#(don't actually do this. it's just a bit)

[salamispots]

posting a gift wip since I know my siblings aren't on here haha

[justabiteofspite]

"Astarion doesn't do big romantic gestures."

My Durge still trying to get graveyard dirt out of her ass crack after being lovingly pounded into it by Astarion who wanted to share with her this deeply joyful and meaningful reclamation of himself after sharing a vulnerable declaration of his love, at this place he hasn't shown anyone else but her: "Then what the actual fuck was that???"

[brainmuncher]

The emergency

A good number of members within the Justice League have children. Not all of those kids are biological or adopted but they are their kids nonetheless. Some of those kids are even old enough to be adult heroes of their own, but even then they are still their kids. And the other kids tend to take up heroism at a very young age to most people's chagrin. Although as shown by the original child hero, now going by Nightwing, it’s not as easy as telling the kids to stop.

It was learned through intense hardship that smothering the child heroes was just asking for trouble. Despite how much the older heroes wanted to stay close to their kids, it was seen as overbearing and a show of mistrust. They would act out with even less backup in retaliation, which would only bring even more stress.

So to satisfy the need for protection without stepping on any toes, two new emergency meeting signals were introduced.

One was for the kids to send off. Each one was gifted a small device that could be hidden in their person. The device had both a mic and a tracking chip that could be activated when they were in extreme danger. As soon as the device was active a signal would be sent to the league for an emergency distress signal with the details of who sent it. Due to an outcry from the kids, the device could not be activated by the guardian of the child. The mic and locator could only be activated from the device itself. It wasn’t nearly as protective as some of the more worried leaguers would like, but it was at least something. 

The second signal was one that the leaguer with a kid in danger could activate. This signal could be activated with a single code into the communicators that every member owned. If the member who sent out the signal didn’t specify what kid was in danger, every member would receive a generalized notification of the emergency alert for one of the kids. This wasn’t ideal, but it was learned early on that the guardian of the child was often too distressed to make the code more complicated. It was best to leave it simple and answer questions at the emergency meeting.

Which was great in all, until someone who doesn’t have a child involved with heroics in their care sends off a general emergency.

In places all over the globe, an emergency meeting signal message was sent by Hal Jordan, one of the lanterns. He didn’t include what child was in danger in the signal, meaning that it could be any of the underaged heroes. And considering he didn’t have a child in his care, that made multiple members panic.

When was the last time they checked in with the kids in their care? Who was the one he was sending the code for? What happened to the child he had noticed was in danger? Why is he the one that noticed? Where were their kids? Who was in danger?

Because of the nebulous nature of the call, it didn’t take long for multiple heroes to find the nearest transport to the watchtower and tumble in. What they didn’t expect was the absolute haggard appearance of their friend. He was standing in the meeting room looking like the world had been destroyed before his very eyes. The way he sat without even cracking a sarcastic remark made multiple members pause.

“Hal?” Wonder Woman called, her face pinched in concern. “What has happened?”

The aforementioned member looked over who had already arrived before settling on her face. It was at that moment she knew that he was only looking so collected through willpower alone. This wasn’t just any child of the league, this was personal.

“My nephew Danny has been captured,” He began, sending a wave of different emotions circling the room. “I’ve been trying to find where they took him for a week now and I can’t get any leads. I need your help.”

The unsaid questions and emotions were nearly palpable. Multiple members turned to one another or stared with a million questions. Nobody had known that Hal even had a nephew named Danny. Sure he mentioned someone named Jason at times, but he never indicated anything else. The fact that he hadn’t mentioned him or the fact that he’d been apparently searching for a week was strange.

“And why are you only telling us now? Why did you wait so long?” Superman asked, speaking up the question that was on multiple minds.

A fire of anger curled in Hal's eyes. It was fierce and protective. It was a mixture of appalment for being questioned on his decision and fury for the reasons why he had to do it in the first place. He stepped forward towards the center table, slamming his palms down and leaning into it.

“Because any person that goes against the group will be declared an enemy of the United States. I’ve already had my account and housing connected to Green Lantern seized,” He explained with a deceptively calm tone. “I also needed to make sure that they didn’t have any connections with the Justice League. They have their agents everywhere.”

Unsurprisingly, Batman appeared from the gathered heroes from seemingly nowhere. Despite the feud between the two of them, the Bat was completely zeroed in on the situation. While he had a decent amount of distrust in the lantern, mainly because of the parallax incident, he could tell that the man was genuine. And the Bat always did have a blind spot for children.

“Explain,” Was all Batman said, staring Hal down.

The lantern in question looked at him with a grim face. This was it. Now or never.

“They’re called the Ghost Investigation Ward, or GIW for short. They hunt down and either exterminate or experiment on anyone they deem ectocontaminated or a ghost,” Hal started to explain, his hand curling on the table in frustration. “My brother Jack faked his death and ran off to be with another woman. Those fucks deemed my nephew as ectocontaminated and tried to take him from his home. He ran from his family so that they couldn’t be arrested for knowingly harboring an ecto entity. Told me that he remembered my face from a photo his dad tried to hide in the attic and sought me out.”

If the fire in his eyes were any stronger, they would probably become physical and burn down the room. It was undeniable that Hal Jordan was understandably completely pissed off. This situation was terrible from down to the very root.

“I tried to hide him but they somehow found him anyway. Now my civilian name is being heavily monitored and Green Lantern is being hunted down,” He finished his explanation. “If you join me in this, be prepared to lose everything.”

This was so much worse than anyone could’ve predicted.

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[icewindandboringhorror]

On average, what is the total MONTHLY amount that you spend on dining out*?

*(This doesn't only count going out to restaurants, but also stuff like picking up fast food to bring home, getting a coffee on the way to work, getting a premade sandwich from a grocery store deli during lunch, buying a quick snack from a convenience store or food cart whilst walking somewhere, ordering a pizza or any other food to be delivered to your home, etc.)

*(If you often dine out in groups/as a household: calculate and divide the costs so that you get a Per Person average. This is for YOU individually, NOT the total household/group costs)

(I'm sure polls similar to this have been made before (very common topic), I just haven't personally seen one that I can remember, so, I was curious to do my own! I was discussing this with a group of people today and it was very interesting to see how widely the number varied between individuals. :0c )

(Reblog for bigger sample size if you can, and feel free to explain your answer in tags if there's anything extra to add!)

[black-and-yellow]

[marigraphia]

I've had this pose ref saved for a while and the Superman set photos just gave off the same energy 👉🏻👈🏻

The reference is this photo of Katharine Hepburn as Antiope and Colin Keith-Johnston as Theseus in the 1932 play 'The Warrior's Husband' (and I'd love for people to turn into a draw your otp meme pls pls pls this pose is so good)

And also, of course, the Superman (2025) set photos

[owlheartt]

Something I really like about timebomb is that Ekko actually knows what he's getting into.

I'm not really seeing it get talked about but in season 1 they mention that Ekko and the firelights help people addicted to shimmer get off it and lead more fulfilling lives within the community. I should probably rewatch the scene for the exact wording (might be misremembering tbh) but that comment implies A LOT.

First: Ekko's mission is helping people where he can, he would probably try and help Jinx even if he wasn't in love with her

Second: He has experience dealing with severe mental illness as that often goes hand in hand with drug abuse, namely depression/suicidal ideation like what Jinx was exhibiting

Third: He's probably mapped out best course of action FOR dealing with this and has already figured out his own limits/boundaries. Meaning he knew what he was getting into trying to talk Jinx out of suicide, and was thus more equipped to deal with the aftermath

Fourth: He's probably helped ex members of Silco's gang. The firelights seem to have a theme of healing and repairing and recovering, so they've probably also learned to forgive. If they're mission is to rebuild the lanes into a safe space, they can't exclude people they don't like, they have to make room for them. I think they fought Silco out of necessity, and I doubt Jinx would be the first person they help who's killed one of them.

These all might be a bit of a stretch but I think it really fits. Beyond that, it shows that Ekko can ACTUALLY help Jinx. As much as unconditional love can do, Ekko has the tools for Jinx's recovery and a path ready for her. He also probably knows that her "healthy" will look different from AU Powder's "healthy." On top of that, I expect he knows how to respect her even in the middle of psychotic breaks and won't agitate her already frail mental state

[copia]

endless ghifs 11/? ⛧ source — "I don't wanna end like this—"

[quantummindclassicalheart]

The first verse of The Parting Glass sung a cappella for @elodieunderglass :) Using my bass range for good (and a little bit of evil, if the role calls for it). Featuring a little bit of a growl on the low D if I'm honest.

[serpentface]

WARDI WRITTEN LANGUAGE (BASICS).

Couya's full name (properly 'Haidamane Couya') written formally and with common handwriting conventions.

The Wardi written language derives from earlier proto-language systems consisting exclusively of logograms without direct phonetic meaning or grammatical structure. These symbols gradually became simplified and abstracted to the point of many having little intrinsic clarity, and combined to communicate abstract concepts.

The development of a full written language did not occur independently (as very few written languages do), and its phonetic elements (namely its use of syllabograms) were largely derived the 'ancient' Burri writing system, gradually synthesized with native writing conventions, and in the contemporary forms a wholly distinct system. The language's Relatively universalized form is a very recent phenomena, developing within the past two centuries with the region's conquering/unification into a single entity.

The contemporary written language is a mixture of logograms and syllabograms. It is read from right to left and arranged in horizontal columns. The most formal variant of this system contains each character within a square outline, usually separated by a small space. This outline confers little phonetic or symbolic information beyond making distinction between syllables exceptionally clear, and can be (and often is) omitted in handwriting. The separation of words is conveyed through a narrow rectangle or line in formal contexts, and again often omitted in handwriting (instead indicated instead by a wider blank space).

The pure logograms that have been retained in this writing system tend to be those of very common words or specific concepts (most logogram characters for types of livestock, key crops, water, major body parts, etc are widely recognized and in common use). There has not yet been any attempts to fully 'formalize' the language and omit potentially unnecessary logograms, and they remain frequently used as shorthand while conveying the same semantic information.

Many of the syllabogram characters are directly derived from logograms that depicted monosyllabic words. For example, the spoken word 'gan' means 'cow', and the character for the syllable 'gan' is identical to the common logogram for 'cow'.

The name Gantoche (literally "cow-eye") could be written either fully with syllabograms as:

or through logograms as:

Both ultimately communicate the same meaning, but the former clarifies pronunciation (the words gan and atoche are contracted, it's gantoche and not gan-atoche).

It is a relatively easy written language to learn, as the pure syllabogram characters indicate their own pronunciation with little ambiguity and often have consistency to their construction (ie the character for the syllable 'man' contains most of the same elements as that for the syllable 'wan'- the dot placement in particular has indication of the vowel sounds).

The inclusion of logograms in general and many of the syllabic characters being directly imported From logograms complicates matters. These characters lack visual consistency, and can be confusing to the large swath of the public who know common logograms but not the full written language itself. Ie: the word 'ungande' meaning 'liver' will be composed of logogram-derived syllable characters for 'un' (which alone means 'hand') and 'gan' (which alone means 'cow'). Someone who is only semi-literate in common logograms may be confused at the meaning, especially since these same exact same characters may be used elsewhere on their own to indicate 'hand' or 'cow'.

One major exception to this tendency is that current religious doctrine requires established logogram characters describing God to be used in place of syllabic characters. The word for god is 'Od', and has its own unique character (as do each of the Faces, the capital F 'Face', and Its deified pronoun). The syllable 'od' [oʊd] is very common in the Wardi language, and a wholly separate character is used for the phonetic sound when it is not a reference to the deity (ie 'lion' (odo [oʊdoʊ]) does not contain the same character for God in spite of its first syllable having the exact same pronunciation). Names are a bit of a gray area (ie: the name 'Odabi' is very common and carries the meaning of 'gift/blessing from God'). Religious leadership is currently experiencing a mild schism on whether the written character for God is separated due to being wholly sacrosanct (and thus inappropriate to include in the written form of a personal name) or as more of a functional delineation of the sacred and mundane.

[fluentisonus]

working in a factory has you thinking so much about the insane chain of labor & transport that goes into making literally anything

[minty364]

DPXDC Prompt#148 Part 2

Danny feels himself grow bright red and the two stare into each other's eyes for what felt like an eternity. 

“I- Uh… I’m Danny” He finally managed to mutter. 

“Damian Wayne, its a pleasure to make your acquaintance.” Danny's blush grew even brighter as the next moment Damian kissed his hand, Danny couldn’t help but feel flustered. 

After a moment  Danny rubbed the back of his neck with his hand and stuttered out, “It’s nice, to meet you too” He could tell how happy Damian was to meet him and he felt a little bad for feeling nervous in the first place. Danny thought Damian was cute and he decided then that he wouldn’t mind getting to know him a little better. First they had to get through the rest of the gala, and soon as he thought about the gala something clicked. 

He realized Damian was the son of Bruce Wayne who at the moment was talking to his own parents. He couldn’t help but stare as he let the information sink in. 

“Ah yes it looks like Father is talking to some of the scientists that were invited.” Ancients, Danny knew his parents couldn’t help being themselves and unfortunately that meant things like accidentally spilling fudge right onto Mr. Wayne's suite. They watched as Mr. Wayne told his parents it wasn’t a problem and then walked out of the room. 

Danny couldn’t help but sigh, “Sorry about them, my parents are a little eccentric. Don’t even get me started on their obsession with ghosts, my dad will not shut up sometimes.” Danny rubbed the back of his neck nervously again as he realized he was rambling a little bit. 

“Don’t worry it looks like Father handled the situation well, although I am curious what kind of inventions two scientists obsessed with ghosts create. That’s what this gala is about, we want to support scientists in untapped fields of study.” Danny listened as his soulmate explained things to him. 

Danny looked over to see Vlad talking to a thin scientist in the corner of the room. He was definitely up to something, a ball like this had Vlad scheming something with a mad scientist written all over it. 

He was brought out from his thoughts as a loud crash could be heard as the wall across the room burst open and none other than the Joker walked through.

Danny tried to make his way to the other side of the gala, strangely Damian had disappeared but Danny didn’t have the time to look for him.  

However when he got to the door staying low to the ground the door burst through and more of Joker's goons looked straight at him and he found himself tied up right in front of the Joker. 

“What do we have here? A new Wayne?” Joker said as he cupped Danny's face in his hand. Danny couldn’t do anything about the situation and he was getting a little scared considering he didn’t have a proper way to go ghost or protect his soulmate at the moment. 

The Joker circled around the tied up hostages laughing, “Of course now the fun begins”

The Joker continued to circle around the hostages thinking for a moment before he grabbed Danny.

He held Danny by the back of the shirt like a small kitten. His obsession was making him wonder if his soulmate was safe living in Gotham. Joker chuckled as he continued to hold Danny.

“This kid will be an example for the rest of you, I don’t want any outbursts like that again, especially when Batman gets here. Do you think Batman will like what I’ve done with the place?” He asked as he gestured around the ruined room. All of the tables and chairs had either been broken or knocked over and all of the food from the dessert and appetizer tables. It was quite the mess. Before Joker could do much else with the teen he had dangling in his grasp something flew out and smacked Joker right in the back of the head causing him to drop Danny.

Danny took that opportunity to get away, his hands may have been tied but his feet were sure free. He stumbled away as Batman dropped down and a fight between him and the Joker commenced. 

Danny ran towards the door and as he got there Robin and Nightwing were there ushering some of the other hostages out of the room. 

“Right this way citizens!” Nightwing said brightly at them but he seemed to brighten up a bit more when he saw Danny weirdly. 

“Have either of you seen Damian Wayne?” Danny asked, he at least wanted to get his number, especially when he was headed back to Amity soon.

They seemed to share a look before looking back at him, “Damian left, he’s headed safely back to Wayne manor.” Robin said but he held out a piece of paper. On it was Damians signature and his phone number. Danny sighed a little annoyed he had left but he guessed it was common to head back home after a rogue attack in Gotham. 

“Danny!!” the booming voice of Jack Fenton was suddenly heard and Danny felt himself getting pulled into a very familiar bear hug. 

“Did you have fun at the gala? Your father and I saw you talking to Mr. Wayne's son,” His mother said after his feet were back on the ground. 

“Yeah, actually can we talk about that after we’re back in our room?” He wanted to tell his parents he found his soulmate but saying that outloud when Damian was the son of Bruce Wayne sounded like a bad idea. 

They headed back to the hotel room and all Danny could think about was how lucky he was to have met his soulmate tonight, even if he was nervous about everything.

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[zondearts]

more clothing (featuring Mafuyu and Haruka)

[silusvesuius]

testing out drawing maormer 🪸🐚🪸 and a nelvas 🧣📜🩷 i'll ramble about maormer a bit in the tags

[bacchuschucklefuck]

and! barbarian!fig! its her