#(Like to the point that there are people that I've known for YEARS that I struggle to call friends)

[amzie-gossen]

If we're talking about Dio Brando, read about psychopathy and then study some criminal psychology; as well as narcissism and anti-social personality disorder. But autism? No. I've known Dio 25 years. It's a no. Psychopathy, antisocial personality disorder, blended with narcissism. Please get off "the media" and whatever hearsay you get; because not everything they say is fact based on headcanon limited beliefs.

Dio is a manipulative, egocentric, power-hungry megalomaniac who knows how to charm and deceive people to get what he wants. His behavior is calculated, not misunderstood. The man’s entire essence screams control, not confusion, autism or gay/bisexual. Assigning a label like autism to him is not only wildly inaccurate but also diminishes the complexities of both Dio as a character and the lived realities of autistic individuals.

This trend of diagnosing characters with random conditions just to relate to them or make them "softer" is ridiculous. Dio is not a misunderstood, socially awkward guy—he’s a straight-up predator, and his character arc reflects that. Can we just let characters be what they are instead of constantly trying to retrofit them into molds they were never meant to fit?

Also, saying that he's gay. Why? "Because Pucci". Again. Manipulation and gaining power to do what he wants. Nothing he did with Pucci was actually indicating love and attraction or anything sensual but a sense of control and power over others and further his personal gain and goals.

The whole “Dio is gay because of Pucci” argument is such a shallow misread of their dynamic. Dio didn’t care about Pucci in any genuine, romantic, or emotional way—he cared about control, influence, and power. That’s Dio’s MO in every relationship he has: What can I gain from this person? How can I mold them into something that serves me?

With Pucci, Dio saw someone he could manipulate into being a devoted follower, someone who would carry out his will even after his death. It wasn’t love—it was strategy. Dio knew how to speak to Pucci’s vulnerabilities and desires, using religion and fate to bind him to his cause. There’s nothing romantic or sensual about exploiting someone’s faith and ideals to turn them into your pawn. It’s calculated manipulation, pure and simple.

The insistence on making Dio “gay for Pucci” completely undermines the layers of his character. Dio isn’t driven by love or attraction—he’s driven by his insatiable thirst for dominance, immortality, and godlike status. Reducing his relationship with Pucci to some kind of romance completely misses the point of who Dio is. It’s not about love; it’s about control. And that’s what makes him terrifyingly compelling.

your autistic vampire swag has infatuated me

[nocturn-warrior]

Ne t'enfuis pas

Adrian Ţepeş x reader

Summary: You are his first love reincarnated and after 300 years, you finally meet again.

Rating: fluff, hurt, comfort

Warnings: mentions of death, grief, Nocturn season 2 spoilers!!!

Nmed after Kate Bush's Ne T'enfuis Pas. This is heavily inspired in Bram Stoker's Dracula by Coppola and mayyybe Nosferatu by Eggers <3 It's been so long since i've written, i am honestly rusty. Sorry for taking so long with this one.

The water in the pond behind the chateau reflects the light of the crescent pale moonlight above your head. It is the first time in weeks since you could go outside after the sunset without worrying about getting your neck attacked by a servant of the Bloody Countess or a night creature. Small tadpoles swim around, feeding on bugs that have the misfortune of falling in the pond and you watch them idly and with a childlike curiosity. You didn’t want to ruminate at that moment, you wanted to think that everything was going to be fine. 

Still, your unquiet mind couldn’t rest. The scene of the tadpole rapidly consuming the bug reminds you of your own thoughts consuming you. The dreams you’ve had before his arrival; a dark castle with infinite stairs, forests that you’ve never explored, and flashes of scenes flooding your mind every time he is near that feel so much more real than a mere dejavú. But how could you ever put this into words?

Smooth steps are heard padding against the grass and you softly gasp when you see the tall, pale man coming to the spot you are sitting on. His amber eyes glow like the ones of a cat in a dark night as he walks in the shadow announcing his not fully human nature. 

“They are beheading the last one of the day. Won’t you like to see the show?”

Alucard asks with sarcasm, sitting on the opposite side of the pond in a pompous swish. The city's in ruins, but the people are executioning the aristocrats who stood in the side of the vampires during the attack. You don’t answer his question. In fact, the two of you stay in silence for a while, but now and then you peek through the fountain to see if he is still in there and he is perfectly immobile like a beautiful statue in the garden, except for his flouncy hair tousled by the soft breeze. In one of those moments of curiosity, your gazes meet and it feels intense as a lightning hitting your body, Alucard could see your hair standing on end.

“Although I think they should pay for what they did, I don't see the point of gathering in the town to see bloodshed. I’ve seen enough of this in the last few days.”

You answer in an awkward way and twirl your finger around the water, making the tadpoles hide behind a rock to dismiss the feeling that goes beyond embarrassment. Alucard narrows his eyes, cautiously watching your expression, wondering if approaching you now was the right choice. But how long could he keep this to himself? If there is something Alucard learned during these wandering 300 years is that human life is feeble as a crystal, that he’ll see his pals one by one perish to the fog of time. Leaving it be, ignoring the signals would spare him from the very known feeling of grief. Still, there you are. With another appearance, voice and name, yet eyes are the windows of the soul, they say, and Alucard lived enough to know that this might be true. And since yours met during the Eclipse, he knew that calling coming from overseas was not only his duty of destroying Sekhmet’s mummy. He was drawn to your presence like a boat to a lighthouse.

“May i?”

He asks before sitting on the same side as you on the pond, so pale that he seems to emanate his own light and reflect in the pond along with the moon. You nod and he graciously settles himself some palms away not wanting to be invasive, minutely investigating the possibilities and to what paths would they guide him. Your mind is racing with thoughts, so many it could burst. A feeling of urgency that takes you completely and is shared with the man by your side. Gathering forces from an ancient feeling asleep for so too long, you finally speak:

“You have found me… how?”

He hums looking into the pond before answering your question that is so easy to answer yet difficult to put into words when he measures the consequences.

“I felt you calling me.”

You shortly breathe, reminding the nights where that feeling of emptiness would set in as if there was something missing and you would pray for a light, something that could give you a clue of what was the other part of the whole. The dreams that filled your sleep in the following nights left you even more puzzled, but when Alucard arrived, everything was starting to be put in place, for more unbelievable that sounded. 

Before you died, you made Alucard promise that he would find someone else. That he wouldn't have his eternity tied to your memory, that he would find other lovers to fulfill his heart and to give him the love he deserved. Your shaking cold hand held his as you collapsed to smallpox in your deathbed and finally the eyes of your mortal body closed forever. He did as promised. Tens of women and men crossed his path across those thirty decades, but no one of them were you. The same emptiness your oblivious, reborn self would experience now, the dhampir would drag along the mists of years; for you, what was an unknown spectrum, for him it was a very palpable feeling that seemed to almost materialize itself.

Your eyes fill up with tears, a rush of emotions suddenly rises as Alucard watches you break down, still hesitant. His slender hand reaches out to touch your shoulder and you shudder; like the sun coming out from the clouds, a myriad of memories start to bloom. Alucard’s eyes are wide open in shock, harm of fear is the last thing he wants to inflict on you. But how could he have been causing it when all you could see in front of your eyes was him and your life together? Piece by piece like a broken porcelain, you see snippets of the past. 

You suddenly wrap your arms around his shoulders, a hug so unpredictable and strong that Alucard had to hold onto the bricks of the pond otherwise you would fall directly into it. Once steady, He slowly retributes the hug, face resting on the crook of your neck as you sob tears of unbelievable happiness into his white hair. A small salty droplet roams his cheek too and when he realizes the emotional boy he used to be was here again. Slowly, you pull off from the embrace, drying your tears with the sleeves of your dress and say while cupping his angelical face in your hands, strands of white hair sticking onto his skin. You smile and say before pressing a gentle kiss onto his lips:

“And you came to me… from the sky like an angel.”

[librarylexicon]

hi! i'm one of those insane people who got into dc via seeing tumblr posts and going "huh these tropes seem like they are tailor made to get me obsessed" but was too intimidated by the volume of comics, and instead read the wikipedia pages of like 20 characters and dove right into fanfiction after. but i've been finding myself getting more and more frustrated with fanfics that are of the "i ignore canon entirely" variety and more and more curious about aspects of canon that are only brushed upon in fanfic. i kinda want to get into the comics but the amount is just. overwhelming. i don't really know where to start, both in regards to the timeline and where to actually find the comics to read. can i ask you for recommendations? if you don't have the time or inclination, no pressure, just delete this ask XD. thank you!

Hi! I'm glad you asked! I've had this ask sitting in my box for a little while because I've been working on redoing a Batfamily comics reading guide I made for my sister back in 2019 to get her into reading comics (it worked). Here is the reading guide, which is currently complete up to the No Man's Land section:

There's a lot of info in the guide to get you started (especially regarding your second point of where to actually find the comics to read), so I'll just address your first point (the timeline) here under the cut by providing an extended summary of events. There are spoilers ahead, but it's a useful read if you're the kind of person who likes to see the big picture before delving in. Warning: it's long!

The Timeline

(Most of the comics mentioned below have been bolded in the reading guide, so should be easy to find and read.)

Batman and Batfamily comics are old. Batman and Robin have both been around for over 80 years. Does this mean you need to read every comic since 1940? Absolutely not! For comic book reasons, there have been several mainstream continuities throughout the years, one after the other, but the best place to start is directly after the universe-rebooting event called Crisis on Infinite Earths in 1986, which established a new continuity known as Post-Crisis. Don't try to read that comic, just trust that it happened. You don't have to read every single one of the comics listed here, especially if you already know some context from fandom (like who's who), but these are the ones most important to the Batfamily mythos.

Origin and early years

Start your Batman reading journey with Batman: Year One, which documents the origin and first year of Batman, establishes his working relationship with Jim Gordon and introduces Selina Kyle (Catwoman). There are many stories capturing Batman's earliest years, the best of which are Batman: The Man Who Laughs (where he meets the Joker for the first time), Batman: The Long Halloween and its sequel Batman: Dark Victory.

Dick as Robin

Dick Grayson, a young acrobat, is introduced in Batman: Dark Victory when Haly's Circus comes to Gotham and his parents fall to their deaths before his (and Bruce's) eyes during their trapeze act, and he comes into his own as the first Robin in the superb one-shot Batman Chronicles: The Gauntlet. You should also read Batman: Ego for an excellent dissection of both Bruce and Batman. Other high quality Dick!Robin stories that flesh out this period and establish Bruce and Dick's relationship are Robin: Year One, Batman: Grimm (Batman: Legends of the Dark Knight #149-153) and Year One: Batman/Scarecrow. Also a good read around this time are the three Halloween stories by Jeph Loeb and Tim Sale (who created The Long Halloween and Dark Victory) collected in Batman: Haunted Knight. Lastly, a natural companion to Robin: Year One is Batgirl: Year One, starring Barbara Gordon, Jim's daughter-slash-adopted-niece.

Jason as Robin

Bit of a timeskip here. By now, Dick's been Robin for six years or so (sources vary), and Jason Todd is introduced in Batman (1940) #408-409 and faces Two-Face in #410-411. There are some fun Jason stories in Detective Comics (1937) #569-574. To see what Dick's up to at this time, read Nightwing: Year One, and also check out Batman #416 for an alternate story of how Dick and Jason meet.

A new Gotham vigilante, Huntress (Helena Bertinelli) is introduced right around here in Huntress: Year One, and Barbara Gordon (who by now has retired from being Batgirl) is shot by the Joker and left paralysed from the waist down in Batman: The Killing Joke. A good Jason!Robin story that slots in here is Batman: The Cult, before the tension between Bruce and Jason is raised in Batman #425-426. Finally, Jason's life and short-lived career as Robin are permanently ended by the Joker in Batman: A Death in the Family.

Aftermath

Bruce is straight up not having a good time right now. He's mourning his kid, the Joker is still at large, he's sans both a Robin and a Batgirl, and he's accused of treason in the character study comic Batman: Blind Justice (Detective Comics #598-600). Sometime later, Dick Grayson (who is sort of estranged from Bruce and has been hanging out with his Titans friends for years) returns to Gotham in the fantastic Batman: Year Three (Batman #436-439), which retells Dick's origin (with some contradictions to other stories listed here, because that's just the nature of comics) and deals with Dick's parents' killer, Tony Zucco, possibly getting parole. Look out for a cute cameo in this one, but don't worry if you miss it – it'll come up again.

Noticing Batman's increased brutality in the wake of Robin's death, a precocious thirteen-year-old named Tim Drake bursts into the narrative when he hunts down Dick at Haly's Circus in the seminal Batman: A Lonely Place of Dying. Batman: Dark Knight, Dark City (Batman #452-454) is a good solo Batman story from around this period, and Batman: Rite of Passage (Detective Comics #618-621) and Batman: Identity Crisis (Batman #455-457) are defining stories for Tim's pre-Robin period as he explores who he is and who he wants to be. (Specifically, Tim's mother is killed and his father is left paralysed.)

Tim as Robin

(Note: Tim is Robin up until Damian is, but I've split Tim's Robin tenure into multiple sections so that it's easier to follow.)

Now that Tim has officially taken up the mantle, Bruce sends him to train in Paris, where he makes enemies of his own and chooses the bo staff for his weapon in the 1991 Robin miniseries. Around this time, Barbara Gordon reinvents herself as Oracle in Oracle: Year One (The Batman Chronicles #5). Tim debuts as Robin with Batman in Gotham in Batman #465, works cases with Bruce in stories like Batman: Shadow Box (Batman #467-469), and even tackles the Joker when Batman is out of town in Robin II: The Joker's Wild.

Other good stories from this period are Batman: Electric City (Detective Comics #644-646), a character study of Tim's relationship with his dad in Batman #480, and a Batfamily teamup and Nightwing cameo in Batman: The Last Arkham (Batman: Shadow of the Bat #1-4). Stephanie Brown dubs herself the Spoiler to spoil the plans of her father, third-rate villain Cluemaster, in Detective Comics #647-649, and Huntress returns with her unorthodox methods in Detective Comics #652-653.

Next up, the sprawling epic that is the Knightfall Saga. Jean-Paul Valley, a graduate student with a family legacy causing him to be beholden to a lifetime of conditioning known as "the System", debuts in Batman: Sword of Azrael. Batman, who has been overworking himself due to increasing pressures from all sides, finds himself increasingly worn out in the stories collected in Batman: Prelude to Knightfall. (Around this time, Robin also forges an unlikely friendship with Huntress in Robin III: Cry of the Huntress.)

In Batman: Knightfall, a huge Arkham Asylum breakout pushes Batman to his limits, and when he finally returns home, mentally and physically depleted, he finds a new enemy waiting to destroy him. It's not pretty. While Bruce recovers, he appoints Jean-Paul Valley to be Batman to Tim's Robin in Batman: Knightquest. Unfortunately, with the System still active, Tim finds himself increasingly sidelined and Jim Gordon breaks ties with this new, inappropriately ruthless Batman. A lot of things happen, but Bruce eventually returns (and so does Nightwing, yay!) in Batman: KnightsEnd.

Right after KnightsEnd but before the next story, there's a DC-wide event called Zero Hour, in which the universe is destroyed and remade. From a Doylist perspective, this is an opportunity for DC to smooth out some oddities with their Post-Crisis timeline and eliminate any plot elements they were dissatisfied with. Among other things, the murderer of Bruce's parents, who had previously been established as a random mugger named Joe Chill, is retconned to be unconfirmed (naturally, this changed later). You don't have to read the main Zero Hour comic, which is a five-issue limited series numbered in reverse order, but there are interesting crossover issues in the various Batfamily comics that are ongoing at this time, including Tim!Robin solving a case with Dick!Robin in Robin (1993) #10. The main reason I mention Zero Hour is because it explains why there are key differences between early Post-Crisis comics like most of Jason's run and post-Zero Hour comics like Nightwing: Year One. The answer is retconning, and it'll come up again and again. Such is the nature of trying to maintain longevity and internal consistency for comics that never end.

Okay, back to the main events! In what is my favourite comic of all time, Bruce rights wrongs by asking Dick to temporarily be Batman instead of Jean-Paul (yay!), and Dick and Tim grow close as Batman and Robin and as honorary brothers before Dick and Bruce finally see eye to eye in Batman: Prodigal. When Bruce is ready to be Batman again, he dons a new, darker suit (which is very close to the suit in the Tim Burton movies that were popular at the time) in Batman: Troika. Alfred, who voluntarily left Bruce's employ in Knightquest, is persuaded to return to Gotham by his best friend, none other than Dick Grayson, in Nightwing: Alfred's Return. Later, Dick does some soul-searching of his own (and gains a new costume!) in the 1995 Nightwing miniseries, and three concurrent stories in Batman: Shadow of the Bat #46-47, Batman #527-528 and Detective Comics #693-694 lay the groundwork for the dramatic next stage of Gotham history.

No Man's Land

What's up next for Gotham? It's a plague! Dubbed the Apocalypse Virus and otherwise known as the Clench, this plague ravages Gotham in the Batfamily crossover Batman: Contagion, which is followed by a resurgence in Batman: Legacy. It's dramatic, it's whumpy, it's mesmerising and it's pretty great.

By this point, you'll be familiar with the regular cast of characters and can read more of their solo comics at your leisure. There's Batman for Bruce and Detective Comics and Batman: Shadow of the Bat for higher chances of him teaming up with others. Tim's solo comic, Robin (1993), has been going since Knightfall, and Dick's excellent long-running comic Nightwing (1996) begins here. Read Robin for Tim's teenage adventures (skateboarding, making friends in school), family ups and downs (his dad is mercurial, but at least he has a cool stepmother, Dana) and love life (he starts dating Steph) and read Nightwing for Dick striking out on his own in the neighbouring city of Blüdhaven, where he eventually joins the police academy to fight crime from a different angle. (There's also the Azrael comic, which may appeal if you find yourself liking Jean-Paul Valley, but as I haven't read much of it, I make no promises about its quality.)

Continuing the notable Batfamily crossover events, Nightwing has a dalliance with Huntress in Nightwing/Huntress, and a massive earthquake devastates Gotham in Batman: Cataclysm. The consequences of this spin into Batman: Aftershock, Batman: Road to No Man's Land and the sprawling, ambitious epic that is Batman: No Man's Land, in which Gotham is declared no longer part of the United States. Within this year of danger, chaos and political limbo, we are introduced to a silent young woman, daughter of the assassin David Cain. With Barbara's blessing, she comes to live at Oracle's base (the Clock Tower) and becomes the second Batgirl. (Also during this period, Steph gives birth to a baby from a former boyfriend, and Tim – in disguise – gets himself stuck in No Man's Land to help her. It's complicated.)

New Gotham

This, along with the previous section, is one of my favourite periods in Batfamily comics. Many of the solo comics just mentioned are at their peak in terms of storytelling, characterisation and plot development, and several more excellent series begin here, including the family-focused Batman: Gotham Knights and the first ever perpetual Batgirl series for the new Batgirl, who would come to be known as Cassandra Cain. Both series are well worth reading!

Batman: Evolution (Detective Comics #742-750) touches on the fallout of the No Man's Land and rebuilding "New Gotham", and Bruce unwillingly gains a personal bodyguard named Sasha Bordeaux in Batman: A Walk in the Park (Detective Comics #751-752), which of course complicates his nocturnal activities as Batman. Soon after, Jim Gordon is shot in Batman: Offcer Down, and (unrelatedly) Dick and Barbara, who have been having off-the-chart levels of UST for years, finally call their flirting what it is: dating. Also at this time, Bruce has been rekindling his relationship with his pre-No Man's Land girlfriend, Vesper Fairchild.

In Joker: Last Laugh, the Joker decides to go out with a bang in when he finds out he's apparently suffering from terminal brain cancer. The theme of family is explored in Batman: Gotham Knights, with Bruce offering to adopt Dick (at long last) in Batman: Matatoa (Batman: Gotham Knights #16-17). And then a secret threatens to tear the Batfamily apart when Bruce is accused of murdering Vesper Fairchild in Bruce Wayne: Murderer?, eventually prompting him to drop the Bruce Wayne identity completely (this made a lot of people very angry and has been widely regarded as a bad move) and become Batman full-time as he goes on the run in Bruce Wayne: Fugitive. Eventually the murder is solved and the murderer is accounted for, and these two stories are probably my favourite Batfamily crossovers ever. They're so juicy and get to the heart of everything I love about each member!

The excellent Bruce & Dick comic Batman/Nightwing: Bloodborne fits somewhere around here, as well as Jeph Loeb and Jim Lee's beautifully drawn and critically acclaimed Batman: Hush, which touches on Bruce's on-again, off-again relationship with Selina Kyle. Around this time in the Nightwing comic, Dick's life has been on a downward spiral for months because of a multitude of factors, including losing his girlfriend, his day job, his circus family, his apartment building and more. This is also where the villains Blockbuster and Tarantula are prominent.

Over in Robin, Tim's father discovers that Tim is Robin and demands that Tim give up the mantle, which he reluctantly does. This results in Bruce offering the job to Steph, driving a wedge between her and Tim. Her tenure as Robin is short-lived for several reasons, and all this leads into the mega-crossover Batman: War Games, in which a massive gang war breaks out in Gotham and Tim's sort-of girlfriend, Darla Aquista, is killed. By the time the dust settles, Steph is (believed) dead, Dick temporarily gives up his Nightwing mantle to work for the mafia (yup), Barbara and Jim leave Gotham and Tim's father is murdered in the DC-wide crossover Identity Crisis, resulting in Tim and Cassandra relocating to Blüdhaven, effectively sealing the breakup of the Batfamily. War Games is followed up by Batman: War Crimes, which is included here for timeline reasons and not much else.

Batman's pretty much all alone in Gotham again, right? Time for somebody else to return. Someone who's been haunting the narrative all these years. Yup, in the wake of the gang war, when rival mob bosses are vying to wrest control of the city, a new crime lord emerges in Batman: Under the Hood: the Red Hood, who turns out to be Jason Todd, back from the dead, and no longer a boy in a yellow cape but instead a ruthless, hypocritical murderer with a chip on his shoulder and no qualms about stabbing Batman's allies. (For more about Jason between his death and return to Gotham, read Red Hood: Lost Days.)

Lastly, there's a DC-wide event called Infinite Crisis, which shakes up the whole DC Universe and leads to Batman, Nightwing and Robin taking a trip around the world for a whole year. (Infinite Crisis also kills off Tim's best friend, Conner Kent/Superboy. Tim's really going through it at this time, poor guy.) Oh, and Blüdhaven is razed by a bomb during Infinite Crisis as well. Yup.

One Year Later

(Disclaimer: it's been a while since I read this period and this one beyond it.) After a year away from Gotham, Batman, Nightwing and Robin return, and Bruce adopts Tim (at long last) in Batman: Face the Face. I'm sure this happy-ish period is going to last, right? Well, the very next story is Batman and Son, in which Bruce learns he has a young son named Damian, who is the child of Talia, daughter of Ra's al Ghul (Batman's currently dead, formerly immortal nemesis of League of Assassins fame). Damian and Tim instantly don't hit it off – rather, Tim is friendly until the bratty and hostile Damian reveals himself to be a murderer and attempts to kill Tim. Of course, Bruce doesn't take kindly to this, and Damian eventually goes back to live with his mother.

Also, during the year the others were away, Cassandra was brainwashed and became evil because of Deathstroke and DC Editorial (this made a lot of people very angry and has been widely regarded as a bad move). Later, Bruce adopts her in the otherwise mediocre 2008 Batgirl miniseries. There's a lot of complicated stuff around this time, such as Steph being retconned as Alive All Along and returning to Gotham in Robin: Violent Tendencies (Robin #170-175, Robin/Spoiler Special), Dick relocating to New York and having a mediocre run in Nightwing, Tim having a new black and red Robin suit to honour Superboy's death, Tim struggling mentally and trying to clone Conner(!) and revive Steph, his dad and Conner, Ra's al Ghul coming back from the dead (again) and trying to use a younger body (Damian or Tim) to stabilise his form in Batman: The Resurrection of Ra's al Ghul, and Bruce tackling the criminal organisation known as the Black Glove in Grant Morrison's Batman R.I.P.

DC-wide events once again have consequences (hooray) in Final Crisis, in which Batman dies. Is he dead for good? Well, this is comic book land, so probably not, but in the meantime, the public can't know that either Batman or Bruce Wayne have died. Hush masquerades as Bruce Wayne (long story) and the Robins battle it out for the mantle in Batman: Battle for the Cowl. Despite Tim's pleas, Dick refuses to become Batman, resulting in an imposter Batman who shoots to kill taking centre stage. This impostor turns out to be Jason, who fights first Tim, then Dick, the latter of whom defeats him. Against Bruce's wishes in his will, Dick becomes the new Batman, and Damian becomes Robin at his side.

Damian as Robin

This new status quo, also known as Batman: Reborn, marks the start of several new series, including Red Robin and Batgirl (2009). Red Robin stars Tim as a deeply unreliable narrator in his new title of Red Robin in his grief-fuelled efforts to gather evidence that Bruce is not dead, while Batgirl follows Stephanie Brown as she becomes the third Batgirl under Oracle's tutelage, the pair of them working out of the Batcave.

Dick, Damian and Alfred have relocated to the penthouse in Wayne Tower and operate out of the underground bunker. Dick and Damian's rocky partnership develops into an unlikely yet compelling and heartfelt bond in Batman and Robin (2009) as they tackle a plethora of villains, including Professor Pyg and Red Hood (again). And where is Cassandra Cain? Sidelined again! She gave up Batgirl for Steph, on Bruce's request, and now goes by Black Bat, though we don't see much of her for Editorial Reasons (sigh).

This being comics, Bruce doesn't stay dead for long, and with both Tim and Dick (separately) discovering evidence that Bruce is not dead, just lost in time (yup), they work together to bring him back alive. I don't pretend to remember all the intricacies of how this works, but you can read about Bruce's journey in Batman: Time and the Batman (Batman #700-703), Batman: The Return of Bruce Wayne and Bruce Wayne: The Road Home. It's long and complex and honestly reading Grant Morrison's writing tends to do my head in.

There are a handful more stories after Bruce's return, including some hugs and heartfelt reunions (yes, really!) and the excellent Batman: The Black Mirror story starring Dick as Batman, but even though this is a really cool new status quo with a bunch of interesting implications going forward, the universe doesn't really stabilise, because we're up to 2011 by now, and the world gets hit by another DC-wide crossover called Flashpoint. Except, this is the biggest one since Crisis on Infinite Earths that I mentioned way back at the beginning, and so everything gets rebooted. EVERYTHING.

Batman and Detective Comics and other long-running comics are cancelled and their number restarted from #1, and many series are cancelled and just never reinstated. This new universe, known as the New 52, sets a new status quo that worked in some aspects but not so much in others. Many changes from the universe we just came from are just jumps that happen without explanation, such as Dick's return to being Nightwing (except now he's red instead of blue), Jason being an anti-hero with a bat on his chest instead of a villain, everyone being younger and closer in age, Steph and Cass being minimised and essentially replaced, and many more frustrating retcons that are confusing and/or illogical. But hey, at least the new Batman and Robin comic (starring Bruce and Damian) and Scott Snyder's Batman run (introducing the Court of Owls) are good! Note: the New 52 was soft rebooted in 2016 to become the current continuity, known at its inception as DC Rebirth, which reintroduced many Post-Crisis elements to mainstream canon.

Duke Thomas? He wasn't introduced until the New 52. Harper and Cullen Row? New 52. Tim being bisexual and dating Bernard? Rebirth, though Bernard was inspired by a very minor character of the same name from Tim's long-running Robin comic. Forever Evil, Spyral and the Grayson comic? New 52. Kate Kane (Batwoman)? She appeared during Batman: Reborn, but she wasn't established as Bruce's cousin until the New 52. Many such cases.

And so, right before Flashpoint is where the Post-Crisis on Infinite Earths continuity ends after twenty-five years, with Bruce as Batman and running a worldwide initiative called Batman Incorporated in Batman Incorporated (2010), Dick as Batman in Gotham, Damian as Robin, Tim as Red Robin, Steph as Batgirl, Cassandra as Black Bat, Barbara as Oracle and Jason as Red Hood (and full villain, not reformed in any way, shape or form). In this continuity, Bruce adopted (in order) Jason, Dick, Tim and Cassandra, and of course Damian is his biological son. It's my favourite continuity, and I hope you enjoy it too.

...And I apologise belatedly for the wall of text.

[worthedging]

I need more discussions of the bit with Iris and Miles where she talks about him having a secret. I know that's sort of niche dialogue because it's so easy to pick the right thing to present so I imagine a lot of people never see that, but I've seen a transcript of that part and it genuinely keeps me up at night. what the fuck did that mean.

it genuinely haunts me. I need someone who's Not A Wrightworth to fucking tell me what they think that was supposed to mean. I canNOT emphasize enough serious that question is.

like, I'm usually pretty good at looking at things in their Intended/Hetero Context(tm), e.g. the 'unnecessary feelings' line is funny to joke about but isn't actually all that fruity* when taken in context.

but that fucking. Iris interaction. i legitimately have no idea what the Hetero Context(tm) for that is supposed to be. I know how *I* interpret it, but what the fuck were the writers' actual intentions for that?? Miles doesn't HAVE anything he's hiding at this point, the DL-6 thing is already known.

l need someone who's Not A Wrightworth to fucking tell me how that exchange reads to them. it haunts me. im going full Pepe Silvia.

*(One can argue that the sentiment of "you crashing into my life has so intensely unbalanced me that it's cracked the foundation of 15 years of von Karma conditioning" can be read as,,, pretty homo on its own but you know what I mean, Hypothetical Person who just scrolled past this. It's not "shit am i gay??", it's "I'm experiencing the full spectrum of human emotions after an emotionally-abusive childhood lead me to repress everything and I'm scared".)

[juliesque04]

Radfem and gender critical in the sense that I understand that within a society that has created a concept of gender, it IS understandable to "feel like a man/woman" because we subconsciously associate certain traits/behaviors/activities with male and female, however also being reasonable enough to conclude that these vague definitions of gender are social constructs, and complying with them harms everyone because it leads to perpetuating stereotypes associated with both sexes.

I'll use myself as an example. I identified with men/'nonbinary' people for multiple years because I did not "feel like a woman," and I was raised mainly by my father (who for whatever great reason lacks any sense of conservatism and raised me identically to my brother) and have very few female relatives, so I naturally shared more in common with men. Like, literally, I was raised with the stereotypical "crying is weak" father, except he extended that policy to both his children and didn't exempt me from it because he thought I was inherently weak due to being female.

I'm assertive, i'm ambitious, I'm competitive, i'm driven, i'm very literal and down to earth, I like working with my hands and am very physical, I dislike being given princess treatment and enjoy much more giving said treatment and serving others, i'm highly independent, i often struggle with reactive aggression and am very out of tune with any other emotions, and I often get along well with men before they discover i'm female.

I've also never experienced key markers of what society deems "womanhood." I have never worn makeup in my entire life. I still don't know how to do it, nor do I have a desire to. I've never regularly shaven, only my armpits. Ive worn "boy" clothes since childhood because I like their practicality. I've known I was sapphic since I was 10, and lesbian specifically since 14, and because much of what we deem "womanhood" revolves around men, I lack that aspect of "femininity." I've never had an emotional connection with children nor particularly maternal instincts; I feel the urge to protect children physically and keep them safe, but not much else. I've never felt particularly connected to other women besides our physical bodies.

It makes sense why I thought I was born as the wrong sex; internally, I am very similar to many men and cannot relate with what society deems "womanhood" to be. So obviously I fell for the idea that I wasn't a woman. I'd make a great man in the context of what society deems to be masculine.

But this only lasted until I was, like, 15 and realized that what society considers feminine and masculine is extremely culturally specific. There was nothing inherently masculine about me. I'm only "masculine" in the context of the society I live in. There is no objective definition of masculinity or femininity; they're merely the traits a given society associates with and expects out of males and females, but they're not inherent or sex-specific.

This can also be extended to gender in general. We've come to a point where "man" and "woman" have been stripped of their literal definitions and reduced to vague and ambiguous senses of identity that are extremely specific to every person, but generally follow the pattern of sex stereotypes that exist within the given society. When you comply with these stereotypes and identify as a different sex because of your traits not aligning with what society deems feminine/masculine, you are implying that these traits are inherent to male/female people (also known as bioessentialism.) If i were to identify as a man/male because of my traits and say i was "born the wrong sex," that would imply that these traits cannot be found in female people. That's obviously a ridiculous idea since I am myself a female person who has these traits, and every transmasc is also a female person who naturally has these traits. The ideology is inherently harmful because you continue to perpetuate the idea that certain behaviors/traits are inherent to females, and others to males.

Additionally, not my main point but worth mentioning, having to separate the use of men/women from "male human" and "female human" is linguistically a pain in the ass; we no longer have words to describe male and female humans because we can no longer correlate femaleness and maleness to the words due to the idea of gender. Man and woman (literally) are like stallion and mare: they tell you absolutely nothing about the individual besides their sex.

So yes, I am a woman, but not for any reason aside from my biological sex. I do not "identify" with being a woman, it is not a personality trait nor sense of self, it is merely a descriptor of my physical body. I do not feel discomfort being female, I feel discomfort with a misogynistic society. Gender isn't real.

However, this is also the reason I am not particularly hostile towards trans people. I do not think most trans people identify as such out of malice- their actions don't exist in a vacuum. It is perfectly logical to believe you're the other sex when you have traits that society continually tells you are inherent to the other sex. But to deny physical reality is delusional.

[mitskiluvr]

really funny that the entire student body at shujin is immediately convinced that joker is a hardened violent criminal as if he doesn't walk around school with a cat in his bag and says all of five words per day

[vulpinesaint]

the difference that offering a child kindness and compassion can make... one of the kiddos was crying the other morning missing her mom. Sobbing crying. and i talked to her and she wasn't able to say very much from crying so hard but confirmed that she knew her mom was going to be back and it was going to be a good day and it was going to be alright but she was just inconsolable. and we did some good breaths together but she just couldn't get her breathing under control. so for like ten minutes i just had her drink some water and gave her a hug and sat with her while she cried until we were going off to the next activity and she had to go with different counselors. and by then she'd calmed down a little but was still sniffling and obviously upset but the important part is that even though i didn't even get her to stop crying anytime i saw that little girl the rest of that day and now throughout the rest of the Week after just sitting with her and offering some compassion i see her notice me as she goes by and she always looks right at me and smiles and gives me a little wave when i say hi. like we haven't had any other conversations since then but i can see the way that she recognizes me now. i'm not her favorite counselor i haven't spent more than twenty minutes with her tops but that little girl takes the time to seek out my acknowledgement cause i showed that i care about her.... y'know... cause i was gentle with her and that meant something to her... all to say. it doesn't matter if you have extended interactions with kids. it really doesn't. small things can make such a huge impact on children and i really sincerely think it's so important to show them kindness... help them up when they fall. give them a hug. sit with them while they cry. cause even if it doesn't Fix things even if you don't solve the problem or do anything really materially Helpful you will have shown that child that people care about them. and they notice... they remember... they do...

[ncityzen]

.

[thedreadvampy]

like clockwork someone who's been openly a sex pest for decades gets named as a rapist and sexual predator and we all get to play the hit parade with such classics as:

oh my god oh my god did you know this industry full of rich people who are rewarded for exploitative and abusive behaviour...has an issue with rape and abuse??? CAN YOU BELIEVE THERE'S ABUSE IN THIS INDUSTRY???? (yeah man we know. we've known for quite a while actually. for longer than I've been alive for sure.)

oh my god I can't believe there are rapists among us (1 in 3 women have experienced rape, who do you think is doing it?)

but he seemed so nice! (not really tbh)

well I met him and he never raped me and like, I'm really hot so if he was really a rapist he would have (Jesus fuck get help)

is it really rape to fuck 16 year old girls when you're in your 30s? (yeah it is if you fucking rape them mate)

can't believe everyone knew but never said!!! (they literally did say and also hey imagine if you will what reasons there might be too not say anything, such as, say, it's not your story to tell and the victim had expressed a wish to not be at the centre of a whole shitstorm)

Real Victims wouldn't go to journalists they'd go to the cops!!! (hey guys I have some upsetting news about the experience of reporting rape to the cops)

This is a conspiracy to make this irrelevant celebrity look bad! (please touch grass)

it's all just a bit of fun innit (no)

and every time we all over again have to go to this place where rape is simultaneously a significant threat and common experience (agreed) but also everyone who's ever talked about being raped is lying, and nobody's ever done a rape even if there's 20 years of documented evidence and on camera confessions and also their whole public persona is 'cheeky sex pest' (fucking. what?)

and then that guy hopefully gets cancelled and people feel a bit more guilty about watching him. and then they'll go HOORAY THE EVIL IS DEFEATED WE HAVE GOT RID OF THAT GUY THAT DID THE RAPES. OUR WORK HERE IS DONE. COMEDY/FILM/MUSIC/TV IS FREE OF PREDATORS NOW

and then 6.5 seconds later allegations will come out about someone else and we will start the whole thing again from scratch OH MY GOD CAN YOU BELIEVE THERE'S ABUSE IN THIS INDUSTRY???

[nobodybetterlookatme]

Okay time for me to 🥰 in the tags real quick lmao

[thats-a-lot-of-cortisol]

Aspect of Order: Primordial & Present-Day

One of the first deities, part of what is known as the Primordial Triad. It created the planes alongside the Aspects of Chaos and the In-Between and held dominion over the Material Plane. It embodied order in the way nature has order: the life cycle, gravity, the tides, the surety that the seasons will change, the patterns that appear in flora and fauna alike, the symmetry of pinecones and butterflies. It was associated with the night as a time of quiet preparation where the world rests, and when one can see the remains of creation in the darkened sky. It is said that the two moons of the Material Plane are its eyes, watching over its creations.

All three members of the Primordial Triad are referred to with "it", so ancient and unfathomable that applying a mortal, transient concept of gender to them seemed almost blasphemous.

Almost.

The modern-day conception of Order is quite different. Though she still reigns over the night and natural laws, her followers have placed her at the forefront of the creation process, reducing the In-Between's role and rejecting Chaos altogether. Though most present-day cultures think of her in this way, many of them do not emphasize her: she is an invisible Over-God, keeping the other deities and forces in line and maintaining cosmic balance from behind the scenes. In places where she is worshipped heavily, however, she is placed at the forefront of the pantheon. In those cases, worship of deities with overlapping domains is either illegal (ex local gods of justice) or considered secondary to her (ex the god of the Wilds). The worship of smaller, local deities is usually discouraged or suppressed over-all in these areas in order to encourage a more structured, uniform religious practice. While both aspects of Order championed paladins, Primordial Order also championed druids and rangers while Modern Order champions clerics.

Ancient theologians debated whether or not Order and Chaos were two aspects of the same being (ironically, there was no question that the In-Between was its own separate force). However, following the iconoclasm that effectively forced Chaos out of the pantheon and created the modern conception of Order, such lines of thought were considered heretical, and then blasphemous.

The iconoclasm did have an unintended consequence, however. Crying motifs appeared in some art of Primordial Order around that time, particularly in the areas that resisted the iconoclasts more intensely. Some scholars believe that it may have been a direct reaction to the event: Order mourning the loss of its counterpart. Others have argued, however, that the lack of such motifs (or equivalents) in depictions of the In-Between prove this wrong. After all, why would it not also be grieving?

[smile-files]

this might be a hot take... but if you care about disavowing media made by bad people out of fear of looking like a bad person yourself more than you care about actually doing good things... you might have your priorities (and your morals) screwed up a bit :/

(see my tags for more of my thoughts on this topic! please try to avoid making make bad-faith assumptions about what i mean!)

[medicinemane]

You know, looking at a diet soda can it occurs to me that it might not be so wretched to me if the cans weren't so unpleasant

Like we know that things like color play a role in how our brain perceives things, and I realized looking at the can that they're always this bland but at the same time nasty looking silver and it just... it looks foul and I think that compounds with the fact that I also just plain don't like diet soda

My point here isn't to say anyone else shouldn't like diet soda, just how I never realized how much of an impact the can has on me not liking it... there's just something offputting about it to me

[sysig]

Hm ok what's your favorite or a really cool worlbuilding thing you've done? For any fandom or original or even an unimplemented idea

Hmm well at least in the past decade, my big worldbuilding projects have mostly come down to three-ish stories: Other Side of the Gun, Adventures of Gæilo and Ethon, and Just Desserts

OSG was an Invader ZiM fancomic concept I started around 2013 to justify every single Irken headcanon I ever came up with lol - I never finished it, or even really started it, but I put a lot of time and energy into its roughs back in the day :)

^A stick figure recap of Ch. 1, inspired by - what else - the Vargas stick figure recaps lol

One that you can see over here is all the work I did for my DnD campaign, AGE! (Though its sideblog hasn't been updated in a while haha - the AGE tag over here works just as well) I basically homebrewed a pantheon and had an absolute blast designing all the gods and their forms before they became gods and even things like architectural differences in their churches and the BBEG and his motivations and just ah <3 Such a fun project :D

It also laid the groundwork for things like Pokemon Homestyle, specifically all my papercrafts! You can really see how I leveled up haha

And my latest has been Just Desserts! Even with less time under its belt, it's still pretty expansive, as evidenced by my icon and theme and the backlog lol, and it's the one I have the most AUs of! (Though OSG does come close actually haha) There are still some thorny details I'm trying to iron out, especially to do with the magic system, but all the characters and creatures and the fact that I made my own fighting minigame, ah, pleased! I've never been so happy with a sona before Charm! ♥ From the very beginning it's been so fun to work on and I still want to improve!

[ayakashibackstreet]

You know what, joining that Discord show club was a great idea, like half of my favourite PKC folks are there. And is there anything more wholesome than someone going '1!! hey, I remember that dog!! she's adorable, I'm glad she's doing well!' about a little pixel friend they made for you years ago?

[machinavocis]

threw together some 3d-render-screenshot-mockups literally just to prove to myself that Progress Has Been Made.