencer” at minimum, but I guess maybe they thought that her trying to combat Roth was her mistake and it got Luka akumatized? It wasn’t portrayed as a mistake though exactly?? (If anything, it just looked like her being awesome, and Luka being akumatized ultimately led to Roth being outed on some level, so it all worked out.)

Even episodes like “Stormy Weather” that really don’t need to be about her mistakes shoehorn in a line about “I should never have left Manon” (if she had, she would’ve been in the ice dome instead of Alya, but okay I guess; dialog choices in this show are so weird).

It really puts episodes into perspective knowing that they have to force Marinette screwing up/learning/apologizing in every episode.

Anonymous said:

Just curious about that Shanghai tweet: were you the one who sent it? I know there are other people who notice Marinette's unfair treatment, but I just wanted to know if you've ever reached out to Thomas Astruc personally.

Nah, that wasn’t me, I don’t use Twitter.

Plus, if that had been me calling Astruc out, I wouldn’t have blurred the name. I’d want full credit.

Anonymous said:

I am so irritated by Thomas Astruc's tweet. Do they even realize they're sacrificing Marinette's character and positive Chinese representation to make her chase after a boy and THEN get blamed for it? Yes, you read that right, a bunch of white men in a room decided that a Chinese heroine doesn't deserve to celebrate or learn more about her culture because she's in love with a white boy(who knows more about her own culture than her) and they need to use her as a punching bag. Ugh. At this point?

I am just completely done with the show. Yes, you heard me. DONE! Because the writers have admitted that their entire show is based around their main protagonist suffering, when it SHOULD be about "girl power". I'm not saying Marinette is NEVER allowed to make mistakes, be clumsy, or learn a lesson, but when the writers will literally REFUSE to let her develop and force her to always be in the wrong against ALL LOGIC, that's where I draw the line. As it stands, I can't recommend this show to any one.

I'm pretty much only watching because I don't like to leave shows unfinished(although there are shows I've simply stopped watching, this is the only one I've seriously been following to this extent since it started), and for the few Lukanette moments/other rare moments of Marinette being happy. Because the writers have NO RESPECT for their main character, have ADMITTED as much, and don't see a problem with it, or why everyone is upset. Oh, and they'll block you if you disagree with them.

I really wish I could’ve been in the writing room the day they said, “Hey, let’s make it so our biracial representation is always the one that screws up and has to learn a lesson/apologize for it!

Anonymous said:

I know comparison is not the best way to say why something is good or bad, but I think "Miraculous Ladybug" is as controversial as it is because "My Little Pony: Friendship is Magic" (a show I watched almost religiously for the first 4 Seasons) did the Lesson Of The Week so much better and came first.

I watched that show for a little over four seasons and I can confirm that the lessons were way more spaced out and balanced (though personally I feel like Dashie got the shaft on most of hers).

Keeping its rules like Miraculous would be like if Twilight was the only one allowed to screw up.

Anonymous said:

Disney's baby tv show "Sofia the First" genuinely deals with the "mc makes mistakes" so well. Initially, the main character is more prone to making mistakes (even if she’s generally well-meaning and kind), but she actually consistently applies her lessons and grows with them. At some point clearly the writers saw that this character’s development is complete; there is nothing more they can do with her because, due to applying her lessons, she is emotionally mature enough to handle anything they throw her way. Then they made a genuinely smart choice to commit latter seasons to having the mc become a literal guardian of the realm who travels to help other people solve their issues by applying the lessons she has already learned.

The show has a big cast of characters and distributes the lessons equally amongst all of them, as well as having many episodes, even in earlier seasons, where the main character actually /is/ in the right, and the lesson acknowledges that. TBH the show’s ability to consistently develop characters in an episodic format, as well as not disrespecting any of them and being written w/ heart, is impressive. Freaking Thomas Astruc wishes.

THAT WAS BASICALLY EXACTLY WHAT I WANTED; MARINETTE LEARNING LESSONS AND THEN BEING A “GUARDIAN” TO HER FRIENDS AND HELPING THEM LEARN TOO.

ugh, and instead it’s just--nope, she always screws up because it’s the rule

Anonymous said:

WAIT WHAT WAS MARINETTE'S MISTAKE IN NEW YORK?? WANTING ADRIEN TO GO??

APPARENTLY???

Or arguing with him mid-battle but can you honestly blame her after he betrayed her trust like that??

Anonymous said:

“It’s the rules of the show she makes a mistake and learns” SIR it’s season FOUR

I think we were meant to read it as, “a season 4 making Marinette screw up again even if she didn’t actually screw up.”

elflynns-horde-of-stuff said:

So the rule of 'Marinette must always make a mistake and learn something' inspired a little rant. I hope you're okay with this! Because it's usually a good thing for tv shows to have a rulebook for their stories, but they have to be GOOD rules. And this (awful) rule is easily fixed! Which makes it even more frustrating to me!

First. Replace 'Marinette' with 'A character' that way multiple characters get focus and development throughout the series. (At least the would if status quo wasn't God.)

Second. Why does all if Marinette's mistakes have to be huge? Why can't she use the wrong fabric for a design, research, and correct it? Or pronounce a Chinese word wrong and learn more about the language? Or use the wrong ingredient for Guardian related magic? If she has to be learning something every episode, why not allow her to develop skills and hobbies? Why make her miserable, anxious and guilty all the time? What purpose does it serve?

It is moments like this, where I am reminded how much potential this show has in better hands. Marinette deserves so much better it breaks my heart!

It breaks my heart too and I agree!

I dunno, the rule is so restrictive. It’s not that all restrictions are bad but this one specifically is crippling.

[zhoufeis]

Yay! The newbie (me) has finished 10 korean dramas

....... and here are my ratings.

- Ratings for: W - Two Worlds | Extraordinary You | Bring it on, ghost! | Hotel del Luna | The Tale of Nok-du | Run On | Rookie Historian Goo Hae-ryung | Romance is a Bonus Book | Radio Romance | A Love So Beautiful

- Also mentioned: Memories of the Alhambra | My Country - The New Age | Do Do Sol Sol La La Sol | Signal | Mr. Queen | Tale of the Nine Tailed | Goblin | My First First Love | Moon Lovers | The Crowned Clown

Let’s rate from worst to best:

________________________

10) Romance is a Bonus Book. Rating: 2,1 / 5 stars - skip it.

- I kept seeing this show on my dash and since my first kdrama watch was W Two Worlds with the wonderful Lee Jong-suk, I decided to give it a chance.

- But hell, no one warned me how bad it actually is. I’m not talking about the acting (the cast is actually quite solid), but I’m referring to... the plot (or lack thereof), the love story (let’s rather call it one-sided obsession) and the wasted potential. Let’s start with the set-up. A company producing books, a single mother who needs a job, her childhood best friend who works for the company. Yeah, it’s not precisely complex or inventive, but it’s something to work with. Create nice dynamics at the working place, have some yearning between the two leads, give them heartwarming moments and a confession of how they’ve always been in love with each other. There’s just one problem: she really never, ever had any romantic feelings for her childhood best friend. She keeps calling him a brother and insists on him being her closest friend (which seems a stretch since she lied to him for a year about her separation from her husband and kept sort of creeping up into his house to eat and shower there without letting him know). Anyway, I could oversee this (even though I hate the trope of childhood best friends becoming lovers in adult life just because one is a man and the other a woman) if AT LEAST we actually get to see her falling for him slowly within the show. But we just.... don’t. He confesses his love to her - as she is actually starting to see someone else, and let me tell you, she actually seemed to be into the second lead -, then promises her not to push his feelings onto her... but that’s exactly what he does (I guess I don’t need to mention I ended up not being his biggest fan), and she ends up falling for him for unknown reasons. Eh. Okay. I started rooting for the second leads halfway into the show. Hae-rin & Eun-ho as well as Seo-joo & Dan-i appeared to me as the much more shippable pairings. I might have actually cried for Hae-rin & Eun-ho at some point of the show, but well... Moving on to... everything else. I enjoyed some scenes in the company, but not enough that I could tell you any right now because there wasn’t anything very memorable. The show basically thrives in some random scenes usually involving one of the two leads rather than in scenes with the two of them. That random author’s suicide has stuck with me as well as the letters that song hae-rin has wrote to our male lead over the years. The talk about fears between eun-ho and that author has stuck with me too, but other than that... there’s just nothing really happening. I was patiently waiting for a plot to come but nothing ever came. It just feels like a bunch of really uninteresting subplots put into one show. I don’t wanna judge it too harshly, but one of the other modern day dramas I will discuss further down this list also simply works with a bunch of subplots coming together - and it’s wonderfully executed (it’s ‘Run On’, for those of you who are wondering!)

SUMMARY

- Favorite character:

- Positive: nice friendship between women (dan-i & hae-rin); delivery of lee jong-suk, jeong eu-gene & park gyu-young; one strong scene involving a life lesson every few eps

- Negative: no main plot, dull subplots... nothing happens, very cheesy at some points, the protagonizing couple is quite problematic and unshippable, their chemistry is not strong enough to oversee that; i really don’t know why people like this show.

_____________

9) Radio Romance. Rating: 3,2 / 5 stars - it’s cute.

- Radio Romance is the show on this list that drives me into conflict with myself. Because some things about this show are very strong; others (many) very, very weak. I guess the main problem is that the show’s set-up mostly shouldn’t be taken too seriously, but it deals with some heavy topics that need to be taken seriously. And unlike quality japanese animes or some quality chinese drama that usually achieve to make you realize what can be taken as a joke and what can not, Radio Romance is sort of incapable of keeping that balance. You gotta figure it for yourself.

- While offering a quite enjoyable cast and some quite different personalities within the show, there is no one particularly standing out. As you will see as we go further down on this list, this is not my only Kim So-hyun drama, it was also not my first, and I can promise you that it won’t be my last. I simply adore this actress, she’s enjoyable to watch. I don’t think I’ll ever grow tired of her, which is why I checked out the show in the first place. Compared to her other characters though, Song Geu-rim is kind and nice and all, but not too memorable. She’s portraying a nice girl next door here with a dream to become a good radio script writer. And if not even her character stands out, as expected, none of the others will either. As for the plot... We don’t really have one, I suppose. If you count the plot making the radio show, I suppose then episode 3 or 4 is the last with actual development. I was hoping for more conflicts and plot twists involving Soo-ho’s backstory - and we got them, but very, very, very late on the show. Basically, getting through the first 7 eps felt very easy to me, due to the change of locations and relationship growth, and getting through the last 3 as well. Although the last was such a cheesy ending, you have no idea. The middle part suffered from a lack of plot and character development as well as it suffered from a focus on the love triangle - which I totally could have lived without. Like, istg, what was the POINT of this love triangle? Soo-ho and Geu-rim had to deal with enough things already, bringing in yet another obstacle through the tercero and putting the focus onto this love triangle was just soooo cliché. And don’t even get me started on how they also went with the problematic love triangle tropes rather than to at least make it somewhat adorable or funny. It was also boring. I kept pausing the episodes there and didn’t keep watching for days. It was only at the end of episode 13 that things finally got interesting again when we finally got to learn more about Soo-ho’s backstory. From then on, I was able to end the show within 2 days. So, no, the backstory was not the thing that drives me into conflict though. What drives me into conflict is how such a quite flat story was able to portray a very good, very realistic case of depression and PTSD. Like wow. This must have been one of the few shows, in which we have a canonically diagnosed character who does not fall into stereotypes and in which his depression isn’t used as a mere plot device to get the ship together and cure him by that. His depression is underlying at all times, sometimes more, sometimes less. He is told to get treatment (”no treatment, no medication.”), he has moments in which his depression mentally and physically restrains him from acting. It’s a very layered, realistic depiction and I adored every single bit of it. Meanwhile, the character isn’t defined by his depression nevertheless - there’s more to Soo-ho then just the depression, and after all, he was an outstanding character (to correct what I said before because I was lying xD). So... for all the lack of plot and development and predictable storytelling, the depiction of depression and the peacefulness of the protagonizing couple save that show.

SUMMARY

- Favorite character:

- Negative: unnecessary love triangles with unnecessary clichés; barely any plot; sheer boredom in the middle of the show; takes itself and its tropes way too seriously.

- Positive: complex character who is suffering from depression and PTSD; layered, realistic depiction of depression; adorable couple that transmits peacefulness.

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8) Rookie Historian Goo Hae-ryung. Rating: 3,5 / 5 stars - nice, but it is no must-watch.

- I feel genuinely bad for putting this right after Radio Romance and Romance is a Bonus Book, because Rookie Historian was, simply put, muuuuuuuuch better. I got invested in the characters and their backstories. The story is quite more complex in retrospect than it seemed at first, but the show’s issue is that this is rather less apparent in more than the first quarter of the show. I really don’t even recall what happened in those first few episodes because it is rather unimportant for the rest of the show, with minor exceptions. The story truly starts picking up around episode 9 and has a strong run until around episode 15. The last quarter of the show then is wayyyyy too fast-moving, too many things happening and we barely spend time on things I then wished to spend more time on. Unfortunately, despite having a good set-up and a quite fine cast, I don’t think I’ll remember anything in particular about this show in a year. It’s a nice watch, even though I sometimes really had to motivate myself to keep watching in the first eps, but it hasn’t lingered in my memory after I finished it.

SUMMARY

- Favorite character:

- Positive: rather lots of plot; positive female relationships; feminism; shin se-kyung; leading couple as well as the second leading couple, even though romance is not at the core of the show; nice messages about morality and truth.

- Negative: the first few eps are really.... slow-moving. To the point that I’d recommend putting the first 8 eps into 2-3 eps and giving more space in the end. Especially the last 4 eps of the show are way too fast-moving. Furthermore, there’s some plotholes. My biggest issue though is the glorification of europe's christianity during the 18th and 19th century. I was not expecting that in a korean drama but it seemed utterly wrong in my eyes, specifically because the show used it to promote that chrisitianity promotes equality of all races and genders. Not to be a bitch, but europe’s christian beliefs have never stopped europeans from discriminating women and non-white people, not then and not now.

- My general impression of the show is quite positive, but I’m not sure I’d willingly watch it again since knowing all the plot twists and storylines actually is enough to be watched once with that show. An experience that I haven’t made with the other kdramas that are higher ranked on this list.

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7) A Love So Beautiful. Rating: 3,5 / 5 stars - if you really don’t want to think at all and just watch a light, easy to follow show, that is your pick. However, NOT recommended for first-time kdrama watchers - it gives you a totally wrong impression of what kdramas are actually capable of achieving.

- I’d like to point out that this show has surprised me in a good way - but there’s things that need to be pointed out here, so let me make three paragraphs: the first will talk about my impression of the first 16 eps; the second will talk about the last 8 eps; and the last will talk about how this show was cute, but could have been incredible, but didn’t use its potential correctly.

- Episodes 1-16: Look, the thing about those eps is very easy to point out: it’s not quality and it is never pretending to be (unlike romance is a bonus book, which pretends to be some smart, adult quality show but is just trash). Those eps cannot be taken totally serious. You have to go in there knowing exactly what is awaiting you. I started it because when I saw the trailer, I immediately realized all the tropes that Extraordinary You (higher ranked, you will see later) was making fun of. What you see is exactly what you get: Clichéd characters, clichéd love story, average acting, average directing, simple dialogue, clichéd love triangle, predictable developments - a simple romcom put into a tv show format. It’s cliché over cliché over cliché put into a het high school love story. And you know what? After weeks of studying for and writing my uni exams, it was exactly what I needed. The show is so over the top with its clichés that it’s genuinely funny. The lightheartedness and the non-existing complexity just add to that. Basically, you could argue that it’s all so bad with its clichés, which is why it becomes hilarious. Unlike other kdramas, it has a straightforward plot: a girl is in love with a boy and wants to be with him. It’s as easy as that. The show clearly loves featuring every trope you could associate with het love stories, but honestly, it’s so light and breezy and such a fast watch (due to the fact that each ep is between 20-25 minutes), you will finish those first 16 episodes before you know you even started it (I made it in less than 2 days). I want to repeat here though, it’s not for someone who starts with kdramas and hasn’t watched other kdramas. It cannot be taken seriously - and you only cannot take it seriously when you have seen things like Extraordinary You or W or, I guess, a bunch of high school kdramas. But I’m telling you, this is the only Kdrama on this list that you can watch in the most stressful time of your life and it will make you feel better. It won’t make you cry, it will make you laugh, and the moment it is out of your sight, you will forget about it - at least, that’s the case about the first 16 eps. And then we get to...

- Episodes 17-24: guys, what have I gotten myself into? As these people finished high school and their problems actually also got more adult, I started to grow genuinely attached, specifically to the ship. When she got sick and he didn’t even know although he’s a DOCTOR? When she was sexually harassed and didn’t know how to talk to him about it because their relationship was filled with other problems? When he left for 3 years and later told her that he had hoped she’d follow him because she always has... and then she didn’t? When he said that everyone is under the impression that she is more dependent on him but that he is actually the one who cannot imagine a life without her? IT ALL HURT BADLY. Because 1) so many years passed in such a short amount of time on the show and it felt like someone was ripping my heart out. I got genuinely reminded of that stupid US movie “One Day” - and y’all know how that movie ended. And because 2) there was a very realistic notion in the adult relationship portrayed. Not only did it point out how differently relationships/friendships can develop once you outgrow your teenage years and start navigating your life by yourself, but the problems, the misunderstandings, the different perceptions of time, the different perceptions of how friendships and relationships are developing - I honestly could relate to it a lot, looking at it from a 24yo perspective because it is something I have been experiencing as well since I finished high school. You feel more lonely and tend to perceive some time as passing by quickly, other times, it feels like everything is going so slow. These last 8 eps completely differ from my perception that I had in the first 16 eps of the show, as the tone is much more serious and the things depicted realistic and relatable. I also sobbed a lot. I didn’t sob at all, ever, in the first 16 eps, but the last 8 were me crying a lot and feeling my heart hurt as the years passed by and these two just spent them apart.

- So, what do I criticize about this show? The show’s pacing. I genuinely loved the change of feeling between high school and adult life, between ridiculousness and seriousness, and I know the show wants to celebrate youth at the end of the day. But I honestly believe this show could have worked so much better if u cut the high school episodes down to 8 episodes and rather spend a few more eps exploring their young adult lives. It would have worked so much better because their young adult selves were genuinely relatable, as well as their problems. The growth within the characters, realizing that the way they acted as teenagers were often self-centred or that they didn’t think that much about the consequences or how other people felt was nicely done. The show had potential. The dialogues were bearable, the camera work had hints of something great. In other words, I believe that with more carefulness to directing and dialogue, the show could have genuinely been a quality romance drama. The potential was there, but it wasn’t used the way it should have been. In the last 8 eps, you simply get a whiff on what this show could have actually been. Because the realistic character and relationship writing was right there - and if it had been put together with awesome directing and better pacing, everything could have been incredible.

SUMMARY

Favorite character:

Negative: the show’s pacing; the waste of potential to be an actual quality romance.

Positive: the un-seriousness of the first 16 eps, which were just so clichéd that it all was hilarious, compared to the seriousness of problems and development depicted in the past 8 eps.

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6) Run On. Rating: 4,2 / 5 stars - recommend

- I’m gonna be honest here and tell you something about me you might have guessed by now: Modern-day shows with no sci-fi nor fantasy elements are not particularly my thing. I usually sort of hate-watch them. Romance is a Bonus Book, A Love So Beautiful and Radio Romance are all of such shows and while I was even capable watching two of them without ending up hating them, they’re far from being my fave. Objectively, they’re okay-ish shows, nothing to be considered quality tv according to my cultural studies though. Subjectively, they just suffer even more from the fact that I’m very keen on being critical of such shows. But what happens when I find a non-fantasy, non-scifi modern-day show that is actually... good? Run On is the answer. Run On has memorable characters, their funny, unique characteristics, and simple conflicts put into nice subplots that often talk real-life problems such as bullying or self-neglegance. At the end of the day, this show is a love poem. It’s a love poem to self-love, self-respect, to friendship, to character growth, to family bonds, to achieving your goals, to making new goals, to kindness, and to life itself. That’s really what it is. You will find yourself in, at least, one of the characters. You will see them struggle, fight, grow, become better, and at the end of the day, the most important thing is that you are capable of living with yourself. I personally got attached to all of the stories and I adored how nothing was ever done over the top. Everything was subtle, multiple subplots working together... to form stories of life. It’s more than just a simple “feelgood” show and less than a devastating tragedy, it truly shows you life and puts it into an aesthetic form, that never neglects its reality. Which leads me to something I should point out here: it’s creatively done. From the fact that Seon-gyeom is waiting for Mi-joo at the end of the track to the drawings of Young-hwa that have Dan-ah in them to Dan-ah realizing that people experience the same things differently due to the fact that experience itself is different to everyone to Mi-joo imagining movie plots with the people she surrounds herself with to Seon-gyeom starting to live with Young-hwa in a small flat rather than to live lonely in a big, fancy hotel room - the things the characters go through in this show are not only talked about, but they’re often expressed through art, in all its forms. And these characters, these dynamics, the art, the conflicts are all subtly but carefully put together into subplots that form the show and very nice messages. The most important take-away I had from this show is that the way we treat us and the people around us is the highest form of art. And the show is a love poem to that.

SUMMARY

- Favorite character:

- Positive: the cast (especically the core four), the characters (especially the core four); the wonderful messages about respect, kindness and self-love; the subplots working together, reflecting how life is also not just some simple chronological order of things but rather multiple experiences that we remember and that shape us; life is constant growth.

- Negative: i think the only thing i truly have to criticize is that you never really know what the plot even is. While I do enjoy how the subplots all work together, I would have wished for deeper inspections of some plots. And while it is easy just for some headcanons to come to mind, I still think the show could have incorporated more. Considering the treatment of art forms and how it takes a prominent role within the story (due to Young-hwa and Mi-joo, respectively), I also would have liked to have some cultural nods and references - and interpretations. I think the show used about 85% of its potential - and the potential was great, which is why the rating is still very good.

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5) Bring it on, ghost! Rating: 4,2 / 5 stars - recommend, especially good for people who want to have a focus on romance coupled with a supernatural plot and who want a happy ending

- While the story is pretty easy to follow, often seems to be predictable and familiar, the show still promotes nice messages about forgiveness and regret. The strong side of the show isn’t particularly that though - this show is entirely saved by the two leading actors. Kim So-hyun and Teacyeon portray two incredibly lovable characters you will see yourself drawn to. They furthermore have a chemistry that you just have to love and their bickering is just the best part of all. This is mixed with some tragic moments - in present time as well as in the past - and what you get is a romantic show with a bit of comedy, with a bit of tragedy, but with a very happy ending. If you exchanged the actors with two less skilled actors or two people who simply don’t have a lot of chemistry, this show simply wouldn’t work. Their performances are the shining light of this drama, mixed with some funny side characters that you get to enjoy as well. The reason why it ends up higher on the list than Run On - despite Run On probably having generally the better dialogue writing as well as better camera work and even more beautiful messages - is due to the sole work of the two leads who simply carry this show on their back and the fact that despite having some more or less necessary subplots, there is a main plot here that will take a faster, darker turn in the second half of the show. And I personally just enjoy having a main plot to hold onto as well as I always enjoy a bit of fantasy more than modern day real live shows. On top of that, add some devastating backstory and top-notch character development for Park Bong-pal, and a badass, slightly violent, sassy characterization of Kim Hyun-ji. This show will simply leave you with a huge smile on your face, despite being made for people who enjoy tragedy as well.

SUMMARY

- Favorite characters:

- Negative: subplots sometimes take the focus, a familiar story, stereotypical portrayal of ghosts (yes, ahre, i said it), no real plot twists (which can be a good thing, too, since the show rather simply unfolds each part of the story over the course of its run)

- Positive: the two leading actors, their incredibly shippable couple, a happy ending. If I was going to recommend a light-hearted, happy kdrama that has some tragic parts but ends happily and isn’t that hard to follow, I’ll recommend you this one.

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4) The Tale of Nok-du. Rating: 4,6 / 5 stars - strongly recommend.

- If you ever are in search for an unproblematic dummy as protagonist, watch this show. He’s a dummy you just have to love. You laugh about him, you laugh with him, you cry for him. He’s a puppy, you cry with him. And the best thing is, this puppy falls in love with a girl who can be quite rude and annoyed, but he always makes her smile and genuinely is attentive to her. The most frustrating thing about both of them is that each of them keeps a secret they cannot tell each other because they refuse to hurt each other - and this almost leads to tragedy. Better even, they’re portrayed by two very skillful actors. You’ll love them in the blink of an eye. And then there’s the cute second lead, portrayed by Kang Tae-oh. Yes, cute. Until he really isn’t. I’ve never seen an actor being able to turn around a character to 180° in no time. Some talent that is. And now let’s just say - the plot is nice. It is not the most complex one, but it is interesting to follow and you are always eager to find out new information to collect and put the pieces together. If you are searching for a show that is simply entertaining and nice to watch and featrures a great cast and nice characters and ranges from comedy to tragedy, this is your pick.

SUMMARY

- Favorite characters:

- Negative: the narrative change in the middle of the show that shifted the focus away from women to men (even though it made sense within the story, it was still a very sudden and harsh change, especially if you consider that these women were mostly slaughtered to death)

- Positive: CAST (specifically the three mains are just beyond amazing); an innocent, pure, absolutely adorable protagonizing couple that will steal your heart; feminism; male protagonist being a feminist who ends up working with badass women for his entire lifetime; directing; narration practices - this show is the one that draws the line between the ones i discussed above and the really great ones because it is the first on the list to be capable of telling a story by constantly keeping your nerves up while also not overstimulating the viewer with too much information at once. Only the other 3 shows which will follow now were able to do the same - and it’s what makes people watch or quit, and that’s why it’s so important: constant plot development, no unnecessary side plots, and handing your audience enough information to make them keep watching but not enough to guess the entire plot yet. The Tale of Nok-du was able to do exactly that and I honestly enjoyed the ride.

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3) W - Two Worlds. Rating: 4,8 / 5 stars - strongly recommend, must watch.

- I’d like to point out first that my top 3 are interchangeable. I sometimes tend to change my mind which one of the three I adore the most, and W is definitely in those top 3. Firstly, I’d like to let you know that W was my first Kdrama watch. And it blew me away. I was in awe with Lee Jong-suk, with Han Hyo-joo, with the narration of this drama, with the plot, with the direction, with the leading couple, the cast, THE DIALOGUE. Everything about this drama was excellently executed. The slow-moving narration in episode 1, the extra long scene of Chul holding the writer at gunpoint, the writer ‘becoming’ the killer (which he has always been anyway), the philosophy behind it, the creativity. I was blown away by literally everything about this drama and I believe it to be one of the strongest dramas ever made. Furthermore, what I also really adored, is that you don’t need to necessarily be into the couple in order to enjoy this show anyway because the plot takes the spotlight - but since the couple is always involved in the main plot, you get to enjoy plot, dialogue and couple at once. An interesting thing that I want to note here is that a few weeks after finishing the show, I stumbled upon reddits criticizing Lee Tae-hwan for his acting in general. I don’t know if he just perfectly suited the role of Chul’s bodyguard in W, but I highkey enjoyed watching him in this drama.

SUMMARY

- Favorite characters:

- Negative: I would have adored if Yeon-joo took a more prominent role in the resolution of the story (last 2 episodes) since the ‘hero arc’ went all to Chul there. And another negative aspect is that the show lives from very strong dialogues throughout all episodes, all incredible, all amazing and then - the very last scene. The last words spoken on the show, as a voice-over of Chul and Yeon-joo, are rather dull compared to the rest of the show.

- Positive: narration device, leaving out information to fill us in later and blowing our minds away (PEOPLE, I THOUGHT CHUL DIED), complex main characters, complex plot, no unnecessary subplots, no unnecessary romantic drama, no unnecessary cheesiness, DIALOGUE, direction, the cast in general*.

*I tried Memories of the Alhambra, as I found out that the same people who also made W were in charge of that drama, and I have to admit that I was intensely let down, specifically by the casting. Hyun Bin was alright-ish (not very memorable though), but Park Shin-hye was unbearable for me after episode 3. I stopped watching. If the plot was as interesting as the one of W though, I would have kept watching. But seeing as nothing really happened in those first 3 eps other than the lead killing his old best friend and playing video games that appear to turn into reality, I felt like I was wasting my time.

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2) Extraordinary You. Rating: 5 / 5 stars - strongly recommend for hopeless romantics, people who suffer from second lead syndrome and people who like getting into philosophical debates.

- Extraordinary You was the second kdrama I ever watched. And. And. And. And I almost gave it up after episode one. It seemed somewhat ridiculous to me, way too fast-moving. I would regret my entire life if I had given it up right there and then. Because PEOPLE, IT IS SO GOOD. Not only does it feature a very healthy main couple, it leaves you emotionally devastated because there’s a backstory that you only get to know in the second half of the show but which influences your entire perception of the first half - and jeez, by the time I reached half of the show, I was yelling and screaming and crying my eyes out. You ever want to see a love so deep that it transcends consciousness and universes? A love so deep that time and space become mere nothings? That’s what you get in this show. And one of the best parts is that the ‘’’’’actual’’’’’ lead (in the ancient story within the show, not the story of the show) aka Baek Kyung* does NOT get the girl. But that doesn’t mean you won’t fricking suffer with him. Jeez, I bawled my eyes out for him, too. But Haru/Dan-oh, guys, they’re.... everything. Oh and all of that is nicely mixed up in a strong, complex plot that leaves nothing unexplained. Not everything is explained through words - the show is high on symbolism rather than dialogue - but everything makes sense. And the ending, oh that stupid ending. As beautiful as heartbreaking. Since the plot is put into a philosophical perspective throughout the show, the show also raises questions about existence and being. Yes, I yelled when Heidegger was mentioned. So not only do you get to see a beautiful, heartbreaking love story; adorable, complex characters; time-and-space-transcending friendships, you also get to laugh, cry and think about your own existence and your own place in this world. This show is a delight.

SUMMARY

- Favorite character:

- Negative: you will cry and cry and cry and then laugh and then cry and cry and cry. It’s really not fun. Emotionally devastating. No, but for real... I wished we had a more complex depiction of the female characters that aren’t Dan-oh (specifically Ju-da, Sae-mi and Su-hyang), and a bit less focus on the guys therefore (I love them all but I thought the girls could have gotten some screen time of theirs while I would have accepted Jinmichae, Do-hwa and Nam-ju to get a bit less)

- Positive: Honestly? EVerything. Directing, casting, characterization, narration, love story, friendships, everything.

-  *Let me say something about Baek Kyung, portrayed by Lee Jae-wook. That character could have simply been an asshole. The set-up was there, the writer of the comic also made him that way. But Lee Jae-wook has portrayed this character with so much depth that it is impossible not to feel bad for him. His entire life stages (hahahaha, I’m so funny) are a tragic mess. The fact that he eventually realizes that who he is and who the writer made him are eventually indeed two different people after all - but that they both share being in love with Eun Dan-oh - is as important as it is devastating. Cause it makes you realize that he can finally move his life more freely with that knowledge - become a better person outside of the stages (only if given the chance by the writer though) - while also never finding a happy ending. Firstly, because happy endings don’t exist in their world anyway because endings - if happy or sad - are always endings to these characters’ existences and because it is glaringly obvious his happy ending would include having Dan-oh by his side also outside of the stages. That is denied to him and will always be denied to him. And as a viewer, you understand that and you want nothing else, but the fact that he doesn’t even appear in the new story, not getting a chance at a new life this time, just adds a tragic notion onto all of this that no one asked for. I’d like to thank Lee Jae-wook here for such an incredible portrayal. I started Do Do Sol Sol La La Sol because of him and, unfortunately, had stop watching after 2 episodes because Go A-ra is simply... a terrible actress. I can’t put it any other way. I’m looking forward to other dramas with him and the rest of the cast though. Extraordinary You definitely had a huge advantage already by having a quite young, but incredibly talented mass of actors and actresses.

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*drumroll*

1) Hotel del Luna. Rating: 5 / 5 stars - strongly recommend, must watch.

- It wasn’t thaaaat surprising to me that I would love this show. It was rather.... obvious that this would happen because a fantasy show set in modern day with the involvement of other time eras and a badass, broken, strong female lead is simply my taste. What I did not expect was this to become my favorite tv show of all time. I don’t even know where to start. I guess Jang Man-wol is a good starting point. Because I live for such characters. Characters like hers are precisely of my taste (I had similar people to her before - Ámbar Smith from Argentina’s Soy Luna or Melody Paz from Argentina’s Casi Ángeles - and also after her - Seo Dan-ah from Korea’s Run On), but Jang Man-wol takes the no.1 spot in all tv characters ever. She’s so layered, so complex, so well-written. She’s not predictable, but she’s also not ever surprising. She comes across as one of the most relatable tv characters you could ever see because she isn’t just one thing. She’s very contrary, she can be soft and loving or harsh and ruthless, sometimes all at the same time. She can be forgiving, she can be arrogant, self-hating, self-loving, lazy, passionate, she is quite literally everything. And while in the show’s set-up she is punished for hundreds of years when other, much more problematic people were allowed to leave this world sooner than her, the narrative wants you to feel sorry for her. You see her flaws, you see she’s anything but perfect but it won’t make you conclude that her punishment was ever deserved. The more you get into this show, the more you will ache. Because you know that there is only one possible ending to the show - for her to finally find peace. And that... that can only be achieved if she finally is allowed to leave this world. And it hurts and pains because, obviously, there is a love story. A love story that goes back to when she was a child 1,300 years ago. A love story that reunites her with the guy who saved her these 1,300 years ago and who now finds her again, someone who makes her care about her life again. As deeper as you go into the show, the more you will cry, the more you will suffer. And you will feel conflicted. You will want her to get her revenge while you will want to protect her. You will want her to finally be able to leave this world, but you won’t want her to leave Chan-sung. You will want her to actually care about her own fate while you will also want her to make the mistakes that worsen everything. It is a beautiful character put into a story that mixes fantasy, comedy, tragedy, soulmates, life, death, revenge, a stunning cinematography and strong dialogues into one. And what you get is the probably best show ever made.

SUMMARY

- Favorite character:

- Negative: There is really only one minor thing I’d criticize. While all the chars are rather complex and all subplots and character arcs work within the main plot frame and round up the entire story perfectly, there is one subplot I personally got a bit tired of because it is definitely the most unconnected one to the main plot - this concerns the romance arc of yu-na and hyun-joong. I wasn’t hating it, but I just didn’t need it for this story.

- Positive: This show has everything. I told you above already all the things I like. On top of that, I’d like to add that it has a beautiful found family story arc, promotes wonderful messages, has gotten itself the most excellent leading actress with IU who just beautifully portrays Jang Man-wol in all her depth. The show leaves you with your heart aching while there will be a smile on your face. Emotional devastation is just how this show works.

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- Kdrama I'm currently watching: The Crowned Clown

- Kdramas I plan on watching soon: My Country - The New Age (watched 2 eps so far) | Signal (watched 1 ep so far) | Mr. Queen | Tale of the Nine Tailed | Moon Lovers

- Kdramas I abandoned because I didn’t get into them / disliked them: My First First Love | Goblin | Do Do Sol Sol La La Sol | Memories of the Alhambra

- If you have any suggestions for me based on my likes and dislikes, send them to me. I’m open to everything :)