#(maybe i'm ignorant. sorry.)

[nouverx]

Pov the cannibal overlords are judging your outfit (or discussing how they're going to cook you tonight, your choice 👀)

Based on very cool outfits for them I saw on twitter! Here's Alastor and here's Rosie

[vodid]

zero's pressure

[johnnyspells]

RIVER CARTWRIGHT & JAMES 'SPIDER' WEBB "Personal Space" SLOW HORSES

[userautumn]

oh my god you hate america? you think the united states should burn? oh my god should we tell everyone? should we throw a party? should we call lady gaga

[mnemo-sick]

transformers fandom. what if I said bee is not a baby? what happens? do I burst into flames?

[certifiedcoffeeaddict]

[tangents-within-tangents]

Thinking about the song "Ship in Port" by Radical Face and clones

Thinking about the line "Farewell to the chains we were born into" and what that can mean for the clones

Thinking about how "But I have always stayed in place/Under that old illusion that it's safe" could equally describe Hunter, Echo, and (s1+2) Crosshair's complete opposite approaches to the Empire and post-war life.

The way Crosshair clings to his identity as a soldier of the Empire

And Echo as a soldier of the Republic

But Hunter puts his identity as a soldier behind him

Crosshair fights for the Empire to gain purpose

Echo fights against the Empire to save his brothers

And Hunter decides the Empire is too strong to even try to oppose

"A ship in port is a safer one"

"but it's not the reason it was made"

"So forgive me if I wander off"

"And forgive me more if I just stay"

Thinking about what The Bad Batch could have been if it had more fully explored the differences between those ideologies

(Thinking about what The Bad Batch could have been if it had dedicated more screen time to the 'reg' clones within the Empire and the underground network's fight to free them , instead of just sidelining Echo and Rex for a hypothetical clone rebellion show we might never get)

[typing-catastrophe]

random X-Men headcanons

erik can cook very well

he learned it while travelling to other countries, using it as a sort of coping mechanism, to take his mind of off things for a short while

logan can't cook for shit. he couldn't make a decent meal if his life depended on it. man forgets to eat for days on end sometimes and is only reminded by someone else asking if he's hungry or when he ate last

charles will try to survive on coffee while staying up late (very late) while doing research or working on his thesis etc.

erik has to literally drag him away from his desk

peter once chugged a pot of coffee and immediately went to sleep for a whole day

erik had to patch himself up so many times that he can provide the best first aid you could get from a civilian/non-doctor or nurse

[never-ending-pizza-time]

I think some people forget that peppino can be kind of a jerk. He's not your perfect awkward nervous guy who can do no wrong, he is not perfect, but that doesn't make him a bad guy. He has flaws, because thats a normal human thing to have.

Sometimes he gets angry and a bit mean, sometimes he takes joy in beating the shit out of the tower residents, sometimes he gets selfish or says something mean to someone. His anxiety is not his only flaw, please don't forget that. He is not a perfect sunshine boy who can do no wrong. He is not nice and friendly 100% of the time. He is a human person, he is a complex being who cannot be easily defined as completely good or completely bad.

Sometimes good people do shitty things. Sometimes a person will not act in the kindest way possible. Sometimes someone will do something not realising (or caring) how it makes others feel. Sometimes people have bad days. Sometimes people make mistakes. Sometimes people are wrong.

Peppino is a human, he is not immune to being a jerk sometimes. Again, this doesn't make him a bad person, it just makes him human, and I don't want people to forget that and misinterpret him as being someone whos only flaw is his anxiety. Yes it is a key part of his character, but theres more to this guy than that, thats not his only flaw or imperfection or whatever you want to call it. He's not 'kind perfect guy who also has anxiety', theres more detail to who he is than that.

Peppino can be a bit mean, Peppino can be hotheaded, and you know what? Thats okay because thats what a person is like sometimes, and that is a sign of a complex and realisticly written character (even if he is a cartoon guy, his personality still feels realistic). He's not the same guy all of the time, he doesnt respond to every situation in the same way, he's not a one note character. Sometimes he sucks as a person, but its okay because despite all that, he's a loveable and endearing character, and he isn't a horrible terrible person, he just is human, and thats okay.

[necrotic-nephilim]

What's so fun about BruJay as a ship is Jason's sheer obsessive devotion to Bruce. Jason is possessive over Bruce, to the point he doesn't care about the deaths of others so long as he has Bruce's attention. A part of the UTRH arc this isn't talked about enough is that Bludhaven fucking explodes mid-way and Jason won't let Bruce see if Dick is alive.

batman (1940) #650

A lot of discussion about UTRH paints Jason as this anger-driven cold, calculating machine up against Bruce when it's so clear that his love for Bruce is what drives him at his root, even if he won't acknowledge it. He says it himself, he would've done anything if it was Bruce who'd died instead of him and his anger is rooted in that possessive devotion not being reciprocated.

batman (194) #650

BruJay as a ship always to be, to some level, unrequited. Even if Bruce loves Jason back in that way, he'll never be that obsessed with Jason. Jason will always view Bruce's love for Dick or Tim to be a distraction, proof that Bruce isn't dedicated enough to him. Jason has the need to always have Bruce's attention, even when it could come at the cost of Bruce's other loved ones. Something something cannibalism as a metaphor for love in how Jason wants to consume Bruce's whole existence. He can't let Bruce leave him again, can't let Bruce love or grieve anyone else. Forcing Bruce to choose between Jason and the Joker isn't just about confronting Jason's killer, it's about confronting the other person who exists as this duality with Bruce and consumes so much of Bruce's life. That's the role Jason wants to fill, calling himself Red Hood and forcing Bruce to look at what he's become. But still loving Bruce and wanting more than anything for Bruce to reciprocate that love in the way that Jason understands. I just think it's good soup and rife with Dynamics that are underexplored with them.

[once-in-a-blood-moon]

Okay imagine Solomon being upset and jealous that MC doesn’t have a mark of his own on their body, MC notices this fact and gets the mark of Solomon tattooed onto their body. I’ve been so obsessed with this idea ever sense Solomon became my no.1 favorite character ever.

Ooh, yes, I've seen this floating around as well!

Solomon would be pleased on the outside, absolutely thrilled on the inside. I think having his own mark would satiate that jealousy, because now having his own mark on your body shows the world that you have a strong bond of trust and care. Just as you do with the brothers, if not more so.

I know many people have different headcanons about where each of the brothers' marks are on their MC's body, which usually have some sort of meaning. I suppose it's up to preference where you'd want to be permanently tattooed, but what if you got it in an area that was special to both of you?

Trying to be as inclusive as I can to everybody's headcanons of the brothers' marks, so take these with a grain of salt or come up with your own! :)

Perhaps Solomon has disclosed with you a certain part of your body that he just adores, an area he often touches in moments when it's just the two of you. Rubbing your knuckles or kissing the back of your hand when watching movies together, caressing the small of your back while you read over a passage from one of his spell books, right behind your ear where he rubs soft circles as you drift off to sleep in his bed, or brushing his lips against your shoulder as he holds you from behind while you make dinner.

Getting his mark in an area he dotes over, one that he never fails to touch or lavish with kisses in those near ritualistic moments, would be the ultimate gesture. Because for him, it would be an indication that the small things he does in the time he is granted with you mean something to you. They're special to you too.

That's the fluffy, sentimental version. Now I kinda want to explore the logistical or rational placing of his mark.

I was looking at the seal of Solomon, and noticed two things: the symbol for Saturn (the one that looks like an awkwardly drawn n) and the symbol for Mars (which interestingly enough, the Mars symbol seems to have the Sun's symbol in it as well. Mars is the "male" symbol, while the Sun is a circle with a dot in the center).

For quick reference, Saturn rules both Capricorn and Aquarius in traditional astrology - representing structure and discipline. Mars rules both Aries and Scorpio in traditional - representing drive and passion. And I'll go ahead and do the Sun's as well, it rules Leo - representing the ego.

Now, I mention this for one reason: medical astrology. Each part of the body (and its systems within) are ruled by a sign (quick fire examples: Capricorn - knees, Aquarius - calves, Aries - head, Scorpio - lower regions, Leo - spine). So, how impressed would he be if he realized you'd tattooed his mark in one of those areas? Just what he'd expect of his clever apprentice! (Even better if you got it on the left side of your body, as the left represents wisdom! Right is power, in case you wanted to know :)).

Perhaps by doing so, you invoke one of the qualities of those aforementioned planet rulings, like you find yourself being more responsible with the mark on your ankle or the back of your knee, maybe you're more authentic with it at the top of your spine, or more aggressive in your pursuits with it on your naval or behind your ear.

I think he'd be fascinated, and oddly flattered, that his mark influences you in a such way. Like he's indirectly influencing you. It'd be similar to how the brothers' sins on your body might make you act certain ways, like more greedy or more gluttonous.

Yeah, he'd be smitten with you and that mark wherever you end up putting it. Whatever makes you happy, as long as he has a little claim of you as well. Perhaps he'd create a mark that represents you to tattoo on his body... If there's room, ha!

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[glacier-shrimp]

Done with our favorite Spider-Boy! Spiderling? Spider... What was his name again?

Avengers paper cutout 6/?

[toxintouch]

Lovent Theories off the top of my head...

⟡ Mhin is not from Lovent, but they DID contract their curse there. "Anything for the pursuit of knowledge..." Perhaps Mhin had only intended to go there for study and they unwittingly brought Something Else back...

Title tag is #lost expeditions... Mhin went to Lovent with loved ones and is the lone survivor of the expedition?? No one has ever made it back except for Mhin?

⟡ Mhin is from Lovent but...

"In a bygone era,"

Is Mhin just...very old? An extended lifespan due to their curse?

Or maybe the whole city got swallowed up the the Shroud and there were some dimension time shenanigans...? The city ended up in a halfway point? And the city is actually still inhabited, but has been in a perpetual state of Zombie Appocalypse Fogfall. Silent Hill...?? am I describing Silent Hill? Mhin fought to escape and that is when Kuras finds and help them?

⟡ Did they learn something about the Senobium while in Lovent? Is that why they are so determined, so sure that what they need is inside?

[jonathan-cranes-mistress-of-fear]

Entered a local town museum's photography contest, didn't even get honorable mention. :/ really bummed. But, didn't expect much considering it's probably family voting for family. Ya know, small town nepotism at it's finest.

Here's what I entered, these are older photos from vacations but I always really liked each one for various reasons.

[immediatebreakfast]

For this entry I have to say first that I know I can't rightly judge victorian standards of child raising since we in the 21st century aren't really better regarding it. Plus, since I am from a latinoamerican country a.k.a. Colombia, my perspective of family affection is very different from victorian english upper class people. Moreover, that cultural difference affects how I read, and analyse the text.

But the fact that Mrs. Westenra simply refused to let Lucy, her own fucking daughter, sleep with her out of "worry" makes my blood boil like no other.

"She seems not too well herself, and doubtless she fears to worry me."

How does this help anyone? How the fuck does this could help Lucy when Mrs. Westenra dies? Why is this woman who has a few months to live at best so hellbent in not spending a single caring moment with her daughter?

Yes, I know all of the doylist reasons for this plot point, I know the foreshadowing of Mrs. Westenra's character as a very upper class lady who raised Lucy perfectly, BUT STILL. The thing that gets me is that this woman is so close to death, and yet treats Lucy like this. I would think that even if Mrs. Westenra doesn't tell Lucy about her illness (a mistake on itself) she would at least try to spend time with her, because you know she is going to die.

It's a cultural thing from my part? Of course it is! Here in Colombia a parent will always offer you comfort, hell I am an adult and if I have my worries over something before sleeping, my mom will offer me to nap with her for a while until I feel better. It's basic affection, there may be some faults in this culture regarding some things, but you can bet that at least a mother will say to her distressed daughter to stay awake for a while.

Lucy already has to consider, conceptualize, and care for the happiness of everyone around her all the time. Her comfort always comes last, on top of balancing Mrs. Westenra and Arthur's perspective of her with a fine pen because Lucy can't let them see her actual face, instead of her perfectly crafted mask.

And Lucy doesn't even get the small comfort of her own mother being at her side before going to sleep. She is so afraid of sleeping alone that she was going to stay awake all night, but Lucy's tiredness won, and certain Count took advantage of this to keep drinking her.

Mrs. Westenra really denied one of the most basic comforts to her own daughter, and in turn Lucy will never tell her about the symptons, and both of them will trap eachother in a societal circle where neither of them will know what is happening out of worry.