#(i love poppy so much guys)

[hootbon]

Who is your favourite poppy playtime character other than miss delight?

Mommmma longest limbs

[ryssbelle]

They're so silly and I love them

[myokk]

fast sketch of my Imelda oneshot🫶💓

remembering the snow

Word count: 3.300

Rating: G/T I don’t get the difference 🧍‍♀️

Imelda Reyes has never been one to do things by halves.

Her mother always talked about the circumstances of her birth with pride: Imelda came quickly as if she were eager to get out and see the world already, screaming even before she had fully left her mother's womb, determined to leave an indelible mark on the world.

The women in their village who had assisted the birth crossed themselves, chattering to each other in quick, soft, beautiful Spanish staccato about the baby who was already unlike any they had ever seen before. Strong and healthy and beautiful, her deep brown eyes already taking in her surroundings and watching them solemnly moments after her arrival.

Her father always talked about the circumstances of her childhood: running wild and free, flying before she could walk (a source of great pride), his little shadow who peppered him with endless questions about the world. He always brought her along to his work meetings much to everyone's delight; she was with him when he was offered the enviable position of Spanish Diplomat to the British Ministry of Magic.

At the age of five, they left the beautiful sleepy village where time hadn't seemed to exist. Imelda still dreams of long, hot, dusty days playing under the shade of orange trees, going to the market every two days with her mother draped in their finest silks, sleeping and lying around during the hottest part of the day, only leaving their house once the sun left its highest point and was about to disappear behind the mountains.

The older women in the village doted on her. If she thinks hard, she can recall their beautiful, wavering voices calling out to her as she raced past them: 'ten cuidado, cariño, te vas a mancar', 'ven aquí, cielo, te quiero ver la cara tan bonita', 'mira cómo se está creciendo, se nota que va a ser una belleza de mayor'...voices filled with comfort and love. She never knew anything different then.

She's their only child. Her mother was always brushing her hair and humming, trying to get her to sit still and listen to her endless fairy tales as the sun bore down on them; her father, treating Imelda like the son he had always wished for but accepting and loving her all the same. Sometimes, her mother would let her out of the house before the sun became too strong and they would fly around the mountains and be free free free.

Arriving to Edinburgh at the age of five, Imelda hadn't even realized she didn't speak the same language as the other children around her. As with everything else, she jumped in headfirst. Her mother always jokes that she became fluent in English the second she stepped foot on Scottish soil. To Imelda, it does seem that way. She can't ever remember not speaking in the soft Scottish burr, reminiscent of the soft Spanish she had left behind and still spoke at home.

As a child, she never had problems forging relationships with whoever was around her. She was brash and inquisitive and irresistible, taking charge wherever she went. The other children flocked around her, hanging on to her every word.

It changed, though, when her mother got her cough. It started out harmless enough, a slight cough and headache before bed each night. When her mother woke up every morning, she would be fine. But going to bed early changed to going to bed even earlier and earlier until it was time to accept what the three of them were steadfastly ignoring: she was getting worse.

Imelda was nine. She remembers her mother drying her tears with gentle, soft hands, caressing her cheeks and whispering to her that it would be fine. That she wasn't gone yet: they still had time.

'No pasa nada, mi amor. Siempre estaré contigo.'

At Hogwarts, things changed even more. She was a Slytherin and proud of it, but she never quite fit in with her classmates. She wasn't one of them, hadn't grown up with them, and they made sure she knew it. Gone were the days of running wild: she turned her single-minded determination to her studies and quidditch and found herself excelling at everything she put her mind to. It all came easily to her and she had no time for anyone who could distract her.

She wasn't a complete loner. She had her quidditch teammates, her partners in various classes, but nobody she hung out with outside of classes. She always studied alone, learned alone, trained alone.

(Of course, the picture she paints to her father in owls home is much different. He has enough on his mind - a daughter struggling to make friends is a non-issue as far as Imelda is concerned. And besides: she's fine.)

Imelda was quite content with the way things were working out for her. She would never admit if she was lonely or not, and enjoyed every part of her life. Until her fifth year, when everything began to change. Gone were her rigid schedules and studying alone and discipline. A new girl was sorted into Slytherin and Imelda found she didn't hate the girl's company. The two of them laugh together at night while they braid each others' hair, Imelda teaches her Spanish, and they have started to study together.

The new student drags her around Hogwarts and Imelda finds herself actually enjoying herself and enjoying spending time with the classmates she’s spent so many years ignoring.

  This is when she meets Poppy Sweeting.

Well...Poppy swears that they met ages ago, during their first year when they were partnered together in Potions. Imelda has no recollection - that whole year was a blur - it was the year her mother succumbed to her illness - so she has to take Poppy's word for it.

She finds herself with friends for the first time in a long time. But, when the new student is running off with Sebastian doing Merlin-knows-what, things that Imelda definitely does not want to be a part of, she still finds herself seeking Poppy's company.

Poppy is sweet and fun and introverted in a way that Imelda finds familiar and comfortable: whereas Imelda turns to her studies and quidditch, Poppy often opts to spend time more time with beasts than humans. But there's something endearing about her earnestness and Imelda starts to find herself craving Poppy's calm company.

She always knows what to say when Imelda finds herself getting worked up over nothing.

  On the train home for the winter holidays, as Imelda is striding down the long corridor in search of an empty cabin where she can read and concoct fail-proof quidditch tactics, Poppy calls her over to her carriage and asks Imelda to keep her company. She only needs to ask once. There's an unfamiliar fluttering in Imelda's stomach as she sits across from Poppy and the other girl beams at her but it's...well. It's not altogether unpleasant. They play exploding snap and exchange book recommendations and laugh together and...well, if Imelda's knee brushes against Poppy's occasionally or their fingers linger as they exchange essays to look over...

She can't be blamed, can she?

A letter from Poppy arrives over the break. At the sight of Poppy's small brown owl tapping the window with the letter in its beak, Imelda's heart starts racing and she runs over to the bird, grinning like a fool, but she pauses before opening it. Her fingers tremble as they hover over the wax seal.

Imelda's father is largely absent these days, a shadow of the man she had grown up with. She's noticed the difference over the summer too, of course, but the winter always feels different. More desolate; more harsh. They're nearing the four-year anniversary of her mother's death. It's impossible to ignore the fact that losing his wife has damaged his soul irreparably, and Imelda's seeing first-hand what being deeply in love can do to a person.

Maybe she'll put the letter aside and read it tomorrow.

Tomorrow bleeds into the next day turns into one week and before she can blink the bleak winter vacation with her father has ended and she's heading back to Hogwarts.

On the train, she walks past Poppy: the two of them make eye contact but Poppy flushes and looks out the window, tucking her honey-colored hair behind her ear and Imelda moves on to the next empty carriage. She pulls out some parchment and works on revising her Charms essay. It's for the best, anyway, she tells herself. For the best that she doesn't have any distractions. Their O.W.L.s are coming up and she's determined to get an O in every subject.

  The month of January goes by in a flash. Between the insane quidditch schedule she's concocted for her team and the study sessions in the library, she keeps herself busy. The new fifth-year, her first real friend, starts to show concern for Imelda, gently trying to ask her what's going on as they braid each others' hair before bed.

Imelda doesn't want to bother her, though.

(She doesn't truly know what's the matter, anyways.)

She resolves to do a better job with keeping her emotions in check - her friend has enough on her plate, and Imelda doesn't want her to have to worry over something that's not even a problem in the first place.

She's fine.

Out of the corner of her eye in the classes she shares with Poppy, Imelda notices that she doesn't look as happy as she normally does. Her face is more pale and withdrawn; whenever Imelda's eyes flicker to her, her own gaze darts away.

  With the beginning of February come a lot of blizzards, and they make Imelda remember the first time she saw snow.

Her parents always started the story telling her that she cried and cried and cried.

They had both run over to her, covering her with warm hugs and kisses, the tiny family huddled together in this foreign place where the people looked and spoke differently, where nothing was the same and she missed the old women who would give her mazapanes whenever she ran by, missed the tiny clouds of dust that would puff up as she ran and the hazy mountains in the distance and the hot, hot sun beating down while she played in the shade of the orange trees while her mother slept away the heat. Pulling her mittened hands off of her tear-stained face and telling her 'mira cariño, mira qué bonita es la nieve. Tócala, ya verás que no pasa nada...estamos aquí contigo...'

Her tears had soon dried and she was laughing and playing in the snow and she couldn't even remember what had made her so sad in the first place.

Imelda's sad now as she stares out the window.

Her mother isn't there anymore. She has no one to turn to in this self-imposed exile.

Four years ago today.

She's hidden herself away in an alcove, curled up, arms wrapped around her knees watching the snow swirling out the window. She canceled quidditch practice today due to the storm, much to everyone's surprise. Just last week, she had forced them to train in the freezing rain and today's snowfall is mild in comparison. But...today she doesn't have the energy. She's spent so much effort pretending that everything's fine when it's not and now she's sad and alone and confused.

She doesn't hear Poppy when she comes near.

The other girl crowds into Imelda's space, pressing against her in the alcove. The two face each other, and Poppy brings a gentle hand up to Imelda's face to brush away tears she hadn't even realized were falling.

"What -" Imelda starts saying, but a fresh sob chokes her and she can't. Poppy leans forward and wraps her arms around Imelda, pulling her into a close embrace. Imelda feels everything crumbling around her and she sobs into Poppy's shoulder - Poppy whispering reassurances and smoothing her hair, cradling Imelda as she cries and cries and cries.

They don't leave the alcove for another hour, almost staying out after curfew.

  Imelda is subdued the next few days. The snow continues to fall until the whole castle looks like it's straight from one of the fairy tales her mother used to tell her as she brushed her hair. Imelda shows up for meals, shows up for classes, shows up in the study group, but she feels like she's just going through the motions.

She can tell her friend is getting worried, but Imelda can't confide in her. Her friend does small gestures anyways because she understands: saving Imelda a seat in class, asking her about quidditch, saving her favorite muffins for her at breakfast.

Maybe she talked to Sebastian about her worry because even he is being nicer than normal to Imelda, asking her if she wants to play wizarding chess with the two of them. Imelda doesn't really understand how or why they like playing the game so much - her friend is awful at it and Sebastian seems to enjoy the destruction and chaos more than actually strategizing. Even though Imelda hates the game - every move is painfully obvious and she can't understand how nobody else sees it like she does - maybe it would be nice to do something different.

Imelda freezes when they enter the Astronomy Tower to play: Poppy is there, waiting. For her. They haven't seen each other since she broke down humiliated and sobbing and she doesn't know what to do.

Sebastian looks between the two of them, brows furrowed, then leans down to their friend and whispers something in her ear. She nods and the two of them disappear, leaving Imelda and Poppy alone.

Poppy stands and Imelda can feel her heart start to hammer against her throat. Poppy walks forward slowly, only stopping when she's right in front of Imelda. When she speaks, her voice is high and sweet and Imelda realizes how much she missed her. "I-I'm sorry, I just didn't know how else I could talk to you. Will you come with me? I have something to show you."

Imelda nods mutely and Poppy takes her hand. They lace their fingers together and it's the first time - apart from a few days ago - that they have voluntarily touched each other. She feels Poppy's fingers tighten around hers and Imelda focuses on the feeling of soft knuckles under her thumb, but now...she's self-conscious for the first time about her quidditch-rough hands and maybe she should have listened to her friend when she tried to encourage Imelda to use some hand lotion.

Maybe Poppy will let go of her hand and leave in disgust.

But...Poppy doesn't do any of that. Every so often, she looks up at Imelda, smiling slightly. When they reach the Entrance Hall, she lets go of Imelda's hand and Imelda feels its loss with a pang.

Poppy opens the bag at her side and pulls out two huge yellow and black Hufflepuff scarves. As she's reaching up to wrap one around Imelda, she whispers: "sorry, I only have these. But yellow looks good on you."

Both of them flush and smile at each other and Imelda doesn't know how long they stand before Poppy grabs her hand again, making sure their fingers are laced, and then they are heading out.

Poppy looks more and more excited the closer they get to the Forbidden Forest, but Imelda's never set foot even remotely close to the forest, and she feels quite apprehensive at first. But, Poppy's excitement is exhilarating - Imelda can feel it rolling off of her in waves and despite herself, she begins to feel excited too. They still haven't spoken since leaving Hogwarts, but it's a comfortable silence. Imelda's glad for the scarf - their breath is puffing out in soft clouds as they breathe and it's quite cold - the freezing temperatures in Scottish winters are still something she's never quite gotten used to.

Their boots crunch through the snow-filled landscape - it's nearing dusk and the sky is turning a brilliant shade of orange and pink, but it gets obscured by the tree branches the further into the Forbidden Forest they venture, the golden light only showing in bursts now.

"Almost there," Poppy says breathlessly. She beams up at Imelda, whose breath catches at the sight, before turning back and pulling her faster and faster until they stop in a clearing. They've stopped in the middle, and Imelda looks around.

Here, they can actually see the sky and it is breathtaking in its beauty - the gnarled, naked trees around them twisting and reaching up as if they could try and grasp some of the beauty for themselves. The snow is perfectly smooth and untouched except for the footprints that the two of them have just left. Apart from that, the clearing is nondescript.

This is what Poppy had been so excited to show her?

Poppy gives no explanation for why she brought Imelda to the Forbidden Forest, but she's almost quivering in excitement - Imelda can feel the tension in the hand that's clutching hers tightly. The sun sets lower and lower, the two of them watching it as the colors around them start to fade and mute and then -

Poppy gasps in delight.

There -

A small, dancing, brilliant white light sparks to their left and disappears just as quickly.

"Look," Poppy whispers. Imelda glances over to her - she can barely make out her face in the dimming light, but Poppy seems to be glowing with happiness.

There - again -

More and more of the brilliant white lights appear, glowing and flickering on and off, and moving in almost a pattern, dancing around their heads. Imelda laughs as she watches the tiny creatures fly around them. It's magical and beautiful and -

"I found the snow sprite nest a few weeks ago, when the blizzards started, and I've been observing them since then. I...I wanted to show you and tell you about them the second I found out because I haven't stopped thinking about you but after...well, you know...I just wanted to cheer you up..."

Poppy trails off, looking uncertain when Imelda doesn't say anything in response.

She can't, even though she desperately wants to. Her mouth goes dry as she looks to the girl at her side, who has done all of this, for her.

Poppy looks impossibly lovely in the glow of the snow sprites, as they dance and spark around their heads in a beautiful waving pattern and Imelda doesn't even think as her hand goes to Poppy's cheek. Poppy stops rambling as she looks up into Imelda's eyes.

Then, before she can lose her nerve, Imelda leans forward and presses her lips to Poppy's. It's only the lightest of touches, but her heart is beating so quickly and Merlin, she can't believe she just did that. She quickly retreats, face flaming, but before she can get away Poppy reaches up to cup Imelda's cheeks with both hands and she pulls her forward, her mouth greedy, desperate, as they finally kiss.

When they finally pull away, breathing heavily as their foreheads rest against each other, Imelda can't help the huge smile that's threatening to split her face open. It mirrors the expression she sees on Poppy, her eyes bright and cheeks flushed and she is just so lovely that Imelda can't help but lean forward and capture her mouth again. Their lips mold to each other and it's the culmination of all of their stolen glances, touches, secret wishes.

Imelda Reyes has never been one to do things by halves, after all.

[koppaiterocker]

Wharever

[iidgm]

the goodest of boys <33

[littlelightfish]

Ah... yes... new obsession <3

Close ups under the cut :]

I love them so much I cannot- I cant-

I'm new to the Fandom but I needed to get this guy's out of my head a bit.

I love them. I even forgot they were supposed to be part of an horror game until they make me remember. But they so cute.

Hating the image limit on mobile >:(

[artsychanel]

hi can i get a character who's associated with fire, has had rough beginnings due to being cast-out from society because of their appearance and struggled with their femininity, went on a journey seeking power and to become stronger, ultimately being blinded by their thirst for revenge, have killed several people and at some point got betrayed by someone close to them?

all in no particular order

and make it a double, please 🙏

[espressoristretto-patronum]

On today's episode: Tori being an useless lesbian feat. the boys

Ominis: I can't see but I know you're looking at Poppy.

Tori: Ehm, nooo?

Ominis: Oh please don't lie to me. Go talk to her.

Ominis: Hm? What happened?!

Tori: She looked at me!

Ominis: what an useless lesbian.

Sebastian: Yeah, what an idiot

Tori: Lee, please. Ominis and Sebastian are making fun of me 😭 Can you please defending meee?

Leander: Nope, they're right. Go talk to her rn

Tori: *dramatic exit*

Tori: *Be cool, Vittoria, be cool.*Heyy, do you come here often?

Poppy: Um, every week?

Tori: Nailed it 🤦

[friedbrainzz]

I'm obsessed with this chapter. Anyways. DOEY!!!

CLOSE UPS UNDER THE CUT x3

[cornbread33y2]

"HIYA PAL~!"

All aboard my Poppy Playtime hyperfixation again, woooo! And who better to start then to draw THIS GUY!

I fucking love Doey!! Look at this silly guy, this silly guy who needs a hug. All three kids in there need a hug :C

[meringuehearts]

my extremely disorganized welcome home theory!!!

this may sound crazy but please hear me out

there are three main points to this, all of which ill elaborate on under the cut!

one of the companies, either marlo or playfellow workshop, clearly tried to make a lot of changes to the show. this includes heavy merchandising, forcing julie/frank to be read as a couple, and cutting eddie from the show.

i think that once a character no longer appears on the air, they are forced into a sort of subliminal bond with their own home, isolating them and making them essentially unable to leave. we see this with eddie's situation.

if all of this is true, i may have a very good idea for the direction in which the story of welcome home will lead.

quick disclaimer beforehand : obviously, our knowledge on this is constantly growing and expanding! this is not my "entire opinion" on the story nor do i think this is the cold hard truth. these are simply my ideas!

in general, i think the idea of the offness coming from anything internal of the show , like the characters or home, is a far stretch .. more likely, it's coming from the people making the show itself.

my theory is that either playfellow workshop or marlo was taking control of the show , probably towards the end of its run, and making massive changes in the interest of maximizing profit. first of all the commercials clips feel off in and of themselves to me, because we can see that they literally partnered with anything in order to sell it. this is most clearly Weird in the sleeping pills wally clip, but also all over - of course this could just be that it was a popular show and wanted to make bank, but personally i think it was one of the companies pushing for more brand deals and more merchandise and more money.

this, of course, leads directly into the eddie/frank situation. as many different people have stated, this was the 1970s, and if there was any ability in the show for them to be read as a couple this could get a ton of backlash. i'm willing to bet that the company tried first of all to push julie/frank to be more easily read as a couple, then later deciding on either diminishing eddie's role a TON or deleting him completely.

and like, think about it. unfortunately, most of the characters don't really harbor any huge friendship towards him, at least not in the clips we've seen. while having positive relations with poppy, julie, frank and wally, he doesn't have as much as an outright "gimmick" or thing to sell as the others.

julie's excitable, sally's theatrical, frank's stubborn, howdy's charismatic, barnaby's funny, poppy's sweet, wally's reserved but polite, and eddie. "talks a lot". if you're an executive and you're going to cut one character from a show, especially in the interest of Not looking like theres Anything gay in your show, which would you choose?

NOW for the second part:

my believe about home, and furthermore all the homes in the series - but more directly Home - is that i think they act as sort of devices that the company can use to manipulate the characters. my theory about the eddie situation in the recent update is that it takes place in the midst of when the company was attempting to cut him from the show.

and when we see eddie in the midst of his breakdown, he's VERY tied to the post office (his home basically). he's isolated and literally states at a point during it that he assumes everyone's outside and playing in the snow, but never makes any attempt to go out and check - as if it doesn't even cross his mind. he expresses some kind of paranoid need to stay at the post office and not leave, even for a moment, which he also talks about in the videos.

when he finally DOES leave for the party, (which, btw, he only does because sally literally grabbed him and brought him there) , he starts seeing all the awful shit he sees (as we know) . INCLUDING HOME. and towards the end of it, all he says to frank is that he wants to go [ to his ] home.

what does all this mean??? im so glad u asked. basically i think that creators' actions upon the show affect the world of welcome home in subliminal ways that the characters aren't directly aware of happening (until, of course, they are.) in this case, if a character is cut from the show or their screen time is limited, they experience being subliminally forced to stay in their own home. if they try to leave, they start witnessing visceral, terrifying things that they can't explain, persuading them to return back home. back where it's "safe".

wally's home in particular, i think, enforces this the most. home is sentient so the company can probably carry out their desires more directly with him than any of the other houses (which are just structures, pretty much). i DON'T think home harbors any ill will themselves, but moreso is just carrying out what "needs to be done."

more evidence for this:

this theory is also entwined with how wally interacts with us, the people on the site, because he mentions in places like the guestbook, etc that he hasn't seen other members of the neighborhood in so long. but that doesn't mean they're not there.

so if a singular being cut from the show means that they are forced to stay in their own home and not go outside, then the show being taken off the air would, in theory, mean that everyone would be forced to stay in their own homes. for decades. wally reaching out to us could very likely be a cry for help and/or last try after years of isolation. (it would also explain why he's so much more off putting/tired/different than his in-show appearances.)

one last thing!!!! i think if that's what's going, on it could explain this sentence from the summary, unchanged since the beginning. i've never really understood this line or what it could mean, but -

this is a HUGE far cry. but i think it's possible that, if i'm right, at some point down the line the characters (still in the neighborhood) will actually try to leave their homes, or they have already, which would cause the "distortion/nightmarish memory". i mean we definitely could describe eddie's hallucination(?) as that so .

yeah i hope you enjoyed 20 minutes of me rambling ... please ask questions if some (or all) of this didn't make sense cuz im not rly sure if this is coherent lol. this also isnt all the thoughts i have about this theory but this post is too long as is lol. thanks so much for reading this far if you have!!!

[offical-ouroboros]

Lil recolor/design I did for toon catnap because the bright colors hurt my eyes and my friend said he looks like he eats kids 😭🙏

I know getting rid of the mouth isn't that smiling critters of it but I feel like it makes him look calmer like he's described to be

[smilebuddies]

Hiii! I’m the mod of this page! So most of the things on this page will be headcanons, but I will have some canon things too! Also please understand I might not be able to answer questions quickly, since I do have school :) Also this will probably be with the cartoon versions of the Smiling Critters!

☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️

Speaking and actions!

*this will be actions*

[this will be thought]

“This is Dogday speaking!”

“This is Catnap Speaking!”

“This is Bobby speaking!”

“This is Hoppy speaking!”

“This is Kickin Speaking!”

“This is Picky speaking!”

“This is Bubba speaking!”

“This is Crafty speaking!”

(SORRY- I know it might get confusing with Dogday and Kickin both being orange but I don’t know what else to do for Kickin :>)

☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️

Information!

This bling might contain heavy topics, cursing, and other similar stuff to that! Probably not much of this though, Mod is a minor, sexual stuff is alright, but not too much or too intense pls!

☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️☀️

That’s about all! If any other questions please ask! And have fun!!

[casualgayplant]

Hi guys so

a small break from fnaf content as I’ve been hyped for Poppy Playtime.

here’s the art dump.

[playhousemassacrez]

My Gacha Life 2 Poppy Playtime human designs

Poppy Playtime

Huggy Wuggy (inspired by Jackwise Clown's cosplay of Huggy)

Kissy Missy

Mommy Long Legs

Boxy Boo

Bron

Cat-Bee

Candy Cat

Boogie Bot

Bunzo Bunny

The Mini Huggies (Berry Cherry, Huggy Wuggy. Jr, Greeny Weeny and Sunny Wunny)

PJ Pug-a-Pillar

Daddy Long Legs

Baby Long Legs

Sissy Long Legs

Daisy

Box She Boo/Shelly

[missrommydolly]

DARLINGDOLLY WEEK 2024!!! DAY 1: CRUSH REALIZATION!!! 💕💕💕