#(I have no evidence for this theory)

[codacheetah]

Tell me your opinions on the stuff. Any stuff.

Grins. Smiles, even

I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:

THE ISLAND IS STUCK IN THE FUCKING FUTURE

(SCARE CHORD)

Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)

The Island was redacted from the perception of outside world, via Wish Craft.

Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.

One of the King's powers is to show the saviors a "vision of the future."

...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.

...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.

We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.

Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.

And that said pain is enough to become lethal, if pressed hard enough.

From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.

Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.

The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.

MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.

The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"

Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.

The game rewinds slightly, before the item disappears, as the Universe corrects itself.

This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.

In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.

The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.

The Universe leads you away from perception, and you can only follow.

My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.

[fluentisonus]

working in a factory has you thinking so much about the insane chain of labor & transport that goes into making literally anything

[gammija]

ive been meaning to make this post for a few weeks, and now that Lena's "I am not a wealthy woman, certainly not compared to your own family," to Gwen seems to have put a spotlight on it, here's my lil suggestion;

Elias Bouchard is a ministerial employee/politician, and the OIAR falls under his responsibilities.

Gwen's Bouchard surname already heavily suggests that she comes from a wealthy family, like Elias did in tma. Alice's "Let me guess, fancy gowns, champagne, bathing in the blood of the poor, that sort of thing," comment in ep3 makes that not just independently wealthy, but high class as well.

Then with Alice accusing Gwen of (benefitting from) nepotism in the first episode, it makes sense that someone in her family has a powerful position somewhere in the OIAR hierarchy.

All those are easy to notice, but one thing I haven't seen many posts about - in that same episode, Collin and Alice have this conversation:

ALICE: [...] Is it an app yet? Do we have a minimalist logo? I assume you’ve finished all the social features?

COLIN: Don't you start. I swear I'm going to shove a cable down that prick's throat, pull it out his ministerial anus and floss him to death.

and later, with Teddy-

TEDDY: Colin, mate, you know you’re never getting out of here.

COLIN: Christ, don’t say that.

TEDDY: Even if his nibs lets you off the hook, which he won’t, you couldn’t bring yourself to just leave.

Based on that, we can conclude that somewhere up the OIARs hierarchy, there's some managerial asshole who insists on keeping Colin around (for the app?).

So, combined with what we know from OG Elias in tma, and Gwens nepotism comments, until proven otherwise, that asshole is Elias to me <3

[5ummit]

The Left-Handed Winter Soldier Myth

A theory has been circulating for years that the Winter Soldier is left-handed (or at least heavily favors his left hand and uses it at every opportunity) while Bucky is exclusively right-handed. I’ve tried to ignore it in the past, but it’s come back with a vengeance in the wake of the Thunderbolts trailer and I can no longer sit idly by and let this misinformation continue to spread unchallenged. Not when it's now being used as “evidence” that the Bucky we see in Thunderbolts is not actually Bucky but the Winter Soldier.

Luckily, this myth is easy to disprove.

Turns out there’s tons of examples of the Winter Soldier favoring his right hand (these are just a few I could grab that clearly showed his hands and weren't too blurry). I actually noticed while gathering these screenshots that the soldier rarely fires a gun and basically never uses a knife with his left hand, even when it might make more sense for him to do so as the metal arm is theoretically stronger and faster. Unsurprisingly, Bucky being right-handed means the Winter Soldier is too.

But just to be thorough, here are few counterexamples of Bucky using his metal arm when he’s definitely not the Winter Soldier. One of which even includes him killing people with a gun, something I've seen some Bucky fans also claim he never did in TFATWS and try to use as further proof that he’s the Winter Soldier in Thunderbolts, because their Buckybear is a sweet innocent baby who doesn't carry weapons and wouldn’t harm a fly.

I know I'm constantly beating this drum to the point that it's probably getting annoying, but it’s really easy to manipulate "data" to “prove” whatever you want. Just because something seems like it could be credible at first glance doesn’t mean it is. Please double-check other people's claims before you use them to inform your own opinions.

[androids-insides]

Should I render any of these??

[aroaceleovaldez]

forever disappointed in Rick for, when presented with the decision of "what band t-shirt do i give Nico to signify his character and style," having Nico wear a Ramones shirt when the opportunity for Nico in a Welcome To The Black Parade shirt was RIGHT THERE. PEAK EMO AND IT HAS A SKELETON ON IT-

[iwozlegit]

|| 🍍• You know how like the Hazbin Hotel crew have been pretty deliberate with their foreshadowing and hints? Imma call it…

…from them hanging effectively a ‘new bar’ sign…

…they’re gonna own/run a bar together endgame.

Literally zero HAND-vantage of using all hands joined together to hang up a sign…WHAT DOES IT MEAN?!

[babybells123]

(ASOS, Sansa II)

(ASOS, Jon XII)

[ashton-the-draconid]

Okay so this is a super random theory but

What if Buddy was someone who found a key somehow, almost like how Chase found Silver, except he tried to return it and got kidnapped. What if we learn that he’s someone who went missing. What if that’s why Buddy hasn’t like, tried to encourage Chase to put the key back where he found it. Because he knows what’ll happen.

It’s better than my current idea in that he has no clue how he came into existence and doesn’t even know his birthday and never had a cake with his name on it or someone sing him happy birthday chat I’m totally not crying over that every time I think about it

I WILL MAKE HIM SUFFER. AND ME.

[serpentface]

SPIRITUAL POLLUTION, THE GESTURES AGAINST EVIL, AND ABLUTION: A POST

The concepts of spiritual purity and pollution are central to the Faith of the Seven Faced God (and similar takes on the concept predate it throughout and beyond the immediate Wardi cultural sphere). There is no clean cut distinction between physical and spiritual health in this belief system (these concepts exist as a heavily overlapping venn diagram) and many methods intended to cleanse spiritual pollution address both realms.

The word for the concept referred to as spiritual pollution is 'mesechitse', which can translate to 'blockage' or 'severance' depending on the context (its underlying meaning is a pathway that has been stopped in some capacity).

At its core, spiritual pollution is a corruption of the living spirit (which is carried by/IS the blood). It causes both physical and spiritual problems. Polluted blood flows improperly and does not maintain the body’s natural stasis or integrity, causing or allowing disease or other bodily dysfunctions to occur. Many ailments are seen as wholly physical and internal in nature, occurring directly due to polluted blood flowing improperly and affecting key organs. Other diseases (particularly contagious or infectious disease) are known to be caused by dagi, which are harmful spirits that enter the body through orifices or wounds. A limited number of ailments (most notably pronounced schizophrenia-spectrum disorders or cognitive disabilities, unfortunately) are thought to be caused by possession by more powerful evil spirits.

At its worst, severe spiritual pollution is thought to impact or sever one's connection to God. Summarized very basically, severe pollution = blockage of flow between one's own living spirit and the greater spirit of God, which deprives a person of God's blessings and protection, severs them from the natural cycling of life and death (and prevents their necessary participation) and can put their afterlife in jeopardy.

Some degree of corruption to the living spirit is seen as completely inevitable and managed by the body, which physically expels some polluting agents via urine and feces, as well as menstruation (thus all of these substances are themselves dirty and polluting agents). It is reckoned as impossible for any living body to exist in a Completely spiritually pure state. The goal of cleansing (and broader practices revolving around spiritual integrity) is rather to maintain stasis of the body's natural cycling (and by extension a connection to God's living spirit) and to keep pollution contained and minimized.

If one's immortal soul successfully reaches the afterlife, it is then reborn into a spiritually pure existence incapable of being 'severed' from God in any capacity. God Itself is a spiritually pure being, but Its body and living spirit (the world and its cycles, manifested as Faces) is vulnerable. The purity of God's living spirit (and therefore the life-sustaining functions of the world that all beings depend upon) must be sustained, protected, and restored through right practice, which is what much what the public religion revolves around.

Spiritual pollution is a separate but overlapping concept with:

-Metaphysical vulnerability, the word for which is 'namne couyibase' (literally ‘lacking integrity of Being’). This is a state in which the body and living spirit is considered vulnerable to great change, for good or for bad. These states can have vital and positive uses (they are utilized in many rituals, and it is what allows for conception and birth), but must be entered with caution and intentionality. Uncontrolled namne couyibase can otherwise leave one open to forms of spiritual harm. -Curses, which are targeted infliction of harm (of all sorts- bad luck, evil spirits, etc) onto a person, place, or thing. A spiritually polluted body is has less resistance to curses, and curses can intensify this pollution. -Possession, which is when evil spirits attach themselves to or inhabit the body. In the vast majority of cases, possession does not mean an evil spirit is Controlling the body, merely harming it. A spiritually polluted body has less resistance to possession, and possession can intensify this pollution. -Ritual uncleanliness, which is a state of intensified spiritual pollution that requires complete prohibition from a person from entering sacred spaces or participating in certain rituals until they are made clean. The most common reasons for ritual uncleanliness are active menstruation, being in the mourning period, or having performed a known dirtying action without its required ablution (see below).

---

Multiple levels of religious-medical practice are centered around maintaining the body's stasis and cleansing it of mesechitse whenever possible. The methods are both active and passive.

Passive methods include the wearing of protective objects/amulets or having the motifs on household items or as decoration (the most ubiquitous are charms like the pelatoche (lit: '(ocean) eye') or odatochent (lit. 'Gods eyes'), the skimmer woman, or phalluses, and the wearing of gull feathers), in addition to other beneficial/protective iconography (guardian lions are most common, though physical representations of each Face of God have beneficial functions).

Active methods cover a broad swath of rites and behaviors (which is even broader in non-doctrinal folk practices). I'll be focusing here on the two main everyday methods of protection/cleansing (rather than more specialized rites) that are supported by core doctrine and may be performed by anyone, rather than being restricted to priests.

---

Gestures against evil

These are the absolute most basic protection methods, comprised of three core gestures.

Purity of intent: the hand is held with the palm facing upward, the pointer and pinky finger extended and the thumb and inner two fingers pressed together. This is the most directly ‘cleansing’ gesture, it attempts to bind uncleanliness within the body and thus to prevent inevitable background level spiritual pollution from the body infecting a pure environment or another person. You mostly perform this gesture while entering/leaving a protected or vulnerable space (literal or figurative).

Protection of spirit: the hand is held with the first two fingers pointed together, held upwards for generalized use or pointed for directed use. This is the simplest of apotropaic gestures, aiming to protect the body and spirit from outside harm. This is commonly used before or while entering contexts seen as physically and/or spiritually dangerous, or to un-aggressively counter an evil eye curse.

Dispelling of evil: The hand is held with the first two fingers pointing together, touched to the lips, and flicked away from the body. In practice, this is most commonly used to prevent attachment by malicious or otherwise harmful spirits that may have been evoked (you might perform this after you speak of someone believed to be an earthbound ghost or refer to an evil spirit directly, or immediately after touching a potentially contagious sick person (ideally followed by ablution)). This will not help you if evil spirits have fully Attached themselves to you, but can remove ones that have been attracted to you. Doing this gesture and flicking in the direction of another person is very rude.

These gestures have separate uses, but will often be performed in conjunction (usually in the order given) as a quick means of protecting oneself and the spaces around them. It is not considered a doctrinal replacement for ablution as it does not actually cleanse the spirit, but it attempts to reduce harm (both sustained and produced by the user).

---

Ablutions:

Ablution is spiritually and physically cleansing the body with clean water. The metric for clean water is fairly expansive- ocean water, any flowing water, any clear lake, shallow water sources that are clear and free of (obvious) polluting elements such as animal corpses or unclean animal feces, any clear collected water.

The core requirement of an ablution is for the hands to be cleaned in all circumstances, and for other body parts to be cleansed in addition if the situation requires it. One must fully wet the hands/other affected areas and scrub thoroughly, and then use fresh water to rinse. If you have to clean other parts of your body, you save your hands for last (as they will be used for the cleaning).

It is appropriate to perform ablutions cooperatively, but the person assisting you should participate as well (ie- if you have someone washing your back, they should scrub and rinse their own hands after). Someone considered to be in a ritually unclean state that ablution will not immediately fix (the most common are actively menstruating or being in the midst of the mourning period) should not perform ablutions on others.

Note that there is no Hard distinction between bathing for spiritual cleanliness and bathing for physical cleanliness (there is a separate set of cultural standards for physical hygiene, but most hygiene expectations are Covered by ablution). In most circumstances, ablution is just a regular, sometimes tedious everyday activity rather than a solemn or special occasion.

The ritualized requirements denote that only the hands + any given affected body parts Must be washed, but ablutions will often be an aspect of a full-body bathing routine to meet other hygiene standards. (ie: someone performing ablution before making offerings or eating a meal is only Required to wash their hands, but will very often wash their whole bodies and clean their hair- offerings and a meal are (typically) daily activities, so this is a good time to just get a full bath in while you’re at it). It may additionally involve washing the skin with oil or soap, moisturizing the hair with oil, scraping away dead skin, and applying perfumes. This is not a ritual requirement and is performed because generally, people like to feel clean and smell nice.

The hard physicality of cleansing WITH WATER is KEY to this practice. Per core doctrine, there are no DIY cleansing methods that replace washing with water. If one does not have access to clean water for ablutions, they should not perform offerings whatsoever (but are allowed to pray) until they can be cleansed, and accept that they are receiving spiritual pollution by performing ablution-required tasks in the meantime. A blessing from a priest is the only doctrine-supported spiritually cleansing replacement for water ablutions. In practice many people will use the gestures against evil as a replacement (which is not supported by doctrine and is more common in folk religious practice), and virtually everyone will find ways to get physical contaminants off of their body either way (if you step in dog shit and don't have any water nearby, you're going to wipe it the hell off even if that doesn't make you ritually clean).

Times when such an ablution is generally considered a hard requirement:

Before bloodletting in prayer or making other offerings

Before meals

Before assisting in a birth

After menstruation ends

After receiving penetrative sex

After defecating

After urinating (this isn't as ubiquitously seen as a hard requirement, in a lot of cases people interpret it as 'only if you actually get pee on your hands')

After touching urine

After touching feces (many lines of thought make exceptions for the excrement of cattle and khait due to their clean and sacred status- this makes life a easier for the majority of people who have to use dry dung as fuel)

After touching a dead body (human or animal)

At the end of your mourning period for dead kin (traditionally as part of a larger ritual involving full body submergence in flowing water, rather than as a common ablution)

After touching someone else's blood (aside from rites that require it, in which the blood is expected to be clean and the cross-pollution of living spirit is intentional) (technically includes semen but this does not come up very often)

After touching most sick people (particularly with contagious diseases or any skin ailments)

After recovering from an illness (ablutions will be performed as an aspect of treatment as well)

Before entering most temple's inner shrines (and some temples altogether)

Also a requirement for participation in certain specific rites and/or festivals

The exact nuances on how hard these requirements are sometimes vary, particularly in instances revolving around touch. Official doctrine is that any unclean touch requires ablution, but in common practice this is sometimes reinterpreted as only a hard requirement when the touch occurs to the hands. Most practitioners do not perform an ablution immediately after an unclean touch occurs (if you're a field laborer and step in dung, you're probably going to wait to wash until you retire for the night), and not everyone performs ablutions every single time they 'should'.

Only drawing I have related to ablution under the cut (nudity)

This is one way to do it

[watcher1ngellvar]

Big big spoilers below the cut

Okay so, I was watching Ghil Dirthalen's latest video, which happens to be about the secret ending (link here:

and when she goes over the datamined model of the executor we could have fought, this is what we see:

Does it look familiar to you? Well maybe this is why:

It's Vorgoth.

Okay yes, the executor model has grey cloth, and it has legs, and it's bangles are copper/bronze/some other metal that doesn't fucking matter, but look at them.

Look at them.

LOOK AT THEM.

Core principles: colour scheme aside(and legs), that is the same fucking model. No one knows what Vorgoth is. No one knows where Vorgoth came from. We do know, however, that the resonant timbre of Vorgoth's voice is quite similar to the resonant timbre of the voices at the circles. We do know that vorgoth has a unique speech pattern. Kind of similar to the voices of the executors.

The executors voice lines were directed as, to quote Ghil Dirthalen quoting the datamining, 'someone unfamiliar with language in general'. Could vorgoth's unique speech pattern be from something that has observed the world and language and learned to understand it, but ultimately still began their (potentially millenia-long) existence without the use of this form of communication.

I don't know. I don't do lore discussions. This is my word vomit shitposting blog. I'm way out of my depth here. But I have eyes, and I can see that vorgoth looks exactly like that datamined model.

Anyway, share your thoughts, this is still a vorgoth love blog, and have a great time of day wherever you are.

[scoriarose]

They regularly ask me to let them in the other's enclosure so they can cuddle. When Sakura thought I was pestering her sister she put herself between me and her; incredibly brave of her as she is still afraid of human hands (but much better than she use to be.)

When Sakura gets frightened she'll run to her sister and often hide her head under her.

Both enjoy exploring and doing their enrichment activities together. Seeing this on a daily basis, and the bond these little ones have with each other (and me) I think more research needs to be done regarding the current belief Hognose snakes are incapable of emotion or bonding, and are completely solitary. While both go to their individual dens after socializing, both seek each other out and cuddle together. (They are only allowed together while I'm there watching as sometimes snakes will eat each other, and they seem to enjoy having their own home space when it isn't play/cuddle time.) Sakura benefits so much being with her sister, just being near her she's exponentially braver and far less jumpy, and will watch her sister with great interest learning from her.

[letsplaythermalnuclearwar]

ok but can we talk how in Legendary, Antinous asked a question. he’s being as rude as possible but “when’s your tramp of a mother going to chose a new husband” is a question. a question that Telemachus does not want to answer. and yeah, the immediate follow up of “why don’t you open her room so we can have fun with her” makes it seem rhetorical, but rhetorical or not, it’s definitely a question. and I’ve always wondered why Telemachus is offended by ‘tramp’ when the ‘why don’t you open her room’ thing is a million times worse. 

But what if Telemachus wasn’t offended that Antinous called Penelope a tramp? The suitors have probably been saying stuff like that for ten years, he’s used to it. What if, more than anything else, Telemachus wanted to make them forget about the question they asked? What if he was just trying to distract them?

[justobsessedwithvic]

hello lovely people in the tbhk fandom! how are we all doing today?

"......."

Great! So in the chapter 112 leaks, we see this panel with shijima!

here she is! our favorite supernatural artist, looking perfectly alive and healthy! so pretty!

Unlike the other students, she's not wearing a uniform, or a tracksuit like Aoi is. Instead, she's dressed like an adult. I would say a teacher. (also shes lowkey buff now look at her arms) Anyways, she seems really tall, and she's holding a clipboard.

In addition, the students near her are holding up a poster they made, and they look really proud of it. You know what teacher I would show a poster I made to first? an art teacher.

Shijima died years ago, so her current age makes sense, becuase in this reset world, she probably didn't die. (thank god because shes so pretty ajwhgskajshg)

Anyways yeah Shijima is the art teacher at the school. Thank you for coming to my TedTalk.

im gonna try not to talk about anything else because if i do i might start sobbing

[accirax]

Project: Eden's Garden Chapter 1 Trailer Analysis

Oh my god it's actually time.

As I'm sure you've heard by now, Team Eden's Garden has finally announced the release date for the fangan's true first chapter: December 20th. And, they did so in a flashy new trailer, which is nearly three minutes long! Naturally, there's a lot of content baked in to those three minutes, so I'm here to take a look at what was flashing by in those rapid-fire montages, as well as make predictions regarding what will happen at the first Class Trial. This will be fun!

And here's hoping I don't run out of images 🤞

The trailer begins with the "mascot" (in this case, Tozu) saying that it's been far too long since we last conversed. Classic.

Next, we see a preview of some locations, both new and old. CAM04: Dorm Hallway and CAM24: Tree of Ignorance were already explorable areas within the Prologue, and CAM08: Damon's Dorm was visible in the Ch1 demo released last year(?). The new locations include CAM32: Hallway A1, CAM35: Pharmacy A1, and CAM39: Pharmacy A5.

(By the way, I'm going to assume that both the numbering of the cameras and the time displayed in the lower right have no particular meaning, because I can't find any connections between them. At first I thought it was weird that Damon's dorm was Camera #8 despite him being 9th in alphabetical last name order, but given that the hallway is Camera #4, I don't think there's a correlation).

While all of the images are intentionally blurry, I'll do the best I can to describe what we can see. The most obvious point of interest is the door at the back of the hallway, under which "CAUTION" is written in big red letters. It also seems that there might be blood dripping down the door, which, if true, would match with the other blood splatter on the floor near the bottom right of the screen. It definitely gives the impression that something happened here before, and that that something was bad. There's also a grate on the wall that's splattered with red, but given that blood is pink in the DR universe, I'm assuming that's rust.

The pharmacies are very interesting to me. First of all, there are two of them. What kind of establishment needs two separate pharmacies? I guess you might if the pharmacies are as different as the two pictured. One looks more like an old-fashioned office or science classroom (it kind of reminds me of v3's Ultimate Detective Lab, honestly), and the other like a scientific research facility. A pharmacy is defined as "a store where medicinal drugs are dispensed and sold," so perhaps Pharmacy A1 is for selling and Pharmacy A5 is for creating?

The "A" in these tags could stand for "area," but they more likely stand for "alpha." At the end of the Chapter 1 demo (watch Weeby Newz's video on it if you want the same level of info I have), the students are about to go through the lowercase "alpha" door in the Tree Room to explore a new area. These three areas are almost certainly behind that door-- perhaps with the checkered pharmacy being room #1, and the blue pharmacy being room #5?

It's also possible that the entire area is considered "the pharmacy," and is dedicated to the production of medicine. But, whether that's the case or not, I have to ask, "why?" Out of all the things they could have put into this falsified Eden's Garden Academy, why make two rooms dedicated to creating drugs? Why potentially make up to five rooms dedicated to creating drugs? With very little information regarding the overarching plot of Eden's Garden, it's hard to determine why. The only connection I can make offhand is that this may have been the origin site of the drugs used to knock everyone out on the train.

I do find it very interesting, though, that this is not just a location in the school, but the very first one we're discovering. Normally, I'd think that places like these, which aren't that conducive to students hanging out (like a pool or recreation center) would be reserved for future chapters. It may imply that drugs and/or poisons are a necessary component of the Chapter 1 murder. We'll see!

Our first of the rapid-fire CGs! This one shows Kai pointing at something within a fancy pink room. There's a canopy bed dressed with pink cloth, some floral-looking wallpaper, and two small paintings of what also appear to be plants on the wall.

Given the appearance of Damon's room earlier in the trailer, I find it likely that this is not a new location in the alpha corridor, but instead, someone's room. There are many pink colored characters in P:EG-- Diana, Toshiko, and Kai himself-- as well as Cassidy, whose character color is close to pink, and Ingrid, who has pinkish hair. Of the main three options, I'm guessing that this is probably Kai's room.

People have been quick to diagnose this as a potential BDA image. If that's true, I acknowledge that this being Kai's room would be a wild choice, because it would mean that someone other than Kai was found dead in Kai's room. It would be a THH parallel, though! I just think that it's likely to be his because, well, he's in there, and all of the references to flowers seems fitting for his butterfly motif. However, Toshiko's kimono does have flower patterns on it, and flowers also match up with the ~romance~ of the Ultimate Matchmaker. If this is Kai providing a BDA in Toshiko's room, though... maybe Toshiko isn't dodging those first victim allegations.

If it's not a BDA, though, what is Kai pointing at? Imagine if it's just a spider or something, lol. He does look pretty worried, so perhaps this could be the arrival of something like DRDT's custom weapons? If a weapon suddenly appeared in my room a the killing game, I'd be kind of worried. It could also be a mysterious note, as (spoilers) we're about to see a few of in this trailer.

One cute(?) thing to mention is that, if this is Kai's room, it likely means that Kai was willing to invite Damon into his room to check whatever this is out. That could mean that they're friends! It's not cute if this is actually a BDA. It's also not cute if Kai is becoming Damon's friend just so that it hurts more when he dies in Chapter 1 :(

Woah, it's a note! (/j)

This and the image directly before it in the trailer seem to be of the same thing: a piece of paper that says "to Damon Maitsu" on it. Or, it's possible that the first one just says "Damon Maitsu" and this one says "to Mr. Maitsu"-- they look a little different, although the handwriting seems identical. I don't think there's any paper conspiracy for me to crack here.

To my memory, the prologue included some flashback CGs, so I would imagine that's what's happening here, unless Damon actually kept his Eden's Garden acceptance letter on his person (possible). It could also be a new letter that Damon receives during the course of the killing game if, as I posited, Kai was pointing out a letter he received in his room.

And furthermore, more note content? Why is this hypothetical piece of paper more visible in the trailer than Toshiko?! (/j)

Or, maybe it isn't. This note seems to read, "Meet in [???] at 8:10 p.m. tonight [???] Damon Maitsu." Due to the spacing of the words-- namely, that it doesn't seem like there's much more to this message beyond what we can see-- this paper appears to be pretty small. Combined with the color, I predict that this note is, in fact, sticky. And therefore, not the same as the piece of paper (which also has a different ink color) as the other note.

Further extrapolating from the spacing, the note looks like it's signed "-- Damon Maitsu". Otherwise, there would need to be a word before Damon, the end of which has no letters tall enough to appear next to the D. (It's LGI's "Ms. Naegi" crisis all over again... /ref) If so, that means that we might have an example of Damon's handwriting on our hands! Or the handwriting of someone who was trying to impersonate Damon :/

I wish we had a better lead on where this note was telling folks to meet up, but it's way too vague.

Then, yet another piece of paper! It's definitely different than the yellow one, and probably different from the signed one as well, due to being typed and not handwritten. Then again, sometimes typed letters have a handwritten signature at the bottom, so it's not impossible.

This text's formatting reminds me of how scripts are normally written: both the font and the center alignment are used in standard scriptwriting formats. I actually at first thought that everything after "beneath a" might have been spoken by a character whose name starts with L, but that would mean that their dialogue starts with a lowercase letter. Plus, names on scripts are usually written more like this (imagine it's centered):

LINDSAY beneath a [shoulder] If only [head]

in the sense that the character speaking's name is in all caps. There appears to be a lowercase i after the capital L, so it's probably not a name.

Still, that begs the question of why the top line is so much shorter than the one beneath it. In a normal passage, all of the lines would have relatively even margins other than possibly the last one. Could the wonky spacing be indicative of a poem, or something else written in verse? Due to the script/poem idea, I'm inclined to believe this belongs to the ever-dramatic Tozu, but I could be wrong.

Next is another CG, depicting Damon, Cassidy, and a sneaky Jean in the background. Based on the shape of Damon's ahoge, we can tell he's a little annoyed or flustered by whatever Cassidy is pointing at.

The wallpaper pattern we see in the background is that of the Dining Hall. Do NOT ask me how I remembered this offhand, because I don't know.

Furthermore, based on the wall being to the characters' left, it's likely that they're standing on the left side of the room. (It's possible in reality that it could be anywhere else in the room in front of the wallpaper only, but based on cinematography rules I won't bother explaining this is probably the case.) So, what is Cassidy pointing at? It could be the fireplace, the painting of the jackal, or the vent. Or, obviously, something new that appears in the Dining Hall in Chapter 1.

Based on my theories that the vent will be involved in the Chapter 1 murder, I'm inclined to believe that it might be what Cassidy's pointing out. If that's true, it means that she (and Jean) (and Damon) is dodging the Chapter 1 victim allegations! However, given that the characters are looking upwards, unless they're on the floor, it's probably not actually the vent. Maybe it's something on the fireplace mantle?

Also, based on straight vibes and nothing else, I don't think this is a serious CG. It might just be that it reminds me of v3's casino CG, but I kinda feel like Cassidy is just trying to teach Damon a game while Jean watches, or something. Projector on the Dining Hall walls? "It's more likely than you think," I lie.

The next six images consist of three spooky screenshots of what seem to be some sort of database which say "Ultimate" (and a picture of Damon), and three zoom-ins on what I believe to be paintings found around the school.

The only one I found of particular note was this one, which sort of looks like two people getting married? Both figures seem to have light skin, and the one in the white dress might have some shoulder-length red hair. Cassidy marriage arc??? I can't imagine what context this photo/painting/CG would appear in, but it might be important.

After that a few illustrations depicting the killing game's rules flash by. I won't be uploading all of them because 1) you can probably guess at most already if you're familiar with DR/fangans, and 2) I think these might have been shown in the demo anyways. To sum up, I think the rules can be attributed as such:

Tozu is in charge (and/or participation in the killing game is mandatory)

No destroying school property, with a focus on cameras and NG bracelets

You can't kill/injure Tozu or Mara*

Students can become the blackened by killing

Once a dead body is found, it's time for a Class Trial

... The same thing again? Oh, maybe #5 was about how to trigger a BDA, then.

Um...

Okay, actually, I don't know what this one is. Is this saying that you can't rip paper, or you'll get executed? As in, papers that Tozu gives you? Dude, maybe my "Tozu gives the students mysterious letters" theory actually had some merit to it!

If not that, could this be something about breaching contracts? The Prologue did mention "registration materials" that Damon presumably signed. Those could have been a cover-up for a real waiver the students accidentally accepted. Or, maybe this is the big reveal that all of the characters are actors in a scripted performance. In Chapter 1? Yeah, probably not.

*Technically, only Tozu (who stands between Mara and the student) has an X over him, which could imply that it's only illegal to harm Tozu. However, it's likely that, when the rule is revealed in the e-Handbook, the graphic will cycle between Xs on Mara and Tozu, or something else to that effect. It would be interesting if the rules don't protect Mara, though. I'd imagine the in-universe explanation would be "see what happens if you even TRY to hurt Mara," but that would absolutely feel like a rule intended by the writers to be broken in the future.

I'm sure someone could do a super in-depth analysis of the religious implications of this painting, but that person is not me. All I will say is, "these are the animals of Mara and Tozu." Oh, and, based on the next image, this painting is located in Pharmacy 1.

New locations! Like I alluded to above, the first image is definitely of Pharmacy 1, and I think the second is too.

The third is a bit harder to decipher. We've got a glowing photocopier with an Eden's Garden Academy logo on it, a tiled floor, many green cabinets, a medical kit, and lots of vines. I wonder if this might be a third pharmacy that functions more like a doctor's office...? I don't know what the photocopier is there for in that case, though. I'm assuming that the location behind Jett in the fourth image is in the same room due to the similar green cabinets, and the fact that you can see a similar first aid kit on the wall behind him. If that's the case, there's also a sink in this room. That's not helping me either.

After that, we have a shot of Jean with a proposition in the Dining Hall, some general purposes art which I think we've seen before, and a slick 3D animation with Damon catching a fallen apple. What do they have in common? I don't have much to say about any of them.

Free Time time! Or, at least, I'm assuming that Ulysses' part is part of his first FTE, given that it was packaged in with all this other stuff. With this, we can conclude that Ulysses, Wenona, and Wolfgang will all be available for at least one FTE in Chapter 1. I am very curious about that in general-- with this first chapter release, will we immediately be able to view all of everyone's FTEs? Or will they cap everyone off at, like, two for now? Unfortunately, there's no way for me to answer that now.

The other three images are more intriguing. The first definitely shows Damon's gift inventory, with the Black Forest Cake being highlighted. The interesting bit is all of the chibi pixels to the side, with positive and negative arrows by some of their heads. At first, I thought that P:EG might be going for something like SDRA2's ambitious FTE system, where characters have positive or negative opinions on you based on actions you take and gifts you give. However, on further thought, I bet that this is an in-game way of telling you who will like which gifts. As far as I can tell, many people either look up which gifts to give which characters or save-scum until they get something right, so taking guessing out of the equation is probably a good thing. Plus, now we know that Diana, Jett, Toshiko, Mark, Wolfgang, Cassidy, Desmond, Eloise, and Kai like cake; Grace, Ingrid, and Wenona don't; and Damon, Jean, Ulysses, and Eva are neutral. It's an extra good system if it gives us insight into Damon as well!

The second is surely P:EG's equivalent of the Monomono Machine, with Damon receiving a zen garden from the funky hourglass contraption. The interesting part to me is that the currency is named Marabucks instead of Tozubucks. Yay for inclusivity? Also, I think it's fun that the percentage reads "1,13%" instead of the standard American "1.13%". (And P:EG seems to be, on the whole, an American-coded game, given that the majority of the characters speak in American-accented English and the cast's live appearance was in Texas.) Gives you a little behind the scenes peek at who was coding this section of the game :)

The last thing... uh, what? It seems to be a Pong-like minigame, probably used to earn bonus Marabucks. You bounce the "orbs" through the "pachinko" to... I guess score points against Mara and Tozu? And, probably if you do well enough, you get varying levels of money. Perhaps I spoke too soon, and the Marabuck is simply the lesser Tozubuck.

Up next comes some dramatic zoom-ins through those spiffy remodeled locations. I appreciate them jazzing up the "outdoor" area specifically; the lack of polygons in the doorway arch always bugged me. Even if they kept those similarly unbeveled shapes in the archways to the side... (/lh)

And now, the moment you've all been waiting for...

WE GOT SCENES FROM THE CLASS TRIAL?!?!?!

To clear the elephant in the room, as everyone has been reporting, Toshiko is the only student who can't be seen in the Class Trial at all. Does that mean she's dead? Uh, probably not. As part of a mystery-writing team, I would have to imagine that whoever crafted this trailer would be smart enough to know that their mystery-loving fans would comb through whatever they're given for answers (hi 👋). And, if there's one to be found, they'd find it. Therefore, I'm more inclined to believe that Toshiko's absence is an intentional red herring. Then again, this is very possibly the P:EG team's first time writing a fangan, so if they didn't think about things like that, it would be understandable.

So, who is dying if everyone else is present? To me, there's a big gulf between how easy it would be to fake someone's participation in the Class Trial. Subbing out a death portrait for a regular sprite is easy, recording a fake line of dialogue is a bit more effort, and creating original artwork is really not worth the effort. Thus, we can divide the characters into tiers.

ORIGINAL ART (basically guaranteed safe) Damon, Wenona VOICE ACTING (very likely to be safe) Diana, Grace, Wolfgang, Jean, Eva SPRITE VISIBLE (possibly most endangered) Mark, Desmond, Kai, Ingrid, Ulysses, Eloise, Cassidy, Jett TOTALLY ABSENT (reverse psychology safety???) Toshiko

Damon's unique minigame sprite and Wenona's Rebuttal Showdown art appearing over his face should also squash the rumors that Damon will be replaced before the first Class Trial at least, lol.

Within those tiers, I also want to highlight two outliers: Wolfgang and Eva. Because, of course it's those two.

Although Wolfgang is in the voice acting tier, in reality, I'd say he should be moved upward into the "basically guaranteed safe" tier. This is because his line is shown in Nonstop Debate format as opposed to the regular dialogue format. Although his lines don't have the animated word art thing going on, I still imagine that it would be easier to create a fake line in the regular dialogue boxes than in the minigame. Also, notice that I said lineS. Wolfgang also has two lines, and unless the team is really yanking our chains, I can't see why they would create two fake lines when one would surely suffice.

Meanwhile, while Eva is in the voice acting tier, she's bordering on the "possibly most endangered" tier. It may just be my "Eva could die first" bias speaking, but her line is a whole lot shorter and less specific than Diana's, Grace's, or Jean's. In fact, if you remove the comma, "obviously the case" could easily be one of her stock dialogue lines that plays over unvoiced portions of the Daily Life. If the team were to create a fake piece of dialogue for the Class Trial, sneakily repurposing a line that already exists for other purposes would be the most efficient way to do so.

Expanding on that, what is "obviously, the case" supposed to mean here? I'll once again draw attention to that comma. Grammatically, it's not that some truth is "obviously the case," but that the case is the thing that's obvious. In what context is Eva saying that, though?

Jett: Uhhh, sorry, what are we supposed to be focusing on again...? Eva: Obviously, the case.

Or, could a physical case, like a briefcase, be relevant to the murder?

Grace: But what could the killer have used to fucking store a disguise?! Eva: Obviously, the case.

The only thing I'm remembering offhand that could be a physical case is the medical kit, but obviously there are plenty of locations and props for this Chapter we haven't seen yet. At any rate, Eva's dialogue raised a flag for me. So, I'll be scrutinizing any cases we may see or any pre-Trial words Eva speaks when the Chapter comes out.

Also, Diana and Grace might be a bit safer than Jean and Eva because what Grace is saying seems to be a response to Diana. They both mention peace, and Desmond is striking the same pose in both of their shots. I doubt that the P:EG team would either record Diana expressing the same sentiment that someone else actually expresses, or come up with a fictitious response from Grace that doesn't actually exist. If you want to get really nitty-gritty about it, consider that tier as ranking Wolfgang as the most safe, then Grace, Diana, Jean, and then Eva :)

Under the dual assumptions that Toshiko is a red herring while Eva's dialogue is genuine (such that both of them are safe), though, who's the most likely victim from our "sprite visible" tier?

Well, the only victim option left from my Chapter 1 Killer/Victim theory is Kai. Fan-favorite first victim choice Cassidy is also on the table. Otherwise, I could see Ulysses, given that (if he's not the mastermind) he gives BIG victim energy with his notetaking becoming a central aspect of solving his Trial. I'd expect they'd save a gimmick like that for a later Trial, where it could better be used to shake up the status quo, but I could see it as a good intro case too. I could also see someone taking Desmond out if they were afraid of his weapon-wielding capabilities, although that's... kinda backwards thinking. Desmond's capability to kill is scary if you're trying to kill him, but it doesn't offer much in the Class Trial.

Still kinda convinced it's gonna be Eva, but I'm aware enough to recognize that's probably just the stubbornness of wanting to believe that my old theory was true.

Speaking of old theories coming true, can we rewind for a moment?

Jean: ...but, I'd rather be suspected than be the reason this trial comes to a standstill.

Hey. WHAT.

For anyone who hasn't read/forgot about the Chapter 1 victim/killer theory I just linked, in that post, I argued my case for why Jean would be our unexpected Chapter 1 killer. Needless to say, when I saw this, I screamed.

What does this MEAN?!?! Full disclosure, I was pretty convinced that the Jean!killer theory would either be, like, 100% on the money, or laughably incorrect to the level of accidentally misinterpreting Jean's entire personality or there not even being a hint of suspicion thrown on his name throughout the entire case. To see Jean acknowledging others' suspicion of him in the TRAILER has me reeling.

Assuming that this line isn't fake (which also guarantees that Jean isn't the first victim), this means that there will be a point in the Trial at which Jean will be suspected as the blackened. The line itself could easily be something that a sympathetic and honest spotless would say, or something that a blackened could say pretending to be just that, so we don't get any hints there. What reason would Jean have to be suspected if he isn't the killer? Why and how would anyone choose to frame him? But also, would the P:EG team really want to have their players go into the first Trial already primed to believe that Jean could be the blackened based on the trailer? I feel like this line was included as a cruel (/lh) trick on me specifically, but my theory wasn't nearly infamous enough to warrant that kind of attention.

It's absolutely going to be eyes on Jean for me when the first Chapter comes out. I'm so curious to see the context surrounding this quote. Did I actually call it early? Or will the "evidence" that I stacked up actually prove to make Jean a believable bait, but not the real blackened? (wouldn't be the first time :P /j)

Moving on, there's a very dramatic scene of Tozu looking over the Trial grounds, while Damon looks back. I double checked, and everyone is visible (in silhouette form) in this shot, which makes sense as it was likely created solely for this spoiler-free promotional material. In my mind, the only clues we can pick up here are that Damon is further cementing himself as the true protagonist of this story. He also blocks out Wolfgang as he looks at Tozu...? Could have symbolic significance, but could also just be a result of the pair being opposite each other in the Class Trial seating.

After that is another fast-paced montage. The first screen is the same shot of the Pharmacy table. I don't know why they put repeat info in here, but as far as I can tell, all of the props and textures and whatnot are the same. If my assessment that the murder would utilize the Dining Hall vent is wrong, I wonder if this could be a hint that Pharmacy A especially will have significant meaning-- possibly, as the site of the first BDA. That being said, they also repeat the same image of the photocopier ivy room as the third image in this montage. So, if that's the case, it means both locations will have to be highly relevant.

I feel like this image out of context looks really NSFW. I promise, that was not my intention...

Anyways, this is from the Prologue BDA.

It's Cara's doll legs, as is made extra apparent by that same cylindrical thing in the back. I'm not sure if this was put here because the Prologue case will continue to be really relevant to Chapter 1, or just because they wanted a BDA-looking thing for the Trailer yet didn't want to put in a spoiler one. Based on the different size/shape of Cara's thighs (now I feel NSFW /j), there is a slight possibility that what's shown in the Chapter 1 trailer is (an image of) the real Cara's body as opposed to the doll. However, we know that some sprites and backgrounds have been redone during the hiatus, and that could extend to Cara's art as well.

This knife is also from the Prologue BDA.

You think you're so clever, P:EG team, don't you...? (/lh)

Can you believe the students are going to investigate area alpha in Chapter 1? Or maybe this is Damon telling me I'm wrong about that, haha.

Hey, they rigged a 3D Tozu model! It's looking good. I'm sure they're glad that Tozu's mask meant that they don't have to make a whole mouth rig for the guy, lol. My guess is that this model will be used for Tozu's "punishment time" animation, the equivalent of Monokuma hitting his button with the mallet.

The last thing of note in this trailer (other than the release date) is the Chapter's splash art! The full version was posted to Twitter, which I'll be showing for clarity's sake.

“Strange that one minor event, one small action, can alter the path of everything.”

... You gotta start dodging these allegations better, Cassidy.

Chapter promo art predictions are always a tricky game when it comes to predicting who will die. On the creator's end, I'm sure you don't want to draw additional attention to your first deaths by spotlighting them in the artwork. But, if you want to highlight some of the most important characters of the chapter, that'll often include the victim and/or killer if the Daily Life is well-crafted. Plus, especially for early deaths like these, if you don't put them in the chapter art early, you'll never have to chance.

But, forget all that. Who's actually shown in the poster? Obviously, Damon, Jett, and Cassidy are, but I believe that Wenona's jacket and hair are shown to the left of Damon? If you squint, you can also make out what might be Ingrid's arm on his right. That would be consistent with where he's seated in the Class Trial. Yeah, and then that weird blob behind Wenona is actually Jean and Eva!

See what I mean? Well, if we have 7 characters on the poster, maybe it's not so suspicious for any of them after all :D

And, really, it's 8 characters. I imagine others have made this connection already (even if I haven't personally seen it), but... that's a chameleon wrapping its way around Damon. AKA, Diana's animal motif. That means that Diana is more or less on this poster as well!

As the literal framing device of the Class Trial, the chameleon makes this poster reek of Diana being the Chapter 1 killer. However, even that feels too obvious, at least to my highly-scrutinous eyes. Then again, if this was just supposed to communicate that Diana will be important, why not just put her on the poster...? I really don't know what to make of it.

And... yeah, December 20th! I'm super excited!!! While we're certainly not in a drought of in new and exciting fangans nowadays (read Danganronpa: One Shot here!), productions of this scale-- especially playable ones-- are few and far between, so I really hope that this first Chapter lives up to the hype. I'm pretty sure I'll have more to say about this fangan in a few weeks, so I'll see y'all then for Project: Eden's Garden's true beginning!

...

(Honestly, after all this time in the DRDT fandom, it's just crazy to me that we're going to learn about the victim and killer at basically the same time... (/lh))

[florida3exclamationpoints]

Rumbelle text posts pt. 7/?