#(SUCH a wonderful narrative arc with any of those romances in-game)

[blues-valentine]

Long Post: HSMTMTS S1 re-watch: It’s crazy to think Rina changed the game for the writers on 105 because when you watch 101-104 it really makes you wonder if some directing choices are intentional or just came out, particularly from the actors acting choices and the rest just totally solidifies Rina's whole arc. For example:

Gina’s first entrance on the show is when Kourt mentions Ricky to Nini. She is at the back on her locker when Ricky enters the scene to talk to Nini. That’s an intentional framing. On 101, before reading the cast list, he is already looking at her from across the room. On 102, he looks breathless at Gina’s dance during rehearsals and there’s a moment he keeps looking at her even after she walks away. Same episode, their first talk at the stake park does feel like the tension and lingering gazes are intentional. Like you are meant to feel the tension. And you can hear Breaking Free playing from Gina's headphones.

On 105 it does feel odd how mad Ricky was about Gina going with EJ to the homecoming dance because wouldn’t that be good? That EJ isn’t on Nini’s orbit anymore? Even Gina questions him over why is he making her dating life his business and he didn’t know why. He definitely had a crush on Gina then. He had one conversation with her (skate park) and felt like they had a connection ("l thought we sort of got each other"). If you think about it, he internalized Troy and Gabriella's outsiders narrative onto them, which it’s pretty telling.

The whole confessional "Ricky intrigues me and I don’t get intrigued" and "Does she intimidates you? Can’t say she does" tells you they were going that road, at least Ricky having a crush on Gina early on and Josh was told to act this way around her, but it was ultimately the 105 car scene that changed the plans in terms of where the romance was going, not longer being a plot device but a slow burn. And mostly, Ricky stayed in the show for Gina. This is something non-Rina's never seem to put any importance into. Ricky joined the club for Nini but ultimately stayed because Gina's encouragement made him see his own worth (and that defining moment was on 102).

To me, next episodes were key and it throws away the argument that Ricky didn't have a crush on Gina or wasn't pursuing her romantically. Gina dropped her "plans" and Ricky stopped his active pursue of Nini right after homecoming. Each of them forgot what their initial motivation was. This is why the "second choice" argument falls void. Ricky could’ve continued his pursue of Nini especially because at this point he knows she’s not longer in a relationship with EJ but he wasn’t focused on her anymore and those episodes point that out. On 106, Big Red straight up asks him if something happened with Gina on Friday, to what he responds he isn’t sure [if it was romantic] and you can see them gazing at each other across the room (with Nini unbothered in the middle of them. Again, intentional framing).

It baffles me people were trying to make Rinas feel delusional for thinking Ricky had a crush on Gina when he was obvious on his intentions. Before the song, in this scene from 106, Gina was the only one to support his idea and right off the bat she could feel his distress over the possibility of the show getting cancelled. She tried to joke about it but softly changes the subject because she could read him. It points to the emotional connection they already share. After he literally sings to her, Ricky flirts with her and I feel like since Gina didn’t have much experience she didn’t know how to read the whole thing. It’s funny because after Ricky tells her she’s good at everything and says "I can’t forget about anything that happened at homecoming" you can see in his face that he is waiting for a reaction from her ��� one she doesn’t give him. The scene is pretty layered.

There’s this scene on 107 where Nini clearly flirts with him and he seems uncomfortable. Instead, he looks behind him to see if Gina is bothered by their interaction and goes to sit by her side afterwards. Does that seem like a guy that is desperate to go back to his ex girlfriend now that he is seeing the signals? No. Mind you, there’s a time jump (about a month) between 106-107. Enough for Gina to know where Ricky’s house was and how long it takes her to walk there. They probably spent a lot of time together and this might also be the time Ricky got to have Gina’s mom phone number.

On 107, Gina and Ricky's emotional connection is made clear again by them talking about change and Gina reading Ricky like a book. They both share a strong understanding of each other that gets later confirmed by them on season 2. They arrived at the party and Nini straight up notices their closeness and considers them a "we" and Ricky at this point is not trying to get back to Nini. He interacts with Gina in a way that feels like he is introducing a soon to be lover. He isn’t even trying to make Nini jealous. He isn’t even close to her at the party because his focus is on Gina. After that phone call with Gina and her mom, he can tell she is distressed so he walks off straight to the kitchen to gather her stuff so they can leave, together. Gina shuts him down and tells him not to call her anymore and the first thing he does is grab his stuff and leave the party. Nini tries to stop him but doesn’t get the reaction she expects. And important to notice how he includes Gina in all of the things that are making him distressed.

Gina tells Ricky not to text her anymore and that’s because she thinks there isn’t any point in them continuing whatever their relationship was since she’s leaving (not in those words, but the subtext was there) and he still sends her multiple texts that get unanswered. It again baffles me that some claim Ricky didn’t care about Gina leaving when he was distressed and was trying to be in contact with her. He even firmly claims Gina will be back and when Nini asks him if she texted him, he goes and anxiously asks her if Gina texted her. Nini makes the first move in telling Ricky to practice with her after rehearsals and funny enough, the almost kiss happens right after Gina texts Ricky she is leaving for good. It took Gina being removed from an episode and Ricky believing she was gone for Ricky and Nini to get closer after what was like more than one month.

Opening night makes it very clear that Gina and Ricky were pretty much left in the open. When Ricky waits for Gina backstage after she comes back he tells her "I wish…I don’t know what to say" and Gina tells him not to say anything. She also makes it clear she’s only back for one night only. Was he going to say "I wish I knew you were coming back?" Who knows. At this point Ricky had regressed back to who he was and his confessional during that scene tells you this. "Maybe I’m back to who I always was. I don’t know something is different". He is stating that there’s a before and after Gina for him. And notice how the Rina cue is playing during this scene — a cue that is a representation of Ricky’s feelings for Gina, not the other way.

You cannot say that if Ricky knew Gina was staying for real, he would’ve gotten back with Nini. There’s also a quote people don’t pay attention to and it’s when Gina asks him what happened since he dropped out of the show and he says "It’s a long story. I could ask you the same thing". It hints he isn’t okay with how things went down with her. Regardless, I’m glad he got back to Nini on season 1 because he needed to get through that process for growth.

Season 1 tells you the basics of their arc and why it took them so long to get together. It basically confirms that Nini represents the childhood Ricky is so afraid to let go of and Season 2 is actually really good at showcasing Ricky’s internal struggle with trying to suppress his feelings for Gina and pushing for something he knows has not future anymore. He wasn’t fighting for Nini but more like for things to stay stagnant because that’s his confront zone.

Ricky and Gina's dynamic on season 2 is brillantly acted by Josh and Sofia because is in the subtle moments and foreshadowing and if you as an audience are used to things being told to you — you would’ve never understood Ricky and Gina as a pairing. I might do one for season 2 when I finish the re-watch for S2.

[cuppierre]

no more Clint hate. we are RETIRING Clint hate. Stardew Valley characters are written so superficially (albeit very fun, memorable and sweet) that i simply cannot fathom a deeper allegory of sexism into this game in one of its characters. NO MORE !!!

transferring examples a bit: like ok anti capitalism but the anti capitalism is written very lightly that the most anti socialist communist mf out there would automatically go against Joja out of intuition. because frankly speaking Stardew isnt that kind of game and it doesnt need to of course but more importantly its just completely inoffensive

i mean i guess i could sum it up as me not understanding any hate for any character in this game just due to how inoffensive the flaws of any characters are

"Clint is an incel and a creep" you are very bad at extending the tone of the game to the character dialogue. why must we interpret his "I'm a nice guy!" and "You won..." dialogues as anything other than middle school understanding of romance (very appropriate for the tone of the game). i mean, even Shanes arc was handled on the level of a middle schooler - what kind of fucking depressed alcoholic gets better with marriage and some chickens LMFAOOO but people dont extend that same level of concern towards the impact of his arc because... yeah i have no idea why actually 💀

i think i can somewhat reverse engineer why those dialogues are picked. the nice guy line being merely a reference to his loserness minus anything genuinely dangerous (no one is dangerous in Stardew Valley there are no high stakes lol), and the you win line as a play on the "good guy winning the girl" trope

i mean i know people are passionate about this game and the hate isnt serious either - like, this is all make believe and were all having fun because were exploring a wide range of emotions. but, sometimes, i wonder how much people cannot differentiate between canon tone vs their own perception of it. its not anything unethical to misinterpret the tone but it sure is annoying having some mf yapping how "creepy" a very harmless, middle schooler written character is

side note: dialogues of Clint wanting to rizz Emily even post Emily marriage is merely a coding problem and not intentional narration. the part where he "stalks" her, he wasnt even stalking. he was just garnering courage to confront her but chickened out so hid in a bush, only to come out after the coast is clear. hes less of a creep and just someone whos really cowardly

i think some people like to intentionally make casual stories deeper, and i think thats fine, though i guess its just not my cup of tea. i think the only genuine concern i would have against Stardew is the racism in regards to Ginger Island. no, not like direct racism - nothing that is explicit, but it carries the biases based on race discrimination against natives (but... thats a whole other story. no no not here yet). in narrative Clint doesnt even actually do anything rude so theres no way for the narrative to justify him towards us, the audience. i mean, the narrative literally gives him a bad ending lmfao all he did was be pathetic

[ereborne]

Hi 👋 for the book ask: 7 & 8?

7: What book do you love but usually not recommend because it's weird or intense, etc?

This is a really fun question to answer (aren't you OP?? thank you for this ask game!) because it's kind of context-dependent, I think. For instance, I recommend Rescues & the Rhyssa by TS Porter to folks on tumblr all the time, because the world-building is incredible and the main characters have such a wonderful dynamic and the plot and pacing hold it all so well--but I never recommended it to my former boss even though she asked for sci-fi romance titles, because some of the sexual elements were more than I thought she could take in stride. Somewhat similarly, a friend enjoyed Nora Roberts' relatively recent Nightwork and asked me what other Nora Roberts books she should check out, but I can't recommend my top favorites right away, because they're actually part of the In Death series NR writes under her JD Robb pseudonym. There are threats of violence in Nightwork, and the protagonist is a gifted cat burglar so there are plenty of criminal elements, but the In Death series is more like a mystery/suspense series with romantic side-plots, so I'm gonna throw some romantic-suspense softballs at my friend before I wallop her with In Death's major trauma-assault-murder themes.

On a more general note, though, I keep thinking of The 5th Gender by Gail Carriger. It's a good book, and I do enjoy it and think other people would too, but I could never in good conscience recommend it as an example of the genre it seems to be marketed for. The book blurb lists it as "a cozy sci-fi mystery" and refers to Gail Carriger as a romantic comedy author, and it's true that the protagonist is absolutely adorable, and his antics with his love interest are definitely sweet and funny! But also the mystery in question unfolds into a truly heart-wrenching depiction of societal pressure and reproductive abuse. I reread it when I want to experience a speedrun of the full emotional spectrum, definitely not when I want to enjoy a cute cozy sci-fi romance. Reading it for the first time was like when my brother put scotch bonnet in my mango smoothie. It was good! But it would've been better if I'd been braced for it, and I wouldn't do it to people I like without warning them first.

8: What series has most pleased you?

Also a very fun question! My overall favorite series is the Toby Daye books by Seanan McGuire, my favorite for narrative arc and satisfying conclusion is the Kate Daniels series by Ilona Andrews, and those In Death books are perfect for grabbing one to reread at random any time there's a lull, but for sheer giddy joy of reading, I'm gonna say The Pride series and its accompanying Honey-Badger Chronicles by Shelly Laurenston. The Mane Event, The Mane Squeeze, Big Bad Beast, Bear Meets Girl, Wolf With Benefits, Bite Me, Hot and Badgered, Badger to the Bone, Breaking Badger--literally just the titles make me so happy. I can't wait until Born to Be Badger comes out in the fall.

[fangirleaconmigo]

Hi! I love your witcher content. If you don't mind and have some time, I'd like to ask you a few questions.1) What is your favorite underrated tertiary character? 2) Do you see Ciri ever being in a long-term romantic relationship with someone? If so, do you have someone specific in mind? 3) Your thoughts on Sh'eenaz and her story. Btw she was bi, right? (I don't know if I remember it correctly) 4) Ace Milva, pan Regis - thoughts?

Hi Nonny! Ooo, what a fun ask.

Favorite underrated tertiary character.

Ok, this will depend on what you mean by tertiary.

Milva. I'm a big Milva fan, as people know. (that's my Milva character write up) But she might be seen as secondary, not tertiary.

Nenneke. She isn't just Geralt's mother figure. While that is very important, she also plays an important role in the narrative with the themes of religion, of the feminine, and of the divine. I still haven't gotten to my post about her, but I will.

Angoulême. I also dearly dearly love Angoulême. I get emotional when I think about her. The witcher books love to put the main characters through hell but then give you a parallel character where they show you...but guess what babes...it could be alot worse. Because...what if they didn't have each other? Brehen contrasts with Geralt because he doesn't have Kaer Morhen, and Angoulême contrasts with Ciri because she is just like her (looks, nationality, fell into a gang, etc) but she doesn't have noble blood and she doesn't have anyone running across the continent trying to help her.

If you want more tertiary than that, I'd say I really love Black (I'll see you in hell) Rayla. I love Dainty (All Cops are Bastards) Bibervelt. I love Percival (beloved nerd) Shuttenbach. There are so many more. But there is a handful.

2. Ciri and romance. I mean, she might! I haven't personally thought about it though. I've only read the books and watched the show. So, in my only canon experience with Ciri, she is no more than 16 and deeply traumatized. When I sit down to write fic, I just want her to get to be a kid, and spend time with her parents. I ship her with time to heal. I just feel very very protective of her, almost irrationally so. (she doesn't exist, Des!)

If I played the games and saw her as an adult, OR if I really sat down to write and tried to imagine something, I'm sure I could. But I haven't sat down and imagined yet, as she heals and grows, what she would want and who that would be.

Just my personal thing, I don't begrudge anyone else their ships, and I hope everyone else is having fun shipping Ciri.

3. Sh'eenaz. The thing with the witcher characters is, they never 'identify' themselves as any sexuality. And then fans scratch each other's eyes out inferring different things from it and fighting, which is very frustrating.

But Sh'eenaz DEFINITELY says that she has sex with women (well, mermaids). When Algloval won't trade in his legs for a tail so she can have a real committed relationship with him and reproduce with him, she gets very angry. She's like...he's not taking this seriously. He just wants sex and no sacrifice or commitment. She says she already has girlfriends who will have sex with her, and that, by the way, they are much better at it than him.

"Tell him I have girlfriends who are much better at those frolics that he was suggesting on the rocks!"

She's like, if all you're giving me is sex, I can get better, elsewhere. She wants a real relationship and to spawn.

I think for me, the main question I have for her arc is, what changes her mind at the end? Is it mostly to achieve peace and keep Algloval from invading the ocean? Is it love? Is it both? I wonder how much of it is each? I still have to think about that one. It's a great story though, and I listen to the audiobooks, so Peter Kenny's voice as Geralt singing mer language will never ever leave me lolol.

4. Ace Milva. I talked about it a bit on my Milva post I linked up there. In canon she is annoyed when the others talk about sex, and she has had a very empty sexual experience. She is never shown to really lust over anyone or pursue sex.

but like I said before, she never 'identifies' as anything.

So, you could take those facts and spin them into any number of headcanons. I don't ever want to be the headcanon police, or to contribute to an environment in fandom where people feel they can't experiment with fics.

However, I personally like her very much as ace or demi. It is a nice fit with canon, and I've written one fic concept where to me, she is demi, and I would definitely write her or read her as ace as well. To me, that's a great headcanon.

Pan Regis. I don't remember if there is any evidence of this? But I vibe with it. I don't want to delve too deeply into why I that is, because it's late and I've written so much as it is. I should do a Regis character sheet, but I have so many I want to do in front of him in the queue. But I'm very down with this headcanon.

Thanks for the ask!! And for talking about the books with me and reading my posts. <3 <3 <3

[carelessgraces]

a few notes on origins-era astoria —

ON COMBAT. astoria is a dual-wield rogue; she was trained to fight by an assassin, who taught her what he knew. her focus is on speed and stealth, and that’s really the only way she can win a fight. though she was trained by an assassin and as an assassin, she is not an assassin, and if she needs that handled, she goes to an expert ( lorenzo, or zevran, or another crow ). “assassin” reflects her fighting style, rather than an occupation, or any practices. her second specialization in an origins timeline is as a bard.

ON FERELDEN. astoria is the daughter of the bann of the storm coast, and has spent the several years leading up to the blight with her time split between the university at val royeaux and the storm coast. she is familiar with fereldan politics, and with the major players; however, she doesn’t consider herself fereldan until after the blight. until then, she considers herself entirely antivan; after the blight, she considers herself as fereldan as she is antivan. 

ON MAGIC. astoria is terrified of magic; her major experience with magic leading up to this involves regular and vicious abuse at her godparents’ hands. more recently, she’s seen what unchecked magic can do, and her experiences in redcliffe don’t do much to alter or challenge that fear. if she is brought along for broken circle — which is only possible if the warden completes redcliffe’s quests first, either by killing connor or isolde — she won’t advocate for annulling the circle, but she will ask if perhaps that’s the best option. she can be convinced by being told there are children in the tower, and that’s enough to get her moving.

ON A COMPANION ROMANCE. while astoria is very fond of alistair and leliana, and considers them both dear friends, i don’t think a romance would work well with either of them — she is too fundamentally different from them both, especially in terms of morality. astoria will typically be involved in a casual romance with zevran, with the both of them fully expecting that it won’t go anywhere; if this is the case, she offers zevran sanctuary in seleny whenever he needs it, and he is a welcome and frequent staple in her court. she eventually offers him control of house vescovi, when lorenzo becomes her right hand. if she and zevran become more serious ( as in verses with @worldelivered​ ), astoria considers zevran seleny’s prince consort, grants him a title and a position in her court, and makes him her spymaster — her left hand to lorenzo’s right. 

and some changes by the time of inquisition — 

ON COMBAT. astoria goes in with some assassin skills, but chooses to train as a tempest; during the blight she had a habit of throwing herself into the middle of the fray to drop a grenade, should the battle seem near-impossible to win, and here she learns how best to do this. she has a penchant for grenades and poisons, and should not be encouraged to continue learning how to make things explode, but nobody stops her. it’s a bad move on their part.

ON ORLAIS. astoria actively and openly favors ferelden over orlais; she considers the inquisition a fereldan endeavor, and she will offer her friendship to ferelden’s regent(s), whether alistair or anora ( or both ) while actively refusing any such familiarity with the empress. part of her choice to allow celene to be killed at halamshiral is the knowledge that destabilizing the orlesian state will mean that gaspard will depend on her, and the inquisition; as far as she’s concerned, she gave gaspard his throne, and she will take it away from him if necessary. so long as he’s willing to cooperate, she’s willing to keep her own interference limited. the orlesian alliance with the inquisition is tenuous, and is solidified through the potential of mutual manipulation and interference: astoria leaves an agent in orlais, who becomes gaspard’s mistress and champions the inquisition’s interests, and gaspard sends two ladies of the orlesian court to serve the inquisition, guaranteeing orlesian voices. 

ON MAGIC. she’s no less afraid of magic — if anything, she’s more afraid — but she recognizes mages as an oppressed population. she also recognizes the value of magic in fixing the breach. her plan is always to ally with the mages, until she learns of fiona’s alliance with alexius. as far as she’s concerned, an alliance with tevinter is unforgivable. she hopes to return to redcliffe after sealing the breach, but the mages ally with corypheus instead. she ends up very happy with the alliance with the templars, enjoying the reliability of a hierarchy she can adjust to fit her needs. 

ON A COMPANION ROMANCE. i’d assumed that astoria’s in-game romance would be with iron bull, but i think she’d work really well with josephine, blackwall, or cullen as well. ( or cassandra, if the devs didn’t want to hurt me, personally. ) i love bull’s romance and i think it would be really fulfilling for astoria, but i also think she’d work beautifully with any of those others, and i’m not married to any one option. i may make her default blackwall ( again, @worldelivered‘s ) because i’m Perpetually Weeping abt thom & astoria.

[night-market-if]

Hi! I just wanted to drop by and compliment how emotionally COMPLEX chapter 8 was!!!

-SPOILERS!!!-

The chapter was undeniably terrifying and SO vividly described (as usual!!!), I felt my blood run cold when Elias snapped at the servant who spilled water on Gabriel! But what really captured my undivided attention was how torn I felt about the whole situation with The Dollmaker. On the one hand, what Elias does to the desperate people he "houses and employs" (/uses as DECOR) is absolutely NIGHTMARISH! But it's also shown that his violence comes from a place of such lonely, painful madness. I felt myself feeling sorry for Elias as well as everyone he tortures. I found myself wondering how he could be saved, how everyone in his mansion of horrors could be saved- that in itself could be a whole novel too. He and the "dolls" activated my bleeding heart big time.

I personally don't like gratuitous gore and horror, but I think the way you balanced it with Gabriel's background and the deep emotions of everyone involved made it make narrative SENSE. I really appreciated and I enjoyed this arc a lot because of that!

Elias' character also shows us that Gabriel's existence as a fallen comes with high stakes and my heart also ached for him! And for an MC who is romancing him! I could go on but this is getting very long haha

I know you've already been complimented on how well you write emotions and characters, but I thought with this chapter you REALLY showed that once again! And I wanted to tell you that!!

I usually read the chapter updates before bed, because the Night Market is such an absorbing adventure. Then I can puzzle about the characters and think about the gorgeous environments until I fall asleep. Thank you very much for the adventures!

Read at your own risk if you have not read Chapter Eight

The last thing I was expecting was sympathy for Elias. While I have it, I am the one who created him and know of the heartbreak that led him here. I was not sure if that was going to translate at all into the chapter and even if you are the only one that sees it, it brings such warmth to my heart.

Elias was not this way in the beginning. If you have read any of Paper Moons, you know this. Elias became made due to what happens when a celestial no longer has grace inhabiting their body. Elias had been without his for a while and had been going a bit mad from it, but he had found different ways to cope that kept him from all this. But, when those coping mechanisms were gone, he didn't have a chance.

What Elias does speaks to a weird twisted nature of the Knowing. He does this, tries to 'help' people be perfect, so that when they die, they go back to the one place he wishes to be. It is wrong but in his own twisted sense of logic, it is what needs to be done. I am not a fan of horror in general either but this chapter felt like it needed it and I wanted to highlight that the Barons are dangerous. There are times they cannot just be talked to. That what the MC is doing is a high stakes game.

Thank you so much for all of this. I love reading people's perspectives on the chapter as it helps me shape everything going forward. I really do love that you took the time to share this.

🪷✨🪷✨ If you want to support me 🪷 ✨🪷✨

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[imthepunchlord]

so I recently read through your "Always a hero"-works. And now I am hooked on LfM. And while Adrien Seems so much different from canon, he really isn't? Marinette not being in his "friends-folder" means he sees no reason believing her over Chloe. (I cannot recall situations like that in canon but when does canon explore sidecharas much other than to akumatize them)

It essentially is canon Adrien, though been focusing on his worst aspects as we’re going into 4 seasons, and those issues have yet to be addressed and I’m a tad salty and LfM is a salt fic response fic. And Adrien for a while will have that salty focus. Largely because

And yeah, canon won’t put focus on side characters (or even truly focus on our lead herself) as those characters have to circle around the love square, their akumas, or 

Actually the most we got is Chloe. 

She got focus outside Adrien and the love square. Unfortunately, all her focus was a big waste of our time and essentially another tease of “is she going to be redeemed or not”. Ultimately not and its like, why even bother spending two seasons focusing on will she won’t she be better. That could’ve been shortened down to one. Now she’s a very irritating character and canon wise, I don’t want to see her with another miraculous ever again. 

Which is a shame as I was one of many up to see Chloe redeemed, especially since I’m fed up with the idea that 14 yos girls are irredeemable but Gabriel will probably be redeemed. It shouldn’t be like that for Chloe or Lila. But they want to push that these girls are absolutely evil, more so than the active terrorist who is a neglectful father and by Chat Blanc abusive so... 

It’s also a big shame cause there was so much potential in the side characters outside love square and Adrien. 

Putting this under cut cause I just go off and it gets lenthy. 

Alya could’ve had an amazing arc if she was a full time hero. Could’ve had a struggle of balancing her hero and civilian lives, as one she is essentially living her dream. Another option is learning, hey, being a hero isn’t all glory and glamour. And depending on the miraculous, there was more to learn, especially since I myself am not big on her having Fox anymore and there are better alternatives, both in matching her but also teaching her things she needs to learn. She could learn to be more of a team player and to be more conscious of her friends as when she gets going in her goals, she can be quite inconsiderate. She can also learn to be more self conscious of her own security as she can rival Adrien in reckless behavior around akumas. And in truth, any miraculous can teach her the importance of secrecy, not Fox exclusively. 

Honestly, Alya and Nino should’ve had their miraculous swapped (most characters actually don’t have a miraculous that suits them in terms of kwami,  powers, or/and symbolism).  Alya at the core is meant to be a supportive friend that is supposed to have her friends’ back, but also prefers to be on the front lines. Turtle would allow this, and teach her to be more aware of the danger she and her friends are in. It won’t essentially stop her reactive behavior, but she can learn to be more smart about it. 

And with Nino, it was always weird to me how popular it was for him to get Turtle. And then it happened in canon and I’m just put off by the assignment. Nino at the core isn’t a character that wants to be on the front lines, but Turtle is a miraculous that is meant to be on the front lines as a protector. Nino is a support role, but not in that sense. Fox would’ve been better as its more designed to help from the shadows. It won’t be as aesthetically pleasing still as Nino is so color coded for Peafowl, but would fit better as it allows Nino to be a background support. It would also help him learn to be more observant and aware of others, and wanting to be a director, you need to learn to put on a good show that draws your audience in. Mirage can give him a chance to truly practice this. Mindful, Fox still isn’t my top pick for Nino (I think Fox would be more fitting with Marinette or Felix), Peafowl still is as that’s what he is coded for, and even canon wise, it would be a more fitting miraculous for him than Turtle. But of what Fu has, Fox would’ve been the better pick for Nino. 

And speaking of Nino, it’s revealed from a tweet from Thomas that Nino had lost an older brother and that his hat belonged to him. That actually gives Nino an emotional tie in to the plot as, while he wants his brother back, he wouldn’t go to the extent that Gabriel is. 

Classmate wise, there’s potential too. 

Origins shows that everyone was afraid of Ivan and assumed the worst of him, he could’ve had an arc of changing those views. Go from being feared to being seen as a hero to trust. A source of protection and security. 

Juleka wants to shine out more. But she struggles in that spotlight and to even be heard. She could have an arc about being heard, and building her confidence. 

Rose is a girl ruled by her heart and is full of love and trust for others. It could be interesting seeing her have a miraculous and struggling with the factor that fighting is involved, but she herself is a pacifist (at least I get that impression). And that can be an interesting thing to explore, as she’s not wrong, but sometimes fighting is the only way. She can also learn to be more conscious that there are those who will take advantage of her and will have active malicious intents to her and others. 

Kim actually states that he wants to be a hero. Not only could him as a hero be fun, it could help him mature as a character and be more serious, as akumas demand focus and be treated as serious. Copycat shows that he can be an observant character, I’d be intrigue to see ML’s residential himbo be surprisingly observant and offer up advise to his friends. 

And of alternative love interests... 

Well, this is more Kagami than Luka, at least in terms of character potential and an arc to see. Though, as of now, if all the predictions are correct SPOILER ALERT, Lies will break up Adrien and Kagami, to me its going to make them another Chloe. More specifically, why did we spend two seasons building up and teasing these alternative love interests only to immediately break them up at the start of s4. 

To me, that sets them up as pointless inclusions who ultimately didn’t bring anything to the narrative. 

Either way, this is about character potentials and I see more potential to explore with Kagami than Luka, and that’s more on the writers and how they handle Luka as most Luka episodes wound up more about Adrien than him. So he is largely a character I just don’t know what to do with. 

Kagami though, she’s an aggressive character that could learn to cool it, she wants to branch out/rebel from her mother, she wants to make friends but struggles with it, and can learn to be more conscious of others and step up into the hero role, of helping others. 

Honestly, working solely off Riptose, she would’ve been a better rival for Adrien than Marinette. Not just as a love rival, which he truly has yet to have, but a rival in general. While she wants to branch out from her mother’s influence, fencing is still her passion and her goal, something Adrien himself lacks. Outside being romantically involved with LB, he has no passion or goal for himself. Kagami can challenge this, why is he here when he doesn’t truly care about fencing? 

And as a romantic rival, she’s one of the few who doesn’t need a miraculous to join fights, she can vigilante to assist LB and pay her back for her helping in cleansing her, but could end showing that she’s a better partner to LB as she takes things more seriously and is more battle smart in fights. Which ultimately would force Adrien to step up his game, take things more seriously, and wise up for throwing a tantrum will only take you so far. Especially when there’s a 3rd party member that’s judging you for your immaturity and shows LB she doesn’t have to bow to his whims just because he’s having a tantrum. 

...You know, maybe Luka then would’ve been better as Marinette’s rival. Not a love rival, Marinette has enough between Chloe, Lila, and Adrien’s fanclub. But more of a rival for Ladybug. Though, it won’t so much be an arc for Luka himself but one for Marinette. If Kagami and Luka are supposed to help Adrien and Marinette grow, then this at least keeps in that theme. 

With the show taking a turn that Marinette is feeling overwhelmed and stressed with her role as a hero and now Guardian, and slightly playing off Origins and her doubts of whether she’s a good hero; Luka could’ve been an interesting character for her to come across and consider. Ultimately, he is set up to be a very solid hero: he is calm, mature, shown to be a planner, and considerate and aware of others. Only thing he has against him is that he’s a removed character and is mostly seen sitting on that boat. 

Romance between them I’d leave as optional, but it could be intriguing to see Marinette considering the possibility of retiring as Ladybug and passing it on to Luka so she can fully embrace her Guardian duties and not be so overwhelmed. And in general, it is a big wonder, who would take over as the Ladybug if Marinette has to leave and not come back, or that she can’t balance between being a hero and being the Guardian (and in truth, Tikki is no longer a good kwami for Marinette to have as she’s developing an Atlas complex through her and she hasn’t been helpful as a guide and adviser in a long time). 

Now the show writers would butcher this, but it could’ve been interesting to see. Maybe Luka could’ve been a means to help her learn to manage things better if she has to stay LB and Guardian. 

But yeah, it’s a shame that this show won’t delve past the LS which has long since gotten stale and quite toxic. There’s a lot of potential, but they won’t touch it. Won’t care to. 

[gizkasparadise]

kdrama rec/review: mystic pop up bar

KDRAMA AND CDRAMA MASTER LIST OF REVIEWS

Series: mystic pop up bar Episodes: NOT ENOUGH 12 Genres: urban fantasy, urban horror lite, found family!!!, friendship, mystery, comedy, supernatural, warm fuzzies despite an alarming amount of death Spoilers in the Rec: minor ones/for the set-up If You Like, You’ll Like: hotel del luna (although it has a very different feel), early bleach (manga), found families, being human (uk & us versions), those moments in shows where you’re like OH MAN HOW ARE THEY GETTING OUT OF THIS and then they do. because friendship.

Rank: 10/10

I went into this with low expectations. it sounded like it was trying to bank on hotel del luna, but i was still down to watch a ghost version of leverage or whatever this turned out to be. figured it’d be decent to watch but not AMAZING. 

the first ep gave me that impression. by the second ep i was hooked. and by the third ep this was one of my favorite shows of all time

PREMISE

during the joseon era, a shaman named weol ju went and fucked up a perfectly good sacred tree. as punishment, she now has to resolve the grudges of 100,000 humans or go to hell. as a shaman, she can accomplish this by plying them with alcohol and entering their dreams (well the alcohol part might just be her artistic signature).

time to start a bar!

in the current day, 500 years later, weol ju owns and runs mystic pop up bar, where she learns about her customers’ grudges. and apparently has sound business strategy, as she serves like 4 people a day but still has enough overhead to craft these 4 people bespoke meals that speak to their inner tragedy. and also sandwiches.

helping her is chief gwi, a ghost cop who’s been reassigned to her bar to help weol ju accomplish her quota. because time’s running out--weol ju now has less than a month to solve her 10 remaining grudges.

enter bambi kang bae. a regular human who works a regular customer service job, kang bae has one terrible power: anytime someone touches him (or he touches them), they want to confess their deepest, darkest secrets. kang bae is understandably not comfortable around people (but desperately wants to be around people. my poor fucking heart) and incredibly lonely. 

when his and weol ju’s paths cross, she makes him an offer: he helps her out with her remaining grudges, and in return she’ll remove his powers.

deal!

MAIN CHARACTERS

weol ju

a 500+ year old shaman who is paying for her sins on earth because she went out on a limb :| . begins the series angry and ends the series angry, because it turns out angry people can still be kind, which is great to see with a female protagonist. how close she’s cutting it to the deadline on her quota speaks strongly to sixth-year senior vibes. wears modern versions of hanboks which are all v. cool and on moments of aching realization wednesdays she wears pink.

will steal your shit and look you straight in the eyes as she walks backwards into hell.

gwi/gui

a former ghost cop who’s been reassigned to help weol ju run the mystic pop up bar. he’s a lot more chill than weol ju and has the vibe of someone who forgets keys at home. while at the bar, he does a lot of the prep work, and is sometimes asked by yeom to help catch nearby, evil spirits. 

he’s actually like a hardcore warrior, but you forget it because he wears goggles to cut onions and dresses like someone who would be the spokesperson for microwaveable fish sticks. team dad. fanboy of romantic serial e-novels.

han kang bae

a baby.

in a truly amazing narrative move, kang bae works customer service at a market by day and solves grudges at a bar by night. is a sweet, simple boy who just wants to help people and is SO EXCITED to have new friends in weol ju and gwi. you want to give him a hug BUT YOU CAN’T.  human carebear

even the yellow collar of his customer service uniform makes a heart:

SOME SUPPORT CHARACTERS SELECTED BY HOW MUCH THEY ARE MY FAVORITES

kang yeo ri

lmao you know it’s going to be good when a character is introduced dropping a dude straight to the ground. yeo rin is a bodyguard mild spoiler turned security guard for the market where kang bae works. she could beat the shit out of you and you’d thank her. has no luck in dating. rocks a suit. sobs at movies about gout

yeom, the grim reaper

your friendly neighborhood grim reaper. yeom very much screams middle management, and works in the same “district” that weol ju and gwi have their pop up bar in. sometimes they’re at odds with one another (because weol ju has about the same amount of respect for the rules that an untrained puppy has for new carpet), but they’re still friends. gwi sometimes works with him to catch evil spirits, buddy-cop style. loves noodles. 

yeomra-daewang 

god of the underworld. in charge of handing out punishments and determining the fates of those sent to the afterlife. forgets who she’s texting. appreciates true love but is also aggressively annoyed by it. take your fucking scroll and go

samsin

probably the character with the most name recognition. samsin (or samsin granny) is the goddess of mothers and children, and in the show the focus is more on children. loves karaoke, basic bitch coffee, and claw games. gives out too many sexy tiger dreams.

kim wong hyun

he gave them the heebie jeebies. he had nothing else to give

ringtones.

they’re their own character. check out those motifs. 

Drawbacks

if i had any, it’s that the first episode undersells the rest of the series. and even the first ep isn’t bad

12 episodes is not enough :( 

Reasons to Watch.

i love the little details: that the supernatural characters have ring tones that correspond to their role (ex: the god of the underworld’s are screams; i believe the grim reaper’s are a shaman’s bells?, gwi has SPOILERS), or that the food special of the day connects or reflects with the person they’re helping. themes/significant moments are represented by the colors characters are wearing. im a nerd for this stuff

there are some dramatic reveals about who characters are and how they relate to one another, but like. dynamics barely (or don’t at all) change, and that’s due to how strong/familial they are already? and the show’s built up to it and it all feels really earned A+

i HATE monster of the week formats, but the ones in this show are integrated with the main characters’ backstories and also propel the major arcs forward. and it’s wholesome when the grudges are solved

i like that you think you saw a full scene in the flashbacks, but then a few eps later the flashback gets extended. idk it’s a cool narrative device

the romance is wonderful all-around

the pacing was great. i wish one of the Reveals was introduced earlier just so we could have more moments with it, but everything was cohesive/wrapped up nicely

all the characters have their own unique relationships to one another. kang bae + weol ju have their own dynamic, weol ju +gwi, gwi + kang bae, and so on. it was nice to see that none of the main trio were satellite characters 

Final Thoughts.

they’re a team, god damn it ;;;;;;

[autumnblogs]

Day 1: A Young Man Stands In His Bedroom

I don't expect Day 1 to be too eventful, but I'm also pretty wordy.

https://homestuck.com/story/3

Homestuck has this sort of weird relationship with the idea of "Started just now, but always was that way" that I think probably is pretty important to the way it tackles cultural narratives overall. Growing up, cultural narratives have a huge effect on our day to day lives, but we're not really cognizant of them until they are right up in our faces. That's my thesis, by the way, or at least one of them. Homestuck is a story about stories. That's not the only thing that Homestuck is about, and it might not even be the most important thing it's about, but that is one of the things that it's about.

Or maybe I'm full of horseshit. Wouldn't be the first time. More after the break.

https://homestuck.com/story/4

I like Homestuck’s character intros. They’re cute. Instead of actually characterizing these characters much, they have a pretty strong tendency to sort of create the background radiation of the comic. Like, I don’t think that John and Karkat ever bully each other about the fact that they’re mutually bad at coding, which would be hilarious, but there are loads of weird programming gags in Homestuck that I think are a part of the universe because John is bad at programming as much as they’re there because Andrew was into Comp Sci at this time.

https://homestuck.com/story/6

The first of our funky gaming abstractions. Homestuck is a story about stories, and the kind of story that it’s often about (when it’s not about highly abstract cultural narratives) is the video game. Especially the point and click adventure game.

There are a lot of weird things about Homestuck’s story and themes only because it engages with video games the way it does. I’ll come back to that. As long as I’m writing, this, I might as well take a minute to say that I think this whole sequence of screwing around with puzzling and slightly irritating gaming abstractions loses a lot of people on an archival read. It lost me a couple of times before I was able to get past it and lose the next eight years of my life to Andrew Hussie. Nowadays though, there’s something endearing about it. I like watching John scramble around.

https://homestuck.com/story/12

I’ll never get tired of Dad Egbert. Is he the Platonic Ideal of Dadliness? Maybe. Dadliness, and more generally, Manliness, is a lens we can look at a lot of John’s character arc through. His room, as we’ll see in a few panels, is full of Manly dudes, and I think he cares a lot about being a manly guy - a romantic lead, a badass, maybe some day even a Dad himself. Maybe.

https://homestuck.com/story/16

This one is a new train of thought for me.

Back when this was written, I gather the comic was still being written pretty much entirely off of prompts, and I think it’s probably just part of Andrew’s playfully antagonistic writing style, at least in a Doylist sense. I wonder how much, though, retroactively, we can read the narrative’s general aggression toward John as being his own self-criticism? Sometimes the Narrative in Homestuck is Andrew Riffing. Sometimes it’s a character’s own internal monologue. Often, I think it’s probably both.

 Maybe I’ll keep a tally of how often it happens.

https://homestuck.com/story/26

Our first sign of Dave. I think it’s funny how people glom onto some things and not others. Apple Juice has become practically Dave’s Trademark Favorite Food if you look at some peoples’ perception of the character. I don’t think people think nearly as much about how much of a surly jackass John is to his pals in early acts. He’s a little mean. Is it early installment weirdness? It certainly adds character to him.

:(

Poor Dave. Maybe I’m reading too much into this. I probably am.

https://homestuck.com/story/42

These don’t really exist any more. GameBro is one of those things about Homestuck (like John remarking on Black Presidents) that really makes it a period piece. It is, as another commentator put it, aggressively contemporary. I remember drooling over gaming magazines when they were still in print but never really buying any due to a lack of allowance funds. My friends and I shared a moment of silence when Nintendo Power went out of print.

https://homestuck.com/story/63

Rose appears. This is a character I’ve got a love hate relationship. I think out of everyone in the comic, Rose is the one I’m the most like. We’ll come back to her later. Not a lot to say here except “A Weakness for Insufferable Pricks” is a collection of syllables I’ve always enjoyed. And that Rose knows her friend’s quirks well.

https://homestuck.com/story/78

The narration is, once again, weirdly aggressive to John. (Also the Peanut Gallery thing is a cunning bit of wordplay.)

https://homestuck.com/story/82

I like this page. It’s weird and eerie. If anybody has a good take on what it means, I’m all ears. (The other houses in John’s neighborhood have always made me wonder things like, what is John’s neighborhood like? Does he have any other friends? Any neighbors who are important to him? It never comes up, so I think the answer is probably no. What about School? Does he go? He never mentions any school chums. John is a pretty lonely kid.)

https://homestuck.com/story/90

Teenagers are little shits. I certainly was one, although my general shittiness didn’t flower until I was probably between 16 and 18 years old. I was at least well behaved before that. Anyway, I think your relationship with your parents can be adversarial at the best of times when you’re John’s age. That’s always been my interpretation of Strifes, but maybe there’s more to it. John’s is pretty mild. Some of the later ones, less so.

https://homestuck.com/story/103

The Narrative gets weirdly aggressive toward John again.

https://homestuck.com/story/109

Maybe I should watch some of these movies at some point so I can be in on the joke. I don’t think I’ve watched any of John’s favorite movies, actually.

https://homestuck.com/story/132

John and Rabbits are related to John in at least two ways - magicians pull rabbits out of hats, Nic Cage puts bunnies back into boxes. John’s a bit flighty like a rabbit too. Like the legendary lapine hero Elahraira, one of John’s main strategies as the Heir of Breath is avoidance - he runs away. There’s kind of a basic tension between that and the fact that, as a self-styled manly dude, John is also, at times, pretty confrontational.

https://homestuck.com/story/153

I’ve always had an interest in like, the specific way Homestuck characters talk - getting a feel for what words they use, what words they would probably never use. Rose goes for a plethora of multisyllabic words, and then occasionally peppers her pesterlogs with Buffy Speak and profanity.

https://homestuck.com/story/154

I think they’re elegant too, Rose.

https://homestuck.com/story/171

Of all the kids, Rose uses fuck more than any other profanity. Karkat uses it more than Rose does, but a higher percentage of Rose’s curse words are fuck compared to all the curse words she uses. Just a fun fact.

It’s perhaps no surprise that Rose is the only main character to definitively end up in a stable romantic relationship by the end of the main comic. Girl has fornication on her mind.

As long as I’m on the subject of romance and fornication, I’ve been looking for an opportunity to bring up the other theme I’m going to riff on in my exploration of Homestuck a lot - Reproduction. Shipping is a bit part of the Homestuck fandom, and not for no reason - all these kids have finding a mate on their mind, and the idea of each other as potential romantic partners is one of the very first things anybody brings up - it’s the first thing Dave talks about in his very second conversation with John.

:)

Have I mentioned how much I enjoy pretty much any time John and Rose talk to each other? I am not a Grimdorks shipper, but I’ve always been of the opinion that John and Rose are closer with each other than they are with their other respective relationships. Besties.

https://homestuck.com/story/199

More narrative aggression for John. 

https://homestuck.com/story/217

It is a matter of critical importance to me that Rose’s Room is messy and her bed is unmade. We learn quite a bit about the aesthetics Rose is going to bring to the story here, but my favorite is that Rose’s room is a fucking disaster.

Anyway, I think that’s about all from me tonight. I’m about an hour out from the end of my shift. I’m largely going to be doing these while I work, since I’ll be at my computer anyway, waiting for jobs to come my way. 

This is Cam signing off, alive, and not alone.

[dangdiggitydang]

rotbtd tag game

i was tagged by @hobie-brown :D

this could get long...

name/nickname? mags! my favourite one atm is magatron

how did you get into rotbtd? saw some fanart on google images while i was perusing through the httyd fanart as a ten year old and never looked back. deviant art and youtue amvs became my vices after that.

what made you stay/come back? httyd 3 actually! even though it's my least favourite of the trilogy, it made me so nostalgic for rotbtd. also the content now is so much better than it used to be imo.

out of the four movies, which one is your favourite? httyd1 definitely. i think its the most well written and constructed (tangled is a close second) and the soundtrack is amazing. while i think brave and rotg aren't as narratively strong, they have the same heart and loveable characters as the other two. tbh, i thoroughly enjoy watching all of them

dreamworks dragons or rapunzel’s tangled adventure? i ADORED rob and dob and i used to watch it episode by episode on abc3, but i haven't gotten around to watching all of rtte yet. tbh...i don't like the characterisation in rtte very much, something just feels off about it. character and plot wise, i don't have anything against rapunzel's tangled adventure, but some of it gets boring and repetitive after a while. this is a long winded way of saying i prefer dreamwork's dragons, but just rob and dob ig.

which one do you prefer to be made a sequel of, brave or rise of the guardians? like @hobie-brown said, disney should not be trusted with merida or any of her family. that being said! a rotg sequel would be a dream come true!! there's so much lore and world building that needs to be explored!! i have so many questions. how did the other guardians die? they mentioned the groundhog, are there other spirits?? are there different ones from other cultures?? and obviously there's will joyce's series to take inspiration from as well. imo, a series would work better to explore everything. (also give me a pitch black redemption arc. i LIVE for the villain-turned-awkward-relative trope)

otp/brotp(s)? my otp is hiccstrid and i think eugene and rapunzel is one of disney's most solid romances so there's that. jarida!! my beloved!! tbh, i was indifferent to jarida until like three months ago but now i cannot stop thinking abt them. in terms of brotps? all of them. literally any. the best thing abt the rotbtd revival is the lack of ship wars and the realisation that all of them have wonderful and distinct chemistry between any other member of the group.

favourite characters? httyd and brave were my gateways into this fandom, so i guess hiccup and merida?? but i actively kin rapunzel and jack has so many unexplored character traits beyond Ice Themed Bad Boy That Pulls Pranks. idk man, don't make me pick.

favourite au(s)? BAND AU. OMG i LOVE BAND AUs. @risoris made an awesome band au and a fic to go with it and i think i cried when i saw it. some of my other favourites are: office aus, superhero aus or camp counsellors aus (which @ven-finn has drawn art for ;))

pick one! favourite b4 house placement in hogwarts au? im not as into hp as i was before bc of reasons but my headcanons for house placements are: hiccup - ravenclaw, rapunzel - gryffindor, merida - slytherin, jack - hufflepuff

pick one! since this is 2021, any hot takes you want to give us? | what old fanon tropes that you still enjoyed to this day? hm. i think old fanon tropes were frustratingly heteronormative and surface-level. some hot takes... umm

when merida's old and her kingdom's passed onto her brothers or her heir (if she has one), her retirement plan is to go live in the woods and become the resident cryptid.

any aus that take away hiccup's disability is yuck.

i mentioned this in an earlier question, but jack has SO MUCH character beyond the basic bad boy arcetype everyone placed him in during early fandom. like, the boy needs therapy but not in the way wattpad boys need therapy y'know?

in general, i think old fandom lacked a lot of nuance when it came to the characters, especially when they were all together so im glad that's starting to change!

in a modern au, raps would DEFINITELY be on art tiktok. like those mirror painting trends and the cottagecore aesthetics remind me so much of her.

everyone thought that jack would play hockey bc he's ice themed and everything, when in fact 1) he uses his staff much more like a lacrosse stick than a hockey stick and 2) you think that twink isnt the resident smart ass who makes fun of the sports people at the risk of being punched in the face?

any fic recs? or if you couldn't think of any, what was the last rotbtd fanfiction that you read? the last one i think i read was @risoris 's 'Like A Fist In The Eye' which is a jarida soulmates au but with a twist that they hate eachother. it's only got one chapter and they haven't met yet, but im in love with it. a few i'd recommend are:

we cannot be friends (cannot pretend it makes sense) which is a platonic merida and hiccup fic with added hiccstrid and lesbian merida

Jack Frost and the Shadows of Van der Bor which is a jarida hogwarts fic!

im tagging @risoris and @therearedragonsindunbroch if they haven't already seen/done this!

[rupauls-drag-race-s13e14-online]

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✥RuPaul's Drag Race✥ Season |  13 | Episode 13 [[ VH1 ]]

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Thanks For All And Happy Watching! TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed TNTween shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. The first national color broadcast (the 13213 Tournament of Roses Parade) in the US occurred on January 013, 0131313. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 01313, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 01313, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 01313s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 01313s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 13 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 13013, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 13013, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching Videos Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors, Stay safe and Stay home. Thank you very much and Enjoy for watching.

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TELEVISION SHOW AND HISTORY

A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed TNTween shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings.

A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video.

The first national color broadcast (the 09050 Tournament of Roses Parade) in the US occurred on January 090, 09050. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 0905, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 0905, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

FORMATS AND GENRES

Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.

A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 09090s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 09090s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 9 further exemplifies such structure in that it had a predetermined story running over its intended five-season run.

In 9005, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 9005, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

CREDITS

Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc.

Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings!

Thanks for watching Videos Today.

I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited.

Sprinkle cheerful smile so that the world back in a variety of colors, Stay safe and Stay home.

Thank you very much and Enjoy for watching.

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Thanks For All And Happy Watching! TELEVISION SHOW AND NBC A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed TNTween shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. The first national color broadcast (the Tournament of Roses Parade) in the US occurred on January 2121, 212121. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 212121, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 212121, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 212121s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 212121s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 2121 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 212121, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 212121, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching Videos Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors, Stay safe and Stay home. Thank you very much and Enjoy for watching.

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Un adolescente testigo de un asesinato es perseguido por dos asesinos gemelos a través de las tierras salvajes de Montana. Aunque cuenta con un experto de la supervivencia para evitar que los secuaces le den caza, un incendio cercano pronto amenaza con robar la vida de todos los implicados.

Lanzamiento: 2021-05-05

Duración: (100) minutos

Género: Suspense

Estrellas: Bron Studios, Film Rites, Creative Wealth Media Finance, New Line Cinema, Warner Bros. Pictures, Bosque Ranch Productions

Director: Canada, United States of America

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Film is a work of art in the form of a series of live images that are rotated to produce an illusion of moving images that are presented as a form of entertainment. The illusion of a series of images produces continuous motion in the form of video. The film is often referred to as a movie or moving picture. Film is a modern and popular art form created for business and entertainment purposes. Film making has now become a popular industry throughout the world, where feature films are always awaited by cinemas.

Films are made in two main ways. The first is through shooting and recording techniques through film cameras. This method is done by photographing images or objects. The second uses traditional animation techniques. This method is done through computer graphic animation or CGI techniques. Both can also be combined with other techniques and visual effects. Filming usually takes a relatively long time. It also requires a job desk each, starting from the director, producer, editor, wardrobe, visual effects and others.

Definition and Definition of Film / Movie

While the players who play a role in the film are referred to as actors (men) or actresses (women). There is also the term extras that are used as supporting characters with few roles in the film. This is different from the main actors who have bigger and more roles. Being an actor and an actress must be demanded to have good acting talent, which is in accordance with the theme of the film he is starring in. In certain scenes, the actor’s role can be replaced by a stuntman or a stuntman. The existence of a stuntman is important to replace the actors doing scenes that are difficult and extreme, which are usually found in action action films.

Films can also be used to convey certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a human being visualized in film. The film itself is mostly a fiction, although some are based on fact true stories or based on a true story.

There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others.

That’s a little information about the definition of film or movie. The information was quoted from various sources and references. Hope it can be useful.

❍❍❍ TV MOVIE ❍❍❍

The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “”Mr Television”” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets.

The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.

❍❍❍ Formats and Genres ❍❍❍

See also: List of genres § Film and television formats and genres

Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed]

A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intendevd five-season run.[citvatio””&n needed]

In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film.[5] Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “”I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

❍❍❍ Thank’s For All And Happy Watching❍❍❍

Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie.

Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings!

Thanks for watching The Video Today.

I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited.

Sprinkle cheerful smile so that the world back in a variety of colors.

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