#(and she did the same to him)

[inkskinned]

"don't make it political!" .... what proportion of death and suffering must occur before politics are involved. if this isn't political, what is even the point of any politics, ever. of democracy. the words are "by the people for the people." if i am going to be left alone by my elected representatives to "figure it out" - to undergo damage, hardship, fear. what the fuck did i elect them for. what was their job. the entire point is that they handle this shit. this is why we were supposed to be electing leaders.

poverty is political. misogyny is political. gun control is political. climate change is political. how much aid a community gets is political. what the fuck are you talking about. it's been political this whole fucking time.

[grimfantas]

10 years in the future for Nanako-chan

[bet-on-me-13]

The Bat-Adoption Papers are literal Magic Contracts

So! In the Deified Batman AU (the AU where the Belief of the peoples of Gotham accidentally Ascended Batman to minor godhood), the Bat Adoption Papers would be a fun concept.

Batman is a God of The Night, Fear, and Protection. Specifically, the protection of Children, which is one of his biggest motivators. Meaning, it's a big part of his Divine Domain.

So when he, a God of Protection and Children, adopts his own Child? It's kind of a big deal.

His Adoption Papers basically become Magical Contracts that claim Dick to him as his own Son, basically turning Dick into a Demigod by the fact that he is the Son of a God.

Then each time Batman adopts a kid, they become a Demigod as well. Maybe after enough time, and after they forge their own Identities, they could become Minor Gods of their own? Idk, fun idea

Why do I bring this up?

Well, when Danny eventually joins the JLA, and runs into Batman, all he sees in a God of the Night, who takes one look at him, and then pulls out a Magical Binding Contract from his Belt.

Needless to say, he books it.

[bacchuschucklefuck]

they tried to rebrand as The Criminals but riz is literally the city council's treasurer and also turns out people in their late 20s don't really name their friend groups. so now they're The Intrepid Heroes

[aq2003]

the way hamlet acts in act 5 scene 1 juuuust clicked to me. like my impression was "smh my head he is so toxic, he did NOT love ophelia as much as laertes did, what is wrong with him" but actually i think the thing that sets him off isn't just laertes' display of grief, it's also how everyone takes it seriously. everyone treats ophelia's funeral like a funeral and is sympathetic to laertes and understanding of his desire to jump in a grave with her etc but these same people around hamlet expected him to celebrate his uncle's coronation and move on from his father's death at the same time. in that moment hamlet sees laertes as similar to the actor narrating priam's death in act 2 scene 2 and it makes him SO mad (and he regrets it later in act 5 scene 2 which is after he realizes laertes' emotions are as real as his own. probably why he calls him "brother" as well)

[infinitelystrangemachinex]

massages forehead So Ambessa hid Mel away because she was a weapon in the literal sense, a mage. But Ambessa came to Piltover for Hextech? And Ambessa had nothing to say to Mel about her powers having visibly awakened? Even when Mel offered to go with Ambessa, giving her the ultimate opportunity to make Mel a weapon for real? And Ambessa made no attempt to find or retrieve Mel - not just her daughter and the remnants of the family Ambessa professes to love, but also her ultimate weapon - when she disappeared? And Ambessa trusted Singed and Viktor on their home turf - neither of them hiding how insane and self-serving they are with every reason to take over Ambessa's soldiers or just blatantly turn on her as soon as it benefits them - more than she trusted Mel? While Caitlyn (and by extension Piltover) was visibly and clearly falling away from Ambessa's teachings before Ambessa's eyes? (as if getting rid of certain people allows piltover to get rid of fascism but we won't get into All That)

Not only do I struggle to be hyped for Mel's powers beyond how amazing and beautiful she looks, but I can't help but feel like Mel is somehow less powerful in season 2 than she was in season 1, and not in an interesting way. As if Mel's ability to bend all of Piltover politics and economics to her will in season 1 now means nothing in season 2? You can argue that Jinx's attack led directly to Mel losing ground in Piltover - because I expected Mel to have to claw back that power without being able to rely on people who are too easily seduced by Ambessa and authoritarianism, and she would have to get creative to go toe to toe with her mother. I expected pushback to her mage identity that she would have to navigate. But instead this went either unwritten, or was ignored or discarded. Instead Mel is removed from the main plot, cutting her off from what made her the most interesting - only for all of Mel's very real talents, her very real powers and abilities, to be not only translated but REPLACED with magical powers she doesn't know how to control, and by the finale, those magic powers are the only powers that are considered real. Mel takes a backseat to Piltover's governing and decisions, a backseat to Jayce of all people who was not only new to politics mere months ago but made poor governing, strategic, and diplomatic decisions when he had that power. In season 1 Mel stayed off the "throne" but she did pull its strings one way or the other, and she makes no attempt at this in season 2

In my least generous suspicions, Mel was gentled and quieted to capitulate to an agenda for other characters who had to be correct and heroic - or wrong and villainous - no matter what the leadup narrative said, given her powers to help sell the game and set up future shows, and was effectively ejected from the Arcane story with faceless soldiers and a role she doesn't want because she was inconvenient there

[ap-kinda-lit]

Bulma’s ex-planet killer trophy husband

[ghostlyarchaeologist]

"Somebody's burying something there at the end of the train tracks. Maybe that's what's poisoning the land."

Leverage Redemption S01E14 The Great Train Job.

[obsessedwithstarwars]

Jazz makes a deal with Desiree after finding her brother in their parent’s basement. And it’s not a pretty sight.

Her deal: Desiree gets a slightly longer leash (in a matter of speaking) as long as Danny and Jazz are safe. (Or something like that. Point is, she made a deal)

I wish this never happened and that Danny and I were safe somewhere else!

There’s a snap of fingers, a bright flash, then she’s outside in an unfamiliar city with sirens blaring and people wailing as a scarecrow runs by with some sort of gas, chased by someone dressed like Vlad adjacent except all black with a weird looking bat symbol on his chest.

Not normal, but also not the weirdest thing she’s seen.

But there’s no sign of Danny.

Desiree looks at Jazz and smiles bitterly, “I never said you’d be safe together.” And disappears.

Meanwhile, Danny wakes up screaming in an alley until he realizes he is not in pain and somehow has no wounds from their parents. His screams attract the attention of a man walking by, who comes to investigate, Danny decides to go invisible right in front of him which was dumb but he was injured just a couple seconds ago so cut him some slack. It really should have freaked the guy out, but he just has an astonished look on his face before also turning invisible.

Or: Jazz is sent to Gotham and Danny is sent to Coast City. Jazz becomes an unwilling part of scarecrow’s scheme (could be any villain) and is saved by a bat (any bat, although I prefer Red Hood or Robin) and Danny accidentally showed Martian Manhunter his powers.

Could work with Superman too in Metropolis. He could pick up a dumpster and throw it at Clark and Clark would calmly catch it while Danny is babbling/apologizing for getting scared and throwing something that could have killed the man, then slowly everything clicks and he disappears, leaving Clark Kent to investigate.

(Also background: Danny has just been told he will be the future Ghost King in this and Jazz was told by Clockwork that she would have a difficult decision and a difficult future in store but that it will be good for them and for the realms. Jazz doesn’t believe in fortune tellers, especially vague ones and says so to Clockwork’s face which cracks a smile. I’d personally write it as a Hardcover ship, but honestly if anyone wants to yoink this and do something else with it, I’d be okay with that too!)

[littlenastieswewhispered]

[forzathunder]

"I have many fears, most of them about Lucrezia." — Cesare Borgia (The Borgias, 2011-2013) + hints of insecurity

that she adores someone that much / if she will reject his dark nature and act of love and violence as Ursula did / if he truly is not part of her desires / that she easily forgets him

[syrupbitee]

free my boy from his own show he did nothing wrong

[oceanwithouthermoon]

saikis powers are a vital part of him so it makes sense that people who dont know about them cant truly understand his whole self, but its also very silly to me when people act like its the ONLY important part of him... people act like his friends that arent in the know are completely blind to who saiki is, but i feel like that kinda means you missed some major points... he cant keep his powers a secret forever and it DOES matter, but he can still be loved and KNOWN without knowing about them... hes still human, he still has a personality, he still has regular likes and dislikes, etcetc

his friends perspectives on him may have been wrong at first, but they CHANGED... they know him and love him, and theyll KEEP loving him the SAME once they know of his powers...

​some people cough cough cough in this fandom like to reduce saiki to JUST his powers and its so obvious that you just. missed everything. you didnt absorb anything from the show, you just saw it and went "ha, everyone thinks hes just a guy when hes actually super cool and powerful" no no no, he IS cool and powerful but look a little closer and at his core he is still LITERALLY JUST A GUY 😭😭😭

hes such a guy.....

[raylangivins]

CHALLENGERS SPOILERS. but god also like, patrick agreeing to throw the match when art asks like it's nothing, and then later when tashi asks behind art's back he thinks it's so fucked up of her even though he agrees to do it, but then he doesn't do it. he chooses to goad art into playing real fucking tennis again instead. something tashi couldn't do. jdgfslgkddlaksjh

[aq2003]

has anyone gotten the idea that odysseus' storyline in hades 2 is a depiction/exploration of trauma over his SA and how he's blaming himself for things that were out of his control? because that's the impression i'm getting from what i've seen. he talks about "goddesses" as his "greatest weakness" and that "he's not one to say no to them"...

when mel invites him to the bath, he brings up mortals having different standards for intimacy than gods and how it usually has a more romantic/sexual connotation. she then asks if he's uncomfortable and he has a startled reaction and brings up circe and calypso again (but never actually by name)

(this isn't ship/romance bait btw. odysseus knew mel as a kid and they're stated in-game to have a sibling/uncle-niece relationship)

also he grew apart from penelope after his return, but the game makes a point of showing that his love for penelope and telemachus is what drove him on at all so that element of his character isn't brought into question

[box-dwelling]

Baldurs gate 3 is very funny in that it brings together a group of people who under most circumstances would consider themselves a found family but just so happens to have populated the group with soley people who would be vehemently against calling it that