#(well a fake weapon anyway)

[glitteringstardust]

🧪 🐦‍⬛ 🧪 | 🐦‍⬛ 🧪 🐦‍⬛ | 🧪 🐦‍⬛ 🧪

paracelsus (darkest dungeon) stimboard

-requested by @virulenthealing

[nomsfaultau]

It slots in so neatly with the reconciliation section of the abuse cycle as well. Tenderly patching up the wounds they caused 💯💯💯

Sorry, sorry, but manipulative hurt/comfort is fucking cocaine to me. The predatory aspect of it. The vulnerability—500% better if the hurt party knows they're being manipulated and is past the point of caring. The juxtaposition of sweet and sharp flavours. Barkbarkbark

[sgt-tombstone]

do you think the recruits make chuck norris type jokes about the 141?

lieutenant riley doesn't go hunting, because hunting implies the possibility of being unsuccessful. lieutenant riley goes killing.

one time sergeant mactavish threw a grenade and killed five enemies. and then it exploded.

sergeant garrick sleeps with a pillow under his gun.

captain price has a bear rug in his room. it's not dead, just scared like the rest of us.

oh my god, 100% yes

Everyone thinks it started with Ghost, but Price was the original hardcore spooky bastard (in a very Chuck Norris kind of way), especially after he got promoted to captain. All of the rookies who made those kind of jokes are gone now, though, so he hasn't heard a Norris joke in a while

Enter Simon Riley.

It starts out kinda small, just an exaggerated rumor every now and then (he wears a skull mask; no matter how terrifying he is, people are going to talk), but then someone brings back Ye Olde Chuck Norris Joke, just one, and the entire mess hall lights up

Everyone is SO CAREFUL not to let Ghost hear about it, especially not the rookie who originally brought it up. By the end of the week, every rookie on base is whispering them and giggling about it. They've gotten more and more outlandish, as jokes do, and because none of the 141 do themselves any favors, especially when they step off the plane from their most recent op covered head to toe in blood, guns little more than mangled pieces of metal, their gear nearly in tatters, but they're all smiling and laughing like they're out for a day at a theme park

Price loves it. It reminds him of his younger days, before he got strapped with so much desk duty, when he really struck fear in the hearts of friends and enemies alike. He's always been the monster in the dark for terrorists, but his years have softened him around allies. Hearing the rookies whisper wild jokes back and forth is incredibly nostalgic and very affirming for him

Gaz and Soap? They're in on it, 100%. They both heard about it almost immediately after it happened and all it took was a shared glance to decide to feed the flames. Whenever they have babysitting rookie training duty, they'll drop little tidbits of "lore", most of it fake but some of it true. They don't have to stretch the truth too much because they know the lunch break gossip the next day will have blown everything out of proportion anyway. Whenever they hear a rookie go, "well, I heard...", they'll always pipe up with, "that's not how it happened, here's what really happened..." and the rookies fall for it every time. They have a shared note where they keep their favorite jokes they hear around base

Ghost hates it. He's used to striking enough fear into the hearts of rookies that they stay approximately forty-seven feet away from him at all times because the very sight of him has them shaking in their boots, but as the jokes grew more bizarre, the fear has been replaced with amusement. It's an awed sort of amusement, but still. Every time he hears a rookie giggle behind his back, he can't help but feel a bit mocked. It's fine when he calls himself nothing but a tool in the army's hand, and he's gotten used to (and comfortable with) being seen as nothing more than a walking weapon, but there are enough true stories about him to garner fear and awe; he doesn't need people making up lies.

It all comes to a head when a rookie starts talking a little too loudly, probably unaware that Ghost is even in the room. It's something stupid, so stupid that it's not even funny, but then Soap butts into the conversation, and Ghost tenses. They meet each other's eyes and Soap keeps direct eye contact as he smirks and says, "In an average living room there are a thousand objects Ghost could use to kill you, including the room itself."

Which is, objectively, true. But there's a glint in Soap's eye, the sort of mischievousness that Ghost loves so much, and he realizes that Soap just gave him the perfect opportunity. Like bait in a perfectly hidden trap. Ghost steps close to the back of the unsuspecting rookie, surrounded by a gaggle of even more unsuspecting rookies, and leans down to whisper in his ear.

"And I'll use every last one of them on you if I ever hear another joke on base, Private."

God, he hopes he isn't a corporal.

Apparently he isn't because the man jumps almost two feet in the air, a choked-off scream escaping his lungs as he whips around to find Ghost standing far too close for comfort, staring him dead in the eyes.

"Me, sir?" He stutters out, and Ghost almost smiles at the fear in his voice. The other rookies shoot to their feet as well, already edging towards the exit but unwilling to take their eyes (or ears) off of the conversation.

"Yes, you," Ghost rumbles, deep and dangerous. "If I hear anyone make a Ghost joke, I will hunt you down and show you why they call me The Ghost."

The poor soldier stammers out an affirmative, or maybe an apology, but he and his friends are out the door before Ghost can really parse out the words, and then it's just him and Soap. Soap, who's grinning like a lottery winner, eyes ablaze.

"That was hot, sir."

"You're fucked up, MacTavish," Ghost grumbles, but he can't keep the smile off his face. Maybe he could have some fun with the 141 jokes after all...

[prentissluvr]

dead eyes — sam winchester

cw : gn!reader, hurt/comfort, established relationship, canon typical violence, blood, death, weapons, and monsters (shifter), reader has a panic attack, character death (in a dream), nightmares, crying, kisses, unedited, 2.4K words. requested !

summary : killing a shifter with sam's appearance scares you to the point of a panic attack.

MOVED BLOGS TO @sammyluvr !! no longer active on this blog! all fics can be found there!

his dead eyes. you shouldn’t have looked.

when you do, it feels like you’re being tilted on your axis, and your vision swims for a moment. his voice, though distant, brings you out of it. we should go find dean, he says, voice gentle like he caught a glimpse of the horror that flashes over your features. horror because they’re his dead eyes.

but it’s not over yet. there’s still another shifter in the house, and the adrenaline of an active hunt doesn’t let you dwell on it.

you had gotten separated, just like you said you wouldn’t, and when sam showed back up, you had to point your gun at him, you had to keep him at a distance. this proved smart when another sam walks in. your sam, you think, because he’s carrying the silver knife he took on the hunt today… and because it feels like him. but you couldn’t be sure.

so you kept your gun up and ready to turn on either one at a moment's notice, even when the mere idea of shooting sam, even a fake one, made you sick to your stomach. what if i shoot the real sam? you had thought to yourself in a terrified moment before your insincts kicked in.

you offered to test yourself first, slipping out your silver knife and cutting a thin line to prove to the real sam that you can be trusted. the shifter and sam stare each other down, and the one that you think is your real sam offers to test himself with his own knife. right as he brings the blade to his forearm, the other lunges towards sam, pulling out a long dagger and aiming right for the heart.

two shots rang out through the air before you could even think about it, and the shift dropped dead at sam’s feet.

now, as you find dean, just barely having killed the last shifter, you know that your instincts served you well, and saved both you and sam. but it had all happened so fast. the realization that there was more than one shifter, getting separated from the brothers, then the confrontation with both sams. your sam, who was calm and collected, but didn’t try to worm his way into getting you to trust him. and the shifter, who wore sam’s face and played with you.

he had insisted he was the real sam, he had chosen to confuse you. sure, to buy himself some time… but you think it was for the pure entertainment of it too. that’s exactly what the shifters had done to their previous victims; posed as their loved ones, but turned violent and angry until the victims tried to hurt or even kill them in self-defense. then they'd guilt their victim for trying to hurt someone they love. and then of course they’d kill them, with their loved one’s face as the last thing they see. they were a violent, messed up pair of monsters, and you’re glad to be rid of them.

but they got to you too. maybe you are their final victim, because sam’s voice saying please don’t hurt me keeps replaying in your head. then there’s sam’s body falling to the ground, blood pooling under him so fast and his eyes open in death. 

it wasn’t sam. you know it wasn’t sam. but in the car ride back to the motel you’re overwhelmed with images of his dead body anyway. and the fact that you had to point that gun at the real sam because you couldn’t be too sure. looking down the barrel of a gun and sam being at the end of it… it just about kills you.

from his seat in the front of the car, sam knows that you’re struggling. he can feel it. your eyes on the back of his head, looking haunted when he glances back with a silent smile of reassurance. and he can’t even see your hands where they are, tucked into your lap, but he knows you well enough that it’s like he can physically feel the way they’re shaking. he wishes he could wrap his solid hands around your trembling fingers and rub your back to soothe your breathing.

he’ll have to wait until you get to the motel, and he’s thankful the drive is almost over. the silence of the car isn’t a comfortable one.

dean reads the room easily and takes to the shower the moment you arrive. before the door to the bathroom is even shut, sam pulls you into his arms, one hand wrapped around your shoulders and the other planted on the back of your head to keep you close.

“it’s okay,” he murmurs, pressing his cheek against you. “i know you’d never hurt me. you don’t have to worry about that.”

the way that he hand picks words and tone and volume for you, with ease and purpose and a complete knowledge of you, your heart, and your mind makes you melt into his hold. you mold to his body, you hug him back so tight, and you cry a few tears. just a few, because his arms around you are grounding and real and better than anything else you could ever ask for. you thought you might fall into a panic, let your anxieties and tendency to overthink things get the better of you. he fixes it all with a hug.

a hug and a love for you that compares to nothing at all. it’s like the way that he holds you and the way that he knows you, gently close the gaps where worry and fear and tears slip through. no stitches, no needle and thread, just soft bandages that hold you together.

⟢⟢⟢

you kill sam in your dreams. you don’t remember anything else. just what it’s like to point your gun at him and shoot with intent. what it’s like to press your hands to the bleeding wounds you made and see his eyes go still. you wake before you can close them with bloody hands.

you’re trembling and you don’t think you’re breathing quite right.

it’s just a dream. it was just a dream. none of it is real. you would never hurt sam, never on purpose. 

with a sharp twist of your neck, you look over at his sleeping form from your spot on the pullout couch. 

you share a bed much more often than not, but this motel is out of rooms with queen beds. last time you slept in a twin bed with him you almost fell to the floor even with him holding you close. that thought brings you out of it for a moment. but seeing him so still in bed is too scary for you to stay calm for any longer than that.

he’s fine, you think desperately. he’s just sleeping. if you could take the time to let your eyes adjust to the dark or see through the tears in your eyes, you’d be able to catch the rise and fall of his breathing. but you can’t.

you can’t even keep track of your own breathing as you stumble out of bed and towards him before realizing at the last moment that you don’t want to wake him.

so you put a hand to your chest and try to breathe as you turn around and make your way to the motel room door on shaky legs. the tears run and run like they can outpace the fear, maybe drown it, and you don’t realize how much noise you’re making as you fumble with the lock and the handle and the door that wasn’t this heavy earlier today.

you’re looking for the cold. the wind, maybe rain if you’re lucky. you’re looking for something to feel that’s not a phantom of your nightmares or suffocating guilt and terror. how could you even dream that? how could you?

and you can’t breathe, you don’t think that you can breathe as your knees buckle and you sit down hard on the concrete outside. it would hurt if you could feel it.

you squeeze your eyes shut and drop your head between your knees because you know somewhere in the back of your mind that you’re having a panic attack. but from your position on the ground and the intensity of your anxiety, it’s not enough. you gasp and gasp and can’t hear sam’s footsteps or your name falling from his lips until he’s right in front of you.

he doesn’t touch you for fear of startling you, but he says your name so soft and steady and worried.

“please look at me, honey,” he asks. sleep tints his voice, love colors it. “it’s alright. you’re alright. i’m alright.”

looking at him is hard because he’s already there, behind your eyelids and bleeding out. but he’s alright. that was his voice saying it, his voice calling you honey and maybe if you open your eyes and look up, he won’t sound so distant the next time he talks.

he’s in front of you. the sight of him sways a little, but he’s there and if you’re seeing well enough, he looks so concerned. so sorry and worried and a little helpless because he wants to bring you out of it and isn’t sure if it’s working yet.

but you hear him and you listen, and when he can see your eyes, it’s a little bit better. when you can see his eyes, it’s a little bit better. they are not open in death. they are alive and feeling and looking at you with love and pain and softness and sorrow. he’s so sorry that you’re so scared of hurting him.

“can you focus on me, love?” he asks, noting your distant eyes and faraway mind and wanting more than anything to bring you back to him.

like a miracle, you find out that you can. you can focus on his eyes, and then his voice, and then you see him holding a hand out in case you want something physical to ground yourself with. it’s instinct to grab his hand, to grip it and steady yourself with it like you have a million times before for a million different reasons. like when you got tipsy and wobbly or when you wanted to go home but you didn’t have one. when you missed him or when you twisted your ankle or fell in love. when you killed him in your dreams.

you still gasp for air and you still cry. but sam is there and that means you’re going to be okay. that means he’s okay, at least for now. he makes for now enough, and you’ll make sure that it’s always. i’ll protect him, you tell yourself. you’ll protect him.

but for now he’ll be the one to protect you; tonight it’s from your fears and the cruel tricks of your mind. he pulls your shaky form into him. he rubs your back and kisses your forehead and your breathing slows down. the air comes into your lungs and it stays there long enough to make a difference. you feel the cold and the breeze on your skin. there’s no rain, but the moon can be seen and it hangs over sam’s head. the moon reminds you of sam.

you walk yourself out of the panic attack without even needing him to ask you for five things you see or four things you can feel. he’s proud of you for it. of course, it’s his being there that helps you more than anything.

“that’s it,” he murmurs, “there you go. i got you.” he smooths his hand over the back of your head, soft and slow and sturdy. when your eyes flutter closed, the only thing you see is the imprint of the bright moon against your eyelids for a moment. the rest is dark and calm.

the fabric of his sleep shirt gets all bunched up in your weak hands. the t-shirt is soft and thin from wear and it feels familiar in between your sleepy fingers. it’s october. he’s probably cold.

i’ll protect him, you remember. your fingers loosen and the fabric falls away from your hold. it rides up and exposes his skin to the wind when you rub up his back. it falls back over the hem of his jeans when you rub down. you’re trying to warm him, but your hands are shaky and small compared to the expanse of his back, even smaller compared to the expanse of the sky.

for a moment sam isn’t sure what you're doing, but he smiles so sadly when he realizes. his heart aches with love and adoration.

“let’s get inside,” he whispers. you nod against his chest. he’ll be warmer inside. so will you. you might be shivering. he hoists you to your feet with steady care. your knees feel weak, but you hold his hand tight and walk back into the room. sam closes and locks the door, the guides you to his bed. he sits you down on the edge and crouches in front of you, wiping softly at your tears. then he leans forward and up to press a kiss to your cheek, then another to the spot between your eyebrows.

you fall into him, wrapping your arms around his neck, and he accepts you happily. he rubs your back soothingly, lets you tuck your head into the crook of his neck. he holds you there until you sit up. he lets his legs go sore and doesn’t care about it one bit. you heave out a huff of breath and he cups your face, thumbing softly at your cheekbone. your hand slowly wraps around his wrist, then you turn your head to kiss the heel of his palm.

“let’s sleep,” you mumble against his skin. with a soft heart, sam obliges, climbing into the small bed after you. he bundles you up into his arms before pulling the covers over your warming bodies. he kisses the top of your head, letting his lips linger for a long moment before he rests his cheek against the same spot.

“goodnight, sam,” you whisper softly, voice still holding a hint of its earlier shakiness.

“goodnight, honey,” he echoes, voice just as soft and prettily hushed. he wants to say more, maybe another ‘it’s okay’ or sweet reassurance. he wants to make sure you know that he’s not afraid of you hurting him, that he trusts you and that loves you all the way. but he thinks you already know, and that you’re better suited for silence now.

he’ll tell you tomorrow.

[moonstruckme]

have a bonfire - send a character + a trope (one bed, fake dating, etc.) and I’ll write a drabble

AHHHHH CONGRATS CONGRATS CONGRATS

how about like secret royalty, like very princess diaries-esque, with sirius???? he's basically royalty anyway, so either him or reader suddenly entering his world would be so cute

Thanks lovely <3

prince!Sirius x princess!reader ♡ 1.2k words

With the early arrival of the visiting king, the uproar the palace (You’re actually not sure what you’re supposed to call this place. Castle? Mansion? Home? (You really hope you’re not supposed to call it home, that seems awfully quick.)) has been in since your arrival triples in severity. Your grandmother completely disappears, the nice older man who’s been showing you around goes with her, and when no one wants to take on the problem of the new and completely untrained princess, you’re shooed into the nearest sitting room to wait things out. 

“Well, this has to have been a mistake.”

You give a start, turning in place to find a young man stretched out like a cat on a settee by the window. He has longish, dark hair that spills like ink over the green upholstery and cunning eyes that are narrowed curiously on you despite his disinterested countenance.

“Or I suppose maybe your team’s just stashed you here the same way my father’s stashed me,” he says, and the voice that emerges from that small, pretty mouth is just as smooth he looks like it would be, self-assured and infused with an accent that speaks to a privileged upbringing. “I don’t imagine they’d like knowing their new pet is cavorting with her equals so early on.” An untrustworthy smile curves his lips. “Could be fun. Should we ring for food?” 

You have half a dozen questions, but what makes it out is, “Pet?” 

The boy tilts his head, giving you a knowing look. “You’re an unhousebroken puppy, sweetheart.” His eyes dip to the dress they’d put you in this morning, skimming their way back up to your face and leaving goosebumps in their wake. “A very pretty one, but as far as royals are concerned, an embarrassment. From what I hear, that’s hardly your fault, though.” 

You sit a cautious distance away from him, on a parallel couch. The afternoon sunlight spills over the top of his settee and hits your eyes, but you bear it rather than move. 

A week ago, a couple of days even, you wouldn’t have been able to make eye contact with someone like this. But though this boy is prettier and speaks more brashly than nearly anyone you’ve come across, you’ve grown remarkably used to novelty since being sat down in front of relatives you didn’t know to be told that you were heir to a country you’d never heard of. One upside to the chaos of the last few days is, you suppose, it might be making you braver. 

“Who are you?” you ask. 

“Oh, my god.” He smiles, seemingly delighted. “You really are brand new, aren’t you? I’m not trying to sound arrogant,” he says at your flustered look, “it’s just we’re usually trained to know important people before we ever meet them. It’s not every day I come upon someone who actually has no idea who I am.” 

A little laugh trips off your tongue. You tell him, “You’re not making your not-arrogant point very well.”

“Well, I never said I wasn’t arrogant.” That dastardly grin again, slicing across his face like a weapon. “I said I didn’t want to sound arrogant. I’ve been told it doesn’t make a very polite first impression.” He stands, graceful limbs unfurling, and starts for the door. “I’m Sirius. Are you hungry?” 

You nod dazedly as he crosses the room, and it’s only then that you realize he’s wearing a suit. Or, parts of one. The jacket and tie have been cast off, hung over the arm of the settee, but he’s still wearing the pants (thank god) and a dress shirt that appears blue in the light but otherwise is so dark it might be black. 

Sirius opens the door, murmuring to someone outside. When he’s done, he heads for you instead of the settee. Kicks his shoes off and settles in across from you, legs crossed underneath him like you’re at a sleepover. You decide to follow suit, turning to face him and trusting the length of your dress to protect you from scandal as you tent your knees in front of you. 

“That’s better,” Sirius says, and his eyes look different with the light cutting across them. Before, they’d been in shadow, but now they’re the color of heavy clouds, a faint bluish hue brought out by his dress shirt. “You looked stunning with the light on your face, but you’re even lovelier when you’re not squinting. I asked for someone to bring us chicken nuggets, is that alright? You’re not vegetarian, are you?” 

You’re surprised at the choice, but that quickly gives way to relief. You feel a smile tugging at your lips at the banal normalcy of it. After the five-course dinner you’d had the night before that had tormented your unrefined stomach for hours afterwards, chicken nuggets sound like a dream. 

“That’s good,” you reply, and Sirius returns your smile with feeling. “Who were you talking to out there?” 

“A member of my detail is just outside the door,” he explains airily, as if security details are something everyone has and talks about on a routine basis. Your astonishment must show on your face, because he raises a slender eyebrow. “You don’t have one? I suppose not every kingdom does. Or, if you haven’t left the palace, you might not have met yours yet.” 

“You said your name was Sirius.” 

“I did.” 

“But you didn’t say your last name.” 

Sirius’ lips twist wryly. “I did not.” 

Maybe it’s his own audacious manner, but you feel like you can be straightforward with him. “Why not?” 

He shrugs and lists sideways, leaning his shoulder against the back of the couch. “Maybe I’m still enjoying the novelty of you. I don’t often get to talk to people without all the genteel manners and button-up-ed-ness.” 

You tilt your head. “You’re one of the Black family, aren’t you?” 

Sirius nods, looking unsurprised you’ve figured it out. It’s obvious he’s royal, so it really wasn’t that far a leap. He doesn’t look like any of the family you’ve met so far, and the only other royals are the ones visiting.

“So does that make you the king’s son?” 

“There are two of us, actually.” He mirrors you, tilting his head so it’s resting against the couch. “But I’m the oldest, so I get to go on all the fun trips.” 

You feel your lips twist again. “Yeah, you seem like you’re having a blast.” 

“Oh, let there be no misunderstanding, doll.” He straightens, looking you in the eye. It feels like being under a spotlight, and it’s all you can do not to look away. Sirius grins. “This is my fun face. I’m having a far better time with you than I have at any of these things in years.” 

“Oh.” You can’t help it now, and your gaze flees down to the skirt of your dress. You take a bit of the fabric between your fingers, distracting yourself with the extraordinary silkiness of it. “Well, happy to help. Maybe while your family is here our paths will cross again.” 

You look up, and his expression has softened into something nearing genuine. “I’ll be sure that they do,” he says.

[the-dumpster-fire-of-life]

Ok but imagine 42! Miles with a s/o who's literally the complete opposite of him in terms of aesthetic but she helps him when he's the prowler. Like nobody would expect the sweet, energetic, girl with the "Mabel pines" energy to be the gal in the chair for the prowler and making his weapons and at the same time being his girlfriend. They're a literal force to be reckon with.

Complete opposites but totally work

(I love this and so sorry it took so long but enjoy!)

Mabel Pines!Reader

You guys work very, very well together

I can't even describe it very well but it's like yin and yang

He was absolutely gobsmacked on how smart you actually could be

Because not mean, he thought of you as a sort of airhead for a while

But he actually found it quite cute or adorable on you

But he did find out very quickly that y'all have very, very different aesthetics

To be frank you look like a rainbow threw up on you

While Miles is all gloomy and dark over there

So safe to say you throw some glitter in him and force him to be colorful

He finds it hard sometimes to keep up with your energy

But it good for him

His mama absolutely LOVES you

She sees how much Miles loves you just due to the light you bring into his eyes

You can give this man anything and he will pretend to not like it but raise hell if you try and take it back

You guys proudly watch the news of worried women and men on TV talking about jobs you guys pulled and tryna catch you guys

Y'know those sassy guys we see in Tiktoks?

He's that sassy guy with you when you make him mad or annoyed

Knees facing the other way with his whole body while he side eyes you

But he can't resist you for very long

He actually was quite shocked when he found out you had a little dark side

He always saw you looking on the bright side of things

So you partaking in his Prowler activities, much less MAKING the shit for them, absolutely shocked him

He found it quite hot though I can't lie

You're absolutely right when you're completely different but work so well together

Even Uncle Aaron saw it

He uses you sometimes as a little diversion

A fake damsel in distress might I say

He never actually puts you in danger a you can very much so handle yourself but he's always lurking around the corner in these situations

You are an absolute monster at anything Miles needs

New gloves? Done

New mask? Done

Fucking Ray gun? Why didn't he ask sooner? Here, it's in your bag

You absolutely stick little stickers on his crap as well

You can't help yourself

But he absolutely loves it

You sit in the chair looking all pretty but can turn intimidating real quick as he's sitting on the arm chair

Y'know those scenes where the bad guy asks their "dumb/weird" henchman like

"I have no idea…how about we ask (Name)?"

Those type of scenes and you can come up with the best shit he didn't even think of

Absolutely soul mates

Anyway, enjoy this little scene I made:

Miles breathed heavily, leaning against the wall on the rooftop to the door to go back down to his home. He was dressed as the Prowler, breathing labored from a fight.

Miles tried to breathe the best he could, even succeeding for a moment before his eyes snapped open as he heard the shudder of a phone camera and a flash.

Miles' eyes widened, hand in front of him as the flash died and he saw you standing there, blank faces and camera held out in front of you.

Miles and you stared at one another for a moment, nothing to say at all.

"Is that carbon fiber?" You suddenly spoke up.

"...what?-" Miles blinked, barely able to process this before you almost jumped on him.

"Ooh! How did you make this?!" Miles couldn't even breathe and before he knew, his helmet was in your hands as you went on.

"This material is tough enough but you know I could make a much better one if-" you rambles on, an excitement to your voice Miles knew all to well as you flipped over the mask in your hands

"Wait– hold on." Miles held his arms out, effectively causing a pause in your rant as you stared back at him.

"Y'know who I am…right?" Miles asked, slowly and almost trying to be intimidating.

"Um…the Prowler?" You muttered, utterly confused as you tilted your head, holding the helmet to your chest.

"Yeah?!" Miles exclaimed, eyes wide and hands held out like he was trying to get a point across.

"Mhm. Is this like…a trick question, or…?" You asked, completely unbothered by it all as you looked down at the mask, examining it as you merely glanced up at him.

"No! Just- why are you so calm about this?" Miles asked, shocked as well.

"Well, it's not really shocking. You sorta have the backstory of a villain, anyway." You shrugged, staring dead at him.

"...seriously?"

"Well, kinda. Sorry, is this like a bad time for you?" You asked, still not handing over the mask as you held it over your head, almost trying to put it on.

"No, just, you can't tell anyone about this." Miles said, grabbing the mask to hold it in place and off your head, almost dangerously close to your face.

"I mean, I'm not? But-" you started and Miles almost rolled his eyes at your excited expression.

"I can help you!" You stated, biting your lip in excitement as you almost glowed from the glitter on you.

"Help…me?" Miles raised a brow.

"Yeah! Everyone thinks I'm dumb, but I have dirt on everyone. Everyone. And, not a lotta people notice I'm there so I can get you a lot of info, or like- routes and stuff. I'm also good with my hands."

You went on proudly, Miles looking between you and your hand which held his helmet.

It took a moment, Miles going over it all in his head.

He finally sighed.

Miles opened the door to the stairwell, gesturing inside as your eyes widened in shock before you actually smiled, hurrying inside quickly as you rambled on.

Miles followed after you, a seemingly annoyed expression on his face, but the dust of pink across his cheeks from your smile gave him away.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

@mushystrawberries @sweetheartlizzie07 @itstooearly-its3am @Ihavetoexist @kaorussgf @samsketchezz @yas-v @lovelymiaablogss @sussybaka10 @shisuishoe @sairavity @moonlight-rosevine @spectr3inl0ve @najiiix @popeheywardssecretgf @onginlove @sylisan @onginlove

[fryingpan1234567]

some CHB headcanons

every cabin has LEDs around the inside, but there’s a constant battle over what color they are

Percy has his rippling back and forth from teal to blue and it looks like light dancing through water all over his walls and floor

the Apollo cabin can usually settle for orange and yellow as a common ground

the Aphrodite kids have a different color for each time of day and sleep with pink on the lowest brightness setting

the Hermes cabin has like ten different strips and they’re all constantly shifting

Demeter cabin’s shifts with the seasons

ANYWAYS MOVING AWAY FROM THE LEDS

they have movie nights, which I will talk about in a different post

before everybody goes back to school, the Aphrodite and Hecate cabins have a massive salon at the end of the summer with new haircuts and magic hair dye and outfit recommendations and fake but enchanted sturdy nails and a whole bunch of other stuff and basically it’s a week straight of spilling hot tea between everyone in camp

if someone asks where a camper got their hair done when they get back to school they just go “oh, um… summer camp.” and their friends will snort and be like bro isn’t summer camp the opposite of a makeover?? but they get no argument, just a shrug and a half smile

when I tell you pride month over there is a fucking riot

because Mr. D is in on it, right?? because he’s the god of gender?? and Chiron is aroace and has been raising dumbass gay heroes for literal centuries?? PLUS the sheer fucking amount of queer peeps up in there?? dude yeah

cabins competing for who shows the most pride

Demeter’s roof is covered in rainbow flowers

Hecate’s is enchanted to emit actual light in whatever flag colors of whoever uses the front door, even when they’re straight (it’s just a rainbow)

Percy collects a bunch of shed scales from the hippocampi at the bottom of the lake and then puts them all over his cabin

I could make a whole post about CHB pride but

every single Apollo kid is also a theater kid fight me

Rachel Elizabeth Dare painted a skateboard for Percy’s birthday and he brings it everywhere now, it even sits in his backpack at school

Leo, Annabeth, Percy, and Piper fucking love horror movies. Frank, Hazel, and Jason fucking hate them. They watch through their fingers, if at all

Piper loves the band Surfaces with all her heart, but she also is a die hard Green Day and P!ATD fan

Jake Mason is covered in burn scars up to his neck, just like Deadpool, just not bald lol

Hephaestus and Apollo kids faintly radiate warmth (like more so than a normal person)

the Stolls sometimes stay at camp year-round because their mom is off on international missions that are too high-risk for them to help with

the seven are AVID Smash Bros players

really everyone but

not as many people go to the Athena campers for help with homework as you might think, but whenever anyone does, they’re happy to help

the sun chariot blasts music at a frequency only the Apollo kids can hear, so their life kind of has a shitty soundtrack that consists of a mix of Broadway, Queen, modern stuff, and random bits of Beethoven every now and then

the Romans swear on few occasions

the Greeks know when to swear and when to be polite

the Valhalla peeps swear unbridled and all the time

the Egyptians never swear (in English)

for the longest time, Will Solace thinks the only gift from his dad is his healing prowess— which is obviously great, but he expresses being upset over the fact that he’s not very good at archery

well, considering this is the dumbass who didn’t bring a weapon to actual fucking Tartarus, Nico drags him to the weapon shack thing immediately afterwards and made him pick something out

he's immediately drawn to the Celestial Bronze shotgun.

Nico’s just like “what in the redneck shit did you just pick up” and Will jokingly aims it at his chest and grins and says “you know I’m from Texas, right?”

that’s how they find out Will is one of the damn best marksmen in Greek demigod history

some of the Disney nerds in the Apollo cabin sing What Once Was Mine to the little ones who need bandaids for knee scrapes and give them lollipops afterwards

Percy Jackson absolutely used to make poverty and struggle meal jokes all the time, but he got weird and concerned looks for it at CHB, so he kind of just stopped. But one day, aboard the Argo II, the PERFECT opportunity came up and he just HAD TO and as per usual— everyone else looked at him like he’s crazy— but Leo laughed so hard chocolate milk came out of his nose and that’s the story of how the two of them became Best Friends

[caws5749]

Written Words

A/N: does anybody have any fluffy requests???? Please send if you doooooooooooooo

You were always better with the written word. You fumbled over oral words, your brain not thinking fast enough to keep up with the conversation, often thinking of clever things to say only after the fact.

But written word was... right. It was simple, easy, seemed to just flow for you.

Natasha was never one for fancy speeches or eloquent romantic words anyway, but that didn't mean you didn't want her to receive something beautiful, something pure, something well-said. So you wrote.

It started with something as simple as a card with flowers, along with a new knife. You hadn't really known what to get her. She had loved everything, but she hadn't really cared about the gifts. What she loved, what she cherished, was the card.

Natasha, this is a simple gift, simply because I can't help but think of you. You consume my mind, my soul, my being in the best way possible. And I hope that you continue to. Love, Y/N.

No one had ever said anything like that to her. It was the gesture, but it was the words.

You kept writing little notes for her everywhere. Her heart soared, it was something she looked forward to every day. It was notes on her pillow for her to come home to, notes in her weapons locker, notes near the coffee machine (which made Tony and Clint roll their eyes in fake disgust and you never heard the end of it).

You knew you wrote decently, and you began to be proud of such a thing. You hadn't known how much your writings meant to Nat until one morning.

Unbeknownst to you, you had developed a pattern. It seemed that every other Wednesday or Thursday there was a note on Natasha's pillow.

But you didn't that morning. You were rushed, mildly under the weather, and just all around not doing your best. You hadn't really forgotten, but you just didn't have the time or energy.

Your girlfriend met you in the kitchen, pulling out a coffee mug while you worked the espresso machine.

Your eyes flickered towards her, a crease forming between your brows at her silence. There was no 'good morning', no hug, no nothing.

"Good morning," you said cautiously.

"Morning," the red-head replied shortly. She didn't even look at you. Your brows raised.

"Natasha?"

"Hmmm?"

"Is everything okay?'

"Why wouldn't it be?"

You sighed through your nose, growing a bit frustrated. You weren't usually so quick-tempered, but everything you were dealing with had caused a short fuse.

"Fine, then," you retorted. You returned to the espresso, throwing things about loudly.

Nat finally turned to look at you. She then studied the bags under your eyes, the slightly pink nose, the half-done hair, and the time. Guilt swept through her.

"I'm sorry," she murmured, moving to you, arms wrapping around your middle from behind.

"What's going on?" you whispered, fingers moving in circles along her forearm.

"I know it's dumb, but I... you usually.... it's Thursday and every other We-.... just... there was no note," she finished sheepishly, half burrowing her face into your hair.

The lightbulb went off.

"Oh."

"I shouldn't expect that, but I just love your writing so much. But I shouldn't have reacted the way I did, especially seeing you, babe. You're clearly not having the best morning. I'm so sorry," she said gently, giving you a squeeze.

You hadn't known she loved your writing that much. But you certainly did now.

It was why you couldn't wait after writing your vows to share them with her.

It was dusk, the last hints of light barely creeping through into the compound. Natasha sat on the couch, a blanket half draped across her legs that were tucked under her. She had one eye on the news and another on the book in her hand.

Her eyes lit up as she noticed you, setting her book down. "Detka," she greeted warmly, lifting up the blanket for you. You settled in next to her, facing her and chewing on your bottom lip.

"What is it?" she asked, brows furrowed slightly.

"I know this isn't customary, but I can't wait," you said. She only looked more confused. You pulled out the paper that had slightly crinkled in your pocket. You took one look at her emerald eyes before your heart filled with love and you thought you might burst.

"When I met you, I didn't know what was to come," you began, following the words you'd so carefully written. "I didn't know I'd find someone with such love, such courage, intelligence, and all around perfection. I didn't know I'd find the one who was so perfect for me. Natasha Romanoff is a name that is revered in many households, in many hearts, but I can promise you that no one reveres you as I do. I promise to respect you, cherish you, love you like no other. I promise I will take care of you when you are sick, to protect you when you are fighting for the world, and to stop Clint from stealing your special snacks."

She gave a watery chuckle at that, tears streaming down her cheeks.

"I promise to be a faithful wife, a faithful mission partner, and your greatest ally. I promise to try my best to give you the three children you desire, the perfect house you desire to build, and the life you deserve. Until death greets us, I am yours, Natalia."

[girlbowser]

What exactly does "gloves is canon" mean, if you don't mind me asking?

let's just fucking get right into it.

Ultimate Rose Pt. 2: Gloves Are Canon

if you haven't seen part 1, here it is. the tldr version of it was to estabish candy rose (at the VERY least) as a liar. i also have a headcanon about ultrose putting alpha earth rose into front in candy timeline, but that doesn't really matter too much. its just kinda fun

anyway. heres the theory.

so you guys know A Threat, Sensed, right?

it's one of the hs2 bonus comics. originally patreon exclusive, but was made public for everyone during the hiatus. and i think it contains some deeply revealing information.

you may be wondering... hey, isn't that the comic where ultdirk talks to hussie about yiffy? like, its hussie's one appearance in the comic. kind of weird.

ahaha. yeah. so. about that.

let's rewind a bit. what's the contents of A Threat Sensed?

dirk wakes up after having the shit kicked out of him in pesterquest.

rose is like huh? huh wuh? but dirk gives her a thumbs up. and then he goes to sit on his computer, and type to god.

and then after that delay, he gets a reply.

etc etc etc. they talk. they chat. hussie talks about his beloved daughter yiffy. normal stuff. hey roll that last one back

let's play in this space. lets play in this space. perspective. daughter.

who's daughter is yiffy?

---

let's rewind.

when homestuck act 6 dropped, it released with one very important page.

this page.

this page, where someone with seemingly grey skin is typing on a keyboard. holy fuck, what a reveal. new troll. oh my god. this is the 13th troll

like, they have to be a troll, right? theyve got the time stuff. theyve got a symbol. theyve got shit going on with them

ah.

they were wearing gloves.

this? this is fucking huge.

in homestuck we see that shot a lot. of fingers on a keyboard. but every single time we have seen it, we have also seen at least one shot of the person typing, right?

with two exceptions. one is callie in the act 6 reveal.

and the other is andrew.

er, sorry.

"andrew."

from the patreon post on A Threat Sensed:

those are fake hands. what. what . what. what.

so

if this comic has a history of having a reveal when it comes to characters where Only Their Hands are being shown

and gloves are canon to homestuck, and have been used to precipitate this reveal

then perhaps

gloves are canon here as well.

if you'll allow me to speculate. on the gloves are canon in question.

yeah of fucking course rose is pretending to be hussie because WHO ELSE WOULD IT BE adjKFJGSKDHdskjgjkfskjgdsf

ITS ROSE!!! IT WAS ROSE THE WHOLE TIME

LETS REREAD.

"is that why you were lying on the floor" a question that Rose had because she saw his ass lying on the floor!!!!!!!

MY DAUGHTER

MY DAUGHTER YIFFANY LONGSTOCKING LALONDE HARLEY

hm purple background. anyway im sure thats fine

hm. hm. hm. psychoanalysis. hmmm. hm.

now if i was rose

if i was ultrose. and i wanted an ultimate weapon against dirk.

if i wanted to Make A Weapon Against Dirk.

what would i do.

how would i create it.

who would i hurt in the process.

anyway. this is all leading up to part 3 of this fucking nightmare roller coaster. but uh. basically. i think this one is like all but confirmed????

like...

We’ve had quite a bit of speculation on whether this is “really” Andrew. To that, I think we’d say that it doesn’t “really” matter. If you’re asking are those Andrew’s actual hands, then no, of course not. Because those hands are fake hands that are on the computer screen.

this sounds like it's telling us no, it's not "really" andrew. and to look at the hands. and we KNOW from part 1 of this theory that rose is incredibly deceitful.

the delay in "andrew"'s response could have plausibly been rose slipping away into her little hidey hole, putting on the stupid fucking gloves, and only then typing.

andrew never confirms who he is. and i'll admit, some of the lines don't sound 100% like rose. but others do. others really, really do.

i like this theory because it makes rose and dirk's rivalry on deltrius interesting. it means she has legs up on him. he thinks he's talking to hussie, but he isn't. she has plans within plans. she's got shit she's cooking.

i like it because it contextualizes yiffy, too.

hm wow it sure seems like the candy timeline isnt actually all that sealed! it sure seems like theres something in there that is a corrosive paradox! something that affects both timelines!

something

or someone!!!!!!!!!!!!

anyway. yiffy is an ultdirk icbm created by rose . rose wore gloves. gloves are canon. that's my theory graaaaaaaaaahhh

part 3 coming soon :3

[corkinavoid]

Okay, yeah, I just wrote a post about good!GIW like three days ago, but

DPxDC GIW Using Ghosts as Living Weapons

TW: dehumanization, mention of electrocution, whump

I've been watching Hell's Paradise, and it got me thinking. What if GIW doesn't just catch and study ghosts? After all, their tech is no match for something like Vortex or Undergrowth, or even Technus.

What if they catch ghosts and turn them into living weapons? Train them into following commands like dogs, and force them into obedience. Dehumanize them in the worst way possible, treating them like machines.

Ghosts are not sentient or sapient in their opinion, but they feel pain. They can be trained.

What I'm saying is whump Danny, mostly, but make it interesting. Make it not just a teen in pain, no, make him a merciless machine that follows any given order with unmatched efficiency, someone who doesn't feel any emotions anymore, knowing no pleas or cries will work.

I'm thinking along the lines of a muzzle, or a collar that gives him electric shocks every time he either disobeys or does anything he was not told to do.

Now, I've got two ideas of where this can go. One, GIW gifts Danny to the JL as an ultimate, all-powerful weapon. Maybe they don't even specify he is a ghost at first, presenting him as an object, and then they get to do a demonstration, and the JL is promptly horrified at the sight of what they think is a meta kid in a muzzle that doesn't even have holes for him to breath. And when they very carefully try asking GIW to explain this, GIW just shows off Danny's powers. Which are, well, a lot. Maybe they ask Danny to do something like, I dunno, destroy an asteroid or shit. Something big, something most members of the JL are not able to do single-handedly, but Danny does it easily, with little effort. And GIW explains that this kind of power, especially coming from a ghost, a being malicious at its core, can not be kept on the loose without any restraints.

The second idea includes Al Ghul Twins. GIW can have some ties with League of Shadows, so maybe they made Danny into a living weapon with the sole purpose of making him Ra's' living weapon. So Danny ends up back in the League, and Ra's tasks him with killing one of the Bats, or maybe stealing something, anyway, he ends up in Gotham. Where he meets Damian, and, boom, siblings' feelings hit. Cue all the whump angst you can imagine.

I'm not sure how to incorporate Fentons in the second idea. Maybe it was all a coincidence - Talia faking Danyal's death, him being adopted by Fentons, then later found out and contained by GIW. Or maybe it was all staged beforehand, and Ra's specifically put Danny there. Or maybe we bypass the Fentons in the first place and Ra's simply gives a spare kid to GIW in order for them to try and make him more powerful with the help of Lazarus Waters/ectoplasm. Maybe this can even be some kind of reincarnation.

Also, more ghosts can be added to the mix.

Danny disobeying the orders in order to protect Dani and getting tortured for it. Ember being used for mind control. Dan being the prototype of the living weapon program, the first experiment that turned out wrong and has been locked and kept contained.

The opportunities are endless.

[amxrany]

!! CHAPTER 7 / DIASOMNIA ARC SPOILERS !!

Going into Vil's dream now lesgoooooo (warning i cannot find a lot for vil's segment for some reason so if i miss a lot of information im so sorry):

So I understand why they released Tapis Rouge before this update, because we are now in The Queen's Film Studio, where Vil tells everyone to look forward to live broadcast of the Diamond Film Awards (this is most likely a reference to another Diamond in-game)

(sheesh new vil outfit again)

But basically yeah Vil's dream is to be the fairest of them all and he got Neige as his assistant 😭

Rook sees that it is indeed Neige, and the group tries to get closer to Vil. But Vil called Grim a stray cat and shooed him away, he's now sad :((

Vil assumes we're paparazzi and tells Neige to throw us out, and we find out that Vil just abuses Neige. So the group tries to convince him to report Vil, but Neige becomes blot and tries to fight the group

(I like their weapon it looks neat)

They defeat Neige but security is now after their ass, and it's revealed that Diamon Film Awards is a type of awards show for actors and that in reality, Neige was the one who won the award. But in this timeline, it's Vil who wants the award. Not understanding how Vil changed, Idia mentions that Malleus's magic allows them to experience happy dreams, and those dreams can also release any resentment you hold deep inside.

We then go to Vil receiving his award, but Rook stops him by telling him his time in NRC, but Vil tells him he doesn't know what he's talking about; and we go through the dizzy-but-is-trying-to-remember-everything segment again. However, the darkness was swallowing Vil up, and we couldn't save him in time because Neige managed to sink him down even further but Rook used his unique magic to follow Vil

So basically this next dream is the "What if Vil succesfully poisoned Neige and won VDC" scenario, we're in the part where Neige actually drank the poisoned apple juice and yknow, dies, and the dwarves are surrounding him crying

Epel uses "Sleep Kiss" to see if there's still a chance in saving him and let's just say it's the most Snow White reference I've ever seen. Oh and Rook is on the verge of breaking down

On stage, Vil's team has won VDC, but Rook and Epel come in to stop Vil by reminding him how he overblotted, and that causes Vil to wake up. Vil is back to normal and he's grateful that Rook and Epel came to save him and Epel said of course, we're your hunter and poisoned apple after all

The darkness comes back again to swallow Vil, but Rook and Epel aren't letting go. But idia orders Ortho to tell Rook and Epel to let Vil go. So you guys remember that one part during the last update where Idia fight his own phantom in OB!Form? Yeah we're doing that too but with Vil.

It's similar to that of the concept of Persona 4, where you learn how to accept yourself, even the ugly parts of yourself. Because Vil decided to use his weakness as his strength and overblotted to fight against his own phantom

MORE EVIL LAUGHTER AS VIL CELEBRATES HIS VICTORY DECLARING THAT HE'S THE MOST BEAUTIFUL OF THEM ALL. We are then transported back to the fake event with Dream Neige where Vil tells him that he is indeed the most beautiful of them all (that is so true queen go slay)

Pomefiore all go in for a hug, and the others join in as well

Sebek was surprised that Pomefiore wasn't just all about beauty, but they were really strong as well, and then Idia thought it was funny to show their Absolutely Beautiful cover in which Vil proceeds to ruthlessly criticize them for it 💀

Vil receives his own invitation of deafeating Malleus and that's where the update ends

HOOOO BOY where do i start, this update is so funny it honestly took me forever just to look for parts of Vil's segment. But assuming that we're going backwards the next update will most likely focus on Scarabia so manifesting that we get a Kalim card next so that we can complete the light trio fr fr

Anyways, see you soon in the next update!

Previous: Rook's Dream

[urinarythreatinfection]

Tbh I had this already written. Poll had the shortest time as a day. HELLA warning though, this isn't non or dub con but it IS gorey. I wrote this shit at like 11pm and I was stressed the hell out and kinda pissed. (well the outline of it anyway). I'm a gore enjoyer, not in a weird way I just like the way it's written or drawn i don't like actual gore. Anyway the gore here isn't that bad but there is some so I'll say there is gore as a warning. I also put a small border for the people that don't wanna read the smut since there is some story.

The Cute and Obsessive You

Yandere Shanks x Male reader. Reader matches Shanks's freak. Smut so minors read something else until I write not smut. top male reader. Violence warning. 4,135ish words.

Your boyfriend is very cute, you know that of course, you also know that he gets just a little worried when you’re out of his sight. That’s why when you opened your eyes to an unfamiliar place, tied to a chair, your first thought before worrying for yourself was ‘Oh no, I hope my boyfriend is gonna be okay.’ and you were correct in your worry, because Shanks is not okay.

“(Y/n)!?” Shanks calls out as he searches around for you. “(Y/n)!” He calls out, his heart racing. Where are you? Did you run away? Finally getting tired of him and leaving? How could you do that to him, when he cares about you so so much!? He gave you everything! Something clicks, what if you were gone unwillingly? What if someone took you. Took you from him? “(Y/N)! Sweetie, please come out if you’re somewhere around here!” He’s been searching for a while now, feeling stupid. Of course you wouldn’t leave him, you loved him, but he had thought this island was safe. Shanks had taken his eyes off of you, busy with the townsfolk swarming him. He hadn’t been to this island in a long while so they were excited to see him, and you had told Shanks you were going to explore nearby. Shanks trusted that. Trusted that this island that was friendly to him would be friendly to you, there should’ve been no danger to you. That’s not to mention you weren’t weak either, but people don’t always get what they want by being strong. A pretty looking flower is what it took, you’d been interested in the local flora so you went to check it out. It was only when you took a closer look that you realized it looked unusual, by then it was already too late. The fake flower had let out a gas and knocked you out. Now here you were, in a place unfamiliar to you.

“Hello?” You call out, but there’s no answer. Your weapon has been taken, but they’ve made a mistake, not finding the knife that you keep on you for emergencies. That means you could cut yourself free… but what then? You don’t know where you are and the door is locked, and to be honest.. you’re a little curious. You don’t feel like you’re in any real danger, and Shanks is probably going to find you eventually. The thought of him finding you, desperate to see you with a crazed look, fills you with satisfaction; so you wait. Eventually a woman comes down from the stairs and enters the room holding a long blade.

“Hello.” She greets you. “You’re lucid, good. Do you know why I’m doing this?” You think for a moment, Shanks had said this place was friendly so you’re not sure, but she answers the question for you. “I’ll just answer anyway. I did this because you bother our chief, clinging to him like a leech. You’re not nearly as strong as him or the rest of his crew, I even managed to kidnap you with some fake flower. It’s dangerous for him to have someone by his side, especially someone so weak. He’d be better off without you.” Her words sting a little, she has somewhat of a point. If it weren’t for the fact that it might be impossible to leave Shanks this could’ve even convinced you to.

‘Wow.. my cute and obsessive boyfriend knows some people that act similar to him.’ You think to yourself as she points the knife to your neck, pricking you. ���Uh oh.’ This got much more dangerous quickly. Meanwhile, Shanks is still searching for you, finally finding flattened grass where it looks like someone was dragged.

‘He didn’t run away!’ Shanks is almost relieved before he realizes you being kidnapped and in danger isn’t much better. He clenches his jaw and quickly follows the flattened grass to a cottage in the woods, entering and looking around. “I don’t have time for this.” He mumbles to himself and decides to destroy everything until he finds you, crashing things to the floor and breaking through walls to find his lover. You hear the sounds above you and try to yell out, but your mouth is quickly covered by the woman. You take a deep breath and instead tip over your own chair and let yourself slam to the ground. The sound alerts Shanks and he looks down, realizing there's a room underneath this cottage. He needs to get to you, that thought sticks to his mind until he breaks a hole into the floor and drops into the room with you and the woman; though there was an entrance he could’ve found had he looked a little longer.

“C-Chief!” The woman stutters, panicked. “You, I-I” She doesn’t know what to say, turning silent when she looks at Shanks and finds someone she doesn’t recognize. Someone unlike the kind person she’s been doing this for. Crazed eyes look from her to your fallen and tied up form.

“Baby, are you okay?” He goes to you, ignoring her.

“I’m alright, just tipped my chair over.” You reassure him and he’s about to sigh in relief when he catches sight of something. Blood on your neck from the prick she had given you earlier. Blood, your blood. His vision quickly goes red and he grabs her, slamming her onto the ground.

“Chief, please let me exp- AAHH!” Her words are interrupted by a scream of pain when he stomps on her arm, shattering it. She starts to cry but it’s too late, he’s seen your injury and the blood you’ve shed is worth more than she could ever be.

“How dare you, how dare you. Mine, You hurt my boyfriend. My boyfriend.” His voice is laced with rage as she cries, screaming as he stomps on her limbs. Hands, arms, legs, it’s not long until they’re reduced to a mess of flesh and bone stuck to her by her skin.

“sorry sorry ‘m sorry it hurts.” She can’t even struggle, having screamed too much already. You stare at this, then try to move out of your restraints. Pain shoots up your leg.

“Ow!” You yelp and Shanks turns to look back at you, anger replaced by worry. “I’m okay! I think I just twisted my ankle a little when I fell.” You explain, feeling a little embarrassed you yelped over such a small injury. He looks back at the woman and she realizes, in her final moments, that you were so much more than she could’ve comprehended. Shanks grabs her by the hair and slams her head into the wall, creating a crater with the impact. What’s left of her head splatters across the concrete, and he drops her crushed corpse to the ground with a thud. He can hear the blood rushing through his ears, only snapping out of it when he hears your voice. “Shanks!” The redhead turns back to you, walking over and crouching down.

“I’m sorry, I’m sorry, I let you out of my sight and doubted you when you were stuck here. This is my fault-” He starts but you interrupt him.

“Shanks you’re very lovely like this but please untie me first.” You ask him and his eyes clear.

“R-Right. Sorry.” He quickly cuts the ropes with his sword and you stand while rubbing your wrists. Once you’re both standing he starts to shake, emotions filling his psyche. Anger for the ones that hurt you, guilt he let this happen, sadness you got hurt, relief you’re still alive. They swim in his head, crowding and messing with his mind. You notice this and pull him into a soft hug

“It’s okay~ It’s okay~” Your fingers run through his red hair, ignoring the blood mixing in. “I’m okay, I’m alive and safe. You didn’t fail me, I’m right here.” He clings to you.

“I’m sorry, I’m sorry.. I’m so happy you're safe.” He says, burying his face in your shoulder. Shanks still feels guilty, but his emotions calm with you in his grasp. You feel him clutch onto you tighter and you can tell his anger is coming back now that his emotions are more sorted.

“It’s not the townspeople’s fault, honey.” You tell him, sensing his thoughts.

“They let this happen to you.” His voice is cold. This is their fault, they don’t deserve his help or his protection. They don’t even deserve their lives.

“Not all of them could’ve known.” You respond and he doesn’t answer. You sigh and pull him back enough to look into his clouded eyes. “Let's do this, we can go back into town, find out who helped this happen, and you can punish them. Okay?” He stares at you, considering what you said, then nods. “Good, thank you for understanding.” You give him a kiss on the cheek.

You and Shanks walk through the town, ignoring the horrified looks of townspeople seeing him covered in blood. Once you’re to the town square he yells out. “Everyone gather up!” They begin to gather in front of him while the Red Haired crew puts any children inside. They don’t need to see this. Shanks’s eyes scan the crowd until they finally land on a married couple, a wife and husband; they look guilty. Unlike the others who are scared and/or confused they look visibly jittery, as if they’ve done something wrong. What's more, when they meet your eyes they look away, as if from shame. ‘It’s them, they did this, they helped this happen.’ He walks over and stops directly in front of them, staring them down as they start to tremble. “You two have done something.” He says and they flinch. Some townsfolk try to ask Shanks what’s happening but Beckman and the others are smart, quickly leading the rest back inside so they don’t see their chief do this; or get caught in the crossfire. The couple try to deny it at first but eventually the wife breaks and starts to cry.

“Chief I’m sorry, I didn’t know she would go this far. We did this because we were worried about you.” She pleads with him and he stares at her.

“Worry? Worry!? You think your worry for me is enough of an excuse to do this? To harm what’s mine? No no no this isn’t how you’re going to escape responsibility.” Shanks is angry, angry that the town he trusted could do something so deplorable as causing harm to his boyfriend. He looks down at her with disgust and grabs her by the collar of her shirt. “You put your hands, your disgusting hands on my everything while I spent my time entertaining this town.” He moves his hand so it’s wrapped around her neck, gripping it firmly. "Was it amusing seeing me smile with you all, oblivious, while your friend was about to kill the love of my life?" She cries out and tries to struggle but it’s no use, he’s too strong; even as those struggles turn to scratches from his tightening grip, she's unable to make him budge as her vision goes dark.

SNAP

Shanks drops her lifeless body to the ground, red eyes trailing to the husband. He looks at the body of his wife, dead, and tears roll down his cheeks slowly. “Oh gods, please, chief please. I’m sorry.” His pleas are weak and useless as Shanks’s eyes bore into his. This is it, he can’t do anything. Even if he tried to run away he knows it’s futile, he wouldn’t even make it a step. His only hope is you, turning his head to look at you. You meet his eyes and give him a nervous laugh.

“Well it is kinda your fault, right?” You say sheepishly and his hope is gone, looking back to Shanks.

“Don’t look to him for help, you don’t deserve it.” The redhead states coldly and the husband closes his eyes, the world going black as Shanks cuts his head off of his shoulders. It rolls pathetically on the ground, and he stomps on it for good measure. The two previously pleading people full of life now reduced to lumps of soulless flesh. Shanks stares at what’s left of them, emotions still raging. It's unhealthy, you know that. This look of his is dangerous, the proof and symptom of his instability, but to you it's so so beautiful. The eyes of the kind, friendly, and lively red haired captain everyone knows are unlike everything about him. They're obsessive, crazed, uncaring, the light in his irises replaced by the unhealthy darkness you bring out of him. So beautiful.

“Shanks.” You call out and he quickly snaps his head to you, chest heaving with emotion. “You’re so cute like this.” You can’t help it, your crazy yandere boyfriend is so endearing when he’s obsessive like this. His face flushes slightly, caught off guard by the sudden compliment despite the gore around him.

“Really? Cute? N-Now??” He asks, he wouldn’t have been shocked if he turned to see you looking at him with disgust, disappointment, or even fear; but instead you look at him with your cheery and warm expression, nodding.

“Mhm!” You walk over to him and cup his face. “You were worried about me, right? I’m okay now, you saved me and punished the bad guys.” At that his shoulders finally untense, his sanity slowly coming back.

“Of course I was worried, I couldn’t bear the idea of anything happening to you.” Shanks says, letting out a held breath as his expression softens. He leans into your touch and closes his eyes for a moment before opening them to look at you. The brown of his eyes are replaced with red, his pupils dilated. You love it, the unsettling look in his eyes is so nice to see; even when they change back to brown. Like this, the crew in the background see their friendly captain as his yandere self, and his cheerful boyfriend who turned out not normal either. The captain can feel their gazes on him, but it doesn’t matter. All that matters is you, you you you. The you that’s in front of him, touching him, loving him, the you that’s safe.

“Your eyes are creepy like this, y’know.” You say and place a kiss on his forehead, making him sigh in contentment.

“Creepy huh? That’s one way to describe em… Do you like it?” He asks, a bit insecure.

“And if I don’t? What’re you gonna do then?” You respond and Shanks’s heart sinks at the thought of you not liking anything about him. He loves you too much, he wants you to feel the same. He looks into your eyes, trying to gauge how serious you’re being. When he can't tell he speaks with hesitance.

“I’d.. change them.. I don’t want you to dislike any part about me.” Is his respnse. You hum, kissing his cheek.

“Hmm~ How would you change them?” You continue the question and Shanks tries to think through the chaos in his head, almost tempted to say he’d rip them out for you but managing to think more rationally.

“Colored contacts.. or try to appear less obsessive. Tone it down a bit.” He seems a little sullen talking about it, the idea that he would have to change himself for you is bumming him out; even if he would do it. You can tell he's unhappy, letting it go.

“That sounds like a hassle. It’s good I like them then!” You say and a weight is lifted off of his heart, your words always have so much effect on him. “I like everything about my crazy and cute boyfriend.”

“Good, because this crazy and cute boyfriend of yours loves you. A lot.” He speaks with a sigh, wrapping his arm around you to pull you into a tight hug.

“Mhm~ I love you too.” You rub his back as he buries his face into your shoulder and inhales, relishing in your scent.

“I’m so glad you’re okay. I love you. I love you.” He murmurs into your shoulder, muffled by your skin as you soothe him through his love confessions. He doesn’t even notice he’s getting blood on you. "You mean everything to me. You're the light in my darkness, the reason I keep going. I don't know what I would do if anything happened to you, I couldn't bear it. I love you more than anything in the world." His hand moves up to thread through your hair. "I love you so much. Never leave me." His voice is almost pleading at this point.

“Shh.. I’m never gonna leave you. You’re the only one for me, you’re my crazy and cute boyfriend. Look at me.” You tell him and he pulls back enough to look at you. “Hi honey~ I love you~” His expression falters, his heart warming. He’s still affected by what's happened but he’s here looking at you, and that makes everything feel better.

“I love you too.” Shanks kisses your palm. His voice is soft now, but still laced with a possessiveness that makes your own heart feel full “I’m looking at you too and I love you too” So happy, and just from being with you. You run your fingers through his red hair, scratching his scalp lightly, and his eyes close from bliss as he lets out a small content hum. When you use both hands a small shiver runs up his spine from your touch and attention. Can’t help it, too enamored with you.

××××××××××××××

“You’re so adorable.” You say and kiss him, feeling the way he melts into it. So pliable for you, and the slight jolt he gives when you roll your hips against his is satisfying to feel. ‘So reactive too’ you think to yourself as he lets out a small moan, trying to hold in another as you continue. It's to no avail, giving you the chance to slip your tongue into his mouth. Shanks hums, the both of you making out in front of the two corpses of the people Shanks killed for you. Oh and is it all for you, he doesn't even remember them right now. Your hands go to his hips and pick him up, walking a few feet away before laying him gently down onto the grass. He looks up at you, eyes foggy with lust and confusion.

“(Y/n)?” He asks and you wrap his legs around your waist, grinding your dick directly against him, causing him to curse with a moan.

“Sorry, my obsessive boyfriend was too sexy while protecting me.” You say as he pants underneath you, his face flushing. The crew, forgotten, slowly make their leave.

“You think I’m sexy? Even like this?” He asks you, not understanding how you can look at him with such caring lust when he just committed such a vile act. Even if it was for you, he didn’t need to make the deaths as gory as he did.

“Of course! My boyfriend is the cutest and sexiest in the whole world!” You say it as if it’s fact and it sends a shock of happiness and pleasure through Shanks’s body.

“In the world..” He mutters and you nod.

“Yup~” You’re pleased seeing him like this, and your hand goes to slide under his shirt, making him flinch. “The whole world~” Your hand slides up to his chest along with the fabric, showing his bare torso to you as his back arches slightly to follow your touch.

“B-Baby.” He tries to speak but it comes out as a whisper as you run your hand along his chest, stopping at one of his pecs to squeeze. “(Y/N)!” His back arches more and you lovingly circle a finger around his nipple, tapping it with the pad of your finger as he lets out soft gasps. “Fuck...” You’re teasing him, but he’s just too cute not to tease. Alas, you won’t keep him waiting, especially when the captain has been so good for you. You press the pad of your finger onto his nipple and he lets out a breath, your other hand moving to his chest as well as you grope and fondle both of his pecs. He loves it, you can feel it from the way he hardens against you and hear it from the grunts escaping his lips. His chest is nice, big, muscular, reminders of his strength along with the few scars that run along his body. You lean down and kiss one of them before flicking your tongue onto one of his nipples, earning a cuss from above. He grips onto your hair, blood coating your locks as you bite and suck his chest, moving from one pec to another; but never leaving one unattended with the help of your hands. You wonder for a moment if he could cum just from this, but you’ll leave that for another day, taking your mouth off of him with a lewd pop. The sound makes Shanks’s breath shaky. You sit up and look down at him.

‘So beautiful..’ You think to yourself when you see your boyfriend. Covered in the blood of townspeople he slaughtered in your name, eyes cloudy with lust, and shirt lifted up with perked up nipples. “My sexy honey is so sensitive, even when near the corpses of people he’s killed.” You grind against him and he grunts. “Do you care? Should I stop so I can take you somewhere else?” You ask him and Shanks struggles to form a coherent thought, mind clouded by you.

"No.” He starts, his voice shaky. “I don’t care about the bodies, I want you, I need you.” He responds, needy.

“Awweee~” You coo to him and lift his hips up, sliding his pants away enough to expose himself to you. You put your fingers to his mouth and he parts his lips to wet them. “You’re so good for me, my perfect boyfriend~” You praise and he lets out a small happy whimper, his heart racing. He always gets like this when you’re more dominant, sometimes it’s the only way to get him to calm down. Of course, that’s not why you’re doing it right now.

“Hahh.. hahh..” He pants and then gasps when you slip a finger inside him, something about his unstable emotions right now is making him more reactive. Maybe it’s the adrenaline or the relief of knowing you're safe, maybe both.

“I love you Shanks.” You say while putting another inside, relishing in how he squeezes around the digits. “Do you love me too?”

“Yes yes I love you I love you. Please, I need you.” He says, voice strained as you stretch him out.

“Are you sure? I get a little insecure sometimes.” You pull your fingers out and tug down your own bottoms, grabbing your dick to rub the tip around his entrance.

“Fuck.. I-” He’s interrupted by his own long whine as you press into him slowly, his head going foggy until you give him a smooch. “I love you, I love you more than anything, you’re my love- Ah~!” you start to move. “You’re everything to me can’t live without you I love you so much it hurts but feels so goOD~!” You lift his hips up to slam into his prostate, making his eyes roll back as he pants and groans.

“Good boy I love you too, you're doing so good for me~" You praise while bullying his prostate, Shanks’s mind going numb.

“I love you more than anything and everything I love you more than treasures or air or breathing or- ah~! or even myself~! I need you you’re my home and purpose my love and the blood flowing through my veins!” He’s happy, he’s happy you love him and he gets to say everything he wants to without worrying about your disgust. “You’re the reason I get up in the morning and the last thing I think of when I go to sleep-” He rambles as tears prick at his eyes from pleasure “m-my life and my purpose. I want to spend every second with you, I would give up everything for you. I love your voice and your laugh and your skin your hair your fingers and the way you feel i-inside me~!” His back arches, he’s close. “I can’t hold back any- ah~! longer!”

You kiss his neck, sucking marks into the skin. “It’s okay, you don’t have to hold back. Let everything out.” With that, he opens his mouth and lets out a loud keen as he cums.

“You’re all mine you’re m-mine! No- nngh~! one else’s mine mine~!” He rambles absentmindedly as you fuck him through his orgasm, repeating posessive words before you slam into him as much as you can and coat his insides. He whines, aftershocks continuing as your dick throbs inside of him with each burst. Once you've emptied you lean down and nuzzle his cheek affectionately before kissing him.

“You’re right. I’m yours and no one else’s. I’m never gonna leave you, because you’re my boyfriend and I love you.” Your words of confession make his heart feel full. He can’t think about anything other than you, that he’ll never let you go. His legs wrap around you and pull you into another kiss, happy. You’ll clean up in a bit, you’re still in public after all and the townspeople can’t be inside forever; but for you’ll indulge your cute and obsessive honey. Just because you love him so much.

There you have it. As for the Jealous reader x Shanks that's still gonna happen, the poll was just to choose which one I focused on first. I still do whatever by the way, I'm not gonna become smut focused or anything.

[bones4thecats]

Hi I see you’re request are open can I ask of transformers animated Optimus x female bot Vaggie reader , she use to be an elite guard but after she spare the life of an decepticon she was punish by her superior (sentinel spark mate) by cutting her optic and taking away her position

TFA! Optimus Prime w/ Vaggie-Bot! S/O

Character: Optimus Prime (Transformers Animated) Requester: 🩰Anon A/N: I'm gonna call you 🩰Anon, unless you're one of my other Anons. Which if you are please tell me and I can change it! Anyways, I hope you liked this! Also, there is no mention of the Lute-ified Cybertronian being Sentinel's sparkmate, but if you want her to be, you can imagine it. ⚠️ Spoilers/Trigger Warnings for: Mentions of body mutilation, attempted murder, death, murder and trauma ⚠️

╔══════════════════════════════════════════╗

╚═════ Optimus Prime ══════════════════════════╝

⚔️ Graduating alongside your old friend, Napier, you began to serve your Captain, Supersonic. Who, despite the fact he had a large processor, was a very good leader when it came to any kind of military issue

⚔️ Now, many cycles after your first day alongside the two Elite Guard members, you were now working with a space-bridge repair crew lead by your sparkmate, Optimus Prime, you were happily watching over Sari while her father worked

"Hey Y/N!" The young girl yelled from the ground.

"What's up, Sari?"

"Why do you have that patch on your eye?"

⚔️ Your one good optic widened as you reached up and felt the metal patch covering your opposite optic. The straight-edged black metal with a rose-red x on it making your digits repulse slightly

"It's a long story, you really don't wanna know." You said nervously.

"No! No! No! I've wanted to know as well!" Bumblebee said, standing up from behind the human child.

"Know what?" Bulkhead asked as he walked in.

"What happened to Y/N's optic."

"Oh yeah! Me three!"

"Now, now, you guys. If Y/N doesn't feel comfortable telling the story, they shouldn't have too." Optimus said as he laid a servo on your shoulder.

"I concur." Prowl said.

⚔️ Sari, Bumblebee, and Bulkhead all awed as you smiled gently and laid your servo on Optimus', assuring him that it was fine for them to ask you since they were far more innocent with the cost of serving underneath Ex-Captain Supersonic

⚔️ Motioning for them all to sit down, even having Ratchet join in right before you began the tale, much to his fake chagrin. You felt Sari finally situate her blanket around herself and lean into the large pillow she held to look at you and listen

"It all started during one of our patrols to check for any rogue Decepticons..."

»–•–«

⚔️ Walking side-by-side Napier, you smiled and nodded along with her rambles. She was speaking about how troublesome some of your previous classmates at the Autobot Academy were since they were joining your regiment under Supersonic

"Lieutenants Y/N and Napier."

⚔️ Turning around, you saw one of your Captain's mechs bowing lightly before standing and telling you that the titular mech wanted you and her to speak with him in his office

⚔️ Nodding along with his words like you did with Napier, the three of you walked down many halls towards the golden-office, stopping only until Supersonic allowed the door to be opened

⚔️ Sitting down with his pedes up on his desk as he sharpened his axe-like weapon, you bowed alongside your friend

"Captain Supersonic."

"Ah, just the two I wanted to see! We have an incident that needs immediate care."

"What seems to be this 'incident'?" Napier asked.

"There are some Decepticon signals being caught on this planet- uh... what was the planet's name again?" He asked the Bot who had escorted you both there.

"Bov 05UC, sir."

"Yeah! Bov 05UC. You two need to go there and arrest them, bring them back, and you'll be on my good side even more! How does that sound?" He said, leaning back to continue sharpening his weapon.

⚔️ Staring at Napier, you nodded before announcing your agreement to the departure

"Alright! You are both needed in the ship in... a megacycle. You might wanna get packin'."

"Understood, sir." Napier said.

"Have a good rest of your cycle, sir."

"Yeah, yeah. Get out."

»–•–«

"Wow! He sounds like a big scrap-head!" Bulkhead said.

"Well, you're not wrong. Captain Supersonic wasn't the most polite Cybertronian back home. I remember one time he literally came to me injured during the war and expected me to treat him like some prince! He was beyond arrogant with his title." Ratchet admitted.

"Anyways, Y/N, do continue," said Prowl.

"Yes, well, when we arrived on the planet, that was when the incident occurred."

»–•–«

⚔️ The sound of swords clashing was all you could hear besides the screams of the inhabitants of Bov 05UC running away from the fighting

"Y/N, that 'Cons getting away!" Napier yelled, pointing her sword at a runaway Decepticon.

"I got 'em!" You yelled back, chasing after the enemy.

⚔️ Landing from the jump before the alleyway, you watched the short Decepticon turn around. It wasn't a grown Cybertronian, it was a young one... a sparkling...

⚔️ Sorrow filled you as you lowered your spear from attack mode from seeing their fearful optics

⚔️ Stepping towards him, you hushed him in an effort to keep him safe and quiet so that Napier or another guard couldn't hear you sparing his life

"Go. Run now!" You whispered as the little one ran off.

⚔️ Hearing steps behind you, you were shocked to see both Napier and Captain Supersonic there. Napier then grabbed your arm, pulling you towards her, before striking you down with her own sword

⚔️ You screamed in pain as she stabbed your fallen optic into the ground

"Decepticon-sympathizing filth like you has no place in the Elite Guard." She said, ripping your title and honor away from you in a single action.

⚔️ As the two walked away, you struggled to walk off. Only to be found by a random Cybertronian, one you didn't recognize. They kneeled before you with a shock-filled expression before covering your energon-bleeding wound with a large cloth from their carry-on compartment

»–•–«

"Whoa, whoa, whoa! So your friend, who you grew up with just- tore your optic out and took your position away from you like it was nothing! Who does she think she is?!" Sari yelled.

⚔️ Optimus looked at you and wrapped an arm around your shoulders, pulling you closer to his side as you smiled and patted Sari's little head with your digit

"It's fine now, Sari. I have a great life now. I have a real family. You guys care about one another like nobody ever did back in the Elite Guard. Well, at least the subgroup that Supersonic once led."

"You keep talking about him in past tense, did he like retire or something?" Bumblebee asked.

"Something of the sort..." You nervously answered.

⚔️ Ratchet stood up after you drifted off topic, finishing your answer honestly himself

"He went offline during another battle against Decepticons. Though, those ones were forced to be obedient against their will. Napier, by what I remember, was sent to prison for attempting to kill her fellow soldiers during a state of rage-driven madness."

⚔️ Sari's eyes widened as she looked back at you and Optimus

"You also said that you have a real family now... do you consider us family?" Bulkhead asked.

"Of course! Prowl's the oddball, Ratchet's the grumpy old-mech, Bee and Bulk are the younger siblings, Sari and Isaac are basically like the friends of the unit-"

"And you and Optimus are like the parents!"

"Huh?!" "What?!"

"Too much?"

"Just a tad..."

[myrquez]

In Motogp there’s so much money involved, performance anxiety dominates and builds up barriers. Everyone retreats into their own pack, nothing is done together anymore. And I just adapt to it, according to the theory that it’s better to be alone than to be in a group full of fake smiles. But relationships among athletes aren’t only the ones made via some direct, classic form of communication. In sport you can actually enter into communication with someone through other ways that are more mediated but, in some cases, even more profound. With Márquez, for example, we aren’t technically friends. We think highly of each other, we respect each other, we smile to each other when one sees the other one, over the past year he’s been very fair to me, often defining me as an ideal opponent. I think it’s because he knows that I can race him very hard, but always within the rules. Which is, even if for many may not seem like it, exactly the same thing he always did while racing against me. Marc may look crazy, but he actually stands out from clichés and defies physics laws in good conscience. Unlike other riders — those reckless ones with no sense of limit, who after a crash often say “I don’t know why I crashed” — Márquez knows very well why he crashes. He often precisely crashes on purpose, just to explore that limit. He does some experiments first, then goes on to elaborate his theory. In a way, he’s an empiricist exactly like my dad was, when he purposely kept taking more and more steps forward on the track to teach me how and where to brake. It’s just that in this case, it’s the rider that does it. I like Marc. And I interpreted our famous duels in 2017 as a means to get to know each other better. In Austria and Japan we indeed were extreme, but not crazy. Adventures-seekers who like to push themselves to the limit, but not insane and neither unfair to each other […] Deep down, he isn’t irresponsible, even if he often looks for some maneuvers that have no rhyme or reason. Theoretically, and practically, they don’t make any sense. Yet I never get angry about it, not even that time in Zeltweg when it looked like I told him to fuck off. It surprises me, instead, to see what he tried to do to get a win, something like “I can’t believe it”, an amazed curiosity to see how he tried to move into this uncharted territory, the same one where, thanks to him, I consequently went into as the well. And it’s so cool. As if we both dug together a whole new vein of gold: we won’t share the prize, of course, because to keep the gold is my goal, but we still dug through it together as if we were pioneers. And this indeed does create a bond, whatever is it.

And it’s even more incredible because I exactly know what Marc is going to do in that last turn in Zeltweg. Theoretically, he doesn’t have any more weapons to attack me: at this point his Honda has less traction, worn-out tyres, less power; generally speaking, Honda is less suited to this track than Ducati. And yet he got this far, in the end […] I well know that to have Marc right behind you while going through the last corner is way too much of a problem, the worst thing it could happen to you: he’s going to try it anyway anywhere. So I’ll be there, waiting for him […] Even if we’re going at 200 km/h, I can feel upon my skin how meters get marked bit by bit. One after another. I force myself to focus on his engine’s sound to understand when and where he will attack. And when the noise is there, almost unbearable, I brake hard and leave him a bit of space on the inside line, to force him to exaggerate a bit and then overtake him in acceleration. It’s almost as if I just accepted his invite, just to deceive him later. It might look like it’s just a technical challenge, or a stunt one, but it’s actually about mind games, an hand in glove tied relationship in which our minds get connected. As in bull and bullfighter kind of way. Or, in a I know that you know that I know kind of way. To get a win in this way is a much more difficult thing to achieve, but it is much more cooler as well. When Marc gets on the inside Iine I just know that I made it, because he’s a champion, but he cannot overcome the laws of psychic. My plan gets fulfilled and the dissolving noise of his bike as he goes wide resonates with liberation. That’s when I make that gesture, automatically. Fuck off, you just got played! Real subtitle is: what did you make me do, you bastard? It’s my third win this year. It’s now clear that I am the one challenging Márquez for the title. But to me this doesn’t matter. Like it doesn’t matter that much how I just won against the one who is recognized as the hand-to-hand duels master […] What matters most is that this race has been a way to get to know each other better. Márquez, with his usual Joker smile, confesses that if he hadn’t tried to surpass me he wouldn’t have slept at all that night. That’s what perfectly defines what he is: as long as he is breathing, he will try to pass you even if he had to go through a wall.

In Motegi it isn’t that different. Here, as well, Márquez is struggling a bit more than me, but I am sure he is going to try it in the last corner. Why shouldn’t he? We’ve been “beating” each other as if there was no tomorrow for the last six laps, in some apocalyptic conditions: heavy rain, curling-like grip, no visibility at all […] Ten minutes ago I wouldn’t have thought we’d get to this point, but as soon as Márquez did a little mistake I got back on track and now we’re here, us again. Ehi, Marc, how are you doing? Our connection in Zeltweg has been restored on the other side of the world. It’s now clear that everything that is going to happen now would not be possible without the other’s collaboration. Like two alpinists in a rope team, we will get ‘till the last meter together. We overtake and we get overtaken. We give and we take. We sting like bees, fly like butterflies, and more than anything we hit like blacksmiths. At Turn 10, I change my trajectory: I’ve been studying Marc for quite a lot from behind and now I imitate him, going a bit wider. This allows me to get into Turn 11 very fast, ready for my strong suit: braking. That’s how I easily overtake him. The Ducati is very stable, everything is under control. I’d be sure to get a win at that point but an alarm goes off in my mind: I won’t give it to you this easily. Exactly. Last corner is on the right. Giving my position it’s obvious that there isn’t any physical space to get on the inside, but imagine if he does really give a damn. When I’m about to lean into the Turn, Marc abruptly arrives out of nowhere as gracefully as Hulk in a china shop. It’s not even a dirty try, more like a circus number: his engine’s noise getting closer echoes into my helmet like the drum rolls that comes just before a trapeze artist jumps. Ladies and gentlemen, Marc Márquez! Where the fuck do you want to go? You’re still sitting straight, I’m already leaning: don’t you see that we’re touching? I don’t know how, but I keep the bike in control. I suspend my maneuver for a millisecond, just enough to let him slide on the outside as I go on riding through the apex. At that point he’s way too wide, he pulls half of a miracle by leaning all on the right to keep his bike on track but has no margin for anything else. Farewell, bye, goodbye. I win today. Again. After the finish line, we stop near the track side by side. Our gloves touch. Contact. Knowledge of the other has deepened. Relationship was preserved. Despite everything, no one cut the rope and we got to the mountaintop together. It’s an awesome feeling. That’s exactly the sport that I would always like. Especially because I won. On TV I eventually admit that to win against Márquez in what he does best really excites me: this is the boost that I need for the climb to the championship, at only 11 points from the lead. Marc showers me with compliments and says that it’s awesome to battle with me for the title, the living proof that professionalism and hard work pay off. He calls me a good guy as well, and I forgive him. Actually, no. Why should I be ashamed [of being a good guy]? To pretend to be a bad guy is something that everybody can do. To actually be one when it’s needed, and to do it with a certain style, it’s something for the few.

— andrea dovizioso talking about his relationship and his duels with marc márquez in asfalto (2018)

[mrsparrasblog]

The selection pt.1

Unable to feel emotions, a deadly weapon, unable to empathize with the enemy, a calculated killer. It was as if you were listening to a presentation about yourself. So this was your new place now, musty, dirty, and you needed to work with men. Unbelievable. You were so much better alone, so why send you with a team? But order is order.

Your new boss was like every other boss you had in the past fourteen years: white, old, and unable to protect himself. He relied on you, didn’t trust his allies, closest friends, and sometimes not even himself. But it was easy to trust a mindless creation, someone who shouldn’t be able to feel or think—at least that's what he says. Did he really think you hadn’t got a voice in your head? You had it—it wasn’t always there, but it was sometimes. You weren’t dumb.

"Welcome to the Team," Price said, extending his hand to you. Shepard introduced you to him and his team of barbaric monkeys. You didn’t bother to shake his hand; you hated fake niceties. Was he your boss too? You hoped not. There were already enough useless men in charge of you.

"Shake your superior's hand," he grunted out, not amused by your behavior. Superior—only more men in power. How usual. You ignored him, only rolling your eyes and looking at Shepard, your real boss. If he said shake this man's hand, you do; if not, you don’t.

"John, she doesn’t work with ranks," Shepard tried to explain. I’m an assassin, not a soldier, you thought. Soldiers weren’t something you were particularly fond of, nor were your teachers. Well, if you don’t count him, but that’s not important right now anyway.

"Well, bad for her. I don’t need someone on my team who can't show me a tad of respect," he snorted, glaring at you like he wanted to kill you—sweet, you thought, how naive he was. He really didn’t know what you were capable of.

"There is no discussion. She is on the team as long as I need her, understood?"

"Understood, General."

The boss left, telling you to try to listen to John but always listen to him first. Reasonable. You’d heard weirder requests.

"So, we're stuck with her now," the boy called Gaz, what a stupid name, asked.

"Yes."

"At least you aren’t hard on the eyes, lass," Soap joked. The man with the stupid name and the worst haircut chuckled while his hand touched your shoulder in an attempt to tease you and soften the tension between you and the new team.

By instinct, your hand grabbed his, putting it in a position where it would be so easy to break his hand. "Прикоснись ко мне снова, и я убью тебя!" you hissed, and the men only looked stupidly at you.

"Ah, she just doesn’t understand English, poor lass."

"I understand English perfectly fine. I said if you touch me again, I’m going to kill you!" The monotonous look in your eyes sent shivers down Soap's spine. He knew you weren’t playing; crazy, that’s what you were to him, and you didn’t mind, as long as he didn’t touch you again.

"Okay, why don’t we all calm down?"

"Great, Cap."

"Tell us your callsign or something about you," the older man said, and you asked yourself what would happen if you just stood up and left. But the mission was more important than your ego or annoyance for all of them. Well, except the ridiculous masked man; at least he knew how to keep his mouth shut.

"Love, 19," was all you said. The truth was, you didn’t remember your name anymore. It was all gone, buried deep between all the sessions you needed to endure until the final selection. You knew that you were called 0694 most of your life, until the accident which made them call you Love.

"You don’t seem like someone with the callsign 'Love,' more like Medusa."

"Gaz, stop!" the old man scolded. You could see the wrinkles on his face. He was at least 40, you thought. Was he more like Shepard, or Durinov? Well, he wasn’t a good guy, that's what you knew about him. But who is a good guy after all?

"Okay, Love, the Lieutenant will show you your room."

"Хорошо" You bark at him, getting ready to follow the Ghost masked guy to your new room.

"Speak English, Love."

"Fine, Captain," you scoffed at him. You were sure you wouldn’t like it here. Why couldn’t a better boss get you someone who just gave you orders? You were good at following orders: Kill him—done, torture him—done, make him pay—easy. Just this American sitcom family situation was too nauseating for you. Your thoughts went away to the prospect of skinning some of them alive, but not allowed.

You walked with Ghost to your new place. He was taller than you and bulkier, but that didn’t mean he was stronger. You fought a lot against guys like him—brutes—and they always lost. Strength isn’t enough without a brain, but he seemed smarter than the other ones; he didn’t talk, and you could appreciate that.

"This is it," he gestured to a single room with white walls and a twin-sized bed in the middle. It was one of the better places you’d slept in, if you forget Budapest, Moscow, and Prague. Stupid girl, you thought to yourself. Don’t dwell on your memories; they're gone, gone, gone.

"Okay."

"You don’t talk much," he observed.

You only nodded firmly, not bothering to use your lips to form words.

"Good," he said before walking away.

You threw your bag into the corner. You didn’t have much besides your uniform, weapons, and that washed-out picture of him, which you should have thrown out a long time ago. But it's like a warning for you, you thought. Maybe it was indeed sentiment, which you wouldn’t admit—not after that day.

In search of the training room, you walked past the meeting room where the men still sat as if time stood still.

"Shouldn’t the TF 141 have just four of us, Cap?" the man with the cap asked. If you remembered right, he was called Gaz or something like that.

"Shepard only approved of this task force if she would join, so it's off the table."

"She is crazy," Mohawk guy stated.

"Maybe so, but she's great in the field."

"How do you know, Ghost?"

"Met her in Lisbon four years ago, but as an enemy."

"Four years ago, she was 15."

"Indeed."

"This can't be true."

--------------------------------------------------------------------------

Lisbon, March 2018

The storm howled through the gloomy streets of Lisbon. It was one of your first solo missions: just kill the target and finish. Nothing special, but lying on the rooftop with your sniper gun was more uncomfortable than you had originally imagined. Of course, you were used to discomfort, but the missions were always your safe space. Sleeping outside was easy—safer than there.

But now you were soaked through to your underwear, and the damn target was taking his sweet time. You were trained to lie here on the rooftop for several days, and you won't mess up your first mission; it all factors into the evaluation. And you already messed up that hard. You needed to improve before the grand selection.

Footsteps echoed behind you. You had the choice to turn around and fight off the intruder or to keep focusing on your mission. If he caught you turning around, you would fail, and you really didn’t need this. You decided to foolishly turn around, aiming your gun at him. He was tall, bulky, with blonde hair and several scars on his face—a soldier. Probably, your survival rate was around 75%.

Of course, he pointed his gun at you too, making this even more annoying than it already was. “Who are you, and what are you doing here?” He had a British accent, probably SAS, judging by his uniform.

“I’m a NATO soldier just keeping watch. No one shoots the governor,” you tried hard to speak with an American accent, maybe he was a brute and not a brain. The uniform you wore didn’t have any flags, atypical for NATO.

“Don’t bullshit me, tell me the truth before I put a hole through your head,” he barked at you, at least only half an idiot, you guessed.

“Bold of you to assume that I won’t put a hole through your head first.”

“As if you were able, little girl.” Before you could form a cocky remark, you already had a bullet in your shoulder. He thought you would leave your position because of the bullet, but you stayed put; you needed to finish the mission. He hunched over to you, turning you around while drawing his knife out.

“Блядь, неужели ты не можешь просто позволить мне быть,” you cursed under your breath, drawing your knife too, standing up without a hint of pain in your eyes, making him wonder how this was possible.

“NATO, huh?”

He tried to bring you down with his pure brute strength, but as always, he forgot that strength isn’t everything. “You shouldn’t have such a bad stance,” you smirked before he could defend his technique; you already put a knife inside his hip.

The big, incapable soldier winced on the ground as if a knife wound hurt that bad. Before he could reach for something, you were already on your way to your rope, grabbing it to jump from the rooftop.

“By the way, never disturb my work again, сука,” and with that, you shot him in the shoulder, eye for an eye, and jumped from the rooftop.

-----------------------------------------------------------------

"That's how the governor died?" Price asked, and Ghost only nodded. It wasn't one of his proudest moments; he would have won if he hadn’t been so unfocused. Since then, his missions were always about constant focus and never underestimating an enemy.

“She is a terrorist, we don’t work with terrorists,”

“Have fun fighting me, you lose, short man—all of you will lose,” you said, showing yourself from the corner where you had been hiding. They needed to tolerate you for their silly little task force.

[sammyluvr]

dead eyes — sam winchester

cw :gn!reader, hurt/comfort, established relationship, canon typical violence, blood, death, weapons, and monsters (shifter), reader has a panic attack, character death (in a dream), nightmares, crying, kisses, unedited, 2.4K words. requested !

summary : killing a shifter with sam’s appearance scares you to the point of a panic attack.

his dead eyes. you shouldn’t have looked.

when you do, it feels like you’re being tilted on your axis, and your vision swims for a moment. his voice, though distant, brings you out of it. we should go find dean, he says, voice gentle like he caught a glimpse of the horror that flashes over your features. horror because they’re his dead eyes.

but it’s not over yet. there’s still another shifter in the house, and the adrenaline of an active hunt doesn’t let you dwell on it.

you had gotten separated, just like you said you wouldn’t, and when sam showed back up, you had to point your gun at him, you had to keep him at a distance. this proved smart when another sam walks in. your sam, you think, because he’s carrying the silver knife he took on the hunt today… and because it feels like him. but you couldn’t be sure.

so you kept your gun up and ready to turn on either one at a moment’s notice, even when the mere idea of shooting sam, even a fake one, made you sick to your stomach. what if i shoot the real sam? you had thought to yourself in a terrified moment before your insincts kicked in.

you offered to test yourself first, slipping out your silver knife and cutting a thin line to prove to the real sam that you can be trusted. the shifter and sam stare each other down, and the one that you think is your real sam offers to test himself with his own knife. right as he brings the blade to his forearm, the other lunges towards sam, pulling out a long dagger and aiming right for the heart.

two shots rang out through the air before you could even think about it, and the shift dropped dead at sam’s feet.

now, as you find dean, just barely having killed the last shifter, you know that your instincts served you well, and saved both you and sam. but it had all happened so fast. the realization that there was more than one shifter, getting separated from the brothers, then the confrontation with both sams. your sam, who was calm and collected, but didn’t try to worm his way into getting you to trust him. and the shifter, who wore sam’s face and played with you.

he had insisted he was the real sam, he had chosen to confuse you. sure, to buy himself some time… but you think it was for the pure entertainment of it too. that’s exactly what the shifters had done to their previous victims; posed as their loved ones, but turned violent and angry until the victims tried to hurt or even kill them in self-defense. then they’d guilt their victim for trying to hurt someone they love. and then of course they’d kill them, with their loved one’s face as the last thing they see. they were a violent, messed up pair of monsters, and you’re glad to be rid of them.

but they got to you too. maybe you are their final victim, because sam’s voice saying please don’t hurt me keeps replaying in your head. then there’s sam’s body falling to the ground, blood pooling under him so fast and his eyes open in death. 

it wasn’t sam. you know it wasn’t sam. but in the car ride back to the motel you’re overwhelmed with images of his dead body anyway. and the fact that you had to point that gun at the real sam because you couldn’t be too sure. looking down the barrel of a gun and sam being at the end of it… it just about kills you.

from his seat in the front of the car, sam knows that you’re struggling. he can feel it. your eyes on the back of his head, looking haunted when he glances back with a silent smile of reassurance. and he can’t even see your hands where they are, tucked into your lap, but he knows you well enough that it’s like he can physically feel the way they’re shaking. he wishes he could wrap his solid hands around your trembling fingers and rub your back to soothe your breathing.

he’ll have to wait until you get to the motel, and he’s thankful the drive is almost over. the silence of the car isn’t a comfortable one.

dean reads the room easily and takes to the shower the moment you arrive. before the door to the bathroom is even shut, sam pulls you into his arms, one hand wrapped around your shoulders and the other planted on the back of your head to keep you close.

“it’s okay,” he murmurs, pressing his cheek against you. “i know you’d never hurt me. you don’t have to worry about that.”

the way that he hand picks words and tone and volume for you, with ease and purpose and a complete knowledge of you, your heart, and your mind makes you melt into his hold. you mold to his body, you hug him back so tight, and you cry a few tears. just a few, because his arms around you are grounding and real and better than anything else you could ever ask for. you thought you might fall into a panic, let your anxieties and tendency to overthink things get the better of you. he fixes it all with a hug.

a hug and a love for you that compares to nothing at all. it’s like the way that he holds you and the way that he knows you, gently close the gaps where worry and fear and tears slip through. no stitches, no needle and thread, just soft bandages that hold you together.

⟢⟢⟢

you kill sam in your dreams. you don’t remember anything else. just what it’s like to point your gun at him and shoot with intent. what it’s like to press your hands to the bleeding wounds you made and see his eyes go still. you wake before you can close them with bloody hands.

you’re trembling and you don’t think you’re breathing quite right.

it’s just a dream. it was just a dream. none of it is real. you would never hurt sam, never on purpose. 

with a sharp twist of your neck, you look over at his sleeping form from your spot on the pullout couch. 

you share a bed much more often than not, but this motel is out of rooms with queen beds. last time you slept in a twin bed with him you almost fell to the floor even with him holding you close. that thought brings you out of it for a moment. but seeing him so still in bed is too scary for you to stay calm for any longer than that.

he’s fine, you think desperately. he’s just sleeping. if you could take the time to let your eyes adjust to the dark or see through the tears in your eyes, you’d be able to catch the rise and fall of his breathing. but you can’t.

you can’t even keep track of your own breathing as you stumble out of bed and towards him before realizing at the last moment that you don’t want to wake him.

so you put a hand to your chest and try to breathe as you turn around and make your way to the motel room door on shaky legs. the tears run and run like they can outpace the fear, maybe drown it, and you don’t realize how much noise you’re making as you fumble with the lock and the handle and the door that wasn’t this heavy earlier today.

you’re looking for the cold. the wind, maybe rain if you’re lucky. you’re looking for something to feel that’s not a phantom of your nightmares or suffocating guilt and terror. how could you even dream that? how could you?

and you can’t breathe, you don’t think that you can breathe as your knees buckle and you sit down hard on the concrete outside. it would hurt if you could feel it.

you squeeze your eyes shut and drop your head between your knees because you know somewhere in the back of your mind that you’re having a panic attack. but from your position on the ground and the intensity of your anxiety, it’s not enough. you gasp and gasp and can’t hear sam’s footsteps or your name falling from his lips until he’s right in front of you.

he doesn’t touch you for fear of startling you, but he says your name so soft and steady and worried.

“please look at me, honey,” he asks. sleep tints his voice, love colors it. “it’s alright. you’re alright. i’m alright.”

looking at him is hard because he’s already there, behind your eyelids and bleeding out. but he’s alright. that was his voice saying it, his voice calling you honey and maybe if you open your eyes and look up, he won’t sound so distant the next time he talks.

he’s in front of you. the sight of him sways a little, but he’s there and if you’re seeing well enough, he looks so concerned. so sorry and worried and a little helpless because he wants to bring you out of it and isn’t sure if it’s working yet.

but you hear him and you listen, and when he can see your eyes, it’s a little bit better. when you can see his eyes, it’s a little bit better. they are not open in death. they are alive and feeling and looking at you with love and pain and softness and sorrow. he’s so sorry that you’re so scared of hurting him.

“can you focus on me, love?” he asks, noting your distant eyes and faraway mind and wanting more than anything to bring you back to him.

like a miracle, you find out that you can. you can focus on his eyes, and then his voice, and then you see him holding a hand out in case you want something physical to ground yourself with. it’s instinct to grab his hand, to grip it and steady yourself with it like you have a million times before for a million different reasons. like when you got tipsy and wobbly or when you wanted to go home but you didn’t have one. when you missed him or when you twisted your ankle or fell in love. when you killed him in your dreams.

you still gasp for air and you still cry. but sam is there and that means you’re going to be okay. that means he’s okay, at least for now. he makes for now enough, and you’ll make sure that it’s always. i’ll protect him, you tell yourself. you’ll protect him.

but for now he’ll be the one to protect you; tonight it’s from your fears and the cruel tricks of your mind. he pulls your shaky form into him. he rubs your back and kisses your forehead and your breathing slows down. the air comes into your lungs and it stays there long enough to make a difference. you feel the cold and the breeze on your skin. there’s no rain, but the moon can be seen and it hangs over sam’s head. the moon reminds you of sam.

you walk yourself out of the panic attack without even needing him to ask you for five things you see or four things you can feel. he’s proud of you for it. of course, it’s his being there that helps you more than anything.

“that’s it,” he murmurs, “there you go. i got you.” he smooths his hand over the back of your head, soft and slow and sturdy. when your eyes flutter closed, the only thing you see is the imprint of the bright moon against your eyelids for a moment. the rest is dark and calm.

the fabric of his sleep shirt gets all bunched up in your weak hands. the t-shirt is soft and thin from wear and it feels familiar in between your sleepy fingers. it’s october. he’s probably cold.

i’ll protect him, you remember. your fingers loosen and the fabric falls away from your hold. it rides up and exposes his skin to the wind when you rub up his back. it falls back over the hem of his jeans when you rub down. you’re trying to warm him, but your hands are shaky and small compared to the expanse of his back, even smaller compared to the expanse of the sky.

for a moment sam isn’t sure what you’re doing, but he smiles so sadly when he realizes. his heart aches with love and adoration.

“let’s get inside,” he whispers. you nod against his chest. he’ll be warmer inside. so will you. you might be shivering. he hoists you to your feet with steady care. your knees feel weak, but you hold his hand tight and walk back into the room. sam closes and locks the door, the guides you to his bed. he sits you down on the edge and crouches in front of you, wiping softly at your tears. then he leans forward and up to press a kiss to your cheek, then another to the spot between your eyebrows.

you fall into him, wrapping your arms around his neck, and he accepts you happily. he rubs your back soothingly, lets you tuck your head into the crook of his neck. he holds you there until you sit up. he lets his legs go sore and doesn’t care about it one bit. you heave out a huff of breath and he cups your face, thumbing softly at your cheekbone. your hand slowly wraps around his wrist, then you turn your head to kiss the heel of his palm.

“let’s sleep,” you mumble against his skin. with a soft heart, sam obliges, climbing into the small bed after you. he bundles you up into his arms before pulling the covers over your warming bodies. he kisses the top of your head, letting his lips linger for a long moment before he rests his cheek against the same spot.

“goodnight, sam,” you whisper softly, voice still holding a hint of its earlier shakiness.

“goodnight, honey,” he echoes, voice just as soft and prettily hushed. he wants to say more, maybe another ‘it’s okay’ or sweet reassurance. he wants to make sure you know that he’s not afraid of you hurting him, that he trusts you and that loves you all the way. but he thinks you already know, and that you’re better suited for silence now.

he’ll tell you tomorrow.