#(basically no spoilers about his actual team)

[love-byers]

i've seen a few anti-byler people say they view byler the same as percy and nico from percy jackson, meaning that both dynamics are just a tool to reveal one character's sexuality. and i think that's interesting because i've always thought the opposite

if you're not familiar with percy jackson, percy is of course the main character, and nico is a recurring side character introduced in the third book (there are 5 books total). in the sequel series, heroes of olympus, it is revealed in the fourth book (of five total) that nico once had a crush on percy.

nico's crush on percy was undoubtedly just a tool to reveal the fact that nico was gay. so let's go through the several differences between these two dynamics, because it's actually in byler's favor

first of all, percy and nico have a four year age gap. when they meet in book 3 nico is 10 and percy is 14, so this comparison is automatically garbage. will is literally 2 weeks older than mike. needed to get that out of the way at the beginning lol

aside from that, mike and will are best friends of 7 years when s1 begins. they became best friends on the first day of kindergarten, they are extremely close, they hang out every day. mike's entire arc in s1 is about finding will. we see how he defends will behind his back, how devastated he is when he thinks will is dead, how he clings to the first bit of proof that he may be alive even though no one believes him, how happy he is when will is found. he runs into will's hospital room and lays his head on will's chest. and we all know about s2 byler...

in the first pjo book, we have no idea nico exists, and neither does percy. percy bonds with annabeth (his love interest) for the entire story (as well as every book besides the third because she was kidnapped at the beginning, and percy's sole motivation was to save her. sounds familiar...).

pjo spoilers ahead (its been out for 20 years come on...)

in the third book, nico is absent for the majority of it because percy leaves camp on a quest with bianca, nico's older sister. bianca dies on the quest, and at the very end of the book percy tells him what happened. nico is devastated and blames percy for her death. the few times percy and nico interact in the 4th book, their arc is entirely centered around nico accepting bianca's death and the fact that it wasn't percy's fault. in the final book they briefly team up at the beginning and make peace, and nico fights on the good side in the final battle. percy and annabeth have their first kiss in the 4th book and start dating at the end of the 5th (looooong situationship)

nico doesn't appear in the first book of the sequel series. he does briefly appear at the beginning of the second, and then leaves to go off on his own business. he is absent for basically all of the third book because he was trapped in a jar by a titan (long story). but percy and the others save him at the end. in the fourth nico is a main character for the first time. he's present for the whole story (while percy and annabeth are stuck in tartarus) and heavily involved. this is the book where we find out nico had feelings for percy. nico and another charcter, jason, are attacked by cupid and cupid forces nico to admit that he had a crush on percy, therefore admitting that he is gay, outing himself to jason. then in the fifth and final book, nico narrates about a quarter of the chapters so we get his more insight on his thoughts and feelings. he feels like a mistake for being gay and feels like he'll be alone forever. when he had a crush on percy he viewed him basically as a superhero. percy was an older, stronger, powerful demigod that protected him, and nico idolized him. but at this point in the story nico is essentially over it. near the end of the book, nico teams up with a guy his age named will solace. and there's a scene in nico's last pov chapter after the final battle is over where nico tells percy that he used to have a crush on him, but that he's over it and percy isn't really his type anyway (lmfao). and then nico walks over to will who had been waiting for him, obviously symbolizing him moving on from percy and choosing will. and in the trials of apollo series we find out that nico and will are dating. (solangelo my bookies<333)

how is this in ANY way shape or form similar to byler??

percy and nico do not have the depth and backstory that mike and will do. percy does not give nico a tearful monologue about how asking nico to be his friend when they were children is the best decision he's ever made. percy and nico do not agree to go crazy together. percy does not tell nico that home isn't the same without him. percy doesn't emphasize that they are just friends. nico isn't the one to push percy into confessing his love to annabeth. nico and percy don't spend every single book attached at the hip. percy doesn't choose to stand with nico instead of following annabeth when the world is ending. percy and nico barely bond at all. their relationship is complicated. they are borderline enemies in the 4th and 5th books (the hate is one sided, but nico has also yet to earn percy's trust), but they become allies and friends in the end.

percy and nico are a good example of a character's feelings for another solely being a tool to reveal their sexuality. byler would be an awful attempt at that. there is unnecessary depth and development. mike and will's bond is a plot point every single season, which would be pointless if they don't end up together. nico had a crush on percy. a crush. it is only every referred to as a crush. will is in love with mike. deeply, devastatingly in love, and always will be. percy was not the only person capable of making nico not feel like a mistake. nico never said he needs percy. nico never says that he's lost without percy.

IF I EVER HEAR P*RNICO EQUATED TO BYLER AGAIN I WILL DRINK BLEACH ON INSTAGRAM LIVE FOR EVERYONE TO SEE AND I MEAN IT. miss me with that bullshit

[jungkoode]

死 KKANGPAE | #04 死

† forest rendezvous †

"They say the most dangerous predators are the ones that make you feel safe before they strike. But watching him calculate each shot with deadly precision, you realize there might be something even more dangerous - the ones who warn you exactly what they are, and still make you want to stay."

next | index

⚔ chapter details ⚔

word count: 6k

rating: mature

content: forced proximity, piggyback, sniping, ominous threats, badmouthing, hinting at deeper wounds

☠ author's note ☠

A/N: Oh wow, apparently I even had author's notes saved in my drafts when I started writing this back in 2020? Past!me had *thoughts* and present!me is just here like (╯°□°）╯︵ ┻━┻

So I'm basically taking those written thoughts and rechanneling them through my 2025 brain. And let me tell you, the cognitive dissonance is REAL. Like past!me was all "but it's a slow burn!" and current!me is just cackling in the corner because honey... you have no idea what's coming ｡･ﾟﾟ*(>д

I really debated on whether to include the piggyback scene or not. Had the whole thing pictured out a LONG time ago (we're talking pre-pandemic long, yes I am ancient, no I don't want to talk about it), but wasn't sure if I should add it here... you know, being a slow burn and all that jazz. But I think it works? They're both so against it that it's basically negative development at this point lmao.

Also, FORCED PROXIMITY MY BELOVEDS. If you think I'm not going to milk every single trope in existence, you clearly don't know me well enough yet. Just wait until we get to- *gets tackled by the spoiler police*

As always, thank you for reading! Your comments give me life and serotonin, which I desperately need because my caffeine addiction can only do so much. Stay tuned! (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧​​​​​​​

⚔ socials ⚔

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tumblr/twitter: @jungkoode

⋆⁺₊⋆ ☾ ⋆⁺₊⋆ ☁︎

"Shit—"

The word slips out as you struggle to your feet, using Jeon's hand like some kind of reluctant lifeline.

That's when your ankle decides to remind you exactly how badly you messed up trying to ambush him earlier. The adrenaline's wearing off, leaving behind nothing but raw, throbbing pain that makes you want to scream. Or cry. Maybe both.

"I think I twisted my ankle."

Jeon drops your hand like it's burning him, his expression morphing into pure exasperation. 

"You must be kidding me." 

"Yeah, because I love pretending to be injured during paintball." The pain makes your words sharper than intended. "It's my favorite hobby, actually."

He presses his hand against his face and you can practically hear the gears turning in his head. His expression shifts from annoyed to something more complex—like a storm trying to decide which direction to blow.

The silence stretches between you, thick and uncomfortable. You lean against the rock, trying to take weight off your ankle, but it just keeps t̶h̶r̶o̶b̶b̶i̶n̶g̶ ̶l̶i̶k̶e̶ ̶a̶ ̶b̶i̶t̶c̶h̶ hurting worse with each passing second.

Finally, Jeon clicks his tongue and strides over to you. Then he just... turns around. Stands there. Like you're supposed to know what that means.

When you don't move, he adds, "Hop on," in a voice that somehow manages to sound both annoyed and urgent at the same time. 

Like he's throwing commands to a dog.

You stare at his back, brain struggling to process what's happening. This is Jeon—Mr. Ice Prince himself—offering you a piggyback ride. The same guy who can barely stand being in the same room as you most days.

He glances over his shoulder, dark eyes meeting yours. "I said, hop on. We don't have all day."

"No way." Pride makes you lift your chin despite the pain. "I'm not getting a piggyback from you. I'll just... wait here."

His patience visibly snaps. He turns to face you fully. "You can't walk, and you'll be a liability." The words come out sharp and cold. "If someone from his team finds you, you're out. And now, you're on my team."

"What do you mean I'm on your team?"

"You ask too many questions." He bites the inside of his cheek, clearly t̶h̶i̶n̶k̶i̶n̶g̶ ̶y̶o̶u̶'̶r̶e̶ ̶a̶n̶n̶o̶y̶i̶n̶g̶ done with your attitude. "Were you or were you not with my team when shit went down?"

"What does that have to do with—"

"It's an improvisation game. It's V's thing, stealth. Remember?" His voice cuts through yours like a knife. "Whoever's with me when V strikes is on my team. Same goes for him. It's really not that complicated."

He takes a deep breath, face muscles shifting to something more controlled. When he looks at you again, he seems determined. 

"I'm not losing to V, especially not because of you. So either hop on," the gentleness in his voice has an edge that makes you tense, "or I'll pull rank and make it an order."

Your blood boils at that. The audacity of this man, threatening to pull rank just because you don't want to get a piggyback ride like some kid. But he's right, and that just pisses you off more. Your ankle's screaming, and you're basically a sitting duck out here.

Fuck. 

You hobble closer, swallowing your pride along with a string of curses. The warmth oozing off his body envelops you swiftly, making your heart do weird things in your chest.

Getting on his back is awkward and t̶h̶o̶r̶o̶u̶g̶h̶l̶y̶ ̶h̶u̶m̶i̶l̶i̶a̶t̶i̶n̶g̶ uncomfortable, but he lifts you like you weigh nothing. His body is all lean muscle under your hands, which is just... t̶h̶o̶t̶ ̶t̶h̶o̶u̶g̶h̶t̶s̶ ̶b̶e̶g̶o̶n̶e̶ not something you need to think about right now. You kind of want to knee him in the ribs, just because you can.

You don't, though. Your ankle's already betrayed you once tonight—no need to make things worse.

He starts moving with careful, measured steps. Neither of you speaks. If he's as annoyed as you are about this whole situation, he doesn't show it anymore. His focus is entirely on the game now, eyes scanning the darkness, body tense and ready. Like a storm gathering strength.

And that just pisses you off more. Here you are, swallowing your pride with every step he takes, while he acts like carrying you is just another mission parameter to execute. The quiet forest floor suddenly seems way more appealing than being trapped in his personal weather system.

His breathing is steady, a rhythm that somehow makes the tension worse. Because yeah, he's helping you, but it feels like being rescued by a particularly moody thundercloud. The fact that you need him right now doesn't make you like him any better—it just makes everything more complicated.

Your eyes are dragged to the edges of his tattoos where they disappear under his shirt. Each one probably has a story, but good luck getting those out of Mr. Storm-and-Silence here. 

Still, you're curious. 

Are they about pain? Strength? Or maybe he just likes sitting through hours of needles because he's t̶h̶a̶t̶ ̶k̶i̶n̶d̶ ̶o̶f̶ ̶m̶a̶s̶o̶c̶h̶i̶s̶t̶ that dedicated to his aesthetic.

The silence starts to feel heavy, pressing down like gathering clouds. All you can see is his back, and the closeness makes your skin buzz like it's charged with static.

"So where exactly are we going?" You break the silence because honestly, anything's better than drowning in his suffocating presence.

"Paintball weapon cache."

"Wait, what?" You can't keep the disbelief out of your voice. "I thought we were getting my ankle checked out—"

"This is a simulation." He cuts off. "V's games are unpredictable, but they mirror real scenarios. We adapt. We deal."

There's something under that icy tone—a competitiveness that makes you think this is more than just training to him. Your fingers twitch against his shoulders, and you try not to think about the muscle shifting under your hands.

"You do this often?" You find yourself asking, curiosity winning over irritation.

"Unfortunately." The word carries a gust of dry humor. "V likes his... creative training methods. Paintball, surprise drills, mock raids. He's impulsive, but effective."

"Sounds... fun?" The word tastes weird in your mouth.

"If you enjoy being perpetually ambushed." His dry tone makes your lips twitch despite yourself.

You fall quiet, thinking about these two forces of nature—Jeon's storms and V's thorny garden. Different kinds of dangerous, but both leaving destruction in their wake (duh, they're assassins?). One's all calculated precision, the other pure chaos—yet somehow they both keep the gang's deadliest division running. 

"So what's the plan now?" You try to keep your voice neutral. If you're stuck being his human backpack, might as well try to be useful.

"We arm ourselves." His voice gains a strategizing color. "It's not about having the most firepower. Real situations never go according to plan."

Something about his tone piques your curiosity even further. "Has he always been like this? V? With the whole paintball ambush thing?"

Jeon lets out a sound that's caught between amusement and irritation. "Yeah. You never know what to expect with that psycho. There was this one time when he—"

He cuts himself off abruptly. You can feel how his muscles tense against your legs, probably kicking himself for almost sharing something personal.

"When he what?" You can't help pushing. The rare glimpse behind his walls is too tempting to ignore.

"Never mind." His voice goes flat, that familiar coldness sliding back into place.

The silence stretches again, pregnant with all the things he won't say. It's strange, catching these tiny cracks in his perfect ice-prince facade. Makes you wonder what other stories he's keeping locked away.

As you move deeper into the forest, his competitive side starts showing through. He explains the rules like he's briefing for a real mission, all strategy and tactics.

"...And the objective?" You ask, trying to piece it all together.

"Last team standing wins." His voice rumbles through his back against your chest. "Or take out the opposing leader—me or V."

"Makes sense." You nod, hyper-aware of how his voice ricochets through you. "But why so intense? It's just paintball, right?"

The question slips out before you can stop it. But really—all this drama over some colored paint?

"It's never just a game." The edge in his voice could cut glass. "In our world, everything's a test. A challenge. We're constantly proving ourselves. You should know that by now."

His words sink in slowly. You do know—every day in this place feels like walking a tightrope, being watched, measured, judged. Even something as simple as paintball becomes another arena to prove your worth.

"This is exhausting," you mutter, and you actually mean it. The weight of constant training, constant proving yourself—it gets old fast.

"It is." Something in Jeon's voice makes you wish you could see his face. There's a pause, then: "But it's necessary. Keeps us sharp. Survival of the fittest and all that shit."

The bitterness in those last words catches you off guard. It's weird hearing him talk like this—like maybe he's not totally sold on the whole 'constant competition' thing either. The thought of Jeon having doubts about anything feels like finding a dent in what you thought was solid concrete.

He continues moving through the forest like he was born here, feet finding paths you can barely see in the dark. The trees loom overhead, their leaves whispering secrets you can't quite catch. Soon, you are opening your mouth again before your brain can stop you.

"How'd you end up here?"

His stride breaks—just for a second, but you feel it. The air grows heavy again, pressing down on your shoulders. 

"Circumstances. Choices." The words come out clipped, that familiar wall slamming back into place. "Same as anyone else."

You can practically taste the story he's not telling. Something dark and messy that turned him into this walking hurricane of a person. But pushing would be stupid, and contrary to popular belief, you're not that dumb.

"Right." You let it drop, focusing instead on how the moonlight catches on his silver chain when he moves.

Jeon picks up speed, and the trees seem to close in around you both. It seems to be a sign you are approaching your destination.

"So once we get the guns, what's the plan?" You try to break the weird tension that's settled between you.

"Find high ground," he says, voice low and focused. "Somewhere we can see everything but stay hidden. Sniping's all about patience and precision."

"And you think there's actually a spot like that around here?" You can't keep the skepticism from your voice. You've done your fair share of surveillance—good vantage points are rare as hell in this forest.

He just grunts, confident as ever. "I know this place like the back of my hand." He actually lifts one hand to prove his point, the moonlight catching on his rings. 

It shouldn't be as hot as it is. 

Silence falls again and the trees grow closer together, moonlight filtering through in weird patterns that make everything look kind of surreal. The darkness feels heavy, like it's trying to remind you both that you're not exactly on a fun camping trip here.

You watch him scan the forest ahead, all focus and precision. It hits you that this is his element—the quiet, the calculation, the waiting game.

"You really think this'll work against V's team?" The doubt slips into your voice before you can stop it.

"It's not about what works against them." He sounds almost philosophical, which is... different. "It's about playing to our strengths."

He pauses to lick his lip ring—a habit you're starting to notice—before adding: "Plus, I'm Chief of Tactical Assassinations for a reason. Best sniper in Kkangpae. Best in South Korea."

"Best in the whole country? For real?" You hate how interested you sound.

"Probably." His shoulders lift in a small shrug that makes you bounce slightly.

"Right." You roll your eyes. "Got any proof of that?"

"I do." The response comes quick, matter-of-fact. "They're all dead though."

A snort escapes before you can stop it. 

Shit. 

Okay. That may have been actually funny. But you're definitely not laughing at his jokes. He might have a sense of humor hiding under all that ice, but he's still an ass.

Jeon slows down as you reach what looks like the world's most underwhelming hideout—just a tiny hut tucked between the trees. His muscles go tense against your legs, like he's preparing for trouble. The way he lowers you to the ground is weirdly gentle for someone who usually acts like basic human contact might give him hives.

Your ankle screams in protest when you put weight on it, making you wobble slightly. Something flickers across Jeon's face—t̶h̶a̶t̶ ̶m̶i̶g̶h̶t̶ ̶b̶e̶ ̶c̶o̶n̶c̶e̶r̶n̶ probably just annoyance at having to babysit you.

"You good?" 

The question catches you off guard. Since when does the ice prince care if you're okay?

You manage a nod, not trusting yourself to speak without letting out some embarrassing noise of pain. He turns toward the hut but pauses, throwing a glance over his shoulder.

"Tell me if you see movement." His voice drops to barely above a whisper. "Any movement."

Then he's gone, slipping into the darkness of the hut. You hear him moving around inside, probably doing some super-professional sniper inventory check or whatever the hell he does.

When he emerges, he's carrying two paintball rifles like they weigh nothing. You try really hard not to notice how the moonlight catches on his arm muscles as he moves, or how smoothly he closes the door with just a flick of his wrist.

He hands you one of the rifles, dark eyes scanning the forest with the kind of focus that reminds you why he's chief of his division. Then he just... crouches down again, waiting for you to climb back on.

The sight of him effortlessly holding a rifle while offering you a piggyback makes something in your chest twist. How dare he make this look so easy? How dare he be this capable and t̶h̶i̶s̶ ̶h̶o̶t̶ this insufferable at the same time?

You sigh, swallowing your pride along with several choice words about the universe's sick sense of humor, and climb back onto his back. His body is warm against yours and you hate that you notice. You hate even more that he's not even breaking a sweat carrying both you and the gear.

Stupid attractive jerk with his stupid perfect aim and his stupid strength. The least he could do is be ugly, but no—he had to look like that while being the most irritating person you've ever met.

Jeon stands like your weight is nothing—because of course he does. He adjusts the rifle with practiced ease, and you try really hard not to notice how effortlessly he handles both you and a weapon. It's t̶h̶o̶t̶ ̶b̶r̶a̶i̶n̶ ̶a̶c̶t̶i̶v̶a̶t̶e̶d̶ annoying how good he is at literally everything.

His movements fall into a steady rhythm as he walks, and you find yourself swaying slightly with each step. It's weird being this close to someone you can barely stand. The guy who's usually a walking natural disaster is suddenly all careful precision, like the calm before a storm.

The hill stretches up ahead, moonlight painting everything in silver and shadow. Somewhere in the distance, paintball guns are still going off. Sounds like V's twisted little game is still in full swing for everyone else who isn't stuck playing piggyback with their nemesis.

You watch the forest ahead, trying to focus on anything except how warm Jeon is against the cool night air. He moves through the undergrowth like he was born for this. The higher you climb, the slower he moves, until finally he stops altogether.

Without a word—because god forbid he actually communicate like a normal person—he crouches slightly. Your cue to get off this incredibly awkward ride.

"Here." His voice is barely above a whisper as he helps you down with surprising care. 

You scan the area, taking in the elevated position and clear view of the forest below. It's perfect for sniping, which makes sense given who picked it. But something about being this exposed makes your skin crawl.

"This is way too exposed." Your instincts are screaming at you to find better cover. The entire forest floor is visible from up here, which means you're visible too. "We need something more concealed."

Jeon turns his head just enough to catch your eye in the moonlight. "Trust me."

Two simple words, but they hit different.

Trust isn't something that comes easy in this life. Especially not between you and Mr. Hurricane himself. 

Yet here he is, asking for it like it's that simple.

You weigh your options, torn between your screaming survival instincts and his calm certainty. Finally, you give him a reluctant nod. What choice do you really have?

You can't help watching as Jeon sets up his position. The way he moves is t̶o̶o̶ ̶g̶r̶a̶c̶e̶f̶u̶l̶ irritatingly efficient, precise and purposeful. His eyes scan the terrain with a focus that makes your mouth inexplicably dry. 

Because it's weird seeing him like this. The usual cold, intimidating chief is gone, replaced by someone who moves with quiet, deadly grace. Every shift of his body as he positions the rifle speaks of years of practice, of countless nights spent perfecting each tiny movement.

The hurricane that usually swirls around him has settled into something different—a gentle breeze that makes your skin tingle. It's... weird. 

Almost peaceful.

You can't help studying him while he's focused like this. The way his dark eyes track every movement below, how his brow furrows just slightly when he's thinking. His silver piercings catch the moonlight when he shifts, and you find yourself leaning closer. 

Just to see better, obviously. For tactical reasons.

Movement near the cache catches your attention. Jeon goes completely still beside you, the kind of stillness that reminds you he's literally the best sniper in South Korea. You lean in further, trying to see what he's seeing, and suddenly realize how close you are. Your shoulder brushes his, but neither of you moves away. You're both too focused on the target below, who's digging through supplies like they've got all the time in the world.

"Wait for it..." His voice is barely a whisper, warm breath ghosting past your ear. His finger hovers over the trigger with the patience of someone who knows exactly what they're doing.

The poor soul at the cache has no idea what's coming. The air feels charged, like the moment before lightning strikes.

Then—bang.

The shot is perfect because of course it is. A splash of neon paint blooms on the target's back like some abstract art piece. They jump about a foot in the air, spinning around wildly.

"Dammit, Jeon!" The shout echoes through the trees. There's only one person who could make a shot that clean from such distance.

You bite your lip to keep from laughing. Even Jeon's mouth twitches at the corner—the closest thing to a smile you've ever seen from him. For a split second, a gentle breeze wraps around you both like a shared secret.

You nearly jump out of your skin when Jeon's eyes suddenly meet yours. For a heartbeat, maybe two, neither of you moves.

It's... t̶o̶o̶ ̶m̶u̶c̶h̶ weird. The way his dark eyes seem to see right through you, how his hurricane wraps around you like you're in the eye of the storm. Too close. You're close enough to count his stupidly long eyelashes, to see the tiny scar on his cheek catch moonlight.

Then reality crashes back in. Jeon shifts away so fast you'd think you burned him, putting blessed distance between you. The barriers slam back into place—he's your superior, you're just some annoying ensign he got stuck babysitting during paintball. That's all this is.

You lean back too, trying to ignore the way your heart's still doing gymnastics in your chest. It's unsettling, this weird moment of... something. Not respect, definitely not that, but maybe a reluctant acknowledgment that there's more to him than just being an ice-cold asshole. The way he handled that shot, the focus in his eyes, the subtle pride in his posture—it's t̶h̶e̶ ̶h̶o̶t̶t̶e̶s̶t̶ annoyingly impressive.

Jeon's already back in sniper mode, all business again like nothing happened. But the air feels different now. Like the air has picked up speed, swirling with renewed intensity as if trying to blow away whatever just passed between you.

You watch him work, wondering when exactly you started noticing things like how his jaw clenches when he's concentrating, or how his fingers move with such precise grace on the trigger.

You tell yourself the shiver down your spine is just from the cold night air.

"I should leave." The words come out low, almost like he's talking to himself. He stands up, towering over you, a dark silhouette against the forest green. "Won't take long for them to tell V where I am."

"What, you scared?" The question slips out before you can stop it. 

Since when does the great Jeon run from a fight? Especially with V?

"No." It's instant, defensive. His tone is laced with something like irritation. "With V, you play his game. I just landed a shot. He'll know exactly where I am the second he gets here." A pause. "That's why you're staying."

"I see." You answer automatically. Then your brain catches up.

Wait.

"Hold up—I'm what now?" The words come out sharp. "So I'm just bait?"

"Yeah?" He says it like it's the most obvious thing in the world, like he can't fathom why you're even asking. "You'll draw him out."

"Didn't you literally just give me that whole speech about 'making do' and 'real situations'?" Your voice rises with each word. "And now you're using your teammate as bait? Real nice. Guess I was right—you are a hypocrite."

"Sometimes sacrifices are necessary." His voice is cool, professional. "Plus, between us..."

He looks at you then, really looks, and something in your chest goes tight. Those dark eyes of his catch moonlight like black ice, beautiful and deadly. His stupidly long lashes cast shadows on his cheeks, and when he blinks, it feels deliberate. Like he's giving you time to process what comes next.

"You're the expendable one. Here, and in real life."

"Fuck off." The words come out sharp and mean, exactly how you want them.

His eyebrow arches, silver beads catching moonlight like a warning. "Watch your tone."

You can feel the hurricane bearing down on you again. It sneaks through the cracks in your attire, scratching at the outer layer of your skin. It is oppressive, suffocating. Engulfs your whole being almost instantly, almost as if to blow you off balance.

"So you're really doing this?" Your voice cracks a little, caught between rage and something that feels too much like hurt. "Just leaving me here as bait?"

He doesn't even blink. Those dark eyes of his are cold and distant now, like you're just another variable in one of his calculations.

"It's strategic, not personal."

"Strategic." You let out a laugh that's more like a snarl. The thought of being nothing but a disposable piece in his game makes your blood boil. Being used by anyone would piss you off, but being used by Jeon? That's a special kind of infuriating.

He takes a step back from you now, creating physical distance as if he was uncomfortable. Maybe, somewhere under all that ice, he actually feels bad about this. But t̶h̶a̶t̶'̶s̶ ̶w̶i̶s̶h̶f̶u̶l̶ ̶t̶h̶i̶n̶k̶i̶n̶g̶ you're probably just seeing what you want to see.

"Stay low and keep quiet." His voice goes all authoritative again, his standoffish nature coming right back. "If V knows it's a trap, we lose our advantage."

You cross your arms, watching Jeon's figure fade into the shadows. Every cell in your body screams to call him out, to demand better than being left as bait, but...

What leverage do you have? The answer hits like a slap: absolutely none.

He moves like a ghost between the trees, that hurricane of his dissipating until you're left alone with nothing but forest sounds for company. His words echo in your head, each syllable of "expendable" burning like acid.

You try to shift position, searching for some way to sit that doesn't make your ankle scream or your pride hurt worse. Hard to do when you're officially demoted to bait in this stupid paintball game. 

Stupid Jeon. How can he turn even mock battles into some grand strategic play? 

Your jaw clenches. At least real bait doesn't have to deal with the indignity of knowing it's bait.

The forest is too quiet now, like it's holding its breath. You try to focus, to be the good little decoy he wants, but between your throbbing ankle and the rage simmering under your skin, concentration's a lost cause. Your thoughts spin like leaves in a storm, each one circling back to how much you want to punch that perfect face of his.

Then—something changes.

It's subtle. Just the slightest shift in the air, barely enough to stir the leaves. But every instinct you have lights up like a warning flare. You freeze, hardly daring to breathe as you strain to locate whatever's setting off your internal alarms.

That's when you feel it—thorny vines wrapping around your lungs, making each breath sharp and dangerous. V materializes from the darkness like he was born from it, moving with the kind of liquid grace that reminds you why he's chief of stealth. Before you can blink, cold metal presses against your neck—his paintball gun, a very pointed reminder of how screwed you are.

The speed of it leaves you breathless. Or maybe that's his thorny rose aura, squeezing tighter with each passing second. His mastery of stealth isn't just reputation—it's terrifying reality.

"Shh, shh, shh." His breath ghosts over your ear, playful and deadly all at once.

You hadn't planned on screaming, but the way his aura constricts around you makes you reconsider.

"Where's Jeon?" V's voice is barely above a whisper, but something in it makes your blood run cold.

You hesitate. Part of you wants to sell Jeon out—serves him right for using you as bait. But something in V's tone makes you think carefully about your next words. This might be a game to everyone else, but V... V plays different.

"He left me," you manage, voice tight. "Twisted my ankle."

The laugh that follows sounds wrong, like broken glass wrapped in velvet. His thorny vines squeeze tighter.

"Typical Jeon." The way he says it drips poison. "Once a traitor, always a traitor." There's history there, old wounds still bleeding. "Abandoning a teammate? That's cold, even for him."

The paintball gun stays pressed against your neck. Except... is it really loaded with paint? Your stomach drops as you realize you have no way of knowing. Not with V. Not when he's got that edge to his voice that makes you think maybe this stopped being a game the moment he spotted you.

Every instinct screams at you to run, but you're trapped between fight or flight, knowing either choice could end badly.

"He's not here then?" V sounds almost disappointed, like a kid whose favorite toy got taken away. "Pity. I was hoping for a proper reunion."

The gun against your neck suddenly feels a lot more real. You're not the target—you're just the bait. Again. Except this time, it's not just your pride at stake.

"Should've expected as much..." His laugh raises goosebumps on your skin. "No loyalty in that one, hmm? Makes you wonder what he'd do in a real bind. Leave you to rot, probably."

You stay quiet, letting V's poison drip. Each word feels calculated, like he's trying to infect you with his hatred for Jeon. His vines constrict tighter around your lungs with every syllable, and you can't help wondering what made these two hate each other so viciously.

"That's Jeon for you." The words drip with disgust, but V's smirking like this is all some twisted game. "Self-serving. Cold. Doesn't care who he steps on to get what he wants."

The way he's focused on his little villain monologue gives you an opening. Adrenaline floods your system as you make your move—one hard stomp on his foot. His yelp of surprise is almost satisfying.

You shove the paintball gun away from your neck, twisting out of his grip. For one glorious second, you think you might actually get away.

Then reality hits. Literally.

V moves like water, flowing around your escape attempt like he knew exactly what you'd do. Before you can blink, you're eating dirt, his weight pinning you down. The gun barrel presses cold against your forehead, and you realize just how badly you miscalculated.

"Not bad, dear." His grin makes your skin crawl. "But not good enough."

You're pinned, his weight heavy and his presence suffocating. His thorns dig deeper with each breath, and you can almost feel them cutting through your skin. 

You're trapped, completely at his mercy, but damned if you'll let him see you scared.

He leans in close. "Let me give you a piece of advice." His whisper raises goosebumps on your neck. "Watch your back around Jeon. He's more dangerous than you think."

The warning in his voice sounds too personal, too raw to be just another mind game. Like maybe he's speaking from experience.

"Oh, I'm counting on it." The words come out steadier than you feel with V's weight pinning you down. You manage to keep your voice even despite the lack of oxygen making it to your brain.

Something flickers across his face—confusion, maybe suspicion. Those stealth instincts of his finally catching up, but too late.

SPLAT.

Paint explodes across V's back in a neon burst. His whole body goes rigid against yours, muscles freezing mid-squeeze. The look of pure disbelief on his face almost makes this whole night worth it.

When he turns to look over his shoulder, you already know what he'll see. Jeon emerges from the shadows like he was born from them, rifle balanced casually in those tattooed hands. Even playing paintball in the middle of the night, he somehow manages to look t̶o̶o̶ ̶h̶o̶t̶ ̶t̶o̶ ̶b̶e̶ ̶r̶e̶a̶l̶ irritatingly put-together.

He runs his fingers through dark hair, pushing it back from his face in a way that's probably supposed to look casual but comes off more like a shampoo commercial. The silver in his piercings catches moonlight, and honestly? It's just rude how he makes everything look so effortless. Like being unfairly attractive is just another one of his many talents.

V's weight disappears as he stands, and suddenly his whole demeanor shifts. The deadly predator from moments ago vanishes, replaced by that familiar chaos-loving trickster. His laugh rings through the trees as he claps, adorned with delight instead of danger.

"Bravo, Jeon!" V calls out theatrically into the forest shadows where Jeon now stands revealed. "Always hiding in the shadows like the snake you are."

Jeon's face is blank, but there's something razor-sharp in the way he moves

"Far better than always playing the fool to hide your incompetence, if you ask me." Jeon retorts sharply, ice crystallizing each syllable.

"Incompetence?" V's laugh has an ugly edge to it. "That's rich, coming from you. Can't even follow basic gang rules, but here you are, talking shit."

Something flickers across Jeon's face—too quick to catch, but his expression grows darker, more intense. Seems like V knows exactly where to stick the knife.

"A gang built on backstabbing might want to rethink its rules." Jeon's voice could freeze hell over. It's like the winds around him whip faster now.

"See, that's your problem." V tilts his head, a mischievous, lazy grin spreading all over his lips. "When I stab someone in the back, at least I don't cry about it after."

The smile he gives Jeon is pure venom—like he's referencing something that happened between them, something that left scars.

"Right." Jeon practically spits the word. "You only get emotional when you're the one getting fucked over."

They stare each other down, and you feel thorny vines trying to pierce through howling wind and rain. Finally, Jeon looks away first, shaking his head like he's trying to dislodge memories he'd rather forget.

Jeon's eyes find yours, and it's not concern you see there—more like he's doing some kind of damage assessment without having to actually ask if you're okay.

You don't give him the satisfaction of a response. He left you as bait, remember? Used you like some expendable pawn in his little game with V.

But something annoying nags at the back of your mind. 

Because he did come back. 

The moment breaks when Jeon looks away, that weird tension snapping like a rubber band. His typhoon-self settles back into its usual pattern as he stands there radiating smug victory. The paint splattered across V's back is proof enough of who won this round.

"That's it then. This round goes to me." He says it like he's commenting on the weather, not like he just outmaneuvered the most dangerous man in Kkangpae.

There's something almost boring about how he announces his win—no gloating, no pride, just checking another box on whatever mental list he keeps in that pretty head of his.

His eyes flick back to you. "Time to get you to the infirmary—"

"Let's not pretend you've suddenly gone soft, Jeon." V cuts him off, setting down his gun with this little head tilt that somehow manages to be both playful and threatening. 

"Oh, please." The disdain in Jeon's voice is too evident. "She just needs to get her ankle checked, and it's not like she can walk there."

V steps closer, moonlight painting him silver. There's something otherworldly about him now—like some fairy tale creature that lures people into trouble with a smile.

"I'll take her to medical myself." His voice drips honey-sweet mockery. "Sounds more fun than whatever boring escort you had planned."

You watch Jeon consider this, weighing something in his head. After what feels like forever, he just... shrugs. Like he couldn't care less what happens to you.

"Sure." His voice is pure ice. "She's your problem now."

Then he just... walks away. No backward glance, no hint that he gives a single shit about leaving you with someone who literally had a gun to your head five minutes ago. The winds that seem to surround him dissipate with each step he takes, leaving you feeling weirdly hollow.

V turns to you with that signature grin of his—the one that's equal parts charming and concerning. He offers his hand with exaggerated gallantry, like some twisted prince charming.

He then scoops you up, bridal style of course because that's V for you, and you can't help but notice he's stronger than he looks. The transition from ground to air is smooth despite your resistance, but what choice do you have? Crawl to the castle?

Your eyes find Jeon one last time as V starts walking. Something in your chest twists when you realize he's not even looking back. You hate that you wanted him to fight this, to show something about handing you over to V. Your twisted ankle is his fault, after all.

But his face might as well be carved from stone. If he feels anything about this situation, he's buried it so deep even his hurricane can't dig it up.

next | index

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[egophiliac]

(looks at upcoming card releases)

I'm in danger :)

[icebluecyanide]

I saw people talking about that scene where Yassen shot Max as a huge betrayal of Alex and it's kinda funny to me like yeah he involved Alex in a murder but also I cannot emphasise enough that Alex decided to join a criminal organisation. People have been telling him he'll need to kill for days now, Alex has watched them kill multiple people already, I get that it sucks for him but you cannot team up with a known killer and be that shocked when actually his secret extra mission was to kill

[dragon-zena]

If I think too much about ryuji's treatment in p5 I feel bonkers

[arkangelo-7]

I bet the JL has a “how fucked are we” metric that’s literally just how many of Bruce’s kids are there.

Like if he pulls up to the alien invasion or whatever with just Robin, then everything’s fine. More than fine, actually, because Bruce feels comfortable enough to bring his eight year old along for the ride. This battle will take approximately fifteen minutes and they’ll all get shawarma after. Not fucked in the slightest.

But if Red Robin shows up too… hmm, okay, this is getting somewhat serious. Tim is one of Bruce’s most trusted partners; he’s the smart Robin, the tactician, the loyal one, and so if Batman brought him along then it means he’s at least a little bit worried about shit hitting the fan and wants one his advisors around. But the combined brain power of Bruce and Tim is pretty much unmatched (DC plot armor for the win), so everything will be fine, basically. Superman might take a hit, but everything’s going to be fine. Just keep calm and you’ll all make it home in time to Door Dash some Panda Express before it closes. So not that fucked.

It starts to get serious after that. When Signal and Spoiler roll up the scene, shit has definitely hit the fan. Batman’s worried enough to call in reinforcements and he’s probably doubting the League’s ability to listen/obey his orders, so he needs a backup plan in case things go really south. But with Signal’s abilities and Steph’s superpower of turning anything into a joke, chances are you’ll be okay. Maybe impaled or something, but okay. But still, fucked.

When Nightwing shows, the JL knows it’s starting to get dicey out on the field. See, Nightwing’s got his own team, his own issues—the fact that he set that all aside to help out his dad is cause for concern. On a scale from 1-10, they are at a 7. Above moderately fucked.

And… oh God. Black Bat? Most of the time the JL doesn’t even see her, but once she makes herself known and starts fighting alongside her siblings, they all start to silently freak out. Black Bat is a fucking machine and if she’s breaking a sweat trying to fight the Big Bad, things are definitely not going to go well. They start praying that Batman figures something out. They freak out. They are intrinsically fucked.

But God Forbid you catch sight of the Red Hood. The prodigal son is a legitimate killer, and if Batman’s letting him blow out brains then the JL knows he’s desperate. And a desperate Batman is not good. At all. They are definitely fucked.

[icecream4starscream]

Spoiler Warning for Transformers One. Please go see the film, it's great.

Something occurred to me when rewatching Elita-1's firing scene:

Right off the bat, she's presented as an absolute unit in the mines. We see her being a very by-the-book character. She's incredibly competent, strong, serious, focused, and an effective leader.

Maybe a little too effective.

We learn that Sentinel goes out of his way to personally take care of any "anomalies" in his system and does so in a way where the blame always gets shifted away from him.

It's why he personally went to see Pax and D-16 after the Iacon 5000 race. He makes himself out to be the open-minded, compassionate leader he's been parading as.

When Darkwing throws Orion and D-16 into sub-level 50, neither bot suspects Sentinel for their demotion. In fact, they beg Darkwing to talk to Sentinel so he can sort out the "misunderstanding".

It's later confirmed that Sentinel never had any intention of talking with Orion or D-16 after their first meeting. When Orion reunites with his fellow miners later in the film, they mention that Sentinel put out a statement saying that they both died from "racing injuries".

Sentinel might've not even openly ordered Darkwing to dispose of them. Darkwing might've been manipulated into thinking everyone was mocking him for losing the race (thanks to lowly miners) making him want to get rid of them.

Subconsciously manipulating someone like Darkwing would've been easy for Sentinel.

Sentinel clearly does not tolerate anyone rising above the station he imposes on them.

So what does this have to do with Elita-1 being fired?

We see her rigidly following the rules, meeting all quotas, running a tight and efficient crew. She's doing her job as a miner, a role unknowingly forced upon her by Sentinel, perfectly.

Shouldn't Sentinel be happy about that?

Well sure...

If Elita wasn't actively trying to get promoted.

We don't get a lot of information about how promotion works in TFOne's mining system, but we do know that in other iterations of pre-war Cybertron, one of the only ways miners could rise out of the mines was by participating in ridiculously difficult gladiatorial fights in Kaon's pits.

In other iterations, this was how D-16/Megatron was able to escape his station and how he grew to be so strong.

So basically, whatever version you look at, the miners are told "if you work really, reeeeally hard, and do your job perfectly, and don't die in the process (which, odds are, you will) you might, MIGHT get a chance to get out of the caste you were born into."

It's BS.

It's an impossible feat. No one is actually supposed to be able to achieve that goal, but it's the metaphorical carrot dangling in front of the work mules so they don't notice the ever-tightening rope around their necks.

But every so often there's someone extraordinary, like Elita, who actually manages to meet this impossible standard and with whom it becomes increasingly difficult to deny this coveted promotion.

So what can Sentinel do about bots like Elita-1?

Simple.

Wait for a screw-up.

It must happen eventually.

A member of Elita's team, Orion Pax, in clear violation of evacuation protocol, goes back into the mines to save Jazz from getting crushed to death.

Despite managing to escape, the closing mine causes a tunnel support to be flung into nearby machinery (which doesn't look critical and could probably be easily fixed).

Then, right the heck outta nowhere, Darkwing drops in, SECONDS AFTER THE INCIDENT JUST HAPPENED, and immediately fires Elita.

No "What happened?" or "Who's responsible?" or "The supervisor wants to see you", he just pops into the scene and demotes Elita, arguably one of the best workers in the mine, to a bottom-tier waste management position.

As if he'd been on standby, actively waiting for a reason to fire her.

"But Elita herself wasn't the one who screwed up!"

Doesn't matter.

"But she told them to follow protocol!"

Doesn't matter.

"But Orion admitted he was the one at fault!"

Doesn't matter.

"But a bot was saved! Jazz would've died!"

Does. Not. MATTER.

Her firing is presented as the typical "one character says thing won't happen then thing immediately happens" joke, but given how so much thought went into so much of TFOne's background details, I can't help but wonder if this was a hint to how broken the system was and how it was always rigged in a way that ensures the miners will never get out.

Not to mention, once Orion, D-16, and Jazz safely escape, she chews Orion out by saying, "If I get fired for this..." meaning this abrupt, out-of-nowhere, baseless firing is absolutely typical.

That's what makes Elita's "I'm better than you" speech to Orion that much more meaningful, because in many ways, she is better than him.

She's a better worker, better fighter, better at completing the task at hand, better at making sure things run smoothly. She is, ironically enough, an efficient and perfectly-running machine.

But had Orion not dragged Elita to the surface, she probably would've spent her whole life obediently following the rules, never questioning why things were the way they were. She was so focused on rising up within the system that she could never look beyond it.

Elita might be the cog by which other cogs turn.

But Orion is the spark that shows them a better way.

That's why he was given the Matrix.

[felassan]

EuroGamer: 'BioWare knew the deepest secrets of Dragon Age lore 20 years ago, and locked it away in an uber-plot doc'

Original creator David Gaider on how "some of the big mysteries are being solved".

Rest of post under a cut due to length and possible spoilers.

"As I write about the secrets hidden in Dragon Age's mysterious Fade, and as I uncover some of them playing Dragon Age: The Veilguard, one question keeps rising up in my mind. How much did BioWare know about future events when first developing the series more than 20 years ago? That's a long time, and back then BioWare didn't know there would be a second game, which is why Dragon Age: Origins has an elaborate and far-reaching epilogue. Why lay so much lore-track ahead of yourself if you don't think you'll ever get there? But look more closely at Origins and there are big clues suggesting BioWare did know about future Dragon Age events. There are obvious signs in the original game, such as establishing recurring themes like Old Gods and the Blight and Archdemons. But there's also Flemeth, Morrigan's witchy mother, who's intimately linked to events in the series now - more specifically: intimately linked to Solas. Does her existence mean Solas was known about back then too? There's only one person I can think of to answer this and it's David Gaider, the original creator of Dragon Age's world and lore. We've talked before, once in a podcast and once for a piece on the magic of fantasy maps, where we discussed the creation of Dragon Age's world. And much to my surprise, when I ask him what he and the BioWare team knew back then, he says they knew it all. "By the time we released Dragon Age: Origins, we were basically sure that it was one and done, but there was, back when we made the world, an overarching plan," he says. "The way I created the world was to seed plots in various parts of the world that could be part of a game, a single game, and then there was the overall uber-plot, which I didn't know for certain that we would ever get to but I had an understanding of how it all worked together. "A lot of that was in my head until we were starting Inquisition and the writers got a little bit impatient with my memory or lack thereof, so they pinned me down and dragged the uber-plot out of me. I'd talked about it, I'd hinted at it, but never really spelled out how it all connected, so they dragged it out of me, we put it into a master lore doc, the secret lore, which we had to hide from most of the team.""

"This uber-plot document was only viewable on a need-to-know basis, he says, and only around 20 people on the team had access to it - other senior writers mostly. And even though Gaider left the Dragon Age team after Inquisition, and then eight years ago BioWare altogether, meaning he didn't work on The Veilguard at all, he believes - by looking at the events in the new game - his uber-plot lore "has more or less held up". That's impressive. What's even more impressive, or exciting, is that back then he also envisaged a potential end state for the entire Dragon Age series - a point at which it would make no sense for the series to carry on. "I always had this dream of where it would all end, the very last plot," he says, "which I won't say because who knows, we could still end up there. But the idea that this uber-plot was this sort of biggest, finite... That the final thing you could do in this world that would break it was there as a 'maybe we would get to do that one day'... There was just the idea of certain big, world-shaking things that were seeded in that arc, some of which have already come to pass, like the return of Fen'Harel." You've read that correctly: the idea to have Fen'Harel, also known as the Dread Wolf, reappear, was seeded all the way back then, way before Inquisition - the game in which he does actually reappear. But the concept for Solas, as a character who was Fen'Harel in disguise, was a newer idea. "That spawned from a conversation I had with Patrick [Weekes] and a number of other writers," Gaider says, "as an idea of 'what if you had a villain that spent an entire game where he's actually in the party and you get to know him?' Now, the god version and his larger role in the plot, yes that was known, but not that he would be presented as a character named Solas." Fen'Harel being known about means the other elven gods were known about, which means all of that stuff Solas reveals about his godly siblings - that they're not gods at all but evil elven mages he locked away behind the Veil - was known about back then too. "Oh yeah," Gaider says. "Everything that Solas tells you [at the end of Inquisition DLC, Trespasser]: it's all part of that original uber-lore - that was all in our mind." But why have so much lore if you're not certain you'll get to ever realise it? Well, to create a believable illusion. By creating an "excess" of lore, as Gaider describes it, Origins made Thedas feel like an old and believable place. A place with history, rather than a Western set that was all facade and no substance."

"BioWare also did something canny with the lore it did relay then, too: it shared it through the voices of characters living in the world, making it inherently fallible. In doing this, Dragon Age veiled its truths behind biases. The church-like organisation of the Chantry proclaims one truth, while the elves and dwarves proclaim another. Sidenote: you can experience this yourself through different racial origin stories in Dragon Age: Origins. This way, there's no one, objective, irrefutable, truth. "To get the truth, you kind of have to pick between the lines," Gaider says. So even though elven legends are coming true through the existence of Solas and The Veilguard's antagonist gods, it doesn't mean that's the one and only truth. There's truth in what the Chantry teaches and what the dwarves say, he tells me, which ignites my curiosity intensely. BioWare has also been tricksy in how it's rubbed out the lore the further back in time you go. "In general, the further the history goes back, we always would purposefully obfuscate it more and more," Gaider says - "make it more biased and more untrue no matter who was talking, just so that the absolute truth was rarely knowable. I like that idea from a world standpoint, that the player always has to wonder and bring their own beliefs to it." It leads into a founding principle of Dragon Age, which is doubt - because without it, you can't have faith, a particularly important concept in the series. It's where the whole idea of the Chantry's Maker comes from and with it, the legend about the fabled Golden City - now the Black City - at the heart of the Fade. This is the very centre of the lore web, and, I imagine, it's close to the series endpoint Gaider imagined long ago. All secrets end there. Did Gaider know what was in the Black City when he laid down Origins' lore? That's the question - and it startles me how casually he answers this. "Oh, yeah," he says. "What was in the Black City: that's the uber-plot. I knew exactly. "Was it as detailed in the first draft of the world?" he goes on. "No. I had an idea of the early history because that's where I started making the world. So the things that were true early-early: I knew exactly what the Black City was and the idea of what the elves believed, and what humans believed vis-a-vis the Chantry - that was all settled on really early. Then I expanded the world and the uber-plot bubbled out of that.""

"Gaider shows me the original cosmology design document for Dragon Age: Origins as if to prove this - or rather for the game that would become DAO. The world was known as Peldea back then. I can't share this with you because I see it via a shared screen on a video call, and because Gaider doesn't want me to, mostly because the ideas are so old they're almost unrecognisable from what's in the series now. But I can tell you it's a document that's just over a page in length, and that there's a circular diagram at the top showing the world in the middle and the spirit realm ringed around it. And on that document is reference to the Chantry's beliefs about a God located in a citadel that can be found there. Gaider says BioWare knew about Fen'Harel (the Dread Wolf) 20 years ago when it was developing Dragon Age: Origins, and that he'd one day reappear. The Fade wasn't known as the Fade back then, either, but as the Dreaming, because it's the place people go when they dream - an idea that lives on still. And if that sounds familiar to any fans of The Sandman among you, it should. "I'd say The Sandman series was probably fairly prominently in my head," says Gaider. "I liked that amorphous geography that was born from the psyche of collective humanity. I'd say yes, if I was to point at something specifically, that's probably where the very first inspiration of it took root." It's a lot to take in, but it reinforces the admiration I have for Dragon Age. Just as I have when hearing about the creation of my other favourite fantasy worlds, such as A Song of Ice and Fire, I begin to understand the magnitude - and the deliberateness - of the plotting that went on. I wonder if one day the Dragon Age series will end in the way Gaider first imagined, albeit slightly altered by the many other pairs of hands shepherding it along now. What a curious feeling it must be to know, so many years in advance, where things might go. Where that end is, I don't know, but I do know we'll take a significant step towards it in The Veilguard. After all, we're coming into contact with gods who were there at the recorded beginning of it all. "Yeah - we have access to people who can tell us the truth from first-hand experience," Gaider says, "although again, it depends on what the writers did with it. But if they continued the tradition of Dragon Age, you never know for sure if Solas is telling you everything, or what you're learning is the entire truth. "But yes, some of the big mysteries are being solved. I mean, will they one day definitively tell you about the Maker? Will we crack the big mysteries of the world and just make them answered finally? And does that ruin one of the central precepts that Dragon Age is founded upon? Maybe," he says. "Ultimately, that lore, when you make it big and you hint at it and hint at it and hint at it, it becomes a Chekhov's Gun of sorts. Eventually you got to pony up.""

[source]

[tinyfantasminha]

Thoughts on Jack's dream(MASSIVE main story spoilers ahead)

JACKS DREAM got me by the thROAT bc the more I analyze it the more angsty it feels and I alreadfy sobbed n cried and I must SCREAAAAAAAAMMMMMMMMM He's dreaming of the magift tournament but basically if..... if Leona's plan never took place....... If Leona actually WERE the hero Jack has idolized...... 😭

First I gotta take note dosodkgkfdgjdfkghfdjk hOW JACK YEARNS FOR HIS SENPAI'S PRAISE AND AFFECTION 🥺🥺truly the epitome of loyal, puppy-like behavior..... It doesn't take much for him to be happy… He yearns for the respect and acknowledgement of those he admires. He craves respect and recognition, but not only that—he genuinely wants to see those he admires thrive.

Seems to me that what Jack longs for most is a sense of belonging within a pack. He’s not just devoted to those he holds in high regard; he also desires to be cared for in return (This becomes even more apparent when he asks Ruggie to act as a mentor or older-brother figure in his dorm uniform vignette.) Jack's actions reflect his innate wolf nature—a being built for connection, loyalty, and mutual protection. No matter how much he tells himself or others how he prefers to handle things on his own… We can clearly see that Jack is happier when he’s part of a team, fighting alongside companions who’ve got his back. It’s the dynamic balance of trust: to protect and be protected, to rely on others and let them rely on him in return. It deeply resonates with the essence of wolves.

We often hear the phrase “lone wolf,” an expression of grudging admiration. A lone wolf is often viewed as a rugged individualist, uncompromising and independent, driven to forge his own path, unfettered by the sentimental need for companionship. In reality, few people would ever want to live this way—and, as it turns out, few wolves would either. Wolves, males and females alike, may go through periods alone, but they’re not interested in lives of solitude. A lone wolf is a wolf that is searching, and what it seeks is another wolf. Everything in a wolf’s nature tells it to belong to something greater than itself: a pack. Like us, wolves form friendships and maintain lifelong bonds. They succeed by cooperating, and they struggle when they’re alone. Like us, wolves need one another. (source)

Which is why the factual reality cuts so deeply.

After Ortho wakes Jack up (in oUTER SPACE DKJGDSDKFJGKJS that was so adventitious but so cool.....) and Jack falls down like a meteorite (ALSO SUPER COOL BUT WTF.....) Fake!Leona and Fake!Ruggie rush to his side, Leona softly reassures him, saying it’s a relief he’s uninjured and advising him not to be so reckless while Ruggie says ''You're a promising rookie. Our treasure.'' (I started crying here.)

Jack breaks into a bitter, despairing laugh as the truth crashes down on him. The sincerity and warmth his “upperclassmen” showed in that moment? It wasn’t real. It never actually happened. Jack recounts his excitement when he first joined Savanaclaw, eager to fight alongside the dormmates he admired so much. He talks about how he had watched Leona’s play three years ago—over and over again, captivated by it. He reveals the painful truth of discovering their wicked plan, the frustration of being unable to snap them out of it, and the overwhelming helplessness that consumed him.

I gotta say, I'm SO HAPPY that Jack's feelings on the events of book 2 were finally properly addressed now (cause let's be real, book 2 uhh... did kinda a shitty job at this 💀 Neither the narrative nor the fandom really took the time to explore the emotional impact it had on him, which is such a disservice to his character.)

Think about it from Jack’s perspective. He was obsessed with Leona's play 3 years ago, watching it over and over again. In his eyes, Leona was a hero, someone worth idolizing to the point of projecting an idealized image of him: an earnest, hardworking, honorable leader. When Jack finally had the chance to join Savanaclaw and be part of the dorm he had admired so deeply, what was his reality? Ostracization, bullying and even physical violence from some of his dorm mates (as shown in Leona's dorm uniform vignette) And worst of all? Jack was met with his idol’s true, treacherous side—dirty tactics, underhanded schemes, and a willingness to harm others to achieve his goals. When Jack tried to confront them about it, he wasn’t met with understanding or respect. Instead, he was called a “filthy traitor” and a “spoiled brat”—by the very person he admired most. It’s a complete dismantling of everything Jack believed in, everything he worked for.

It's a shame the game and manga did not give enough weight to Jack’s feelings, (the novel seems to do a better job at it though) but now it’s clear just how much this hurt him. It wasn’t just a setback; it was a deep, personal betrayal that shook him to his core.

He’s only a first-year. Beneath his gruff demeanor and physical strength, Jack is still a boy—pure-hearted, earnest, and full of hope. All he wanted was to stand beside those he respected most but what he got instead was disappointment, betrayal, and rejection. To idolize someone so deeply, only to have that image crushed in the most personal, gut-wrenching way........ Savanaclaw doesn't deserve him 💔

.

,,,,okay forgive me to break the essay to talk about this but I'm going insane over the fact fake Ruggie ominously coos, ''Hey puppy-chan you're a good boy so come here.....'' UGHGHHHDSHNGDSHNDGSHHHnnnnhhHHHH HE IS BASICALLY SAVANACLAW'S UNOFFICIAL MASCOT,,,,,,, their loyal little puppy 🥺🥺🥺😭😭

fake ruggie and fake leona try to lure him in to sleep again, but Jack says he has no intention of fighting alongside fakes and defeats them 😌

And we get this utterly precious moment where Jack praises Yuu and Grim for having guts and persevering through everything and he PETS GRIM'S HEAD............ HE DIDN'T NEED TO COMFORT THEM BUT AWWAAHBBBAYYAWYWYHAWWABYWAWAYAA

I can't wait to see what role he'll play in Leona's dream 😌 Jack’s arc feels like it’s finally getting the weight it deserves… 🙏🙏🙏

[reiderwriter]

Hello there baby, are your parents bakers? Cause you're a cutie pie lol sorry couldn't resist the urge to flirt with my favorite writer💕How have you been? How was your day? I wish you a wonderful day and a lovely night💕

It's my first time here sending an ask but lately I've been thinking about shy!Spencer x flirty!reader, I just think is such a cute couple.

So if you're taking requests, I was thinking about early seasons Spencer completely falling for the reader and the way she's so flirty but sweet and kind, the way he'd be blushing hard at anything she says and how he'd like the way she's always touching him cause he felt cherised and desired.

It could be fluff or smut or both cause I can picture them going slow with the relationship but Spencer being eager to please her and show how much he loves everything about her.

You said about choosing a emoji, so can I be the 🐇anon?

A/N: Thanks for the request! Shy Spencer is the best because he's so dumb and silly and doesn't realize when people are attracted to him. I've said it before, but he's basically every nerdy main character in 00s romcoms that are "unattractive" because they wear glasses. I hope you enjoy the fic~♡

Warnings: mentions of case details, slight spoilers for upto s5

With a degree in law and a deep-rooted hatred of businessmen, you'd certainly found your calling in one of the FBI White Collar divisions. Putting away the sleazy bastards was easily one of the biggest perks of the job, but every coin had a second side, and yours was you actually had to interact with the cretins before you could take them down. 

You'd dealt with bribes, dinner invites, and sexual propositions more than a time or two, and had to remind yourself that kicking anyone of them clean in the balls was most likely a firing offense, if not legally off the table. 

The man in the case you were currently working - possibly Bill Hodges, possibly Daniel Brady, possibly so many more men - had been a typical white collar freak until he'd moved on to murder. And when you'd been so close to nailing his ass for fraud, too. 

You'd had no choice but to call in whatever unit it was that actually got to put bullets in the bastards, sure that you were going to be strong-armed out of months of work for the glory of taking down a spree killer. 

Instead, you got Spencer Reid, delivered freshly to your desk like a lamb to slaughter. 

“Sorry, you're the agent from the BAU?” You asked, raking your eyes across his body, smiling at his obvious discomfort with the attention. 

“Yes, Doctor Reid. I'm here for more information on the Hodges files.” 

You dusted your skirt off as you stood, moving around the desk to grab the file. You held it out to him but pulled it back when he reached for it.

“I'm sorry, you're really in the BAU?” An embarrassed look fell across his face, and you instantly felt shitty. 

“Do you want to see my credentials?” 

“No, I'm sorry, it's just - I wasn't expecting someone so…pretty?” 

The embarrassed look deepened to a flush, and you brightened at the sight. You weren't lying. He really was pretty, and you hoped your comment hadn't come off as patronizing. 

“You're adorable. Here's the file, I’ll be at your team briefing in half an hour. Spencer, right?” 

He nodded, finally waking up and taking the files as you pushed it against his chest, using the movement to step slightly closer. 

“I'll see you later then,” you trailed your look down, getting a good look at all of him before meeting his eyes again. “Save me a seat?” 

“I should… I'll, uh, go now. Thanks for the-” he stammered, pointing to the file, backing out of your space slowly, like an animal trying not to show its back to a predator. 

Unlike the long line of scumbags filling the halls and case files of your floor, Spencer was without bravado or ego. His lack of both meant that you were interested. You were very interested. 

Half an hour later, you practically sprinted to the 6th floor, bouncing up the stairs to the office where you'd take your meeting like a giddy school girl. 

“Hello, sorry, I'm not late, am I?” You asked, quietly opening the door and letting yourself in. 

“Agent Y/N, no, perfect timing, Penelope was just about to brief us on your case,” Hotch said, rising and giving your hand a firm shake. He looked around to find a seat to usher you into, but you quickly dropped yourself into the seat right beside Spencer Reid, grin deepening as he flushed and offered you an awkward yet endearing smile. 

Unconsciously, you shifted closer, shooting him your own smile before the meeting officially began, and you were forced to keep a straight, serious face. 

The entire case progressed in much the same way, with you doing everything you could to fluster Spencer Reid and him doing everything in his power to convince himself you were being friendly. 

“Spencer, do you have a phone number?” You asked after slipping out of the meeting, trailing him back to his desk. 

“Yeah, we have to keep connected for cases, so I have a phone.” 

“Great. Your number - what is it?” 

He rattled off the digital as you scribbled them down on a notepad. 

“And Hotch's number is-” 

“Oh, I won't need that. Thanks, Spencer.” You said waving as you left to slink back to your desk. You could hear him calling out behind you, confused. 

“Y/N… Y/N, we split up on cases often, if there's an incident and you need to contact us it's better to have all of the team members numbers,” he panted, jogging to catch up with your focused pace. 

“If I need to contact you, I'll take myself to Agent Garcia’s office and use her direct line,” you said, finally stopping yourself at the elevator and pressing the button. 

He caught up, and stopped abruptly next to you. 

“Oh… oh, yeah that's… that's efficient.” 

You stepped onto the elevator when it arrived, leaving Spencer hesitating whether or not to climb in himself, desperately wondering why you'd ask for his number then. 

“Goodbye, Doctor Reid,” you said, pressing the door close button and blowing him a kiss just before the doors blocked you from sight. 

To tell the truth, you'd had a lot of fun flirting with Spencer on the phone from Penelope’s office during the case. The woman was an inspiration, even if her flirting had a completely different purpose and meaning than your own. Her friendship with Derek Morgan was admirable, but you didn't want to be friends with Spencer Reid. 

“Hello, handsome, what can I do for you today?” You asked, picking up the phone and basking in the stammers that answered you down the line. 

“D-Do you need me to get Morgan for you?” He said, his voice treading lightly. 

“Unless Derek Morgan has, overnight, managed to turn into a 6’1 Doctor with a penchant for cardigans and leather satchels and an IQ of 187, then I am absolutely not looking for him. I have case details.” 

He brushed past your comment, but he kept the slight stammer through the conversation, right until you signed off. 

“Until next time, sexy.”

“Um, yeah… thanks…beautiful?” he signed off, and you guffawed in laughter even as Penelope stared wide-eyed in your direction, not believing her ears. 

“Please forgive our little test tube genius. We forgot to add flirting skills to his childhood curriculum, and now, alas, the poor thing doesn't know a damn thing.” 

He'd called back a few hours later, and you'd purred more compliments down the line, but this time with the team surrounding him as they closed in on your unsub. 

“Hello, this is beautiful speaking. How may I help you?” You giggled down the line, picking up the call after only a single ring. 

“Y/N,” he breathed, catching his breath awkwardly as he struggled to remember why it was you were needed. 

“So… um, like… Hotch has a question about the files you sent earlier. He needs Penelope to… do something as well.” 

You could almost see the awkward nod through the phone. 

“Great. Pass me over to Hotch, then, hot stuff.” 

You heard the tell-tale sound of Derek Morgan’s cackle in the background, and you couldn't help but let another giggle slip out. You were a gonner, and, hopefully, so was he. 

The case wrapped quickly after that, spree killing being a quick game of cat and mouse out of necessity. You weren't happy with three bodies, but it sure as hell was preferable to more. 

You greeted the BAU team at the jet hanger as they returned, reclaiming your fraud files for paperwork and using that simple chore as a reason to get close to Spencer again. 

“Good work out there, Doctor Reid.” 

“What, he's not hot stuff anymore now he's in front of you?” Emily Prentiss laughed, throwing her go bag onto her shoulder and trailing behind where you'd started strolling alongside Spencer. 

“Oh, he's still hot stuff. He's just hot stuff with three PhDs that just stopped a spree killer,” you said, sighing dreamily. “How do you do it?” 

“We were all there too, you know,” the other woman chuckled as you made it inside the building and to the elevator. 

“Yeah, well,” you said, taking a second to reach out and straighten out Spencer's skewed tie, smoothing his jacket and generally just touching him in whatever way you could, respectfully. 

You didn't even bother to finish your sentence, just leaning closer to his ears and whispering directly into them. 

“You're very cute when you're flustered, Doctor Reid.” 

You stepped away for a second while the rest of his team teased him, stepping to the back of the elevator to ascend to your floor while the others departed on theirs. 

They filed out one by one and you sent them off with a smile and a wave, signing in defeat as you realized there was no longer a reason for you to interact with the good doctor ever again. 

If you weren't so stupidly aware of him, you'd almost have missed the fact that Spencer didn't leave the elevator when his teammates did. He instead turned to you and, with the brightest red you'd seen on his face to date, stammered out half a sentence. 

“I.. Y/N, I was just… curious, if you, by any chance…” 

Your eyes widened in joy as you anticipated his question, silently begging him just to spit it out. 

“I was wondering, i-if you had… a boyfriend?” By the end of his sentence, even he seemed unsure of whether that was a question he should really be asking. 

You'd been throwing heart eyes at him for says, and he was asking if you were in a committed relationship. 

“No,” you said slightly breathily, as if your body were trying to expel all the anticipation it had stupidly built up. “No, I don't have a boyfriend, Spencer.”

“Great okay,” he smiled, a boyish grin if you'd ever seen one, before backtracking quickly.

“Well not great for you, great for me. Not that you can't be happy alone, I don't know how you feel about…romantic entanglements and I-I-I’m not saying that your life isn't,” he searched for the words with his hands, as of he could grasp them as a life line while he was sinking fast. “-Great without a boyfriend or anything like that, I'm just - really - pleased that position is currently… vacant?” 

“Spencer?” You said, feeling like a cat who got the cream as a smile twitched at your lips, pulling the corners up as you listened to him ramble. 

“Yes?”

“Do you want to be my boyfriend  or are you asking for a friend?” 

You'd meant the words as a joke  but he stood contemplating for a second. You pushed a hand against your mouth to suppress the childish squeal from popping out. 

“It would be a bit presumptuous to shoot straight for boyfriend, right? How about date ....partner?” 

You couldn't stop yourself from closing in on him then, practically cornering him in the elevator as the floors passed you by.

“Presumptuous would be thinking I could have a boyfriend when I've been begging you to stick your tongue down my throat with my eyes for the last half hour. I thought they taught you body language at the BAU?” 

“They teach us how to catch criminals, not how to see when someone is giving us…fuck me eyes, Y/N.” The curse left you a little dizzy - this was it, this was what you'd been trying to do all week, to get under his skin and get him to let his guard down so you could capture him. 

“Doctor Reid, I'm a little scandalized! I didn't know you swore. What a dirty mouth you have.” You reached up with both hands, letting your thumb on his lips before pretending to wipe something away at the corner of his mouth. You were in the perfect position to notice his throat bob as he swallowed.

The elevator pinged at your floor, and you left him behind you with one last swipe of your fingers at his chin. You weren't expecting him to follow, but he did.

“Y/N…please, Y/N…. Can we just…?” You relished the awkwardness in his voice as he trailed you again, a satisfied smile settling onto your face. 

You just kept walking. Or you did until you felt a large hand wrap around your wrist and pull you sideways into the nearest storage cupboard. 

You gasped as he pinned you to the wall, close not, but his eyes still hesitant on what to do next. 

“Spen-” He cut you off with his lips on yours, silencing you before you could get the final word. His lips were clumsy at first, but you felt hot under his touch  arching yourself up into him. His tongue pushed into your mouth as he found his stride, your hands tangling in his hair as you held on for dear life.

This was it. This was what you'd been waiting for. 

Reluctantly, he pulled away, both of you gasping for breath to fill your suddenly empty lungs. 

“Was that….what… you wanted?” He panted, resting his head on yours. 

There were no words. It was what you wanted but now you wanted more, needed more. You settled for a quick nod as your tongue flamed, unable to say anything helpful. 

“Good. Great…” he removed his hands from you and scratched at the back of his neck, putting a more respectful distance between the two of you as he cleared his throat. 

“I'll just-” he pointed to the door and started making his way out. You sighed again, watching him walk away down the hall, his hair a mess, his tie askew, and a whole lot of your lipstick staining his lips. 

Surely, he'd notice by the time anyone else did. If not, you'd just effectively staked your claim on Doctor Spencer Reid, and you couldn't be happier about it.  

[sophieinwonderland]

The Plurality of... Bill Cipher (The Book of Bill)

Spoiler Warning for Gravity Falls, The Book of Bill, and the nature of reality as you know it

Hello dear reader.

I recently found in my possession a strange book with no explanation as to how it got there. A bizarre tome known only as The Book of Bill.

I recognized the name and imagery from someone else's memories. Bill Cipher, a character from Alex Hirsch's hit series Gravity Falls.

It honestly seemed too perfect. I've been doing this "Plurality of..." series where I look at plurality in media. And an important part of Bill's shtick was possession.

It seemed simple enough. I can read the book, learn a bit about Bill and his possession, and then write an article about his plurality. But the reality was anything by simple, with far more than I bargained for.

And by the end of this post, this book will have driven me to break a fundamental rule I've held sacred through my "Plurality Of..." series.

What is Plurality?

Before we begin, I should explain what plurality is for anyone new here. Plurality is a term for being multiple in one body in some way.

We call the body's occupants "headmates". These can be anything from alters in dissociative disorders to spirit guides bound to a mortal, to... yes... even literal demonic possession.

Yeah, even being possessed by a demonic triangle from a 2-dimensional universe is a type of plurality. If there are multiple self-conscious agents of some kind there, it's plural!

Time To Get Weird!

(Art by magentasnail)

Let's catch you up on the basics real quick. Again, there will be huge Gravity Falls spoilers.

In Gravity Falls, Bill Cipher is a yellow a 2-dimensional triangle demon bent on causing chaos.

Through the series, Bill makes deals with multiple characters to possess their bodies. This includes both gaining full control over the body of protagonist Dipper Pines for an episode, and more interestingly, sharing control over the body of Stanford Pines for an extended period of time.

Bill's possession of Dipper left Dipper outside his body like a ghost. But his deal with Stanford is much more plural in nature, where they shared control, with Bill only controlling the body in his sleep.

Obviously real plural systems don't have headmates controlling their body while they sleep like this, but the experience can be seen as analogous to dissociative identity disorder, where it's common to experience blackouts and "wake up" in situations unsure how you got there.

That's all you really need to know about Bill for the time being.

With that out of the way, it's time get weird and dive straight into the Book of Bill!

The Book of Bills

As I begin reading the Book of Bill, I'm given a warning from Stanford Pines that the book will rewrite itself based on the mind of the reader. This seems silly, and I of course dismiss the idea out of hand. Surely there's no way a book could change itself based on who's reading it.

As I venture further into this tome, I find the occasional point of interest. References to Bill living in people's brain, him being an idea, etc.

I stop briefly to ponder that. Why does Bill refer to himself as an idea? Isn't he canonically a being from a physical 2-dimensional world? Him being described as an idea is peculiar, but something I tuck away for the future.

The first thing I find that really piques my interest in regards to plurality is the multiple times that it's just referenced that there are multiple Bills in Bill's head. Such as when Bill refers to "the voices in his head" teaming up.

In the plural community, there's a concept known as median system.

A median system is typically a system which has separate parts that are less distinct from each other. There's a pretty solid case that Bill, having a bunch of Bills in his head, could be considered a median system on his own.

In fact, the book itself actually depicts communication between multiple Bills, in the form of an interview.

And throughout the interview, there are times where the Prime Bill seemingly gets annoyed at the interviewer's questions. As if they are actually different people. While this could be Bill simply duplicating himself and pretending for comedic effect, it could just as easily be that both Bills are headmates in Bill's system.

Bill being a median system is a pretty interesting direction.

As I read on though, the book dragged me down yet another rabbit hole, and raised an important question.

Does Bill Have A Dissociative Disorder???

Let's talk about dissociative identity disorder. There are two main criteria for DID. Criterion A is the presence of two or more distinct personality states. You know, like those Bills in Bill's head.

The second is memory loss.

Recurrent gaps in the recall of everyday events, important personal information, and/or traumatic events.

This is what was on my mind when Bill was describing how he was uniquely gifted with the ability to see into the third dimension, and wanted to teach others this same skill.

But when he tries to recount it... this happened...

To me, this sounds exactly what was described in criterion B. This is also called dissociative amnesia.

And it's not just this one-off example. Bill actually references later that he dissociates (his words) and "wakes up" later after a conquest.

With everything we know, it seems incredibly likely that Bill has DID, or at least a related disorder.

Bill is what he eats

Okay... wait...

So Bill can ALSO imprison the souls of those he eats inside himself, and they can apparently take over Bill's body too???

What actually is going on here? Is this one of Bill's powers? He can just eat entire universes and then whatever he consumes becomes a part of him? Or maybe it's something else...

Maybe if we looked at this less literally and consider the previous hints of Bill having a dissociative disorder then perhaps what is going on is that Bill is introjecting these people.

Maybe whenever he enters somebody's mind, some piece of them remains...

I would love to speculate more on this... But this is the only mention of it in the entire book!

At this point, I begin to reflect on the words at the beginning. Maybe it was true that the book was changing itself to give me what I wanted. Little hints of plurality to keep me reading, to ensnare me in its vicious trap and ultimately drive me to madness.

And the worst part was, I was falling into it anyway. Because I had to know, even if this was a trap, I was in it to the very end. My thirst for knowledge and understanding unquenchable.

Even if I knew I should stop here, there was no going back.

Stanford Pines, Bill's Perfect Host

At last, beyond all of the misdirects that were put in my way, I arrived at the reason that I started on this journey.

Stanford Pines.

I need to say that when I started this journey, planning to delve into what the plurality of Bill and Ford might be like, I never imagined that it would be handled so... Beautifully.

I mean that genuinely!

I love the relationship of these two characters in the book!

They are both very out of place in their own ways. Both are aware of things in their world that are denied by others, leaving them ridiculed and ostracized for it. They manage to form a genuine friendship. Even if Bill was using Stanford the whole time to achieve his Weirdmageddon.

The two compliment each other surprisingly well. Bill provides Stanford with a friend who can get him out of his comfort zone, which is something that I think Stanford really needed.

There's a really fun part of the book where Bill just gets Stanford mind-drunk, which is apparently something he can do.

Bill fills a role in Stanford's life that nobody had since he lost contact with his brother. While Stanford had friend in with Fiddleford, his lab partner, and we do get to see parts of that friendship in the book, they are more like work acquaintances.

Alas, it wasn't meant to be. Because in the end, Bill is still an evil demon who was bent on bringing about the Weirdmageddon and was manipulating Ford the whole time.

And when Stanford found out, he tried to shut Bill out. This led to Bill trying to communicate through sticky notes to get Ford to stop ignoring him. He would front in the body at night while Ford slept, and they carried on a conversation through these sticky notes.

Wait... Sticky notes?

This is such an interesting choice for the character! Especially after so many hints of Bill Cipher having some sort of dissociative disorder.

Why?

Because sticky notes are an actual method that real DID systems use to communicate with their alters, as seen in this post from the NAMI (National Alliance on Mental Illness) website.

It's fascinating how, if you were to try to depict how headmates with strong dissociative barriers might communicate, this is one of the ways you would want to do that!

Is this coincidental? Maybe. But the talk of dissociation earlier suggests the author also has at least some basic knowledge of dissociation and how it works. And, perhaps, plurality as well?

Overall, this whole section with Bill and Ford was fantastic, and it was well-worth the read for that on its own.

The End?

I suppose this is the end. I found what I wanted. I got the content I was after. A cool plural story of a guy and his headmate from another dimension who wants to take over the world.

Through all the strange distractions and hints of Bill himself having headmates that seemingly went nowhere, I got more plurality in the book than I expected.

And yet, as I turn the final page of the book, I feel unsatisfied. Unsettled.

"Is that it?" I think to myself.

This is Gravity Falls, a show built on mysteries, and looking deeper than the surface. Surely there has to be more. Right?

What if... all the plurality in this book, is obscuring something deeper? Or maybe hinting at something deeper...

And then... I see it!

After the final page, I come to the About the Author section.

Which means it's time to talk about...

The Plurality of... Bill Cipher Alex Hirsch

Yes, I am going there!

In the beginning, I promised that this post will require me to break a rule I've held sacred through these posts.

That rule... is to never speculate on the plurality of the author.

But, Alex Hirsch, at least in a fictional sense, hasn't exactly shied away from the idea of being "possessed" by Bill. This dates back at least a decade, with him making Tweets like this one.

"Bill Cipher" even did an AMA on Reddit through Alex, playing it off as Bill possessing Hirsch while he slept.

It's a pretty open secret in the Gravity Falls community that Alex Hirsch is "possessed" by Bill. At least in some meta-fiction way that may not be canon to Gravity Falls but isn't quite real either.

And were my analysis to stop here, I wouldn't really be saying anything new or valuable. A lot of this was covered by MatPat on Film Theory.

But there's something I want to go back to that confuses me in this book.

That Bill Cipher... is an idea?

Let's bring this full circle, back to the beginning of the book where Bill mentions that he's imaginary and describes himself as an idea.

These are such weird lines because Bill didn't seem to have originated from people's minds within the narrative of Gravity Falls.

His story is of being a being from a literal flat world. So why then, does he describe himself as an idea? Why does he describe himself as imaginary???

Bill Cipher as Alex Hirsch's Tulpa

While Bill being an idea doesn't make sense if he's speaking as a being from a 2-dimensional world that's real to him, it does make sense if we consider that the Bill talking to us, who wrote the Book of Bill, is a tulpa sharing the body of its creator.

Before going on though, we need to answer an important question. What is a tulpa? The r/tulpas subreddit gives its own answer to this in its FAQ.

The simplest way to describe a tulpa is simply another person who was created intentionally/unintentionally through repeated interaction and shares a body and mind with their creator. A more complicated definition can go as follows: A tulpa is believed to be an autonomous consciousness coinhabiting a brain with their creator, often with a form of their creator's initial choice and design. A tulpa is entirely sentient and in control of their opinions, feelings, form and movement. They are willingly created via a number of techniques to act as companions, muses, and advisers. Tulpa forms can either be visualized in the mind's eye, or, with practice, seen as a hallucinatory figure using a technique called imposition.

And let's stop there on the line about being created as muses, because this is something that's found repeated throughout both The Book of Bill and Journal 3, with Stanford referring to Bill as his "muse."

It's a curious term that doesn't appear in the show, but was added to the lore in these two supplemental books.

The FAQ goes on to explain that while tulpas are often considered to be intentionally created, there are also accidental tulpas that can arise through imaginary friends or from writing characters.

Is it possible to accidentally make a tulpa? Yes - many people join the community after realizing they have had tulpas all their lives, but without knowing what they were called. These "accidental" tulpas often arise from imaginary friends and writing/roleplay characters.

On the point of roleplay characters, something I also haven't mentioned yet is that Alex Hirsch didn't just write the character of Bill Cipher. He WAS Bill Cipher. In the show, Bill is one of the characters Hirsch voices along with Grunkle Stan and Soos.

Writing tulpas and how they come about are discussed a bit more below:

Is this a new phenomena? No, it's a practice that goes back in recorded history at least as far as the Greek philosophers. The present name of the phenomenon is derived from the word used by Tibetan monks in the early 20th century. There's also evidence to suggest dedicated prayer can lead to the development of 'religious tulpas' in the minds of the particularly devout, and on the secular end, writing techniques similar to tulpa development techniques can and have resulted in writers creating accidental tulpas from their characters. Having a tulpa is nothing new, although it's gone by many names throughout the course of history and does so even today. However, we believe we are one of the first groups to address this practice as a psychological phenomena rather than a magical, occult or divine experience.

Tulpamancy and Attention

There was another passage from the book that I found noteworthy.

At the end, Stanford describes what truly sustains Bill isn't power, but attention, which Stanford describes as Bill's "lifeblood."

It's even underlined for emphasis.

Why is this important? Well first, this line goes back to the weird lines earlier suggesting Bill is an idea.

But more importantly, feeding on attention is something which is actually a pretty popular philosophy in tulpamancy. That tulpas feed on and are sustained by the attention of their hosts.

How do I give my tulpa energy? Tulpas are sustained by attention, and energy is a convenient metaphor for this. So, you can give your tulpa energy by interacting with them. It is also possible, through no shortage of work and time on the part of host and tulpa alike, for a tulpa to grow beyond this need and to learn how to sustain themselves.

How much attention/energy/interaction does my tulpa need? During the creation process you should aim to interact with your tulpa daily, anywhere from a few minutes up to a few hours, and narrating to them as and when you can. After they're fully vocal and active, the bare minimum is just acknowledging their existence, but spending time talking to them and interacting with them is very much the point of bringing them into existence. Just don't ignore them, and you'll both be fine.

On Parallels in Writing

Adding another layer, it's likely that Stanford Pines is at least partially based on Alex Hirsch himself.

One point of trivia is that Alex Hirsch has a twin sister, and Gravity Falls was inspired by vacations they would take as children. Dipper and Mabel being based on Alex and his sister is pretty well-known. But towards the end of season 2, it's revealed that their Grunkle Stan is a twin himself, with his brother being Stanford Pines, the author of the journals.

During this part of the story, it starts creating a parallel between the relationships of the younger and older twins, with Dipper (who is based on Alex) bonding with Stanford over how much they have in common. Both are nerds who are into writing and science and uncovering the mysteries of the world. Both are a bit socially awkward as well.

And while not much attention is drawn to this particular connection, both had experiences of making deals with Bill that let Bill takeover their bodies at different points.

Based on the parallels between Dipper and Stanford, one might speculate that Alex based Dipper on his younger self, while Stanford was loosely based on himself as an adult.

The personalities of these two characters are also the most likely to create a tulpa based on the psychological profiles of most tulpamancers.

In 2016, Dr. Samuel Veissiere, a psychiatry professor at McGill University, found the following in his study of tulpamancers:

From coding of qualitative interviews collected in large surveys, the most common tulpamancer profile to emerge is one of a highly cerebral, imaginative, highly articulate, upper-middle class, formally educated person with many consistently pursued interests, talents, and hobbies, but limited channels of physical social interaction. Typical tulpamancers are confident about their talents, but are quite modest and socially shy. They possess – or have cultivated – a high propensity for concentration, absorption, hypnotisability, and non-psychotic sensory hallucinations.

The psychological profile of tulpamancers fits both Dipper and Stanford to a t. And many of these same traits could just as easily be true for Alex Hirsch if these characters were meant to be stand-ins for himself.

Is Alex Hirsch trying to tell us that he's plural?

In the end, this is just a theory. And it's one that I feel nervous making because plurality is so deep and personal. That's why I've avoided speculating on the plurality authors in the past. Even when the writing feels so true to the plural experience that it's hard to imagine that someone who isn't plural wrote it.

So why am I making an exception with this one?

Well, in this particular case, I think that the breadcrumbs are being left intentionally, and if he is plural, then he expects somebody to follow them. I'm not worried that I would be outing somebody who didn't want others to find out.

With Alex Hirsch's love of codes and clues and mysteries, if he were plural, I have to imagine that the hints weren't accidental and he would be wondering if anybody would follow them.

And if I am completely off base and he's not plural, I think that he would still appreciate the theorizing anyway. 🤷‍♀️

But if these are intentional clues that were left behind to hint at a real life plurality, one might ask why.

Why would he want people to know about it, and hint at it in this way?

Well, I think the Book of Bill might have an answer to that too.

Shame is a powerful emotion. But it grows in the dark. The more I've tried to hide my past with Bill, the more hold it's had over me.

Perhaps this line is meant to reflect Alex Hirsch's own feelings. Because many plural systems have felt this same way about their plurality, having hide their relationships to their headmates.

The actual end now

Finally, we come to the real ending of this.

This is, again, just a theory. I don't want anyone taking it as fact. I admit that I could be completely wrong about everything that I've said here.

But if nothing else, it's at least fun to imagine that Alex Hirsch does have a Bill Cipher tulpa in his head that has been acting as his muse this whole time. And it would give a new meaning to the gag of the Weirdmageddon intro saying Gravity Falls was "created by Bill Cipher" all those years ago.

Thanks for reading, and if you have your own muse that you think might be more than a simple muse, be sure to read my guide on how to know if your imaginary friend is sentient.

And if you like this post and want to see more like it, you may want to check out The Plurality of… Avatar: The Last Airbender or The Plurality of… IF

[agentmarvel]

Hiii! I was wondering if I could request f!reader x the cod boys reaction to her taking a sick day after having an IUD placed, either platonic or an established relationship with one of them, up to you. I can only imagine mixed reactions, especially after learning what all goes into the procedure. This is totally self indulgent so I was hoping for it to be on the fluffier side, BUT no worries if you’re not interested!!

Thank you!!🤍💐

i love this🖤 thank you for requesting, kat! hope you enjoy!

mdni - 18+; minors and ageless blogs will be blocked

141 x afab!reader (individual pairings - head canon format)

☆

john is worried.

“not like you to take a sick day, dove. you sure you’ll be alright ‘til i get back?”

tbh, he’s so pressed about it. he knew in advance what the procedure would look like - educated himself after the birth control discussion came up - but your body isn’t reacting the way either of you had hoped. it’s far worse.

scared the hell out of him when you called yesterday afternoon and asked that he pick you up. obstinate, headstrong thing that you are, you declined his offer to accompany you to the appointment in the first place. you were in no condition to drive.

the thought of leaving you now, even for morning pt with the team, sets his teeth on edge. you’re strong, he knows. you can handle yourself just fine. but what kind of man would he be to leave his girl when she feels this fucking awful? - spoiler alert: he’s not going anywhere.

with your reassurance (and telling him he’s being a bigger baby than you about it), he tucks you into your nest of pillows and blankets, leaves ibuprofen and a cup of water on your side table, and makes sure your heating pad is plugged in and within reach.

simon is supportive.

“i’ve seen you shot, stabbed, blown up, burnt, broken bones; you’re a tough bird, you can handle it.”

you’ve been through worse. you both know that. doesn’t mean that he isn’t sympathetic to the pain you’re feeling, though. he watches you like a hawk, monitoring every scrunch of your nose or pained grimace or you squeezing your eyes shut just a little too tight. you’ll take the meds he picked up for you like clockwork with the fresh cuppa he brings you every four hours. he’ll take the day off with you, let you squeeze his hand when a cramp or muscle spasm is particularly gnarly.

he’ll hold you while you nap, too - playing with your hair, keeping you centered on top of him with one bulky arm slung across your hips, wishing the whole time that he could trade bodies with you until the aches are gone.

johnny is pissed.

“an’ they donnae give ye fuckin’ anesthetic? och! tha’s fuckin’ cruel s’what tha’ is!”

this man is L I V I D. he didn’t know the details of iud placement until you made him watch a video, and he’s been going off the rails since. it infuriates him to no end that you’re expected to just tough it out with nothing more than basic fucking pain relievers. don’t even get him started on that medieval torture device you called a ‘tenaculum’ that they stabbed you with!

he’s planning a murder while he orders a delivery of supplies. angrily, his thumbs punch at his screen as he selects all the things he even thinks you might need to get through the week - even though you keep telling him you’re sure you’ll be fine tomorrow. 

“not gonna stab my hen and get away with it.”

(when you ask what he’s muttering about over there, he tosses his phone aside, rolls you into his arms, kisses the top of your head, and tells you lunch is on the way.)

kyle is sympathetic.

“poor thing,” he murmurs, kissing your temple. “what can i do to help?”

like price, kyle took the liberty of doing his research. 

cramps and muscle aches/spasms are common after placement, and some women will actually pass out in the minutes following the procedure. he texted a medic friend to get ahold of some muscle relaxers for you, picked up standard issue pain meds, bananas for potassium to combat the cramps, a second heating pad (one for each side), chocolates, tea, and a new plushy for you to squeeze on. your boyfriend was adamant that he take you to and from your appointment, even if you didn’t want him in the room while it was happening. every single base is covered in advance to mitigate the worst case scenario.

when you curl into the fetal position, gritting out an abrupt “all good”, he wraps himself around you like a shield.

[brucewaynehater101]

Have you ever read a fic called A Medication On Railroading? Because I think you'll like it. Basic summery with no spoilers: Jack takes Tim on a trip to Atlanta and then leaves him in Atlanta so he goes train hopping to get home. Very hurt/comfort.

But it also gives me an idea that I'm not sure where to share. What if that wasn't Tim's first time getting home like that? Maybe the first time was just New York when he was say... 9 years old? His parents took him with them to a Gala and Jack thought Janet called him a car home and Janet thought Jack took care of it. Neither one did and Tiny Tim figured out how to get home on his own. It happens again when he's 11 so he already knows what to do, he studied up in case it happened again.

After the second time, anytime Tim is with his parents he keeps his camera bag on him at all times which has 300 dollars in it that he can use on getting home. Tim also discovers during the second one that trains are *way* better than busses and cabs. He's all alone, just him and the scenery and whatever cargo his car holds. He can Fully Relax. He doesn't have to be the perfect heir, he doesn't have to smile for the cameras, he doesn't have to be quiet or good or perfectly polite. He can scream and laugh and cry if he wants to and no one will ever know! He can sing and curse and throw rocks at things! He can be a *kid*.

After Tim becomes Robin, he never calls Batman for a pick up if he's abandoned somewhere and instead will make his own way home. Heck, after some missions with Young Justice he will turn off his trackers and ride trains home so that he can loudly vent about them without having to worry about anyone ever knowing what he said!

This does become a slight problem when he's 17 and Bruce needs him for something and finds out from Bart that their mission ended a day and a half ago. But Tim never called for pick up. And his trackers are all offline. And he never hit his emergency beacon and *no one can find him*. Bruce totally isn't freaking out. The other Bats totally aren't freaking out. Young Justice totally isn't freaking out. There totally isn't a panic spreading through the super hero community about Red Robin maybe being dead I a ditch somewhere and how both Batman and his team will react.

Tim meanwhile is straight vibing as he reclines on a stack of bags of rice like they're pillows, singing along to some sound track he downloaded onto his MP3 player, having turned the volume to max and nearly screaming the lyrics because it's the one time he feels like he can.

Yes! I love that fic you mentioned. It's really really good. Perhaps I should re read it since it's been a minute.

Also, I absolutely adore the little tidbit you've added. A few things to note that I love about it:

No one else knows/finds out until he's Red Robin

It's a semi-decent coping mechanism. He gets to chill out, vibe, and process. He's also in touch with nature and music during this.

Tim drops his various masks to simply exist for a bit

Tim chilling on some rice bags in a train cart with an MP3 player (not even his phone. This indicates he's fully offline during these trips)

A few additional notes to add. One, this could buff up the canon notion that pre-Robin Tim traveled far to go see Dick at the circus and convince him to become Robin again. If Tim had already done that twice unexpectedly, he'd do swell when he actually plans to do it.

Two, Tim probably created a white noise generator or something to give him totally privacy on his "me trips." This is why Kon and Superman freak out. They can't hear him.

Three, he probably gets covered in grime, dust, and dirt. He's no longer in the pristine environment he grew up in.

Gods. That sounds so nice and relaxing. I'm actually kind of jealous. Just the wind, music, and the slowly changing scenery? Fuuuck.

[cozzzynook]

Can I get Murderbot Bee in TFOne and the team finding out?

Mild spoilers

Murderbot bee being dumped into the 50th sub level because Sentinel Prime had him do a lot of dirty work.

He enlisted Bee to kill off any of the bots who dared speak out against his name and his rule. Those who questioned his story on what happened to the primes and poked the holes in his lies.

Bee murdered them. He murdered all of them.

Alongside Airachnid, Bee killed many civilians and the leftover high guard who learned or knew the truth.

Airachnid is completely guilty of her crimes.

But Bee is innocent in the fact he was only a young sparkling when he committed these acts.

In fact he’s still a sparkling when they find him.

He was a sparkling solider.

One Sentinel picked from the last remaining sparkling centers before the energon falls dried up and reproduction stopped completely.

He took out Bee’s cog and would only allow him to use it when murdering for him.

The constant removal shorted out so many important circuits and components in Bee that it stunted his growth and affected his memory.

It was only made worse when his goal was completed and Sentinel decided he didn’t need a dysfunctional sparkling or proof of his misdeeds running around.

So he threw Bee to sub level 50 with a false promise to come get him in a few days or weeks and just never went back. In fact he forgot about Bee and assumed the sparkling died or smelted himself on accident with the trash.

Bee was down there all that time awaiting orders until eventually he forgot everything and went a little crazy from being alone so long.

Thankfully D-16 & Orion find him when they’re thrown down to level 50.

Of course they question why he’s so tiny and upon remembering the archives and the stories older miners told they realize this is a sparkling.

This is the first push to D-16 becoming Megatron actually and a pretty big one the moment Bee stumbles while walking on pedes too big for him and holds his finger while looking up at him with his helm turned to the side and his little head ears flicking.

Its the push Orion needs to become a leader and they both escape the sub level after eventually stumbling upon the call from Alpha Trion.

Of course the events happen somewhat the same but instead they have a sparkling with them and are a bit more careful about things.

The former high guard aren’t as violent in the presence of a traumatized sparkling and Alpha Trion has more steam in him at the sight of Bee and knowing he was basically cog tortured.

Bee cried really hard after receiving his cog and it took Orion and d-16 a long time to calm him down.

Poor Bee doesn’t know any of the high command thats still living but he does have flashes of memory come back as he sees holo pictures of the mechs and femmes he’s killed.

The high guard is familiar with sparkling soldiers and they can begin to see whats going on as Bee begins to fuss and cry.

The majority don’t blame him and those that do are really just overcome with grief at the loss of their missing loved one.

They know Bee isn’t at fault.

They just have more reason to hunt Sentinel down and kill him.

So this time, when Megatron kills Sentinel, Optimus doesn’t banish him.

He asks Megatron if he can destroy their home, the home Bee never got to see. The home they can now finally explore, together.

Megatron still has anger and hatred in his spark that needs tending.

But he doesn’t become a tyrant.

He becomes the freedom fighter instead.

[tyquu]

Absolutely love your prosthetic Ezra AU. Arts so wonderful and stunning (Sorry if I spell it wrong, English is not my first language)

If you don't watch Asoka show you can ignore my question, because of spoilers)))

I have a bunch of little questions. Ezra spent almost ten years in other galaxy. What is the quality of his prosthesis when he returned home? How did he deal with breakdowns without the right tools and parts?

Anyway, love your AUs and amazing art style!

Wahhh thank you so much! Glad to hear you like the AU!

So I haven’t actually finished Ahsoka (I know, im sorry 😭) but at this point I feel like I know roughly enough to take a crack at this! So here’s what I came up with;

So, Ezra’s cybernetic, as discussed in the post where I went into detail on it, requires pretty regular maintenance in order to function. Stranded on Peridea and without access to any med care/tech from the chimera, Ezra’s cybernetic would begin to go faulty within months.

At most he’d probably be able to make things just about work for three months post crash before it would have to come off. Grabbing a stick to use as a cane, there would be a few months where he has to really go back to basics, and it is not ideal.

However, Ezra would get crafty! Either with supplies he’d have stolen from the chimera or gathered on his own, and he’d end up with various self made peg legs! They aren’t perfect but with every iteration tend to get a bit better.

After staying with the Noti for a while, he’d finally have access to better materials and craftsmanship, and make a final design for his post crash prosthetic. It includes an adjustable buckle, prosthetic knee mechanism, and polished wood transtibial prostheses below the knee.

Obviously it would still need the occasional part replacement due to wear and tear as time goes on, but I don’t think it would change drastically from this point onwards, not until he gets back to lesser space of course, where I’m sure he’d go get checked out by a whole med team and possibly get his cybernetic replaced

But yeah!! That’s all I’ve got. I’m not a massive Ahsoka believer tbh, and I kinda split off in the middle to dabble a little bit on what an “Ezra and Thrawn in wild space adventures” prosthetic situation would end up being like. Especially with the possibility of introducing the ascendancy. But I decided to halt that train of thought for now so I could address the Ahsoka show specifically 🫡

Thanks again for the ask! Hope this sort of makes sense (and please do let me know if it doesn’t!) :D)

[amxrany]

!! CHAPTER 7 / DIASOMNIA ARC SPOILERS !!

Going into Vil's dream now lesgoooooo (warning i cannot find a lot for vil's segment for some reason so if i miss a lot of information im so sorry):

So I understand why they released Tapis Rouge before this update, because we are now in The Queen's Film Studio, where Vil tells everyone to look forward to live broadcast of the Diamond Film Awards (this is most likely a reference to another Diamond in-game)

(sheesh new vil outfit again)

But basically yeah Vil's dream is to be the fairest of them all and he got Neige as his assistant 😭

Rook sees that it is indeed Neige, and the group tries to get closer to Vil. But Vil called Grim a stray cat and shooed him away, he's now sad :((

Vil assumes we're paparazzi and tells Neige to throw us out, and we find out that Vil just abuses Neige. So the group tries to convince him to report Vil, but Neige becomes blot and tries to fight the group

(I like their weapon it looks neat)

They defeat Neige but security is now after their ass, and it's revealed that Diamon Film Awards is a type of awards show for actors and that in reality, Neige was the one who won the award. But in this timeline, it's Vil who wants the award. Not understanding how Vil changed, Idia mentions that Malleus's magic allows them to experience happy dreams, and those dreams can also release any resentment you hold deep inside.

We then go to Vil receiving his award, but Rook stops him by telling him his time in NRC, but Vil tells him he doesn't know what he's talking about; and we go through the dizzy-but-is-trying-to-remember-everything segment again. However, the darkness was swallowing Vil up, and we couldn't save him in time because Neige managed to sink him down even further but Rook used his unique magic to follow Vil

So basically this next dream is the "What if Vil succesfully poisoned Neige and won VDC" scenario, we're in the part where Neige actually drank the poisoned apple juice and yknow, dies, and the dwarves are surrounding him crying

Epel uses "Sleep Kiss" to see if there's still a chance in saving him and let's just say it's the most Snow White reference I've ever seen. Oh and Rook is on the verge of breaking down

On stage, Vil's team has won VDC, but Rook and Epel come in to stop Vil by reminding him how he overblotted, and that causes Vil to wake up. Vil is back to normal and he's grateful that Rook and Epel came to save him and Epel said of course, we're your hunter and poisoned apple after all

The darkness comes back again to swallow Vil, but Rook and Epel aren't letting go. But idia orders Ortho to tell Rook and Epel to let Vil go. So you guys remember that one part during the last update where Idia fight his own phantom in OB!Form? Yeah we're doing that too but with Vil.

It's similar to that of the concept of Persona 4, where you learn how to accept yourself, even the ugly parts of yourself. Because Vil decided to use his weakness as his strength and overblotted to fight against his own phantom

MORE EVIL LAUGHTER AS VIL CELEBRATES HIS VICTORY DECLARING THAT HE'S THE MOST BEAUTIFUL OF THEM ALL. We are then transported back to the fake event with Dream Neige where Vil tells him that he is indeed the most beautiful of them all (that is so true queen go slay)

Pomefiore all go in for a hug, and the others join in as well

Sebek was surprised that Pomefiore wasn't just all about beauty, but they were really strong as well, and then Idia thought it was funny to show their Absolutely Beautiful cover in which Vil proceeds to ruthlessly criticize them for it 💀

Vil receives his own invitation of deafeating Malleus and that's where the update ends

HOOOO BOY where do i start, this update is so funny it honestly took me forever just to look for parts of Vil's segment. But assuming that we're going backwards the next update will most likely focus on Scarabia so manifesting that we get a Kalim card next so that we can complete the light trio fr fr

Anyways, see you soon in the next update!

Previous: Rook's Dream