#(i just personally do not like this decision given the fact that. as i stated. he was canonically NOT attracted to women.)

[cloudyicarus-blog]

I wanted to add to my last post about Anya and her lack of understanding as a character (since the point is that neither Curly or Jimmy see her as a person, thus, she is never known as who she is. We don't know how Anya is because they don't care about her.) But I forgot to mention how Curly romantizes Anya (not in a possible romantic interest), again, as this helpless thing that made the impulsive decision of taking a gun. Like a child who yells at an injustice that's not that deep or is being reprimanded justly.

And Jimmy objectifies her. And one could argue that it's the same thing, that both don't see her truly as a person, rather as a reflection of their own ideals and state of mind, she is the road that they use to guide their own view of the world, and women, but the difference is that, not only Jimmy has no guilt for what he's done to her, rather, he feels entitled to do what he wants with her. And maybe this is waaaay too obvious for a lot of people, but still it has been in my mind for a day, that the way he objectifies her is through envy and disgust. Jimmy doesn't like Anya, since he antagonizes her and doesn't take seriously her job as a nurse, she is this ugly thing that he can use and abuse. Since she is not a person, it doesn't matter what he does, right? Since she is just a faceless woman, among the hundreds of other women that are in the world, why should anyone care about her specifically? He is, probably unconsciously, aware of the fact that in the corporate structure that is Pony Express, they don't matter at all. They wake up, oil the machine and hope to get a smidge of money that's not going to last. So, if he doesn't matter, she doesn't matter as well.

I guess it also has to correlate with his envy towards Curly and his reluctant ascension, because Curly doesn't want to be where he is, but Jimmy does due to the empty promises that capitalism gives us as a whole. Steady job, good money, and all that. But again, he is aware that he's just the co pilot, and he's there because of Curly, not because they chose him. Rather, Curly is not totally faceless. But Anya is, and if he doesn't matter, nobody else does. Not Daisuke, not Swansea, not Anya. In the game it is stated (through Jimmy's actions) that he doesn't listen to anyone on the fucking ship. He ignores Swansea's warnings about the vent, Anya's concern about the sugar in the mouthwash that's basically useless, and Daisuke's personality overall.

They are all meaningless and stupid, and they are all in the middle of space. What's one nurse when there are thousands more? What's one little abuse of power when she is just another name in the system, because there's a lot of other Anyas. Meaning that she doesn't need any respect or any space in his head. Truly reflecting how capitalism marginalizes and encourages rape culture as well as turning a blind eye towards abuse of power. If the cargo shipment arrives, which is something so fucking ridiculous as is mouthwash, then what does it matter if somebody used a gun, or if someone was hurt? It doesn't matter. They don't matter. Nobody will look for them if no one asks. Abandoned in space, lost names and faceless beings. Their names bellow somebody else's. What's one more fired employee? Just another little cog to replace, there are thousands of people pushing each other off the ladder. So why would anyone mourn a Daisuke? Or an Anya? or a Swansea?

Anyways yeah, I just wanted to add more about Anya, because I truly do love her. She is unknown, since nobody even spared a thought for her. Her only conscious decision was to end her life, because she herself knew that in the end, nobody would care. Nobody cared in the first place, why would they do it now? What would they do? She knew that Jimmy would kill her or threaten her given that she was pregnant and that Curly would placate her, promising things that he won't do, while covering it up. She was right, always right. But she doesn't matter in the big picture. As long as she doesn't ruin it with her dullness, why would anybody listen to her?

And if they could see the dead pixel among the grainy moonlight, they would just try to erase it or lighten it up, forcing it to be a part of the bigger picture. Because your individuality doesn't matter, when you are just another one of the others that come before you and after you, who won't hesitate to take your place. It doesn't matter who you are, because everyone knows that once you enter the mouth of the beast, you are just another piece of flesh. Nobody cares about the animal that's killed, they just care about the meat they're going to put in their mouths. You don't matter when you are an amalgamation of other fish. Because there is a last day. And then another, and another, until you drop dead.

[solemntitty]

the thing about working for gov public health or any major org that does public health or community health is that so many people who are educated and well-meaning end up here and don't fucking know what it's like on the ground working directly with populations. like I work in data and epi related shit rn but bc I've worked directly with populations I'm like. y'all don't fucking know how it actually is. like, don't get me wrong, I know they mean well. but it is so, so easy in this bureaucracy to get lost in the numbers and forget the human impact. or to never have known it at all.

[lemoncrushh]

The One Where Harry Tries to Win You Back

Summary: When Harry cancels your date again, you decide to go out alone.

Warnings: none

Word Count: 2222

A/N: An angsty one shot from 2016.

You dropped the phone on the bed before you plopped down angrily beside it. With a huff, you crossed your arms, determined not to let the tears come that burned behind your eyes. Harry had canceled your date...again.

This was the third time in less than two weeks. Each time he had a valid excuse, but you couldn't help but feel like you were less of a priority and more of an "I'll see you when I can" kind of a person. You'd always put him first, rearranging your schedule to fit his, but you didn't think he did the same. And frankly, you were getting sick of it.

You loved being with him, in fact you thought things were getting serious for a while. But now you weren't so sure. You knew he was busy, that was a given. But having to sit home with the television and a pint of ice cream each time he called to say he was sorry, he had to cancel, was starting to wear on your nerves, not to mention your self-esteem.

Each time he'd apologized, and each time you'd told him it was okay, you understood. Now as you sat on the bed looking down at the dress you'd bought on credit, you started to question your level of understanding. Just how much can a girl take before she says never mind and moves on?

Taking a deep breath, you knew what you needed to do. You resolved not to watch another movie on Netflix or whine into a bowl of Haagen Dazs. You were supposed to be going to a party tonight. And that's just what you were gonna do, Harry or no Harry.

Grabbing your bag and your phone, you headed out the door. As soon as you pulled up to the valet, you saw the crowd of people, for a moment second guessing your decision. But when your door opened and the valet held out his hand, you took it, stepping out of the car into the warm night and handing him the keys. Had you been with Harry, no doubt the cameras would have been flashing a thousand times more than they were now, but regardless of his absence, you knew photos were being taken of you. You didn't care. You were determined to have a good time.

When you walked into the room, the music hit you instantly, the bass vibrating in your chest. You gazed around to see if you saw any familiar faces. You saw a few, but nobody that you had been introduced to yet. Finding the bar, you quickly ordered a drink, swaying your hips to the beat. Within minutes, you were feeling loose and carefree, ready to dance.

Squeezing past a handful of people, you made it to the middle of the dance floor, raising your hands above your head. Almost immediately, two girls that you recognized smiled and joined you. Soon, you had a small crowd around you, all of you lost in the music and the vibe.

Three or four songs later, you made your way back to the bar, ordering yourself a shot and another cocktail. The two girls you'd recognized chatted with you for a bit before you noticed one of the guys that had been dancing near you giving you the eye. Momentarily you wished Harry was with you, but you quickly shrugged off the thought, feeling good to be noticed.

An hour and a couple drinks later, you were back on the dance floor, the crowd now so big that everyone was touching, barely any space between their bodies. You felt a pair of hands on your hips, a male body pressed up against yours. Perhaps it was your now inebriated state or just the uninhibited high you felt, but you leaned back into him, not caring at all who was watching.

That's when you saw him.

The hairs on the back of your neck tickled your skin as his eyes burned into yours. If you weren't so mad at him at that moment, he might have taken your breath away. As usual, he looked drop dead gorgeous.

Swallowing, you averted your gaze, grabbing the hands that continued to grip your hips, moving them up to your waist. You could feel him watching you as you allowed the faceless male behind you grind up against you. Suddenly, you felt a firm hand grab hold of your arm.

"What are you doing?" he growled.

Finally looking at him, you cocked a brow. "What does it look like I'm doing?"

"It looks like you came here without me and you're letting some bloke feel you up."

Swaying a bit, you gave Harry a smirk. "So what if I am?"

Clenching his jaw, he grabbed your arm tighter, pulling you off the dance floor. When you were both out of earshot, Harry stopped and you jerked your arm out of his grip.

"What the fuck Harry?" you scowled.

Her glared at you, looking like he was about to retort, but thought better of it, clamping his mouth shut. Blowing a breath out of his nostrils, he ran a hand through his curls. Finally, he opened his mouth again, this time to speak.

"I should be asking you that, shouldn't I?"

"What's that supposed to mean?" you nearly shouted.

"It means..." Harry paused, "it means I'm sorry I had to cancel, but I didn't expect to see some other bloody guy's hands on you!"

"Why not?" you shot back. "You don't give a shit about me!"

"What?"

"Admit it, Harry. It was fun while it lasted. But you've made it apparent that this isn't serious to you." You started to walk away, but Harry grabbed you by the wrist.

"Why do you say that?" he asked, the expression on his face a mixture of hurt and fury.

"You always have something else going on that's more important. Yes, I get that you're who you are. I knew that coming into this. But I'm tired of you canceling on me. I've had it. If I don't mean more to you, then I'm moving on. I'm saying goodbye right now."

This time you were able to remove your arm from his grasp, heading toward the ladies' room.

"[Y/N]!" he called, but you didn't turn around.

Once in the stall, you let the tears fall. The truth was, you liked him. A lot. You didn't really want to let him go. But you were so tired of being made to feel like a second choice, like you would always be there waiting on the back burner. You deserved more than that.

After washing your hands and freshening up, you made your way back to the party. You didn't see any sign of Harry, so you assumed he'd probably given up and left. Fine. So be it. When you returned to the bar for another drink, however, you heard a low voice in your ear.

"Can we talk about this?"

You barely shifted your gaze to look at him, standing so closely behind you, you could feel his breath against your neck.

"Please?"

You closed your eyes softly before turning around to face him. This time all of the anger he'd shown before had dissipated, leaving only a face of concern. You swallowed hard, opening your lips, but giving only a nod instead.

"I'm really sorry," he confessed, his shoulders dropping.

You bit your lower lip, wanting to believe him, but still holding your ground.

"If you say so," you muttered.

Harry sighed. "[Y/N], Jesus, what can I do to show you I care about you? That I want to be with you?"

"Stop canceling on me!" you yelled a little louder than you'd meant to.

"I can't...I can't always help that. If I have a last-minute work commitment, I have to tend to it. It has nothing to do with not wanting you, or not making you a priority. Please understand that."

Harry's tone was still firm though laced with frustration. You stared at him for a moment, trying hard not to cave. He could feel your resistance, so he threw his hands up.

"I don't know what else to do."

"I don't either," you said. "Maybe this just isn't working out, Harry."

"So that's it?" he shook his head in disbelief. "It's over?"

You blinked. "I guess so."

Harry gave you one last blank stare before turning on his heels and walking away. You drew a shaky breath, letting it out in the same fashion. The drink you had been determined to order to wash the pain away suddenly had no appeal. In fact, you now felt completely sober. Stepping away from the bar, you made your way closer to the exit until you finally found yourself outside waiting for the valet to bring your car around.

You weren't really sure how you made it home. You barely remembered the drive at all. You felt utterly numb. Stripping out of your dress, you hung it back up in the closet and changed into a pair of shorts and a t-shirt. Suddenly, another wave of anger came over you. So fucking what if Harry Styles didn't want you! You pulled your hair back into a ponytail and scrubbed off your makeup, getting more perturbed with each wipe of your hands. By the time you were finished, your cheeks flushed from the cleanse as well as annoyance, you realized you were crying.

Dammit! you cursed just as you heard a knock at the door. Or at least you thought you did. You paused in the hallway to listen for it, and when another knock came, you quickly wiped your eyes, heading toward the sound.

Harry stood on the other side of the door, a similar look on his face as your own. You let out a gasp, your lips beginning to say his name before he crossed the threshold and took your face into his hands, kissing you passionately.

"Ha-Harry," you managed to whisper when he finally pulled away.

"Listen to me, [Y/N]," he insisted. "I want you. I want us."

Blinking back a fresh set of tears, you looked at him, speechless. Pursing his lips, Harry breathed out of his nostrils before continuing.

"I'll show you how much. I felt gutted that I'd disappointed you again, having to cancel our date. I was able to get out early, so I called you, but got no answer. So I came over. And you weren't home. I called again, still nothing. I stood here in your fucking hallway trying to ring you until your neighbor saw me and said they'd seen you leave in a 'hot little number'," said Harry, using air quotes on the last three words. "I thought maybe you'd decided to go to the party. Wondering why or how didn't even register at the time. I was just thinking it would be nice to see you there. I'd show up and we could enjoy the rest of the evening together. I had no idea you were doing it out of spite, like some sort of way to get back at me for letting you down."

"I'm sor-" you began, but Harry pressed his finger to your lips.

"I'm not saying this to make you feel guilty," he added. "You’re entitled to feel the way you feel. But I gotta admit, that shook me to the core seeing you with your body right up against some other guy."

"It did?" you murmured underneath his finger.

Harry nodded, finally releasing his finger from your mouth, allowing it to slide down your chin.

"Yeah. It did." He took another deep breath, letting it out roughly. "Maybe it's what I needed. Like a wake-up call."

"Harry, I-"

"Let me finish," he interrupted again. The furrow of his brows erased as he gave a small smile. "Please."

You chuckled lightly. "Maybe you should get inside the door first."

Harry laughed with you, stepping further into your apartment, allowing you to shut the door behind him. Then he took your hands in his.

"There's something else I have to confess," he swallowed. "And I was going to tell you tonight. But then..."

His voice trailed off as he looked at the floor.

"What is it?" you asked meekly.

Harry cleared his throat and looked up slowly. "Lately I've been feeling like...like I'm falling for y-"

This time it was your turn to silence him with your finger. Tears welled up in your eyes again as you felt your breath catch in your throat.

"Don't say it, Harry," you muttered.

"No?" he shook his head, his eyes wide in question.

"Not if you're just trying to get me back," you choked. "Not unless..."

Harry grabbed you by the waist and pulled you to him, his mouth crashing into yours with fervor and avidity. You heard yourself groan against his lips, your arms eagerly grabbing hold of his neck, needing to feel his body as close to yours as possible.

"...you mean it," you managed to finish between kisses.

You didn't need to hear Harry's response in words. He said it all as he lifted you up by the hips, your legs immediately wrapping around his waist, and he led you back to the bedroom.

MASTERLIST | KO-FI | FEEDBACK

[masuchu]

“𝐈𝐓 𝐈𝐒 𝐅𝐎𝐑 𝐒𝐇𝐄 𝐓𝐇𝐀𝐓 𝐓𝐇𝐄 𝐂𝐇𝐄𝐑𝐑𝐘 𝐁𝐋𝐄𝐄𝐃𝐒” [GENSHIN MEN]

ways that the genshin men fuck you on your period ‧₊˚

genre. filthy smut, period sex, mentions of blood (obv), mentions of overstim (childe), cunnilingus (childe), mentions of punishment sort of, body worship (kaveh), sort of brat taming ?? (wriothesley) reader is femaleeeee

characters. childe, zhongli, kaveh, wriothesley

love, masu. aaaaaa i am on my period rn so this is so so self indulgent . it is also filthy . felt very very shameful writing this . (◞‸◟) neuvillette was also supposed to be in this but i have bigger plans for him …

(公子) 𝐂𝐇𝐈𝐋𝐃𝐄 ‧₊˚

We all know Childe is a menace on the battlefield. Obsessed with combat, addicted to duelling. Can not form friendships without fighting the person first. Needless to say, his bloodlust is perpetual and never ending.

You never really expected it to traverse into the bedroom, though.

Childe looks feral. His eyes are wide and hungry, unfocused and utterly hypnotised by your pussy. He presses a thumb into your clit, ignoring your cries and pleads of sensitivity, and watches as a large glob of blood ooze out of you.

“Ajax, please. M’ sensitive, it hurts…Agh!”

He completely ignores you. After a moment of intense staring, his mouth is back on your throbbing pussy, slurping both your juices and your blood. It is filthy, completely taboo. So why do you like it so much? Why are your thighs clamping down onto his head, as though you wanted to squeeze him into nothing? Why are your moans echoing and rattling the room, surprising even yourself with the depth and pitch of them?

You are broken out of your daydreams by a malevolent bite on your clit. A compressing pain spikes across your body, yet with it comes such an addicting pleasure that your pleads become garbled and unintelligible.

“Ajax, please! Too much, please, please, p—please!”

“What are you begging for, pretty girl? You get what you’re given. Now, fancy shutting your pretty mouth before I shut it for you? Feel free to stop wriggling too!”

You can tell that the pause he took from devouring you angered him immensely, and though his words were spoken as if he was asking nicely, you know him.

You know him well enough to know he would not hesitate to ruin you if you didn’t listen.

“God, your blood is so pretty. Would never hurt you, so let me have this, yeah? Makes me so fucking horny, you don’t understand.”

And with that he is back to devouring you. Your wide eyes peer down and find that he is in fact, not looking at you. No, his attention is entirely on his meal. Blood is smeared all over his face, making him look so horribly sexy. It pains you to admit it. His pupils are dilated, you only just now notice his nails digging into your hips. Keeping you anchored on the bed. Keeping you vulnerable for him.

You think— as best as you can in your state— on his words. Of course, the throb in your core and desperation to cum makes you biased, but you conclude that maybe you should let him have this. He is focused on you, so the worst you will deal with is a few more orgasms than necessary, right?

You know what they say, never make decisions while you’re horny!

(钟离) 𝐙𝐇𝐎𝐍𝐆𝐋𝐈 ‧₊˚

Zhongli loves you unconditionally. His love neither wavers nor falters, no matter what challenges the two of you face together. May it morph and evolve? Of course, but it is firm and loyal to you. And only ever to you.

So what does he care that you are on your period? He is still hungry— greedy — for you, and no amount of blood will stop him from having your sweet pussy sheathed on his cock.

“Zhongli, you really don’t have too— Ngh..”

The man in question presses a thumb onto your lips, effectively quieting you and leaving you shy and flushing. Hips roll up into you once more, his length hitting exactly where you love it. His eyes burn into you, filled with infatuation and lust. How is it possible that those eyes are locked onto you, of all people? You don’t dare question it, an endless fear of jinxing it.

“Do not have to what? I do not have to love my partner? To pleasure them, hm? I would rather lose everything than never be able to have you like this again, my dear.”

Zhongli’s hips roll into you again at the most opportune time; damn tease, he knows how much his tender words get to you. Unable to do much but take his punctual thrusts as and when they come, you wrap you arms around his neck and nuzzle into his chest. His own palms find themselves gripping your waist, carefully lifting you up with ease and hauling you down again, slamming his cock into you at the same time. The feeling paralyses you, but the worry of your blood still lingers in your mind.

“Are you sure you don’t mind? My blood will get every—Oh!” It’s a vexatious thing he does often, silencing you. Divesting you of your ability to speak coherently, and enkindling your heart slowly and maliciously. You aren’t sure you have ever finished a sentence he hasn’t wanted to hear. Not in bed, at least.

“I have seen enough blood in my days. Though, I am admittedly much more pleased to see yours in this way, rather than another. Do not worry yourself, I want to ravish you always. A little bit of blood will not put me off.”

At this his hips resume at a much faster pace, splitting you open on himself with no care of your hoarse whimpers. With each frantic thrust, he breathes heavier and your body is bounced higher and faster. His hands are always there to guide you, dropping your aching body down onto him again, again, and again. You allow your moans to fall out of your mouth and reverberate throughout the room, not at all coherent enough to fathom the mountain of pleasure you are feeling, let alone the noises you are making. All your can think about is that delicious pressure building up inside of you, and the slam of his cock in and out.

Needless to say, new sheets were purchased the next morning. And it has been harder to doubt Zhongli’s love for all aspects of you ever since.

(卡维) 𝐊𝐀𝐕𝐄𝐇 ‧₊˚

“Does this feel better? Tell me what you want, love, I’ll give it to you.”

Kaveh’s fingers ruthlessly plunge into you, hitting places you didn’t even know existed. He had instructed you a few moments ago to hold your thighs for him, to allow him easier access. It didn’t register that it meant not only you couldn’t hold back your obscene moans, but also that he could bury himself so deep into you that you could taste him.

“You’re so beautiful like this… I wish I could sketch you. Another time. Keep moaning for me, pretty.”

The blonde in question had felt horrible all day. When he saw you occasionally hobble out of your room, hands gripping your stomach in attempt to stop the pain, his frown sunk deeper into his face. He had brought you everything you asked: ice cream, water, medication, kisses, new towels. Every deed was appreciated, but he couldn’t help wanting to do more. To take the pain away like a lover should.

A fitting explanation for how you found yourself in missionary with Kaveh’s fingers ambushing your pussy like no tomorrow, hm?

The blond in question traces his free hand along your shuddering body— squeezing any plush skin there is to squeeze, caressing absolutely anywhere you will allow him. Eyebrows furrowed, eyes concentrated. His pays attention to every beauty mark, every curve, every detail.

“Fuck, you’re so beautiful. Every part of you is provocative, you know. Can’t believe this body of yours was in such pain, it’s cruel!”

His delicate fingers thrust into you again, such pretty hands turning you into a mess. It’s a humorous juxtaposition, really. His effortless beauty, and you— a moaning heap, heaving and sniffling like a whore. He wouldn’t agree, you knew he wouldn’t.

Before you can even contemplate how dirty and blooded his fingers will be, let alone complain, his lips press into yours and strangles your cries in a passionate kiss. He is not usually a biter, but he nips your lower lip and watches in awe as it bounces back, swollen and jutted. He swears on the Seven that you will kill him one day. You’re too goddamn sexy!

“Had me running around all day, when all you needed was this? Don’t worry, I’m not complaining, baby. Would run—fuck, a million miles around Sumeru City if you asked me too.”

A second hand rubs at your clit. Your body has been pushed so far up the bed from his fingers, that when your back arches from the new sensation, your head slams into the headboard. Writhing, wriggling, screaming. Nothing frees you from him, from what he’s giving you. Both the fingers in you and on you continue their ministrations rapidly, and all at once, everything becomes nothing, and then too much. The taut string in you core snaps, and a flurry of arousal overcomes you entirely.

You ignore how Kaveh’s eyes widen, how he bites his lips and groans out a slow ‘Fuuuuck..’. You have no mind to worry about how you look right now, every bodily function betraying you as you lay lifelessly on the satin sheets. Mindlessly, your eyes attract like magnets to the beauty of a man still above you. Though, what you see immediately rekindles the flame of arousal in you.

Kaveh, his fingers in his own mouth. Sucking, slurping, devouring the lewd mixture of your blood and slick. It’s completely vulgar, almost foul. And yet you can’t help the way your mind goes crazy for the potential of having his dick inside you.

“Ngh, you taste so good on my fingers. Gotta make you do that again…”

“W—what did I do…?”

“You squirted, love.”

(莱欧斯利) 𝐖𝐑𝐈𝐎𝐓𝐇𝐄𝐒𝐋𝐄𝐘 ‧₊˚

Don’t get him wrong, Wriothesley feels extremely sympathetic for you. He can’t imagine having to undergo what is often excruciating pain, bleeding heavily and treacherous mood swings on the daily. Not to mention on top of his regular workload! It’s hell on earth, he’s sure of it, and he will do anything in his power to make life even a smidge easier for you.

But he can only withstand so much of your bratty behaviour. Only so many ‘Ugh, you’re so annoying!’s before he starts to tick. You are in pain, yes, but it isn’t his fault! You can only bully him for so long before it begins to get under his skin.

“Just needed something to fill you up, huh? Does it make it feel better, sweetheart? You’ve certainly lost your— ngh, spark now.”

Wriothesley slams into you so hard you body writhes, and the bed you were thrown upon only a couple of minutes ago seems to disappear beneath you. A floating sensation engulfs you, and you grip the sheets in a fear of loosing all ground. A chuckle leaves his lip and taunts you, but you can’t imagine snapping back before he is, yet again, pounding into you and plundering all ability to breathe.

“Where’s that brattiness gone now, hm? If it’s still there, be sure to let me know. I’d be happy to fuck it out of you. Fuck, my cock is covered in your blood…”

The sight of your ichor coating his length entirely spurs him on, if his borderline monstrous thrusts are anything to go by. An overwhelming nothing settles in your brain, absolutely nothing except him, him, him, and the pleasure he is blessing you. Your lewd moans echo throughout the room, intensifying when his fingers travel down to press mean circles onto your clit. A divine surge of arousal flows through your body, and all at once, an orgasm swallows you whole.

“Cum for me, that’s it. Good girl.”

Lifelessly, your body flops onto the bed, no longer able to sustain the position on your hands and knees. With a few more bone rattling thrusts, Wriothesley finally reaches his peak and fills you up with his thick cum. He rides out his high with short little grinds, before joining you in succumbing to the comfort of the bed. The pads of his fingertips traces patterns along your arm before travelling up to caress your face. It’s hard to talk with the helplessly lovestruck and spent daze your brain is under, and with your face pushed into the pillow, but you meekly moan out;

“M’ sorry for shouting at you, Wrio. Didn’t mean it, I promise.”

“It’s perfectly okay, missy. Wouldn’t have an excuse to feel how tight you at this time if you didn’t.”

You scoff into the bed and let out a muffled insult, something along the lines of “dirty scoundrel.” Wriothesley pinches your hip, but he isn’t angry. He just chuckles breathily. The silence is tender and soft, until:

“Fuck, will this blood stain my clothes?”

2024 © masuchu , do not repost, reword, plagiarise, take inspiration, translate or share my work anywhere!

[bet-on-me-13]

Danny runs for Mayor P.2

kgned3Part 1

Some more snippets of the Gotham Mayor Danny AU!

...

Danny would absolutely try to hire some of the Rouges as his Mayoral Cabinet, I can just imagine Waylon Jones, the Killer Croc, in a Suit and Slacks sitting in a the Mayors Office while awkwardly holding his resume.

Danny: So, Mr. Jones, why do you think we should hire you? Waylon: Well sir, I have something of a reputation and I feel like I would be an amazing Bodyguard. Danny: OK, one question though. What is your opinion on Clowns? Waylon: I don’t like them. Danny: Hired!

...

Danny: Now, Mr Nygma, what do you think you would bring to my office? Edward: Well sir, I am fairly well known for my expert planning and timing skills. Also I can give you fun riddles whenever you want! Danny: Hmmm, that’s definitely a good point. One question, if needed, will you attack a clown on sight? Edward: Yes? Danny: Hired!

...

Danny: Now, I can see that you used to have a very reputable resume Mr. Dent. Harvey: Thank you sir. Danny: I can’t see any reason to refuse your application, but I do have one question. Do you like Clowns? Harvey: Uhm...yes? Danny: I am sorry dir, but I am going to have to reject your application for a job in the Mayors office. Mr Jones, please escort this man out 

...

Danny would absolutely do an amazing job in decreasing the crime rate, just by virtue of the fact that his very presence is destabilizing the Curses put on the City.

But at the same time, his policies are also very efficient, based on Gen Z Humor/Ideas

Danny: As my new Law states, every year the most rich person in the City will be forced to give up 70% of their assets to Charity. You can avoid this by donating as much as possible in the weeks leading up to the Sacrifice Day, whoever donates the most is exempt from the choosing even if they are the Richest, we will then move on to the second Richest, and so on Reporter: Sir, isn’t this just the “Winner Of Capitalisms” Prompt from Tumblr? Danny: Yes.

...

Batman: Why did you just pass a Law that states that all Vigilantes are given the right to kill? Danny: Because I accidentally hired every villain in Gotham, so now there is nobody to try and bribe me. And if nobody tries to bribe me, then nobody realizes that I will only accept bribes if the Joker is dead, like I said in my Campaign. I know that you guys have a no-kill rule, but I know at least one of you who would jump at the chance  Batman: *realizes that Dick has already killed the Joker once, Jason is actively attempting to every day, Tim is chaos incarnate and would do it to feel included, and Damian just really wants to let loose* Well played...

...

Danny: Vlad, I am serious. Leave me alone or I will put you in Soup Jail for 3 months! Vlad: FINE! I’ll just go possess another Billionaire to force them to give me their company again Batman, listening from outside the window: What the f-

...

Danny in every conversation with the Batfamily: I re-respect your decision to not tak-take a life...but I must insist you kill the Joker...for the good of the peephol-People! He is not a good inf-influence on this city and he must be des...troyed. Batman: *Wondering why he sounds like he is reading from a script* Um, I don’t think thats a good idea? Lady Gotham: *Standing behind Batman with some Cue Cards, trying to communicate with her Knights through Danny* *Thumbs Up* Danny: Also I wanted to say that you need to- oh um, ok- to get over the deaths of your parents and grieve in a healthy way instead of adopting every child you see. You are doing a great job kid, parentheses, do not read this par- Oh-Oops. Batman: Hm. I’m not even going to question that anymore.

...

Tag List:

@skulld3mort-1fan @kgne-k @deatlive @alcorbearson @we-ezer @auralykos @dakkapel @alinmenttreasure @lord-of-0blivion @countessdragon @naluforever3 @fylylowo @shadow-otaku20 @dannyphantomphan @heirxofxtime @ourrechte-blog @fantasticbluebirdfan @imnotgrimmjustagrumpyreader @mssagoberattare @elvesandlanterns @space-dreams-world @lizz-blizt @stargirl1331 @totallysmores-blog @screamingtofillthevoid @malice-of-the-sunrise @olivethetreebitch @addie-lover-of-stories @thatonegaybitch68 @asphyxia778 @top7879 @biance-hooks123 @runfromthemedic @dionysuss-big-naturals @the-legal-shipper @icepopstar5105us @

[corvigae]

God I just remembered that gender preference is an actual thing in TS4 now and EAXIS IF YOU MAKE HIM STRAIGHT SO HELP ME GOD-

Eaxis if you fuck up my boy I will never forgive you for as long as I live

[vigilskeep]

hey harker! very much enjoying the lucanis/illario/general crow posting, and im gonna encourage more: now that you’ve had some time to sit with the game i was really curious to hear more about your opinion on lucanis becoming first talon. i can’t help but feel like it’s completely glossed over that lucanis is definitely going to get chewed up by this job in most save states. i have mixed feelings about it personally - but setting those aside because i’m asking about yours.

i TRULY cannot express this enough: that villa is a tomb and if we do not get him out of there we are burying him in it

lucanis does not want this job. he has straight up canonically always avoided thinking about this by assuming he would die before it becomes something he has to deal with. he reacts with paralysed disbelief to being given it and seems to have barely registered it for the rest of the game. and even if he did want it, lucanis is not capable of this job. none of his skillsets are managing people, or making ruthless calls, or watching out for himself. the only driving force behind him being pushed into this is caterina, who will not be around to do the admin and protect him from external threats forever. and she only wants him to do it in the first place because she had a good heir—his mother—and has needed to project that dead daughter onto lucanis for his whole life, to believe she hasn’t already gambled and irrevocably lost her family’s future decades ago. but lucanis’ incapacity to ever say no to her, which is what lets him stay that eternal teacher’s pet, is one of the most obvious shining examples why he would be so bad for the job!

it would be an uphill battle for anyone to recover control of an assassin house that until last week was being run by your cousin who tried to kill you. it would be an uphill battle for anyone to lead the crows in the aftermath of the antaam occupation. it would be an uphill battle for anyone to cope with the fact that relying on viago and teia—which lucanis with his resources and skills has no choice but to do here, even if he didn’t simply like them and make choices based on liking people because he is not a strategist—presents them as an alliance that any other ambitious talon must cut down to get anywhere. three out of eight of the talons is such a ludicrously dangerous number. it does not take an overwhelmingly brilliant mind to notice that there’s more of us than there are of them

the best man for the job would still be fighting for their life, and lucanis is far from the best man. caterina was! and she still lost five children and six grandchildren holding it! that’s so many! have you guys ever seen that one post about people who kept getting a new outdoor cat every time the last one got eaten by cougars and it was pointed out they were basically just feeding cats to the cougars. that’s what caterina dellamorte was doing having kids

the points in lucanis’ favour off the top of my head are the weight of the dellamorte name and reputation, that his victory over illario was decisive and public, and simply the fear factor that he is a god slayer and, lest we forget, a fucking abomination. is that enough to keep him alive? for how long? under what level of constant anxiety and moral degradation for his very soft over-caffeinated heart? all for the questionable gain of several large and empty villas and the privilege of dragging out the slow and lingering death of a family that, you guessed it, you love it, it’s the thedas favourite: has no! next! generation! heirs! at all!!!

(unless illario has a bunch of kids somewhere. i think that would be objectively pretty funny, a sentence i managed to type most of before feeling ill. oh god we need to get them out.)

i apologise that my tone here is somewhat hysterical but i have been living in the mind of my rook, a character very aware of the realities of crow politics who loves lucanis very much. it does not surprise me that lucanis was once again incapable of even conceptualising saying no to his grandmother and accepted the title, or that the idea of abandoning her legacy and his family would seem insurmountable to him when he has been raised to believe it’s all he’s for and he is the last one shouldering the weight. but i am saying this with total and absolute confidence: this is another prison and he is going to die in there if nobody gets him out.

[eamour]

appropiate what's yours.

we know we can manifest our dream lives, have your desires, yadda yadda yadda… but can you actually do it? see, the ability to manifest is something we all possess. but the willingness to actually act on that is something that some people may need practice in.

to desire and to decide.

to have a desire is easy. we all do, eventually. nevertheless, to claim a desire as yours and appropriate it as such is a whole other step. it requires you to be bold, decisive and focused on what you want to manifest. if you have no problem demanding and accepting things you want to have to be yours, that’s 1 good for you and 2 you are free to either skip this post or read along.

all states belong to you.

now, for those who still need a bit of assistance: you need to learn to declare things as yours. it is of importance to become comfortable in your mind and to realise that any desire, any state, and any feeling is accessible to you. they all belong to you and you shall act like it. there is truly nothing embarrassing, haughty or delusional about it.

the only creator of mind.

see, no one's gonna steal your desires from you. no one's going to say "no" and call you out for wanting things without earning or deserving them. in fact, no one could ever get in your way because they don’t have the free will to do so. people are just you pushed out, a reflection of your imagination, a physical embodiment of what has once only existed imaginatively. and that means… the only person who could possibly interfere with your plans is you. again, nothing and no one outside of you exists.

the mind is limitless.

in case no one has told you, your mind is actually yours! it belongs to you! so USE it. this may come off as a little funny since it’s quite self-explanatory but you are allowed to think the thoughts you desire to think, to feel the feelings you'd like to feel, to decide how your reality should look like according to your personal preference and accept it as such. it's all up to you because your mind is yours. i can’t get in there and tell you what to think of. i can't stop you. and i certainly can’t tell you "no, this is impossible/unrealistic/illogical to manifest".

don't wish, just be.

don’t tell me who you don’t want to be. don’t tell me what you wish, hope or pray to be. instead, tell me who you are. what is it that you want to have? what is it that you want to experience? how would you want your life to look like? whatever it is that you want — if you know what it is — appropriate it. stop holding yourself back by only desiring things. stop stopping yourself. we all have desires we would want to make a reality, so go further.

it is now yours, only.

take it. it’s yours. you have given it to yourself. it’s done. i cannot take it from you, your sp cannot do it either, nor does anyone have the power to remove anything from you what you have already identified with. if you say it’s yours, baby, then it has no other choice but to be yours …

with love, ella.

[lets-try-some-writing]

Transformers One: My Thoughts and Critiques

Note: This is going to be a very long read, so be prepared.

Before I begin my thoughts on the film, allow me to state beforehand that I will be looking at this film as a standalone film first and foremost. I will not be considering the fact that it is meant to be part of a trilogy until the end of my assessment because a good piece of media should be capable of standing on its own. With that said, minor allowances will be made because of this fact.

Additionally, I will not be applying any other continuity lore to this film review in order to limit my continuity bias (although I will make frequent comparisons). Please note that these are my thoughts and opinions and the fact that I even bothered to write more than a two sentence 'it sucked' with a wail of anguish tacked on means that the film has value. I am merely picky. Obviously, this will have a heavy does of my personal takes thrown in along with genuine analysis, so don't take my assessment as gospel.

From this point onwards, spoilers will be present. Read at your own risk.

The Good

(Me trying really really hard to not accidentally be negative.)

The visuals for Transformers One are, of course, stunning, and the voice acting, as a general rule, is very on point. Chris Hemsworth as Orion Pax and later, Optimus Prime, was a decent decision. I like his voice as Orion, but regarding Optimus? I have opinions that will be discussed later. But for the time being, his voice as Orion gives the character life, emotion, and a great deal of ethos. He's likable and interesting, giving him depth that we have not seen in any other Orion Pax since G1.

Megatron's voice actor was also incredibly well picked. The emotion and tone in his voice was undeniable and gave D-16, and later Megatron, such enthusiasm and vibrancy that I (and likely much of the audience) couldn't help but feel for him in many of his interactions and speeches. I loved hearing how his voice evolved as he went, slowly becoming more aggressive and deep. Elita-One was a reasonable pick when it came to voice actor. She certainly had tone and opinions. Bumblebee's voice actor was very entertaining when it came to giving the character development. Having Bumblebee with such a enthusiastic voice actor made him into someone who had far more depth than he likely would have otherwise.

Sentinel's voice actor was golden. He comes off just the way the movie needs him to be, and it is done quite tastefully, although it certainly doesn't break any molds when it comes to the cliche evil character arc. I adored Airachnid's voice acting. It fit her well and was a polite, but well earned shift from the snootiness seen in other continuities. She automatically has more depth simply because of her voice.

The worldbuilding for Transformers One was well done considering the time limits of the film and the focus that had to be given to other subject matters. There are many issues of course, but overall I cannot fault a single film for not having the length and depth of something like Prime or the IDW comics. The flora and fauna showcased were bright, and at least in the case of the flora, quite diverse. The designs for the few creatures showcased were interesting but not overwhelming, especially for the Quintessons. The shift from inorganic to organic was clear as day with their presence, and highlighted the love and care put into every single frame of the film. It was clear that there was real love shown to each character, movement, and scene. For once, the creators seemed to genuinely care about what they were doing.

The fight scenes were stunning. They flowed incredibly well and made excellent use of the environment and the biological aspects of fighters. The use of partial transformation and transformation in general was something I have never seen given such emphasis in a Transformers film or cartoon, not since Prime at any rate. It was done perfectly in my opinion, and showed an actual understanding of how the characters should move and likely would move in various combat situations.

Onto the actual film. The movie hops right into the action and we, the audience, are given a fantastic view into who Orion Pax is as a character. We see his longing to be something greater right off the bat, giving new fans a solid start for his character. Old fans are also given a nod to various continuities with his character design and his overall knowledge and interest in the archives tied with his station as a miner.

The design of Iacon was a fascinating shift from other continuities, that with everything being underground. And D-16's introduction was well integrated into the scene. His and Orion's friendship is masterfully done, and their interaction on the train gives amazing hints into their past, potential history, and creates interesting lore for an audience to ponder. Their relationship is by far one of the most important and intricate parts of the film. It is a masterclass in setting up a relationship prior to a film or story actually shoving two characters into a setting where more of their traits are showcased. Honestly, we can see so much about both of them from that first scene.

D-16 bailing Orion out of trouble quietly like its normal. Orion going through all the effort to give his friend something of value that is both personal and has money attached. Banter that showcases their depth and rich relationship that also flows smoothly and naturally, like old friends should. We get to see how Megatron will come into being through his adoration of Sentinel Prime and Megatronus Prime. His youthfulness combined with Orion's desire to see and experience everything brings out the best in both characters, giving them reason to be together and to get along.

I will never stop giving my praise for that first scene with D-16 and Orion since it was so tastefully done.

Their work in the mines is well directed and the introduction of Elita is... a thing. (thoughts later)

The lore presented in the mining operations is ingenious as it showcases both Cybertron's situation, lays the groundwork for the knowledge characters possess later in the film, and overall shows D-16 and Orion's hesitant heroism (at least on D-16's part) when they save Jazz from certain death. In some cases, the introduction of new information is masterfully done through the use of referencing demotions and promotions in a manner that applied to the situation in question. The lore regarding energon and the overall loyalty of the miners also demonstrates much of the mindset Cybertron is operating under and is done quite well, as seen with the cogless bots being totally fine with their lack of transformation ability for the most part.

Brilliantly done pre-set mindsets. Especially showcased with Sentinel's message to the cogless leaving them all in sheer awe and cheer. I could sense the villain a hundred yards away, but I could tell that the characters believed what they were hearing, and that in my opinion is a show of how well presented the mindsets of the characters and overall view of the society are.

The race was fun to watch, with plenty of spectacle. Orion and D-16's conversation pre-race showed more of their character and D-16's adherence to the rules vs Orion's desire for something more. Orion leading them through back roads into the race also added more depth to Orion's character which I adored (and was unfortunately underutilized). I appreciated the tricks pulled by Orion and D-16 to win. I also adored the brotherhood shown between them, especially how Orion went through the effort of giving D-16 his chance to be a hero, even if D-16 was hesitant. Their brotherhood in the beginning of the film was honestly one of the best highlights, and distracted me from many other things that I will discuss later that were less than optimal.

I loved seeing how excited D-16 was toward the end of the race, and of course how Orion stopped to help him. Their banter in what I assume was the medical bay was also enjoyable and laid further groundwork for D-16's character.

The scene with Sentinel congratulating D-16 and Orion Pax was suitably filled with awe and stiltedness in equal measure. It played well and showed D-16's character as well as Orion Pax's passion and drive. One thing I will not fault the film for is Orion's devotion to his goals. They were clear and remained so from the get-go along with D-16 admiration (right up until the fifty minute mark).

The meeting with B-127 was unique, and an interesting show into the madness that forms in those who are condemned to the bottom rungs of society, even though it was played for laughs. The introduction of the main plot device was something I have critiques regarding. Although, with that said, D-16 and B-127's reasonings for going were both done pretty well. I like how D-16's reason played off his character and previous history with Orion. Again, the brotherhood between them is key in this film.

The logical leap to get onto the trains was well done and also set up essential plot devices for later. Elita's presence was odd, but whatever.

The fight scene on the train and the rush to stop Elita from telling on all of them was well played for the most part. Her anger made sense and her snark didn't exactly come from nowhere. Her taking of the map made reasonable sense (although I have opinions). B-127 is vaguely humorous at times during their journey, which I can appreciate in small doses. (His cave comment got a vague chuckle out of me.)

The introduction of the Quintessons was well placed in light of the future scene with Sentinel. I loved our main characters maneuvering to avoid detection as it showed their cooperation as a team for the most part. Orion's knowledge of the Quintessons made sense in light of the very first scene in the film (again, it was an excellent start to the movie and laid a lot of groundwork).

There were a few scenes in this film that really kicked me in the feels, and the moment the group enter the cave and find the bodies of the dead Primes is one of those moments. The scene is solemn, not a hint of snark or banter to be found. Everyone is lamenting, thinking. The atmosphere was perfect, and the sheer emotion from D-16 in particular was delightful in its own quiet way. The way he sat before Megatronus Prime was emotional. For once in the rapid fire mess that is TF One, time was taken to let everything sink in. You can see a quiet shift in him, and in Orion there is something that makes the audience note how lost he appears. Elita and B-127 only added to the scene as their usual lines died off, letting the scene simply breathe. It was, in my opinion, very well done. Especially with the music running softly in the background.

Their worldview was shattered in that cave, and I adored seeing it play out.

Alpha Trion's character was done well, very well considering how short of a chance he had to be on screen. He showed proper confusion, but then moved along once he noted the situation. There are things I would change obviously, but his character played its part, and I appreciated how he got to the point and limited his cryptic behavior to an extent. He seemed tired, as he should have. His death was also well timed and I appreciated how much the movie wasn't afraid to straight up off a titular character in other continuities. The scene with the T-cog distribution was also a delight to watch. The animation was very clean and it gave me a whole lot to ponder biology wise.

I must say Sentinel's interaction with the Quintessons was, quite frankly, not surprising. But it did convey its point well. I like watching this noble looking character finally drop his façade fully, bowing before invaders and shocking our main cast (even if the audience could see this coming from two seconds into the film).

D-16 and Orion's first argument hit me in the feels, mainly because I really did understand D-16 far more than I did Orion. He was angry, he wanted justice, and above all else, he looked lost. I was simply enthralled with the way his character started to shift and change, going from passive to aggressive in response to rapid fire hits to his worldview, ultimately leading to a perfectly reasonable bot shattering under the pressure.

Alpha Trion offering the group T-cogs from the Primes was interesting and left me with many worldbuilding related questions. The scene where the group first transform was fun. I liked how the characters were given a chance to show their inexperience and struggles. Disregarding the comedy, it made perfect sense for bots who'd never once transformed to have to learn to do it all from scratch, trial and error. It was fun, especially D-16's leg being stuck halfway into turning into treads.

From here my praise is a bit more limited, but I enjoyed seeing D-16 flex his authority and get his group in line. I appreciated the moment of tension between him and Orion, showing the conflict brewing and yet the lingering brotherhood that had not yet cracked. It was delightful to see the war going on inside D-16 in that moment, the hesitancy and the care for his best friend buried under newfound rage and betrayal. Orion later doing his best to try and check up on D-16 was a delightful touch that only further cemented their struggling companionship as the film progressed.

Seeing Starscream was fun. Shockwave's voice was a nice addition and the extra emotion I find was a bonus. Also Soundwave with unique abilities. Nice.

D-16 beating the ever living snot out of Starscream was fun on its own, at least without considering the context and pacing. I enjoyed Starscream's character and the change to his usual cowardly behavior was, in my opinion, well earned and much needed (at least so early on in this new continuity). Orion's growing confusion and uncertainty was a lovely touch. I also adored how he stepped in, bringing D-16 back to reality long enough for him to spare Starscream and make his declaration.

Just going to throw this in here. Sentinel Prime is peak evil and I loved how cruel he was throughout the entire film. He oozed snooty and evil billionaire. The entire scene with him slaughtering Alpha Trion like some sort of hound, his dialogue, and later his insults toward D-16 were just *chef's kiss*. Him carving Megatronus's symbol onto D-16's chest was downright evil and served to further prove just how terrible he was. It was a great scene with very solid dialogue. Honestly, despite how evil he was, Sentinel was one of my favorite characters simply because he was consistent and his dialogue was very well done without any severe stilted moments right up until the end.

Not much to say about the D-16 capture and the Orion & Elita-One pep talk scene. It happened. More thoughts in The Bad section.

Additionally, D-16 staring death in the face was brilliant. I loved seeing his sheer defiance, and the way he met his potential end with honor even when B-127 was willing to stay down. It spoke so much of his character and his development since the beginning of the film. He went from wanting to hide from fights to actively standing up for his rights.

Orion talking to all the miners was, in theory, and probably on paper, a fantastic scene. It wasn't as grand as it could have been, but I really appreciated the size difference between him and the others combined with his attempts to rally them. His speech was moving and I could see his comradery with his fellows the spark of Optimus Prime within him. I loved seeing him rally his troops, encouraging his people to stand and fight. The miners being all so small really did wonders for the scene though. I know I already referenced the size difference, but seeing all these cogless bots look up in awe did something wonderful, especially with the lighting.

The revelation of the truth was downright brutal. It wasn't done as well as it could have been, but I appreciated it all the same, even if it gave off "I'd kidnap a thousand children before I let this company die!" vibes. (Thank you, Monsters Inc).

D-16 fighting Sentinel and then the subsequent attempt on Orion's part to calm him down was... painful (in a good way). I knew it was coming, I could smell it a mile away, but I honestly hadn't expected the scene to play out as it had. Orion trying to stop D-16 once was expected. Him trying again and getting hit was very him, and very powerful with D-16's response thrown in. Seeing the anger that had been brewing in D-16 fade for a moment to instead be replaced by guilt and grief for a precious second brought me nothing but sheer joy. It was such a turning point for the character, especially when the disbelief in his tone hit. D-16 holding onto Orion while on the verge of breaking down, warring with himself, and then deciding to let Orion fall?

Beautiful.

In that moment, we got to see D-16 metaphorically die alongside Orion Pax, breaking their brotherhood so that Megatron could rise from the ashes and try to bring down everything that led to their paths crossing and ultimately diverging. Honestly, I would have paid good money for an alternate ending where Orion died and stayed dead for a while longer, specifically so that Megatron could have a chance to grieve and contemplate. There was just so much going on in that scene with the music, the loss, and the tension that made it a fantastic visual.

The whole comparison between Orion and D-16 as they changed and morphed was a wonderful thing to witness. I enjoyed Megatron's birth a bit more than I did Optimus's, but that was largely because as Orion approached Primus's core, I personally would have adjusted a few small things to keep the dramatics in place. Megatron's birth however was truly stunning, showcasing his strength, his rage, and his passion all in a few short scenes. The music was phenomenal and only made it all the grander. His speech was simply perfection and I have absolutely no complaints. The concept of Megatron was rightfully embodied there and I was all but squealing in excitement when he made his declaration.

Optimus and Megatron's battle was amazingly done. The fighting and the use of weapons and transformation was spectacular and I have exactly zero complaints regarding the fight scene on its own. Optimus then banishing Megatron from Iacon had its own set of feelings, although, there are things I would change.

Bumblebee's line at the end of the movie was actually funny. It got a very solid chuckle out of me.

The flashback was adorable. I loved seeing the contrast between the bot who D-16 was, versus what he became. A brilliant scene, albeit a tad out of place in my opinion.

I have exactly nothing good to say about the last few sequences of the film. But I will say that Megatron is forever awesome.

With all that said, the music for the movie was phenomenal and made scenes that otherwise would have been simply moving into heart wrenching moments of awe. The Fall is by far my favorite simply because of all the emotional tracks in it. Every time I listen, I see that pivotal scene play out in my mind. Megatron and Optimus's birth, so perfectly contrasted and the emotion played out spectacularly. It's been days since I watched the film, and the emotional value of the music hasn't worn off in the slightest.

The Bad

(Aka, my rant combined with actual critiques)

Oh boy here we go.

Orion is just off. As a character, there's something off about him. He's perfectly acceptable on his own, but there is a lack of substance to him that makes it difficult to find him compelling at times. We never really know why he even gives a crap about the things he does. He just cares about the Matrix and becoming greater because of... reasons. There's no basis for his interests, not like D-16 who expressed in dialogue and actions why he cared about the things he did. He loved Sentinel because Sentinel "saved" them. He loved Megatronus Prime because he was the "strongest Prime who ever lived". Orion's reasoning for caring about the Matrix and freedom in general amounted to wanting to help Sentinel. I mean, it made sense, but it wasn't particularly fulfilling for his character, especially when the rest of the population was perfectly fine with their situations for the most part.

There needs to be reasoning. What happened to him to have him break the mold and try to act out? Why did he break it at all? Orion is obviously an outlier in mentality, and therefore he should have at least been given a single line of dialogue with D-16 to explain his interest, (excluding his declaration of wanting to help Sentinel find the Matrix. That is a mere statement and it didn't give me much of anything to understand why he cared since he wasn't as devoted as D-16). This issue follows him throughout the whole film. He's a bit of a shell at times, although it could have been due to the way his dialogue hit. This lack of foundation for his character made it difficult for me to really feel for him like I did with D-16. When D-16 got angry, I was on his side because I understood where he was coming from. But with Orion? He was always just... there. He expressed emotion and I loved seeing how he shifted, but his growth didn't match the pace the movie set, leaving him in the dust a bit.

It weakened his character drastically.

His voice is also a tad... bland. No offence to Hemsworth, but I just don't think he managed to capture Orion like Brian Tyree Henry managed to get D-16 and Megatron. Orion had his moments, and those moments were spectacular, but his speeches never had any of the depth of Peter Cullen's Optimus or the youth of TFA's Optimus. He lacked something distinctive to set him apart. He tended to sound somewhat blank in certain scenes, almost like Hemsworth had only just been given the script (or was still attempting to be Thor). It was especially bad when Orion becomes Optimus Prime. Where Hemsworth did an arguably fantastic job as Orion, his voice simply didn't fit Optimus. Am I biased because I enjoy Peter Cullen more? Yes. But also, Optimus is a mech meant to show power.

He needed a deeper voice desperately, something that would rattle and have the tone of a true commander, demanding respect even when he's being gentle. Hemsworth was a fine Orion Pax, but Optimus needed to change and become something more in my opinion. They didn't even have to change voice actor if Hemsworth could pull off a bit of range like Brian Tyree Henry did with D-16 and Megatron.

No complaints about D-16's introduction.

Back to the film. The sheer amount of background Easter eggs was fun right up until I started seeing far too many familiar faces in the same place. The world of Transformers One, unfortunately, feels incredibly small. We see Iacon and we see the cogless and Sentinel's servants, but nothing else is really there. It's a strange emptiness. I can tell the film creators were trying to fill the void, but we never got the chance to see those who did more than just mine. Where's the middle ranks? Who is running everything else? Why is every single Autobot a miner? There should at least be a few middle rank bots wandering around. We did see scenes with random civilians at the end, but I would have liked to see a greater range of work involved in Iacon. Even just a medic would have been great. If those things don't exist, then how does the city operate? Where the heck are the other cities? Is there a council of some sort? How is Sentinel running literally everything without an inner circle? We only ever see Arachnid after all.

Honestly, a tad more variety is what we needed. Not to say the variety we got was terrible, but seeing a medic, a random vendor, or even a military drill sergeant in the background would have done wonders I think.

Additionally, there should not be so many familiar bots all in one place. I know this is a new continuity, but it feels weird because there is no way every single big Autobot just happens to come from Iacon because they were ALL cogless miners. If that is the case, that destroys so much depth it's not even funny. I mean, the continuity can do what it wants since its new and has its own lore, but I suppose its a bit of a let down if everyone shares the exact same origin. Additionally, the voice acting for most background characters was... fine. Some scenes were fantastic, like the race where everyone rushes to see the miners on screen. But the movie could have greatly benefited from a few more unique and passionate voices. I wanted to see true anger, REAL heartbreak at the lies that had been fed to the cogless. This is more petty than anything else, but a few more voices and a bit more depth would have been fantastic.

It's only made worse by the fact that the entire film just feels tiny compared to the scale its operating on. One city, one mining area, one train, one open field, one race track, one abandoned base, one rebellion base, and a cave. Sounds good on paper, right? Lots of room to move. But we never see anything about any other part of the world. Not even a mention or a poster on the wall for a different city. It made everything so much smaller and more controlled. That's not necessarily a bad thing film wise, but giving artificial depth through background characters and whatnot would have been great. Even just some chatter from background characters would have served this purpose. Think about Star Wars or Lord of the Rings. Both movies referenced planets and places that came into play later far before they actually showed up, and in only one or two lines. TF One needed such dialogue if it wanted to establish the scale of the world. Unfortunately, we didn't get that.

The first mining scene in the movie agitated me on a spiritual level. Not necessarily because it was bad. I found the actual operation of the scene very interesting, especially seeing how Cybertron reacts to the mining and how the bots go about getting energon. It was downright fascinating watching the trained and trialed methods the crew used to get in, do their mining, and get out. Jazz was hilarious. However, Elita-One murdered the mood for me.

Elita is... an interesting case. I will just say it outright. She serves no purpose within the film that actually means anything. And this fatal flaw reflects horribly on her character. On her own, a bit of snark and anger over her situation and even the arrogance would be good character flaws for her to work past, but combined with her place in the film, it made her nothing short of grating. Every scene she did anything more than fight or offer reasonable commentary was a slow torture for me. There was nothing to give me a reason to like her. She's an arrogant bot who thinks she knows and can do everything, and that bothers me. If there was something for her to have to go through to work past those flaws, then I could appreciate it. But she maintained her poor disposition throughout the entire film with little to no outward changes. It was a wasted character and an arc that was never even given a chance to exist.

With that said, every time Elita turned up and started getting talkative I died a little inside. I am prepared to be crucified for that take.

Elita's attitude after Orion and D-16 saved Jazz was just the worst. Even though I understood her take, she still bothered me with her rudeness. She's a very selfish character if you really look at her, and it shows. Her voice acting wasn't bad, although there were a few repeat lines that got stale fast.

The Iacon race was a fun concept, but Orion's character was again left to exist in a vacuum when he took D-16 to the race. Evidently, Orion knows a crap ton about the underground and travelling discreetly. This skill is never seen again. Nor is his knowledge of travelling quietly on his own ever mentioned after this scene, to my knowledge at any rate. Whatever the case, he was given a hint of lore and then left to go be rebellious for reasons we still do not have a solid foundation for. Honestly, I understood D-16 far more than I did Orion and I think that's a problem in a film meant to be their origin.

I have no real complaints about the actual race. The scene with Sentinel had nothing for me to comment on negatively.

Bumblebee is again, another character who holds little use in the film. I understand WHY he was put in (fanservice and all that), but the way he was implemented was very poor. There were far better ways to incorporate him into the story and actually make him important and telling. Instead, he's just a chatterbox there for jokes and one liners. He's far less agitating than Elita though because at least he has vague chemistry with our main protagonists. Also, B-127's whole nickname sequence should have been cut, or at least sidelined a bit. It really wasn't that funny, and if the crew were trying to show how isolation has gotten to him, the whole fake friends part got that across quite well.

The plot device was ridiculous. Not necessarily in its existence, but in its implementation. You want to have a SOS message from Trion to be the key? Cool. DON'T put it in the actual trash in the most obscure place on Cybertron. The fact that the bloody message survived is a miracle and quite frankly, it felt contrived. There were far better ways to implement the message. Think about Stars Wars and R2D2. Personally, I would have been privy to a bit of War for Cybertron coming into play, or possibly Smokescreen from Prime. That way Bee could actually be useful while still offering the crew their plot device. That said, it wasn't the worst thing and with a bit of grace, it is not a major sin.

The train scene with Elita was actually painful to watch. I despise her so much, and she just made the whole thing agony to get through. I skipped through her kicking the guys around like boyscouts because it was not appealing in the slightest. (I do understand some people like her, but I am not one of them and this is where my bias shows most.)

No complaints about their stint on the roof of the train.

Elita's entire scene on the ground where she gets in Orion's face made me want to strangle her. I can understand her reasoning, but she's so frickin annoying that I simply could not care about her in the slightest. Her lines might have even been funny if she hadn't been such a poorly done character.

Why does she get the map??? Why??? She isn't even meant to BE there??? Orion, why are you letting her walk all over you??? That's your evidence! You can't even trust her! Let D-16 read the bloody thing. He feels like he has the most braincells out of all of them. I get that they were aiming for girlboss and mom friend vibes combined with Elita, but she's simply agitating and I think it would have been far better for Orion or D-16 to lead the way and show more of their character. Actually, let Orion do it. He snuck into the archives all the time. He's a perfect fit for the role and would have given him the chance to show off that foundation that he lacked throughout the entire movie. If they REALLY needed Elita, they could have used the chance to build that oh so lovely ship bait for fans by having Elita and Orion have to work together to successfully read the map. After all, Orion knows all the weird underhanded stuff and Elita was a team leader for the miners. Their combined knowledge could have been a bonding moment AND been useful to the plot later to show why they fight together in a reasonable fashion.

Again, Transformers One feels tiny. There was one creature type shown on screen, and I understand animating is a pain, but even just some shifting shadows as the group walked would have been nice. Would have made things feel more alive and artificially expanded. (again, a petty complaint above all else. Maybe Cybertron just doesn't have a ton of animals.)

No complaints about the cave scene.

So... T-cogs can just be taken from the dead? Is that not a health issue? We see later that Megatron taking Megatronus's T-cog changes him further. Does that imply that all four of the crew are now biologically related to the Primes? If those T-cogs aren't rusted to hell and back after fifty cycles and don't give the crew infections later, this has some startling implications. Less of a complaint and more of my confusion. Seriously, are there no prerequisites to have a T-cog when a bot's original one has been removed?? Does this mean that biological offspring can be a thing via passing on a T-cog?

(I have some worrying thoughts about relationships on Cybertron now because of the shift in characteristics for the crew when they got their Prime inherited T-cogs)

Too much exposition from Alpha Trion. It fit the scene certainly, but the whole film had a running problem of mouthing off and throwing exposition around like candy. It was not done particularly tastefully 90% of the time. In fact, the only exposition that I liked was from D-16 and B-127 because it felt natural for them to explain things as they did. Trion's was cool certainly, and honestly if Orion's first exposition in the archive and then Trion's were the only dumps, I would have been quite happy.

I can't believe the Primes fell as easily as they did. I understand they were ambushed. But how on earth did Sentinel manage to personally cut down several of them when, up until that point, Alpha Trion said they were winning? One sneak attack is understandable, but the rest was a bit unbelievable. Especially Megatronus Prime.

Why is everyone suddenly so chill with killing? I mean D-16 just shot someone to DEATH despite having never raised a hand to pretty much anyone with intent to kill up until that point. Is this a society thing? Cultural? (I am not talking about Orion here. He's a sunflower compared to B-127 and everyone else going off and chopping enemies to bits)

Regarding D-16's arc, it was rapid fire from this point onward. I can see what they were aiming for, but there was a distinct lack of anything to really cause him to fall as far and as fast as he did. Actually, allow me to rephrase. Rather it was that he HAD reason, it was simply too fast paced of a film for me to feel his change and truly cement it in my soul. It stuck and it most certainly made sense, but it was a bit like whiplash when he chose to let Orion fall to his death despite them having gotten along up until that point for the most part.

Orion is an idiot as well. He spent all of D-16's rapid fall into warlording staring at his best friend like a confused goldfish. He did very little to step in aside from try to ask if D-16 was alright and stopping him from killing Starscream. Yes, D-16 was captured and there wasn't a lot of time to do therapy. Yes, the rapid character change occurred literally over the course of like, a day and change, so I can't fully blame Orion. And do I understand why he was so hesitant? Yes of course. The change was super fast. Do I also understand how and why D-16 fell? Absolutely yes. Were both of these characters rushed? Abso-frickin-lutely. The foundations were there and they were fantastic. They just had to be roller coastered to their completion without any regard for the emotional value of pacing their respective shifts away from their previously shared goal.

I do not truly blame the film creators for the rush, but it does kill a lot of the emotional impact that would have come if we'd been given more time to see D-16 and Orion have more and more arguments over increasingly difficult moral decisions.

Starscream and the High Guard are stupid. They are a fantastic concept on paper, but much like half the cast, their implementation was poor in the extreme. They came from nowhere, were exposition dumped into existence, and promptly followed the rando who beat the snot out of Starscream and could have, for all they knew, been an actual spy. For some of the best trained bots on the planet, there was not a single braincell amongst them.

Starscream had so much potential too. But that vanished into smoke twenty seconds into his face getting bashed in. Soundwave looks like a taco. And he acts like one with his lack of substance character wise. Shockwave was neat right up until he got wrapped up into the stupid gag with B-127. It's a dumb joke and it destroyed whatever seriousness was building. Like come on guys, we are at the one hour mark. It's time to get serious or go home. Again, aren't these the High Guard???? Very important very well trained bots??? Why are they acting like savages and petty children? We at least need explanation for that if we are rolling under that rule. They needed more depth desperately. As it stands, they were nothing more than free guns for D-16 to yoink for future movies.

Also, again, Orion the goldfish. Standing there all confused without doing a bloody thing about it. He's so passive in this movie and it infuriates me because it feels like his character arc never picked up the pace like D-16's did at the hour mark. I understand he's going through a lot and watching his bro fall is likely a bit shock to the system, but one would think with how close they are that Orion of all bots would be the one to try and humble his brother in arms. (I am aware he did his best with what time he had, but still). I know that if one of my siblings decided to go all murder hobo on me I would be the first to get up there and throw a shoe at their head. Once more, I do understand that Orion was likely in shock, but due to the pacing of the film, he feels a bit like stale bread right up until he's literally shot.

Neat, a fight scene. D-16 is captured, ooooh that could be interesting- aaaaaaaand there's Elita being the worst again. Great pep talk. Fantastic even. Now I hate her even more because all I am getting is sheer arrogance and not even in a humorous way like Knockout from TFP. Good heavens Elita sucks.

"We won't follow you." *Elita exists* "wE wiLl fOLLoW yOu" - Frag ALL the way off with this garbage. High Guard indeed. High on drugs and low on self-esteem. Elita has done NOTHING to prove herself worthy of being followed, or Orion for that matter. It would make far more sense for the High Guard to just be pissed off and opt to go fight Sentinel on their own since they've lost their new leader and a ton of their troops all in one raid. It would have been majestic for them to straight up decide now or never and lead a charge, and then have Elita and Orion join them with unexpected troops in the form of the cogless.

Again, aren't these guys meant to be the High Guard? Why can't they get into their own city? Surely they have contacts or old knowledge? Actually, why can't Orion bargain his way into their ranks using his knowledge of all things underhanded in Iacon? It would have been a great callback to his scene getting himself and D-16 into the race. I know they sort of went that route by having Elita get everyone in while Orion went to fetch the cogless, but it would have been way more interesting to see them working together in a logical manner and planning their attack. I know there were time constraints, but that doesn't mean they couldn't have worked together for a short period of time and shown either the brutality of the High Guard or their similarities in regards to goals and ideals.

The scene with Orion addressing the cogless was certainly stunning, but it needed more. Emphasis, tone, lighting, music. I think it needed something just a touch grander. Not too much mind you. Orion needed to have come back with a new aura around him, something to really make him stand out aside from his newfound height. This is his dawning moment after all, his first spark of Optimus Prime. If he'd spent some time scheming with the High Guard, maybe he could have had an air of a fledgling soldier, just bloodied and ready for battle. He did punch Darkwing, and that certainly helped, so I will give him a pass in this regard. His speech still would have meant more if he'd been a bit grittier and yet still kind, especially contrasting D-16 who took one life and then never stopped doing that. His compassion was a nice touch, as well as his relatability to his fellows, but there had to be that hint of something more commanding. He had the inklings and I appreciated his first real speech, but the rallying cry was, in my opinion, a tad off. It could have been due to the voice acting. (Seriously though I did love this scene, I just have itty bitty suggestions regarding how it could have been better. And Orion made a funny face halfway through his big pep talk so there's that).

The background character voice acting didn't show quite enough confusion or awe for me to really be sold on the scene. I would have preferred something more akin to the TFP scene where the kids are introduced to Optimus. Shock, awe, excitement, a hint of fear. Those things were present of course, and I understand the miners were tired from doing their million and a half shifts. But a bit more could have been done. More background chatter essentially.

No complaints about the Sentinel and D-16 interaction.

The battle scene was well done, all of them. The Arachnid thing worked, but the big reveal of the truth did absolutely feel torn right off of 'cliche villain downfall bingo'. I would have liked something a tad more original. Just a bit. But it did get the point across well enough so I can't really be upset.

Again with the background characters. It wasn't bad, but where's the RAGE?!? Where is the sheer chaos? It was emphasized later with the battle, but I think that scene with the big reveal needed a bit more violence so show just how unruly the population ended up. It could also make it clear why so many would eventually choose to join Megatron. Give me ONE guy with a Molotov cocktail throwing it at a statue of Sentinel or something. Why not have some of the cogless start attacking their superiors as well as Sentinel's servants, just to show the sheer destruction going on? Please, it would have been delightful and only have taken up like, five second of screen time MAX.

No real complaints about the scene with Orion, D-16, and Sentinel. It was still fast paced, and Orion still felt a bit like a goldfish, but overall the scene was perfect. The pacing is all that made it feel somewhat off.

The birth of Megatron was perfect. Zero complaints.

Once Orion reached Primus's core, the birth of Optimus gave off "Meeeeeeeegatrooooooooon~" vibes from the TFP Movie (Thank you Unicron. Love the voice acting man). Alpha Trion's voice was not doing it for me. It made a grand moment rather cheesy. Personally I think Orion needed whispers, echoes and flashbacks to go along with D-16's increasing violence and declaration. It would have been the perfect time to throw that flashback from the closing part of the film in. Let Orion see a ton of rapid images of him and D-16 along with increasingly loud whispers from all the Primes, cumulating in "Arise, Optimus Prime." Maybe even chuck in visions of the dead Primes, showing bits of their lives as a way to nod to the knowledge contained within the Matrix (if this continuity is going that route anyway. If nothing else, it would look cool and allow each Prime to meet Optimus in a natural manner during his creation). Additionally, that way Optimus can maintain a hint of mysteriousness but also grandeur.

Optimus flying up to the surface like superman.

I get what they were going for, but it was a tiny bit silly. I think it would have been grander for Optimus to have taken a bit longer returning, simply so that he could have the very earth part for him Moses style. I am not entirely sure. There isn't really a right way to fix this scene in light of the time constraints, and frankly the sonic shoot up to the surface did look cool and served its dramatic entrance purpose. I don't necessarily dislike it, but given the opportunity, I would have gone a slightly different route.

No commentary on the battle. It was perfect.

Again, Megatron's character arc was seriously rushed. He needed far more time. I adore him in TF One. He's quite literally the best character in there. But everything leading up to his final moment was rushed and it left me feeling unsatisfied at the end. There was plenty of foreshadowing in small ways, but those didn't start happening until the hour mark, give or take. Also, Optimus banishing Megatron from Iacon?? Why just Iacon??? Where the heck are the other cities?? Do they exist?? I'm spitballing but the whole scene felt ever so slightly off. Megatron limping into the distance didn't feel quite right. I honestly think that in exchange for wounding him, Optimus should have gotten a scar somewhere in return as a reminder of his cause. Megatron got Megatronus's face burned onto him. Let Optimus get a similarly noticeable marking, that way both players show a mark of their fallen friendship.

Sidenote: How does ANYONE know how to fight in this film?? Sentinel, the High Guard, and those with T-cogs makes sense. Orion? Sure. He did a lot of rough housing. Elita? Maybe. Hard to tell with her limited background. But D-16 and B-127? The rest of the cogless? Where did they pick it up? Its a recurring problem. And how does the crew improve so fast? I mean, they know how to fight with their big ol saws from mining, but we don't get to see in anyone except Orion so its hard to believe anything. We are never given a solid time period between the journey to the surface and then back down again, and really I think some of that travel time should have been spent with the group sparring or otherwise bantering about their backgrounds to lay the groundwork for their skillsets.

Regarding the final scene of the film, its really bad. Painfully bad.

(I would like to throw Elita off the nearest structure thank you.)

I get that they are laying the groundwork for more movies, but the flashback was quite forced. It was cute and absolutely had a place in the film somewhere, but not right there. It didn't feel quite right, or at least not with how it was edged into. The narration was just... weird, to me at any rate. The T-cogs being distributed was cool, certainly. But it raises many questions about the logic of it all. It feels dues ex machina. Not in a good way either. Not saying it wasn't cool, but it did feel forced. Like a participation trophy. I would have loved to see the cogless remaining that way and having to collect cogs from wherever Sentinel stored them, or otherwise take them from the fallen. That way they could have more diversity going forward.

That whole ending bit with Optimus and the Autobots running into the sunset was stupid. There is no other way to describe it. The scene gave nothing to the film and I think it would have been spent far better if we saw Optimus and Megatron both gathering their armies while the Quintessons loomed overhead. Megatron watching his warships be built and then him looking up at the sky. Optimus gathering up the cogless and helping them get their T-cogs via Matrix and then also looking upward. Only to then have it end with the Quintessons looming above.

The Quintessons were so underutilized in TF One it wasn't even funny. I don't even really know why they were there. I mean I understand they had to exist for war reasons and Sentinel and all that. But if they are such a threat, then they need to either be driven off so that the Cybertronian civil war can happen, or they need to make themselves everyone's problem so that Optimus and Megatron's spat looks all the worse for the planet.

There needed to be more for the Quintessons. They needed to have played a bigger role or to have been somehow removed from the playing field by the end of the film. Even one scene with them seeing Sentinel falling and then opting to get the heck out of dodge would have served well enough. But they didn't. And for that reason they are just... there. Letting their prized slaves rebel. They won once against all the Primes. Why not do so again?

Also why do they want the energon??? There are too many questions right now and not even the barest inkling of an answer.

The Characters

(A look into every character of note + my edits to their development in the film.)

Orion Pax/Optimus Prime:

Orion's character is quite well done. He has goals, morals, and a personality that shines in the right environment. His adventurous spirit gives him life, and his desperate desire for something more makes him compelling when he's given the opportunity to really flex his morality muscles. He has a bit of fight in him, an eagerness to improve and assist those around him that makes him lovable and fun. Every moment he was on screen was a delight, and there was never any point where I directly despised his presence. He had moments of greatness, and moments where I would have preferred someone consulted Peter Cullen for advice on scenes where more Optimus was meant to show. His arc was steady, but it didn't move quite fast enough to match the pace D-16 set with his rise (or fall). It was clear Orion was meant go from largely trying to become greater for his own personal reasons to instead fighting for something more than himself. The creators were attempting to broaden him, give him more to fight for and more to lose. They were well on their way to doing that, but Orion's arc simply did not move fast enough, leading him to end up feeling a bit static while D-16 steamrolled ahead.

To adjust him, all I would want to see is for Orion to be shown having a more solid reason for his goals. Instead of just wanting to help, perhaps have him witness a hint of the mess on the surface at some point in his youth. Maybe he could mention it to D-16, saying that when he was newly forged, he either witnessed a record or saw a peek of the surface or perhaps some other Quintesson related thing to get him to feel a degree of investment in trying to help. Maybe he found the surface lovely and wanted to travel there. Maybe he heard legends of the Primes and particularly wanted to see them and make sure that they really had fallen. He either needed to show a level of devotion to the cause to match D-16's love for Sentinel and Megatronus Prime, or he needed to be skeptical. I would have loved to see Orion doubt, simply because no bodies of the Primes were ever recovered and old records did not mention the Matrix passing on (or perhaps he is skeptical in general). Whatever the case, giving Orion this foundational skepticism or believe would have allowed him to be more compelling when the truth was revealed.

Then, to match D-16 character arc, Orion should have started to try and take a commanding position earlier. Perhaps he could feel just as betrayed and angry, but instead of being more passive like in the film, his anger could instead be directed as the Quintessons who allowed things to happen as they did. Maybe Orion could feel loyalty toward his people as a whole, making him want to do things correctly and rally his kind together for the sole purpose of ensuring no other could ever enslave them, directly contrasting D-16 who was off to kill Sentinel for arguably more personal reasons. Making Orion care more about the people as a whole, knowing that they have all suffered under the threat that is the Quintessons, all the while D-16 cared more for his specific group of fellows... yeah it would have been delightful. Just, having Orion focus more on the bigger picture as the movie progressed, leading him to maybe mistreat D-16 a bit in his haste to spread the truth rather than get rid of the source of the problem. This way both Orion and D-16 could be given depth, since arguably, both are right in their approaches.

These are, of course, vague edits. And much like D-16, there isn't a ton I would change for Orion. He just needed more time on screen, and more opportunities to be presented with moral challenge and/or chances to lead.

"The line between friend and enemy is not as clear as I once believed. Once it's crossed, there's no going back, because some transformations, are permanent."

D-16/Megatron:

D-16, and later Megatron, was by far the best developed character in the entire movie. A very good thing considering the film is his origin moreso than anyone else's. He had the most growth to go through, and my goodness he went through it fantastically. He started off somewhat meek, mild tempered, and cheerful. He was a normal bot, one just happy to go about his life and enjoy his few passions as an average civilian. But as the film progressed, his character shifted from one of fun and adventure to anger and betrayal. One lie after another stacked up, slowly breaking down his innocent belief in everything he held dear until he had nothing left to stand on. All he could do was direct his anger at something, lest he lose himself entirely. His reasons were all justified, and you could see the way his morality shifted between "I want him in chains" to "you need to get out of my way, before I move you myself." and it was brilliant. Everything about his arc was well formulated, at least regarding showing his shift in character.

All I would have changed is the rate at which he changed. It was very fast paced. And from what I gather, occurred over the course of maybe a day or two. Crimes of passion are a thing, and some change really does happen that quickly, but D-16 needed at least a few more scenes of moral debate. Perhaps a scene in the beginning where he makes a simple choice that Orion's agrees with and then a very similar scene later where he goes directly against his previous choice. He should have been shown arguing with Orion more as the film progressed, and over more and more serious matters. Perhaps it starts with the map, but as time goes on, it starts edging into who to kill, who to suppress, what path to take in laying siege to Iacon, etc. That way D-16 moral shift can come a bit more naturally when he finally beats the snot out of Starscream and later kills Sentinel with no remorse.

D-16, and later Megatron, is a delightful character. There is very little I would change for him. Above all else, he needed more time on screen to shine, and I think that's the best possible critique there could be for a character.

"The age of Primes has ended. No more false Prophets. Follow me, you will never again be deceived! Rise up!"

Elita-One:

Elita-One is the worst offender in the entire film when it comes to horrible character. Where others lacked personality, she got far too much and absolutely zero development for it. She came in arrogant and came out just as if not more so. Obviously, the creators were aiming for her to be a foil for the boys, trying to make her into a more stable and commanding counterpart to Orion's, and later D-16's, rebellious nature. But her extreme arrogance, snarky attitude, and little to no love for anyone else made her presence grating. There wasn't enough of a relationship between her and the boys for me to see her in a more familial light for them, nor was there enough of an indicator of rivalry for her viciousness to not be annoying in its presentation. She was mean, bitter, and overall a pain throughout the entire film. And while there were reasons for those traits to be presented initially, they were obtrusive and took away from the film since they were never again addressed or given proper conclusion. Elita-One had no character growth, and as such, she leaves a bad taste in my mouth. Her relationship with Orion in particular was agitating. She had a backstory at least, and it did contribute to her character, but it didn't help to differentiate her a ton or warrant her arrogance, unfortunately.

Elita-One needed a reason to be so confident in herself that was visible to the audience, not just her forcing her crew to repeat her greatness. Arrogance can be done well, as seen with Starscream and Knockout in TFP, but Elita's just came off as annoying at the best of times. To adjust her character, I would have pre-established her relationship a bit differently. Instead of aiming to be supervisor, she should have been one already. To make her arrogance less annoying, she should have been shown as being affiliated with Orion before her demotion, perhaps as the one letting him get away with all his shenanigans. That way her arrogance plays off as her bantering and simply noting her station, and maybe she flaunts it around a bit, having Orion do her random favors since she won't go breaking protocol, but she knows he will. Their relationship could be one of mutual benefit, perhaps even hinting at Elita having used Orion's help to achieve her station at some point. That way they can be vaguely affiliated and their power dynamic can be somewhat equal since Orion offers a service and in turn, Elita covers his back when he decides to go and wander off.

If the creators wanted to go the ship baity route, or even just make Orion and Elita closer, it could be a thing where Elita was an old friend of Orion's who simply drifted apart after her rise to supervisor. Instead of being harsh with him during the mining scene, she could offer to speak later. Their entire dynamic could be that of ancient friendship, older than even Orion's and D-16 connection. Maybe they were in training together. Perhaps they were on the same mining crew for a while. Whatever the case, making Elita a bit nicer would go a long way, especially if she attempted to cover for Orion yet again after he broke protocol to save Jazz. She could try to cover for her old friend and be punished for it, making her less willing to help later in the movie when her aid is needed once more. Her character could go through serious growth because of this.

Additionally, if this were to be how her character played out, when she's brought to the surface, her lingering arrogance can be crushed like a grape in the unfamiliar environment. Where she once looked at Orion as a bit of a nuisance due to his habit of going places where he really shouldn't have been, she can now appreciate his skill and support him with her own. Maybe as a former supervisor, she's the only one who can read the map accurately, but for that same reason, she has very little skill in traversing the land and translating old indicators on the coordinates. That's where the boys could step in, helping and offering their skills and in turn showing Elita that while she's not the best and never will be, her skills are valuable when applied correctly, just as her companion's skills are as well. They could play off each other in a more meaningful way, helping Elita develop a healthy relationship with her companions and her ego. By the end of the movie, she could end up a bit more like Skybound or Earthspark Elita-One, confident and competent, but mature enough to know when to let someone else take the lead and when her job should be to play support.

She could even serve as a bit of an echo of Megatron, starting off where he ended. Anger, passion, and of course, arrogance. Then slowly she can learn to mellow a bit and apply herself in a far more productive manner. This could let her relate to D-16 as he starts to crumble, giving her more of a reason to be invested in him since as she improves, he starts to fall to pieces. There are many ways she could be played, but more importantly, she needs to be showed having actual chemistry with her companions and changing as a character into someone more mature. She's not a bad pick for a character, but she needed to be tempered, a lot.

"My point is, that your instincts tell you to break protocol for a reason."

B-127:

B-127 is a character that, on his own, doesn't really have a purpose being in the film at all. He's comedic and does show the beginnings of maturity in more serious moments, like when he and D-16 are captured. However, he lacks substance. He's fun, he's peppy, but it feels like a lot of the basis for his presence hinges on old and new fans recognizing his paintjob and knowing who he will become later down the line. He's a rather shallow character, which is not a necessarily bad trait since Sentinel pulled it off brilliantly. But since he is meant to be a main character in this film, I would have preferred he be given a more solid foundation. His actions are fine, his personality is acceptable, but he needed more to work with, a reason for his behavior if you will (since he can't exactly have a reputation to run with, being on sub-level 50).

I think the best way to have introduced him and given him a foundation would be to foreshadow the sub-levels. Perhaps have it be noted that bots go down a few levels and never come back, unfortunate miners who mess up one too many times. (maybe D-16 reminds Orion of this potential fate). Instead at staring at smelters, B-127 could be introduced as a scavenger. Rather than be down so many levels doing essentially nothing, perhaps show him weaving through discarded rubbish in huge heaps before they can be incinerated, taking bits and pieces that he likes. This way his random assortment of knowledge can make sense. It can explain his madness in a slightly more believable manner. Seriously, if B-127 knew how to get out, why wouldn't he leave at some point to seek out companions? Better it be that he's trapped, and now that he's got new companions, he feels totally fine accepting them and showing off his collection of trinkets since they are all prisoners together. He could state he's been down there for a very very long time, maybe making him the oldest out of the eventual group of four. This would explain why he has the plot device later, and if he shows off more confidential reading/viewing material he's collected, his knowledge base and animalistic fighting style make more sense.

It would give him a foundation as someone more feral, easily surprised, and excitable. It would give him unique skillsets, such as scavenging and self repair. If needed, he could even be the team's makeshift medic. Maybe B-127 could even have a broken T-cog instead of missing it altogether, showing that the practice of removing a cog was imperfect for a time, and since his removal failed, they disposed of him. Yet another hint of what is to come. His introduction scene would be about the same length too, since all that would change is the setting. It would also give all three time to bond since B-127 doesn't know how to escape, but has resources, which would allow D-16 and Orion to put their heads together to get them all out. It would also create a sense of loyalty for B-127, encouraging him to stay with the group. No changes need to be made to B-127's personality, just a shift in scenery.

"Are you serious? This is the greatest day of my life! I get to work for the government!"

Starscream:

Starscream's appearance in this film, much like Elita's presence, served little to no purpose. He existed purely to provide D-16 a chance to exercise his brutality and growing passion for rebellion. However, with what little time he had on screen, he presented an incredibly unique version of the character. Gone was the cowardly behavior seen in almost every single Starscream to have ever been produced. This Starscream appeared to be a highly competent character, willing to fight and die for his cause. He showed determination, energy not seen in any other Starscream. I can't exactly say he was the most intelligent character, a shame considering his station. But the embers of something more that he presented were fascinating, and in my opinion, a delight to witness.

I would have liked to have had his foreshadowed earlier. Personally, I think a great way to have hinted at his presence would have been to make him a bit of a martyr. He could have been blamed for the betrayal of the Primes, with Sentinel pinning their fall on the High Guard and Starscream in particular. That way, he could have been foreshadowed via D-16 absolutely hating him for his "betrayal" and also served to hint at the High Guard's power later. Additionally, if Sentinel made it so the High Guard looked like they'd sold out to the Quintessons, him going to the surface would be even more "Dangerous" since he'd be fighting "traitors". All the more for him to have lied above, and more to keep everyone off the surface.

Bonus if Starscream actively has a warrant out for him, as evidenced perhaps by chatter from background characters or maybe even Darkwing calling D-16 and Orion Pax "High Guard/Starscream sympathizers" for their rambunctious activity. Through this slight shift, Starscream's later appearance could be far more meaningful and make him an ally of note, especially if its mentioned that he and his people have been attacking energon trains for sustenance and to mess with Sentinel. Starscream's intelligence can be shown, as can his former ties to the Primes, all by adding a line or two depicting his presence.

"Two options for you! One, we slowly dismantle each of you one bolt and screw at a time, and really make sure you feel it. Or two, in exchange for a quick death, you give us intel on the energon trails, access to the mines, or anything else that could hurt your Boss, Sentinel Prime."

Soundwave: Soundwave can hardly be called a character in this film. He exists. That's about all he has going for him. He looks like a taco and has all the personality of one, that being none at all. There was so much potential for him, but he got a grand total of perhaps three lines before he became background noise. Jazz had more lines than Soundwave. Jazz, the cogless background character. We know nothing about Soundwave except the fact that he's with the High Guard and apparently important enough to have been in the records. No explanations regarding his abilities, no backstory, no reason behind his connections. Nothing. He's a familiar name for old fans to gawk at and does little else.

If Soundwave is going to be in a film, I feel like it is law for him to play at least a semi-important part. Even if I didn't know Soundwave from other continuities, he would still be seen as highly underutilized. Personally, I think he would have done so much better serving as an agent of Sentinel Prime who turned when he learned the truth. He could have been right at Sentinel's side whenever he was in the city, offering reports on other cities and their struggles to obtain energon but ultimately being waved off. This could help with the small setting feeling and give Soundwave character through his hesitance and concern for the rest of the population. It could be fascinating to see Soundwave loyally follow this Prime, despite his concerns, and then be betrayed with the knowledge that his world and his people have been enslaved by the one he thought was their savior. This way, he would have a very valid reason to hate Optimus when he comes into being, and consequently have a reasonable desire to join Megatron.

"Scanning electrical impulses: He speaks the truth."

Shockwave: Thankfully he's less of a taco. Unfortunately, he only has a bit more personality than Soundwave. We also know exactly nothing about him and he suffers from the same problems as Soundwave personality wise. We've got next to nothing to work with, not even a title. He also comes off as a bit of a potato since the very first thing he did when threatened by Elita of all bots was to bend the knee. It does tell us about him, but its not done tastefully and as it stands, Shockwave has the personality of a small child who got his favorite toy stolen from him.

Much like Soundwave, if one is going to use Shockwave, he has to at least have had some sort of impact in the past, if not the present. I would have liked to have seen him possibly have been the one who assisted in removing cogs from the newly forged. It is an essential part of their structure, so I imagine there is a certain degree of delicacy involved. Or barring that, why couldn't he have been the High Guard's medic or scientist and studied the process and uses of the Transformation Cog? That way, he would have a plethora of knowledge and be very invested in Sentinel's downfall since he knows the truth of the matter. Perhaps he feels guilty for having assisted. Maybe he was banished for trying to do too much. There are a thousand things that could be done with even a hint of such a backstory. Heck, maybe he could be the one to have a small mountain of cogs to offer cogless bots during the battle against Sentinel. Or if we want to maintain the emotional value of the bots fighting without their cogs, have Shockwave offer up images of piles upon piles of destroyed T-cogs or something for evidence. There is a lot of potential for him that was never realized, and all it would have taken is a line or two to establish him and his usefulness to the Decepticons later.

"He wouldn't stop talking."

Sentinel Prime:

Sentinel's character was, quite frankly, delightful. There were no redemptive qualities about him, and I personally found that to be perfect for his character. He was cruel, prideful, vicious, arrogant, and everything else I expected from a cliche villain. And yet, despite being cliche, his voice acting combined with his stable character portrayal always had me adoring how terrible he was. Whenever Sentinel came on screen, I was excited to see him because I knew how he was going to act, and I was thrilled to see it play out every time. I knew his personality, and yet how he went about his activities always exceeded my expectations. Personally, I adored how smug his dialogue was, right up until the very end of his life. It sold him as being the worst, even if he wasn't breaking any new ground with his character. Sometimes you just need a character who sucks as an individual. I appreciate that the movie was willing to make him irredeemable, unlike other iterations of Sentinel Prime who at least had a slightly non-selfish hidden motive somewhere in their backstory. There's nothing I would change about him, not in the slightest, at least not without adjusting the entire movie and rewriting it from the ground up. He fits. Simple as that.

"What truth? That I plucked your cogs from your newborn chests, forced you to mine so that I could pay off the Quintessons, and live like a King?"

Alpha Trion:

Alpha Trion was a fascinating character with so much potential history and lore attached to him. I am quite sad he didn't get more of a chance to shine, considering his past and his status as the last living Prime. He did serve his part in the movie, quite well might I add. But he could have had more. He was so very tired sounding, lost even. He seemed to care for our main cast and offered so much wisdom, and yet had so little time to actually impress it upon the main characters. He died with honor and what times he did have the chance to speak were well put together. However, I would have liked to see a bit more of him, personally. A bit more character, spice if you will.

I would have given at least one digit on my right hand to see him train our group of four, or at least begin guiding them back to Iacon so give them more time to talk. His presence could have accentuated the fallout between Orion and D-16, showing their shifting ideals when compared to the pure goal of Alpha Trion. Perhaps he could be the one to try and guide the group into working as a cohesive unit. And perhaps his slaughter could be one of those things that drives D-16 and Orion apart now that they no longer have a stabilizing force to keep them from arguing over what to do with their evidence. Honestly, I'm thinking something Uncle Ben combined with Uncle Iroh for Alpha Trion would have been a perfect way to introduce him, make use of him, and ultimately offline him in a meaningful manner. But again, time constraints are a real issue and I understand the problems the movie had giving everyone time to breathe.

"I failed you, old friend. You deserved so much better than this end."

Arachnid: She's a fascinating character who I personally would have loved to see more of. The times she turned up on screen were always noteworthy, and the fact that her intentions were largely unknown gave me a feeling like she was this movie's Soundwave. She didn't need too much development because her role in the movie was perfectly structured. She was Sentinel's right hand, his eyes and his hands. She is a perfect example of a character who doesn't need much exposition or backstory simply because she fulfills her role perfectly. We can make assumptions and still have room to speculate, but her character doesn't feel like a vacuum or like its missing some grand piece. Would I have appreciated a hint more for her thought? Yes.

Personally, I think hearing rumors of Sentinel's frightening right hand might have given her the final touch she needed to be a solid character in my book. Just some bots being in awe as she walks by with Sentinel, or perhaps Orion recognizing her from some old text from the archives. That way she could come onto the scene with a reputation. Or barring that, a sense of dread. That said, I did enjoy her introduction and I have no real critiques of her. The character is built well for the time she's on screen. I enjoyed her far more than I did Elita-One which should tell you all something. A girlboss character can be done well. Look at Arachnid and her combat prowess and intelligence. Elita was just a poorly done, slapped together attempt at giving our main cast flavor.

"I see everything."

That One Random Quintesson: It looked neat. Very intimidating in its own weird way. Certainly uncanny considering the metallic scenery. Could have used at least a line or two to sell the evil. I personally would have paid money for the Quint to talk in gibberish and for Sentinel to somehow understand because that would show just how long he'd been working for the Quintessons.

Jazz: We saw him a grand total of perhaps five times and I love him. No complaints. He's very Jazz and maintains his Jazz attitude throughout every single scene he turns up in. I especially love him during the scene where Orion rallies the cogless. He looks so confused and yet so happy later one when he gets his Transformation Cog.

"Little? There's nothing little about you."

Darkwing: DARKWING DUCK- I'm kidding. Darkwing's character had little to no depth, but he served perfectly fine considering his role in the movie. An aggressive enforcer of some variety, evidently high ranking enough to be in the Iacon 5000. He's got enough flavor to him that I'm sure someone in the fandom will decide he is their blorbo and run with it. He's not breaking any new ground, nor are his lines anything noteworthy. He simply is, and considering his role, it suites him.

"You are no cog bots with limited options. Report to waste management immediately."

Background Characters in General: Nothing really of note. They existed and served their purposes. I appreciated the fact that no two bots were the same appearance wise. It made Iacon feel more lived in, a trait desperately needed considering how small the world felt. Seeing so many familiar faces was fun.

The Plot

(An assessment of the story overall & its holes.)

The plot was fantastic, at least with all the random unneeded scenes not considered.

There were quite a few themes present, most of which were at least touched upon. Honestly, the journey to discover the truth was a wonderful overall plot. I have very few complaints about the way the story set out. Two miners who, by accident, are cast away and gain an inkling of the truth. This in turn sending them on a quest to uncover said truth, only to have their worldview shattered. It's simple, and at the end of their road, their differing ideas regarding what to do with the truth are what drive them apart.

There are some things that don't add up, such as the time it takes the crew to actually get from Point A to Point B at any given part of the film. Time is a real issue in the movie. If we had only been given the illusion of more time passing, some of the pacing issues might have been less in our faces. Additionally, there are a few inconsistencies.

The boys being chucked down fifty sub levels because the plot needed it to happen. The plot device just happening to be there for reasons. How B-127 and the boys know how to get anywhere is beyond me. Elita being at the exact train they need to board at the exact right time is a bit off. The t-cog situation is interesting and I can't help but wonder how that whole mess really works. The High Guard popping out of the ground like cabbage patch kids. D-16 suddenly choosing to betray his best friend for reasons that were not given enough time to justify.

It's just a lot of smaller things that added up, when combined with the pacing, to create something a bit off. However, overall, the base story attempting to be told is very solid, only needing to be tweaked and refined to add further depth and give characters reasons to be there at all.

A very solid 7.5 - 8/10 movie when viewed overall.

The World Building

(Current questions & Information + musings)

Cybertronians don't bleed, unlike other continuities.

I find this fact downright fascinating. When characters are killed, they don't bleed. TFP bled, pretty sure other continuities did as well. Except for G1 at any rate. It's an interesting take since energon appears to be a liquid, not crystal, on this new version of Cybertron. That leads me to believe that it must be pure energy since the moment it is taken in, it appears to go straight into powering the bot in question, rather than flowing through their veins. They are far more machine like, and I have had that fact grow on me a lot. Less alien, more mechanical.

The cogless had their cogs removed before coming online. Where are said cogs now?

It really is fascinating to think about. Sentinel had all of these T-cogs removed, presumably thousands upon thousands of them. I have to wonder, were they destroyed? Stored away in case on of the bots allowed to have their cogs needed a new one? If they were thrown away, how did no one notice or snag a few? There are many questions regarding how this big biological aspect of the cogless was kept from them.

Where are these bots forged? No Well of Allsparks was mentioned, at least to my memory.

It was stated that the first Primes came from Primus's core, which adds up since they are the closest this new continuity has to demi-gods. I would say that it would be likely that bots just clamber on out like the Primes did, but considering how fricking long that fall was for Orion, I have my doubts. Personally, I'm thinking this continuity probably is going the hotspot route where bots just kinda pop out of the ground in certain places. They obviously aren't climbing since they weren't online for their T-cogs to be removed. That leads me to believe that they likely form in hotspots and are cultivated until they are ready to come online. This would give Sentinel plenty of time to do a little removal all easy peasy.

Cycles are years. Days are days.

Interesting take on time, but ultimately kind of useless on its own. Lots of human time terms are used, so it seems cycles is just in there for alien factor. A unique take all the same though. I like it.

Primus is mentioned and acknowledged, but there is no mention of Unicron whatsoever.

It's really quite fascinating, but not particularly surprising considering the setting TF One takes place in. Many bots are uneducated, and with the fall of the Primes, it could very well be that no one knows about Unicron anymore because the threat he posed paled in comparison to the Quintessons. It could also be that Sentinel might have had any records about him removed in order to keep the population afraid of one threat, rather than many. It's not as thought Sentinel can deny Primus exists. But Unicron? Can't see it? No need to believe it. Still, it will be fun to see if Unicron ever comes up.

The war with the Quintessons is stated to have gone on for thousands of cycles, and yet there are few ruins. Just how devastating was it? How powerful are the Primes?

I am of the belief that long ago, Cybertron was an empire. There were cities everywhere and the surface was most likely covered in defenses. Most likely, the Quintessons whittled away at Cybertron's surface population, hence the war going on for so long and the people retreating underground into their creator's shell. The Primes appear to be powerful, but they were most likely scattered across the surface to try and limit the damage done by the enemy. The war was likely very close to be lost after millennia of being continually under siege when the Primes finally fell. In a sense, Sentinel likely did buy Cybertron time, but he also doomed them by destroying what history they had that might have helped them.

Are there other cities on Cybertron? There has to be, considering how large the planet is, but the offered energon to the Quintessons tells a different story. What happened?

We don't have enough information to make a good guess, but I personally believe, as stated above, that most cities were likely wiped out. Those who survived fled underground, meaning that most cities are either few and far between, or they are so sprawling that 'Iacon' encompasses far more area that we are led to believe. The offering of energon could have possibly been so small because it has been so long. Maybe, once upon a time, the offerings were far larger since more cities could bring energon in. It's hard to tell.

Is Cybertron in a post apocalyptic state?

I think so. Considering the ruins on the surface, the suppression of the masses, and the struggle to get energon, I do think that Cybertron is sitting in such a state when the movie is happening. The setting scene in Transformers One, and Iacon in particular, appear to be the last gasp of a dying race after what could have been a siege lasting up to thousands upon thousands of years.

T-cogs evidently have a certain amount of biological alteration involved in their acquisition.

This can be seen in Megatron when he takes Megatronus Prime's T-cog. Personally, I think this says something about the use of a T-cog. Some appear to be more suited toward combat whilst others have other uses. It appears to be Cybertron's version of the genetic lottery, since up until one gets a T-cog, it seems as though it is quite impossible to determine alt-mode or abilities. Look at Jazz. He didn't get his little door wings until after he got his T-cog. This has a lot of implications for T-cog inheritance too. Is that a thing that can happen? Does it affect various bots differently? Many many questions.

Does the T-cog have an effect on the mentality of those who inherit it? Was Alpha Trion aware of this when he chose which T-cogs to give to the crew?

I honestly think it's impossible to know at the moment. We don't have enough lore to make a solid assessment. But I would like to think it at least has some effect on the bot in question when they get a T-cog that was not originally theirs. Again, look at Megatron. Maybe Alpha Trion selected the Primes with the most adaptability for a reason. Perhaps some of those latent traits present themselves in their new wielders. I don't know, but I would very much like to.

Cogless bots are essentially children.

They are smaller, slower, and from the looks of it, less liable to fight against those larger than them (although that could just be common sense.) They don't appear to be less intelligent or anything, but I do imagine the T-cog is a sort of wakeup protocol for bots. It diversifies them, allowing for specialization. So yeah, from the looks of things, they might as well be children frame wise.

No noticeable spark chambers. Instead, we have the slot for T-cogs.

I find it downright fascinating that instead of having a way to expose their sparks, the TF One bots instead expose their slot for their T-cog. There's not a ton I can gather from this lore except for the fact that this must mean sparks are likely farther into the frame and more protected, and like a human heart, probably not meant to be seen.

(Also the smut writers are going to have to get creative)

There are different Primes this time around. Still Thirteen of them, but a few old and new faces from various continuities.

I have no clue what it implies for the most part, but from the looks of it, we aren't going to have an IDW/TFP Arisen any time soon. All the Primes are named, have faces, and are confirmed to be dead. There's no mystery here about some secret resurrection Prime goofing around in the background. I like it personally, even if it does limit the more mythological aspects that could be present in this new continuity.

There don't appear to be any sort of familiar or mentor-mentee social structures on Cybertron. We also don't see anyone who acts young enough to possibly be newly forged. Does this mean everyone comes online with basic knowledge? Or are they put through bootcamp before even entering society?

Again, I'm thinking the bots are raised like cabbage patch kids, grown and watched over wherever they form until they come online. Then, most likely, the cogless just kinda figure it out, IDW style. Same goes for the rest of the population.

How are the cogless selected for their fate? Is it random since Sentinel removed their T-cogs before they even came online?

It's a good question that I would like the answer to. Most likely, it's a numbers game. Special traits don't appear to present until a bot gets their alt-mode, leading me to believe that the cogless are selected based purely off how many miners are needed at the time.

D-16 gained a weapon via being angry. Do all bots have that? Is it a stress response? Or is D-16 special like that?

Again, the T-cog question. It feels like it's related to biology somehow, but I don't have enough info to make a solid guess.

The Matrix is referred to as an entity. Why is that?

No bloody clue but I really hope the dang thing talks or has some sort of unique ability aside from being an extra battery that gives Optimus a really cool axe.

The bots have eyelids and tongues.

It makes sense that they have them. I just think it's neat.

Some bots have real names. Other do not.

I have no clue what this implies, but I am running under the assumption that there is either a criteria to meet to get a name, or bots just pick their names and roll with it.

The Ending + Implications

(How I think things will go from here in future films.)

The ending scene was ridiculous and felt chucked in there above all else (note: I am referring to everything after the t-cogs are distributed). However, it did offer a hint of insight into what is coming in the future.

Based on what Transformers One presented, and the fact that it has been stated that it will (if all goes well) be part of a trilogy, I have a few predictions for the coming films. Of course this is all speculation because the movie ended on a rather open ended note without much foreshadowing for what is to come, at least on the surface. So take this as my musings above all else.

Firstly, the Quintessons are going to be removed or otherwise sidelined as a threat. Optimus's line regarding the Quintessons at the end of the film leads me to believe that they were more of a plot device than anything else, and I expect them to become even less prominent going forward. I simply cannot see them being the BBEG of the trilogy considering the layout of the movie. Although it is very possible that they could serve as a minor antagonist to push the war along in later films.

If things continue as they are and the creators keep to the origin story vibe, then I see the second movie as likely focusing heavily on the war and its rapid fall into sheer chaos. I expect it to be fast paced, just like Transformers One. So quite likely, it will be a series of battles, schemes, and Megatron marching his armies while Optimus desperately tries to rally his people and fight back.

The second movie will probably be split between Autobot and Decepticon perspectives, Avengers Civil War style if I had to guess.

We will likely see Megatron gathering troops and capturing territory while Optimus fortifies what land Sentinel previously controlled in order to try and limit conflict (and promptly fail).

Optimus will go through some arc or another that gets him to fight seriously, but considering this is Optimus, he is probable to maintain his attitude of 'I can fix him' at least to an extent. Although, considering how he sent Megatron away, we may be surprised going forward.

We are going to be introduced to key Autobot and Decepticon characters throughout the second movie. Prowl, Jazz, Ironhide, Arcee, and others. Starscream, Soundwave, Shockwave, and the rest will likely get actual development.

There will probably be at least one peace talk that goes south the instant Optimus dares to breathe in Megatron's general direction.

Elita is bound to get more screen time than she deserves.

Bumblebee will earn his name and either have his voice taken from him, or he will end up forcefully silenced through some other means, perhaps a vow or trauma. Depends on how mature the creators want to make him in the future.

Megatron will probably end up seeing Orion as having died in some capacity, either that, or he will see everything Optimus stands for as a betrayal of their shared history and a insult to the suffering of the cogless.

The third movie will likely end with both factions abandoning Cybertron during a great exodus (if they are trying to follow G1/comic canon vaguely.) I simply don't see the films moving to Earth since that's been seriously overused over the past twenty or so years.

I anticipate the introduction and or the alteration of previously well known characters throughout all the films. Since the creators have been willing to adjust the origin as much as they have, nothing is off the table.

Those are all the predictions I can make at the moment considering there has been very little to work with foreshadowing wise.

My Suggested Adjustments

(My thoughts for an ideal TF One which stays within the time limit, keeps to the established plot & acknowledges the future existence of more films.)

Now, again, before I begin my edit rant, I will try my very best to keep to the plot of the film and not go off track. I will be offering edits, not a rewrite (yet). Also, most of this is just musing and things I would like to see, not professional writing. Take with a grain of salt. That said, here's what I would adjust.

I would add a few lines of dialogue during D-16 and Orion's chat on the train to hint at Orion having a fascination with the surface and/or skeptic attitude toward what they've been told backed with a desire to check things out for himself. This would be just to build a little extra character. Additionally, during their chat, D-16 can remind Orion that the surface is dangerous not only because of the Quints, but because the traitors are up there. The wild High Guard, now gone mad. Orion can wave him off, stating he's not going to become like Starscream before moving onto his discussion about how he has a feeling like he's meant for something greater. The conversation can then continue as normal.

Remove Elita from the mining scene in the beginning. Have someone like Ironhide be the team leader so that his gruff personality can really drive home just how dangerous their job is before they even get started. Instead of Elita's rant, Ironhide can again remind his group about the risks of their work and maybe even discuss how someone got his or her lower half crushed in the last tunnel collapse. The group can then rush to get to work, with D-16 and Orion being all buddy buddy about it. D-16 and Orion can greet a few of their fellows, maybe assisting a bit in order to bring in more familiar faces. A brief pause can occur for Elita to look down on the group from her position overseeing things. She and Orion can share a brief look/nod/salute/gesture that D-16 can then mock and Orion can use to remind his brother in arms that Elita is an old friend, nothing more thing less. Elita can then call down, ordering them to get a move on before they get in trouble. Ironhide can then get the group hustling into the tunnel. This would solidify Elita's place of power while also introducing other characters and the harshness of the work.

The mining scene can go on as usual, but when the rescue happens, Elita can jump down and order Orion and D-16 back, maybe yelling something like: "Pax, D-16, pull back! I won't ruin my record with three deaths in one day!" in order to cement her deep care for her position. And once they make it out safely, Elita can check Jazz over for a moment before getting in Orion's face, D-16 probably trying to not be involved. There they can share some dialogue that shows Elita's exasperation with him, but also her fondness. Perhaps something like this:

"How many times have we done this Orion? I can't keep letting you break protocol!"

"Even to save a few lives?"

"We are miners. Danger is part of the job. Your recklessness is a liability."

"Even though it saved you from that tunnel collapse last cycle?"

"That is beside the point Orion, and you know it. You really need to develop some self-preservation skills."

Then of course Darkwing can jump down and fire Elita, only this time instead of being as sudden as it was in the original TF One, Elita can instead be fired for letting Orion and D-16 off yet again AND sustaining an injury to her team (RIP Jazz's leg). She can fight back, saying that lives were saved despite the breech of protocol. Darkwing can then shoot her down again even when Orion steps up to try and take the blame. This way, Elita can have the final straw moment with Orion, her expression being bitter as she has her rank badge ripped off. Her dialogue with Darkwing can hint that this is not the first time she's let things slide, hence the demotion. She can look at Orion and D-16 in sheer anger, shaking with rage as she murmurs about how hard she worked for this position before shoving past both of them. This would make her less agitating as a character but still give her ample room for snark and anger while maintaining a connection to our main cast.

When Sentinel gives his message to the people, D-16 can get just as excited TF One canon, but Orion can be a bit skeptical. The scene with Elita can influence him, making whatever skeptical nature he'd developed all the more real. Perhaps, as a bonus, Sentinel mentions that the winner of this race will get to request something from him/get a new rank. Seeing this, Orion will then want to get in both to try and prove a point, and to hopefully make it so that he can get himself and those closest to him to a high enough rank to make a difference. His hope could be that if they won, he could request better oversight in the mines and a chance to show their grievances. D-16 can still, of course, not want to be involved when Orion implores him to try and be something greater.

The race scene can stay as is, only changing to show Soundwave AND Arachnid by Sentinel's side. But when the duo are in the med bay, Ratchet can come by to fix these two idiots up. Instead of being cogless, he can be one of the higher ranked bots and perhaps serve Sentinel personally. While Orion and D-16 have their little banter session, he can work on them and probably tell them to shut up before the Prime arrives. Perhaps he also comments on their poor repair, wondering if the mines have medics. D-16 and Orion can state that they do not, earning Ratchet's anger since he assumed they at least had basic health care. Maybe he even tells them to watch their mouths, or perhaps praising them for their stupidity and being mildly in awe of it. This could set him up as an ally later.

The discussion with Sentinel can go as it does in canon, but when he leaves with Arachnid, it can be Soundwave who is ordered to 'remove' them. Soundwave can hesitate, looking at the duo and then at Ratchet would could try to object since he would know what is coming. Soundwave, ever the loyal aid to his Prime, could then call Darkwing in to take D-16 and Orion to their fate. Soundwave can even look genuinely upset at the scene, his fists all clenched up as the duo cry out in confusion. Ratchet can curse, and the scene can end with our two heroes being thrown down to sub-level fifty where no one without an alt mode with wings can escape.

Down in sub-level fifty, it can be a horror show. A huge set of incinerators where huge conveyor belts are transporting waste to the fires without end. Maybe there are even a handful of bodies amongst the mix, miners and other cogless. D-16 can continue to believe it must have been some huge mixup, perhaps getting all angry about it before B-127 appears from the rubbish, looking terrifying and scuttling over to them. He can get all up in their faces, maybe touching them to ensure they are in fact alive before his mask lifts and he goes right into being himself. He can have his nickname moment, but it can be mixed in with him showing the duo around the fires, giving them some warnings like:

"Don't mess with the bodies, those tend to be infected."

"Watch where you step! Don't want to miss energon by accident. It's rare down here!"

"With you two here, I won't have to worry about accidentally ending up on the conveyors while recharging!"

B-127 can ramble for a bit, much to our duo's horror. Then he can show them his makeshift residence, made of trash and other things. Inside can be all sorts of wacky things, including STEVE. As he's showing off his collection and gleefully pointing out things from various cities he's found, D-16 can marvel at a few of the older wartime relics Bee has and Orion can sift through Bee's stack of random reading and viewing material. As D-16 tries to smile through B-127's eager explanations of how he found things, Orion can note the symbol of the Primes on one of the small disks B-127 has. Bee can notice and exclaim how he found it on the body of someone from the High Guard forever ago. At that, D-16 can recoil, but Orion can turn the disk on.

The message can be revealed as normal, and again, Orion can convince D-16 to go despite the threat. Being trapped underground, they decide to give it a shot. B-127 sadly points out that he's been down in the sublevels for actual cycles and he's never been able to get out, not without a T-cog. At this point, he can show off his damaged T-cog, taking it from one of his shelves for all to see. The duo can be quite confused as Bee states that he came online with it broken, mentioning how he felt someone trying to mess with it before he was thrown into the sublevels. Orion's suspicions can grow, D-16 can become more adamant that something OTHER than Sentinel is going on here, and from there, they can use B-127's things and tools to work their way out. Perhaps they construct a grappling gun, or otherwise use old material to tower their way up to a vent on the far wall. D-16 can undo all the screws with some difficulty as the conveyor belts below them threaten to drag them into the fires. But with time, they can quickly crawl their way out, perhaps with D-16 grabbing Bee before he can fall back into the rubble below.

From there, Orion can use his knowledge of all things underhanded to begin guiding them up toward the surface. D-16 can add his input by feeling for wind currents and whatnot. All the while, B-127 can tell them he's heard of a train depot nearby, considering maps and other things that fell into the rubble with him + shaking over head occasionally.

Once they get to the depot, they can try to join the masses of miners loading up the train carts. Attempting to blend in, they grab grates and try to move quietly and just, not emerge from the train once they get on it since they know its heading to the surface. But as they are waiting to load, they encounter Elita. She engages with them, attempting to stop them as a form of retribution and even arguing that she's saved their hides one too many times. Orion, despite his respect for her, pushing his group on. They push past Elita, discarding stealth in favor of leaping into the train before it can take off. Elita, still upset and desperate to stop them from causing more harm, throws herself in after them with the intent to stop them. The doors close before she can, and in anger, she pauses, and books it toward the front of the train to try and halt it. Being smaller and nimble, she dodges attempts to grab at her, even knocking a crate over which hits Orion. As they make it to the surface of the train, D-16 and Orion lag behind, but B-127 manages to slow Elita down by grabbing her leg long enough for Orion to also pull himself up and grab her arm before she can hit them.

Then the traintop scene can play out as normal.

Once they are thrown to the ground, Elita can still get up in Orion's face, but instead of losing her cool, she can instead grab him, take a few breathes, and say something along the lines of this:

"Orion, since they day we met, you've been a thorn in my side. Always getting me intro trouble whenever you decide to run off with your go-bot buddies and make a scene."

"I know. And I'm sorry. But this... this is beyond any of that. We could find the Matrix, Elita. We could do what Sentinel hasn't been able to. We can save our home."

"And that is the only reason I haven't tried to punch you yet, Pax. But if this mission of yours fails, if this is all some grand hoax, I'm taking you and your pals back to Iacon and getting my rank returned to me."

"That's fine, because I quite firmly believe that this is the real deal."

"It better be, or you can bet your bolts I'm never going to let you live this down."

"I wouldn't expect anything else."

Orion and Elita share a moment of reconciliation before they both look over the map together. Leaning on each other for support as they follow the coordinates. All the while, D-16 and B-127 comment on the scenery, and helping their group avoid various hazards. D-16 might even note how there aren't an High Guard rebels, a fact that leaves him suspicious, especially as the group passes through increasingly frequent ruins, all inhabited by the bodies of bots who bear the symbol of the High Guard, or the long dismantled old Cybertronian army. D-16 might even see how it seems as though a few of the High Guard were actively trying to defend civilians, as evidenced by the bodies. This leaves him thoughtful, less angry.

There should be a few flashes of the group taking cover as strange creatures move on the surface. B-127 can pause to gather up some abandoned weaponry from an old base, earning commentary from Elita-One about how she never knew they once had so many cities on the surface. It should be a somewhat solemn march, and as they go, they can practice with their haphazard firearms by shooting as various targets to acquire what energon they can and to scare off random creatures. Orion notes the cities they pass through, listing off names he's read in the archives and being saddened by the fact that they lost so much. D-16 becomes more and more upset as they go, seeing the bodies and wondering why Sentinel hasn't recollected abandoned resources or otherwise given the dead a bit of respect in light of the fact that they haven't seen a single enemy so far.

The scene running from the Quintesson scanner can continue as normal, and the group can rush to the cave as they watch the huge ship loom overhead. The cave scene can also continue as normal, only this time, the group can be even more distraught since they've seen the remnants of their old empire and already have doubts. Awakening Alpha Trion can go as normal, as can Sentinel's discussion with the Quintessons.

D-16 and Orion can get into a slightly more heated debate than normal when they return. Orion exclaims his desire to have the people get their justice, making sure everyone knows their loss. D-16 can agree, but their argument can occur when Orion makes it clear that the people come before getting revenge on Sentinel. This does not go over well with D-16, and although Elita and B-127 attempt to step in, Orion and D-16 begin to argue more furiously until at last, Alpha Trion steps up and pushes them apart gently. Probably saying something like:

"Primus has a plan for all his creations. Do not judge too quickly, instead, act with wisdom and foresight."

Trion can offer the values of his fallen brethren, encouraging D-16 to act as Megatronus Prime would, as a guardian of the people, their voice and their sword. In turn, he can urge Orion to follow after Prima or Zeta, telling him to use his noble spark to be a voice of reason. He might turn to the Elita and B-127, but then he notes that they are low on time. From here, Trion can give the group the T-cogs of the fallen Primes and hurriedly usher them out as Arachnid draws near. The escape progresses as normal, and Orion and D-16 again have their debate. Orion stands his ground a bit longer, showing a hint of anger. But remembering Alpha Trion's words, he consoles himself and D-16 by stating that he trusts D-16, which in turn diffuses the tension.

The group can move quietly, with Elita being solemn and B-127 a bit shaken up. Orion and D-16 discuss what they plan to do as Elita watches for enemy units and B-127 hurries ahead to scout. As they talk, it becomes clear that Orion wants to rally the people and spread the truth first and foremost. Meanwhile, D-16 wants to strike hard and fast, a tactful assault meant to end Sentinel. They can worry about the truth later in his mind. They argue for a while, and as they fight, Orion can get a bit aggressive, leading D-16 to push him. As they tussle, they end up tumbling, and despite both B-127 and Elita telling them to shush and trying to pry them apart, the group are unable to evade the High Guard soldiers that surround them. they aren't given a chance to fight back before Shockwave orders their capture.

The scene with Sentinel and Alpha Trion can go as normal.

The group can wake to Shockwave assessing them, noting that their T-cogs are not biologically theirs. He finds this interesting, and since they are of interest, he prepares to remove said T-cogs/perform other surgeries to see if they are a new flavor of spy. D-16's fears are confirmed for a moment, up until Skywarp and Thundercracker stop him, ordering Shockwave to bring the prisoners to Starscream. The name rattles the group, causing them all to bunch up in momentary fear. But when they are brought before him, Starscream looks at them all in intrigue. He questions them, asking why they were on the surface at all since its essentially a barren wasteland. Shockwave points out their T-cogs, and Starscream finds it suspicious. Skywarp and Thundercracker guard the group, one with a gun to B-127's helm to keep him quiet.

Starscream steps before the group, scarred and battered, maybe even a little sickly looking from lack of energon. The rest of his soldiers aren't much better. He assesses the group before concluding that they aren't spies, merely newbuilds who got too curious for their own good. Not wanting them to go back and spill the beans about the High Guard, Starscream offers them a place as soldiers in his ranks, confirming that they fought against Sentinel, not the Primes. He also makes it clear that he will require the group's information regarding energon, that being his major reason for keeping them at all.

At his point, D-16 can step up, angry and unwilling to serve another false prophet. He refuses to bow to a mech who fled, and then their battle goes on as normal. D-16 proceeds to hold Starscream captive, stopping Thundercracker and Skywarp, Starscream's lieutenants, from acting and ordering the rest to attack. He declares his desire to fight, to strike back against the enemy while they still can. He points out their weakness, their lack of energon, and describes his experiences in the mines. Knowing they served the Primes, D-16 repeats the tenants of Megatronus Prime taught to him by Alpha Trion, rallying the High Guard. The High Guard, seeing his passion, and after watching him beat down a few more bots eager to stop him, agree to follow his lead. Starscream is allowed to live, only because Orion steps up and grabs D-16's blaster. They have a moment of tension, but it fades as D-16 throws Orion off and declares that he knows the mines and can guide them in for an assault on Sentinel. The High Guard, having little to lose and finally having a chance to fight, are eager to serve.

Orion can then step up, upset that D-16 cares more about vengeance than the truth. D-16 states that they can share the truth later, once Sentinel is dead. Elita steps up to calm Orion, urging him to not be rash and compromise. B-127 attempts a similar method with D-16 and urging him to at least take time to plan. Orion and D-16 do not back down, and just as Orion asks for them to at least take time to discuss things, the attack from Arachnid occurs.

The battle goes as normal, but in its aftermath, Thundercracker, Skywarp, and Shockwave remain, along with about half their troops. Elita tries to get Orion up and going, reminding him of how his nature has saved bots time and time again in the mines, and how his instincts brought them there, to their newfound truth. She comforts him with a quick hug, urging him to get back up now that they have information to spread and friends to save. Orion agrees, and speaks with Thundercracker, Skywarp, and Shockwave. He bargains temporary leadership by offering the same information D-16 had, the way into Iacon. The High Guard are hesitant, but they follow if only to have one final hit at Sentinel before their end. They are all sickly anyway, and Thundercracker can note that without Starscream, they don't have much motivation anyway.

The group can board up on a train that passes by, throwing out the crates and loading soldiers instead. Elita takes control of the bridge with the help of Shockwave who guides her through security protocols. When asked how he can do that, he simply states that he once served Sentinel, keeping it vague and maybe stating he was his head scientist at one point and that his credentials are still valid since he was assumed dead. It could be something like that. And Shockwave can get them past security without issue. Thundercracker and or Skywarp rally the troops as Orion leaps from the train, making his way toward the mines.

There, he can speak to his fellows. Covered in soot, grime, and ash, he can hold a gun given to him by Skywarp before his leap, and he can make his grand speech. There, the miners are hesitant even after being told the truth. But Ironhide and Jazz can step up, offering their belief and support. Seeing that, other faces from the mining scene earlier in the film come forward, willing to fight. Orion tells them to gather up their tools, to fight for their freedom, and from there, the miners also raise concerns about their wounds. At that point, Ratchet can step forward, stating that he can help. Orion is in awe, but is even more shocked when he gets word that Soundwave of all bots is offering aid and supplies. More soldiers join the miners, eager to fight. Ratchet can smile, picking up a pistol and declaring that he, Soundwave, and a few others have had enough of turning a blind eye to the injustices committed by Sentinel and his kind.

D-16's interaction with Sentinel goes as normal, although Starscream does pipe up along with B-127, attempting to save D-16 neck as he refuses to bow. After Sentinel carves the symbol and Arachnid points out their incoming enemies, the scene can shift to show cogless, not cogless, and High Guard soldiers alike all pouring onto the premises. Sentinel can demand to know why their defenses are lowered, turning to Soundwave in anger. Soundwave for his part can then betray Sentinel openly, showing his distaste and getting a solid punch in before he's thrown across the room. On the ground, Ironhide can be seen directing soldiers alongside a future Decepticon of choice, perhaps the Stunticons or Constructicons help him tear down some walls or other defenses. Ratchet can also be seen working with a few of the cogless and offering covering fire as Jazz and Prowl rush forward to get in a few potshots with their far too large weapons.

The battle progresses as normal, and Orion manages to get the truth out as per usual. The scenes shift to show bots all across the city swarming in anger, breaking things and fighting anything or anyone that looks like they might follow Sentinel. Elita and B-127 celebrate and Orion orders them to go assist with controlling the assault in order to capture Sentinel's followers and limit the chaos. They agree and rush off, but Orion soon finds himself in the battle with D-16 and Sentinel.

The Fall goes as normal, only having a bit more aggression on Orion's part as he pleads with his best friend, begging him to at least wait until the people can judge Sentinel themselves. They are fighting for freedom of choice, and he tries to dissuade his friend for D-16's sake. Unfortunately, the Fall goes as planned, and D-16 lets Orion drop after he comes to the conclusion that it would be better for Orion to die here than to witness what he's going to do next. He may even tell Orion as such, calling it a mercy. Then, he lets him fall.

Megatron rises as normal, and Orion is brought to Primus's core. There he hears whispers, contrasting Megatron's speech. Orion hears the Primes speaking to him, each murmuring softly and quietly showing him visions of times gone by between him and D-16, a final goodbye of sorts. Then, it ends with the Matrix bestowed, and Optimus Prime is born as a chorus of voices calls his name. He rises to the surface as Megatron starts shooting at Elita and B-127, Soundwave joining him along with Starscream who covers his back. More future Decepticons rally around him, helping him in his rampage while the cogless and Ratchet try to limit the crossfire. It all ends as Optimus Prime comes forth.

Their battle can then progress as normal, with Megatron being banished. Optimus can still be sorrowful, but something hardens in his gaze as he turns away from where Megatron fled. He had his moment to let go when he took the Matrix, and now he's ready for war. He gathers his allies, looking over the devastation and up toward the surface. Elita comforts him quietly with a smile and a hand on his shoulder. B-127 notes Optimus's new height and points out the people below, the cogless all watching in awe. Elita encourages him to speak, and Optimus does just that, rallying his people one more time with encouragement and a declaration that they must move onward, to reclaim their freedom and their world.

He raises the Matrix high, and energon again flows. The people are thrilled, and soon they each begin to step closer to the streams of energon. The cogless lean close, and their T-cogs are returned to them. The movie closes with Optimus's narration about how their battle is not yet over, and how it has merely begun. All the while, Optimus is shown getting his people in line, Elita standing proudly by his side as he begins to organize his troops. Ratchet smiles and pats him on the shoulder, Ironhide flexes and picks up a blaster, Jazz gleefully flutters his door wings. The people salute and cheer as Optimus passes. The scene then changes to Megatron with the High Guard, rebuilding their destroyed ship. Megatron welcomes new recruits from Iacon into his ranks.

Everything ends with the two leaders looking up toward the surface, ending with Optimus overlooking their world and seeing a Quintesson ship flying away as he gives his closing narration.

This is roughly how I would adjust the movie, minus all the itty bittie things that would have to be brought up with the animators and voice actors. But plot wise, these are my adjustments. It would lay the groundwork for future films and also establish character lore early. So yeah, enjoy my take.

Arguments Against My Critiques

(Q&A against Strawmen. More of a joke than anything else don't take it too seriously.)

The movie is aimed toward a younger audience. You shouldn't be so serious with your review.

The movie had Megatron quite literally tear a mech in half. On screen. No cuts. It also dealt with the slaughter of actual Primes and touched dark themes like slavery and the beginnings of an Orwellian society on Cybertron. Sure, it had jokes and gags aimed at younger audiences, but this film was created with so many Easter eggs and callbacks that I cannot find it in myself to believe the creators were aiming for a children's film. They made it for Transformers, a franchise forty years old. When messing with such an old franchise that has always touched delicate and serious themes throughout all its media, you have to consider old and new fans alike.

Thus, I feel no inclination to be nice in my assessment. This is a film that's trying to reach all Transformers fans, so I will assess it as a full and proper movie.

The studio only had 75 million dollars and a tight time limit for the film. Can't a few allowances for pacing issues be made?

No, no allowances cannot be made. A good piece of media should be able to stand on its own, and a well constructed film should be capable of cutting excess fat in order to keep the movie on track. Transformers One was trying to do the seemingly impossible by shoving an entire origin story in one film. While I think it was possible to have been done tastefully, as seen by the glorious scenes spread throughout the film, they failed to make the pacing make sense.

They had roughly and hour and forty minutes to make their story happen, and far too much of that time was spent on meaningless characters and scenes. If that time was reallocated, the film could have dealt with much of its pacing problems. It probably wouldn't fix everything considering the tight timeframe for such rich characters, but it was doable.

Additionally, 75 million is MORE than enough to make a quality film. I doubt funds were an issue here. Although they might be going forward.

Orion was in a state of shock and couldn't be expected to act perfectly considering the situation. And D-16 anger made perfect sense so there is no need to criticize them both so harshly.

I partially agree. I can't judge them too much because on their own, these traits of theirs are expected and in fact, good for their development. Unfortunately, due to the pacing, D-16's combustive rage and Orion's passiveness came off as rushed and somewhat childish on both Orion and D-16's side. I judge them harshly because their arcs feel like whiplash, or in Orion's case, unfinished. I'm willing to give D-16 a little room because his arc actually arced, it did its thing and finished in a convincing manner (disregarding the pacing). But Orion? Nah. I judge him and D-16 because they could have been so much more given TIME.

The plot wasn't that bad. The progression made sense on paper and each shift in the narrative led into the next scene without much trouble.

I'm sure it did! I really am! If I were writing a novel with this plot, it would make sense when blocked out! But the presentation of an idea is what defines it. Transformers One had a perfectly acceptable outline, I'm sure. But the pacing threw the entire thing into a blender and topped it with mustard and kale. Because of the pacing, the plot itself started to fall apart, especially with excess bloating in the form of unneeded scenes and characters. It's a shame since I'm certain that given enough time and proper progression, the jerky scene shifts could have been made spectacular.

The High Guard could have worked. They really could have. But they needed foreshadowing and time. The same goes for a lot of things in Transformers One.

Why are you so harsh with Elita-One? She finally got some spotlight and had a chance to shine!

A shiny turd is still a turd. Next question.

You can't expect every background character to have depth or for there to be a thousand cities for the cast to traverse.

True enough! But to that, all I can say is: Environmental factors.

I don't need to see Kaon, Tarn, Helex, Uraya, Polyhex, Rodion, or any of the other cities seen in various Transformers lore to know they exist and feel the world is bigger (And if they don't exist in TF One then it would be a great hint at the horrors inflicted by the Quints to state that there are no other cities anymore). All it would have taken was a bit of background lore and attention to detail to make me and other viewers feel like there's more to Cybertron than a cave, a field, and a city. A few posters on the walls, some background chatter from side characters, maybe even Bumblebee mimicking various accents from around Cybertron since he's meant to be comic relief. Heck, just show various flashes of bots in other cities being shooketh during the big reveal with Sentinel and suddenly the world feels so much more lived in.

And for characters? I don't need Soundwave's entire biography to feel he's rich. Look at Arachnid. I know next to nothing about her but she feels alive. All the side characters needed were important side roles and a few actions worthy of note. Think of TFP Soundwave who hardly ever centered but was always there. Always doing something to assist the main story. It really shouldn't be that hard to make a world feel alive. Just attention to detail.

Why does the voice actor for Orion/Optimus matter so much? What's the point in focusing so much on it?

It matters because there is a distinct change between Orion Pax and Optimus Prime. Frankly, you could have anyone be Orion because Orion is the origin. But when it comes time for him to grow, to become more? That's when its time to put on a warface and give Optimus Prime a voice that matches the name. Optimus Prime isn't just a name, it's a title, it's a long string of powerful characters each showcasing empathy and strength in equal measure. If Optimus's voice is not distinctive or powerful, his resonance as a character is seriously damaged. Now why don't I share this opinion for Megatron? Because Megatron doesn't have a frickin relic in his chest. Megatron is a voice for the people. Megatron is the embodiment of strife and anguish. His rage and his passion is what gives him distinction, not necessarily the commanding tone of his voice.

It's a difference in character that makes me care so much about the voices for Orion Pax and Optimus Prime so much.

Why bother with such a long review at all?

Because Transformers One is the first not-garbage to come out in over a decade. (No, I do not like Earthspark. That's a whole other animal and I don't think I'd have the willpower to actually watch the thing again for a review of this length.)

I want to give this film the respect it deserves by showing my every thought for it. I want to show people that despite all its good and bad features, its still something to think about and acknowledge. I don't want something this groundbreaking for our beloved franchise to go down the drain because people were too apathetic to care or too blinded by new content to use their brains and help develop better things going forward.

Final Note

(Best film ever? No. Great addition to the Transformers Franchise? Yes.)

Transformers One was a masterclass in setting a scene and establishing relationships. Everything in the first ten to fifteen minutes of film was brilliant in regards to setting up the world and our main characters. Even if I weren't a Transformers fan, I would care about the brotherhood between Orion and D-16, or at least understand it. The visuals were stunning but not too intrusive and the film was clearly made with love. The characters that were given screen time were fleshed out as much as they could be considering the constraints. And while a great many things were very out of place and made no sense logically, at least within the rapid fire time frame that is the film, the overall movie was enjoyable right up until the meeting with the High Guard, at which point things became a bit contrived.

The plot was whack considering the film's short run time. Some things were very janky. The Quintessons weren't shown nearly enough or given sufficient presence. But again, lots of this was just a side effect of not having enough time to get things rolling slowly and properly as they should have been. It was a kick back, binge on popcorn, and scream at Easter eggs type movie.

If you want something colorful to look at and a half decent set of characters to enjoy, go right on ahead and watch TF One. You certainly won't rot braincells like you would watching some of the Bay films, but I can't in good concious say that TF One is better than older things like Prime. It is a brilliant concept that needed more time. It needed probably a two and a half to three hour runtime to set up, to get the ball rolling in a meaningful manner, and to establish the broken friendships and rivalries in a far more intimate manner. The concepts are lovely, the scenes are well done, but its a pity that it was cut so short and so many things were shoved together when they could have shone on their own in the proper setting.

There was so much there, and yet so much missing. So many pieces that fit well and yet so much more that was cast aside altogether. It is an imperfect thing, but this movie isn't a bad introduction or addition to the Transformers franchise, not in the slightest. Its a new start, a chance to make things better for this fandom and its abysmal run of bad movie after bad movie developed in Bay explosion style topped with far too much emphasis on humanity.

I believe that while TF One isn't going to be my personal favorite, or even the next big thing for the time being, it sets a new standard. No longer can we be fed garbage, because now we've been given a chance to look at something better. Hopefully, TF One will set the groundwork and foundation for far better films and shows going forward, giving this fandom new life and redeeming our sullied name as the big explosion robot fanatics.

TF One is flawed, but its a start. It's a fledgling attempt to make something new and interesting in a show business that is dead set on killing creativity and squashing anything of quality in an attempt to press an ideology. It is the baby steps shown by people who care. People who want to see the movies they never got. I will not fault it or the creators for existing. It may not be Lord of the Rings, War for Cybertron, Transformers Prime, the comics, or other big names, but it is a hope for the future.

It's not a bad movie. It was simply born in a bad time.

With that said, I'd recommend watching it at least once, if only to get a glimpse of what we have gotten and to have hope for what we might get going forward. I certainly intend to fill in holes with fanfiction, but that's just part of fandom, is it not? Enjoy this new piece of media, but don't take it too seriously. It's flawed just like everything else, but can be taken for what gifts it brings.

"We could have built the future together."

"I'll build it myself, after I tear down everyone in my way."

[sailing-ever-west]

The Vinsmoke men are misogynistic and it's so narratively important even though it's mostly subtext and never outright stated. None of them ever say anything against women specifically, and they don't seem to discriminate as far as who can be warriors, but their actions reek of it nonetheless and I can't stop thinking about it.

On the surface it seems like Sanji gives thought to treating women differently and the Vinsmokes don't, but it's clear through their actions that the only "equality" they're really upholding is that no gender is exempt from abuse and exploitation.

It's like when people say "well if you want equality, women should get drafted into the military too!" When the problem is that no one should be forced to join the military. That's basically exactly what Germa is doing.

Sanji's view of women is frequently flawed and a bit myopic, but he seeks to treat them with kindness and love and respect, whereas the Vinsmokes make no attempt at philosophy about women and just treat them horribly.

The most glaring example is probably Cosette, who they berated for making food they didn't like and then proceeded to beat unconscious solely to shatter her confidence and upset Sanji. And when Sanji is understandably enraged at their horrible abuse, they assume the reason is that he was physically attracted to her and didn't want the object of his attraction damaged (saying they didn't know he Liked her, and if the busted up face wasn't a dealbreaker they could make her Sanji's personal attendant, which also reaaally sounds like code for something else).

Another aspect is that despite having no emotions, the Vinsmoke brothers still seem to experience attraction to women. But it's not love in any sense of the word, just purely physical. They find Nami attractive, even wanting to arrange to keep her around when the Strawhats are captured by Big Mom (ew), and there's that scene of them and Judge in their private room surrounded by mostly drunken unconscious (and rather scantily dressed if I remember correctly) barmaids that were sent to them. Granted, nothing Happens in that scene, but the undertones are gross and we're only shown a small portion of the night. Whatever the case, it's clear that these women were not sent in to be equal, respectable company, but an objectified distraction to pair with alcohol, and were treated as such.

And then there are the internal family dynamics, which I think are the biggest and most important part.

To start, there's Reiju. On the surface she seems like she has the same status as her brothers, a modified Germa weapon capable of performing as her father wants. But whenever Judge talks about being proud of his children, he always emphasizes the triplets. Often he doesn't even mention Reiju, and his attention to the boys' training seems to be much closer than to hers. Her raid suit is also more sexualized, as though that's expected to be part of her arsenal. And of course, there's her name meaning "zero" while the boys are all numbered. She is the eldest, but she survives by being ignored, and it's clear that her father prefers her emotionless brothers. This feels symbolic as well since being emotional is often seen as a feminine trait, portrayed as a weakness. Judge hates weakness. And so he hates emotion, hates women.

But at the root of it all, really, is Sora. Sora who's choices and body and children were stolen from her for an abusive man's ideals about war and domination. We don't really get to know how much choice she had in her marriage, but given Judge's royal status and the fact that they obviously share zero values I think it would have to be a strategic political arrangement at best, and something she got no say in at worst.

The kids are all named in a numbering system, which also reeks of Judge not letting her into the decisions. And, of course, there is the absolutely horrific experience of being forced into prenatal surgery to genetically modify her children against her will, to the point that the only way she could exercise any agency was to poison herself in an attempt to save even one of them. She was literally just a baby-producing machine to Judge and it couldn't be more blatant.

The violent, self-centered, and misogynistic Vinsmoke brothers are born directly from a woman's choice being taken away from her. Kind, selfless, and loving Sanji is born directly from her one act of defiance, and then later saved by his sister's one act of defiance as well (after which, she was programmed to be obedient).

Basically, the Vinsmoke family is built and preserved on the abuse and exploitation of women, and Sanji is the black sheep for many reasons, but I suspect a rather large one is that he's the ultimate antithesis to that.

[txttletale]

If we're asking about games on your list of favourites, as someone who adored Paradise Killer, I'd love to hear your thoughts on it! I always enjoy your analysis.

so first of all the aesthetics of paradise killer are really good. usually games that were written in english but read like translations from japanese irritated me, but here i think it is very much leaned into and embraced as an aesthetic and set of cultural signifiers in its own right, which i really enjoy. the character designs are outlandish and charming. but what i really like about it is like, the way the core premise works

in most detective games, there is a correct answer, and not getting it is a failure state. you can't end a case in ace attorney with your innocent client being convicted, you can't get the wrong guy in the frogware sherlock holmes games. and this invariably, even if the game is critical in other aspects, tends to come around to a fundamental faith in the legal system and authority, right--something that's kind of baked into the detective genre at a fundamental level.

paradise killer upends that by simply saying "you are the detective. get the facts you need, make a compelling argument, and if the authorities above you believe you then you get to distribute justice as you see fit." you arrive on the island you're investigating and you're immediately told "hey, this member of a disenfranchised underclass did it, we've already arrested him, here's the evidence." and absolutely nothing stops you from taking that evidence and walking into the trial room and presenting it and saying "yep, he did it!" and beating the game! it's not a 'bad ending', you don't get a big popup saying 'you're wrong', the powers that be just accept the convenient narrative you've been given to present and everything moves on.

i like this from both, like, an ideological perspective, and also from an interpersonal stakes perspective. in most detective games, you can't miss a crucial piece of evidence, either because the game will not proceed until you pick it up or because you'll be forced to restart the 'trial' or 'deduction' segment when you game over because you're missing it. in paradise killer, whatever argument you put forward, if enough evidence supports it--even if you know for a fact it's wrong!--leads to the person you're accusing being executed. so the stakes are much higher, right, because instead of a game over screen and trying again, getting it wrong means that's just... how the game ends, with an innocent person being executed.

and more importantly i think it does a fantastic job--better imo even than something like disco elysium--at deconstructing the fantasy of justice. a constant theme of the game and something that the protagonist repeats often is "there is a difference between facts and the truth". you can withhold evidence at trial because it implicates your friends, or misrepresent it to implicate that bitch you hate. nothing in the system exists to stop you getting wrong, in fact your superiors encourage you to make the easy completely stritched up conviction and move on with your life.

and at the end, even if you get it right, if you catch all the criminals--all the time you spend investigating this island shows that, like, the society you're part of is fucking evil! you're all deranged immortals making constant human sacrifices to your evil gods! and you don't change that by solving the case, the whole thing just packs up and moves on. you don't get any comfortable resolution to that or to your role in it. you can play lady love dies as a diehard true believer or as a dissident rebel but either way she's ultimately just another cog in a machine, dispensing an alien and uncaring justice that is only attached to any real morality or truth by your decision to do so. a genuinely incredible game.

plus i like how whenever you open it a voice says 'paradise killer' so you know you're playing paradise killer

[crushedbyhyperbole]

Cherry Pie Kiss

Slice Three

Pairing: Dean Winchester x Reader

Summary: You're cornered and chased by Bartholomew's minions. Separated from Sam and Cas, you and Dean make a run for it. Lust finds you both when you're finally safe. Dean rocks your world.

Words: 3.4k

A/N: This is smutty part 3 of what's now looking like a longer series since I've settled on a cute, fluffy and smutty part 4. At this point I don't think I'll ever be sated in my need for this man but Im so not sorry about it 😂

I do hope you enjoy part 3. If you haven't read parts 1 and 2 check out the Cherry Pie Kiss Masterlist. As always, I value your comments and feedback. Drop a dime and let me know what you think.

Warnings: Smut. Canon-typical action/adventure. Running for your lives. Bit of angst.

*** 18+ Minors Do Not Read or Interact ***

Dean Winchester.  You hate him.  His stubbornness and stoic grace.  His tenacity and faith that, no matter what, you guys will get it done if you stick together.  The way his eyes pierce you down to your soul when he stares.  At least that’s what you try to tell yourself, hoping that others will believe it too.  Truth is, you’re just as stubborn as he is, holding onto this façade when hatred is so far from what you feel.

Dean sits behind Baby’s wheel, having stormed away from the Gas’n’Sip in frustration.  His eyes follow your every move and your body language as you and Sam try to convince Cas, for the umpteenth time, to come with you.  Dean had taken it personally when Cas had refused, and after several attempts at reasoning, bargaining, and begging, Dean had given up, choosing to sit out any further attempts at persuasion.

You look over at the black Impala with its radiant chrome and glossy darkness.  The man inside looks away out to road not wanting the hurt, so plain on his face, to be seen.

“I’ll be back in a sec,” you say to Sam, touching his forearm gently as he continues to reason with the fallen Angel.

You feel compelled to at least try to comfort Dean.  Since you two had talked that night in the dingy room-only motel out in Crocker, you had maintained a stable yet strained connection.  You had still been pissed at him for using you and Sam as bait so you had sent him back to his room with another kiss and the promise of “when I’m ready”.  Since then, you two had never been alone for more than a few minutes; there was always Sam, or witnesses, or monsters.

Dean’s head snaps your way when you pull the door open, his face schooled into that smooth mask he wears when he’s hurt but unwilling to be vulnerable.  Cas’s decision has really hit him hard.

Sliding in the passenger side, you angle yourself towards him and reach to take one of his hands which is picking at the fingernails of his other.  Ordinarily, you wouldn’t risk such a gesture but with Sam a couple of hundred meters away and the height of the dash to obscure it, you’re not worried.

Dean allows the contact, his head hanging.  “Cas made his choice.”  His voice is low and gravelly with emotion.

“Doesn’t mean he can’t change his mind.”  You reason, trying not to throw fuel on the fire.

“He knows where I am if he does.”  He states, matter of fact.  “I’m not wasting another breath on him.”

“He’s your best friend.”

“You’re my best friend.”  Dean looks at you and squeezes your hand which is entwined with his, resting on his thigh.  “You and Sam.”

“I’m just some girl you want to fuck.”  You chuckle, and Deans lips quirk a subtle smirk briefly before he replies.

The words don’t come out, however.  Dean catches movement at the side of the Gas’N’Sip, and he drops your hand to turn over the engine, thrusting the heel of his other hand on Baby’s horn as he does so.

Sam and Cas look in your direction and then see the four figures walking quickly and with purpose, coming between them and the Impala.  Shit!  Angels.  Bartholomew’s minions, no doubt.  How have they found you again?

“Son of a bitch!”  Dean hisses, cranking the car into drive, kicking up stones in the gravel lot as the wheels spin, gaining traction to take you to Sam and Cas.

You fumble your seatbelt, sliding on the seat and right into Dean with a grunt as he swerves to avoid a blacked-out Escalade that grinds to a halt between you and your friends.

Sam and Cas are already on the move, running fast towards the gold Lincoln pimpmobile Cas had somehow acquired, Sam waving Dean off as they scramble into the car and peel out of the lot before the Angels could reach them.  You, however, are stuck.  With the Escalade and four fallen angels between you and the lot exit, Dean turns the wheel, locking it out and put his foot on the gas, spinning the car around with an horrific noise from the tyres.  At the back of the lot is a chainlink fence with a gate that leads to a dirt road which split in two, one branch heading to the highway, the other into scrubland that precedes a dense-looking woodland.  You can lose them in the trees.

Dean winces as he ploughs baby through the chainlink gate, lamenting the damage that is sure to be done, and turns the car towards the highway.

“We can lose them in the trees,” you cry, point to the woods.

“Baby doesn’t have the ground clearance for it,” Dean says roughly, manoeuvring the car through a side-on skid with the heel of his hand on the wheel and his other hand gripping the side of the seat to stop himself from sliding as the car spins.  Once straight, he slams his food on the gas and burns rubber onto the tarmac, heading in the opposite direction to Sam and Cas.

You know he’s right about the car.  The Escalade is 4x4 and sits high which gives it the advantage off road in the woods when the trail inevitably turns to a glorified hiking path.  You’re not even sure the highway is a much better option given that Baby is an older, classic car, but you know Dean keeps her in tip-top shape and she’s got a lot of power under her hood.  That being said, the Escalade could be seen in the rearview, weaving through traffic to catch up to you.

The shrill ring of your phone makes you jump as you try to focus on the road and on what’s behind.  You need to be a second set of eyes for Dean while he’s pushing Baby to create some distance from the Escalade.

“Hey, Sam!”  You sigh with relief, reading his name on your display, putting him on speaker.

“This is Castiel,” the former Angel’s flat tone carries from the phone.  “Sam is driving.  He said I’m too slow.”

You grin big.  That’s a classic Winchester brother thing to do.  From the corner of your eye you see Dean smirk.

“Just tell them we’re headed west and haven’t been followed.”  Sam sighed with mild frustration.

“Damn it’s good to hear your voice, Sammy!”  Dean spoke loudly in that extra deep tone he uses when he is running on adrenalin.  You know he left Cas out because he is still hurt, but you also know he’s glad Cas is safe too.

“We’re headed in the opposite direction,” you explain.  “The vehicle followed us and we’re trying to shake them but they’re keeping up.”

“Pretty soon we’ll run out of traffic, and on the open road we’ll never lose them.”  Dean frowns as he hunts in the rearview for your pursuers.

“Maybe you can head into the wilderness, hole up and set traps.”  Sam offers.  “We can turn around and try to catch up.”

“No!”  Dean snaps.  “You’re both safe.  I want you to stay that way.  Get someplace and lay low.  We’ll get this done and I’ll call you, ok?”

“Dean…”  Cas begins to speak but Dean is having none of it.

“I said No!  Okay?  For once, just do what I say.  We’ve got this.”

You hang up the phone without waiting for a response.  You can see how worked up Dean is, his brain running overtime as he tries to figure out a plan while he’s trying to evade Bartholomew’s lackies on a road full of other cars.

The satellite map on your phone shows a complex set of junctions several miles up ahead where this road meets and crosses with two interstates, branching off in multiple places to service a small city surrounded by a cluster of smaller towns.  It looks promising and Dean agrees.

The junction of the roads has raised on and off ramps that weave in and around the support structures of the main interstate, with frontage roads servicing the branches at intervals.  Traffic is heavy and Dean follows a newer model black Cady onto the interstate by one of the on-ramps, only to cut across the lanes harshly and slip onto a skewed off-ramp, hoping the Escalade will follow the newer Cady.  Slowing down at the end of the off-ramp, he turns to take the frontage road in the opposite direction, heading slowly up the on-ramp for the interstate carriage way going back in the direction from which you had come, so as not to rejoin too soon and be spotted on the other side.

You check all around as soon as you crest the on-ramp back onto the road, praying you don’t see the black government-style vehicle.  Dean doesn’t wait to find out, he puts his foot down and puts a few eighteen wheelers between you and whatever is behind you.

“I think we’re clear,” you say after about fifteen minutes of hypervigilance.

“Don’t jinx it, sweetheart.”  Dean keeps his eyes on the road, the wheel clasped in two white-knuckled fists.

Switching from the interstate to a smaller road and then to another road but still taking you away from where Sam and Cas had headed, Dean starts to relax.  He chances a look at you, to find you looking right back.  The tension in his neck and jaw haven’t melted away yet but he doesn’t have that hard look of focused fury that he usually does when in fight or flight mode.  He doesn’t say anything and neither do you, but the glances between you become more frequent as though you’re both checking on each other to make sure the other is okay, needing to visually check each time.

A sign by the side of the road identifies the beautiful landscape to your left as Black Water Natural Forest, and with the sun beginning to set behind the mountains in the distance, it seems a good place to wait out the sunset.  You point to the sign and Deans nods.  He doesn’t argue, knowing you need a place to park-up off road away from prying eyes to get your bearings and make a plan to meet up with your friends.

As the road gets narrower and the trees get more dense, Dean slows the car, casting furtive glances at you.  It’s making your skin burn, the way he looks at you now, with that hunger in his eyes.  You feel it too.  Weeks of tension built between you, and todays threat to your lives now culminating in a deep need for some kind of release.  You lick your lips, breathing shallow and quick as you try to regain your composure, but Dean isn’t doing much better.  You look at him fully and he all but moans when he sees the look in your eye.

A turn off presents itself that leads to a small muddy lot where hikers can park their cars when they venture out into the forest.  Dean brings Baby to a stop so hard your seatbelt catches you, then he yanks it into park and fumbles for the seal lever.  You unclip your belt as the front seat slides back fully and he reaches for you, helping you straddle his lap.

You waste no time, kissing him fervently as you unbutton your shirt while he tries to push it from your shoulders before it’s open.  Breaths are gasps released between kisses, tongues touching, tasting and tempting more passion, and you succumb to the frenzy of heat that’s born of your need to feel something other than fear.  Your need to feel him.

You’re both a mess of fumbling hands and sloppy kisses as clothes are shucked and skin exposed.  You try to stand, your legs either side of his as you unbutton your jeans and he unclasps his belt.

The loud sound of the Impala’s horn echoes out amongst the trees, startling birds so they take wing and both of you into stillness and silence.

Dean looks at you with panic but then grins and laughs, reaching to tug your jeans down your legs until they’re bunched up around your boots.

It’s awkward but you can still straddle him like this and, as you kneel back onto the black leather seat, he lifts his hips to grind himself impatiently against you.  The desperation in your eyes is matched by the eagerness in his.  He is rapt, eyes absorbing the sights and sounds of your body and of your pleasure as you grind yourself against him.  Your slicked pussy drenching his cock as you slide yourself along his length but deny him entry just when his tip catches at your entrance.

Dean fondles your breasts, trailing open-mouthed kisses across your skin until he reaches your hardening peaks.  His kisses become more suckling then, nibbling them and flicking them firmly with his tongue until you’re almost shaking above him.

“You ready for me?”  You ask, breathless.

“Sweetheart,” he treats you to his classic sultry smirk, “I’ve been ready for you since you moved in.”

You grin, knowing he’s been jonesing for you for that long.  Truth be told, you’d wanted him for longer but the hate you made yourself feel for him was an adequate distraction from it.

Biting your lip, you reach between you, taking his wet shaft in hand and positioning it at your entrance.  Your eyes meet as you begin to skink down on him, inching down in a shallow rocking motion with Dean stroking your hips and waist as you work at it.  He resists the urge to thrust up into you at first, allowing you to get accustomed to him.

When you bottom him out, he presses down on your hips firmly, lifting his just enough to give you a deep pleasurable pressure that has you groaning and your eyes rolling back.

You are tight despite being very wet, and the way you squeeze him has him twitching heavily against your walls.

“Fuck…”  he groans as you begin to move, leaning back slightly so he hits all the right spots inside you.

“I’m not going to last long,” you laugh breathily.

“No problem,” Dean says, his hands gripping your hips hard, helping you ride him a little faster now.  “We’ll get you for two.”

He doesn’t even have to reach down to stroke your clit, you come all by yourself, grinding on him with a sexy roll of your hips he knows should be good for you, your clit rubbing against his soft hair.  He can feel you spasming and clenching around him and it feels like heaven, even better than warm cherry pie hitting his taste buds.

“You feel freaking amazing.”  He growls, pulling you forward to suckle on the delicate skin of your neck.

“Right back at’cha,” you sigh against pleasure.

He rolls you to the side, and lays you on your back on the seat, still buried in you to the hilt.  Looking down at your heated face, your skin glowing from your orgasm, Dean thinks you are the most beautiful thing he has ever seen, with a possible exception of Baby.  Okay, you’re the most beautiful living thing he’s ever seen.

Looking up at Dean, his brow creased in concentration, his eyes dark with lust, you don’t think you have ever been turned on by anyone as much as this man.  Damn, he’s hot!  Riding the adrenaline of the chase, you had been desperate for an outlet.  Now that is out of your mind, you lose yourself in the man between your thighs, you’re focused solely on the feeling of him buried deep, and the rising tide of pleasure.  The windows steam up as you grind and roll your bodies together, and you think you might combust from the heat of him.

When he meets and holds your gaze, your heart almost stops.  There you see more than just lust, more than just the passion between you.  It’s deep and hidden, secret almost, and it surfaces as affection that softens his eyes.  You reach up to stroke his face as his grinding hips keep their measured pace and he leans into your touch, kissing the palm of your hand, closing his eyes with a tender sigh.

His vulnerability in that moment lances electricity to your core and you spasm powerfully around him.  His eyes flash open and he sees you’re close again but he doesn’t grin cockily like he might have done earlier, instead he leans down to kiss you, leaning his forehead on yours as you grip the back of his neck and look into his gorgeous eyes.  With your other hand on his hip, sliding round to his ass you guide the speed and depth of his thrusts and you roll your hips to meet his.

As you guide him to slow down he thinks he’ll lose the pleasure he’s cultivated so far but he can now feel more of you and it’s more intense because it’s slow and prolonged.  He almost laughs at how it changes everything and he gasps with surprise when he starts to feel his orgasm coming.  He knows he needs to pull out but you hold him on place with your hands and your heels.

“Give me everything,” you moan as you feel him swell.  “I need to feel you, nice and deep.”

Dean groans with pleasure watching your eyes sparkle with heat for him.

“I want it,” you almost beg.  “Want you.”

He nods, biting his lip as bends to your desire.

Spurred on by your permission, Dean thrusts deeper until he bottoms out, moaning your name as he comes deep inside you.  Your walls contract as he fills you, your climax a deep rolling pleasure that courses your whole body.  Everything feels so right, he feels right.  The way you two fit, the way he makes you feel.  It’s like a low-key destiny you’re more than willing to succumb to.

Dean doesn’t just pull out and get off you once you’re both done, he flips you so your lay on his chest.  There he holds you and strokes you back and hips, your hair and your face until you lift your head to look at him.  Then he smirks cockily and you swat his chest.

“You don’t have to look so smug about it,” you chastise him.

“Hey, I keep my promises,” he says with that trademark smirk playing on his plush lips.  “Would’a give you more but we’re kinda on the run here, sweetheart.”

“You can owe me, how ‘bout that?”  You push yourself up and try to find your clothes.

He grins at the confirmation that this isn’t just a one-time deal.  “Hell yeah!  Sign me up.”

You clean up with wipes from your travel bag as Dean calls Sam.  You watch the relieved interaction from the front fender of Baby while Dean paces in the dirt a few meters away.  You apply some flavoured lip balm to your kiss bruised lips as he works out the logistics of meeting up and what to do about Bartholomew.

After the call, Dean beelines straight for you, sliding his hands around your waist and burying his face in your neck, kissing playfully.

“I take it we’ve got a few hours at least until we can meet Sam and Cas.”  You thread your fingers through his messy hair, trailing your fingernails over his scalp which he seems to really like.

“Several.”  He says against your delicate skin.

“Whatever are we gonna do to pass the time?”  You smile as you picture the pair of you fucking all over his car.

“I can think of a few things,” he surfaces with a hungry look, leaning back in to kiss you.

Your soft lips claim his once more as you melt into his arms, the kiss heated and full of need.  Dean kisses you with such force it steals your breath and makes your knees weak, and when he pulls back he looks at you thoughtfully.  Licking his lips and tasting you on them, he grins.

“Cherry,” his eyes go to your lips again, “I like it.”

Dean’s talented tongue makes you forget any quip you might have said, as he lifts you onto Baby’s hood and keeps his promise.

[daeneryseastar]

i think the biggest problem i have with the whole team discourse in f&b + hotd is that it isn’t just about which characters you like more/who you want to sit on the throne at that end; it’s that each side is fighting for completely different ideologies, regardless of one members personal beliefs. grrm could not have made it anymore clear.

team black isn’t just fighting for rhaenyra to be queen, they’re fighting for the monarch’s right to choose an heir, for the oaths they swore years before, for the complete opposite of precedent/tradition: the king’s word is law. team green isn’t just fighting for aegon to be king, they’re fighting for tradition, that no matter the words of a king being law sons will always come before daughters, that oaths are fickle and don’t matter. each side is in some way fighting back against what’s already been established for the kingdom, but the end goal is completely different.

we’re not given as much insight into why most of the houses initially sided with rhaenyra, but we do have an inkling into how the green council felt and acted, however. jaehaerys choosing baelon over rhaenys (against andal tradition, the king can choose his heir) is one point. the great council of 101 is another. alicent, despite being the leader of the council, is removed from the equation and shoved off to the side when it comes to swearing oaths of loyalty between the members on account of her womanhood. daemon being a second coming of ‘maegor’ (despite what we know would be a better suited title for aemond, but i digress) is also used. when discussing who would side with them the vale is automatically disqualified from the list, due to them presently being ruled by a woman, jeyne arryn. she doesn’t choose to fight for rhaenyra for the sole reason of them being kin, but because her own right to rule can and will be put into question if aegon steps over rhaenyra. because she is a woman. she does so in spite of her dislike for daemon (and his supposed maegor-ness) too.

even if one were to look at each characters personal feelings about the succession the fact of the matter is that rhaenyra is usurped because she is a woman. it’s stated almost blatantly multiple times before and during the war. the greens use scapegoats and smokescreens in attempts justify it (her ‘bastards’ chief among them, but legally her sons live and die as the trueborn children between her and laenor, with the reminder that septon eustace refutes this claim to begin with). even when she is killed grrm has her breast pricked to arouse a dragon that doesn’t want to kill her (and why is that?). aegon ‘wins’ against her and is king, but then why is jaehaera, as his last living remaining child not named his heir? why is aegon iii put ahead of her, despite being the enemies son? these are rhetorical questions. aegon had no plans to ever consider her his heir, he made it clear with how excited he was to marry cassandra baratheon and produce more ‘strong’ sons. his dragon (who had fought and bled for him the entire war) wasn’t mourned properly, he couldn’t wait to hatch a ‘new dragon, prouder and fiercer than the last.’ yet he wasn’t even capable of doing that in the six months before he too was killed.

it’s also safe to mention that grrm created an entire separate lore story, one that would seem to have no bearing on the original story unless you’re capable of understanding symbolism. the amethyst empress is usurped by her younger brother the bloodstone emperor, and the first long night ensues from this decision. rhaenyra (amethyst = arryn blue + targaryen red) is usurped by her younger brother aegon ii (bloodstone = hightower green + targaryen red) and the dying of the dragons, the very creatures needed to stop the next long night, are eradicated, along with the magic needed to hatch them and keep them alive (until). the war is the blacks (power, death, grief, rebellion, restraint) versus the greens (ambition, greed, jealousy, anger, wealth). the amethyst empress is important to the main story in the same way that rhaenyra is important, that snubbing the women (an integral aspect to the power the targaryens held) of house targaryen can lead only to disaster. daenerys is the key, the one to break the cycle and fix the wrongdoings caused by her ancestors obsession with power. mother of dragons, mhysa, breaker of chains, slayer of lies, daughter of death, the dragon queen, azor ahai come again, the prince that was promised will bring the dawn.

you can argue for technicalities sake all day, but there is a meaning to this story beyond the scope of rightful heirs. and it shouldn’t be shoved off to the side just so you can praise your favorites and hate those who go against them. it makes for a poor consuming of the actual story. fire and blood was created as a history book to expand on daenerys as a character. her family, what and where she’s come from, and how she relates to them. she’s the antithesis to every targaryen that’s come before her, a hero in her own right. the only targaryen’s we can say are radically important to dany’s story are the conquerors (aegon the conqueror with teats) and rhaenyra (the amethyst empress). i don’t know, just some food for thought.

edit: i have revised some of my opinions on this through a further reread but the gist of it is still the same.

[sapphic-agent]

One thing I didn't touch on in my Book 3 Aang analysis was that an important part of his character development was just dropped out of nowhere. I'm of course talking about him letting go of Katara.

I didn't notice it before, but this was such a strange decision to make looking back. Because watching both The Guru, it's heavily implied- if not outright told to us- that in order to not only be the Avatar the world needs, but to heal and grow, he needs to let her go.

You have indeed felt a great loss. But love is a form of energy, and it swirls all around us. The Air Nomads' love for you has not left this world. It is still inside of your heart, and is reborn in the form of new love.

This is pretty blatantly telling us that Aang's love for Katara comes from the loss of his people. He, upon realizing that he was alone, attached himself to the first person to care for him. The first person to embrace him in one hundred years. He's projecting the love he had for the Air Nomads onto her. And while understandable given the circumstances, that isn't healthy. Aang's attachment to Katara comes from feelings of grief as well as physical attraction, which is a... Bad combination.

(And before anyone says it, no I don't think that's the only way he cares for her. But I do think even their platonic relationship is tainted by not only this, but everyone around them enabling Aang. So many people told him that he just needed to wait and she would come around, that he was the Avatar so of course she would- Avatar Roku I am in your walls- not one person told him to be ready to accept rejection. Not one person told him to respect and be mindful of her boundaries. Are we surprised he did what he did in DOBS and EIP?)

"The Thought Chakra is located at the crown of the head. It deals with pure cosmic energy, and is blocked by earthly attachment. Meditate on what attaches you to this world. Now, let all of those attachments go. Let them flow down the river, forgotten."

I did actually mention this briefly in my Book 3 post, but I sincerely doubt Guru Pathik is telling him he can't love. Roku, Kyoshi, and Korra all found love and they had complete control over their Avatar States (Korra was at her most balanced when she got together with Asami btw). Letting go doesn't mean Aang can't love.

Appa, someone Aang loves more than anything, doesn't appear in this vision. Neither does Sokka, Momo, or Toph. Just Katara.

His attachment to Katara is what's holding him back. Because it's unhealthy, and it's keeping him anchored down. This isn't just about the Avatar State, it's about healing the turmoil in himself. He cannot do that if he doesn't let her go.

(This behavior is even escalated in LOK. Only instead of Katara, he attached himself to Tenzin. Tenzin being an Airbender gave Aang credence to project his love for the Air Nomads onto him. Not only did he then neglect Kya and Bumi because of it, I would also argue that he did a good amount of damage to Tenzin himself. Being put on a pedestal like that by a parent is so harmful)

The fact that none of this is even mentioned in Book 3 doesn't make a whole lot of sense. It was an important part of Aang's development and integral for his growth and healing

[qqueenofhades]

Hi Hilary I know you’re only replying to so many politics asks — I can only imagine how many are sitting in your inbox rn — and you’ve already been such a comfort to all us folks who’ve really appreciated your insight time and time again! But I did want to ask about all the posts I’ve seen more recently about signing petitions and reaching out to the White House for a recount. I feel like at this point we’re really reaching — everyone’s talking about how there’s evidence suggesting cheating on Trump’s part, and while I would never be surprised by that, I have yet to see any trusted sources backing those claims. It feels like we’re long past that point, even though the results came in so much faster than I ever expected, but I was wondering if you have an opinion on all that? Take care in the meantime, and thank you for all that you do!

I will make this the last politics ask for the night, and hopefully for at least a few days (no promises, though), but --

This, most unfortunately, is not going to work. For one, Biden/the White House cannot request a recount in state-level races. There are strict rules governing who can and cannot request those, it's usually either triggered by a certain percentage margin or requested by the candidate, and then it also has to be paid for. Kamala has given her concession speech and the Democrats are not going to go down election-denialism rabbit holes. It is hugely unfortunate that the worst people in the world who launched a coup after losing last time are the ones to benefit from it, but... yeah. It just sucks all the way around.

The election interference happened on the day with all the Russian-linked fake bomb threats in blue areas of swing states, the ballot boxes set afire, etc etc. I fear we have only begun to see how bad it will be in this and any future elections, as with many other things, and the reports of people's ballots disappearing or not being received etc are obviously disturbing. But there is, as you say, scant evidence aside from social media chatter backing this up, people are angry and hurt and looking for something to make it not be real (me too, man) and that's easier than thinking that half the country simply shrugged and chose fascism because of grocery prices and trans panic. And it sucks absolute shit, but this is what happened. It happened broadly consistently across the country and was a symbol of the anti-incumbency that's been going on since Covid (New Zealand's liberal government also fell victim to this and elected reactionary conservatives, so this is a thing). We can split hairs about this or that policy decision by the Democrats, and believe me there needs to be a messaging revamp and the firing of basically every Democratic Corporate Consultant TM, but we need to face up to the truth that many, many ordinary American people chose this. They wanted it. And if we are going to do anything about it, we have to reckon with that fact instead of looking for conspiratorial excuses. For one thing, that's what those assholes do constantly, and fuck them.

Likewise, results came in across the country much faster due to the fact that people once more voted largely in person on Election Day, and not early/by mail as they did in 2020. They came in largely matching the expected timelines given by election officials of both parties beforehand. If there is basis to all this missing-ballot stuff, then yes, obviously, it should be investigated (though I have very low confidence that it will be if they are already making preparations to close the federal cases against Trump). But at this point, as you say, this is not something that has logistical legs and is going to undermine a lot more. It sucks. Sometimes I wish we didn't have to be the adults in the room and could just be whiny cheating shitstains like the Republican Fascist Party -- it seems to work out for them that people want Democratic policies and then elect Republicans to punish Democrats for not instantly and perfectly implementing all of them. The exit polls largely matched with what the results turned out to be. It absolutely sucks almighty shit, but it's true.

I am old enough to remember George W. Bush getting reelected in 2004, and it sucked, though not as much as this just because Trump is so crazy and extreme and the GOP has abandoned even the basic pretence of democracy and decency. It's a race to the bottom and through to the center of the earth for them now, especially since they have literally no incentive to reform or do anything but double down on their extremism. Why would they? They just won a major election and got popular legitimacy, something the Republicans have lacked for a long time. This is only the second time they've won the popular AND electoral vote (the first likewise being 2004) in the 21st century. We got the blue trifecta in 2020 because we benefited from the same desire for reversal of course that the Republicans are getting now. In and of itself, this does not indicate fraud. Terrible things about America and the future, yes, but not fraud.

So: Yes. We need to focus on the things we can control and prepare ourselves for what is still to come. It will be hard and it will suck and as I keep saying, it was completely avoidable, but people didn't want to avoid it. They're now going to learn painfully why they should have, but we can't do anything about that either. It is very much going to be a case of picking your battles, drastically limiting your daily news consumption, and a lot of other protective measures, and that is where, at least IMHO, we should focus our effort.

Take care. ❤️

[afternoondreaming]

No Business Like Show Business (1/?)

It’s no secret that Mr. Puzzles isn’t the most…Creative guy around. So he makes the shrewd business decision to hire you- the screen writer! What could possibly go wrong? [Okay so my secret is that I adore Mr. Puzzles and that he’s my comfort character but I…Really don’t like SMG4 as a whole. Personally I just don’t like the show when the TV ain’t in it. So, forgive me if anything is inaccurate in regards to the world or lore! I’m working off the Wiki here ｡°(°.◜ᯅ◝°)°｡. Either way, this is the first of hopefully many chapters! Lemme know if you want more! Also RIP formatting]

The TV producer sat in his chair, hunched forward with his elbows against his knees as his electronic head rested against his steepled hands. Darkness ensconced him in his eerily quiet office, only the dim light of his own screen and the countless monitors in front of him for any light. His defeat at the hands of the SMG4 crew had been… Humiliating, to say the least. Not only did they beat his screen in, but they had bested him at his own game. What he dedicated his very life to. Television. They had gotten their five stars so much quicker than he did and with seemingly much less effort. There was no possible way the crew had studied more in the realm of film and video than him— he had literally seen everything! From eternal classics to infomercials, Mr. Puzzles could perfectly recall every piece of cinema ever created. And, despite all that work, he still lost.

“No, no use in dwelling on that now.” He muttered to himself, aching for a smoke. “What can I do differently…?” Rising from his chair, he began to pace his office as he wracked his brain. Perhaps branch into Japanese styled game-shows? No, he couldn’t possibly. If his ultimate game-show didn’t work, then zany Japanese game-shows wouldn’t, either. Maybe foreign films? Too niche an audience and it wasn’t as if his Italian endeavor went splendidly. What hadn’t he copied (or rather referenced) yet? There had to be something…!

His frantic patrol of his office stopped short. Maybe… That was the exact problem. He hasn’t made anything new. His knowledge of all things film was encyclopedic, but his creative muscles? Woefully inept. He had always produced everything alone. Scripts? Him. Effects? Also him. Hosting? Who else could possibly do that job? Not as if he would let anybody else take the helm; but if he hired a screen writer… Maybe he could finally write an original enough script to get a five star rating. Nothing ventured, nothing gained.

You had heard of Puzzlevision before, I mean, who hadn’t? They were a juggernaut of the industry. Pumping out content hand over fist (for better or for worse). Yet, they were an enigma of a company at the same time- nobody ever seemed to have any work connections to them despite all the content they produce. It was the golden ticket of job opportunities. So, just like many of your coworkers, you submitted your résumé to their business address. Never expecting to hear anything back like the many others who tried their hand at it. However, currently, you sat in shock staring at the letter you just opened on your desk. The small TV logo on crisp letterhead, with a whole message to boot.

‘Dear Applicant,

Puzzlevision Studios has reviewed your submitted résumé and would like to thank you for your interest in our company. Given your stated qualifications and past headed projects, we would like to offer to you the title of Screen Writer. If you would like to pursue this opportunity, please visit the studio at the return address during regular business hours.’

Puzzlevision had never even answered applicants before, much less an affirmative response. Surely more talented writers had to have applied? It wasn’t as if you were inept. In fact, you had worked on many successful projects. Leading them through any bumps in the road you might have faced and being well regarded amongst your peers. But, a job at Puzzlevision… It all seemed too good to be true. Your coworker, Tori, rounded your shared cubicle wall to say her good mornings to you as she always did. “Yo!” She chirped, leaning on your shoulder as she looked ahead of you absentmindedly. “What’s got you so star struck? …Oh shit.” Her eyes must have skimmed your letter, given she was now just as shocked as you. “Well look at you! I can say I worked with a big shot before they got big~!”

“Yeah…!” You replied, excitement beginning to replace the shock. Of course you had to take this! You liked your company, sure, but anyone would give for an opportunity like this. “I gotta draft my resignation…! Pack up my cubicle, get my clothes dry cleaned for the interview- oh God I wasn’t expecting this.”

“Chill, chill!” Tori crooned, patting your shoulder gently when she removed herself from it. “No need to panic. That’ll get you nowhere. Just take your PTO today and draft the resignation while you get your things in order. Once you get the gig, we’ll grab a celebratory dinner, ‘kay?”

“Definitely!” You quickly grabbed the things you had just set down to start your day, ready to depart posthaste for all your prepping. “Tell the boss I’m outta here! Text you later!” You bolted back towards the entrance, waving back at Tori as she called out a goodbye. This was going to be a whirlwind.