#*'characters' mostly meaning jeff
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widowshill · 10 months ago
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not for nothing that roger and jeff are wearing completely identical suits for vicki's wedding down to the same pearl stick pin and it's roger that is distinguished with the accessory and the visual emphasis. that roger wears the pocket square and jeff goes plain without one, without a boutonnière (as feels the most probable and appropriate; they both wear boutonnières in roger's prophetic dream of the wedding). that not only is he wearing the handkerchief, but it's folded in such a way as so take as much space as possible – straying from accepted formality of a neat TV fold, occupying more room on the screen, drawing more attention, pointing among other things to his heart in bright white.
#i wrote about this in the tags of that gifset but i thought i should accompany commentary with images.#i've... for sure mentioned this scene before but i've read enough tonight that i feel more confident speaking on it more#than only – omg roger is wearing the same clothes. they could switch places. i wish they would switch places.#625.#it's a category of ds analysis where i do hesitate before ascribing importance but it's not going to stop me entirely.#a) davis could have just not put on the pin he was supposed to and that's the end of that story. not unlikely. but b)#the details *matter* in menswear – dark shadows costumes (in the present day) rely heavily on contemporary codes of fashion‚ class‚ leisure#many Many of the male characters mostly or only wear suits – the subtle differences in those suits (between characters; between days#and arcs) are responsible for communicating a great deal to us about who these people are – their place in the structure of things#and what they want right now.#and in costume design – when two characters are wearing an identical costume (a uniform; a wedding suit) the distinguishing features#take on the role of communicating details of character.#in american weddings the groom is dressed much more like his groomsmen than the bride and the bridal party – this is something#the costume team is going to be aware of and be purposeful about. even if they weren't purposeful: assume a 60's viewer who knows the rules#of suits‚ of weddings‚ of pocket squares (who knows much more than i do)#roger and jeff are dressed so much alike for vicki's wedding as to be nigh indistinguishable – it could have‚#had things played out differently‚ been roger in jeff's place.#both the script and the players elide the two in vicki's perspective (''why hasn't roger come back?'' ''you mean jeff don't you?'')#this being a wedding that he tried to stop – one in which he sensed disaster – one in which you already have the notion that maybe he does#wish it was *him* instead‚ though he won't say that. but his first and foremost priority in 625 and 626 is her happiness.#he takes the responsibility (and the shame) from vicki's shoulders of telling the guests that jeff left and there's no wedding.#he chases jeff down to the cemetary‚ to try to stop him from digging up a grave‚ and *implores* him to focus on offering vicki a life.#he has a large role in these eps perhaps especially because he's the one that had the premonition against the wedding; but also because#vicki is one of the few people he cares about – and he says as much. all this to say. roger is grabbing attention with his extravagant#pocket square – he's pulling focus visually; narratively; from the groom (in terms of vicki/the wedding – jeff has more to do with eve/#the graveyard/peter) vicki is spending as much time thinking about roger as she does jeff. and the moment where roger comes up to her room#to see her is .... well. there's more shared in the way they look at each other than all v/j's professions of love between them.#(and it's a distant echo of her first night in the house: roger at her bedroom door)#in the ds in my head (my beloved ds in my head) this is where the paths ought to have diverged. that vicki – no matter how much she loves#the past‚ how dearly she remembers the 18th century and peter and their ill-fated jail cell‚ has to choose now. not the grave‚ life.
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words-after-midnight · 2 years ago
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I have a problem currently in that I have to add some new scenes to the final version to address a COMMON beta reader comment, which is that we don't see enough of the development of the central relationship on screen. And in order to develop a couple aspects of this relationship on-screen I have to include a couple of key smut-adjacent scenes. Which is not the problem in itself, because I actually don't think I'm terrible at writing those scenes. The problem is that the characters* involved are Not Fucking Normal and shouldn't be involved with each other lmao. Also, the dynamic is not, uh... typical? So it's a bit hard to find examples of the ways other folks have done it without having to wade through a bunch of pieces involving Stereotypical Gay Relationships even when they're allegedly not that, lol.
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wrdn-tabris · 2 years ago
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ooooh my god
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necroromantics · 7 months ago
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🪓 — Canon Facts About Ticci Toby
all of these are directly stated by kastoway himself in deviantart posts/comments, instagram stories, or tobys canon story
I. Toby has a split eyebrow from the car crash
II. He only attended grade school for a short time when we was 12 before being homeschooled due to bullying
III. Kastoway describes Toby's eye colour as "dark brown/black"
IV. Kastoway created Toby as a fan character when he was 12 just for fun. He never expected him to get the attention that he did
V. Toby was stated to be 19 in 2013, which means Toby was born on April 28th, 1994. Today he'll be turning 30 years old
VI. In Toby's age chart, he is shown to be in a straitjacket at 30 years old, and described to "not have much time left on his plate", "any bit of sanity in him is probably gone", and "lives out the rest of his days in a mental asylum and/or gets put down"
VII. He has little to no memory of his life before becoming a proxy
VIII. When he was a toddler, he'd carry around a cow stuffie and put bandaids all over it
IX. Toby was killed by Clockwork, who was possessed by Zalgo, sometime between ages 19-25 (presumably 20-22). Kastoway had vague plans for Toby to "miraculously survive" and live up until around 30 years old, with no contact to the others
X. Toby chews his hands to the point of eating his own flesh, which is why he wears gloves
XI. He is born and raised in Denver, Colorado, USA. He has German ancestry
XII. His theme song is noted to be "I'm Not Alright" by Shinedown
XIII. His personality is described to be, "volatile, friendly at times, sarcastic at times, natural born trouble-maker, mostly up-beat"
XIV. In an older, outdated reference sheet, his friends are listed as "Jeff The Killer, BEN, BOB, Smile Dog, Slenderman, Splendorman, Mr. Widemouth, Ragface, Eyeless Jack", and his rivals are listed as "The Rake, Masky, Enderman, Zalgo"
XV. His mask is a mouth guard, like the one Hannibal Lecter wears
XVI. He is canonically shipped with Clockwork
XVII. Toby has "big ass eyebrows" (Kastoways words himself)
XVIII. Toby doesn't hate Masky, he just acts like an annoying little brother around him because he's jealous that Slender favours him. He's chill around Hoodie, but they don't talk much
XIX. Kastoway was inspired by Marble Hornets to create Ticci Toby
XX. Toby's tics are described as to "uncontrollably crack his neck, twitch around, bend over backwards"
XXI. In his updated appearance (the sketch made by Kastoway in 2014 with the cheek gash), he's described to be in his early 20s. He also said he was thinking of having the cheek gash be caused by the fire, but said that Toby eating through his own cheek was "a really good idea"
XXII. Toby was originally going to be a cannibal before Kastoway put the idea on the back burner, though he says "he'll eat some of the things he kills kind of like Eyeless Jack"
XXIII. He had CIPA, Tourettes, Schizophrenia and PTSD after the car crash
XXIV. His older sisters name is Lyra, his mothers name is Connie, and his father is canonically unnamed (though he's typically called Frank by the fandom, this is not stated by Kastoway)
XXV. He was originally going to be 5'4....... But ended up being made 5'6 (lucky bastard)
Thats all I can think of right now... Happy Birthday Toby
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vilnmelling · 6 months ago
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NPMD Digital Ticket details!
Since not every can/can afford to/wants to buy the Digital Ticket for Nerdy Prudes Must Die (and the bonus material that comes with the purchase), for your inclusion purposes, here's a list of fun background details, funny moments and comments made in the track commentary, for you to use however you like!
Ruth doesn't actually need to wear her headgear anymore, but she wears it anyway because it makes her feel safe.
Jeff pitched a Nightmare Time episode about the problematic puppy from Steph's verse of High School Is Killing Me, meaning there is a story there.
In the line, "I learned that at the anti bullying assembly last month, fucknugget!" there's a long pause before "Fucknugget!" which really makes it sound like Max forgot to insult Richie and just threw the word out.
All of the little noises Ruth makes, she makes because she has more she wants to say, but she can't say them (presumably due to anxiety).
In the proshot, you can't see fully how low Richie goes while he and Ruth sneak up on Peter, but Jon is fully crouched down. He then uses Pete's pockets and elbows to climb up like he's climbing a mountain (he mimes using a pick or axe to get good hold).
While Steph is talking, Ruth and Richie try their best to hear through the phone by getting as close as they can to it.
The reason Max and Jason were in the Pasqualli's parking lot is that they were practicing their skateboarding. They do that at Pasqualli's instead of at school/at a skatepark because they don't want the smoke club and skater kids to make them look like noobs. (This was a cut bit from the Pasqualli's scene).
The line, "Some big... dumb... sexy... football star" is expanded. In the Digital Ticket, Grace says, "Some big... dumb... sexy... sweaty... hot... well-spoken... beautifully tall football star."
When they're in the boys bathroom, Steph jumps to see over the stalls.
Richie Naruto runs when they're going to Waylon Hall. Pete slaps his hands down, but after they pause to look at the house, Richie looks over his shoulders at Pete a couple of times before darting away from him, once again Naruto running.
Richie stops in the door at the Waylon Place, so Pete pushes him inside.
Ruth and Richie speak at the same time when they say, "I'm allergic to deodorant" and "I have overactive sweat glands."
Ruth goes straight to Richie to complain after the "pus in my pits" exchange with Steph.
When Steph suggests saying there's a party at the Waylon Place, Pete, Ruth and Richie all react negatively (mostly nervously groaning).
While Grace sings the "He's just a nerd in disguise!" line, Richie can be seen practicing the first move of the Bully the Bully dance.
After Ruth says, "We're gonna cut off his nips!" you can see Steph look confused and ask, "What?"
While Pete and Richie talk in the Waylon Place ("Am I reading as ghost or Lin Manuel Miranda" & "She came all the way out here just for you."), Ruth and Steph discuss and practice Ruth's skeleton moves.
Richie gets stuck in the dangling parts of Pete's costume when he says, "You could just hit it and quit it, bro!" He then aggressively detangles himself.
The line "He's just really fucking brave!" comes from Richie being jealous that he's not that brave.
Richie hypes Ruth up a bit after Max says her skeleton bit was really special.
Grace hides behind Ruth while Max is dying.
Richie rolls his eyes when Grace says "It was an act of god!" (Similarly, Shapiro sighs and looks away in disbelief when Grace later says "It was god's plan!")
Pete gags when Grace says "Hack all his limbs off." Richie can also be seen gagging and holding his stomach several times.
Ruth hands Max's nipples over to Grace after cutting them off.
Jeff Blim is the principal of Hatchetfield High. Not a character of Jeff's, just Jeff himself.
Brenda still seems quite judgmental after the two weeks have passed. She makes a lot of not-quite-friendly faces when the football team's talking about Richie smelling bad.
When Richie struggles to remove the Zeke the Fightin' Nighthawk costume, he accidentally removes his jacket as well, leading to Jon having to put it back on (which he also struggles with) (and which creates a funny situation, since Richie was supposed to go shower).
Richie seems to have hurt his leg by the second fall in Nerdy Prudes Must Die (the song).
After Steph tells Grace to "Leave Ruth alone!" in the principal's office, Ruth tries to grab Steph's hand.
The wig Joey wears when he plays Dan Reynolds isn't Dan's real hair. Dan Reynolds wears a toupée.
Trevor and Angela's drama student encourage each other after they finish rehearsing.
Additional line when Grace is lying to Shapiro: "Suddenly, I remembered a crucial detail that made everything make sense. A picture came flashing into my mind, like I was Enola Holmes!"
"My dad sells women shoe! Shoes!"
Angela misses the chair at Beanie's and falls on her ass, leading to her, Joey and Mariah (mostly Mariah) breaking character.
During The Summoning, Tinky focuses ONLY on Pete. The entire time, he looks like he's restricting himself from lunging out and attacking him. At one point, he points at the Bastard's Box while staring at Pete.
90% of the time during The Summoning, Pokey's staring at his own mask.
Steph facepalms after Max says "That's nasty! ... I like it!"
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Paid Internship (Part 1)(Prison AU)
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Author's Note: This is a Prison AU that the viewers of my blog seem to be pretty fond of. The main focuses for the romance parts will differ depending on the part, but for part 1, it's Liu, Jeff, and Toby. The reader is gender neutral and uses She/He stuff, but sometimes depending on what's going on I'll use stuff like Tits. Also, Sully will be in the fic, but I won't use his name. Pay attention to how Liu talks, they will be major differences between his first meeting and his interview.
Author's Note 2: This is definitely one of my longest and most plot heavy fics on my account. I do plan for this to be multi parter, so this part will be heavy on introducing the characters. This part will have some yandere moments, but they will be mostly prominent in part two. If you wanna be tagged for part two, leave a comment, or reblog.
Summary: Welcome to your paid internship at Roosevelt Federal Prison. After being seen for your potential and skills by your instructor at the Academy, he decided to give you opportunity of working in the US' most dangerous prison despite the disapproval and rejection from the higher ups. However, due to miscommunication and faulty paperwork, you're gonna up working with some of America's most danger serial killers for the semester.
Warnings: Descriptions of crimes, Rape Mentioned, Perversion, Manipulation, Gaslighting, Gore, Sadism, Violence, Implied Nudity, Kidnapping, Implied Abuse, Hostages, Death, Murder, Threats, Mood Swings, Sexual Abuse Implied, PTSD, Mental Illness, Dealings, Attempted Murder, Survivor's Guilt,Cursing, Sleep Deprived Workers, Stress, Agression, and More. This AU is not fo the faint of heart.
Word count: 13.5k
Links: {Masterlist} {Prison AU Introduction}
"Hey kid, you ready?"
You were taken out of your train of thought by your instructor and mentor, Officer Joseph Gibbons. Joseph was a man in his 50's, his once hazelnut hair now started to fade into a light grey, he was a man on the heavier side, plump like a mall santa clause, and despite his uniform being quite clean, it was covered in the smell of cigarettes and men's colone.
"...Not really. Are you sure I'm ready for this?" You asked, fiddling with the sleeves of your uniform.
"Ready? Out of the students at the Academy your the most ready for this. Any other Prison just wouldn't do you any good."
"Any go-"
"And we're here!" Joseph exclaimed, cutting you off mid sentence as he walked out.
You took a deep breath before walking out of the car. When you stepped out, you were greeted with heavy rain and loud thunder. As you looked up at the Prison, you felt a sense of fear hit you. It was like something straight out of a horror movie. The Prison was massive, you could probably see it from miles away if not further. Various plants were taking over the brick and metal walls, you could see officers walking around with flashlights, making sure nobody was trying to get in or out, two large guard outpost stood high on each side of the building, each of them blasting a bright light, and a large metal barbwired gate keeping whatever was inside from getting out.
"Joseph!" A voice yelled from the distance, causing the two of you to shoot your heads in the direction of the noise.
Whoever the voice belonged to, they were running towards the two of you pretty fast, waving their arms around like a lunatic.
"Esther, my dear friend. How the kids?" Joseph asked with a smile as he hugged the man.
Now that the man was closer, you got a better look at him. He had short red hair, a face full of a freckles, a small beard slowly starting grow in, and he was definitely younger than your mentor. He was maybe in his late 30's, early to mid 40's. He was in well shape too, his biceps peeking through the gaurd uniform he wore. He had a pistol, taser, and handcuffs strapped to his waist band on the right side of his body, meaning he was most likely right handed.
During your first year at the Academy, you were taught to see every single detail in a suspect or in a scene, no matter how small or big it was, and now you found yourself doing it like it was second nature at this point.
"They're good, they're good. Havent seen them for a while though, I've been stuck here all week! Now, where's this prodigy you've been pushing for?"
"Esther, meet Y/N L/N. Y/N, this is Officer Esther Wibbsy, I met when I first worked here. He's gonna be watching over you during this whole thing."
"Nice to meet ya, L/N," Esther said, sticking his hand out.
You shook his hand with a nervous smile, unconsciously gripping his hand hard in an attempt of letting out your nervousness.
"Dang, nice grip," He said, pulling his hand back.
"Thanks..."
As you pulled your hand back and wipped your sweat on the pants of your uniform, Joseph started to slowly walk back to the car.
"Your shift ends at 10AM tomorrow, you got this, kid! Remember everything I taught you and you'll be fine."
And as Joseph closed the door of the car and drove off, your only hope of backing out left with him.
"Don't worry, you're not going to be working with the actual dangerous ones."
"I'm not?"
"Walk and talk with me, I'll explain everything on the way."
You let out the biggest sigh of relief before following Esther.
"Roosevelt is divided into two sections. The section you're going to be working in is the normal prisoners. They're still extremely dangerous, but they're a lot more manageable then the others."
"The others?"
"The other section is what give Roosevelt it's reputation. You see, Roosevelt doesn't hold only people, we hold monsters, demons, supernatural beings that we didn't even know existed until we caught them. They're in the other section. The goverment put them here because they don't know what to do with them."
"Woah, so, how do you know I won't run into them?"
"That's the thing, I don't really know. To be honest with you, I think the only reason most of them are still here is by their own choice. Most of them are on death row, and if they really wanted to they can leave, especially Ben."
"Ben?"
"Huh? No I was just rambling..."
As the two got closer to the main gate, something caught Esther’s eyes.
"You see that random brick wall," Esther said, pointing to a wall that stood in the middle of the courtyard, starting from the building all the way until it hit the gate. From the angle you were at, you could just barely see a roof.
"Mhm."
"They're behind that wall. That entire half is their section. Most of the officers who work in that part have been trained specifically to work there and nowhere else."
You felt chills go down your spine as you stared at the wall. Something about it gave off a terrible aura.
"Who's staying in that part..."
"Have you heard of Jeffery Woods?"
"Yeah, Jeff the Killer? Slit mouth?"
"Yeah. That guy, is in that part."
"He's real? I thought he was just some urban legend from when I was a kid. His face was everywhere."
"Nope, he's real, and he's in there. Those pictures aren't what he actually looks like though, he's not that ugly. However, people like him are the reason why you're working in my part, it's a lot safer."
And as those words left his mouth, the two of you stood at the gate entrance. You and Esther walked up to the booth where a lady stood there with a tired, blank expression.
"Who's that?" She asked.
"The intern from Gullermary Academy. Joseph's student."
"Oh... Proceed."
Esther nodded as he opened the metal door and allowed you to walk in first. As you walked in, you were greeted with loud screams and banging from all directions.
"You'll get used to that," Esther said as he walked past you. "Wait in my office, I gotta go get your file from the boss." He then pointed to the door that had Officer Wibbsy written on a metal plate. "You can take any of the snacks, get comfortable because this might take a while."
"OK, thank you," You said, smiling.
Esther merely gave you a soft smile before walking off. Once he was out of view, you opened the door to his office and looked around. On his desk, you saw a picture of a woman smiling. She had freckles with long blonde hair. When you picked up the picture, you saw a date at the bottom.
"September 17, 2017," You read.
Was the woman dead? Or was it the date the photo was taken? Either way, it really wasn't your business. As you sat the picture back down, next to it was a picture of Esther with the woman in the photo next to him. The woman was wearing a white gown while Esther wore a suit, and in his arms was a baby girl wearing a little white dress and next to him was a little boy in a suit as well. Looking up, you saw his diploma in Criminal Justice and next to it was his certificate from the academy.
After taking a look, you plopped down on the chair and stared up at the ceiling. You weren't exactly sure what this internship had in store for you. When Joseph brought it up to you last semester, he kept it very vague. He'd often dismiss your questions and cut you off when you pushed it. You weren't suspicious however, since he was always like this when he tought you during your first year.
You wondered on what kind of prisoners you'll meet. Will you meet someone who was falsely accused and now is paying the price? Maybe you'll meet someone who has been in and out of jail and now is here. Due to your young curiosity, your mind just kept on racing with ideas. But suddenly, your phone began to ring.
Looking down, you saw the words "Mom's calling..." on your phone.
"Hello?" You asked.
"Hi sweetie, how are you?'
"I'm alright. I'm just waiting for my observer to come back with my stuff."
"Oh honey, I'm so proud of you! But, be careful, alright? I don't want anything happening to you."
"I will, mom, I will. You know how good I am."
"I know, I just don't want anything happening to my little girl/boy."
"I know. But, how are you doing mom?"
"I'm doing alright. Me and your father plan on taking a trip to Florida in the spring."
"That's great! Enjoying retirement I see," You said in a teasing tone, earning a giggle from your mother.
"WHAT THE FUCK DO YOU MEAN?! THIS IS NOT WHAT HE SIGNED!" A voice suddenly yelled, overpowering the screams of the inmates.
"What was that?" Your mother asked, worried.
You stayed silent as you tried to listen to what was going on.
"I'll call you back, mom," You said, before hanging up.
You slowly walked out the room and looked down the narrow hallway, holding onto your gun tightly as you did.
"I'm telling you for the last time, this is what Joseph signed, his signature is right here."
"That is not what he fucking told me. I know damn well he's not stupid enough to put some barley experienced 24 year old in a room with this country's most dangerous criminals. As their observer, I can't allow this!"
You felt your heart stop when you heard those words come out from Esther's mouth. Despite your wonky confidence in your abilities, you were far from naive. You were not ready for this.
"Look, I'm just as unhappy about this as you are, Joseph is fucking stupid for signing this, but legally there's nothing we can do."
"I already told them that they were going to be fine, I won't even be able to observe them! Who's going to even teach them shit?!"
"I don't know, Wibbsy, I don't know. I can call Joseph and ask him what he wants up to do, but for tonight, they're working in the Creeps section, whether you like it or not."
Esther pulled at his hair and he looked at his boss with rage.
"If that kid dies because of this, I'm fucking done with this place, you hear me?"
"I hear."
When Esther walked out of the room, he was greeted by your shocked, frozen figure at the end of the hallway.
"You heard it, didn't you?"
"Y-Yeah..."
"Just... Shit... Take this and just, go straight down that hallway, and they'll take you from there."
"Uh...Ok. I'll see you later," You said nervously as you took your file and walked off.
Esther stared at you as you walked off, feeling a sense of guilt and responsibility consume him like water.
"Please don't die..."
The hallway to the other side was extremely narrow and costraphobic, you could feel the walls press up on you as your walked. One thing about the entire journey that disturbed you wasn't the leaking walls or the filthy floors, but it was the silence. Compared to the other section that was booming with noise, the closer you got to the second half, the quieter it got. You could only hear little whispers from behind the walls, but they were so quiet that you couldn't make out a word. The hallway was dark, dirty, and wet. You assumed that the rain from the storm has leaked through the walls and onto you. You could see roaches and even saw a rat run past you. You wanted to throw up. It was as if this place was abandoned.
When you got to the end of the hall, there was large metal door. There was no card scanner, or even a person standing in a booth.
"Hello? Hello?" You said, knocking on the door.
Suddenly, the door creaked open, and a short lady started at you with wide eyes.
You could only see the woman's head, but she looked as if she was held hostage for years. Her eyes were wide, as if she had been traumatized, her hair was a mess, her officer cap was barely covering her head, and her face seemed to be bruised.
"...Name..." The woman said, staring into your eyes.
"Y/N L/N. I'm the intern."
And before you could blink, you were grabbed and forced into the horrors that awaited you.
The lobby section was bright and white, similar to a hospital. However, there was no cameras, or an officer sitting behind the glass with a computer.
There was a metal door that stood in front of you, keeping from whatever was on the other side from getting out. Ingraved into the door were the words "Inmate Quaters."
"Let me see your file," The woman said shakily, taking the file from your hands.
"Um, are you OK, ma'am?"
"Me? Oh...I'm alright, I didn't get the worse of it."
"WE NEED SECURITY PERSONAL IN SOLITARY CONFINEMENT, BEN'S CELL 001 IMMEDIATELY, I REPEAT, WE NEED SECURITY PERSONAL IN SOLITARY CONFINEMENT, BEN'S CELL 001 IMMEDIATELY!" The woman's walkie blasted as she read your file.
Suddenly, a large group of men ran past the two of you, carrying guns and covered in riot gear.
"Um...Ma'am?"
"Hm?" The woman responded, not taking her eyes off your file.
"Who's Ben?"
"If you're not working on his case I can't tell you anything, sorry."
"Oh...Ok."
"Huh...The Woods... Rogers... Otis... Wright... Thomas... This... no, this can't be right. Are they fucking stupid?" The woman asked, looking up at you.
"I don't know, maybe?"
"OK, It's fine, it's fine! Who's on the roster for today... Rogers... Jeffery... Liu... At least you got Liu... Ok, follow me."
The woman walked towards the door that had "Inmate Quaters" written on it, beckoning you to follow her.
"Have you gone through your file?"
"No, I've only been for forty minutes..."
"Here, read it. Read the first three for now, the others you'll be working on at a later date."
Once the lady handed you your file, you started to read through it as the two of you made your way to the cells.
The file was the one of a picture of a man with pale skin, greasy black hair, a slitted mouth, and a crazed smile. He was a picture of his mugshot, eyes bloodshot with a large shit eating grin.
"Jeffery Woods. A man in his early 30s, arrested for multiple accounts of serial Murder, Mutilation, Kidnapping, Torture, Stalking, Vandalism, Arson, Breaking and entering, Parricide, Drug use and rape. He has the reputation of assaulting, mocking, teasing and harassing guards. Jeff is often in solitary confinement, but that doesn't stop him from his usual actions. Has to be kept away from Jane Elizabeth Arkensaw due to them activity starting fights. He is deemed one of the deadliest prisoners in our institution. During your internship, he will be one of the prisoners you'll be interacting to help sharpen your skills. He will by far be one of if not the hardest to interrogate. His case is still under investigation..."
You read the words on the paper with disgust. His smile, so deranged, so sadistic, as if he was talking a school picture, ignoring the lives of those he's ruined or taken.
"Be careful with Jeff, he likes pretty ones," The woman commented as you read.
"Wait, I have a question."
"Ask it."
"Will be looking into their case? Like, will I be doing interviews and looking at evidence?"
"Well, I'm not sure about evidence, their cases are gruesome, and the transcripts of victims' families interviews and the interviews of victims who survived are not pretty... However, I know you will be interviewing some of them, like The Woods and Rogers. Now keep reading, we're most there."
You nodded as you moved Jeff's paper to end and looked at the next one. The image was the one of a man with stitches. He had a blank tired expression in his mugshot, not sad or sadistic, but one of bordem. He had brown hair with bright green eyes, and just like Jeffery, he was pretty pale.
"Liu Woods, also known as Homicidal Liu. A man in early to mid 20s, arrested for Serial murder, stalking, kidnapping, robbery, breaking and entering, assault, and vandalism. Currently serving a a sentence of 50 years but has a chance of parole once he serves 20. Liu is the little brother of Jeffery Woods, and after Jeffery almost murdered him, he developed an alter ego named Sully. Lui is is relatively quiet, observant, possessive and violent. But his violence gets worse when he's Sully. Lui normally doesn't harm guards or prisoners unless provocted, but he has attacked them with no apparent reason on multiple accounts. Liu is one of the prisoners you will be seeing often due to you working mostly in his section of the prison, where most of the pastas are such of Eyeless Jack and Toby. Warning when dealing with Liu, watch your words and actions, DO NOT touch anything of his unless it's a danger to him or others, and don't ask him too much about his past due to it being his biggest trigger in becoming Sully. If you're dealing Sully, be extremely careful, don't make sudden moves and don't anger him. Sully is extremely violent, sadistic but oddly childish. Sully is supposedly a seven year old according to both himself and Liu, so treat him as an extremely dangerous child."
You stared at Liu's image for a few moments after reading the report. Him and Jeff barely looked the related besides in the eye shape and skin color. With mugshots alone, you felt as if your experience with the two brothers will be drastically different.
"Do you have any advice on Liu?" You asked to woman.
"No. He isn't too bad, just really, really quiet. But when he does talk, he's very charming. He's a man of few words."
You nodded in response as you placed Liu's file in the back and looked down at the last one. It was a picture of a man, messy brown hair, the right side of his cheek was missing, revealing his teeth and gums, his eyes held heavy bags as if he hadn't sleep for days, and his neck and hands were covered in bandages. His expression was a pretty tired one, his eyes were droopy as he stared into the camera, some of his hair covering his face as he looked.
"Tobias Erin Rogers. A man in his late 20s arrested for Serial murder, Torture, Vandalism, Arson, Stalking, Patricide, Breaking and Entering, Kidnapping, and suspected of multiple accounts of sexual assault but is yet to be confirmed. Currently sentenced to life in jail with possibility of parole after serving a minimum of 30 years. He suffers a handful of disorders and quite often causes trouble for both staff and other inmates. He struggled with controlling his emotions and his impulsive behavior which often leads to himself, inmates and staff to be harmed. Despite this, you will be interacting with him during your internship due to him being able to get a long with staff for a short period of time if he finds them "hot." Warnings, don't get too attached, don't believe most of the things he says, don't give or take anything from him, and don't let his suffering fool you. He has a history of using his suffering against others and actually led to him escaping when he was first sent here when he was 19, and they didn't capture him again until last year when he turned 27."
"WE still don't know much about Rogers," The woman said as she stopped walking, causing you to bump into her.
"Oh, sorry," You said, backing away to give her some space. "But, why is that?"
"He hasn't told us jack shit. He hasn't told us about his motives or his past, the only things we know is the murders he's rambled about in past interviews. Since you two are pretty close in age, maybe you got a better shot then we do," The woman responded, opening the door that led to the door of the inmates quarters.
When the woman opened the metal door, there was a massive wall of metal and glass. It was a look in to see the inmates, and luckily it was a one way mirror.
"This is where the inmates sleep and spend most of their time. They don't leave this area unless they're sent to solitary confinement."
As you looked through the glass, you saw two men sitting next to each other against the wall, and above them on the second floor were two women talking.
"The two men on the bottom are Timothy Wright and Brian Thomas. You won't be meeting them for a while, but they're on your roster."
"How bad are they?"
"Depends on who you're asking."
"And above them is Jane Elizabeth Arkensaw and Natalie Outlette. Jane is definitely one of the most well behaved inmates we have here, hell, she shouldn't even be here..."
The woman continued to explain the operations and how things functioned in the Prison.
"Inmates eat breakfast at 4AM, and they don't eat again until 11:30 for lunch. After breakfast, they have freetime to do whatever they please, they don't get jobs or specialties like the other inmates. We tend to leave them to their devices under close observation."
You took a look into the inmate quarters and noticed that the man with short black hair was staring directly at you. He held a blank expression as he stared through your soul. You felt your blood run cold as he stared you down with his cold, emotionless eyes. You saw the man next to him look at him with amusement before telling him something, which cause the man to take his eyes off you and look at the other man with rage. You watched as the man yelled at him, but due to the noise canceling effects the room you were in had, you only saw the movements and gestures, no actual words.
"Ma'am, are you sure they can't see us?" You asked as you slowly turned your head away from the scene.
"Positive. Why must you ask?" The woman asked as she walked towards a door that read Officer Sarah Mandel.
"The man with the sideburns was just staring at me," You said, pointing to the man.
"Oh...Wright. he does that from time to time, ignore it."
"Uhhh, ok," You responded as you slowly turned your head away from the man named Wright.
"What time is it?" The woman asked.
"6:30 PM, why?"
"In 15 minutes you'll be interviewing Jeffery Woods," The woman said as she began to walk into a room.
When you were about to follow her, she walked back out with a piece of paper in her hands. She then rubbed her eyed tiredly before handing you the paper with a yawn.
"You ok, ma'am?"
"Yeah...Just tired, I've been working 18 hours and I don't go home till 10. Now, ask Jeff the questions on this paper, don't go off script. If he tries, redirect him, don’t give him a chance to get off topic. Now, he says some pretty perverted and weird things, ignore it and you'll be fine. An officer will be waiting outside the door, and there's a button under the table to notify him to come in. There will also be another officer with you in the room since this is your first time. Got all that?"
"Yep! So uh, where the place I'll be interviewing him?"
"Follow."
You and the woman then walked deeper into the area you in, going past the inmates quarters and going through a door that read 'Interigation Roon, Level 4 and up.'
As the two of you walked, you decided to read some of the questions on the paper. Most of the questions were ones you've seen at the Academy. Stuff like, 'Why did you do what you did?' And 'Did you know your victims?' And so on and so forth. Some of the questions were more detailed though. One in particular asked 'At the scene of one of your crimes, we found a dog next to a door that was locked. When we tried going through the door, it killed two of our best officers. What was behind that door, and who was that dog?'
You remember when you were younger, this image of a dog with a crazed smile was circling around. Some said it was cursed, others said it was some urban legend. But, you picture the image in your head, and you look down at Jeffrey's wanted photo, you couldn't feel like that was connected to him somehow.
"Alright, you'll be in room 899 for all of your interviews, keep that in mind. Now, they'll be here in 5 minutes with Jeffery, you ready?"
"Yeah, I think so," You said as your hands and legs shook with nervousness.
The woman let out a light chuckle before putting her hand on your shoulder with a smile.
"You're gonna be ok, kid. It's you first day, and you're already working with some dangerous people, but it comes with the job. You'll get it no time."
"Thanks, I appreciate it," You said as you took a deep breath and walked into the room.
The room was small with bright lights, two cameras on each side of the room, clean white walls, and a table with a chair on each side in the middle.
You sat down on the chair facing the door and pulled at your uniform to fix any wrinkles or badges that were out of place. You opened the folder and took out Jeffery's paper before placing the folder under your chair.
"It's ok, Y/N. He isn't going to do anything," You said to yourself as you looked down at the papers.
Suddenly, you began to hear footsteps and the sound of chains walking towards you.
And then, the door opened, and you were greeted with a sight that gave you chills.
A man, so tall that could barely fit through the doorway. His hair was long and greasy, covering his face as he looked down lifeless. He was pretty skinny too, that inmate uniform he wore being quite baggy on him. Covering him were chains, his hands were cuff and his ankles were chains together as well. You couldn't see his face, but you could see his eyes. His eyes were bloodshot and wide, staring at you with insanity and rage.
You did your best to keep your stone cold expression, but you couldn't hide the deed of sweat that rolled down your brow as he got closer to you.
The two officers that brought him forced him down of the seat before tying him to the chair tightly.
"That's a bit much, don't you think?" Jeffery said, turning his head to look at the male officer. He had a massive grin on his face as he asked the question in a joking manner.
"No," The male officer said coldly before walking in the corner.
The female officer looked at you with a nod before walking out and closing the door behind her.
Now, in the first semester of your second year at the Academy, it was mostly focused on interagation and the art of the mind. You were told to remain calm and composed at all times, but don't be too serious as well.
Joseph said people are less likely to comfortable and truthful when you make yourself appear as stone cold serious or far too casual. He said to find a balance, make them feel comfortable, maybe joke once or twice, but make them aware that this is serious.
"So, how are you doing, Jeffery?"
Jeff then shot up and slowly turned his head to look at you. His face was neutral, but the nasty scarred smile on his face did give you goosebumps.
"Jeffery... I haven't been called that in a while."
"What are you called then?"
"Jeff."
"Well, Jeff, how are you doing?"
"Shitty. I've been stuck in solitary all fucking month!"
"I'm sorry to hear that."
When you going the ask why, you remembered that the woman told you not to go off script. You took a glance at the officer in the corner before peeping down at the paper.
"So, Jeff, you've been charged with a books worth of crimes, and you've been on death row since December 25, 2014. We've had you in this place for a few years now, but you still haven't told us why you did it."
Jeff stared at you before scoffing and rolling his eyes.
"Same old question! How many times do I have to tell you fucking people. It was fun! Stalked a few people, kidnapped some, fucked the pretty ones, and at the end of the day all of them would be fucking dead," Jeff said with a grin, his eyes slowly starting to move down to your tits.
"Hey! Eyes up here," You demanded, snapping your fingers to get his attention to your face. "I'm here for answers, Jeff, not to be your eye candy."
"Awwww," Jeff moaned, giving you a pout.
"So..." You said, looking through his file. Jeff looked at you boredly as he yawned and leaned back into his chair. In the corner of your eye, you saw the police officer in the corner give Jeff a glare.
"A girl...oh. A girl went missing right before your arrest, her name was Abbie Grace, 21 year old college student. We haven't found her since and evidence is pointing towards you. Does the name ring any bells?"
"Abbie...? Nope! Not at all," Jeff answered, a strange optimistic tone laying in his voice.
After those words left his mouth, you pulled out a picture of Abbie. She had long pink and blue hair with pale skin and bright blue eyes. Her face was covered in freckles and her eyes had a shine to them. She seemed friendly and kind, her bright smile showing off her dimples and crooked teeth.
"Does she look familiar?"
Jeff leaned forward and looked at the photo. He paused for a few moments before realization hit him.
"Oh! Candy Head."
"So you do recognize her?"
"Yeah."
"What happened to her?"
"Heh, I don't know. I was told to kidnap her, not kill her."
The word told caught your attention immediately, and it seemed to catch the other officer's attention too. Nothing in his file said anything about a boss, it was said that he worked alone, a solo act.
"Told? By who?"
"Eh, I don't feel like telling."
"Jeff."
"What? Suck my dick first and maybe I'd tell you."
"You're not getting anything out of him, rookie," The other officer said, letting out a sigh.
"Well, what'd you do with her while she was with you?"
"Hmmm, well, She was definitely an ugly crier. She would always cry and cry, the bitch even tried to kill me with a butter knife," Jeff answered before laughing at the girl's attempts to escape.
"Hm. Do you remember you remember the last thing you did to her?"
"She did have a pretty face, and a fat ass," Jeff said before his eyes glazed over with lust as he reminisced. An errie smile continued to grow on his face as he contiued his thought. "She was the whole package, and I wasn't going to ler a girl like that go out easy."
You knew what he meant, his file didn't lie one bit, the guy was a fucking sadist.
"After fucking the bitches brains out, I gave the her to Toby."
"...Toby? Is he your partner?"
"Partner? You're funny! As if I'd work with that retard. if you wanna know what happened to her, ask him."
"You are aware that makes you an accomplice?"
"Like I care."
"And you do know that can make your stay here a lot longer, post poning your death sentence to look into your case further."
"If looking at your body means staying here, I'll stay."
"Well, I guess that's where our talk ends for today."
You then stood up and walked out of the room, leaving the officer with Jeff. As you walked off, Jeff stared at your ass, feeling a grin creep onto his face before the officer pulled him out from his seat.
As you walked out, you saw the lady from earlier waiting for you, drinking a red bull as she leaned against the wall.
"How'd it go?"
"Better than I thought... But he's, weird."
"Weird as in perverted? Yeah, we know. What'd he tell?"
"Well, I asked him about Abbie Grace, the 21 year old, and apparently he didn't kill her."
"Really? What did he do?"
"Well... He kidnapped her, raped her, not sure how many times though, and then gave her to a guy named Toby."
"Has to be our Toby," The woman mumbled before taking another sip of her red bull. "Did you ask him anything else?"
"No, just getting those answers were difficult."
"Pity."
RING!
"ALL PERSONNEL, PLEASE REPORT TO THE CAFETERIA FOR DINNER!"
"Welp that's us, let me tell you how this is gonna go," The woman said as she pushed herself off the wall and began to walk.
"The most dangerous and chaotic parts of the day is Lunch, Breakfast, and Dinner. All the pastas normally stick to their groups or by themselves, but during these parts of the day they're all trapped together like sardines. Fights breakout, stealing, and just too much shit goes on. When you're assigned your spot, stay there. If any of them try to get a reaction out of you or try to bother you, don't react. They're not your average criminals, and since they've never seen you before, that's definitely gonna happen today. Stand strong, stay quiet, and observe. Cops like us are merely meang to supervise them, not stop them, that's what Security is for."
"So, is that all I gotta worry about mainly?"
"For right now, yes. And don't leave the cafeteria until lunch is over. Some of them like to sneak out, and let's just say cops who wondered off, weren't found the same way they left. May that be mentally, or physically."
"Oh... So, stay in post, stay quiet, and don't leave."
"Yep, you pick up fast."
"Thank you, Officer...?"
"Mandel. I guess I never told you name, my apologies," Officer Mandel said before taking a another sip of her red bull, "Its been a long day."
‐---------‐-------------------------------------------------------
The moment the two of you walked into the cafeteria, you were met with a loud wave of noise.
"Shit, is it always this loud?" You asked Officer Mandel, who nodded her head in response.
The two of you then walked over to one of the security guards.
"Jesus! You look like awful, Sarah," The guard said with concern.
"I know right. Newbie needs their post."
"Oh, you see that guy over there," The guard said, pointing to a guy with stitches in the corners of his mouth.
"Yeah."
"You're posted in the front of the door behind him."
Looking at the man closer, your eyes widened with realization.
"Is that-"
"Liu Woods? Yeah, good luck," The guard responded before Officer Mandel slapped the back of his head.
"He's not that bad, don't listen to him."
Nodding in response, you took a deep breath as you walked towards the door.
All the inmates were divided into their respective groups. The two men you saw from earlier were sitting at their own table, but a man with part of his cheek removed was sitting with them as well, arguing with the one known as Tim.
"For the hundredth time, it's not my fault the bitch ran away!"
"You sure? Cause last time I checked, she was you last."
"*FUCK YOU* Whatever, Tim. The bitch most likely dead anyway."
You made sure to note that in your head for later. Tobias Erin Rogers, he was listed on your roster, and based on Jeff's info, you'll be meeting him very soon.
When you passed Liu to get to the door, you felt the atmosphere shift. It hit you like a truck, your heart raced as you took at glance at him.
His skin was so pale that he could've been considered sick. Since Jeff was paler than him, you just though it was family trait. But, the stitches on his face and hands made you think otherwise. In his file, it did mention that Jeff tried to kill him. An injury from the incident was mostly likely the cause for his apperance, but you kept your theories to yourself.
Much to you surprise, dinner went by pretty smoothly. But, you couldn't help but grow curious on why so many guards were coming in and out of the cafeteria. You knew better than to let your curiosity take over, but through dinner it became harder to fight.
"Something bothering you?"
Flinching at the voice, you looked down towards Liu, he was looking at you with a tilted head.
"What? Of course not."
"You sure? I ain't telling nobody," Liu persisted as he fully turned his body towards you.
You knew better than to respond, much to Liu's dissapointment.
"You interviewed my brother eariler, right?"
"Who's asking?'' You asked saracastically as you avoided eye contact.
"Me, who else?" Liu answered bluntly, a slight bit of attitude hidden in his tone.
"I don't know."
There was a moment of silence as Liu followed your eyes, realizing that you were looking at the cafeteria doors.
"The doors, huh?" Liu whispered to himself as a grin grew on his face. "You know, past those cafeteria doors is Solitary."
"Ok, why would I care?"
"Why would I care," Liu mocked.
"Jesus, just like his brother..." You thought as you rolled your eyes in annoyance.
"Hey, can you do me a favor?"
"No."
"It might benefit you," Liu said in teasing manner.
You didn't say a word, but you did raise an eyebrow with interest.
"Jeff stole shit from my cell before he got sent to solitary. You convince him to give me my shit back, and I tell you what I know about Candy Head."
"Candy Head?" You asked confused before realization hit you. "You have something to do with Abbie Grace's case?"
"Nah uh, uh, uh, get me my stuff back first," Liu answered bluntly, sending you a glare.
Something wasn't adding up. Jeff told you that he gave Abbie to Toby, but how did Liu fit into any of this? Maybe her disappearance isn't as cut and dry as you thought.
Looking around, you let out a sigh.
"I'll think about it."
Liu nodded his head in understanding before turning back around.
"Wait. How'd you know I'm on her case?"
"Stuff. First."
Letting out a groan, you lightly flinched as a loud ring echoed across the room.
"DINNER'S OVER! BACK TO YOUR CELLS!"
As the inmates got rallied up, Officer Mandel walked up next to you.
"So, how'd it go?"
"I don't know what that file said, but Liu is anything but charming. It was like I was dealing with Jeff all over again, just without the pervsion."
"You sure it was Liu?"
"Hm? What you mean?"
"You'll see. Now, the inmates are getting brought back to their cells, but our job isn't over just yet," Mandel said before beckoning you to follow her. "You'll be interviewing Toby in an hour or two, until then, I need you to look over the testimonals of their previous victims who survived."
"Their?"
"You said Jeff didn't kill her, right?"
"Right."
"So, there's the chance that Toby did. Toby didn't work alone, he worked with those two guys we saw earlier. I want you to get familar with their methods, and I want you to understand this very clearly," Mandel said before stopping in her tracks. "These people are dangerous, they will hurt you if given the chance. After today, you're not gonna have another officer in the room with you. I best not find out that you got hurt because you wanted to be fucking stupid."
Placing a hand on your shoulder, Mandel looked at you with a look you couldn't decscribe. "You're young, and you got so many years ahead of you, so listen to my advice. Listen to the files, and don't ever, I mean ever, go into solitary. I saw you looking at it earlier so I'm shutting the idea down now."
"Yes, Ma'am."
"Wonderful. Now, while you were interviewing Jeff, I decided to hand pick the evidence and testimonials that mostly involved Toby. You're not going to meet Brian and Tim for a while, so don't worry about them."
Nodding your head, you looked at the door labeled "Intern 1."
"Oh, and heads up. The voice recordings are really dark, so, good luck," Mandel whispered to you before patting your back. "I'll get you when Toby's ready."
"Ok."
As Mandel left you alone, you took a deep breath as you opened the door.
The room was bright and clean, a decently sized desk placed in front of you with a computer on it, but it was also covered in various files. In the corner was an old box TV with a VHS and CD player, with a chair placed in front of it.
The room wasn't bad by any means, but it gave you an odd vibe.
Taking a seat at the desk, you decided to look at the different files.
Most of them were detailed descriptions of various crimes scenes related to Toby or the proxies in general, but under all the files was a VHS labeled "Elizabeth Todd's Testimony."
Since you didn't want to spend lord knows how long reading papers, you stood up from your seat and made your way to the TV, placing the VHS into the player before taking a seat infront of the TV. The TV took a while to process the cassete, but once it did, a woman appeared on the screen, the date April 26th, 2008 resting in the top right hand corner.
The girl looked about 19, dark skinned with big curls rounding around her face, fairly skinny but you weren't exactly sure due to her hoodie covering most of her frame, but the thing that you took notice of the most was her eyes. They lacked any sort of life, giving you an uneasy feel as she stared past the camera, implying that someone was in front of her.
"Your testimony will be recorded and kept for evidence, would you like to remain anonymous? If not, please state your name," A light voice said behind the camera.
Pausing for a few moments, the girl looked down to her hands before looking back up to the officer infront of her.
"My name is Elizabeth Todd," The girl started, her voice meek and low as she spoke.
"Would you mind telling us what happened on the day of the incident?"
"...It was my freshman year of college. I didn't know anyone, but I made some friends within the first semester."
Leaning back into your chair, you took notice of Elizabeth's body language. She fidgeted with her hands as she spoke, and always kept her gaze down, rarely looking up at the officers. She appeared nervous. You decided to keep note of that as she continued to speak.
"When spring break came around, me, Lilian, Austin, and Kevin decided to take a camping trip in tye woods near our campus. We took a bunch during the fall so we were pretty familiar with the area. But, when it came to us planning the trip, I always felt like something was going to go wrong..."
Elizabeth's voice cracked as she spoke, causing her to swallow her spit as she shook her hands, trying to keep her composure.
"Nobody listened though, saying I was paranoid even though we went there countless times before. So, we went anyway. Kev and Lilian were setting up a fire while me and Austin were setting up tents. Austin and I were dating at the time, so when Lilian and Kev weren't looking, we wondered off."
Snapping her fingers, Elizabeth continued.
"Austin and I were making out against a tree not too far from our campsite, fucking in the woods was on our spring break bucket list after all. But, before we could do anything I felt my heart drop. You know that feeling when you know something is wrong but you just don't know what?"
"Yes, I've felt it countless times while on patrols," The officer responded, which helped in calming Elizabeth's nerves.
"Well, I got that feeling. We stopped and looked around but nothing was there. But, it was really quiet, no crickets, no owls, just silence..."
Elizabeth paused, pulling at her sleeves as spoke, her eyes starting to water. "It all happened so fast..."
"It's ok, your words will help us in bring your friends justice," The officer said softly, placing a hand on Elizabeth's.
"Next thing I knew I was running. Austi's blood was all over me, but I don't remember what happened. Once I got back to the campsite, Kev and Lilian were roasting marshmallows at the fire..."
----------------------------------------------------------------
"Done fucking, yet?" Lilian teased as she placed her marshmallow on her cracker, turning around with a cheeky grin.
But, that grin quickly fell as her eyes fell on Elizabeth, wearing only a T shirt as blood stained her body.
"What happened...?" Kevin asked, eyes wide.
"He's gone...," Elizabeth responded, looking down at her blood stained hands before looking back up at the two. "We gotta leave. Now."
Without asking anymore questions, Kevin grabbed the keys to the car as Lilian helped Elizabeth stand.
"Are you hurt?" Lilian asked as she walked with Elizabeth.
"He's gone, Lily...He's gone."
"I know, I know."
"Lily, call the cops, tell them what's happening!" Kevin said as he led the group, flashing his flashlight at any sudden noise.
"Once we get to the car," Lily said.
But, Lilian and Elizabeth watched as Kevin's flashlight fell to the floor, being followed with the sound of a loud thump.
Lying infront of them was Kevin's body, a hatchet cutting through the middle of his head as he stared at the two.
"No no no no no no no," Lilian mumbled as she gripped on Elizabeth, backing up slowly as she did.
"BULLSEYE!" A cheerful voice yelled.
Stepping out from the bushes, a man with bright orange goggles appeared in the light, taking the hatchet out of Kevin's skull as he admired his work.
"Big guy aren't *KOO KOO* ya? No *SUCKY* wonder you were so easy to hit," The man stuttered out, his head twitching from side to side as he joked, the loud cracking of his neck echoing throughout the forest.
Frozen in shock, Elizabeth looked towards Lilian, who was just as frozen as she was.
"Damn... You two sure *WOW* are pretty," The man spoke, turning his attention towards the two girls. "I've never *SHOO* had a girlfriend before," The man continued before his gaze darkened, his body language becoming more hostile as he took out his other hatchet. "Mind giving me a chance?~"
Without wasting a moment, Lilian grabbed Elizabeth's hand before running off, causing the man to chase after them.
"We gonna split up," Lilian said.
"Huh?"
"It's better if at least one of us survives. You go left, I go right. We're going to have to get Kev's keys and phone."
"No, no please."
"It's fine, if I don't come back, leave without me. Now go!"
Lilian quickly ran to the right, jumping over a few bushes in the process. Hesitating, Elizabeth stumbled over a few branches as she ran the left, separating the two.
"Jeez, are they *KOO KOO* really that stupid?" Toby mumbled, tapping his chin with his hatchet as he looked both ways. "Tits or thighs...tits or thighs... Tits," Toby declared, looking to the right.
Running through the woods, Elizabeth saw the light from Kevin's flashlight in the distance. Picking up speed, Elizabeth felt her heart drop as Lilian's screams echoed throughout the woods, causing bird to fly up from their nest as it echoed.
"Lily," Elizabeth mumbled, staring in the direction of where Lily ran. "No. Get the keys, get the keys."
Standing over Kevin's body, Elizabeth felt nausea fill up her body as she examined his features. His once bright brown eyes now laid dull, staring at Elizabeth as his mouth laid open. Searching his pockets, Elizabeth felt a chill go down her spine as she caught a feel of his skin, painfully cold.
"I'm sorry Kev, I'm sorry," Elizabeth repeated as she pulled Kevin's keys and phone from his pocket. "I'm so sorry."
Standing up, Elizabeth decided not to take the flashlight, not wanting to risk being seen by the man who was chasing them.
Saying one last goodbye to her friend, Elizabeth ran in the direction of where their car was parked. But, as she ran, she could hear the sound of twigs being snapped.
The sounds came in short but consistent burst. He was following her, mocking her.
"I can see you~" Toby teased, letting out a chuckle as he watched Elizabeth stop for a moment.
Brian would always scold Toby for wasting time on victims, saying that too much time on one could lead to another escaping. But, Toby never listened. Having been a proxy for only a few months, the bosses were starting to grow quite fond of him, much to Tim's dismay.
But, this task was different. This was his first solo mission, and a surprisingly easy one too. Stalk the campers, kill them, dispose of their bodies, and go back to the cabin, easy, right? Well, maybe he should've listened to Brian's advice.
The moment Toby spoke, Elizabeth booked it, running much faster than she normally did.
"Fuck, *LOOKIE* she's fast,"Toby mumbled, chasing after her.
Reaching the car Elizabeth shakily pulled the keys out from her pocket, attempting to open the car door as Toby gained on her.
"Please-please-please, God please!" Elizabeth begged.
As the door opened, Elizabeth quickly jumped in, slamming the key into the holder as the car started up.
But, just before she could slam on the gas, a hatchet was flown as her window, causing glass to shatter on her. Luckily, the hatchet didn't touch her, her dodging just in time for it to land on the seat next to her.
Looking up in horror, Elizabeth watched as Toby appeared from the woods, out of breath as he came into frame. But, in his hand was Lilian, blood dripping from her body as Toby held her by her hair.
"Lilian...," Elizabeth mumbled.
Toby then tilted his head as he lifted Lilian's arm, waving it side to side with a sadistic grin.
She wasn't dead, not yet at least. Her chest was rising and falling slowly as Toby forced her to wave. But, blood was covering her face and neck, coming from the top of her head where Toby banged the handle of his hatchet into.
Staring at the two, Elizabeth came back to reality as quickly as she fazed out of it, slamming on the gas.
As she drove, in the corner of her eye she saw a piece of paper tied to the hatchet. Taking a look, she felt her blood run cold.
"If you survive, don't tell anyone what you saw. You'll see what happens if you :)"
She should tell the police? Lilian was still alive when she left, sure there was blood all over her, but maybe if she called the cops she could make it. Or was it too late?
Looking at Kev's phone, Elizabeth made her choice.
"911, what's your emergency?"
---------------------------------------------------------------------
"Elizabeth? Elizabeth? Fuck, fuck," The officer said as Elizabeth's head slammed into the table, not responding for five minutes before her head fell.
"JOHN, GET A MEDIC!"
The interview stopped there, but the tape continued.
"Elizabeth experienced a seizure during her interview, dying shortly after. But, evidence at the crime scene helped is in determining a series of events," You read as words appeared on the TV. "The bodies of Kevin Howard and Austin Brown were found. Kevin was found with a gash in his head while Austin was found with his head cut clean off. Lilian Smith's body has yet to be found at the time of this recording."
Then, the video finished.
The interview didn't tell you much about Toby's personality, but it did give you a glimce into his cruelty. You decided to use this case as a baseline for the other files you would be looking into, wanting to find common patterns in his crimes and how he picked his victims.
Standing up, you took a deep breath, mentally preparing yourself for the deep dive you were about the take.
After an hour and thirty minutes, you were able to figure out common themes in Toby's crimes, and in two, you were able to get a solid idea on his behavior and personality.
You filled up three pages in your notebook with notes on Toby.
It seems that the proxies in general were very diverse in their victims, some of them being normal civilians while others could be big shot politicians or businesses owners. Toby in particular seemed to mostly target people in their early to late 20s, and most of them were normal civilians or low profiled criminals.
When it came to his behavior, a common theme was that many of Toby's male victims had much more brutal deaths than the women. Women's bodies were often found with a hatchet in the back of the head, or a gash in the side, but their deaths were often simple and quick. The men on the other hand were always found in almost unrecognizable ways. One body was found with his chest completely torn open, his intestines wrapped around his throat and blood smothered all over his face, a truly horrifying site.
The deaths in which his victims would have slowly started to give you ideas. It seems that Toby has some sort of vendetta against men, or more specifically, men with blonde hair. Men with blonde hair were often the ones found in unrecognizable ways. This was something that you would definitely do more digging on and try to get an answer when you're interviewing Toby. Now, you wouldn't say Toby has a soft spot for women, that clearly wasn't the case the more you looked into his behavior, but he did appear to be a lot more merciful and playful when it came to their deaths. Well, maybe not all of them.
You recall that in Toby's file that he would be more complient with people he found hot. Well, in a few cases, there had been women found days or even weeks after incidents. All of which were found dead and in horrible condition, implying that they were kept with him for a while. Maybe that was the case with Lilian.
Now, when it comes to Toby's personality, it's obvious he's mentally unstable. And his mood swings seem to be very self destructive. Often thrown into periods of mental exhaustion where he becomes a blank slate, too mentally out of it to bother with reality.
Despite being in his late 20's, it's been reported that he can be surprisingly teen like when it comes to his interest and some of his behaviors. In past interviews, he's expressed his love for sappy rom coms, and interest often seen in teenagers. It was something that you took interest in, and you decided to figure out if it was just how he is, or if there was a deeper issue at play here.
"Y/N," Mandel said as she opened the door, cutting you out of your train of thought.
"Yes Ma'am?" You responded, looking up from your notes.
"Toby's ready."
Nodding your head, you stood up from your seat and followed Mandel as she led you to the interview room.
"Figure anything out?" Mandel asked.
"A lot, actually. Figured out common patterns in crimes, and some stuff I would like ask hin about."
"Like what?"
"He seems to be much more aggressive men, blonde men to be more specific."
"Hmmm."
"May I ask you something?"
"Ask away," Mandel responded, opening another can of red bull.
"Do you know what happened to Lilian Smith?"
Mandel froze in place, causing you stop with her.
"Ma'am?" You said shakily, looking at Mandel with worry.
"I was on that case... Remember it well..."
"What happen?"
"A week after Elizabeth died, we found her body in a cabin nine miles into the forest... Her head was split in two, going into her neck," Mandel said, her voice shaking as she took another sip of her red bull. "She's the reason why we're trying to charge Toby with sexual assault, the way she was found..."
"Oh... I'm sorry for bringing it up, Ma'am..."
"No, no. It's alright, it's been nearly a decade. If we can officially charge him with it, the judge will be more willing to put him on death row."
Sighing in relief, you watched as Mandel stood up straight and continued to walk.
"I want to remind you, these guys are monsters. Be careful with Toby, he's a lot more unpredictable than Jeff. He might meek today, but tomorrow he could be wild."
"Advice taken."
"Anything else you figure out?"
"He doesn't seem to have a specific preference for victims, only a preference in death styles. I do find his treatment of women kind of interesting though."
"Why you say that?"
"Oftenly, his killings with them tend be more merciful, but, there's multiple times where they've been on the more gruesome side of things. You think I should ask him about it."
"I don't see why not, but don't ask him up front, a lot of the inmates are stubborn and aren't going to give you any favors."
Next thing you knew, you were in the hallway meant for interrogations. You weren't sure why, but the vibe was completely different than last time you were in the area.
"Room 111 is Toby's. Remember what I told you."
"Yes ma'am."
"Oh, also. After Toby, you're gonna be on your own for the rest of your shift. I'll check up on your every now and again, but that's about it."
"What? What am I supposed to do?"
"Look into your other inmates cases. You still Tim, Brian, Ben, Jeff, and Liu to look into. If you stay in your office, you'll be fine."
"...Ok."
Nodding your head, Mandel turned the corner, leaving you alone in the silent hallway.
"111...111...there."
Opening the door, the room was no different than the last one you were in. Table in the middle, a chair on each side, bright lights, nothing new. One thing you did notice was that this part of the prison didn't have any cameras, or computers. You thought it was just the hallways, but it didn't make sense on why they wouldn't be present in an interrogation room.
Taking a seat, you pull out your notebook, looking over the various notes you made. You considered asking questions, but then you remembered what Mandel said.
"Ask them the questions on the paper, nothing else."
You couldn't deny the sketchiness of it all. Yes, you understood why they'd be so strict with who they let in and what they'd ask, they are harboring America's most notorious serial killers after all, but some of the questions didn't even matter. Trying to gain trust is one thing, but asking complete bullshit is something completely different.
"Why did you do it? Stubborn my ass, he would never answer that," You mumbled, reading each question on the paper. "What do you like to do? What does that have to do with anything?"
But, you quickly fell silent as the sound of footsteps echoes in the hallways.
CLICK! CRACK!
The sound of various cracks and clicks could be heard. The cracking of bones made your neck ich, and the sounds of the clicks caused you to grind your teeth together. It didn't help that the sound chains could be heard as well, moving side to side with every click and crack.
Taking a deep breath, your back straightened as the door opened.
Stabding in the door was three figures, two police officers holding onto the man in the middle. The man held a bored expression, his head angled downward as he looked around with his eyes. Much to your suprise, he was much shorter than you thought, maybe around 5'5, 5'6 if you wanted to push it. However, you couldn't help but stare at the injury on his left cheek. Pieces of skin were ripped out, showing his gums and teeth to the world. Not to be rude, but you were kind of glad he wore a muzzle like mask.
When his gaze met up to yours, the two of you made eye contact for a few seconds. Within those seconds, you saw his eyes widen, his eyes softening for just a moment before switching back.
"Cute...," He whispered, tilting his head to the side as a grin slowly formed on his face.
"Quiet," One of the guards said as they sat Toby down, bringing his arms up in order to chain them to the table.
"I wasn't *WOWIE* talking to you," Toby snapped back, rolling his eyes.
"Thank you, I got it from here," You said, earning a nod from the officers as one of them left the room, the other one quickly prompting themselves into the corner. "Hello Toby, I'm sure you know why I'm speaking with you today."
"*CLICK* Yeah."
"So, how have you been feeling recently?"
"Terrible!" Toby exclaimed, an irrated look on his face as he mumbled under his breath.
"Why is that?"
"Hmmm, let me *KOO KOO* think. Oh, maybe because I'm fucking here! Would you be happy and shit if you got caught?"
"I'm not exactly sure."
"Liar."
"I'm no liar, Toby. Now, may I be able to ask you a few questions about your cases?"
"Does it matter?"
"...Uh."
You quickly turned your head to the officer in the corner, who nodded their head in response.
"Uh yes! Yes, it does matter."
"...Fine."
"So. Before you were arrested, did you ever know someone named Abbie Grace?"
"Abbie Grace... Colored hair?"
"Yes."
"Yeah, why?"
"We were informed that you were involved with her disappearance."
"...Snitch. *FUCK* He owes me big time," Toby groaned, leaning back into his chair as he looked up at the ceiling.
"Hey, focus. Can you tell me what happened to her?"
"What if I don't wanna?"
"It's not up for negotiation."
"Aw, look at you toughening up."
"He isn't gonna tell me anything, isn't he?" You thought, doing your best to hide your irration. "Well, Toby. If you don't tell us anything, we can't charge you, but, if, or when, we get evidence on you, you're punishment will be more severe."
As you talked, you noticed a shift in Toby's mood.
"And I'm talking death row, Toby. Death. Row."
"I could get death row right now if I felt like it. Do you honestly think these chains can stop me from bashing your head in? Or from taking his gun and shooting you in that pretty head of yours?"
That was the first time he didn't stutter on a single word. No sudden words, no sudden tics, clear cut.
"You're alive because I'm letting you live," Toby said coldly, his eyes lacking any emotion as he stared into your soul. "Isn't that fun!" Toby suddenly cheered, leaning over as he stared at you wide eyes, a strange amount of joy written on his face.
"...I don't think we have the same definition of fun."
"You're so boring..."
"OK. How about this then."
"Hm?"
"Talk about yourself. What do look for when choosing your victims? How do you treat your weapons? Go crazy."
Both Toby and the officer looked at you in suprise.
"Seriously?"
"Seriously."
"Uh... What about *FLOWER* me exactly?"
"What did you like to do when you were a kid?"
"...I was in and *CRACK* out of hospitals a lot... Whenever I was out, I would *LOOKIE LOOKIE* go play in the woods with my sister," Toby said. "I hated being home..."
There were two things you took note of. The fact that Toby has a sister, and that he didn't like being home.
"You have a sister?"
"Had."
"Oh... What was she like?"
"She was the best. *BIRDIE* She'd always take care of me, stop kids from picking *CLICK* on me...and always made sure I was ok."
"She seemed nice."
"The nicest," Toby said, his eyes softening as he dazed off. "What else?"
"How do see this...hobby of yours?"
"It's a job, not a hobby."
"Hm. What do you hate most about it?"
"My *CLICK* co-workers."
"Why's that?"
"Tim is always yelling at me about something. *COOKIE* You fucked up on this mission! You never shut up! Mehmehmehemehmeh! And *SHOOT* Brian is just there! Sometimes he gets on me too, and other times he's on Tim! *TICK TOK* Like hello, pick a side!"
To be honest, you were surprised by Toby's words. Back at the Academy, Gibbons would always remind you that every criminal was human, so they would and behave as one. Even though you were considered very skilled, sometimes you forget this simple fact, that even the smartest or most dangerous of criminals, can crack.
The way Toby described them sounded like a worker talking shit about their boss in an office. Now you couldn't help but wonder how Brian and Tim would describe each other.
"That seems annoying."
"Finally someone gets it!" Toby exclaimed. But, after he spoke those words, you watched as he slowky looked at you, a faint blush forming on his face as he sent you a smile. "You know what, I like you."
You felt a chill go down your spine as you stared at him. Yes he called you cute, but the way he was looking at you, you couldn't help but feel concern.
"Um. OK, anyways... Did you have any favorites?"
"Favorites?"
"Yeah. Whenever you did your job, did you have a set preference that you could follow or no?"
"Hmmmm... I hate open spaces. *WOWIE* The noise, the people, the attention... *FUCK* I hate it."
"That explains the locations. Maybe I can figure out a pattern in Toby's preferences that can give me more clues to Abbie's case."
"I've always liked the woods, especially the campers. They're always to unaware. *CHICKEN* I once killed a guy who was half way through fucking *FUCK* his girlfriend, oh you *CAN'T *should've seen her face when I bashed his brains in!" Toby exclaimed before moving his up into the air and quickly slamming them down into the table, looking you dead in the eyes with a manic expression, "Just like that! She had your exact face!"
Least to say, you were dumbfounded. This guy was energetic, loud, and manic, the way he talked about his murders held so much life, so much passion, so much pride. The joy in his voice almost made you forget that you were talking to a criminal, and a manipulative one too. Despite his tone, you couldn't tell if he was being genuine, or at least what everything he was saying was true. If he fell for your trick, maybe he wasn't as aware as Mandel said.
"Oh...um. Is that all?"
"Maybe, maybe not. I don't wanna talk anymore."
"Wait, we're not done yet, we still have to talk about Abbie."
Toby sent you glare as his body tense up, his once playful energy gone.
"I know you don't care about death row, but, if Jeff gives us more evidence against you, the judge may consider lightening his sentence, while you, will get a more severe one. Maybe not death row, but still worse than Jeff's."
"So you want me to snitch."
"I wouldn't say that. I don't really care who tells me what happened to Abbie, I just wanna know."
Toby stared off to the side, assumingly in thought.
"Getting Candyhead was an order from the boss...She's *OW* the daughter of a powerful business *CRACK* owner that didn't keep his end of the deal with the boss. So, he had Jeff capture her, and then Jeff *POW* gave her to me to keep her *WOW* hostage."
"Wait... She's?" You mumbled. "Toby, is Abbie dead?"
"I don't know who told you she was."
"Wait. If she's alive, then we have to look over everything!"
You turned around the officer in the corner, who was just as surprised as you were.
"Miss, who's the head of the Abbie Grace case?"
"Detective Adrea Banklin."
"Can I meet with her after this?"
"I'll have to see if she's right now."
"Ok. Toby, our interview ends here."
"Ok~"
Standing up from your seat, you quickly made your way out of the room, keeping the door open as another officer ran in.
"Abbie's alive. But, how? She's been missing for over a year, how can she survive that long," You spoke to yourself as you rushed to your office.
As you opened the door to your office, you rushed to your desk, pulling out the Abbie Grace file from your cabinet.
"OK, ok. Calm down, Y/N, calm down. I understand it's your first real case, but stuff like this happens, so calm down," You said softly as you took some deep breaths. "OK, OK. I don't even have all the files on Abbie yet, so what should I do now..."
Then, it hit you.
"Liu."
Looking into the hallways, you, quickly made you way towards the inmates quarters, making sure to hide from other officers.
"Oh my God, what am I doing, what am I doing? Mandel is going to kill me, Gibbons is going to kill me. But, if it's solve the case, it's fine."
The inmate quarters were dark. You could see figures moving around, but since it lights out, the power in the quarters was out.
"How am I even going to get in?"
"Intern."
"AH!"
Turning around, the officer from earlier was behind you, giving you a suspicious look.
"Oh, you scared me."
"What are you doing over here?"
"...Just wanted to look around."
"...mhm. Well, Banklin is here at the moment, but she's preparing to go home. She's willing to speak now, but she won't wait long."
"That's great! Can you take me to her, please?"
The officer merely nodded her head before walking off.
"Liu can wait," You whispered to yourself before following after her.
"She's at the end of the hallway."
"OK, Thank you, officer..."
"Cherry, Officer Cherry."
"Y/N L/N."
"Pleasure. Also, if you're gonna meet with inmates, be more discrete."
"...How did you-"
"Been there, done that. Got caught up in a deal with Ben, was his bitch for months...You learn a thing or two," Officer Cherry said before walking off, leaving you alone.
You quickly made your way to Banklin's office. Opening the door, you saw Banklin placing various files into a bag.
Banklin was a tall woman with long brown hair, she seemed quite put together despite the stressful work environment.
"Detective Banklin?"
"Hm? Oh, you must be the intern."
"Yes, um. I've gotten some important information about the Abbie Grace case."
"From?"
"Toby, ma'am."
"Rogers? That man is a bipolar punk, I don't trust a word that leaves his mouth."
"I cam see why, but he implied that Abbie is still alive."
Banklin froze as she looked up at you, dropping the file in hand.
"Alive?"
"Yes, when he was talking about her, he talked in a present tense, and when I asked if she was actualky dead, Toby said that he never said she was."
"...It does make sense, we never did find her body, " Banklin said, rubbing her chin as she looked at the floor? "But, we've never had a case where one of their victims survived for more than a month."
"I don't know if you've noticed, but Toby has a pattern of keeping women for long periods of time before killing them."
"I've noticed, but in each of those cases, they didn't live past a month on average when we conducted their autopsy."
"So we're just going go let this info go?"
"I'm not saying that, I'm saying it's unreliable. Toby is far from stupid, and he tends to withhold info. He claims that he'll 'never be a snitch'."
"This claim can change this entire case, Miss. Banklin. Even if Toby is lying, what if he isn't? He sounded genuine when he spoke, and if she's alive out there, why should we just wait and see?"
"Listen here. This is your first time working with these Motherfuckers, you don't know anything about them. We asssigned this case to you because it's still on going. If you fuck this up and put this case in jeopardy, you're internship is done. I don't care what Joesph says."
All you could do is stare at Banklin, frozen in place as she closed her bag. You couldn't deny the fact that you often get way over your head, maybe being labeled the best officer in the academy made you a little over confident, but you didn't want to just throw this possibility out of the way. You didn't have a solid conclusion to Toby's true behavior, you still needed a bit more time on that bit, but until then, you were going to trust a few of his words.
"I'm sorry, ma'am."
"Don't bother. Abbie's case is the last case we have regarding Jeffery. Listen to Jeffery's words before Toby's, Jeffery rarely lies to us."
"Yes, ma'am."
"Good, now if you excuse me, I have a family to go home to," Banklin said, pushing past you so she opened the door. "Oh, also. Stick to what we assign you. We don't only want you to not fuck anything up, but it's also to protect you. Some of these cases are extremely classified and cannot get released to the public. I hope you understand."
"No, no I do."
"Good, see you in the morning."
Then, she was gone. You didn't even realize that you were holding your breath.
After meeting Banklin, you had come to the conclusion that no one was going to take your theories seriously. But, maybe there was someone who would.
Checking the hallways, you quickly dashed back to the inmate quarters. As you ran, you remembered a lesson that you had with Gibbons.
--------------------------
"Wrong!" Gibbons said for the hundredth time.
"What?! How is that wrong? The suspect obviously lied!" You yelled, pointing down at the paper, "Look, you see the inconsistencies in her statements."
"Y/N, in this field, not everything is simple."
"Yeah, I know that."
"So... Let's look over this paper one last time," Gibbons said as he sat in front of you. "The detective is pushing the suspect. When under stress, people will either do two things. They'll either confess, or make someone hear what they want to hear. With this in mind, what do you think is going on here?"
Looking down at the paper, you did your best to come up with an answer. Before being put under stress, the suspect's story was adding up, but, the moment the detective put them under pressure, their claims fell apart.
"They're telling the detective what they wanna hear?"
"Nope!"
"What?! What do you mean no?"
"Before the suspect was put under pressure, their story was adding up perfectly with the crime, but, the moment they were put under pressure, everything fell apart. This tells you two things. 1, they're not alone. They're most likely being used to take the fall, explaining the perfect line up. And 2, they indirectly confessed that they were innocent."
"You got that from this alone?"
"When you're in this job for as long as I have been, you pick up on things quickly. But, this, situations like this is what makes solving cases so difficult. When you do your internship, I want you to keep this in mind."
"Keep what in mind?"
"If someone is willing to tell you info about a case, take it, especially if it's from a snitch. A snitch is more willing to throw their friends under the bus for than own gain, making them more reliable than a direct source. "
"What if I can't talk to them?"
"Find a way. Roosevelt is Big, many places to hide. Be smart, not crazy."
"So you want me to break the law?"
"If you can make look legal, than yes."
"...You're the worst cop ever."
----------------------------------------------------
"Guess I'm the worse cop ever," You muttered, taking a deep breath as you stood infront of the door separating you from the inmates.
Looking to the right, you noticed a key pad with various numbers and letters.
"Shit... uh, how about, 1 2 3 4 5?"
"WRONG, 6 DIGIT CODE" was written in bold letters.
"Six digits?" You questioned, clenching your eyebrows togethers as you thought. "It can't be something simple, but what if it's so simple that people wouldn't even consider using it?"
Then, it came to you.
"Wait...Roosevelt Federal Prison, Creepypasta Ward? R F P C P W."
CLICK!
"Oh thank god."
Openng the door, you felt the atmosphere shift as you took a step into the room. Due to it being curfew, it was pitch black in the ward, leaving you to rely on the sounds of various voices.
"Shit, why did I do this, why did I do this? If I'm caught in here my internship is done. Can I get arrested for this? Probably. Well, too late now..."
You weren't exactly sure where to look for Liu. You weren't sure if he was on the bottom or top bit, or if he even had a roommate. You knew better than to turn on your flashlight, but, you started to feel the consequences of you actions. Maybe you should get you impulse under control.
Caught up in your thoughts, you failed to notice the figure creeping up behind you. However, you were able to hear the sound of faint breathing.
Whipping your head around, your gun was already in hand, but, the figure grabbed your wrist and covered your mouth, immobilized you.
Adjusting to the dark, you were able to make out a pair of green eyes. You weren't exactly sure if it was Liu, but, the feeling of stitches rubbing against your hand confirmed your suspicions.
"Liu?" You whispered, tightening your grip on your gun.
Liu remained silent as he stared at you.
"What do you want."
It wasn't a question, it was a demand.
"I'm accepting your deal. If I get whatever it is Jeff took from you, you'll tell me what you know about Abbie."
You couldn't see his face, but Liu looked down at you confused. What deal? He did recall slipping in and out of conciouness during lunch, sharing a few words with you before blanking out once more. But, his face quickly turned into annoyance as he imagined Sully interacting with you. The little bastard had to have made a deal with you.
"...Ok," Liu answered blankly, letting go of your wrist.
"What does Jeff have that you want me to get. "
Liu stayed silent for a few moments. What was it that Jeff took this time? One of his guns? Nah, he hates the noise. His bandages? Maybe. So, Liu only shrugged, much to your disappointment.
"If I get you whatever Jeff has, you'll tell me about Abbie, right?"
"...Yeah, yeah, sure."
"Promise?"
"I'm not saying it again," Liu said, sending you a glare.
You quickly shrieked back, nodding your head in understanding before sliding past him.
Feeling around for another key pad, you quickly entered the pass code. Squeezing through the door, you let out the biggest sigh of relief, but you quickly felt that relief be replaced with regret.
"I just made a deal with a fucking inmate," You said, your eyes wide in shock. "What kind of cop am I? Best at the Academy my ass..."
Little did you know, this was only the beginning. The start of your fall from grace.
493 notes · View notes
the-s1lly-corner · 3 months ago
Note
could I request creepypasta x reader who can take their head off
Various crps x reader who can take their head off
pretending that i didnt tear up the roof of my mouth while eating my dinner shhhshhhh ignoring that my bottom front teeth rest on the roof of my mouth right where its all torn up thus making me hyperaware and by extension making me clench and grind subconsciously characters: jeff the killer, laughing jack, ticci toby, eyeless jack notes: reader is gn, reader isnt really human but theyre written to look human, focusing on first reactions cws: none unless you found taking ones head off as body horror? does it count? im not sure tbh.. mentions of anatomy and stuff in ejs part.. canon typical violence
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LAUGHING JACK
finds it so cool, entertaining even... i like to think that he has "clown physics" to him, but im unsure if being able to dethatch limbs would be one... if he cant take his own head off hes going to be a tad bit jealous of you
sometimes yoinks your head and holds it up to his height so you can "see the world from his perspective", this is more likely if youre significantly shorter than him
if you allow it hes going to juggle your head or even "go bowling" with it... you... may get dizzy though, so agree with caution
if your head is loose and has a habit of falling off hes going to take it as a win if it falls as you laugh at one of his jokes
EYELESS JACK
honestly? not all that phased by your little party trick, at least hes not grossed out by the clear view of your necks insides- hes seen those plenty of times... both in the form of images as well as in person when hes needed to silence someone
that said looking at in tact neat remains is different than seeing it all messed up or in a diagram, so if you dont mind he would like to take a look at least once... totally not making notes for future reference
not many questions otherwise, surprisingly... i mean hes a man eating demon of sorts who mostly gets nutrients from eating the organs of humans- he doesnt have much place to ask you what you are exactly or what caused this sort of thing to happen
doesnt ask you to show off your trick, finds no interest in asking you to take your head off and goof off with it unlike some of the others
TICCI TOBY
oh! thats his partner taking off their head.... OH! THATS HIS PARTNER TAKING OFF THEIR HEAD- he... genuinely needs a second to process what hes looking at because it catches him so off guard, you only told him you had a party trick to show him
lots of questions, main one being how and why- were you not a living human this whole time? a little betrayed that you didnt tell him sooner, actually- and even if you did, why didnt you show him this sooner?
traces his fingers along your neck where it separates, after you put your head back on- even more impressed if theres no mark left behind
like jeff, hes going to try to get you to play some jokes on people- though its likely hes going to pull them on masky and/or hoodie
sometimes carries your head around with him while hes working- ignore how morbid of a sight thatd be..! he just wants some company without making it too obvious!
JEFF THE KILLER
stares wide eyed for a few seconds... ignoring that he doesnt have his eye lids anymore so hes always looking at you wide eyed-- thinks he may have actually lost it for a second before cracking up
probably one of the last things hes expected you to do but hey, he thinks its pretty wicked!
oh hes definitely going to try to get you to use your quirk to scare some unsuspecting people who are walking around- perhaps do it late at night for some added effect? and if they lash out he can always swoop in and come to your aid
will push your head off of your neck if youre being a smartass or generally lightly getting onto his nerves- not a hard push, but enough to knock your head loose
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mouwrites · 1 year ago
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Creepypasta/MH - Breaking Up With Them
Characters: Nina the Killer, Jane the Killer, Clockwork, Jeff the Killer, Eyeless Jack, Tim/Masky
Nina the Killer
She approaches you one day, eyes puffy and red from crying
She breaks the news that she wants to separate pretty bluntly
“Y/n. I want to break up.”
She has to be quick because the second she opens her mouth, the tears are going to start again
She’ll be apologizing, telling you that you’re really awesome and attractive, you’re just not the one for her
If you let her she’ll hug you, burying her face in your shoulder
Your shirt will get stained with makeup
After a while she’ll pull away, sniffling, and ask if you hate her
If/when you say no, she just nods solemnly and hugs you again
When she’s finally ready to stop hugging you, she’ll offer to help you gather your things
If you forget anything she won’t have a problem texting you about it, or even bringing it to you herself
She’ll probably still want to be friends, but distant ones
Like, you’ll keep tabs on each other every now and again, and you’ll be friendly when you see each other, but you’re not exactly besties
She keeps the gifts you’ve given to her, as well as the Polaroid photos you’ve taken together
Even when she’s over you, she likes to look back and remember the good times you had together
Jane the Killer
Sends a “we need to talk” text first
She’ll tell you to meet her somewhere private and secluded
When you get there her face is creased with pain, but she’s firm and steady as she explains why she wanted to meet up
She stands a good distance away while she speaks
Her arms are crossed, but eventually it becomes obvious that she’s trying to hold herself as comfort
Tears may come to her eyes, but they won’t fall
If you take it well, she’ll approach and hold out her hand for a handshake
But as you get close, she’ll change her mind on a whim and yank you into a rough hug that’s over before you even realize it happened
Then, with a single sharp sniffle, she’ll wish you the best and walk away
“Have a good life, Y/n.”
She won’t contact you again
If you see her after, she’s going to avoid you at all costs
It’s just too awkward and painful for her
She probably purges everything you gave her in a fit of rage at some point
Everything but something super small, like a bracelet or something
She keeps it locked away, out of sight, out of mind (mostly)
Occasionally she’ll find it and stare for a while, reflecting on your relationship
Then she’ll shove it away again and try to forget she saw it
Clockwork
She’ll try to find you alone
Somewhere quiet where you can talk and think in privacy
She might startle you a bit by jumping straight in
She doesn’t even announce her presence first
“We should break up.”
Her expression looks relaxed to the untrained eye, but you see how tired she is
She’ll try to have a civil conversation, making plans with you to execute your separation
She wants to make the process as smooth as possible, which means no emotions allowed
She saves those for your last goodbye
While she’ll be totally cold and serious throughout the whole breakup, she’ll cry when you see each other for the last time
She’ll hug you tight and tell you how much she loved you
Then she’ll wish you the best, and tell you that if you need anything you can text her
Honestly she hopes you won’t
It’s really hard for her to restrain her emotions around you, but she forces herself to do exactly that
That’s why she won’t want to see you much anymore
She puts everything that reminds her of you in a box, but she can’t make herself get rid of it
It sits in her attic, collecting dust, just like her suppressed emotions towards you
Jeff the Killer
I see him as the type to break up mid-argument
Like, in the heat of the moment, he just shouts:
“That’s it! We’re over!”
Even if it’s was small, if breaking up is something he’s been thinking about, he’ll use the argument as an excuse to do it
He won’t elaborate much; he doesn’t want to expose himself like that
After the argument, he’s really cold, but not particularly aggressive
Like, he’ll help you pack your things calmly, but he’s not going to comfort you in any way
When you actually leave he walks you to the door and just says “bye” before closing it
He immediately blocks you on all platforms
Yet he’s too “lazy” to delete all the pictures of you off his phone, or to get rid of the gifts you’ve given to him
Sometimes he finds himself staring longingly at them, wondering if he made the right choice
His finger has hovered over the “unblock” button several times
Yet if someone brings you up in conversation, he scoffs and turns his head distastefully
Might even talk a little trash about you
(He’s still trying to convince himself that breaking up was a good decision)
If he sees you though…
He’s frozen, staring at you, more doubtful of himself than ever
Eventually he just looks away, too stubborn to address his feelings
It takes him a very long time, but he finally realizes that he ultimately made the right choice
Eyeless Jack
He’s mortified when he realizes he wants to split up
He feels so bad; he doesn’t want to hurt you
Doesn’t have the courage (or emotional energy tbh) to confront you face to face
So he leaves a letter
It’s multiple pages and very gentle and emotional
He makes it clear how he feels about you, restating multiple times how delightful you are, but that you’re just not for him
He’s probably already packed your things, but he tells you to grab anything else you want
He’ll disappear for several days, letting you sort yourself out
He’ll answer if you text though
It might take him a moment if it’s an emotional text, but he’ll just reiterate what he said in the letter
To be fair, it was a very thorough letter that he wrote with the intention of you having no such questions
But if it’s something practical, like “where is my toothbrush” or something, he’ll respond really quickly
That’s pretty much how it is afterwards
He’ll answer your texts if you need something, but he’s not looking to keep emotional ties
He might keep a few things to remind him of you, but he’ll get rid of most of them
Like Nina, he wants to remember the good times
He’ll probably be alone for a long time after, so the memories you gave him are ones he’ll treasure forever, even though he doesn’t love you anymore
Tim/Masky
Does it over text
He just can’t bring himself to face you
But he doesn’t want to leave a letter either; he wants you to be able to respond
He’ll be very blunt and to the point, but he’ll be dodgy when answering your questions
He doesn’t want to be vulnerable like that
The only things he will expose are that he did love you and that he thinks you’re a good person
He’ll only say it once though
After that he’s focused on planning
If/when you meet up to collect your things, he doesn’t say much
Honestly he just acts weirdly normal
Like, he’ll help you pack it up and carry it out
Then, before you leave, he says (astonishingly casually, as if you weren’t in the middle of a breakup):
“That everything? Yeah? Okay. Bye, Y/n.”
He’s acting like you had a healthy breakup when you really didn’t
It’s because he’s already bottled everything up
Maybe it’ll spill when the going gets rough, but he’s not going to touch it if he can help it
He’s already shoved your memorabilia in a box that he keeps in his basement, and he’s not planning on opening it
Yet its presence burns in his mind from time to time, driving him to push his emotions down even further
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Sorry if I broke your wee hearts my loves :( but thanks for reading!! Take care of yourselves <3
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wishfairies · 26 days ago
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My theory for Billy's memorie loss is: The westview/ Billy Maximoff memories was mostly because if the sigil (Who i believe was put to protect Billy Maximoff not William Kaplan)
And the memories of Billy Kaplan are lost because of the head injury he got on the car (i mean there was A LOT of blood on his head, it was going down to his shirt). I mean the doctors did said some memory loss was normal.
Of course we have to consider that (different from the comics) Billy Kaplan is technically dead since the car accident so that is a chance of Billy never having the memories of his first 13 years of life back (and if marvel was more willing to do a more Horror story they would make a perfect character for it).
But either way Billy only have memories of Jeff and Rebecca being his parents for the last 3 years and i will take this little piece of the real Billy Kaplan that we sadly will never get to meet
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bl00dy-pa1nt3r · 4 months ago
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Hii!! can I get headcanons of what creepypasta characters would do if you cheated. Please and thank you, also love youuu. 💕
⊹ ࣪ ˖𝘊𝘳𝘦𝘦𝘱𝘴 𝘳𝘦𝘢𝘤𝘵𝘪𝘰𝘯 𝘵𝘰 𝘣𝘦𝘪𝘯𝘨 𝘤𝘩𝘦𝘢𝘵𝘦𝘥 𝘰𝘯₊ ⊹
|| Yess Ofcc!! Tysm for requesting!! I love you too wifeyy ‹𝟹 🧸ྀི I also have classes tomorrow so I’m trying to finish this before then 😭 ||
﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌
ᴄʜᴀʀᴀᴄᴛᴇʀꜱ ɪɴᴄʟᴜᴅᴇᴅ » 𝘓𝘪𝘶 𝘞𝘰𝘰𝘥𝘴 – 𝘉𝘭𝘰𝘰𝘥𝘺 𝘗𝘢𝘪𝘯𝘵𝘦𝘳 – 𝘛𝘪𝘤𝘤𝘪 𝘛𝘰𝘣𝘺
𝗰𝘄 » 𝘕𝘰𝘯𝘦 (?)
𝗥𝗲𝗮𝗱𝗲𝗿 » 𝘧𝘦𝘮𝘢𝘭𝘦
𝗡𝘂𝗺𝗯𝗲𝗿 𝗼𝗳 𝗵𝗲𝗮𝗱𝗰𝗮𝗻𝗼𝗻𝘀 𝗲𝗮𝗰𝗵 » 8-9
|| Reader does not know about them being Creepypasta serial killers ||
───────୨ৎ────────
Liu Woods ⪼
Normally, Liu isn’t one to freak out. But this just about made him do so. Coming home from a long day, and seeing another man in your twos bed was the LAST thing he’d expect out of you.
Headcanons ⪼
• Was in genuine shock, anger, and disappointment when he found out.
• He was really devastated about it as well.
• That night consisted of constant fighting, blaming, yelling, and honestly just bullshit excuses from you. Excuses that Liu definitely wasn’t buying.
• He had gotten you a gift that night, only for it to be thrown away. Along with your twos relationship. Sad, really.
• You two broke up that night after the argument. Liu went to Jeff’s, who surprisingly let him stay for a night or two. Jeff helped him calm down and get his mind off of it.
• A few days after the break up, Liu threw away all the pictures, gifts, etc. that were from the relationship. Wanting to forget about it as quick as possible.
• Asked you to delete any photos or posts of you two from the relationship, politely. If you declined, it probably wouldn’t end well.
• Liu hadn’t really told you about the whole Creepypasta serial killer thing, so he wouldn’t have to worry about the hassle of getting rid of you.
• Got over the breakup in about 3 months, wants to be on good terms, but doesn’t think it’ll go well anyways.
───────୨ৎ────────
Bloody Painter ⪼
Helen is not a person to take cheating lightly. In fact, he does not tolerate it by ANY means. He’s a very hard person to read, but you could tell his true emotions behind that stoic and emotionless mask of his.
Headcanons ⪼
• He was surprisingly ‘calm’ during this whole situation. Though it was clear he just wanted to scream at the you and the stranger.
• Just like any other occasion, he showed no emotion. But you could tell just how pissed and hurt he was by this.
• Managed to hold in his emotions while telling you and the stranger to get out. Pure disappointment and hurt was evident in his voice as it cracked slightly.
• Had burned all paintings he had made of you over the course of the relationship. Along with deleting photos and your number.
• Once you started to try to get in contact with him, he blocked your number. The amount of calls and texts he was getting started to annoy him.
• Demanded for his hoodies, shirts, etc. back. Immediately washing them as soon as he got them. Though, he did keep one with your scent still on it
• He bottled up his emotions for a long time. Until he just broke down in front of Puppeteer. Puppeteer let him vent for as long as he needed, he knew that Helen needed this.
• It took Helen a bit longer to get over the break up, as his trust issues built up more. But Puppeteer and Dina helped him through it.
• Got with Dina a month or so after he got over the break up, is still with her currently.
───────୨ৎ────────
Ticci Toby ⪼
Toby never thought that, that would happen, but there he was standing in the hallway. Catching you and the stranger in the bedroom. You only just noticed him when you heard him tic, pushing the stranger off you.
Headcanons ⪼
• Toby’s emotions got the best of him. He was pissed, but mostly hurt at the same time. He basically screamed at the stranger to get out.
• Once you two were alone, you two argued, you mostly said excuses.
• After the break up, Toby went killing more than usual, needed to get his mind off things and to get his anger out.
• Sally helped distract him from it by playing tea party or dress up with him. Bloody Painter drew with Toby to distract him as well.
• Despite them helping him forget about it, he still was pretty bummed out about it. But eventually, over time, he got over the break up.
• He did the same as Helen and Liu, getting rid of photos, posts, etc. from the relationship.
• Washed the bedsheets and his clothes that you had worn in the past. He felt disgusted to even lay down in his own bed after catching what you had done with another man.
• Hasn’t gotten with another person since then. He’s still working on forgetting about it.
• Other creeps had helped him a lot, giving advice, helping him forget, or just helping in general. He’s healing really well, and has mostly forgotten about it.
───────୨ৎ────────
⋆⑅˚₊ ּ ֶָ֢. .𖥔 ݁ ˖ ₊⊹‧₊˚ ⋅ ⋆. ⋅˚₊‧⋆.˚˖°. . ݁₊ ⊹ . ݁˖ . ݁ ₊
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witchhazel-fumes · 7 months ago
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Creepypasta is inherently cringy. It's foundations are built on the backs of mentally ill teens and young adults from the late 2000s-2010s. Of course it's self indulgent, we were suffering and needed escapism. Of course some of the portrayals of mental illnesses are less than perfect, we were navigating an ableist world while struggling with said illnesses. Hell, many of us were being abused and the idea of a found family made it so we could make it through another day.
I've been in the creepypasta fandom since I was a little girl. 9 years old, in fact, 2009. The dawn of ARGs becoming popular. I've only recently began creating content because I felt the community has matured enough that if someone didn't like what I did, they'd move on rather than rant and rave over how garbage my art is. That's mostly the case. Mostly.
See, I'm seeing a rise in "mature" portrayals of these characters. Not NSFW "mature", that's always been there. I mean supposedly gritty, realistic, "made for adults" kind of spins. It'd be fine if the people doing it weren't fucking trampling on the heritage of the community in the process. We're a goofy community, and the slenderman is our dad that makes us waffles. We write bullshit, but still entertaining stories about serious topic, then put those characters in goddamn tutus. You can have your cake and eat it too. You just don't have to be unpleasant about it.
My favorite example of this duality is @carnalhaus 's Nine Jeff. His story is heartachingly sad, it's fairly realistic, it's got mature and NSFW themes at times, and yet... we've got art of him in a cat maid outfit. And it's fantastic. The duality of this fandom is what makes it so great. Shunning one part in favor for the other is just a fundamental misunderstanding of the media. Being all high and mighty about how "mature" and "realistic" your interpretation is isn't unique. It's sad.
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the-lonelyshepherd · 8 months ago
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what’s your opinion on the travlottienat s2 sex scene
hi! um category five autism event and i got way too serious about this. however its not my problem.
oookay SO first off obligatory i am a minor BUT we are analyzing this from a narrative/plot perspective and not in a sexual way. theres naked people in art its fine. I think this scene is fascinating from like. not a shipping perspective but a character based one. it shows a lot about travis and it also shows a lot about lottienat (mostly talking abt the character combo and less the ship) and also jackie. yeah, jackie.
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Madonna della Pietà, Michaelangelo
To start - even w how it looks, this is a Lottienat scene. Not even from a shipping perspective but because this scene SHOWCASES their "rivalry", the contrast in their characters and how they are perceived to the rest of the team (w Travis as a stand in for the team). It shows how they're both very present figures in the whole yellow jackets situation (shown through travis but can apply to all of them imo). Nat is there with travis. shes physical, shes providing. But lottie is also there spiritually, and against the norm, leading whats going on.
Nat as the physical
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lottie as the spiritual.
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so despite the fact that natalie is physically there, travis cant (probably physically cant as hallucinations are NOT voluntary) take his mind off lottie. because she can give him something, in his mind, that nat cant. Shes almost an escape - nat is the harsh reality hes living while lottie is the voice that brings him hope that his brother is alive. lottie is someone who can lead in a way that he wants to make sense. and its an idealized version of her in his mind, probably stemming from his issues w authority figures like his dad and the built up version of masculinity in his mind.
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And this scene also emphasizes Nat’s role in the Javi situation. Because of this:
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The wound on her leg where she faked Javi’s death so that Travis would stop his self-destructive search for his brother, who by all means should have been dead. Why? Because who is Nat but a realist? She’s gotten everything from life thrown at her and came out of it with that attitude, and who can blame her?
But this scene is right after she brings Travis forged proof that his brother is dead. Her guilt is present through this scene, and showing the wound is to emphasize that. layers!!! but travis has a lot of guilt throughout this scene as well - not only because of the supposed death of his younger brother that he as the older sibling feels at fault for but also… the jackie situation.
The Jacke of it all:
yeah this is a jackie scene. not only is it right before when they FUCKING EAT HER but like in spirit as well. Okay so the thing is that jackie is the character who puts the most emphasis on virginity, we all know this, but in the end it's travis that gets the "first time" that she puts so much emphasis on. Yes, jackie and travis lose their virginities to each other, but in this scene travis checks off doing it with his actual girlfriend. That, and he does almost the same thing jackie did with jeff. She looks to shauna's photo, travis thinks of lottie. They have to be outside of their bodies to perform because both of them have hangups (for one reason or another).
It's not that Travis doesn't want to have sex like jackie with jeff, he clearly tries, but he can't do it while thinking very clearly. First by being drugged, then by imagining himself doing something unrelated. And they would've been happier if they hadn't done it - jackie is immediately shunned for it. If you think about it, she literally dies for it. Travis feels like he cheated and did something wrong despite being drugged out of his mind and having no real control over the situation (something jackie didnt know). and then IMMEDIETLY after this scene, there’s the Jackie feast. Not only is she everywhere symbliocally, shes also physically in them now. THE JACKIE OF IT ALLLLL
The Pietà
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The Pietà is a reference to the 6th sorrow of mary. for all you guys who arent christian/catholic →
The Seven Sorrows of Mary are seven significant moments in her life:
Simeon's prophecy of joy and sorrow.
The flight to Egypt to escape King Herod.
Finding Jesus in the temple after being lost.
Mary meeting Jesus on his way to crucifixion.
Witnessing Jesus' crucifixion and death.
Holding Jesus' body after his crucifixion.
Jesus' burial, which Mary mourns.
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To clear things up here - lottie as mary in this context is not a “maternal” as in motherly way - imo its supposed to be peace and hope, guidance/authority. travis, despite being famous for his daddy issues, is hinted at having mommy issues as well (see: him not getting hugged goodbye by his mom in the pilot while his dad and javi both do)
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also, he clearly struggles a lot w masculinity - having a woman in authority doesnt come naturally to him, but in this moment it is his only comfort.
so in the wilderness, there’s a complete power shift from the outside world. in this isolated environment there’s a female majority - specifically, the team, who already (roughly….. it gets messy but ykwim) trust and know each other. they already have a, albeit shifting, power dynamic established. in the normal, precrash, world, it would be isolated to them. but post crash, they are now the majority and the three guys left standing are now forced to assimilate into that instead.
Ben had power - he was one of their coaches and an adult - but with the death of coach martinez, he loses a lot of power 1) because he’s only an assistant 2) hes outnumbered 3) he doesnt want to be in charge of these insane girls anymore. he just wants gay daydreams. let him live.
Then there’s Javi - he’s younger, and none of the girls really know him, but they’re generally nice to him. he cant contribute much though - and eventually he has to contribute all he has - his literal flesh.
Finally travis - arguably the most involved as he is the same age as the team. this puts him on their field as “involved”. He originally has this very built up view of masculinity that you can tell stems from a place of self consciousness/ self loathing as well as a buildup of society’s expectations on him as a teenage boy in the 90’s. He’s supposed to be tough, hes supposed to be in charge, hes supposed to be better. And when hes thrown into this female dominated space it completely falls apart. He’s not the best shooter, he doesn’t have authority or leadership. The only other older male figures are dead or have tried their best to remove themselves from the situation. He has to completely reevaluate everything he knows - Travis has come to learn that there is power in being near and simply being an approximation of femininity.
Travis has come to learn that there is power in being near and simply being an approximation of femininity. Travis has gone from the top (he was never really there, but the built up idea of masculinity put him there in his mind, though even then he had doubts and it came from a negative place) and to bottom of the totem pole - and now he’s rising back up to somewhere in the middle by connecting with femininity, by recognizing women in authority, and also trying to have that hope and spiritual belief that is brought about by these female figures. The middle is where travis can reconcile with the weirder things (ive been in discussions about how travis actually parodies a lot of classic feminine tropes) that clash with what travis should be.
overall this scene is fucking insane. its lottienat its travnat its mommy issues its daddy issues its deadass jackie its an older brothers guilt its religious its a sin its deconstructing the very nature of yourself and those around you. all through the power of weird sex hallucination. and eating someone right after.
if youre still here i love you. please send me yellowjackets discussion asks i love them so much <3 feel free to ask questions and shit, also if none of this makes sense im sorry lmao.
ALSO. special thanks to @periwinklekryptonite who like carried this discussion and came up with like half of tjis. ask him about trans travis or travis in general or maybe pike. shoooo go send him travis questions.
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wingamy24 · 9 months ago
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a lot of jeff/annie shippers have said that i'm just a no-fun anti that fixates on their age gap and, like, yeah, obviously. that's the main problem. but i also think jeff/annie go against both of the character's development.
annie constantly tries getting her "dream man" because she feels the need to be loved. she needs someone to love her and give her approval. she sees that man as jeff because, in her words, she believes that if she teaches someone like him to love, then she'll be loved forever. i think that jeff/annie could've been used as a way to make annie mature and realize that she doesn't need a 35 year old man's approval or attention and that she can love herself the same way... of course, this doesn't work if you try to make them endgame.
and jeff, well... basically, community finale. jeff sees annie as his youth, the one he desperately wants back. and, also, he feels lonely. he's a cold guy that constantly needs to look cool in front of his friends. he's VERY lonely. he doesn't want annie: same as her, he just wants to be loved. he's not used to loving. he wants to experience it, but as annie said in his weirdass fantasy where she was married to him... "is this what you really want?"*
i don't know, i feel like shipping jeff and annie is the equivalent of throwing their characters through the window of a 13-floor building.
*that's the translation of the spanish subtitles, i can't exactly remember what annie actually said in english.
5/3/24 update (i forgot that i wanted to add this)
in general, it just feels like they both want a completely different relationship with a completely different person, and they're trying to force the other to be that person. im mostly talking about annie here. if your favorite community character is jeff winger, you probably are his #1 hater, like me. annie doesn't deserve jeff. she deserves way better. and im not saying this in a "they are so silly hahaha annie deserves so much better than this silly guy" no, annie would get hurt in a relationship with jeff. she has high expectations for him. she has high expectations in general. my girl is FRESH OUT OF HIGHSCHOOL and the only 2 guys we've seen her canonically date are grownass men she met when she was 18/19. jeff just isn't her guy. can you imagine them actually living together? can you imagine jeff sleeping on a bed full of plushies? can you imagine annie groaning as she saw jeff's magazines of women? (jeff canonically has those, by the way) etc, etc. annie deserves SO MUCH BETTER than jeff. also, she doesn't really... get jeff. i know this is weird, i mean, they're friends. but jeff never really opened up to annie or went to her whenever he had personal issues. i don't think they'd be closer than friends (close friends).
there's also a whole thing in their potential relationship that could be harmful to annie: jeff's addiction to alcohol. i reblogged a post about it a few days ago that you might wanna check out
kk guys it's been like 3 days and i found it it's right here!
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teddywesworl · 2 months ago
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I hope everyone knows that when I say I’m creatively driven by spite, what I mean is that many of my works of fiction are arguments. I’m doing a persuasive essay but it’s prose. It’s spite insofar as I have had a negative reaction, and often an emotional one, to someone else’s text, and I need to express and explore that reaction. Everyone writes stories in conversation with other stories, whether or not they mean to, and I mean to.
Tulips is a reaction to the almost universal structure of soulmate stories placing the soulmate reveal as the climactic event that resolves the narrative tension. That doesn’t mean I hate those kinds of stories, but I did feel a need to dig into and contradict the pattern. Anemone is FULL of love (and lbr mostly in conversation with jeff and jules) but I did have some stuff to get off my chest about gender expression and omegaverse tropes. Vino and sihaw are fully contrarian on purpose—vino came from a desire to flip the vampire!eddie fanon tropes on their head, and I started sihaw annoyed at how often ship fic and art takes aesthetic as equivalent to character. I call it spite, and it is spite, but I hope it’s also a constructive contribution to. Well. The discourse, in the traditional sense. u feel me??
anyway im writing a dragon age fic rn it’s about that blond ex church cop I hope u will all forgive me
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literary-illuminati · 9 months ago
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2024 Book Review #6 – Exordia by Seth Dickinson
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This is a book I have been looking forward to for quite literally years, from someone who is easily one of my favourite working authors. I also read the short story the book was expanded out from before I even knew it was going to be a book, and so went in spoiled on the broad strokes of what turned out to be the climax of the whole thing. All to say my opinion on this is unlikely to match that of the typical reader, I guess.
Anyway, Exordia is a glorious spectacular mess that has no right to cohere anywhere near as well as it does. It’s target audience is small, but I’m certainly somewhere in it. Please ignore all the marketing it’s so bad you have to wonder if someone at Tor just has it out for the author.
Exordia is a, well, a profoundly difficult book to give any sort of plot summary for. The first act involves Anna, a 30-something survivor of the Anfal Genocide now living a rather unimpressive life in New York City, until one day in the early 2010s she sees an alien eating the turtles in Central Park. Then there’s a cat-and-mouse hunt between terrifying alien snake-centaurs for the future of free will in the galaxy, and the plot jumping to kurdistan, and six more POV characters from as many different nations, and nuclear weapons, and oh so many people dying messily. The first act is an oddly domestic and endearing piece of table setting, the second is (to borrow the idiom of the book’s own marketing) Tom Clancy meets Jeff Vandermeer or Roadside Picnic, and the third is basically impossible to describe without a multipage synopsis, but mostly concerned with ethical dilemmas and moral injuries. It’s to the book’s credit that it never bats an eye at shifting focus and scale, but it does make coming to grips with it difficult.
This is, as they say, a thematically dense book, but it’s especially interested in the fallout of imperialism. The Obama-era ‘don’t do stupid shit’ precise and sterile form of it in particular – the book’s a period piece for a reason, after all. The ethics of complicity – of being offered the choice of murdering and betraying those around you or having an alien power with vastly superior destructive powers inflict an order of magnitude more misery to you, them, and everyone in the same general vicinity to punish you for the inconvenience – is one that gets a lot of wordcount. It is not an accident that the man most willing and able to collaborate with the overwhelming powerful alien empire in hopes of bargaining some future for humanity is the National Security Council ghoul who came out of organizing surveillance information for the drone wars. It’s also not a coincidence that the main (if only by a hair) protagonist is someone with a lot of bitter memories over how the US encouraged Iraq’s kurdish population to rebel in the ‘90s and then just washed their hands and let them be massacred (the book couldn’t actually ship with a historical primer on modern kurdish history, so it’s woven into the story in chunks with varying amount of grace. But it is in fact pretty thematically key here).
Speaking of complicity, the book’s other overriding preoccupation in (in the broadest sense) Trolley Problems. Is it better to directly kill a small number of people or, through your inaction, allow a larger number to die? Does it matter is the small number is your countrymen and the larger foreigners, or vice versa? What about humans and aliens? Does it matter whether the choice is submitting to subjugation or killing innocents as a means to resist it? What about letting people around you die to learn the fundamental truth of the cosmos? Does the calculus change when you learn that immortal souls (and hell) are real? This is the bone the story is really built around chewing on.
All that probably makes the text seem incredibly didactic, or at least like a philosophical dialogue disguised as a novel. Which really isn’t the case! The book definitely has opinions, but none of the characters are clear author-avatars, and all perspectives are given enough time and weight to come across as seriously considered and not just as cardboard cutouts to jeer at. Okay, with the exception of one of the two aliens who you get the very strong sense is hamming it up as a cartoon villain just for the of it (he spends much of the book speaking entirely in all caps). There definitely are a couple points where it feels like the books turning and lecturing directly at the reader, but they’re both few and fairly short.
The characters themselves are interesting. They’re all very flawed, but more than that they’re all very...embodied, I guess? Distracted with how hot someone is, concerned with what they ate that morning or the smell of something disgusting, still not over an ex from years ago. Several of them are also sincerely religious in a way that’s very true to life to actual people but you rarely see in books. The result is that basically comes as being far more like actual humans than I’m at all used to in most fiction (of course, a lot of those very human qualities get annoying or eye-roll inducing fairly quickly. But hey, that’s life). Though that’s all mostly the case at the start of the book – the fact that the main cast are slowly turning into caricatures of themselves as they’re exposed to the alien soul manipulation technology is actually a major plot point, which I’m like fifty/fifty on being commentary on what happens to the image and legacy of people as they’re caught up in grand narratives versus just being extended setup for a joke about male leads in technothrillers being fanfic shipbait.
Part of the characters seeming very human is that some (though by no means all) of the POVs are just incredibly funny, in that objectively fucked up and tasteless way that people get when coping with overwhelming shock or trauma. It’s specifically because the jokes are so in-your-face awful that they fit, I think? It manages to avoid the usual bathetic trap a lot of works mixing in humour with drama fall into, anyway.
Speaking of alien soul manipulation technology – okay, you know how above I said that the points where the book directly lectured the reader were few and far between. This is true for lectures about politics or morality. All the freed up space in this 530 page tome is instead used for technobabble about theoretical math. Also cellular biology, cryptography, entropics, the organization of the American security state, how black holes work, and a few dozen other things. This book was edited for accuracy by either a doctoral student from every physical science and an award winning mathematician, or else just by one spectacularly confident bullshitter with several hundred hours on wikipedia. Probably both, really. I did very much enjoy this book, but that is absolutely predicated on the fact that when I knew when to let my eyes glaze over and start skimming past the proper nouns.
The book has a fairly complete narrative arc in its own right, but the ending also screams out for a sequel, and quite a lot of the weight and meaning of the book’s climax does depend on followthrough and resolution in some future sequel. Problematically, the end of the book also includes a massive increase in scale, and any sequel would require a whole new setting and most of a new cast of characters, so I’m mildly worried how long it will be before we get it (if ever).
The book is also just very...I’m not sure flabby is the right word, but it is doing many many different things, and I found some of them far more interesting than others. I’m not sure whether Dickinson just isn’t great at extended action scenes or if I am just universally bored by drawn out Tom Clancy fantasies, but either way there were several dozen pages too many of them. The extended cultural digressions about the upbringing and backstories of each of the seven POVs were meanwhile very interesting! (Mostly, I got bored of the whole Erik-Clayton-Rosamaria love triangle Madonna complex thing about a tenth of the way into the book but it just kept going.) It did however leave the book very full of extended tangents and digressions, even beyond what the technobabble did. Anna herself, ostensibly the main protagonist, is both utterly thematically loadbearing but very often feels entirely vestigial to the actual, like, plot, brought along for the ride because she’s an alien terrorist’s favourite of our whole species of incest-monkeys. The end result is, if not necessarily unfocused, then at least incredibly messy, flitting back and forth across a dozen topics that on occasion mostly just seem unified by having caught the author’s interest as they wrote.
It’s interesting to compare the book to Anna Saves It All, the short story it was based on – quite a lot changed! But that’s beyond the scope of this already overlong review. So I guess I’ll just say make sure to read the book first, if you’re going to.
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oceans-goddess · 2 years ago
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Not Stupid At All
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A/N: Sorry I haven't been very active lately, I'm a busy gal at school these days. Hope you like this short fic! I love this boy with my entire heart and I feel absolutely no shame in telling you all that he is my ride or die comfort character<3. Might edit this later because I don't love it, but it'll do for now
Pairing: Eddie Munson x female!reader
Warnings: none I think
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Months into the school year, Eddie was still impressed with himself for managing to befriend you that first day of school, when you'd sat all alone at lunch, poking at the grimy "meal" on your lunch tray. His friends had been trying to tell him about a new store that was opening up in town, but he barely heard them.
"And I heard they'll have... Eddie?" Gareth had said, noting Eddie's distraction. "Hello?..."
But Eddie was too busy watching you dig through your bag and pull out a notebook. He'd wished he could stand over you and see what you were writing, get a glimpse of what you were thinking. He felt a swell of affection when he noted the way you tilted your head as you scribbled, the light hitting your hair in a way that made him swoon.
It took a nudge from Dustin to catch Eddie's attention once more; he let out a yelp of pain and mostly surprise.
"Fuck was that for?" he asked, but Gareth cut in then.
"That was for you not listening."
Eddie rolled his eyes and tried to listen, but after a few minutes, it was clear he was completely unfocused again. Jeff waved a hand in front of his face, asking Eddie what his problem was.
"Nothing, man. I'm fine."
"You've been quiet all of lunch," Gareth pointed out, Mike nodding in agreement next to him. Suddenly, every eye at the table was on him, expecting an answer.
"Jeez, guys, I don't fucking know! I'm fine, just..." without knowing how to finish, Eddie slumped forward, messing with his jacket collar.
"Just what?"
"Guys, maybe lay off? He said he was fine," Dustin tried, but no one else was buying it. After a few more unanswered questions, Eddie caved.
"Alright, alright, I'm just kinda, I don't know... I mean, have you seen that girl before?" He said the last part an octave lower, hoping to be discreet, but it didn't matter; every other boy's head swiveled around to look at you sitting at the next table over.
"Way to be subtle, guys, Jesus," he huffed. Gareth was the first to speak.
"Nah, I've never seen her. Probably new."
Obviously, thought Eddie. You had to be new. Eddie would have noticed you if you'd come to this school last year, no question.
"She's cute," Jeff commented.
"Gorgeous," Eddie spat before he could stop himself. Gareth laughed loud enough to draw your attention, and you looked up from your notes, slightly startled. Surely others nearby had done the same, but Eddie didn't care-- he just didn't want to draw your attention.
"Shut the fuck up!" he whisper shouted, reaching across the table to flick his friend in the forehead. When he looked back in your direction, your focus was back on your work.
"Just go say hi," Dustin suggested, earning a snort from Mike. Eddie rolled his eyes. Jeff clapped Eddie on the back, agreeing with the curly-haired freshman.
"No," he said curtly, hoping to end the conversation there, but with this group, it was never that easy. They encouraged him some more, but he denied them once again.
"No, I'd look totally stupid just going up to her."
"No way man," Mike declared. "Not stupid at all. Just be cool. It'll go great."
"Go get 'em, tiger," Jeff growled playfully, "or I'm calling her over." Eddie raised his eyebrows in surprise, his mouth agape.
"No! No, stop. Alright, I'll go say hi. Just shut the fuck up."
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It had been months since then, and you'd been kind enough to befriend Eddie. The two of you spent time together almost every day. Every time you looked at him he got lightheaded, and whenever you hugged him goodbye he could barely manage to stand up straight. When you'd asked in your sweet voice if Eddie could be your regular ride home from school, all he could do was nod. He'd probably say yes to anything you asked of him, now that he thought of it.
"What should we do?" you now asked as you sat in Eddie's van in the school parking lot after a DnD session.
"Uh... we could go for a drive? Listen to some music, pick up some snacks, and just drive around for a bit?"
You smiled at that, nodding slightly. The gesture set off the butterflies in his stomach.
"You can choose the music," Eddie allowed, expecting you to choose Wham! or Cyndi Lauper or another artist that he didn't particularly like but had picked up from the store for you to listen to when he drove you home. Instead, you picked out a Metallica album and handed it to Eddie.
"Are you sure? I feel like these songs are kinda intense for a chill night," he asked, completely astonished at your choice. But you were sure, and you told him you wanted to listen to what he liked tonight.
He hadn't thought you could get any sexier, but here you were.
After stopping at the store, the two of you chatted lightly between bites.
"This is nice," you said suddenly. "I mean, the other guys are fun to hang out with and everything, but I feel more relaxed with you."
Eddie could have passed out then and there. You liked spending time with just him? Before he could respond, you spoke again.
"Sorry, I made that sound kind of weird. I just meant that, ugh, I don't know, I mean, you're just... very sweet." From the corner of his eye, Eddie could see that you had your head ducked down and that you wrung your fingers in your lap. Before saying anything, he desperately needed to park the car. He couldn't focus on the road and what you were saying to him at the same time. His mind was racing-- could you actually be trying to tell him what he'd been hoping to hear since the day he met you?
He found an empty parking lot and put the van in park, but it took him a few moments to figure out what he wanted to say back to you. You quickly scrambled for an apology.
"I'm sorry, I didn't mean to weird you out--"
"No, no you didn't, Y/N." Eddie said quickly, realizing that he needed to come up with something quick.
"I... I like spending time with you too," he said, then internally cringed, realizing how stupid he sounded.
"You do?" you asked. He was surprised that you couldn't tell already. Every moment that he wasn't at band practice, at work, or in class (and even sometimes then), he was with you.
"Yeah," he whispered, and you smiled, shifting to face him in your seat.
"Can I tell you something?" you asked.
"Anything," Eddie breathed. You hesitated for a moment, a blush rising to your cheeks. The anticipation practically killed him.
"I've kind of had feelings for you for a while now," as you spoke, Eddie's world imploded, the car windows shattered, the music blared, the lights in the parking lot flickered wildly-- "and I was wondering if you would ever consider, you know, going out on a date some time."
Eddie didn't know what to say. The girl of his dreams had just asked him on a date, and he was completely speechless. His world had just been turned on its head, and she expected him to give her an answer without blowing up right where he sat? But the longer he sat there staring at you dumbfounded, the more your expression turned from hopeful to embarrassed, and he had to put a stop to that quickly.
"Yes," he choked out, "of course, I'll go on a date with you." You looked over at him with wide eyes.
"Really?"
"Yes, Y/N. I've had feelings for you since the day I met you." You tried to hide your grin by looking down at your lap, making Eddie smile stupidly at your cuteness.
"Why haven't you said anything?" you asked, unaware of Eddie's gaze. He shrugged, then began to speak.
"I guess I didn't want to mess up a good thing, ya know? I mean, you are undeniably the smartest, sweetest, most beautiful girl I know. And I was lucky enough to be your friend. I didn't want to tell you how I felt and make things weird between us if you didn't feel the same." You giggled and shook your head at his assumption.
"No, honestly, I've had a crush on you since we met too. I remember Gareth laughing at something at lunch the first day of school. When I looked over at your table, I saw you sitting across from him. I remember thinking how cool you looked. Your hair, your clothes--" you stopped yourself then, clapping your hand over your mouth to guard yourself from revealing any more. Eddie leaned into you, his eyes begging you to tell him more.
You squeezed your eyes shut and cringed, but Eddie only laughed and pulled your hand away from your mouth. Now that he knew how you felt, he had to know the rest. He was on top of the world tonight, and he wanted to bask in the glory of being admired by you for as long as he possibly could.
"Ugh, um, okay..." you continued, "you looked really stressed initially, but when you came over to talk to me, you were so confident and, I don't know, it was exciting. You wanted to be my friend. I could barely speak. Kinda stupid, I know."
"No way," Eddie laughed. "Not stupid at all. I felt the same way."
When you looked up at Eddie, he was staring at you with the gentlest expression you'd ever seen on him. He was still holding your hand in his, and you intertwined his fingers with yours. He smiled at this and brought his other hand up to cup your cheek. The pads of his fingers were a bit rough from playing his guitar, but you liked the feeling.
Soon, you were lifting your chin, and he was pressing his lips gently to yours. He brushed your cheek with his thumb as he kissed you, and your heart was beating out of your chest. Eddie's kisses were sweet and slow, the exact opposite of what you'd expect from a guy like him.
When you pulled away, the beautiful boy in front of you was smiling. "So," he began, "where will this date be held?"
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