#(that was also a very long time ago)

[floccinaucinihilipilificationa]

[bacchuschucklefuck]

we let the ocean drown out our voices/enjoying the bitterness/in the chaotic light, I close my eyes and see

[orb-weaving]

Recognition

[xxspirit]

Can you draw Dream?? It looks like you've never drawn him on his own :D

Ya! Took this opportunity to draw him w/ his bow

and omg this:

I’ve had this ask for like ever now- it makes me so happy reading it lolol

he shall allow a smooch on the hand ♡

Annnd here’s my doodle sheet for this

Thanks for the ask! :]

[ranna-alga]

"Do the Evolution" - Pearl Jam

[xxplastic-cubexx]

if i said i picked up this issue for anything but drunk erik i fear i'd be lying

(Wolverine (2020) #3)

[surreal-duck]

es rarepair week 2024 day 1 | AU/future

lil ghostic au of mine!!! yuzuru and the rest of fine are long since trapped souls in an abandoned mansion of which rst come across while looking for shelter during a storm :] it doesnt um. particularly end well

[smallidarityfan]

smallidarity highschool au

came up with this au like actually 2 years ago where it's mainly empires 2 smallidarity centric, with Jimmy as a student council member and Joel as an honours student who doesn't like the way Jimmy runs things around the school.

As payback for the regulations Jimmy put up that Joel thought was stupid, Joel does these elaborate 'The Office' style pranks on Jimmy (specifically) while Jimmy retaliates by trying his best to dig up dirt on Joel. This banter goes on for a while— however Joel ends up doing the pranks less as a statement, and instead more just to see how Jimmy would react... with his comical, cartoony villain yells, and... weirdly cute face....? (YAOI YAOI YAOI YAOI)

very very old au drawings below:

from July 2023

😭😭 joel does NOT look like a highschooler here 😭😭😭😭 (i also wanted to draw angst in the first two ig idk a year later it's pretty cringe [i am still cringe]) (also partially inspired by when I read "Go for it, Nakamura!" and the mc reminded me of joel for no actual reason. or maybe i was just thinking about that manga while drawing smallidarity. idk)

from November 2022:

I think these doodles were genuinely the first instance of me converting from being against mcyt shipping to for shipping LMAOO

[welcometogrouchland]

I've been binging Batman Beyond recently (Terry ily so much) and thought about how- bc of the JLU twist which I think isn't even canon to the comics BB verse but shhh bare with me- he'd technically be Damian's half brother??? Which is just so ridiculously soap opera to me. I need them to interact in a silly time travel adventure so bad you don't even understand (ID in alt)

[she-posts-nerdy-stuff]

Sometimes I think I’m not that weird and then I spend a solid amount of time wondering what kind of contraceptives are available in the Grishaverse and specifically how accessible they are in the Barrel, particularly based on the quote “Getting pregnant isn’t actually a special talent. Ask any luckless girl in the Barrel”. Is unwanted pregnancy more common in the Barrel than elsewhere in Ketterdam because of the lack of social services in the city and especially in its poorest areas? is it because teen pregnancies often lead to kids being kicked out so they end up in the Barrel? is there a higher statistic by product of the pleasure houses and especially if there aren’t safe contraceptives readily available in the pleasure houses? and if so what do the people running the pleasure houses do to the girls because of it? is it because unexpected pregnancies in higher social classes would just lead to rushed marriages so it’s more noticeable in the Barrel? or is the comment based solely on Kaz’s individual experience of the city, ie its slums, in which case whilst it’s telling us about the Barrel it’s not making any particular comparison to the rest of the city? I kind of assume there must be some contraceptives available because the possibility of pregnancies in the pleasure houses is never discussed but I doubt they’re readily available and based on what we know about the resources and development in the worldbuilding and timeline may not be the most reliable, in which case what is happening to indentured girls who end up impregnated? Because, somehow, I just don’t think they’re safe. (Where could I have possibly gotten that idea?) So yeah, I am, in fact, that weird. But I really need to know the answer to this.

[ewwww-what]

I like to imagine that the version of Galicaea that answers Tracker in her prayers is less human than the version Kristen met in sophomore year

[beatcroc]

peppino "never tell the health inspector" spaghetti

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino] [gustavo]<- u are here [gerome] [noisette again]

[stickmenyaoi]

about absence; presence. Lover; Warrior

Inspired by.

[al-luviec]

something simple to try to get out of art block (it didn't work)

[lemonhemlock]

I did not get into Game of thrones when it first started airing. In fact, I waited until it was long past it's heyday (around s6 or 7) to check it out because the marketing and the conversation surrounding it misled me into thinking it was nothing more than "grimdark" bullshit. As one famous YouTuber sarcastically called it "hot fantasy that fucks." So, I avoided Martin's work for literal years due to the impression that I got from online reactors and show-only casuals who did as you and a few others have described as his work being fundamentally misinterpreted.

Fortunately, I overcame my hang-ups, purchased the books (even the supplementary material) and fell down an entire rabbit hole of ASOIAF which led me to recognizing that this world he spent decades creating is far more complex than what had been portrayed onscreen. Regardless of the possibility of the books remaining unfinished (which I am fine with, personally), what George has created is a genuine work of art that I imagine took a tremendous amount of time and energy. So, for so many people online to behave like children and throw tantrums because they feel entitled to him (ew) instead of ushering forth more reasonable conversations and legitimate debates about the nature of his situation frankly makes me look at this fandom with a heavy dose of skepticism.

It is truly baffling to hear even professional critics and see articles describing George as being "ungrateful" or "unprofessional" when it has been well-documented just how often authors get locked out of the adaptation process and left to the wayside as consultants. Look at what happened to Rick Riordan and Christopher Paolini! George R.R. Martin is not the only author to have qualms with how a multimillion dollar studio has mishandled his creative work, and to act like he should remain silent just because he's amassed a certain degree of wealth is quite frankly, ridiculous. He shouldn't have to settle down, be grateful, and stay quiet because the greedy corporate executives and their media drones will get offended by actual criticism that could alter the perception of the adaption being revealed as mediocre for having departed from the source material.

TLDR: authors should be allowed to speak up about their art being sacrificed for commercialization.

Thank you so much for this message, anon! This needs to be talked about more, because I don't think a lot of commentators truly understand the vulgar, late-capitalistic sheen that seems to set in and slowly poison any ASOIAF adaptation. It honestly baffles me how quick some members of this fandom are to rush to the defense of, what is essentially (let's not be kidding ourselves here), a cashgrab by a giant corporation to the detriment of the actual artist and the actual creative foundation behind it.

Why else would "MAX" (if that is even their name) make another (or several other) ASOIAF adaptations? Not to stay true to any philosophical aesthetic vision, as it has become more than apparent with Season 2, but to increase shareholder profits by appealing to the lowest common denominator. Even the basic premise has been shifted in order to address popular trends and satisfy the mindless consumer that doesn't want to engage with anything deeper than their favourite tropes, prettily packaged:

from a story about a doomed ouroborous family superimposed on the pitfalls of feudalism, with villainy and heroism to be found on both sides, it has been simplified and reduced to a narrative that exalts white feminism and disqualifies anyone who opposes its girlboss protagonist. This is Sheryl Sandberg's version of Fire and Blood.

Truly, I think Sara Hess did (unintentionally) outline it the best: "civilians don't matter in Game of Thrones". They don't matter in Game of Thrones, but they matter in A Song of Ice and Fire. The entire heart of the series is contained in Septon Maribald's speech. The writers "kind of", must have forgotten, though.

[juustozzi]

a dumping ground for some random quick doodles