#(don't actually do this. it's just a bit)

[lazylittledragon]

baby rogue is once again committing crimes but too nice to actually get away with them

bonus

[egophiliac]

don't think I'm not still obsessing over 7-12

[technically-human]

YAAAAY U REPLIED TO MY ASK! 1!!! 1! 1! 1!! (also can we have some more shadow hating Robotnik for existing and loving stone for... Also existing)

They're all adapting

[poorly-drawn-mdzs]

Learning to celebrate the little wins!

[riddlerosehearts]

isabeau's confession at the end of ISAT is constantly living rent-free in my head it's so fucking good. right now i'm obsessed with the way he responds to siffrin saying "i love you too" because just. imagine you're siffrin and for so long now you've believed that you were horrible disgusting manipulative unloved and unworthy of love and yet. your best friend is telling you he loves you. and you feel that you love him too (in what way? the same way that he loves you? you're not quite sure yet, but stars, you feel like your heart is going to burst out of your chest, he means so much to you) so you tell him so.

and he responds by telling you he already knew that because he has eyes.

you're siffrin and you are kind passionate protective and so loved and full of love for your friends, your family, and yet you hate yourself so, so deeply that you don't see any of that but isabeau does. according to him it's written all over your face, apparently--the face you're always trying so hard to hide with your hat, which as the universe would have it, you don't have anymore!! and he sees you and he loves you and he knows you love him back, even after you said and did such horrible, cruel things to him and the rest of your family that you know they didn't deserve, after you almost broke the world trying to keep them by your side, somehow isa understands you and still loves every single part of you. and you love him, you love him, you love him because how could you not?

especially since he also got so excited when you told him you loved him that he shouted "CRAB YEAH!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!" in your face.

[roukabi]

it's for real this time you guys trust me it's really gonna happen

[salamispots]

posting a gift wip since I know my siblings aren't on here haha

[justabiteofspite]

"Astarion doesn't do big romantic gestures."

My Durge still trying to get graveyard dirt out of her ass crack after being lovingly pounded into it by Astarion who wanted to share with her this deeply joyful and meaningful reclamation of himself after sharing a vulnerable declaration of his love, at this place he hasn't shown anyone else but her: "Then what the actual fuck was that???"

[brainmuncher]

The emergency

A good number of members within the Justice League have children. Not all of those kids are biological or adopted but they are their kids nonetheless. Some of those kids are even old enough to be adult heroes of their own, but even then they are still their kids. And the other kids tend to take up heroism at a very young age to most people's chagrin. Although as shown by the original child hero, now going by Nightwing, it’s not as easy as telling the kids to stop.

It was learned through intense hardship that smothering the child heroes was just asking for trouble. Despite how much the older heroes wanted to stay close to their kids, it was seen as overbearing and a show of mistrust. They would act out with even less backup in retaliation, which would only bring even more stress.

So to satisfy the need for protection without stepping on any toes, two new emergency meeting signals were introduced.

One was for the kids to send off. Each one was gifted a small device that could be hidden in their person. The device had both a mic and a tracking chip that could be activated when they were in extreme danger. As soon as the device was active a signal would be sent to the league for an emergency distress signal with the details of who sent it. Due to an outcry from the kids, the device could not be activated by the guardian of the child. The mic and locator could only be activated from the device itself. It wasn’t nearly as protective as some of the more worried leaguers would like, but it was at least something. 

The second signal was one that the leaguer with a kid in danger could activate. This signal could be activated with a single code into the communicators that every member owned. If the member who sent out the signal didn’t specify what kid was in danger, every member would receive a generalized notification of the emergency alert for one of the kids. This wasn’t ideal, but it was learned early on that the guardian of the child was often too distressed to make the code more complicated. It was best to leave it simple and answer questions at the emergency meeting.

Which was great in all, until someone who doesn’t have a child involved with heroics in their care sends off a general emergency.

In places all over the globe, an emergency meeting signal message was sent by Hal Jordan, one of the lanterns. He didn’t include what child was in danger in the signal, meaning that it could be any of the underaged heroes. And considering he didn’t have a child in his care, that made multiple members panic.

When was the last time they checked in with the kids in their care? Who was the one he was sending the code for? What happened to the child he had noticed was in danger? Why is he the one that noticed? Where were their kids? Who was in danger?

Because of the nebulous nature of the call, it didn’t take long for multiple heroes to find the nearest transport to the watchtower and tumble in. What they didn’t expect was the absolute haggard appearance of their friend. He was standing in the meeting room looking like the world had been destroyed before his very eyes. The way he sat without even cracking a sarcastic remark made multiple members pause.

“Hal?” Wonder Woman called, her face pinched in concern. “What has happened?”

The aforementioned member looked over who had already arrived before settling on her face. It was at that moment she knew that he was only looking so collected through willpower alone. This wasn’t just any child of the league, this was personal.

“My nephew Danny has been captured,” He began, sending a wave of different emotions circling the room. “I’ve been trying to find where they took him for a week now and I can’t get any leads. I need your help.”

The unsaid questions and emotions were nearly palpable. Multiple members turned to one another or stared with a million questions. Nobody had known that Hal even had a nephew named Danny. Sure he mentioned someone named Jason at times, but he never indicated anything else. The fact that he hadn’t mentioned him or the fact that he’d been apparently searching for a week was strange.

“And why are you only telling us now? Why did you wait so long?” Superman asked, speaking up the question that was on multiple minds.

A fire of anger curled in Hal's eyes. It was fierce and protective. It was a mixture of appalment for being questioned on his decision and fury for the reasons why he had to do it in the first place. He stepped forward towards the center table, slamming his palms down and leaning into it.

“Because any person that goes against the group will be declared an enemy of the United States. I’ve already had my account and housing connected to Green Lantern seized,” He explained with a deceptively calm tone. “I also needed to make sure that they didn’t have any connections with the Justice League. They have their agents everywhere.”

Unsurprisingly, Batman appeared from the gathered heroes from seemingly nowhere. Despite the feud between the two of them, the Bat was completely zeroed in on the situation. While he had a decent amount of distrust in the lantern, mainly because of the parallax incident, he could tell that the man was genuine. And the Bat always did have a blind spot for children.

“Explain,” Was all Batman said, staring Hal down.

The lantern in question looked at him with a grim face. This was it. Now or never.

“They’re called the Ghost Investigation Ward, or GIW for short. They hunt down and either exterminate or experiment on anyone they deem ectocontaminated or a ghost,” Hal started to explain, his hand curling on the table in frustration. “My brother Jack faked his death and ran off to be with another woman. Those fucks deemed my nephew as ectocontaminated and tried to take him from his home. He ran from his family so that they couldn’t be arrested for knowingly harboring an ecto entity. Told me that he remembered my face from a photo his dad tried to hide in the attic and sought me out.”

If the fire in his eyes were any stronger, they would probably become physical and burn down the room. It was undeniable that Hal Jordan was understandably completely pissed off. This situation was terrible from down to the very root.

“I tried to hide him but they somehow found him anyway. Now my civilian name is being heavily monitored and Green Lantern is being hunted down,” He finished his explanation. “If you join me in this, be prepared to lose everything.”

This was so much worse than anyone could’ve predicted.

[lazylittledragon]

so uhhhhhhhh. not to be cryptic and bitchy on main but congratulations to everyone in my messages for like 5 months on being right i guess

[egophiliac]

I loved your drawing(and I love your style in general) with Leia in your recent post! If/when you have time can we see more of her in your style? I get so happy whenever I actually see people mention/talk about her and she’s not just forgotten because we didn’t get to see much of her. 😭

thank you! 💙💙💙 Leia/Leah/Lea/whatever is fascinating to me. she is the ultimate unknown. what was she like? how involved (or even aware of any details of the invasion) was she? Silver's basically a physical carbon copy of his biodad, so what did he get from her? like, I understand why the two of them kind of have to stay as these super vague and mysterious figures -- the whole point of them is that their story ended 400+ years ago and they're not really relevant anymore (and. well. the more that gets explained about them, the less that can just kinda be handwaved as "oh the politics were Very Messy") (we can sit here and theorize all day but let us acknowledge that, ultimately, canon gave us almost nothing about them post-Meleanor and we'd just be making things up). I do still wonder about her though! RIP Lea, we never knew you and we probably never will.

actually you know what, as long as we're here, I think I WILL go ahead and just make some stuff up about what Silver might've inherited from her instead.

[marigraphia]

I've had this pose ref saved for a while and the Superman set photos just gave off the same energy 👉🏻👈🏻

The reference is this photo of Katharine Hepburn as Antiope and Colin Keith-Johnston as Theseus in the 1932 play 'The Warrior's Husband' (and I'd love for people to turn into a draw your otp meme pls pls pls this pose is so good)

And also, of course, the Superman (2025) set photos

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[drawingwilsoneveryday]

day 51

i'm bored, so i'm coming from vacation earlier than expected. hi!! thanks for all the birthday wishes!!

[starsonablackboard]

it's fascinating to me that every member of the party pre- and during loops treats siffrin with some flavour of alienation. like, bear with me. this post is going to sound like im here to give a hot take that the party are Bad Friends, Actually, but i promise you that's not what i mean. you're with me? okay. let's go.

isa idolises him (in the having a crush on someone type of way).

mira views them almost as a book character (the whole "the aura! the mystique!" conversation).

odile calls them a child to their face multiple times.

bonnie is... well, bonnie. kid is coping how they manage.

in the very beginning of the journey we have isa and mira, who, out of all five, are the most familiar to eachother. they're from the same country, they both actively follow the change religion, they both occupy (or occupied, in isa's case) well-respected positions in society, they're very close in age and i would assume socioeconomic statuses. they share a lot personality wise, too. they're both anxious about not being enough, about not changing enough, they're both open and emotional and affectionate, they even both like romance novels! they are very in eachother's comfort zones. they are very understandable to eachother.

then there's odile. she is as different as it gets – she's ka buan (and well half vaugardian but nobody knows that), she's old, she has different religios beliefs and different history with body craft, she's confident, self-secure, reserved, sarcastic and at times cold and makes it very apparent that she's not into openly displayed affection. but also, she is actively choosing to be seen this way. she is comfortable with being perceived like this.

and then, there's siffrin. a mysterious traveler with mysterious past that doesn't like to be touched and never talks about his feelings. where are they from? what he believes? what did he do prior? why did they join them? noone knows. situation kinda similar to odile's, but kicker is, we know siffrin does not want to be seen this way.

mira, being a somewhat sheltered not very experienced young adult (she's from dormont with population less than a regular highschool class, and has been living in the house for some past years) with more familiarity with books than with real world obviously views them more as a cool character than a person. and i can't blame her! siffrin doesn't help her view them any differently either.

isa i assume catches feeling almost immideately (the whole journey takes less than a year, sif is second to last to join and we know that isa's crush has been going for months) and it's universally hard to not idolise and idealise the person you're having a crush on, so even tho isa is more experienced than mira, i imagine he fails to see siffrin as a whole person too.

odile out of all of them grinds my own personal gears the most. i love you, old wise lady, but oh god. the amount of times she refers to the party and in particular siffrin as kids or children is sure something. and the thing with kids is that you generally don't view them as equals, so, no "seeing siffrin as a person that he is" there either.

that's general dynamics. now to what interactions we actually see in game:

odile mocks siffrin for being forgetful. every time siffrin forgets a word, everyone reacts as if they don't remember that vaugardian isn't siffrin's native language. both isa and mira behave patronisingly towards them (jokingly, but still). the whole party spends some time comparing siffrin to a wild animal in the dictionary conversation, mira saying "what a perfect analogy" with stars in her eyes. one time siffrin desides to open up and tell them about stars, they mock him. when he kills that sadness more violently than usual, they all look at him as if he murdered a baby (i still don't really get why btw. they've been fighting side to side for months). the whole ghost event. ohhh ghost event my beloved.

all of these, for me, point to a very deep yet unacknowledged disconnect between siffrin and the rest of the party. the not-understanding. the unfamiliarity. the alienation. siffrin is other even in their own little ragtag bunch of misfits.

now AM I SAYING that means that the party is bad actually?? no!!! for every interaction i named there's multiple others with them being supportive and warm to sif. also, siffrin, famously, is very bad at telling when something bothers them, so noone whould even know if they were doing anything that upset him. and, on top of everything else, i think it's very natural for a party of very different people traveling in a lot of hurry and discomfort and plain mortal danger for months to develop a bond where "i would die for you, my siblings in arms, but i also will poke fun at your religion when it starts to sound too impossible for my worldview. what do you mean stars are there in the daytime too? don't be silly". i actually really appreciate their friendships being imperfect, because it's so much more interesting and thought provoking this way. like, I've been thinking about this for weeks.

and also, this specific type of imperfection plays into the core themes of siffrin's character. to be welcomed, adored, loved, even, but not understood. not recognised. not known. and to not even try to explain untill the world is literally ending.

[accirax]

💙❤️Blind Date or Die Episode 4, Starring Whit, Eloise, Arturo, Diana, Min, Eva, Veronika, and Jean💙❤️