#(and I KNOW that logically it makes sense in that way. because people see them as the same thing and will tag both)

[chipped-chimera]

Okay psych nerd here who is not going to bloat this with a tag explanation and instead just write the thing:

The answer is two things -

Dehumanization / Distancing from Humanity

Moral Psychology

Here's an example in action. So I'm sure everyone knows about the Trolley Problem - you are standing near a train track at the track switch, an out of control train barrelling down the rails. On one of the tracks, are a group of men working on the rails (or tied to the rails if you prefer the image version). If you do nothing, it will collide with the group of people and kill them. On the other hand, if you use the switch and change the track, it'll instead kill just one person. This one people can reasonably complete, the usual choice being kill one to save five or whatever.

But here is another version. The Fat Man Trolley Problem (not my wording). In this version of the Trolley Problem, you are standing on a bridge overpass of a traintrack. Next to you is a very large man. Below you, are the five workmen. The train is out of control, but you realise if you push the fat man off the bridge and onto the track, his mass will be enough to stop the train and save the five people on the track. What do you do?

Naturally, this one prompted visceral reactions from people it was pitched to in studies - which begs the question, how is this version different from the switch problem? In both problems, you have the choice to sacrifice one to save many, but the mere thought of having to physically push another person onto the tracks crosses a line.

That's because a switch distances you from the situation, in a sense, you are removed from the humanity in the decision making and it's pure logic. Harm is a side-effect of flicking the switch, in a way you are less involved. Having to push the man, however, is forcing you to confront the human-ness of the situation, to look someone in the face and make that decision.

A lot of the problems in the world, and their respective government entities who are supposed to be fixing them, often have zero experience in the very thing they're supposed to be solving. They're sitting in an office, far, far away looking at a bunch of numbers spat out by a consulting agency while there are homeless in the streets. The switch they pull is so far away they can't even see the people their decisions affect. And if they think less of the people they are making decisions over, like the very, very, very obviously misplaced idea that homelessness is somehow caused by moral failing - that will distance them from the humanity of the situation even further.

I think back to an article I read about someone who had lost their husband to suicide after many, many, many years struggling, went to a conference regarding mental health. The participants of this conference would be the ones making major decisions that would affect the health and outcomes of other people. She confronts one of them, and asks them - have you ever been affected by depression? have you ever had someone in your family been affected?

He seemed shocked and startled. But he answered no.

That should say everything. Anyway this is why I think it should be mandatory for anyone forming country-wide, dramatically-impactful policies in government, especially regarding minorities and poverty - should have a MANDATORY amount of hours they have to spend per year with said people who will be affected by their decisions. And none of this distanced hand shaking for the cameras, I mean living that experience as closely as possible.

It's not that humanity is dead. It's not that we get up with the intention of causing harm every day. It's just a fact of psychological distancing that causes us to lose our connection with it. This can be unintentional, but sometimes it is intentional. It's often a tactic in war propaganda, to cast the enemy in such an evil light that the idea of killing many to protect or save your people - even if it's women and children, and disabled and elderly people, and civilians - is somehow justified.

So the next time you vote or support a cause or whatever in your life that may end up influencing the situation of people, outside of your known experience - stop for a moment, and have a think about what it is like for those individuals. If you had to physically go to them, and look them in the eyes - would you make the same decisions?

Also vote for people with lived experience into those positions to make the decisions when you can!

It confuses me how normalized it is to be so anti human. The fact that two countries voted no to food being a human right. The fact so many people are against universal healthcare. The fact that it’s normal to believe some people don’t deserve housing because they’re poor, addicts, mentally ill, or any combination of the above. I find it so hard to comprehend that humans who have experienced hunger, thirst, cold, and illness would wish these things upon others, or at the very least not care. It frustrates me beyond belief.

These are the exact values we’re taught as children, to believe all humans are equal in worth and needs, and yet at some point you’re expected to grow out of that illusion. You’re expected to accept that this is what life’s like, that the world is unfair, and attempting to fix it makes you weak and childish.

[wiltq]

Shadows age and how it matters an incredibly large amount for his character.

(I figured out titles)

I know that we all know that Shadow reacted to Maria’s death in an unhealthy way but nonetheless made sense, but I would like to bring something up that makes it make even more sense.

I love looking at people arguing over Shadow’s age, it’s fun to see different ideas on what they think his age should be, the only bad part is that there is in fact a right and wrong answer.

I am firm believer that Shadow didn’t age in stasis(literally look up what stasis is, you can’t age in stasis) therefore being the age he was on the Ark.

Shadow was probably only around a year old(in terms of being conscious) when Maria died seeing as she looks the same when she finds him and when she dies, so he was quite young.

I know that Shadow was sort of programmed with the mentality and physical body of a teenager, but people don’t seem to understand how little that means. It shows us what his canonical age would technically be, but it hardly matters regarding his actions. Shadow being programmed all of this information instead of experiencing things to learn it will change how he reacts to things.

He did know what the concept of death was when Maria died, but he had never had time to both process that fact that she was dead and the concept of death entirely. Shadow, by all logic, would react to Maria’s death like a much younger child.

We could argue that teenagers would react better than him even if it’s their first time experiencing loss, but by then they would have already experienced many other negative emotions, over time teaching them healthy ways to react.

But for Shadow? He was told. He never experienced things like this before, he has the mental state of a teenager but the experience of an infant. Things like empathy and grief can’t be understood simply by being told, you have to learn through experience.

That’s the reason why children can be cruel, they don’t understand empathy, they aren’t old enough to even think that people other than themselves actually have feelings, it’s the reason the best way to react to their cruelty is with sadness, they won’t like it when you’re not happy, it’s an inconvenience for themselves.

If they don’t understand that you can be upset, they’ll react with more cruelty because they’re angry.

They typically learn this from ages 4+. Shadow is 1.

Shadow at this point doesn’t even fully understand that other peoples feelings matter, he doesn’t understand people can feel what he feels and he doesn’t understand the idea that people can’t understand how he feels like this, he still doesn’t understand emotions.

And then before he can learn how to deal with this grief he loses even more trust with people because he was put into stasis.

The point is, Shadow being angry at everyone in the world because of what people did to Maria 50 years ago makes more sense than if he wasn’t, other characters in the sonic franchise have lost people but they’ve had time to mature.

[uncanny-tranny]

I've talked before about how the way people treat suicide can be unintentionally devastating to the suicidal person, but I don't think I really ever said how to avoid that.

Speaking about suicide in how selfish it "is" ("think about how you'll transfer your pain to your loved ones!") might seem like a way to put logical sense into the suicidal person, but, honestly? It runs the risk of massively increasing their shame and guilt about being suicidal. Suicide is not inherently a revenge fantasy or a way to "get back" at someone's loved ones, so when the suicidal person is treated like a criminal of a "crime" they haven't even committed yet, you can imagine how unhelpful that can become.

Instead, if you want to point out how cherished your person is, frame their relationships as something they can keep fostering.

"Your cat will miss you :(!!!!" becomes "you and your cat seem close, right? I'm sure it's beautiful having a close friend like that!" and maybe include ways that they and their cat are close and meaningful to each other, tailored to that relationship.

That's only one example, but when you shift the focus away from why that person should repent and feel guilty for being suicidal, you can instead focus on why they would live for that reason. See how you can frame that as a positive? Whatever is keeping that person tethered should never be used as a bludgeon, I think, because then you're taking away why they're living, the positivity of why they are here. Whatever they are here for should be remembered often and honoured.

[epiphainie]

i can't with all these "the show is highlighting tommy's jealousy, they're planting seeds that it will cause problems" takes like bffr. he mentioned being envious over the 118's dynamic twice, sure, but in what world (literally how?) would that cause a relationship problem? do yall expect him to be in cahoots with gerrard behind their back and murder buck to take over his life or something?? like even with the hyperbole aside, i genuinely cannot see how they can turn this into relationship drama without going against everything they showed us with tommy so far

[osokasstuff]

[ID: 1 screenshot in initial post and 3 screenshots in reblog.

initial post: tweet of Tiberius @ecomarxi. tweet is commenting on reddit post: "i work in pediatric neurology. we have UHC deny seizure medications that we can definitely tell will benefit patients based on their EEG results because it's not UHC's preferred medication. patient has to fail the preferred medication first. and by fail, this means that patient has to have a shitload of seizures. so these kids have to seize their fucking brains out to get a medication that we know will control their seizures. fuck health insurance companies." tweet comments: "when i say capitalists actively harm people for profits i mean it in the most literal sense."

replies in reblog:

from @/le-chaire-de-lune: #us politics #health insurance #not their preferred medication is one of the worst parts #like let's make you suffer for no goddamm reason before we give you what we know works

from @/theconcealedweapon: even from purely a financial perspective, it's much more efficient to just give them what they need. making them take another medication before they take one that's proven to work is not only cruel, but it's a total fucking waste of time and resources. there are a lot of complaints about how universal healthcare or other socialist policies would be "inefficient." but here we have clear evidence of capitalists intentionally being inefficient.

from @/astralikacastle: ah, but see, from a purely distant and "logical" standpoint, if they pay for the cheaper medicine and it works, then that's saving them money forever! never mind that it has literally never shown to work and that you always save money by listening to doctors and there's never a cost analysis of whether something not working will cause other costs to show up like, say, a kid having another fucking seizure causes them to need more medicine, or emergency treatments, or get a whole new set of problems that cause new forevercosts. because they're not people to UHC. doctors are not in the business of saving you money, and sick people are not meant to be sympathized with. if the cheaper medicine doesn't work that's (italics) their (end italics) problem. it's cheaper, so it'll save us money, so we're doing it that way.

#also while we're here: what's a long run? #here's the sheet with this quarter's profits #maximize that #then you'll maximize the profits on next quarter's sheet /end ID].

i've heard that they delay treatment/aids/whatever for people, especially terminally ill, so these people die, and they don't have to cover it.

[sanasanakun]

Jimithon Mouthwashing is such a good representation of untreated, enabled NPD like it makes me want to squeeze the life out of him. I'm endlessly fascinated when watching him interact with his crew, surroundings, and himself because he's so fucking lost in his own sauce. It's insane. If I'm being real, it makes him my favorite character in the game.

It's a little scary to say, but watching Jimmy is like seeing a mirrored version of myself two years ago before I truly committed to treatment for my NPD. He's like a shadow. The opening line "I hope this hurts," which I believe comes from Jimmy right before the crash, is such a poignant statement. It's a simple line, but I can tell you from experience that the desire to hurt others when in a narcissistic rage is overwhelming. It's such a good line to sum up Jimmy's character in that moment. Luckily, in the real world, I had my friends and family there to catch me when I hit my lowest, even though I'd hurt them so many times. Jimmy probably could've used friends to force him into therapy (cough cough Curly cough cough)

[tarnished-butsogrand]

This is not about Liam.

[loverboybrightsideghost]

"reblog for something lgbt to happen to you" at this point i'd be grateful if something straight happened to me

[bartletslesbians]

It's so irritating that every other Dorcas post is tagged with Slytherin Skittles or characters not even in the post bc it means I can't mute jegulus and those skittles and the regulus tag without the entire Dorcas Meadowes tag becoming a grey block 😭

[hsslilly-blog]

source

[inkskinned]

it's because the bear wouldn't kill me just for being a woman. the bear doesn't kill me for fun. the bear can be shouted at, and will leave me alone. the bear won't make a tiktok complaining about how i crossed to the other side of the path when i saw him coming. if a bear kills me, it's just being a bear: it cannot understand logic. it is not acting out of malice - just fear or hunger.

bell hooks once wrote about how porches might be the only outside space left for women - it is still the domain of the house while it is also outside-but-safe. when i am in the woods, i am in the bear's home, and he has a right to defend his property. outside spaces - anywhere at night, certain parks in the day - those are often implicitly "owned" by men. i cannot explain the feeling of knowing when you have entered a man's "territory." you walk into a place and just know you are in their space. you get a sick sense - you're in danger.

the other day a group of about 8 men were fooling around in the woods while i walked my dog. i had to go around, take the extra 3 miles just to avoid them. it's okay, i like walking. this wasn't even a #feminism moment. it was just a tuesday.

what a plain and easy question. only one of the situations is seen as a tragic accident. i would rather die and have a park bench erected in my honor rather than have my family questioned about why they let me, an adult, walk in the woods in the first place when i should really be at home in the kitchen.

i worked in retail and food service. i have had women say and do absolutely heinous and abusive things to me - not because i was a woman, but because i was there, and they were angry. the way men treated me when angry was different - it was because i was a woman. you can always feel the difference, how there's an undertone of i'd hurt you worse if i could get away with it. i keep seeing people try to cite stupid statistics. why is there always a strange rage whenever women agree on things? like men can argue their way out of our lived experiences? it isn't a buzzfeed quiz - which of these traumas are you? 10 super cute ways not to fear strange men.

i have actually (thrice!) seen a bear in the wild, by the way. i died each time, obviously, and am a ghost writing to you. (it was scary but completely and utterly fine). the second encounter was a black bear with her cub. she looked at me like - do we have to do this or are we good? my dog was busy sniffing a bush, completely nonreactive. i felt like i was in a sitcom: feminist poet reacts - does she actually mean she'd choose the bear? my only thought was - she's so beautiful. her paws are massive.

and there's a part of me that feels the rage spinning out in a corner. why do we have to come up with quippy little comments in order to teach men empathy. would you rather die in a car accident or due to a mugging? and would you rather your house burn down due to an electrical fire or due to arson? gee willikers - it's almost like we're human people, and want to risk the accident versus the intention.

i would rather my last thought be oh shit, a bear rather than i'm a person too. why doesn't that matter? why don't you care?

[dunmesh]

okay i don't have anything smart to add i just genuinely love that these seemingly trivial jokes are actually an important part of his character. we see it throughout the entire manga, how he pushes aside his own frustration and discomfort to accommodate everyone else's and avoid needless confrontation- another example off the top of my head would be the barometz chapter in which he slowly gets frustrated with izutsumi but still tries his best to talk some sense into her calmly and soundly.

and in contrast, there are very few times he expresses his anger and hurt towards others, and it usually takes a lot for him to finally lose his patience and control.

i mean, even with kabru he tried to be polite despite the circumstances until the guy said the one thing that triggers an immense sense of shame, hurt and rage in laios. and you know, the manga does say it quite clearly early on. when we are introduced to namari and then to shuro, laios acts all friendly and shows his respect and trust in them despite how things ended between them, and everyone else gets frustrated with him for acting so strange- why are you the one who tries so hard to pacify the rest when you should be the angriest?

and they don't understand him. they don't know him well enough to be able to understand, but we as readers get to see during the manga that they aren't wrong to question him- he does, in fact, feel all those ugly emotions. and it's when the winged lion finally confronts him that we see to what extent these feelings he buried so deep go, and suddenly all those funny little moments where he sometimes pretends to be mr nice guy speak volumes about his character. honestly, ryoko kui is a master at using jokes in order to define important character traits and this one doesn't fail to amaze me.

and laios's hatred and rage and deep scars he can't get over aren't shown explicitly during most of these moments i mentioned before, but now you realize there are 26 years of emotional baggage to all of them and they sting. he is angry but he can't say shit, what difference would it make? it won't make his friends choose him instead of themselves when he needed them most, and it won't help his party get any farther. of course, this logic doesn't apply to them- they are absolutely allowed to get angry and it's fine to get mad at him, he can take that.

so after finishing the series it's so clear that he tries his best to avoid clashing with others not just due to the current circumstances and him needing to be a reliable leader but also because he knows that people don't even like him when he tries to show his good sides and hide all the rest, so who the hell would tolerate his rage and despair? who would stay after realizing that he is so deeply flawed he doesn't even like his own being?

but he does get mad. he can't help it, and sometimes it gets out of control and now everyone knows. and it's funny, isn't it? that most of those moments ended up bringing him closer to others. shuro admitting he is envy of him and actually becoming the friend laios thought he was all along, fighting for his sake and waiting for him to come back- believing in him even after he turned into a monster and searching for him the way he couldn't bring himself to do for falin when he learned of what became of her- or kabru being pushed to just let it all out because he couldn't bluff his way out of this one and get to laios any other way, so now they are even. they are both horribly honest with each other and they both choose to stay. a weird way of getting to know each other, but it is what it is.

it's simply... the more laios let himself just be, the deeper his relationships grew. and there's intimacy in being your ugly, weak and furious self around someone and them not leaving you. feeling safe enough to let it be known you are hurt and angry. and he knows that now, too.

[krysmcscience]

At long last: either an alternate explanation for or continuation of my prior comic regarding how Bill was ABSOLUTELY naked in Ford's karaoke night drawing. (Because errors in art do not exist. Artists do not make mistakes. So if you see any in this comic, No You Do Not.)

I am so normal about these old dorks.

I'm not really clear on exactly when Bill started throwing his desperation book at Ford just like a needy ex do, but I find it extremely funny to imagine it happening literally the day of or after the makeshift funeral. Bill just gets this weird sense of 'Ford is taking steps to move on' and CANNOT FUCKING ABIDE.

I hope you enjoy all the goofy things I added to each page of Bill's sad spieling. (Everything SHOULD be readable so long as you view the full size, but I have added basically this whole little fanfic in the image descriptions, LMAO, which lays out all the little written notes and such.) Also don't ask how Bill managed to sneak that vampire pen in there. I have no idea, and honestly? I don't wanna know.

Oh, and a little bonus comic:

Of course Bill would take it as flirting. Because between the two of them, Bill is the bigger masochist By Far. :)

Also I have continued applying The Good Place logic to any of Bill's attempts to swear. Case in point, one last bonus image, this time with a motivational line from my slapdash Theraprism OC, EV-01:

Yes, its name is just 'love' backwards. No, I will not be taking any feedback on this. Yes, EV-01 was only ever assigned to Bill's case due to the Theraprism being desperate to make some progress in rehabilitating him. No, it did not work anywhere close to staff's expectations - Bill didn't even appreciate EV-01's matching fondness for bowties! (He claimed the fondness to be "cultural appropriation" and insisted he'd been traumatized by it.)

Anyway, if you like my stuff, reblogs are very much appreciated, and if you really really like it, perhaps consider my commissions or yeeting a teeny tiny tip my way? I am trying to recoup over 500 dollars in vet bills, ahaha... 🙃

In other news, I loved all the fun tags people added to the prior naked-karaoke comic (such as 'the hat and bow-tie stay ON during sex' and the classic '[insert keysmash here]', as well as the many amused/bewildered remarks about how I either made the bricks a piece of clothing or just straight up peeled Bill's skin off). However, I think my favorite thing by far was the several people losing their shit over the fact that I gave Bill toes. Like, excuse me? The magical talking triangle can have fingers but not toes??? Since when was that a rule????? 🤣 (Also the one person who reblogged with the cropped panel where Bill's fishnets pants are falling off to ask why Bill peed himself. Dude, I want to examine your brain...?)

Okie-dokie, I'm sick of looking at all of this stuff now and I'm off to go to work, after which I will either scribble some more goofy "Billford" comics or perhaps draw my lame human!Bill in Situations, idk yet. Maybe I'll even finally draw more than just a single other person's human!Bill...? Who knows, but I sure hope I can mix it up a little and not turn whatever I draw into a month-long fukken project. >:\

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

[incognit0slut]

Lesson learned

PART 3 OF KINKTOBER | MAIN MASTERLIST

Unit Chief!Spencer x BAU!Reader Your boss decides to teach you a lesson when you question the motivations behind a certain case.

Content: (18+) 6k, breath play, fingering, a little case description, BDSM discussion, softdom Spence but borderlines to dom because hello this is breath play and reader being judgy judgy but don’t worry he’s here to teach you a lesson or two a/n: The initial plan was to make him a hard dom but breathplay is already overwhelming so I decided to go the educational route. I am, by all means, not as smart as him, so there might be some inaccuracy

You would think that after joining the BAU for two years, you’d start to understand the twisted logic of a criminal’s mind. But you don’t. Not really. You’ve dissected motives, uncovered patterns, and profiled suspects more times than you can count, and yet this case makes no sense. 

Your eyes go over the photographs pinned to the board again. And again. And again. It’s become almost a ritual now, like maybe if you look at it just one more time, the pieces might finally fall into place. But all you find staring back at you are three victims with the same marks on their necks. There was clearly a sign of struggle, but not one of fear. Not one that fits any pattern you know.

“I don’t get it,” you say. “The profile suggests the victims knew their attacker, but this doesn’t look like anything close to rage. Or brutality.”

Spencer shifts beside you, his shoulder brushing lightly against yours as he leans closer to the board. “It might not have been an act of violence,” he observes thoughtfully. “Not in the traditional sense, anyway.”

You furrow your brow. “If it wasn’t violent, then what was it?”

“The bruising pattern is too symmetrical, and there’s no sign of panic or defensive wounds on their hands. I think there’s a chance the victims might have willingly participated.”

“Willingly?” Your eyes snap at him. “What do you mean, ‘willingly participated’? No one willingly gets strangled.”

He meets your eyes for a second before looking back at the board. “I know it sounds unlikely,” he admits, “but not impossible. See how the bruises are evenly spaced? They wrap around in perfect circles. The pressure is distributed just enough to leave a mark but not to crush the windpipe.“

“Spencer, that’s exactly what happened. The windpipe was crushed.”

“Yes, but not immediately. That’s the point.” He turns towards you again. “The intention wasn’t to kill them outright. The unsub wanted to bring them to the point of unconsciousness but not over it. At least, not at first. He was counting on their trust before pushing it too far.”

You let out a huff. “That’s insane.”

“It might seem that way to you, but it’s not unheard of. Sexual asphyxiation is a consensual act for some people. The lack of oxygen when someone’s airflow is restricted can trigger a euphoric sensation which intensifies pleasure."

You stare at him like he’s just spoken a different language. “So, you're saying they get off on... not breathing?”

“More like they find excitement in giving up that control."

You cross your arms and study him, tilting your head with a skeptical frown. “How do you even know this?”

The corner of his mouth twitches in a half-smile. “I read,” he says simply, as if it’s the most obvious thing in the world.

“You have a book on sexual asphyxiation?”

“It’s more comprehensive than that. The book covers a wide range of kinks, fetishes, and other forms of sexual exploration which are considered extreme by societal standards.”

"You’re telling me you read up on BDSM practices in your spare time?”

"I think of it as research,” he replies. “It’s part of understanding human behavior. You can’t afford to be ignorant about the complexities of people's desires."

"Huh." Your eyes travel back to the images again. "You know, I still don't understand. I mean, willingly letting someone cut off your breath? That’s not just trust that’s… I don’t know, crazy?”

His eyes narrow towards you as if he's carefully considering how much to say.

“It's not crazy,” he insists carefully. “For people who engage in it, it’s not only about losing control. It’s about reaching a heightened state of awareness, finding excitement in walking that line.”

"But what if that line gets crossed? What then? How could anyone think that sounds… fun?”

“Well, have you ever tried it?”

“Of course not!” you reply quickly, almost laughing at the absurdity. “Why would I?”

“Then you wouldn’t know,” he counters, his tone calm but pointed, like he’s presenting a fact rather than an opinion. “You can’t really understand the mindset until you’ve experienced it. It’s not something you can fully grasp from the outside.”

"I don’t think I could ever trust someone enough to do that to me."

“Maybe you just haven’t found the right person to trust.”

You scoff. “What? Are you offering?”

You laugh at your own joke, and you expected him to do the same. Or perhaps a quick “Of course not”, even some rambling about how he didn’t mean it that way. But when all you’re met with is silence, your laughter dies down, and your eyes dart back to him.

Spencer’s not looking at you, his eyes are fixed on the photographs pinned to the board. He’s studying the bruises, the faces, the details like he always does, but there’s a stillness in his expression, a tension in the set of his jaw that makes you think he’s considering something else entirely. And for a moment, you’re not sure if he’s really thinking about the victims or the case at all.

Maybe you shouldn’t joke about things like that. He is your boss, after all, and even though there isn’t exactly a strict superior-subordinate dynamic between the two of you—he’s always been more of a peer than an authority figure—you wonder if maybe this time you crossed a line.

Spencer’s eyes remain on the photos for a long, agonizing second, and you think maybe he’s not going to respond at all. But then, slowly, he turns his head and looks at you, and the room suddenly feels impossibly small.

“If I were to offer,” he says quietly, “Would you take it?”

His words knock the breath from your lungs, and all you can do is stare back at him. You don’t know what to make of the question. Was it a dare? A test? Or perhaps something more?

There’s a part of you that wants to laugh it off. The conversation was absurd to begin with, so brushing it away like it’s nothing would feel like the safest option. The easy way out. But there’s another part—one you don’t want to acknowledge—that can’t help but wonder what it would mean to say yes.

What if you did? you ponder.

What would it feel like to trust someone like that?

What would it feel like to trust him?

But before you can reply, the door to the meeting room creaks open, the noise echoing through the dimly lit space of the police precinct. A uniformed officer pokes his head inside.

“Dr. Reid, we found a new lead on the vehicle.”

Spencer’s eyes stay locked on yours for just a beat longer as your heart hammers in your chest. Then, without a word, he nods to the officer, and any trace of whatever passed between you dissolves like it never happened at all.

The next few days turn into a blur. The lead on the unsub’s vehicle takes you across town, a chase that ends with the suspect cornered in an abandoned old house. It’s almost anticlimactic how quickly it all happens—sirens blaring, doors kicked in, and in less than an hour, the unsub is in handcuffs. The case is finally closed, and it’s the kind of victory that usually brings a sigh of relief.

But today, you can’t find that peace.

Back at the precinct, the rest of the team has already moved on to debriefing. You’re left cleaning up the mess of photographs and notes scattered across the table. But your movements are slow, distracted, your fingers fumbling over the papers. There’s a prickling awareness that makes the hairs on the back of your neck stand on end, and you know exactly why.

It’s because Spencer is watching you. You don’t even need to look to feel the weight of his gaze. He’s leaning casually against the doorframe, hands tucked in his pockets, but there’s nothing casual about the way his eyes track your movements.

You pause, photos in hand, and finally address him. “What?”

He doesn’t answer right away. Instead, he pushes off the wall and starts walking toward you. He stops just short of arm’s length.

“Have you thought about what we discussed the other day?”

You feel a rush of embarrassment, and the awkwardness of the moment makes you shift uncomfortably. Clearing your throat, you turn your attention back to the table, hastily grabbing a stack of photographs and shuffling them into a folder.

“We didn’t discuss anything,” you mumble, avoiding his gaze. “It was just a joke.”

“Was it? You don’t joke about things like that unless you’ve thought about them at least a little.”

You let out a dry laugh, keeping your eyes firmly on the table. “I wasn’t being serious. We were in the middle of a case, and we were all exhausted. I just said whatever came to mind.”

Spencer tilts his head, the way he does when he’s analyzing something, his eyes flickering over your face as though he’s cataloging every twitch of your expression.

“Maybe,” he concedes, and takes another step forward. “But the offer wasn’t a joke, and you didn’t say no.”

Your fingers freeze over the photographs, the papers crinkling under your touch.

“I didn’t say yes either.”

You mentally wince at how weak that sounds, almost as if you’re trying to convince yourself. You slowly look up at him, searching his face for any sign of hesitation, but all you find are those intense brown eyes staring back at you.

It unnerves you how calm he is, how easily he’s holding this conversation when your mind is spinning in a million directions.

“You do realize what you’re offering?” you start to press, feeling the need to put it out in the open. “What this means?”

Spencer doesn’t flinch, doesn’t break eye contact for a second. “I do.”

“Do you? Because it seems to me like you might be taking this too lightly."

“I’m not taking it lightly. I’m acknowledging that there’s more to it than what you’re seeing on the surface.”

“And what makes you think I want to see beyond the surface?”

He leans in closer. Close enough to feel the warmth of his breath, but not enough to cross any boundaries. “I’m offering a perspective, not forcing you to accept it. Understanding doesn’t always come from reading about something. It comes from experience.”

You can’t quite decide if his words make sense or if they’re completely absurd. It’s like he’s challenging your logic, your assumptions, but at the same time, there’s a strange clarity to what he’s saying.

“Why does it matter so much to you?”

Because he’s your boss? Because someone in his position always tries to make sense of everything for everyone else?

“Because shaming people for their interests, for something they might find pleasure in… it isn’t fair, and it isn’t right.”

Now that was something you didn’t expect him to say.

“I wasn’t shaming,” you protest quickly, the words coming out defensive even to your own ears. “I was just…”

“Curious,” he finishes for you. “And curiosity isn’t a flaw. Neither is wanting to understand, and if you’re willing to explore that curiosity, then I’d rather you experience it in a way that’s safe. That you know is controlled.”

“So what?” you snap back. “You want to prove me wrong? Show me I’ve been looking at this the wrong way?”

A small smile tugs at the corner of his mouth, but it’s not playful. It’s gentle, almost thoughtful, as if he’s carefully weighing each word. “No,” he says softly. “I don’t want to prove you wrong. I want to teach you.”

You blink at him. You open your mouth, but nothing comes out at first, the words tangled somewhere between shock and disbelief. It takes a few seconds until you manage to find your voice.

“You… want to teach me?”

“A lesson, if you will,” he explains, and the way he says it—so calm, so certain—makes your heart stutter. “Not to prove you wrong, but to help you understand. You have your perceptions about… control and trust. I think the only way to really understand is to experience it yourself.”

You don’t know what to say, what to do, and all that comes out is a shaky, barely-there laugh.

“A lesson,” you repeat, trying to make sense of the concept.

He nods, and there’s no pressure in his voice, just an offer. Simple and clear. “But only if it’s what you want.”

You aren’t sure what to feel, much less what to say, and the uncertainty must show on your face. Sensing your hesitation, Spencer takes a step back, giving you space.

“It’s a lot to consider, and I’m not expecting an answer now. But the offer still stands… whenever you’re ready.”

And with that, he gives you one last smile and turns away, leaving you alone with your conflicted thoughts.

You’re pacing in your hotel room, your footsteps muffled by the worn carpet as you make the same path back and forth over and over again. Every time you try to sit down, your leg bounces with restless energy, so you’re back up again, moving without purpose but unable to stop.

You tell yourself it’s just stress. The case, the pressure, the weirdness of being in a small-town motel with creaky walls and awful lighting. But you know better. You know exactly what’s got your mind spinning and your stomach doing flips.

Spencer. And his damn offer.

You scoff to yourself, trying to laugh it off like you always do, but the joke doesn’t land when it’s just you, alone with your thoughts. And, really, what’s the harm in admitting the truth—to yourself, at least? That maybe the whole concept doesn’t seem as insane as it did a few days ago. That maybe you’ve found yourself wondering what it would feel like to trust someone that much.

You stop pacing, staring at your reflection in the mirror across the room. There it is, that nagging curiosity, that flicker of intrigue that Spencer saw before you even knew it was there. You let out a sigh, the weight of the realization hitting you.

God help you, but you’re actually curious.

And that might just be the scariest part of all.

You slip into your shoes and take a deep breath before stepping into the hallway. The motel’s quiet, most of the rooms dark as you walk past, and for a moment you hesitate, wondering if this is a mistake. The team’s staying one more night here, the last bit of downtime before flying back tomorrow. A chance to decompress, to shake off the adrenaline of the case. Yet here you are, anything but relaxed, heading out because you can’t stand one more second of pacing back and forth.

Your footsteps come to a stop outside Spencer’s room, and you stare at the numbers on the plaque for a moment. You could turn around right now. You could pretend you didn’t walk all the way down the corridor with his words echoing in your head. But as much as you try to convince yourself that walking away is the logical choice, your hand moves on its own, and you knock.

Spencer doesn’t look surprised when he opens the door. Without waiting for an invitation, you push past him, barging into the room before you change your mind.

“If we’re going to do this, I have some ground rules,” you blurt out, the words rushing out all at once. “I don’t know what you think this is going to be like, but I need control over some things. Non-negotiable.”

He closes the door with a soft click. “Of course,” he responds calmly. “I wouldn’t expect anything less.”

“First,” you say, spinning around to face him. “I’m in control of when this starts and when it stops. If I say no, then we stop. Immediately. No questions, no convincing, none of that.”

“Absolutely.”

“Second, I need to know exactly what we’re doing. No surprises. You explain everything to me before we do anything.”

He quickly nods.

“And third… this doesn’t leave this room. We don’t talk about it to anyone else. Not tomorrow, not next week, not ever.”

He takes a step forward towards you. “This stays between us.”

You let out a shaky breath, the adrenaline settling into a nervous, thrumming pulse beneath your skin. “Okay,” you mumble, more to yourself than to him, trying to process the reality of what you’ve just laid out. “Those are my rules.”

Spencer takes another step forward, close enough now that you can smell the faintest trace of him. A mix of something clean and warm, like soap and worn cotton, an understated scent that’s distinctly him.

“Then those are the rules we follow,” he reassures you. “Your terms. Your pace.”

“Thank you.”

He nods his head again. “Is there anything else you want to discuss?”

There is, actually. There’s a question that’s been hovering in the back of your mind. It feels awkward to say out loud, but the uncertainty gnaws at you, and finally, you force the words out.

“Are we… are we going to have sex?”

He holds your gaze. “Do you want to have sex?”

You go quiet again, letting the silence settle around you as you think about what you want, what you came here for. You slowly shake your head. “No,” you reply. “No, I don’t.”

“Then we won’t. There’s more to explore in this than just sex.”

“Right, that’s—good.” You clear your throat. “I have… one more question.”

He gestures for you to continue.

“You’re not going to fire me for this, are you?”

His soft chuckle fills your ear, and it’s the first time you’ve seen him genuinely smile tonight. “No,” he confirms, amusement flickering in his eyes. “I’m not going to fire you. Whatever happens between us won’t affect your work, I promise.”

You let out a breath you didn’t realize you were holding, feeling a little of the weight lift off your shoulders.

“Okay, so… now what?”

“Now,” he says gently, “We take it slow.“

He guides you toward the edge of the bed, and you find yourself moving automatically, sitting down on the mattress. The bed creaks slightly as he settles beside you.

“If we’re going to do this,” he starts, turning slightly to face you. “I want you to be comfortable. And that means talking. You can start by telling me what you’re thinking. ”

“That’s… it? We’re just going to talk?”

Spencer’s mouth lifts into a soft smile. “Yes,” he confirms, “If that’s what you want. There’s no pressure to do anything else.”

The idea of just talking feels safe, but there’s also a flicker of curiosity that you can’t quite shake. You shift on the bed.

“What if I want to do something more?”

Spencer’s eyes search yours, and he doesn’t move closer, doesn’t do anything that could make the moment feel rushed. “If you want to, then we can. Something simple to start.”

Your fingers trace the fabric of the bedspread. “Like what?”

“Something small. It could be as simple as letting me guide your breathing. A way to practice trust without anything overwhelming.”

You swallow, the idea feeling both intimidating and oddly… reassuring. There’s comfort in the way he talks about it, the lack of pressure, and the way he makes it feel like there’s nothing to fear.

“Okay,” you agree softly. “Let’s try that.”

He moves a little closer to you. “We’ll take it slow,” he promises. “Try to focus on your breathing and follow my lead.”

You close your eyes, feeling your breath shallow and quick, your heart racing as you try to find a steady rhythm.

“Take a deep breath,” he instructs softly. You inhale deeply, feeling the air fill your lungs, and when you open your eyes for a moment, you find his face inches from yours.

“Good. Now let it out… slowly.”

You follow his lead, exhaling, and you can’t help but notice he’s mirroring your breathing—his chest rising and falling in time with yours. It’s oddly comforting, and a little unnerving, like he's syncing with the rhythm of your pulse.

“Again,” he guides. “Deep breath in… hold for a count of three… then let it go.”

You do as he says, feeling your nerves steady slightly with each breath. In, hold, out.

“You’re doing really well,” he murmurs, leaning just a fraction closer. His lips are so close that you can feel his breath brushing your skin. “I’m going to ask you something, but I need you to know you can say no. At any point.”

You nod, not trusting yourself to speak.

“Can I touch you?” he asks gently, his words so soft they almost melt into the air around you. “Just on your shoulder, or your hand. I want to see how you feel about being touched while you focus on your breathing.”

Your heartbeat thuds in your ears, but you manage another nod. His hand moves carefully to rest on your shoulder, but even with the light pressure, you feel your body stiffen. Spencer notices immediately.

“You’re tense,” he observes, his thumb brushing lightly against your shoulder.

You let out a small laugh, one that comes out more like a nervous exhale than anything close to amusement. “It’s kind of hard not to be,” you admit. “I guess I’m a little nervous.”

“That’s okay. It’s completely normal to feel nervous.” He pauses for a second before continuing, his tone thoughtful, like he’s considering what might actually help. "There are a few things that can help when you’re feeling this way. One of them is focusing on your breathing, which we’re already doing. But there’s also physical touch."

"Physical touch?”

"Kissing, for example," he explains, “can actually help regulate your nervous system. It releases oxytocin, lowers cortisol levels. Basically, it signals your body to relax."

Your eyes fall on his lips. "Really?"

A flicker of a smile plays at the corners of his mouth. “Yes, but it’s only helpful if it’s something you feel comfortable with.” He tilts his head slightly, studying you. “Would you like to try?”

You meet his gaze again and, before you can overthink it, find yourself nodding, swallowing the nervous lump in your throat. “Yeah… okay. We can try.”

Before you even finish the sentence, Spencer leans in, his lips brushing yours with the kind of gentleness that catches you off guard. It's soft at first, like he’s testing the waters, and you can feel the slight hesitation in his movements as if he’s making sure you’re comfortable. It’s sweet, almost too sweet, and for a second, you wonder if this is how he kisses—gentle, thoughtful, deliberate.

But as the kiss deepens, you feel the warmth of him pulling you in. Your heart’s doing this erratic thing where it skips every other beat, and your mind’s racing to catch up with what your body’s already starting to enjoy. And sure, maybe the science behind this kiss makes sense after all, because there’s a part of you that’s actually relaxing, even with the buzz of nerves still humming beneath the surface.

Then he pulls back, just enough for your lips to barely part, his breath warm against your skin. “How are you feeling?”

It takes three heartbeats to find your voice. “Uh... yeah, good,” you manage, a little breathless, a little more flustered than you’d like to admit.

“Do you want to keep going?”

You pause, thinking it over, and despite the swarm of nerves in your chest, curiosity wins out again. You nod, maybe a little too quickly. The moment you do, Spencer leans in again, and this time his kiss is deeper, more intent. The softness is still there, but there’s a quiet intensity in the way his lips move against yours, the way his hand lightly cups the back of your neck.

Then his tongue brushes lightly against your lower lip, and a ripple of goosebumps spreads across your skin. You part your lips for him, and the sensation of his tongue slipping past m has you gripping the fabric of his shirt a little tighter.

Just when you think you’re getting used to it, his hand shifts, sliding up to wrap gently around the front of your neck. Not tight, not restricting—just enough to make you aware of it. The warmth of his palm against your throat sends a jolt of something sharp right through you. He seems to notice instantly, and without pulling his hand away, he breaks the kiss.

“Are you okay?” His thumb gently strokes the side of your neck. “I don’t want to push you, if it’s too much—”

But before he can finish, you shake your head quickly, surprising even yourself with how fast the words leave your mouth. “No, I… trust you.”

His eyes soften at your words, and his grip on your neck stays gentle, almost protective. “Would it be okay if I touched you more?”

Your pulse beats rapidly beneath his fingers, a rhythm you’re sure he can feel, as if your heart is answering for you. “…yes.”

“Do you want to lie down? Would that be more comfortable?”

You feel the heat travel along your veins. “I think… that would be good.”

Spencer nods as he helps you shift back onto the pillow. He stays close but doesn’t crowd you, his hand returning to rest lightly on your neck, that same soft pressure that keeps your heartbeat thrumming in your ears.

“Remember, focus on your breathing,” he reminds you. “The way your body responds is tied to how much you let yourself feel. Trust that.”

His other hand begins to move. His hand trails up toward your shoulder, then lightly brushes over your breast. It’s barely a touch at first, like he’s testing the boundaries, waiting for your body to tell him how far to go. Your breath catches for a second, but when you don’t tense up, he takes that as a sign to continue.

“Is this alright?”

“Yeah,” you manage to whisper, your voice a little breathless than you expected. And, God, you mean it. It’s more than okay—it’s… unexpectedly good in a way that feels almost too intimate to think about.

His hand moves lower now, tracing a path down your side, before sliding gently across your leg. You don’t even realize you’re holding your breath until you feel his fingers brush against the inside of your thigh.

“How about this?”

You nod, biting your lip as you meet his gaze.

Spencer’s lips curls into the faintest smile. His hand inches higher, moving up your thigh with excruciating slowness until his fingers finally reach the heat between your legs.

Oh. Oh.

Your hips instinctively tilt toward him, your body responding before your mind can even catch up. The heat pooling low in your belly intensifies as his fingers press lightly against you.

“Still with me?”

You nod, but internally, your mind is spinning. He begins to move in slow, circular motions, his fingers dragging against the fabric in a way that makes you bite back a moan. The friction sends jolts of pleasure through you, and you can feel your arousal sticking uncomfortably to your panties. It doesn’t shock you—you know understand how being touched like this will make you wet—but what surprises you is how much more intense it feels when his grip around your neck tightens.

Your breath hitches, and before you can stop yourself, a moan escapes your lips.

He pauses for a moment, his grip relaxing just enough for you to catch your breath. “I want you to feel the difference,” he explains. “The pressure changes everything. It makes you more aware of every sensation, more focused on how your body responds. But if it’s too much, you tell me, okay?”

You nod, your breath still coming in uneven gasps. “I’m good.”

His thumb traces the outline of your jaw. “Do you want me to continue?”

“…yeah.”

His hand travels towards your hips, fingers toying with the waistband of your pants. “Should we get rid of these?”

You don’t have to think about it for long. The answer is already there.

“You can take them off.”

Spencer’s fingers slip beneath the waistband of your pants before tugging it down. But as the fabric pools around your ankles, you hesitate for a second before your hand instinctively reaches for your shirt. You fumble with the hem, glancing at him as you pull it halfway up, your breath coming out in a small, awkward laugh.

“I mean, it’d feel weird to be naked from the waist down and still… you know, fully dressed on top.”

His eyes linger on you, and his reaction is subtly amusing. “Whatever makes you comfortable.”

Without thinking too much about it, you tug the shirt over your head, tossing it aside. Your bra follows, quickly joined by your panties, and before you know it, you’re lying naked on your boss’s bed.

Or, technically, the bed he’s been sleeping on these past couple of days.

Spencer’s eyes move over you slowly, lingering on the curve of your perky breasts, your smooth skin, and the unmistakable wetness between your thighs. His gaze is careful, appreciative but never lingering too long in one place, like he’s taking you in while still giving you space to breathe.

“You’re so pretty.”

Pretty? The word feels almost quaint given the situation, but the way he says it makes it feel like it’s more than that. Like he’s seeing all of you, the parts you don’t often reveal, and he still thinks you’re beautiful.

And somehow, that simple compliment leaves you more exposed than the fact that you’re lying naked in front of him.

“I can’t believe we're doing this,” you admit, the words slipping out before you can stop them.

His hand brushes along your arm. “You don’t have to overthink it. You’re in control here. We can stop whenever you want.”

“I know.”

He tilts your head with his hand. “Is this okay so far?”

You offer him a smile. “It’s okay.”

His other hand lands on your knee. “Can you spread your legs for me?”

You feel the nerves buzzing beneath your skin, but there’s also a warmth, a curiosity, a pull toward him. You inhale deeply, letting the breath steady your nerves, and then, without letting your mind spiral any further, you slowly part your legs.

His palm glides along your inner thigh, and then he touches you again, only this time, there’s no barrier between you. You can feel the rough pad of his fingertips as they gently caress your folds that it pulls a sharp breath from your lips.

“Does this feel good?”

You nod. It’s more than just good—it’s everything. The way he’s paying attention to every inch of your body is overwhelming in the best way. His fingers trace a slow path along your skin, finally pausing as they brush against you between your folds. Without hesitation, Spencer slides a finger inside you. The sudden stretch pulls a gasp from your lips.

The slick wetness between your thighs coats his fingers almost instantly, and you feel yourself responding to him, opening up in ways you didn’t even know you could. He studies the way his finger moves in and out of your cunt, and the more he touches you, the more your hips begin to move on their own.

He takes your response as a sign to continue.

"I'm going to wrap my hand around your neck again," he tells you, without waiting for more than a slight nod of your head, his fingers curl around your throat.

"The pressure here," he begins, his thumb lightly pressing at the side of your neck. "Isn't just about cutting off your air, it also means restricting blood flow to your brain.”

He pushes another finger inside you, and the increased fullness draws a sharp intake of breath from you.

“By limiting the blood flow like this,” he continues, applying a bit more pressure around your throat. "It triggers your body to release adrenaline and dopamine. That rush you’re feeling? It’s your body chasing euphoria."

Euphoria. You never really thought about it like this before, how something so controlled could unlock a part of your body that felt so overwhelming. The feeling isn’t just pleasure, it’s a raw intensity that borders on something deeper as your cunt clenches around him. Your breath stutters, caught in a sharp contrast between the slow burn in your throat and the urgent heat flaring between your legs.

He’s unraveling you, pulling you apart thread by thread, yet leaving you desperate for the moment he puts you back together again.

You need more.

“You’re doing so well,” he murmurs soothingly. The words send a new wave of heat rushing through your body. Your hips move restlessly, and you can hear the soft whine escaping your throat, growing louder with each thrust.

Spencer notices immediately, his fingers slowing just for a moment. “Too much?”

You quickly shake your head, almost frantic, the last thing you want is for him to stop. The moment you do, his grip on your throat tightens slightly and your eyes flutter closed as a wave of euphoria washes over you. Head falling back against the pillows, your vision starts to blur. You feel the air restrict in your throat.

“I need you to breathe for me, sweetheart.” His thumb strokes lightly against your neck. “The more you control your breathing, the better it’ll feel.”

That word alone almost undoes you. It rolls off his tongue like it’s meant to be soft and soothing, but instead, it sends a bolt of pleasure straight through you. Your chest rises and falls as you do exactly what he says, because apparently, being called sweetheart with his fingers wrapped around your neck makes you want to obey him, more than you’d care to admit.

"That’s it, keep focusing on your breathing."

You force your eyes open, but everything feels hazy, unfocused. You’re not sure if it's from the lack of air or the way he’s looking at you, but you can feel yourself losing control. Your eyes flutter half-closed again, lips parting in a breathless moan, and before you realize it, your tongue slips out, barely grazing your lower lip.

Spencer knows you’re close. His thumb presses just a little harder against your throat, not enough to stop you from breathing, but enough for your inner walls to grip his fingers tightly.

“I know, I know, I've got you,” he whispers. “You’re doing so good, sweetheart. Just let go whenever you’re ready."

You can’t decide if the sound of his voice is making it easier or harder to hold on. There’s a brief moment where you think you might hold it together, but then your body betrays you. Your muscles tense, your breath catches in your throat, and all the control you had slips away in an instant. It’s as if your brain is giving in to exactly what he said it would—a surge of chemicals that makes your limbs feel heavy and light all at once.

Your orgasm slams right into you, the most intense thing you’ve ever felt. It floods your senses so completely that your lungs struggle to catch up. The tremors rack your body, and it’s only when your legs give a final, uncontrollable shake that he finally releases your neck, allowing the air to rush back into your lungs in a dizzying, breathless moment of relief.

Before you can fully recover, his lips are on yours in an instant. He moves against your neck, kissing the very spot where his hand had held you. “Shhh, it’s okay, you’re okay.”

When you manage to catch your breath and blink through the lingering haze, he lies down on the bed and pulls you into his arms. It takes a whole minute before your breathing fully steadies, his hand stroking your hair the entire time.

“How are you feeling?”

You don’t know what to make of it all, so you laugh breathlessly instead, the only response you can muster.

“Like I’m about to pass out.”

“What?” He looks at you in alarm. “You are?”

You shake your head quickly, offering him a small smile. “No, no, I’m fine. It’s just… it was really intense.” But the worry doesn’t completely leave his face, so you try again, placing your hand on his chest. “Good intense. I’m okay, I promise.”

He lets out a slow breath and tucks a strand of hair behind your ear. “So I take it you liked it?”

A flush of embarrassment washes over you, and you can’t quite meet his eyes as you nod. “Yeah… I did,” you admit, your voice soft, almost sheepish. “Go ahead, you can gloat. Tell me I was wrong.”

Instead of taking the bait, he gently traces his fingers along your neck. “It was never about proving you wrong. The judgment you made that day, about not getting why someone would like this… it’s hard to fully grasp until you feel it yourself.”

“I wasn’t judging,” you murmur, feeling a need to defend yourself.

“Maybe not intentionally,” he says thoughtfully. “When it comes to BDSM, there’s a lot of misunderstanding or assumptions people make from the outside, it’s really more than just control or pain. There’s trust, communication, boundaries. And I think, in a way, that’s what happened tonight. You trusted me enough to let go.”

You’re quiet for a moment, processing what he’s saying. “Are you suggesting I could be into all of this?”

“Not necessarily,” he replies carefully. “But I think it’s possible that there’s more to it than you realize. You trusted me tonight, and that’s the most important part. That’s where it all starts.”

You chew on his words for a second. It’s not something you’d ever considered before, but now that he’s brought it up, you can’t deny that the thought has sparked something.

“So you think I might want to explore this further?”

His lips curl into a soft smile. “It’s not about what I think. It’s about what you want. If you’re curious, then we can explore it together.” He leans in slightly. “Is that you want?”

The spark you felt moments ago? It flickers stronger now. The idea is both thrilling and terrifying, but with him, it feels… possible. Safe, even.

You feel a tightness in your chest.

“I think… maybe, yeah.”

His smile deepens just a fraction. “We’ll take our time,” he reassures you, his thumb brushing lightly over your throat. “We can talk about this when we get back. You need to rest for now.”

You shift closer to him, feeling the rustle of his clothes against your bare skin. “Can I stay here tonight?”

His chin lands on top of your head. “You can stay with me as long as you want.”

What a dangerous offer, you think as you sink further into his arms. But not as dangerous as the way your heart flutters at the thought.

[phantasmicfish]

So I saw Dune Part 2 yesterday and I was initially super crushed because of the deviation from book canon but the more I think about it the more I sorta like it…

So without further ado here’s a list of stuff I liked about Dune Part 2:

- all the scenes initially of Paul growing closer to the Fremen. You can clearly see that they become friends, accept him as a Feydakin, that they’re laughing, joking, hanging out. (And contrast that to the end of the movie, where Paul has no more Fremen friends, only followers. In the book, this is echoed, where Paul recognizes that he has lost his friends to the Muad’Dib religion. Take book Stilgar, who truly embodies this… by the end of the book, Paul says: “I have seen a friend [Stilgar] become a worshipper.”

- giving Chani explicit rejection of Paul’s messiah status was an interesting choice. Chani’s main thought over part 2 is that they don’t need religion to save them, that through Fremen power and desert power, the Fremen can save themselves. She recognizes that this fanatical worship can be a vehicle to control and enslave her people, and I sorta wish we saw Paul lean into that more… that they found a way to stay together and ‘fight’ the prophecy together based on Chani’s ideals…

- also, I love how engrained this rejection of religion and prophecy is in her character. Book Chani takes no issue with her Fremen name, Sihaya (desert spring), but movie Chani hates it “because it’s part of some prophecy.” Later, we see that despite her rejection of prophecy and religion, that the prophecy does indeed come to pass— the tears of desert spring save Him aka, Chani saving Paul after he drinks The Water of Life. (Interesting how Jessica has to force Chani to save Paul using the Voice… another example of Jessica explicitly forcing Paul to become the messiah).

- adding more depth to Fremen culture— the South being the more religious fundamentalist tribes vs the North being more secular. Early on, the movie paints this immediate divide between the tribes of Fremen who accept Paul and Jessica versus those who treat them as offworlders (who murdered Jamis). In the books everyone accepts Paul and Jessica after Paul bests Jamis and Jessica quotes some scripture, but I think it makes more logical sense that there’d be friction over these two random offworlders coming in

- I love love loved Paul speaking at the meeting of the Fremen tribe leaders in the South. He fully accepts his messiah status, exercises his power of the Voice + his prescience as a way to command all the Fremen under his name

- I’m a big fan of omitting the two-year time skip, so with that I’m glad Leto II was skipped over entirely. I always felt that Leto II was an unnecessary character addition to the book, especially when he just dies and everyone sort of goes “oh well” and moves on, so I’m glad it’s omitted.

- another interesting choice was to paint Jessica as a straight up villain in comparison to the way her book counterpart was not. The movie Jessica we see here is seemingly corrupted by the Water of Life: she walks around talking to herself (Alia) and scheming Paul’s ascent to Lisan-Al Gaib. She knows about the Holy War, which is the very thing Paul is trying to prevent, yet she expresses no concern about bringing it to fruition. (Probably because Jessica knows it’s impossible to prevent, but still.) The very last line of the movie, where Alia asks Jessica what’s going on and Jessica says “The Holy War has begun” is just total villain in my mind— explicit acceptance of the Holy War, like it’s just another stepping stone in her plan. Plus, the fact that Paul has visions of Jessica leading him into this period of great starvation totally cements her as a villian.

- going off of that, I like that we see Jessica undergoing actual agony when she takes The Water of Life. When book Jessica and Paul take The Water of Life they accept it calmly and without obvious pain (book Jessica was sitting with her eyes closed, as if sleeping), so this physical reaction that Jessica has to the poison adds to the idea that The Water of Life did change her in a negative way.

- I feel like so far we’ve been introduced to Alia as just a weird talking fetus who’s been consorting with Jessica, so Paul’s vision where Alia says “I love you” really strikes home, that she really does care for Paul which we might not have understood otherwise