#(basically no spoilers about his actual team)
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tinyfantasminha · 21 hours ago
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Thoughts on Jack's dream(MASSIVE main story spoilers ahead)
JACKS DREAM got me by the thROAT bc the more I analyze it the more angsty it feels and I alreadfy sobbed n cried and I must SCREAAAAAAAAMMMMMMMMM He's dreaming of the magift tournament but basically if..... if Leona's plan never took place....... If Leona actually WERE the hero Jack has idolized...... 😭
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First I gotta take note dosodkgkfdgjdfkghfdjk hOW JACK YEARNS FOR HIS SENPAI'S PRAISE AND AFFECTION 🥺🥺truly the epitome of loyal, puppy-like behavior..... It doesn't take much for him to be happy… He yearns for the respect and acknowledgement of those he admires. He craves respect and recognition, but not only that—he genuinely wants to see those he admires thrive.
Seems to me that what Jack longs for most is a sense of belonging within a pack. He’s not just devoted to those he holds in high regard; he also desires to be cared for in return (This becomes even more apparent when he asks Ruggie to act as a mentor or older-brother figure in his dorm uniform vignette.) Jack's actions reflect his innate wolf nature—a being built for connection, loyalty, and mutual protection. No matter how much he tells himself or others how he prefers to handle things on his own… We can clearly see that Jack is happier when he’s part of a team, fighting alongside companions who’ve got his back. It’s the dynamic balance of trust: to protect and be protected, to rely on others and let them rely on him in return. It deeply resonates with the essence of wolves.
We often hear the phrase “lone wolf,” an expression of grudging admiration. A lone wolf is often viewed as a rugged individualist, uncompromising and independent, driven to forge his own path, unfettered by the sentimental need for companionship. In reality, few people would ever want to live this way—and, as it turns out, few wolves would either. Wolves, males and females alike, may go through periods alone, but they’re not interested in lives of solitude. A lone wolf is a wolf that is searching, and what it seeks is another wolf. Everything in a wolf’s nature tells it to belong to something greater than itself: a pack. Like us, wolves form friendships and maintain lifelong bonds. They succeed by cooperating, and they struggle when they’re alone. Like us, wolves need one another. (source)
Which is why the factual reality cuts so deeply.
After Ortho wakes Jack up (in oUTER SPACE DKJGDSDKFJGKJS that was so adventitious but so cool.....) and Jack falls down like a meteorite (ALSO SUPER COOL BUT WTF.....) Fake!Leona and Fake!Ruggie rush to his side, Leona softly reassures him, saying it’s a relief he’s uninjured and advising him not to be so reckless while Ruggie says ''You're a promising rookie. Our treasure.'' (I started crying here.)
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Jack breaks into a bitter, despairing laugh as the truth crashes down on him. The sincerity and warmth his “upperclassmen” showed in that moment? It wasn’t real. It never actually happened. Jack recounts his excitement when he first joined Savanaclaw, eager to fight alongside the dormmates he admired so much. He talks about how he had watched Leona’s play three years ago—over and over again, captivated by it. He reveals the painful truth of discovering their wicked plan, the frustration of being unable to snap them out of it, and the overwhelming helplessness that consumed him.
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I gotta say, I'm SO HAPPY that Jack's feelings on the events of book 2 were finally properly addressed now (cause let's be real, book 2 uhh... did kinda a shitty job at this 💀 Neither the narrative nor the fandom really took the time to explore the emotional impact it had on him, which is such a disservice to his character.)
Think about it from Jack’s perspective. He was obsessed with Leona's play 3 years ago, watching it over and over again. In his eyes, Leona was a hero, someone worth idolizing to the point of projecting an idealized image of him: an earnest, hardworking, honorable leader. When Jack finally had the chance to join Savanaclaw and be part of the dorm he had admired so deeply, what was his reality? Ostracization, bullying and even physical violence from some of his dorm mates (as shown in Leona's dorm uniform vignette) And worst of all? Jack was met with his idol’s true, treacherous side—dirty tactics, underhanded schemes, and a willingness to harm others to achieve his goals. When Jack tried to confront them about it, he wasn’t met with understanding or respect. Instead, he was called a “filthy traitor” and a “spoiled brat”—by the very person he admired most. It’s a complete dismantling of everything Jack believed in, everything he worked for.
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It's a shame the game and manga did not give enough weight to Jack’s feelings, (the novel seems to do a better job at it though) but now it’s clear just how much this hurt him. It wasn’t just a setback; it was a deep, personal betrayal that shook him to his core.
He’s only a first-year. Beneath his gruff demeanor and physical strength, Jack is still a boy—pure-hearted, earnest, and full of hope. All he wanted was to stand beside those he respected most but what he got instead was disappointment, betrayal, and rejection. To idolize someone so deeply, only to have that image crushed in the most personal, gut-wrenching way........ Savanaclaw doesn't deserve him 💔
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,,,,okay forgive me to break the essay to talk about this but I'm going insane over the fact fake Ruggie ominously coos, ''Hey puppy-chan you're a good boy so come here.....'' UGHGHHHDSHNGDSHNDGSHHHnnnnhhHHHH HE IS BASICALLY SAVANACLAW'S UNOFFICIAL MASCOT,,,,,,, their loyal little puppy 🥺🥺🥺😭😭
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fake ruggie and fake leona try to lure him in to sleep again, but Jack says he has no intention of fighting alongside fakes and defeats them 😌
And we get this utterly precious moment where Jack praises Yuu and Grim for having guts and persevering through everything and he PETS GRIM'S HEAD............ HE DIDN'T NEED TO COMFORT THEM BUT AWWAAHBBBAYYAWYWYHAWWABYWAWAYAA
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I can't wait to see what role he'll play in Leona's dream 😌 Jack’s arc feels like it’s finally getting the weight it deserves… 🙏🙏🙏
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lokiina · 18 hours ago
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Lucanis x Rook x Spite
Okay hear me out tho
Throuples? Not usually my jam. Unless things like, genuinely make sense and it feels like it actually works. But I guess it's just cuz that's how I view most ships in general. But basically I've never made a throuple just for the sake of having a throuple. That's just not for me.
BUT.
lemme just.....
(I'm putting this behind a cut cuz it's a lot of rambling most people probs don't care about. There are spoilers not like HEAVY spoilers but def stuff mentioned from like end game time frame.)
I do think Spite actually appreciates Rook from the get go, at least in my play it felt like that cuz I never reacted to Spite related convos in a perceived negative way. And all Spite really wants to do is talk to Rook from the start, Lucanis is the one stubborn about that not happening for a while. The main time he properly can, he literally asks Rook for help. Like genuinely asks for help for both him and Lucanis. "Help us" he says.
So I think his fondness for Rook grows like Lucanis' does. Naturally over time. Now is it because they're tied together? Who knows. I'm not sure it's clear that their feelings influence each others, I don't think that's addressed, the two still feel pretty separate in that regard...? (I'm in the middle of replaying so maybe there's shit I missed the first time I dunno)
Now the wings situation there's a voice line where Lucanis openly admits to Harding he has 0 control over the wings. The wings are 100% Spite. So spite does it to help. So them fighting is just team up, rather than one using the other. So if there's ever a situation Spite might be mad at Lucanis, he's probs gonna get no help. No wings. sdjhfgdjfhg
BUT THIS MEANS in the Romance scene when those wings pop... Spite's consciously involved. He's made the decision to not sit this one out. My guy created a threesome without warning. 😂 Either he is just like super rooting for them and ships them too and is being the worlds best wingman (pun intended) by lending aid or he's getting in on that action cuz he's also developed some sort of feels as well. Tbh it could go either way... The point is, he got involved.
But there's also evidence later in a possible party banter with Solas where Spite accuses Solas of trying to hurt Rook and is like ready to go to war for Rook against Solas. kdfjghdfkjgh
So... We have no idea what Spite and Lucanis chat about when Rook isn't around so who knows. But the vibes are there where this would in fact be a situation where this kind of ship makes sense.
Either way those three really need to talk about this... 😂
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egophiliac · 3 months ago
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(looks at upcoming card releases)
I'm in danger :)
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icebluecyanide · 7 months ago
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I saw people talking about that scene where Yassen shot Max as a huge betrayal of Alex and it's kinda funny to me like yeah he involved Alex in a murder but also I cannot emphasise enough that Alex decided to join a criminal organisation. People have been telling him he'll need to kill for days now, Alex has watched them kill multiple people already, I get that it sucks for him but you cannot team up with a known killer and be that shocked when actually his secret extra mission was to kill
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dragon-zena · 11 months ago
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If I think too much about ryuji's treatment in p5 I feel bonkers
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felassan · 10 days ago
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EuroGamer: 'BioWare knew the deepest secrets of Dragon Age lore 20 years ago, and locked it away in an uber-plot doc'
Original creator David Gaider on how "some of the big mysteries are being solved".
Rest of post under a cut due to length and possible spoilers.
"As I write about the secrets hidden in Dragon Age's mysterious Fade, and as I uncover some of them playing Dragon Age: The Veilguard, one question keeps rising up in my mind. How much did BioWare know about future events when first developing the series more than 20 years ago? That's a long time, and back then BioWare didn't know there would be a second game, which is why Dragon Age: Origins has an elaborate and far-reaching epilogue. Why lay so much lore-track ahead of yourself if you don't think you'll ever get there? But look more closely at Origins and there are big clues suggesting BioWare did know about future Dragon Age events. There are obvious signs in the original game, such as establishing recurring themes like Old Gods and the Blight and Archdemons. But there's also Flemeth, Morrigan's witchy mother, who's intimately linked to events in the series now - more specifically: intimately linked to Solas. Does her existence mean Solas was known about back then too? There's only one person I can think of to answer this and it's David Gaider, the original creator of Dragon Age's world and lore. We've talked before, once in a podcast and once for a piece on the magic of fantasy maps, where we discussed the creation of Dragon Age's world. And much to my surprise, when I ask him what he and the BioWare team knew back then, he says they knew it all. "By the time we released Dragon Age: Origins, we were basically sure that it was one and done, but there was, back when we made the world, an overarching plan," he says. "The way I created the world was to seed plots in various parts of the world that could be part of a game, a single game, and then there was the overall uber-plot, which I didn't know for certain that we would ever get to but I had an understanding of how it all worked together. "A lot of that was in my head until we were starting Inquisition and the writers got a little bit impatient with my memory or lack thereof, so they pinned me down and dragged the uber-plot out of me. I'd talked about it, I'd hinted at it, but never really spelled out how it all connected, so they dragged it out of me, we put it into a master lore doc, the secret lore, which we had to hide from most of the team.""
"This uber-plot document was only viewable on a need-to-know basis, he says, and only around 20 people on the team had access to it - other senior writers mostly. And even though Gaider left the Dragon Age team after Inquisition, and then eight years ago BioWare altogether, meaning he didn't work on The Veilguard at all, he believes - by looking at the events in the new game - his uber-plot lore "has more or less held up". That's impressive. What's even more impressive, or exciting, is that back then he also envisaged a potential end state for the entire Dragon Age series - a point at which it would make no sense for the series to carry on. "I always had this dream of where it would all end, the very last plot," he says, "which I won't say because who knows, we could still end up there. But the idea that this uber-plot was this sort of biggest, finite... That the final thing you could do in this world that would break it was there as a 'maybe we would get to do that one day'... There was just the idea of certain big, world-shaking things that were seeded in that arc, some of which have already come to pass, like the return of Fen'Harel." You've read that correctly: the idea to have Fen'Harel, also known as the Dread Wolf, reappear, was seeded all the way back then, way before Inquisition - the game in which he does actually reappear. But the concept for Solas, as a character who was Fen'Harel in disguise, was a newer idea. "That spawned from a conversation I had with Patrick [Weekes] and a number of other writers," Gaider says, "as an idea of 'what if you had a villain that spent an entire game where he's actually in the party and you get to know him?' Now, the god version and his larger role in the plot, yes that was known, but not that he would be presented as a character named Solas." Fen'Harel being known about means the other elven gods were known about, which means all of that stuff Solas reveals about his godly siblings - that they're not gods at all but evil elven mages he locked away behind the Veil - was known about back then too. "Oh yeah," Gaider says. "Everything that Solas tells you [at the end of Inquisition DLC, Trespasser]: it's all part of that original uber-lore - that was all in our mind." But why have so much lore if you're not certain you'll get to ever realise it? Well, to create a believable illusion. By creating an "excess" of lore, as Gaider describes it, Origins made Thedas feel like an old and believable place. A place with history, rather than a Western set that was all facade and no substance."
"BioWare also did something canny with the lore it did relay then, too: it shared it through the voices of characters living in the world, making it inherently fallible. In doing this, Dragon Age veiled its truths behind biases. The church-like organisation of the Chantry proclaims one truth, while the elves and dwarves proclaim another. Sidenote: you can experience this yourself through different racial origin stories in Dragon Age: Origins. This way, there's no one, objective, irrefutable, truth. "To get the truth, you kind of have to pick between the lines," Gaider says. So even though elven legends are coming true through the existence of Solas and The Veilguard's antagonist gods, it doesn't mean that's the one and only truth. There's truth in what the Chantry teaches and what the dwarves say, he tells me, which ignites my curiosity intensely. BioWare has also been tricksy in how it's rubbed out the lore the further back in time you go. "In general, the further the history goes back, we always would purposefully obfuscate it more and more," Gaider says - "make it more biased and more untrue no matter who was talking, just so that the absolute truth was rarely knowable. I like that idea from a world standpoint, that the player always has to wonder and bring their own beliefs to it." It leads into a founding principle of Dragon Age, which is doubt - because without it, you can't have faith, a particularly important concept in the series. It's where the whole idea of the Chantry's Maker comes from and with it, the legend about the fabled Golden City - now the Black City - at the heart of the Fade. This is the very centre of the lore web, and, I imagine, it's close to the series endpoint Gaider imagined long ago. All secrets end there. Did Gaider know what was in the Black City when he laid down Origins' lore? That's the question - and it startles me how casually he answers this. "Oh, yeah," he says. "What was in the Black City: that's the uber-plot. I knew exactly. "Was it as detailed in the first draft of the world?" he goes on. "No. I had an idea of the early history because that's where I started making the world. So the things that were true early-early: I knew exactly what the Black City was and the idea of what the elves believed, and what humans believed vis-a-vis the Chantry - that was all settled on really early. Then I expanded the world and the uber-plot bubbled out of that.""
"Gaider shows me the original cosmology design document for Dragon Age: Origins as if to prove this - or rather for the game that would become DAO. The world was known as Peldea back then. I can't share this with you because I see it via a shared screen on a video call, and because Gaider doesn't want me to, mostly because the ideas are so old they're almost unrecognisable from what's in the series now. But I can tell you it's a document that's just over a page in length, and that there's a circular diagram at the top showing the world in the middle and the spirit realm ringed around it. And on that document is reference to the Chantry's beliefs about a God located in a citadel that can be found there. Gaider says BioWare knew about Fen'Harel (the Dread Wolf) 20 years ago when it was developing Dragon Age: Origins, and that he'd one day reappear. The Fade wasn't known as the Fade back then, either, but as the Dreaming, because it's the place people go when they dream - an idea that lives on still. And if that sounds familiar to any fans of The Sandman among you, it should. "I'd say The Sandman series was probably fairly prominently in my head," says Gaider. "I liked that amorphous geography that was born from the psyche of collective humanity. I'd say yes, if I was to point at something specifically, that's probably where the very first inspiration of it took root." It's a lot to take in, but it reinforces the admiration I have for Dragon Age. Just as I have when hearing about the creation of my other favourite fantasy worlds, such as A Song of Ice and Fire, I begin to understand the magnitude - and the deliberateness - of the plotting that went on. I wonder if one day the Dragon Age series will end in the way Gaider first imagined, albeit slightly altered by the many other pairs of hands shepherding it along now. What a curious feeling it must be to know, so many years in advance, where things might go. Where that end is, I don't know, but I do know we'll take a significant step towards it in The Veilguard. After all, we're coming into contact with gods who were there at the recorded beginning of it all. "Yeah - we have access to people who can tell us the truth from first-hand experience," Gaider says, "although again, it depends on what the writers did with it. But if they continued the tradition of Dragon Age, you never know for sure if Solas is telling you everything, or what you're learning is the entire truth. "But yes, some of the big mysteries are being solved. I mean, will they one day definitively tell you about the Maker? Will we crack the big mysteries of the world and just make them answered finally? And does that ruin one of the central precepts that Dragon Age is founded upon? Maybe," he says. "Ultimately, that lore, when you make it big and you hint at it and hint at it and hint at it, it becomes a Chekhov's Gun of sorts. Eventually you got to pony up.""
[source]
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reiderwriter · 6 months ago
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Hello there baby, are your parents bakers? Cause you're a cutie pie lol sorry couldn't resist the urge to flirt with my favorite writer💕How have you been? How was your day? I wish you a wonderful day and a lovely night💕
It's my first time here sending an ask but lately I've been thinking about shy!Spencer x flirty!reader, I just think is such a cute couple.
So if you're taking requests, I was thinking about early seasons Spencer completely falling for the reader and the way she's so flirty but sweet and kind, the way he'd be blushing hard at anything she says and how he'd like the way she's always touching him cause he felt cherised and desired.
It could be fluff or smut or both cause I can picture them going slow with the relationship but Spencer being eager to please her and show how much he loves everything about her.
You said about choosing a emoji, so can I be the 🐇anon?
A/N: Thanks for the request! Shy Spencer is the best because he's so dumb and silly and doesn't realize when people are attracted to him. I've said it before, but he's basically every nerdy main character in 00s romcoms that are "unattractive" because they wear glasses. I hope you enjoy the fic~♡
Warnings: mentions of case details, slight spoilers for upto s5
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With a degree in law and a deep-rooted hatred of businessmen, you'd certainly found your calling in one of the FBI White Collar divisions. Putting away the sleazy bastards was easily one of the biggest perks of the job, but every coin had a second side, and yours was you actually had to interact with the cretins before you could take them down. 
You'd dealt with bribes, dinner invites, and sexual propositions more than a time or two, and had to remind yourself that kicking anyone of them clean in the balls was most likely a firing offense, if not legally off the table. 
The man in the case you were currently working - possibly Bill Hodges, possibly Daniel Brady, possibly so many more men - had been a typical white collar freak until he'd moved on to murder. And when you'd been so close to nailing his ass for fraud, too. 
You'd had no choice but to call in whatever unit it was that actually got to put bullets in the bastards, sure that you were going to be strong-armed out of months of work for the glory of taking down a spree killer. 
Instead, you got Spencer Reid, delivered freshly to your desk like a lamb to slaughter. 
“Sorry, you're the agent from the BAU?” You asked, raking your eyes across his body, smiling at his obvious discomfort with the attention. 
“Yes, Doctor Reid. I'm here for more information on the Hodges files.” 
You dusted your skirt off as you stood, moving around the desk to grab the file. You held it out to him but pulled it back when he reached for it.
“I'm sorry, you're really in the BAU?” An embarrassed look fell across his face, and you instantly felt shitty. 
“Do you want to see my credentials?” 
“No, I'm sorry, it's just - I wasn't expecting someone so…pretty?” 
The embarrassed look deepened to a flush, and you brightened at the sight. You weren't lying. He really was pretty, and you hoped your comment hadn't come off as patronizing. 
“You're adorable. Here's the file, I’ll be at your team briefing in half an hour. Spencer, right?” 
He nodded, finally waking up and taking the files as you pushed it against his chest, using the movement to step slightly closer. 
“I'll see you later then,” you trailed your look down, getting a good look at all of him before meeting his eyes again. “Save me a seat?” 
“I should… I'll, uh, go now. Thanks for the-” he stammered, pointing to the file, backing out of your space slowly, like an animal trying not to show its back to a predator. 
Unlike the long line of scumbags filling the halls and case files of your floor, Spencer was without bravado or ego. His lack of both meant that you were interested. You were very interested. 
Half an hour later, you practically sprinted to the 6th floor, bouncing up the stairs to the office where you'd take your meeting like a giddy school girl. 
“Hello, sorry, I'm not late, am I?” You asked, quietly opening the door and letting yourself in. 
“Agent Y/N, no, perfect timing, Penelope was just about to brief us on your case,” Hotch said, rising and giving your hand a firm shake. He looked around to find a seat to usher you into, but you quickly dropped yourself into the seat right beside Spencer Reid, grin deepening as he flushed and offered you an awkward yet endearing smile. 
Unconsciously, you shifted closer, shooting him your own smile before the meeting officially began, and you were forced to keep a straight, serious face. 
The entire case progressed in much the same way, with you doing everything you could to fluster Spencer Reid and him doing everything in his power to convince himself you were being friendly. 
“Spencer, do you have a phone number?” You asked after slipping out of the meeting, trailing him back to his desk. 
“Yeah, we have to keep connected for cases, so I have a phone.” 
“Great. Your number - what is it?” 
He rattled off the digital as you scribbled them down on a notepad. 
“And Hotch's number is-” 
“Oh, I won't need that. Thanks, Spencer.” You said waving as you left to slink back to your desk. You could hear him calling out behind you, confused. 
“Y/N… Y/N, we split up on cases often, if there's an incident and you need to contact us it's better to have all of the team members numbers,” he panted, jogging to catch up with your focused pace. 
“If I need to contact you, I'll take myself to Agent Garcia’s office and use her direct line,” you said, finally stopping yourself at the elevator and pressing the button. 
He caught up, and stopped abruptly next to you. 
“Oh… oh, yeah that's… that's efficient.” 
You stepped onto the elevator when it arrived, leaving Spencer hesitating whether or not to climb in himself, desperately wondering why you'd ask for his number then. 
“Goodbye, Doctor Reid,” you said, pressing the door close button and blowing him a kiss just before the doors blocked you from sight. 
To tell the truth, you'd had a lot of fun flirting with Spencer on the phone from Penelope’s office during the case. The woman was an inspiration, even if her flirting had a completely different purpose and meaning than your own. Her friendship with Derek Morgan was admirable, but you didn't want to be friends with Spencer Reid. 
“Hello, handsome, what can I do for you today?” You asked, picking up the phone and basking in the stammers that answered you down the line. 
“D-Do you need me to get Morgan for you?” He said, his voice treading lightly. 
“Unless Derek Morgan has, overnight, managed to turn into a 6’1 Doctor with a penchant for cardigans and leather satchels and an IQ of 187, then I am absolutely not looking for him. I have case details.” 
He brushed past your comment, but he kept the slight stammer through the conversation, right until you signed off. 
“Until next time, sexy.”
“Um, yeah… thanks…beautiful?” he signed off, and you guffawed in laughter even as Penelope stared wide-eyed in your direction, not believing her ears. 
“Please forgive our little test tube genius. We forgot to add flirting skills to his childhood curriculum, and now, alas, the poor thing doesn't know a damn thing.” 
He'd called back a few hours later, and you'd purred more compliments down the line, but this time with the team surrounding him as they closed in on your unsub. 
“Hello, this is beautiful speaking. How may I help you?” You giggled down the line, picking up the call after only a single ring. 
“Y/N,” he breathed, catching his breath awkwardly as he struggled to remember why it was you were needed. 
“So… um, like… Hotch has a question about the files you sent earlier. He needs Penelope to… do something as well.” 
You could almost see the awkward nod through the phone. 
“Great. Pass me over to Hotch, then, hot stuff.” 
You heard the tell-tale sound of Derek Morgan’s cackle in the background, and you couldn't help but let another giggle slip out. You were a gonner, and, hopefully, so was he. 
The case wrapped quickly after that, spree killing being a quick game of cat and mouse out of necessity. You weren't happy with three bodies, but it sure as hell was preferable to more. 
You greeted the BAU team at the jet hanger as they returned, reclaiming your fraud files for paperwork and using that simple chore as a reason to get close to Spencer again. 
“Good work out there, Doctor Reid.” 
“What, he's not hot stuff anymore now he's in front of you?” Emily Prentiss laughed, throwing her go bag onto her shoulder and trailing behind where you'd started strolling alongside Spencer. 
“Oh, he's still hot stuff. He's just hot stuff with three PhDs that just stopped a spree killer,” you said, sighing dreamily. “How do you do it?” 
“We were all there too, you know,” the other woman chuckled as you made it inside the building and to the elevator. 
“Yeah, well,” you said, taking a second to reach out and straighten out Spencer's skewed tie, smoothing his jacket and generally just touching him in whatever way you could, respectfully. 
You didn't even bother to finish your sentence, just leaning closer to his ears and whispering directly into them. 
“You're very cute when you're flustered, Doctor Reid.” 
You stepped away for a second while the rest of his team teased him, stepping to the back of the elevator to ascend to your floor while the others departed on theirs. 
They filed out one by one and you sent them off with a smile and a wave, signing in defeat as you realized there was no longer a reason for you to interact with the good doctor ever again. 
If you weren't so stupidly aware of him, you'd almost have missed the fact that Spencer didn't leave the elevator when his teammates did. He instead turned to you and, with the brightest red you'd seen on his face to date, stammered out half a sentence. 
“I.. Y/N, I was just… curious, if you, by any chance…” 
Your eyes widened in joy as you anticipated his question, silently begging him just to spit it out. 
“I was wondering, i-if you had… a boyfriend?” By the end of his sentence, even he seemed unsure of whether that was a question he should really be asking. 
You'd been throwing heart eyes at him for says, and he was asking if you were in a committed relationship. 
“No,” you said slightly breathily, as if your body were trying to expel all the anticipation it had stupidly built up. “No, I don't have a boyfriend, Spencer.”
“Great okay,” he smiled, a boyish grin if you'd ever seen one, before backtracking quickly.
“Well not great for you, great for me. Not that you can't be happy alone, I don't know how you feel about…romantic entanglements and I-I-I’m not saying that your life isn't,” he searched for the words with his hands, as of he could grasp them as a life line while he was sinking fast. “-Great without a boyfriend or anything like that, I'm just - really - pleased that position is currently… vacant?” 
“Spencer?” You said, feeling like a cat who got the cream as a smile twitched at your lips, pulling the corners up as you listened to him ramble. 
“Yes?”
“Do you want to be my boyfriend  or are you asking for a friend?” 
You'd meant the words as a joke  but he stood contemplating for a second. You pushed a hand against your mouth to suppress the childish squeal from popping out. 
“It would be a bit presumptuous to shoot straight for boyfriend, right? How about date ....partner?” 
You couldn't stop yourself from closing in on him then, practically cornering him in the elevator as the floors passed you by.
“Presumptuous would be thinking I could have a boyfriend when I've been begging you to stick your tongue down my throat with my eyes for the last half hour. I thought they taught you body language at the BAU?” 
“They teach us how to catch criminals, not how to see when someone is giving us…fuck me eyes, Y/N.” The curse left you a little dizzy - this was it, this was what you'd been trying to do all week, to get under his skin and get him to let his guard down so you could capture him. 
“Doctor Reid, I'm a little scandalized! I didn't know you swore. What a dirty mouth you have.” You reached up with both hands, letting your thumb on his lips before pretending to wipe something away at the corner of his mouth. You were in the perfect position to notice his throat bob as he swallowed.
The elevator pinged at your floor, and you left him behind you with one last swipe of your fingers at his chin. You weren't expecting him to follow, but he did.
“Y/N…please, Y/N…. Can we just…?” You relished the awkwardness in his voice as he trailed you again, a satisfied smile settling onto your face. 
You just kept walking. Or you did until you felt a large hand wrap around your wrist and pull you sideways into the nearest storage cupboard. 
You gasped as he pinned you to the wall, close not, but his eyes still hesitant on what to do next. 
“Spen-” He cut you off with his lips on yours, silencing you before you could get the final word. His lips were clumsy at first, but you felt hot under his touch  arching yourself up into him. His tongue pushed into your mouth as he found his stride, your hands tangling in his hair as you held on for dear life.
This was it. This was what you'd been waiting for. 
Reluctantly, he pulled away, both of you gasping for breath to fill your suddenly empty lungs. 
“Was that….what… you wanted?” He panted, resting his head on yours. 
There were no words. It was what you wanted but now you wanted more, needed more. You settled for a quick nod as your tongue flamed, unable to say anything helpful. 
“Good. Great…” he removed his hands from you and scratched at the back of his neck, putting a more respectful distance between the two of you as he cleared his throat. 
“I'll just-” he pointed to the door and started making his way out. You sighed again, watching him walk away down the hall, his hair a mess, his tie askew, and a whole lot of your lipstick staining his lips. 
Surely, he'd notice by the time anyone else did. If not, you'd just effectively staked your claim on Doctor Spencer Reid, and you couldn't be happier about it.  
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sophieinwonderland · 2 months ago
Text
The Plurality of... Bill Cipher (The Book of Bill)
Spoiler Warning for Gravity Falls, The Book of Bill, and the nature of reality as you know it
Hello dear reader.
I recently found in my possession a strange book with no explanation as to how it got there. A bizarre tome known only as The Book of Bill.
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I recognized the name and imagery from someone else's memories. Bill Cipher, a character from Alex Hirsch's hit series Gravity Falls.
It honestly seemed too perfect. I've been doing this "Plurality of..." series where I look at plurality in media. And an important part of Bill's shtick was possession.
It seemed simple enough. I can read the book, learn a bit about Bill and his possession, and then write an article about his plurality. But the reality was anything by simple, with far more than I bargained for.
And by the end of this post, this book will have driven me to break a fundamental rule I've held sacred through my "Plurality Of..." series.
What is Plurality?
Before we begin, I should explain what plurality is for anyone new here. Plurality is a term for being multiple in one body in some way.
We call the body's occupants "headmates". These can be anything from alters in dissociative disorders to spirit guides bound to a mortal, to... yes... even literal demonic possession.
Yeah, even being possessed by a demonic triangle from a 2-dimensional universe is a type of plurality. If there are multiple self-conscious agents of some kind there, it's plural!
Time To Get Weird!
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(Art by magentasnail)
Let's catch you up on the basics real quick. Again, there will be huge Gravity Falls spoilers.
In Gravity Falls, Bill Cipher is a yellow a 2-dimensional triangle demon bent on causing chaos.
Through the series, Bill makes deals with multiple characters to possess their bodies. This includes both gaining full control over the body of protagonist Dipper Pines for an episode, and more interestingly, sharing control over the body of Stanford Pines for an extended period of time.
Bill's possession of Dipper left Dipper outside his body like a ghost. But his deal with Stanford is much more plural in nature, where they shared control, with Bill only controlling the body in his sleep.
Obviously real plural systems don't have headmates controlling their body while they sleep like this, but the experience can be seen as analogous to dissociative identity disorder, where it's common to experience blackouts and "wake up" in situations unsure how you got there.
That's all you really need to know about Bill for the time being.
With that out of the way, it's time get weird and dive straight into the Book of Bill!
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The Book of Bills
As I begin reading the Book of Bill, I'm given a warning from Stanford Pines that the book will rewrite itself based on the mind of the reader. This seems silly, and I of course dismiss the idea out of hand. Surely there's no way a book could change itself based on who's reading it.
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As I venture further into this tome, I find the occasional point of interest. References to Bill living in people's brain, him being an idea, etc.
I stop briefly to ponder that. Why does Bill refer to himself as an idea? Isn't he canonically a being from a physical 2-dimensional world? Him being described as an idea is peculiar, but something I tuck away for the future.
The first thing I find that really piques my interest in regards to plurality is the multiple times that it's just referenced that there are multiple Bills in Bill's head. Such as when Bill refers to "the voices in his head" teaming up.
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In the plural community, there's a concept known as median system.
A median system is typically a system which has separate parts that are less distinct from each other. There's a pretty solid case that Bill, having a bunch of Bills in his head, could be considered a median system on his own.
In fact, the book itself actually depicts communication between multiple Bills, in the form of an interview.
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And throughout the interview, there are times where the Prime Bill seemingly gets annoyed at the interviewer's questions. As if they are actually different people. While this could be Bill simply duplicating himself and pretending for comedic effect, it could just as easily be that both Bills are headmates in Bill's system.
Bill being a median system is a pretty interesting direction.
As I read on though, the book dragged me down yet another rabbit hole, and raised an important question.
Does Bill Have A Dissociative Disorder???
Let's talk about dissociative identity disorder. There are two main criteria for DID. Criterion A is the presence of two or more distinct personality states. You know, like those Bills in Bill's head.
The second is memory loss.
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Recurrent gaps in the recall of everyday events, important personal information, and/or traumatic events.
This is what was on my mind when Bill was describing how he was uniquely gifted with the ability to see into the third dimension, and wanted to teach others this same skill.
But when he tries to recount it... this happened...
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To me, this sounds exactly what was described in criterion B. This is also called dissociative amnesia.
And it's not just this one-off example. Bill actually references later that he dissociates (his words) and "wakes up" later after a conquest.
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With everything we know, it seems incredibly likely that Bill has DID, or at least a related disorder.
Bill is what he eats
Okay... wait...
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So Bill can ALSO imprison the souls of those he eats inside himself, and they can apparently take over Bill's body too???
What actually is going on here? Is this one of Bill's powers? He can just eat entire universes and then whatever he consumes becomes a part of him? Or maybe it's something else...
Maybe if we looked at this less literally and consider the previous hints of Bill having a dissociative disorder then perhaps what is going on is that Bill is introjecting these people.
Maybe whenever he enters somebody's mind, some piece of them remains...
I would love to speculate more on this... But this is the only mention of it in the entire book!
At this point, I begin to reflect on the words at the beginning. Maybe it was true that the book was changing itself to give me what I wanted. Little hints of plurality to keep me reading, to ensnare me in its vicious trap and ultimately drive me to madness.
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And the worst part was, I was falling into it anyway. Because I had to know, even if this was a trap, I was in it to the very end. My thirst for knowledge and understanding unquenchable.
Even if I knew I should stop here, there was no going back.
Stanford Pines, Bill's Perfect Host
At last, beyond all of the misdirects that were put in my way, I arrived at the reason that I started on this journey.
Stanford Pines.
I need to say that when I started this journey, planning to delve into what the plurality of Bill and Ford might be like, I never imagined that it would be handled so... Beautifully.
I mean that genuinely!
I love the relationship of these two characters in the book!
They are both very out of place in their own ways. Both are aware of things in their world that are denied by others, leaving them ridiculed and ostracized for it. They manage to form a genuine friendship. Even if Bill was using Stanford the whole time to achieve his Weirdmageddon.
The two compliment each other surprisingly well. Bill provides Stanford with a friend who can get him out of his comfort zone, which is something that I think Stanford really needed.
There's a really fun part of the book where Bill just gets Stanford mind-drunk, which is apparently something he can do.
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Bill fills a role in Stanford's life that nobody had since he lost contact with his brother. While Stanford had friend in with Fiddleford, his lab partner, and we do get to see parts of that friendship in the book, they are more like work acquaintances.
Alas, it wasn't meant to be. Because in the end, Bill is still an evil demon who was bent on bringing about the Weirdmageddon and was manipulating Ford the whole time.
And when Stanford found out, he tried to shut Bill out. This led to Bill trying to communicate through sticky notes to get Ford to stop ignoring him. He would front in the body at night while Ford slept, and they carried on a conversation through these sticky notes.
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Wait... Sticky notes?
This is such an interesting choice for the character! Especially after so many hints of Bill Cipher having some sort of dissociative disorder.
Why?
Because sticky notes are an actual method that real DID systems use to communicate with their alters, as seen in this post from the NAMI (National Alliance on Mental Illness) website.
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It's fascinating how, if you were to try to depict how headmates with strong dissociative barriers might communicate, this is one of the ways you would want to do that!
Is this coincidental? Maybe. But the talk of dissociation earlier suggests the author also has at least some basic knowledge of dissociation and how it works. And, perhaps, plurality as well?
Overall, this whole section with Bill and Ford was fantastic, and it was well-worth the read for that on its own.
The End?
I suppose this is the end. I found what I wanted. I got the content I was after. A cool plural story of a guy and his headmate from another dimension who wants to take over the world.
Through all the strange distractions and hints of Bill himself having headmates that seemingly went nowhere, I got more plurality in the book than I expected.
And yet, as I turn the final page of the book, I feel unsatisfied. Unsettled.
"Is that it?" I think to myself.
This is Gravity Falls, a show built on mysteries, and looking deeper than the surface. Surely there has to be more. Right?
What if... all the plurality in this book, is obscuring something deeper? Or maybe hinting at something deeper...
And then... I see it!
After the final page, I come to the About the Author section.
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Which means it's time to talk about...
The Plurality of... Bill Cipher Alex Hirsch
Yes, I am going there!
In the beginning, I promised that this post will require me to break a rule I've held sacred through these posts.
That rule... is to never speculate on the plurality of the author.
But, Alex Hirsch, at least in a fictional sense, hasn't exactly shied away from the idea of being "possessed" by Bill. This dates back at least a decade, with him making Tweets like this one.
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"Bill Cipher" even did an AMA on Reddit through Alex, playing it off as Bill possessing Hirsch while he slept.
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It's a pretty open secret in the Gravity Falls community that Alex Hirsch is "possessed" by Bill. At least in some meta-fiction way that may not be canon to Gravity Falls but isn't quite real either.
And were my analysis to stop here, I wouldn't really be saying anything new or valuable. A lot of this was covered by MatPat on Film Theory.
But there's something I want to go back to that confuses me in this book.
That Bill Cipher... is an idea?
Let's bring this full circle, back to the beginning of the book where Bill mentions that he's imaginary and describes himself as an idea.
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These are such weird lines because Bill didn't seem to have originated from people's minds within the narrative of Gravity Falls.
His story is of being a being from a literal flat world. So why then, does he describe himself as an idea? Why does he describe himself as imaginary???
Bill Cipher as Alex Hirsch's Tulpa
While Bill being an idea doesn't make sense if he's speaking as a being from a 2-dimensional world that's real to him, it does make sense if we consider that the Bill talking to us, who wrote the Book of Bill, is a tulpa sharing the body of its creator.
Before going on though, we need to answer an important question. What is a tulpa? The r/tulpas subreddit gives its own answer to this in its FAQ.
The simplest way to describe a tulpa is simply another person who was created intentionally/unintentionally through repeated interaction and shares a body and mind with their creator. A more complicated definition can go as follows: A tulpa is believed to be an autonomous consciousness coinhabiting a brain with their creator, often with a form of their creator's initial choice and design. A tulpa is entirely sentient and in control of their opinions, feelings, form and movement. They are willingly created via a number of techniques to act as companions, muses, and advisers. Tulpa forms can either be visualized in the mind's eye, or, with practice, seen as a hallucinatory figure using a technique called imposition.
And let's stop there on the line about being created as muses, because this is something that's found repeated throughout both The Book of Bill and Journal 3, with Stanford referring to Bill as his "muse."
It's a curious term that doesn't appear in the show, but was added to the lore in these two supplemental books.
The FAQ goes on to explain that while tulpas are often considered to be intentionally created, there are also accidental tulpas that can arise through imaginary friends or from writing characters.
Is it possible to accidentally make a tulpa? Yes - many people join the community after realizing they have had tulpas all their lives, but without knowing what they were called. These "accidental" tulpas often arise from imaginary friends and writing/roleplay characters.
On the point of roleplay characters, something I also haven't mentioned yet is that Alex Hirsch didn't just write the character of Bill Cipher. He WAS Bill Cipher. In the show, Bill is one of the characters Hirsch voices along with Grunkle Stan and Soos.
Writing tulpas and how they come about are discussed a bit more below:
Is this a new phenomena? No, it's a practice that goes back in recorded history at least as far as the Greek philosophers. The present name of the phenomenon is derived from the word used by Tibetan monks in the early 20th century. There's also evidence to suggest dedicated prayer can lead to the development of 'religious tulpas' in the minds of the particularly devout, and on the secular end, writing techniques similar to tulpa development techniques can and have resulted in writers creating accidental tulpas from their characters. Having a tulpa is nothing new, although it's gone by many names throughout the course of history and does so even today. However, we believe we are one of the first groups to address this practice as a psychological phenomena rather than a magical, occult or divine experience.
Tulpamancy and Attention
There was another passage from the book that I found noteworthy.
At the end, Stanford describes what truly sustains Bill isn't power, but attention, which Stanford describes as Bill's "lifeblood."
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It's even underlined for emphasis.
Why is this important? Well first, this line goes back to the weird lines earlier suggesting Bill is an idea.
But more importantly, feeding on attention is something which is actually a pretty popular philosophy in tulpamancy. That tulpas feed on and are sustained by the attention of their hosts.
How do I give my tulpa energy? Tulpas are sustained by attention, and energy is a convenient metaphor for this. So, you can give your tulpa energy by interacting with them. It is also possible, through no shortage of work and time on the part of host and tulpa alike, for a tulpa to grow beyond this need and to learn how to sustain themselves.
How much attention/energy/interaction does my tulpa need? During the creation process you should aim to interact with your tulpa daily, anywhere from a few minutes up to a few hours, and narrating to them as and when you can. After they're fully vocal and active, the bare minimum is just acknowledging their existence, but spending time talking to them and interacting with them is very much the point of bringing them into existence. Just don't ignore them, and you'll both be fine.
On Parallels in Writing
Adding another layer, it's likely that Stanford Pines is at least partially based on Alex Hirsch himself.
One point of trivia is that Alex Hirsch has a twin sister, and Gravity Falls was inspired by vacations they would take as children. Dipper and Mabel being based on Alex and his sister is pretty well-known. But towards the end of season 2, it's revealed that their Grunkle Stan is a twin himself, with his brother being Stanford Pines, the author of the journals.
During this part of the story, it starts creating a parallel between the relationships of the younger and older twins, with Dipper (who is based on Alex) bonding with Stanford over how much they have in common. Both are nerds who are into writing and science and uncovering the mysteries of the world. Both are a bit socially awkward as well.
And while not much attention is drawn to this particular connection, both had experiences of making deals with Bill that let Bill takeover their bodies at different points.
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Based on the parallels between Dipper and Stanford, one might speculate that Alex based Dipper on his younger self, while Stanford was loosely based on himself as an adult.
The personalities of these two characters are also the most likely to create a tulpa based on the psychological profiles of most tulpamancers.
In 2016, Dr. Samuel Veissiere, a psychiatry professor at McGill University, found the following in his study of tulpamancers:
From coding of qualitative interviews collected in large surveys, the most common tulpamancer profile to emerge is one of a highly cerebral, imaginative, highly articulate, upper-middle class, formally educated person with many consistently pursued interests, talents, and hobbies, but limited channels of physical social interaction. Typical tulpamancers are confident about their talents, but are quite modest and socially shy. They possess – or have cultivated – a high propensity for concentration, absorption, hypnotisability, and non-psychotic sensory hallucinations.
The psychological profile of tulpamancers fits both Dipper and Stanford to a t. And many of these same traits could just as easily be true for Alex Hirsch if these characters were meant to be stand-ins for himself.
Is Alex Hirsch trying to tell us that he's plural?
In the end, this is just a theory. And it's one that I feel nervous making because plurality is so deep and personal. That's why I've avoided speculating on the plurality authors in the past. Even when the writing feels so true to the plural experience that it's hard to imagine that someone who isn't plural wrote it.
So why am I making an exception with this one?
Well, in this particular case, I think that the breadcrumbs are being left intentionally, and if he is plural, then he expects somebody to follow them. I'm not worried that I would be outing somebody who didn't want others to find out.
With Alex Hirsch's love of codes and clues and mysteries, if he were plural, I have to imagine that the hints weren't accidental and he would be wondering if anybody would follow them.
And if I am completely off base and he's not plural, I think that he would still appreciate the theorizing anyway. 🤷‍♀️
But if these are intentional clues that were left behind to hint at a real life plurality, one might ask why.
Why would he want people to know about it, and hint at it in this way?
Well, I think the Book of Bill might have an answer to that too.
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Shame is a powerful emotion. But it grows in the dark. The more I've tried to hide my past with Bill, the more hold it's had over me.
Perhaps this line is meant to reflect Alex Hirsch's own feelings. Because many plural systems have felt this same way about their plurality, having hide their relationships to their headmates.
The actual end now
Finally, we come to the real ending of this.
This is, again, just a theory. I don't want anyone taking it as fact. I admit that I could be completely wrong about everything that I've said here.
But if nothing else, it's at least fun to imagine that Alex Hirsch does have a Bill Cipher tulpa in his head that has been acting as his muse this whole time. And it would give a new meaning to the gag of the Weirdmageddon intro saying Gravity Falls was "created by Bill Cipher" all those years ago.
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Thanks for reading, and if you have your own muse that you think might be more than a simple muse, be sure to read my guide on how to know if your imaginary friend is sentient.
And if you like this post and want to see more like it, you may want to check out The Plurality of… Avatar: The Last Airbender or The Plurality of… IF
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agentmarvel · 3 months ago
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Hiii! I was wondering if I could request f!reader x the cod boys reaction to her taking a sick day after having an IUD placed, either platonic or an established relationship with one of them, up to you. I can only imagine mixed reactions, especially after learning what all goes into the procedure. This is totally self indulgent so I was hoping for it to be on the fluffier side, BUT no worries if you’re not interested!!
Thank you!!🤍💐
i love this🖤 thank you for requesting, kat! hope you enjoy!
mdni - 18+; minors and ageless blogs will be blocked
141 x afab!reader (individual pairings - head canon format)
john is worried.
“not like you to take a sick day, dove. you sure you’ll be alright ‘til i get back?”
tbh, he’s so pressed about it. he knew in advance what the procedure would look like - educated himself after the birth control discussion came up - but your body isn’t reacting the way either of you had hoped. it’s far worse.
scared the hell out of him when you called yesterday afternoon and asked that he pick you up. obstinate, headstrong thing that you are, you declined his offer to accompany you to the appointment in the first place. you were in no condition to drive.
the thought of leaving you now, even for morning pt with the team, sets his teeth on edge. you’re strong, he knows. you can handle yourself just fine. but what kind of man would he be to leave his girl when she feels this fucking awful? - spoiler alert: he’s not going anywhere.
with your reassurance (and telling him he’s being a bigger baby than you about it), he tucks you into your nest of pillows and blankets, leaves ibuprofen and a cup of water on your side table, and makes sure your heating pad is plugged in and within reach.
simon is supportive.
“i’ve seen you shot, stabbed, blown up, burnt, broken bones; you’re a tough bird, you can handle it.”
you’ve been through worse. you both know that. doesn’t mean that he isn’t sympathetic to the pain you’re feeling, though. he watches you like a hawk, monitoring every scrunch of your nose or pained grimace or you squeezing your eyes shut just a little too tight. you’ll take the meds he picked up for you like clockwork with the fresh cuppa he brings you every four hours. he’ll take the day off with you, let you squeeze his hand when a cramp or muscle spasm is particularly gnarly.
he’ll hold you while you nap, too - playing with your hair, keeping you centered on top of him with one bulky arm slung across your hips, wishing the whole time that he could trade bodies with you until the aches are gone.
johnny is pissed.
“an’ they donnae give ye fuckin’ anesthetic? och! tha’s fuckin’ cruel s’what tha’ is!”
this man is L I V I D. he didn’t know the details of iud placement until you made him watch a video, and he’s been going off the rails since. it infuriates him to no end that you’re expected to just tough it out with nothing more than basic fucking pain relievers. don’t even get him started on that medieval torture device you called a ‘tenaculum’ that they stabbed you with!
he’s planning a murder while he orders a delivery of supplies. angrily, his thumbs punch at his screen as he selects all the things he even thinks you might need to get through the week - even though you keep telling him you’re sure you’ll be fine tomorrow. 
“not gonna stab my hen and get away with it.”
(when you ask what he’s muttering about over there, he tosses his phone aside, rolls you into his arms, kisses the top of your head, and tells you lunch is on the way.)
kyle is sympathetic.
“poor thing,” he murmurs, kissing your temple. “what can i do to help?”
like price, kyle took the liberty of doing his research. 
cramps and muscle aches/spasms are common after placement, and some women will actually pass out in the minutes following the procedure. he texted a medic friend to get ahold of some muscle relaxers for you, picked up standard issue pain meds, bananas for potassium to combat the cramps, a second heating pad (one for each side), chocolates, tea, and a new plushy for you to squeeze on. your boyfriend was adamant that he take you to and from your appointment, even if you didn’t want him in the room while it was happening. every single base is covered in advance to mitigate the worst case scenario.
when you curl into the fetal position, gritting out an abrupt “all good”, he wraps himself around you like a shield.
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brucewaynehater101 · 6 months ago
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Have you ever read a fic called A Medication On Railroading? Because I think you'll like it. Basic summery with no spoilers: Jack takes Tim on a trip to Atlanta and then leaves him in Atlanta so he goes train hopping to get home. Very hurt/comfort.
But it also gives me an idea that I'm not sure where to share. What if that wasn't Tim's first time getting home like that? Maybe the first time was just New York when he was say... 9 years old? His parents took him with them to a Gala and Jack thought Janet called him a car home and Janet thought Jack took care of it. Neither one did and Tiny Tim figured out how to get home on his own. It happens again when he's 11 so he already knows what to do, he studied up in case it happened again.
After the second time, anytime Tim is with his parents he keeps his camera bag on him at all times which has 300 dollars in it that he can use on getting home. Tim also discovers during the second one that trains are *way* better than busses and cabs. He's all alone, just him and the scenery and whatever cargo his car holds. He can Fully Relax. He doesn't have to be the perfect heir, he doesn't have to smile for the cameras, he doesn't have to be quiet or good or perfectly polite. He can scream and laugh and cry if he wants to and no one will ever know! He can sing and curse and throw rocks at things! He can be a *kid*.
After Tim becomes Robin, he never calls Batman for a pick up if he's abandoned somewhere and instead will make his own way home. Heck, after some missions with Young Justice he will turn off his trackers and ride trains home so that he can loudly vent about them without having to worry about anyone ever knowing what he said!
This does become a slight problem when he's 17 and Bruce needs him for something and finds out from Bart that their mission ended a day and a half ago. But Tim never called for pick up. And his trackers are all offline. And he never hit his emergency beacon and *no one can find him*. Bruce totally isn't freaking out. The other Bats totally aren't freaking out. Young Justice totally isn't freaking out. There totally isn't a panic spreading through the super hero community about Red Robin maybe being dead I a ditch somewhere and how both Batman and his team will react.
Tim meanwhile is straight vibing as he reclines on a stack of bags of rice like they're pillows, singing along to some sound track he downloaded onto his MP3 player, having turned the volume to max and nearly screaming the lyrics because it's the one time he feels like he can.
Yes! I love that fic you mentioned. It's really really good. Perhaps I should re read it since it's been a minute.
Also, I absolutely adore the little tidbit you've added. A few things to note that I love about it:
No one else knows/finds out until he's Red Robin
It's a semi-decent coping mechanism. He gets to chill out, vibe, and process. He's also in touch with nature and music during this.
Tim drops his various masks to simply exist for a bit
Tim chilling on some rice bags in a train cart with an MP3 player (not even his phone. This indicates he's fully offline during these trips)
A few additional notes to add. One, this could buff up the canon notion that pre-Robin Tim traveled far to go see Dick at the circus and convince him to become Robin again. If Tim had already done that twice unexpectedly, he'd do swell when he actually plans to do it.
Two, Tim probably created a white noise generator or something to give him totally privacy on his "me trips." This is why Kon and Superman freak out. They can't hear him.
Three, he probably gets covered in grime, dust, and dirt. He's no longer in the pristine environment he grew up in.
Gods. That sounds so nice and relaxing. I'm actually kind of jealous. Just the wind, music, and the slowly changing scenery? Fuuuck.
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tyquu · 5 months ago
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Absolutely love your prosthetic Ezra AU. Arts so wonderful and stunning (Sorry if I spell it wrong, English is not my first language)
If you don't watch Asoka show you can ignore my question, because of spoilers)))
I have a bunch of little questions. Ezra spent almost ten years in other galaxy. What is the quality of his prosthesis when he returned home? How did he deal with breakdowns without the right tools and parts?
Anyway, love your AUs and amazing art style!
Wahhh thank you so much! Glad to hear you like the AU!
So I haven’t actually finished Ahsoka (I know, im sorry 😭) but at this point I feel like I know roughly enough to take a crack at this! So here’s what I came up with;
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So, Ezra’s cybernetic, as discussed in the post where I went into detail on it, requires pretty regular maintenance in order to function. Stranded on Peridea and without access to any med care/tech from the chimera, Ezra’s cybernetic would begin to go faulty within months.
At most he’d probably be able to make things just about work for three months post crash before it would have to come off. Grabbing a stick to use as a cane, there would be a few months where he has to really go back to basics, and it is not ideal.
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However, Ezra would get crafty! Either with supplies he’d have stolen from the chimera or gathered on his own, and he’d end up with various self made peg legs! They aren’t perfect but with every iteration tend to get a bit better.
After staying with the Noti for a while, he’d finally have access to better materials and craftsmanship, and make a final design for his post crash prosthetic. It includes an adjustable buckle, prosthetic knee mechanism, and polished wood transtibial prostheses below the knee.
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Obviously it would still need the occasional part replacement due to wear and tear as time goes on, but I don’t think it would change drastically from this point onwards, not until he gets back to lesser space of course, where I’m sure he’d go get checked out by a whole med team and possibly get his cybernetic replaced
But yeah!! That’s all I’ve got. I’m not a massive Ahsoka believer tbh, and I kinda split off in the middle to dabble a little bit on what an “Ezra and Thrawn in wild space adventures” prosthetic situation would end up being like. Especially with the possibility of introducing the ascendancy. But I decided to halt that train of thought for now so I could address the Ahsoka show specifically 🫡
Thanks again for the ask! Hope this sort of makes sense (and please do let me know if it doesn’t!) :D)
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amxrany · 7 months ago
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!! CHAPTER 7 / DIASOMNIA ARC SPOILERS !!
Going into Vil's dream now lesgoooooo (warning i cannot find a lot for vil's segment for some reason so if i miss a lot of information im so sorry):
So I understand why they released Tapis Rouge before this update, because we are now in The Queen's Film Studio, where Vil tells everyone to look forward to live broadcast of the Diamond Film Awards (this is most likely a reference to another Diamond in-game)
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(sheesh new vil outfit again)
But basically yeah Vil's dream is to be the fairest of them all and he got Neige as his assistant 😭
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Rook sees that it is indeed Neige, and the group tries to get closer to Vil. But Vil called Grim a stray cat and shooed him away, he's now sad :((
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Vil assumes we're paparazzi and tells Neige to throw us out, and we find out that Vil just abuses Neige. So the group tries to convince him to report Vil, but Neige becomes blot and tries to fight the group
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(I like their weapon it looks neat)
They defeat Neige but security is now after their ass, and it's revealed that Diamon Film Awards is a type of awards show for actors and that in reality, Neige was the one who won the award. But in this timeline, it's Vil who wants the award. Not understanding how Vil changed, Idia mentions that Malleus's magic allows them to experience happy dreams, and those dreams can also release any resentment you hold deep inside.
We then go to Vil receiving his award, but Rook stops him by telling him his time in NRC, but Vil tells him he doesn't know what he's talking about; and we go through the dizzy-but-is-trying-to-remember-everything segment again. However, the darkness was swallowing Vil up, and we couldn't save him in time because Neige managed to sink him down even further but Rook used his unique magic to follow Vil
So basically this next dream is the "What if Vil succesfully poisoned Neige and won VDC" scenario, we're in the part where Neige actually drank the poisoned apple juice and yknow, dies, and the dwarves are surrounding him crying
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Epel uses "Sleep Kiss" to see if there's still a chance in saving him and let's just say it's the most Snow White reference I've ever seen. Oh and Rook is on the verge of breaking down
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On stage, Vil's team has won VDC, but Rook and Epel come in to stop Vil by reminding him how he overblotted, and that causes Vil to wake up. Vil is back to normal and he's grateful that Rook and Epel came to save him and Epel said of course, we're your hunter and poisoned apple after all
The darkness comes back again to swallow Vil, but Rook and Epel aren't letting go. But idia orders Ortho to tell Rook and Epel to let Vil go. So you guys remember that one part during the last update where Idia fight his own phantom in OB!Form? Yeah we're doing that too but with Vil.
It's similar to that of the concept of Persona 4, where you learn how to accept yourself, even the ugly parts of yourself. Because Vil decided to use his weakness as his strength and overblotted to fight against his own phantom
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MORE EVIL LAUGHTER AS VIL CELEBRATES HIS VICTORY DECLARING THAT HE'S THE MOST BEAUTIFUL OF THEM ALL. We are then transported back to the fake event with Dream Neige where Vil tells him that he is indeed the most beautiful of them all (that is so true queen go slay)
Pomefiore all go in for a hug, and the others join in as well
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Sebek was surprised that Pomefiore wasn't just all about beauty, but they were really strong as well, and then Idia thought it was funny to show their Absolutely Beautiful cover in which Vil proceeds to ruthlessly criticize them for it 💀
Vil receives his own invitation of deafeating Malleus and that's where the update ends
HOOOO BOY where do i start, this update is so funny it honestly took me forever just to look for parts of Vil's segment. But assuming that we're going backwards the next update will most likely focus on Scarabia so manifesting that we get a Kalim card next so that we can complete the light trio fr fr
Anyways, see you soon in the next update!
Previous: Rook's Dream
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lopsidedgryffins · 2 months ago
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green’s inner conflict and how it is manifested through greenscreen: an analysis
TLDR at end!
disclaimer: this is probably really ooc, and is mostly speculation by a mediocre at best student of literature ++ i’ve never been good at lit, so this analysis is likely not gonna be great :/ feel free to criticise/comment on this analysis! i’m open to feedback if there’s any :)
SPOILERS FOR INFLUENCER ARC EPS 1 AND 2 AHEAD!
we first see greenscreen when the cg abandons an overdone/overedited video of theirs - he is quite literally borne of neglect, and is thus a symbol of green’s negligence towards his friends and the inner turmoil he faces in trying to cater to all his viewers. 
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why does greenscreen appear as, well, green? green is basically fighting with himself, a form of inner conflict manifested through the CG’s fight with what is essentially green’s neglect and negative emotions. 
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this is also super interesting because inner conflict is usually internal and invisible: that’s what most of it is about. however, alan and the team present it here through actual physical conflict, which parallels green’s fight with himself - to make the content that he and his friends want to make, or to cater to the viewers and leave his friends behind, becoming increasingly self-centred? 
in the first fight with greenscreen, the CG beat him as a group, and green even takes a photo of them together post-fight to upload to instagram. this symbolises green’s (temporary) triumph over his neglect for others, still caring for his friends. 
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however, over time, green starts to drift from his friends. he distances himself from them, isolating himself in a minecraft room by himself to make videos, neglecting friendships, genuine feelings and enjoyment in preference for catering to his viewers and all their preferences, taking each piece of criticism too seriously. therefore, as green’s neglect toward his friendships with the CG continues and increases, greenscreen grows in power as the negativity and abandonment become worse.  
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before we continue with that though, let’s talk about the recycle bin!
the recycle bin is a recurring figure across AvA - being used in both AvA and AvM to get rid of applications. that’s what a recycle bin is at its core - a receptacle for waste, left to be neglected, never truly emptied. both greenscreen and the deleted videos of the CG are thrown into the recycle bin, where they perhaps fester into who-knows-what in ep 3. you know who else was also unceremoniously thrown into a recycle bin/deleted? victim! after he escaped from the animator’s neglect towards his feelings and sentience, victim is out to get his revenge. the recycle bin takes it’s inhabitants’ negativity (in greenscreen’s case, neglect), and turns it stronger upon their escape. green’s dunking of greenscreen into the recycle bin in ep 1 is symbolic of him ignoring his tendency to ignore and leave his friends behind in the pursuit of content creation. he does not actively work on stopping such behaviour, instead leaving it in a metaphorical (and literal) recycle bin, letting his habit of neglecting others in the chase for something he desires to grow. 
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my theory is that greenscreen may come back in the last episode of the influencer arc, beating green at first, symbolising green’s negligence towards his friends’ feelings consuming him in his pursuit of content creation, but this is overcome as he realises the situation he is in - where he finally beats greenscreen and with him, his internal conflict, not by throwing him into the recycle bin where the neglect will be left to fester, but by coming to terms with his plight, communicating with his friends and agreeing to create the content that they want to create, putting an end to the negligence and laying greenscreen to rest.
(as of writing this, green’s newest video (reacting to my friends having fun without me) shows the rest of the CG being thrown around? it looks like they’re fighting something/someone, which is very likely whatever spawned from the recycle bin - i’m guessing this is greenscreen.)
TLDR: greenscreen is a physical manifestation of green’s neglect towards his friends AND his internal conflict, who will return in ep3 of the influencer arc, but will ultimately be beaten by green which symbolises him stepping back from content creation.
thanks for reading till the end! really appreciate it if you read the whole thing - once again this is purely my own speculation, opinions and theory!
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qlossytbh · 7 months ago
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𝐨𝐮𝐭 𝐨𝐟 𝐜𝐨𝐧𝐯𝐞𝐧𝐢𝐞𝐧𝐜𝐞 𝐬𝐩𝐞𝐧𝐜𝐞𝐫 𝐫𝐞𝐢𝐝 𝐱 𝐟𝐞𝐦!𝐫𝐞𝐚𝐝𝐞𝐫
𝐜𝐡𝐚𝐩𝐭𝐞𝐫 𝐭𝐡𝐫𝐞𝐞 - 𝐭𝐡𝐞 𝐬𝐢𝐝𝐞𝐬 𝐨𝐟 𝐲𝐨𝐮
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𝐬𝐲𝐧𝐨𝐩𝐬𝐢𝐬 You and Spencer start learning what it’s like to live together as the chase for the killer continues.
𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬 mentions of overthinking (lots of it), mention of absent parents, mentions of scream 6 (no spoilers tho), unpopular scream 6 opinions, too much fluff tbh, nightmares, mentions of sleep paralysis
𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭 3.2k
𝐚𝐮𝐭𝐡𝐨𝐫𝐬 𝐧𝐨𝐭𝐞 i’m literally so sorry for this being so behind schedule, im so stumped with college and shit but here it is!
𝐬𝐞𝐫𝐢𝐞𝐬 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭
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You remember going home that night and thinking a lot— maybe too much, if you were being frank.
A lot was still on your mind. Between the case, and the whole murderer that was killing old acquaintance's—you also had a husband now apparently.
Two days had passed and the case was still at works. Spencer lived in an apartment complex, which wasn't favorable for the goal of the mission. You however, lived in a nice suburban house your parents left you as a 'sorry for being absent' gift. Very close to where you used to go to school, which was crucial. It was perfectly comfortable— a little too big for you to be living there by yourself, which left space for you to feel a little lonely many times— but spacious nonetheless.
So with that, and lots of discussion, it was decided that Spencer would accommodate himself at your house, to make the whole marriage part, well— believable.
Cameras had been installed all across the outside of your house, ensuring there'd be vigilance throughout the days to come. Hotch made it incredibly clear, that you and Spencer's safety was top priority, so taking precaution wasn't something that the team was going to take lightly. Hotch had previously sat you and Spencer down, just to make sure you knew what you were getting into, the basic guidelines you'd have to follow and so on.
You and Spencer didn't speak much as the plan progressed during the following days and you didn't know why. You knew that you had been busy with your own things and he had been busy with his own, but it still filled you with dread. You were dwelling wether or wether not he was truly comfortable with the whole 'fake married couple' and not having time to sit down and actually talk to him about this whole thing was messing with your head.
'Just keep an eye out for anything suspicious and try to act like a married couple—'
'As if that was so hard for them.'
That's what Hotch had told you and what Morgan decided to pipe in, causing you to nearly toss the book you had with you at him. Was it normal that you had been dwelling on what Morgan had said relentlessly since then?
You didn't fully understand why the whole concept filled you with an unexplainable unsteadiness. It felt similar to anxiety but it wasn't as dreadful. It felt like something was lingering across the tip of your tongue, begin to be released, but your brain couldn't actually process any of it.
Spencer had been taking this whole situation just as lightly as you were— which wasn't at all light. His mind running impossibly faster than usual, and thoughts forcing themselves in and out of his head. A few of his things had already been moved into your house, such as spare clothing among other stuff.
Tonight, however, you're mind was silent for the first time in these past two days. You sat on your couch, digging your back into the softness of its pillows, dressed with a fluffy pair of pajama pants and a white t-shirt that fell over your body comfortably. You had a box of ramen in your hands, and Spencer sat just a little further from you on the opposite side of the couch, also in his pajamas.
The two of you had been taken completely off guard, seeing the other in something so 'casual'. Sure, you had been best friends for a while, but somehow you had never seen each other in anything other than your work attire. Seeing him in nothing but a plain grey T-shirt and plaid pants felt almost intimate.
He held his box of ramen in one hand and a fork in the other, reminding you of his inability to ever learn how to use chopsticks, despite your attempts at teaching him.
You tugged closer at the blanket you were wrapped in and said with a mouth full of noodles."Easily the best scream movie since the original."
"In every way is it better than all the sequels. The opening scene is brilliant and the way they did it was so scary and intense—" You beamed, enthusiasm radiating off your every word as the end credits to Scream 6 began rolling.
One of you and Spencers preferred past-times was watching any movie, franchise or series you could get your hands on and either rip the movie to shreds or praise it as if it were a god given gift. You just finished watching the last Scream movie and funny enough, you both were disagreeing on the cinematographic decisions.
Spencer rolled his eyes, jabbing his fork into the nearly empty box of noodles. "Please, even after the last time I saw this I still think the this is one of the slowest pacing films known to man."
"You could actually tell this was the longest movies in the franchise," He shrugged. Your jaw slacked as an annoyed groan left your lips.
"Spencer, it is not slow-paced— are you kidding me?" He deadpanned at you, clearly disagreeing with your opinion. "Everything was timed perfectly! I mean, the kills were brutal but even so, they felt realistic and made me believe that those things could actually happen."
"They do actually happen," He said, reminding you of the reality of your job. Your lips pursed in thought, realizing he had a point as you looked over at the TV screen.
"Touché,”
You poked at your box silently. You didn't usually mind silences, much less with Spencer, but right now you were realizing that a somewhat tense silence had dwelled upon you two. You felt your nerves begin to bundle up and you caught yourself opening your mouth to speak.
"So uh—" One more poke at the bottom of the carton box. "I talked to Claire today,"
"Hmm? What'd she say?" Spencer's gaze and entire attention was on you in the matter of seconds and it made you weirdly nervous to speak.
"Well," You reached over, setting the now empty box onto the table. You leaned back into the couch, looking over at him as he copied your movements effortlessly. "She was telling me how she was planning on throwing a ten year reunion, but with everything going on, she cancelled it."
“Claire always took matters of those stupid school events into her own hands, but she didn’t know how tone deaf it was of her to throw it ever with everything that’s going on,”
Your speaking started off as a nervous ramble, attempting to fill the silence, but you soon found yourself easing into the nature of the conversation. Spencer listening attentively, shifting his weight to the side every once in a while.
"I told her that she should go ahead with it anyways. Gave her a hell of a list of pros and somehow she agreed to look into the possibility of organizing it,"
You recalled your conversation with Claire easily. When the option for a high school reunion was up, you remembered the reality of your mission with Spencer, and knew it was the perfect way of getting you and him on whoever was attacking radar. She asked why you were so enthusiastic about wanting to throw together the reunion, given how you weren't present at the one year reunion— or the five year.
"She was kind of apprehensive, which I don't blame her," You laughed at yourself and laid your head on the back of your couch, looking up at the ceiling. "I— uhm, told her it was because I wanted to officially introduce you as my husband and she got all, excited,"
You felt yourself growing nervous as you looked over at Spencer. "Excited?"
There was a teasing glint in his voice as he narrowed his eyes at you. He also laid his head on the back of your couch, still gazing over at you. It made your stomach weirdly twist and suddenly you felt your cheeks hot to the touch. You smiled and narrowed your eyes as well.
"Yes, excited," You looked down at your lap. You were getting to that point where you weren't thinking straight and your lips moved along as if they had a mind of their own. “She said she knew it all long and you know the typical 'called it' which everyone seems to love saying lately,"
“Saying what?” You looked back up at Spencer and silence dwelled upon you two. You shrugged and opened your mouth to speak, but was shocked when nothing came out. Both of your growing smiles began to falter as he tilted his head back just slightly, watching you intently. You knew something was lingering in his head— finding out what was the hard part.
"—It's uhm," You sucked in a deep breath and sat up quickly. "I'm gonna—"
You wordlessly dusted off your pants, tumbling slightly on your feet. You grabbed both now empty ramen boxes and waltzed over to your kitchen.
"Need help?" Spencer shot from over the couch, standing up and making his way over to the kitchen behind you.
"It's fine Spence," You cleared your throat, throwing both boxes into the trash and the fork into the sink. You turned, seeing Spencer now leaning against the fridge with his hands stuffed in his pockets.
Your eyes felt droopy, which meant it probably was late, and the two of you did have work tomorrow. Somehow knowing it was late impulsed your body to let out an involuntary yawn. Spencer smiled at you.
"I left a few extra blankets on the edge of my bed cause I know it gets cold—" You started. Spencer pushed himself off of the fridge and looked at you quizzically.
"What?" He asked. You stopped as you noticed his severely puzzled expression, looking at him and furrowing your brows.
You explained once again, completely lost as to what the problem was. “Blankets..? You know those things you use for—"
"You're expecting me to sleep in your bed?"
You blinked. "I changed the sheets before you got here if it's the whole germ shit your worried about,"
"What? No, it's not—" He said before shaking his head. "We're at your house, I'm supposed to sleep on the couch."
Of course. You hadn't thought about the fact that Spencer was going to be severely against you staying on the couch. In various situations he had put all of his comforts out of the way for you, so of course he wasn't going to let you sleep on the couch.
"Do not fight me on this because I swear," You pointed a warning finger towards him, taking a step near him. "My couch is amazing, if you couldn't already tell. I've got the TV as well, which I do not have in my room,"
He rolled his eyes at the amusement in your voice. But shook his head firmly. "You take the room, I'll take the couch—"
"Spencer!" You groaned, throwing your head back. You reached out and grabbed his wrists with both of your hands, looking up at him firmly. "Please,"
His lips pressed into a tight line, eyes finding yours as he looked down, seeing your lips tightly dressed with a firm pout as you attempted to give him your best puppy eyes.
"If you sleep on the couch that means I set up the whole light projector thingy for nothing," His head tilted.
"What?" He laughed at you, fully with endearment.
"I got you this stupid little galaxy projector thing off of Ebay, so the room wouldn't be pitch black."
Spencer stopped and looked down at you. He could practically heard his heart explode inside his chest, which was the best way of describing whatever it is he felt whenever you did stuff like it this. Stuff that showed that you cared, that you listened and payed attention.
When he suddenly looked away from you, incredibly close to caving, you tugged his wrist closer. "Please?"
He sighed, looking down at you. "Fine,"
It was imposible for Spencer to say no to you. It always has been. Wether it was something as stupid as stopping by a gas station on the way home from work to get your favorite snack or for him to give you some company while you visited the offices printer, he always found himself surrendering to your pleading look.
"I promise it's comfortable," You reassured, noticing how he was still apprehensive of letting you sleep on the couch in your own house. He sighed once again, but this time tugging you slightly by the arm into him. He wrapped his arms around you as your arms mindlessly wrapped around his torso. He buried his face into your neck and let out a gush of air he couldn't tell he was holding as his body relaxed under your touch.
With everything going on, the two of you had forgotten just how peaceful it was to be around one another. You had to remind yourself that the two of you were in this together, as much as you believed it was something you were handling alone.
"We're okay right?" He asked, realeasing you from his grip to look down at you. You pulled away, finding the same worry you had been feeling these past few days flooding his eyes.
"Yeah Spence," You gave him a small smile and a reassuring squeeze. He hugged you once more, trying to hold onto the feeling as you rubbed his back.
"We should probably head to sleep—" You said, pulling away from him as he hesitantly let you go, rubbing the back of his neck.
"Yeah," He nodded looking down at you one last time.
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It all happened in the matter of seconds, and having been woken up so suddenly, you didn't fully grasp what was going on.
It started with a scream. The sound caused you to shoot up from your position in on the couch, still groggy with sleep. The second scream that came made your blood run cold as you realized the scream belonged to none other than Spencer.
Anxiety immediately clawed your throat and you truly felt like you couldnt breathe. You threw the blanket off of yourself and shot up from the couch. You held your breath while your body unconsciously dragged you towards your room in a panicked frenzy.
Please be okay, please be okay, please be okay
You still weren't processing anything that was going on when you pushed the door open fully expecting yourself to find the worst.
It took you a second that no one had broken in like you had thought. Spencer was unharmed but slashing back and forward in his sleep.
He's having a nightmare
You rushed over to his side, sitting on the edge of the bed and gripping his shoulder as you tried to get him to wake up.
"Spencer!" You shook his shoulder as he groaned and mumbled inaudibly in his sleep. With one final firm shake at his shoulder, his eyes shot open.
He sat up in a rush, desperately looking over the lightly lit room while his chest heaved up and down madly. His skin felt hot at the touch and his hair was all over the place. You could even see a few pieces that had been matted onto his forehead due to the sweat.
"Hey," You cooed, eyes laced with sleep and worry. His own eyes found yours desperately, breathing still labored. "Can you breath for me?"
He nodded wordlessly. Your hands snaked down to his, gripping his clammy palm in your own. You rubbed your thumb across his knuckles gently as his breathing finally slowed down. He dragged his free hand across his face and let out one final shaky breath.
You didnt ask anything at first. You just sat with him in silence— partially because you knew what it felt like, and also because you wanted him calm before saying anything.
Spencer was used to the nightmares. He got them when there was something that was on his mind, and he usually just slept through them, unable to wake up. It sometimes felt like he was stuck in them, and not being able to wake up from them was hell.
When you caught how he looked down, eyes full of panic and dread, you squeezed his hand. "It was just a nightmare Spence,"
He nodded, trying to believe you. You weren't going to pry, or ask him to tell you about what his nightmare was about. "I- I know,"
"...Do you get those often?" You asked after a moment of silence. He shrugged.
"Not necessarily, only when I'm stressed or worried,"
"Can I help in anyway?" Spencer looked up at you, squeezing your hand reassuringly as he shook his head.
"No—" He didn't want to be yet something else you had to worry about because just with the way you were looking at him he could tell you did— you always did. "No, I'm okay,"
You looked at him, trying to get him to crack under your gaze because you knew he wasn't fine. You didn't need him telling you the details, but you did want him telling you what you could do to help— and right now he wasn't going to because that's how stubborn Spencer was.
"You scared the shit out of me," You said, voice nearly breaking in a yawn as you rubbed your eyes with your free hand.
"Sorry," He said. You looked up at him and then reached over and tapped the screen of his phone that sat on the nightstand, reading the white numbers spell out four in the morning.
"You sure I can't help in anyway?" It felt utterly wrong to you to just leave after seeing how he had been paralyzed in his sleep by whatever severe fear his nightmare caused.
He remained silent. With a huff, you let go of his hand and crawled onto the opposite side of the bed wordlessly. Once you had laid on your back, you reached over, grabbing the grey blanket that sat on the end of your bed and pulled it up towards your body, laying into the pillows that sat behind your back.
Once you were accommodated, you looked over at Spencer, who was looking back at you, confusion painting his features. You shrugged at him.
"Can't a girl sleep in her own bed?" He rolled his eyes and with a small laugh, laid back down. He turned onto his side and glanced at the starry lit ceiling.
The roof now looked similar to that of a galaxy. The dark room was airbrushed in a deep blue and hints of purple, as stars circled and glided across the ceiling in a slow pace. The room resembled a nebula, and it was actually pretty fascinating.
"The lights are pretty," You stated, looking at the roof in awe.
"They are," Spencer agreed. You laid down further into the bed and searched for Spencer's hand. He flattened it out, granting access for yours to intertwine itself in his.
"Is this okay?" You asked.
With a single reassuring squeeze, he answered. "Yeah,"
You closed your eyes, letting sleep begin to consume you again as you laid far from Spencer's body, but still connected by the simple touch of your intertwined hands.
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𝐭𝐚𝐠𝐥𝐢𝐬𝐭 @yondiii i @r-3dlips @moonchildohh @rubyirene @sp3ncelle @alisyacsa @pleasantwitchgarden @landooscurls @chonkybonky @hiireadstuff @stillhere197 @iluvreading73
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jvnluvr · 2 years ago
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blue lock boys when you surprise them ! pt 1. ♡
ft. sae & kaiser x f!reader
(neo-egoist arc spoilers!! be warned)
author’s note: my last blue lock post got a lot of love and it made me more motivated, so thank you everyone! might do a part too where the roles are swapped, or with more characters. lmk by asking if you have any other requests. enjoy more bllk content, my lovely readers. <3
itoshi sae:
sae is gone a lot. you knew from the moment you got into a relationship with him that this would be the reality of your relationship. you loved him though, so even if you missed him tremendously, he would always come back home into your arms. there wasn’t much more you could ask for.
sae had gone to brazil for three games. it was a week stay, but it felt so insufferably long. maybe 3-4 days in, you were sick of being home after work not having anyone to go to or not having anything to do. so what did you do? obviously book a ticket to brazil yourself! to avoid suspicion, you told sae that you might not respond to his texts because you were going out with your friends and end up staying over at their place. (all your friends were busy that week.) but he didn’t catch anything!
you fell asleep on the flight, waking up to your landing. your heart was racing as you walked off into the airport. you’ve never really done something this grand before. surprising your boyfriend right before his game? god, you never expected to even set foot in another country for a while. all you could do was quickly rush to get a taxi, (you learned basic portuguese for this) and off you were to the stadium where his last game was being hosted.
quickly playing the driving, you ran inside. even if shidou was annoying, you thanked him for not revealing your plan to sae and helping you enter the stadium freely. “your boyfriend is a lucky one, yeah?” you could only nod in nervousness. why were you scared to see him? what if he just told you to go back home, what if he didn’t want any distractions, what if-? “c’mon he’s about to get on field, go!” shidou pushed you near the place his team was getting ready.
“hey [name]! sae didn’t tell us you were gonna’ be here.” one of his teammates grinned at you. you saw sae slowly turn around when he heard your name, an annoyed look plastered on his faces, thinking his teammates were tricking him for a stupid laugh. that was until he actually saw you, that his eyes widened.
“uh,, surprise sae?” he kind of just stood there for a second, not even being able to process the fact that you were physically standing in front of him. you only were able to feel dejected for a mere second, assuming he wasn’t happy to see you, that was until you were suddenly enveloped into a warm hug. and for a second, it felt as if you were the only two in the blazing stadium. “stupid, why are you here?” he whispered in your ear, not letting you go. despite his chosen words, his voice was filled with nothing but softness.
“cause i missed you, sae. you’re always gone, and even if i was prepared, it hurts not being with you.” you replied back. god no, you weren’t going to cry right before he went on the field. “don’t cry princess, i’m right here.” you were trying so hard to hold it in, but you couldn’t help it, he was with you, after what felt like an eternity. “thank you for surprising me, you’re the best thing i could ask for.” he kissed your forehead, still whispering so his teammates couldn’t hear the sweet nothings he reserved for you.
michael kaiser:
the ace of bastard münchen loved you very dearly. kaiser loved selectively, but the moment he laid eyes on you, he was smitten. truly, he tried to make as much time as humanly possible to spend with you but when blue lock joined the top teams, his brain had been haywire because of isagi. all he could think of was how to improve, how to crush him.
so naturally; with his brain occupied and all, he gradually started spending more and more time away from home to practice. sure, he still texted you sometimes and all, but you felt more lonely before than ever, since you were so used to kaiser being there to smother you in his love and adoration.
so when today finally came, the day where they would go up against barcha fc, it was him to finally prove he was a better player than isagi. he left super early that morning. he didn’t expect you to even try and leave the house because you studied from home, and he was going to be gone practically the whole day. to be honest, you really did want to go and surprise him at the game, but you couldn’t afford to skip class today. so you had to come up with something else grand to surprise kaiser.
so you went out after class, an hour before he was supposed to come home. you bought heart-shaped balloons, confetti, a cake, and any other decorations that you could drape onto the walls in your shared house. just before you were about to go back, you got a *ping!* from your phone.
ml michael: baby we won!!!! i’ll be home in a bit <3
you: congrats ! i’m waiting <3
you knew after that you had to rush home and get ready. gratefully your house wasn’t too far from the store. so you quickly unloaded everything from your car and put everything up in the living room, near the entrance of your house. “i hope he likes it, and isn’t too tired to just ignore everything..” you let out a slight sigh before continuing to finish up putting up the decorations.
you heard a loud engine outside and you would have been surprised if it was anyone besides kaiser. you quickly ran to shut off the lights before hiding behind the couch that faced the wall. the sound of the keys jingling as the door opened made your heart race as you held your hand over your mouth, not wanting him to even hear your breathing. “my dearest love, i’m home- huh? why are the lights off?” you couldn’t help but internally giggle at his insanely slow reaction time.
“[name], are we playing hide and seek or something? you know i’ll find you.” at that, you unintentionally rolled your eyes at his confidence. there’s no way he would expect you to be behind this couch, not to mention he hasn’t even turned the lights on- “found you.” you yelped as kaiser picked you up from behind, sitting you on his lap on the side of the couch.
“now, does my pretty girl wanna tell me why she was hiding behind the couch?” he kissed your cheek, and he swore he could see them turn red in the darkness. your entire plan? ruined. this really wasn’t the way you wanted to surprise him. “just wanted to surprise you, y‘know? you didn’t even turn on the lights silly.” kaiser gave you a confused look but nonetheless got up to turn them on. “surprise! and of course good job on winning your game today.” you smiled at him, but he just stared at you with the biggest heart in his eyes.
“you’re the cutest thing ever.” he lifted you up again and you wrapped your legs around him. “there’s a cake too, we should eat it.” you mentioned, totally forgetting that you set it out on the table. “i love you, liebe.” he couldn’t stop kissing you after that surprise.
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chaifootsteps · 14 days ago
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wr.t. leaks (spoilers, duh!). Viv really chose the most boring and uninspired rendition of Alastor possible, and I could not be more disappointed. The signs were definitely there in Season 1, but if you wanted to you could easily dismiss as sloppy writing and one-time reactions to extraordinary events.
Like, I know no fan is *entitled* to have their particular interpretation of a character be validated, but... really? He's been reduced to the form of a one-dimensional, entitled manchild you might find as the villain of a self-insert fanfiction. Ohhhh nooo luci hurt his feefees and Rosie didn't actually make him an all powerful god, so time to storm out and whine about it. Why make a deal in the first place? Well, duh, he gleefully murdered so many people for trivial inconveniences he didn't wanna end up a tortured soul in Hell. He's basically Valentino, but, on the 'good team', and not a rapist (yet.), or Adam, or Vox, or Mammon, or Stella (frankly, you could even put Stolas in this bucket, if he weren't so unintentionally manipulative). A parody of a threatening character, incapable of creating conflict in any way that doesn't involve waving around a big stick and reminding everyone and the audience who the author blessed with magical power don't you forget it!
I've said this about pilot!fanon!Lucifer too, but, the fandom interpretations are just objectively more interesting. It's not like you can't write a story, or even a good story, about an entitled man drunk on power obsessed with his own image and getting what he thinks he's owed. But why would you 1) choose an enslaved racial minority character (!!!) to do this and 2) do it instead of multiple more compelling options given you already have multiple of this exact character on the cast?
Fanon!Alastor has emotions other than anger and insecure whining, he just can't express them because decades of crawling his way up two different hostile societies have beaten into him never expressing vulnerability. His very smile is symbol of societies like Hell ultimately victimize both the powerful abusers and their victims. Fanon!Alastor had a deal with ___ not because he's drunk on his own desire to murder but because he's vulnerable to the very same weakness and temptation he's learned to exploit in others. Fanon!Alastor has a natural dual conflict with Charlie: Alastor's connections and practical knowledge represent a way of making her dream a reality, at the cost of potentially corrupting her and having her get there in an incorrect/immoral way. And Charlie's dream presents Alastor with a pathway to more power and stability, but unbeknownst to him threatens to unwind his entire psyche in allowing himself to care about something. Fanon!Alastor, far from being image-obsessed with a need to be constantly in the limelight, is capable of being subtle, fading into the background when it benefits him.
I could go on, but I'm just tired. It hurts me that, come release, fan works which I enjoy making and reading will be expected to comply with this. I don't want to write Alastor this way. I don't want to be told I'm writing him 'wrong' for not doing it. I hope that in some way the earlier fanons are preserved and kept alive even as canon is polluted with all this slop.
It's sad and exhausting, for sure. It also doesn't help that the standom will attack you pretty viciously if you have the audacity to prefer the pilot to the actual series.
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