#(it was mike mills)

[mdemn]

someone has to leave first. this is a very old story. there is no other version of it.

rien ne va plus - margarita karapanou / ghost, zero, suitcase, and the moon - richard siken, beginners (2010) dir. mike mills, glue - richard siken, beginners (2010) dir. mike mills, the absolutely true story of a part-time indian - sherman alexie, tumblr user lalallorona, fuck it i love you - lana del rey, the worm king’s lullaby - richard siken

buy me a coffee? <3

[fervi-g]

Beginners (2010) dir. Mike Mills

[above-the-foldd]

hey guys not to freak you out but uh

max’s mom brought cookie cake for everyone

[miwiromantics]

The fact that most milevens are fillie shippers is one reason why mike and el will never work out

[silverscreencaps]

20th Century Women (2016) dir. Mike Mills

[frenchcurious]

Mike Hawthorn & Azelio Cappi. Ferrari 250 MM Vignale Spyder Series II - Mille Miglia 1953. - source JD Classics.

[ulliell]

Beginners (2010) dir. Mike Mills

[gurlferrari]

EXTRA-SPECIAL EDITION: CUSTOMIZING THE ICONIC DUCATI MHR MILLE

[worldwidewandress]

her: "why do you leave everyone? why did you let me go?"

him: "maybe because i... i don't believe that it's gonna work, and then i make sure that it doesn't work"

[mistray-art]

Ayreon Chronicles

The Aligning of the Ten - Star of Sirrah

(Revisited 2025)

[theopiumeater]

mike mills (2005) & craig tracy (1967)

[buzzreg]

personal boyre flag icons of my favorite boy regressors … flag made by @beachreg / @muttreg !!! never made flag icons before it was fun :3

jesse pinkman from breaking bad; david mills from se7en (1995); travis marks from common law; mike ross from suits; superman/clark kent from man of steel (2013); sam evans from glee

[astralbondpro]

R.E.M. // Losing My Religion

[boy-with-camera]

20th century women (2016) by mike mills cinematography by sean porter production design by chris jones

[tavolgisvist]

The suits

Think, I don't want to clog the idontwanttospoiltheparty's post so put my comments here. @idontwanttospoiltheparty wrote good tags

I was just thinking about the suits too. And I came to the same conclusion: the suits as a way to express dissatisfaction with something else. Look,

1971 (the trial for the dissolution of The Beatles etc):

He was a theatrical man rather than a businessman, and with us he was a bit like that. He literally fucking cleaned us up. And there were great fights between him and me, over years and years, of me not wanting to dress up. He and Paul had some kind of collusion... to keep me straight. Because I kept spoiling the image, like the time I beat up a guy at Paul's twenty-first (birthday). I nearly killed him, because he insinuated that me and Brian had an affair in Spain. I was out of me mind.

(John Lennon, September 5th, 1971, St. Regis Hotel in New York City, interview with Peter McCabe and Robert Schonfeld)

and 1975 (meeting with Paul in 1974 and after):

Q: How true is the myth that Brian Epstein packaged the Beatles? А: Everything is true and not true about everything. That’s one thing I’ve learned. Both things are both true. Q: That’s a very Yoko answer … But was there a point where you four were very naive? А: Oh, we weren’t naive. We were no more naive than he was. I mean what was he, he was serving in a record shop. And he saw this group of sort of rockers … or greasers playing loud music and a lot of kids paying attention to it. So he thought well, this is a business to be in. He liked the look of us, and thought, I’ll be a manager. It was as simple as that. He said, I think I can manage you, and we had nobody better, and we said, All right, you can do it. Then he went shopping around, getting us work, and then there came to a bit when he said, Look, if you cut your hair… Q: How long was it? А: For then, it was longer than any of the photographs. Normally, in any photograph, it had been trimmed or cut. Even school photographs—have you noticed that— your hair always seemed to be cut the day before they took the school photograph. Or whenever you had a photograph of your holidays, somehow the parents or somebody always managed to cut your hair. But there’s some private pictures where it was pretty long for those days, longer than the early pictures. And it was still greased back, and outside of Liverpool, when we went down South in the leather outfits, the dance-hall promoters didn’t really like us, because they thought we looked like a gang of thugs. So Epstein said, Look, if you wear this suit … and we liked suits, everybody wanted a good suit, a nice black, sharp suit, man … you know, yeah, man, I’ll have a suit. So, if you wear a suit, you get this much money. All right, wear a suit, you get more money, wear a suit, I’ll wear a fucking balloon if they’re going to pay me. He was our salesman. He was our front. If you notice, another quirk of life is that self-made men usually have someone with education to front for them. Epstein had enough education to go in and talk to the hobnobs in their own language, and it’s the same now. If I have a lawsuit, I have to get a lawyer to talk to them. Epstein fronted for the Beatles. He played a great part at whatever he did; he was theatrical, that was for sure, and he believed in us. But he certainly didn’t package us the way they said [he did]. Look, we weren’t picked up off the street, we allowed him to take us. Paul wasn’t so keen [on him], Paul’s more conservative in the way he approaches things, and that’s all well and good—maybe he’ll end up with more yachts.

(John Lennon, FEB 19, 1975, interview with Lisa Robinson)

Different years, different circumstances - and different reactions to the suits.

And we remember Brian wasn't the first person who dressed John in a suit (haha I have a reason to quote Len Garry and add a link to amoralto):

“Yeah yeah, it’s all very well, Paul,” muttered John. “Just because your Dad played in some old time music hall in the thirties doesn’t mean we should go on stage wearing white coats. People will think we’re a bunch of fairies.” “Wait a minute, John, I’m burning the toast.” Paul, clattering about in the kitchen, seemed oblivious to John’s emphatic statement. He then came out of the kitchen with a pile of buttered toast on a large plate for the ravenous horde waiting. “What did you say? I couldn’t hear you properly; oh, the white coats, is that what you’re on about? What’s your problem with that? Look John, it’s about time we started smartening up our image because we can’t go on looking like a gang of ruffians just dragged off the streets,” retorted Paul. “We must look professional – we’re on the stage, in the public eye, and appearances are important. If we start looking the part then perhaps you may even be able to get your chords right.” Paul said this last point in a jovial manner, not wishing to rouse John’s temper, as he knew even after short acquaintance with John that he could soon ‘fly off the handle’ if provoked. John seemed unperturbed by the insinuation that Paul was making about his professionalism (or lack of it). There was a silence for a couple of minutes as we all munched on our buttered toast. “Yeah okay – but white coats? I can’t see myself in one of those. Anyway, where would we get them from?” “Never mind that – Nigel will sort that out. Look, it will be you and me up front from now on as main guitarists and vocalists so it’ll look good, the both of us wearing the same gear. It will be white coats, white shirts and black bow ties – the rest of the group can wear white shirts and black bow ties.” John still seemed undecided and looked to me for support. “What do you think, Len?” he asked. “I think the answer lies in the soil,” I said, trying to bring a bit of humour into what seemed to me a contest building up between two strong personalities, each having been used to getting their own way. Continuing in a none-too-serious vein, “But then again I think that you two don’t need us anymore, we’re has-beens.” [...] “Come on, Len, be serious for a minute. What do you think?” repeated John, who was by this time desperate for support. “I honestly think it’s worth a try and it will probably improve our image,” I said half-heartedly. Suddenly John resorted to his lighter mode. “Ooh, eh! We will look smart. Why don’t we hire a limousine and dress up as undertakers instead?” he quipped. “Don’t be thick, John, we’d all have to wear black for that,” Eric Griffiths suddenly interjected. “Okay, we’ll all be in white then – it’s agreed,” said Paul. John then started up with a song that had recently been popularised: “A white sport coat and a pink carnation, I’m getting dressed up for a dance.” With that John did a little dance around the room. The Quarrymen Committee had arrived at another major decision without too much rancour.

(John, Paul and Me: Before The Beatles by Len Garry, 1997)

It's interesting, I didn't know:

1963 was the year of the now iconic collarless suit – created for the band by UK tailor, Dougie Millings, whom we learn went on to make over 500 outfits for the group. His collarless creation was conceived in a brainstorming session involving Paul McCartney, who’d originally proposed the idea. Their suits were modeled on an original design by Pierre Cardin, but tweaked to make it a distinctively Beatles’ garment.

(from review of Fashioning the Beatles – The Looks That Shook the World (2023, by Deirdre Kelly)

And the Paul's reason to wear the same suits (from Conversations With McCartney by Paul Du Noyer, 2012):

Later, not long before he died in April 1962, Sutcliffe visited his former group in Liverpool, with Kirchherr on his arm. “He was looking thin and pale, and he must’ve been taking medication, because, like the letter from him reproduced in the book, which is very James Joyce-y and surreal, he was sometimes just floating, and then all of a sudden, he wasn’t,” McCartney recalls. “There’s a picture in the book of Astrid, with her very short, Mia Farrow-type hair, John and Stu outside the Cavern. Not long after that, we were all down there, in the Cavern, and I remember Stu and Astrid walking in, and Stu had this ordinary jacket, but without the collar. We all pissed ourselves laughing. He was not happy, because we didn’t get it, the style. But then, when he died, those famous Beatles collarless jackets, they’re in homage. They weren’t Beatles jackets. They were Stu’s jacket.”

(Mike McCartney, June 2022, interview with Jeff Slate)

The Beatles have no pockets in their trousers and only two side pockets in their jackets. Paul designed them.

(NEW FACTS ON THE FAB 4 From Fabulous magazine, 1965 - Craig Brown, 150 Glimpses of the Beatles, 2020)

Part (I), (II), (III), (IV), (V)

[theresa-thegalwhocriedrizz]

miniongate byler art!🥰

i worked very gard on this❤️