#((but i'll put a tl;dr and put this under a read more

[vandalizedheart]

seeing more lore/alt. verse posting from my moots has made me realize the awkward position i put myself in regarding my own lore....

[odusseus-xvi]

Pomme, the french egg

So I did a post about the french streamers (and their characters) and their mischaracterization I could see from time to time (https://www.tumblr.com/odusseus-xvi/724443078442778624/hello-helloooo-friend-hi-i-just-wanted-to-say) But I realised I didn't talk about Pomme, who has arguably the MOST mischaracterization I can find :

Most of the fandom see her only through English or other languages streams (BBH, Philza and Maximus mostly recently) limiting their views of her in general, but because of that a lot of people don't seem to know what her personnality is like, and most of the time in fanarts or fanfics she just feels like Talullah (which people also mischaracterize) but french, a little sweet girl in a little dress, so I decided to do a little summary of what she is like and some of her traits that you may have missed :

What people do get right is that she is most of the time polite and empathetic, that people get, though they tend to simplify her to only that.

She is very intelligent (learned a bit of create with Aypierre) and likes to both theorize and gossip with Baghera.

One of her parents is ETOILES !! She is a good and competent fighter ; just a few days ago she went and did a Nether Dungeon with Phil and Etoiles while Talullah worked on her garden. Her main weapon is a Moonlight GREATsword, a GREATsword, a BIGASS SWORD. She participated in infiltration missions in Federation Buildings alongside BBH, and Aypierre, in which she saved her father (Aypierre) from being caught and interrogated by Cucurucho

She has developped a deep paranoïa when it comes to the eggs' and her own safety ; between the combination of the attack of the code on her a while back, where she lost ten totems in mere seconds, an attack so strong that the admins went "ok my bad, we went a little far" (Draw her with golden scars !!! The tens of totems that saved her !!!), and the explosion at the Wilbur Party where she lagged just enough that she wasn't tped as fast as the other eggs and saw parts of the explosion. She is now scared of explosions, and always on the lookout (She also shows from time to time that her inventory and hotbar is constantly filled with gold apples and splash regeneration potions.) : During Etoiles' solo fight with the codes, when she saw the first "Dapper is down" message, and that she knew Phil was AFK, she went and pressed the OVO button HERSELF immediatly, and she got there faster than Forever !!

She is a really good writer, her diaries are praised by her parents everytime they read it, and she decided it would what would represent her in BBH's Egg Museum : She built a library where she will put her books for everyone to read. She is also a good and patient builder, with particular attention to interior design : While doing that she has shown a bit of maniacal side : She LOVES symmetry, and is irritated very easily when it doesn't go that route : One time Etoiles was teasing her by putting random blocks in her build and she went "PUT THAT GRASS BLOCK DOWN !!!" and when he continued she just left without saying goodbye.

She doesn't like to lie or steal things, she is honest in that way, BUT she often dodges questions either by saying things like "Don't worry about it :)" or by trying to guilt trip the asker by looking sad or drowning herself. She aslo picked up from Baghera the way she buries herself when mocked or shamed.

She can have a very dry and aware humor coming from Antoine's irony and cynicism and Aypierre's teachings.

Also fun fact, because of timezones, her default state on the server is sleep deprived. She is a sleepy egg.

TL;DR : She is a sweet Badass, and I'll stand by that. I need more fanarts of her with scars, her sword, dark circles under her eyes, and LOOKING LIKE THE GENTLE BADASS SHE IS !

[phantomarine]

Hey what were you trying to say in your “it gets good at page 1001” post

Was it more of a comment directed at yourself ( self degradation), is it satire about perfectionism,

Is it supposed to be inspirational for Beginners webcomic creators, or we’re you just in a bad mood?

More of a warning against self-sabotage, because I see it so much. Sometimes it's tied to perfectionism, sometimes it's the opposite - people surrendering to imperfection when they don't really have to.

Creator chat incoming. I'll put it under the deelybob for anyone who wants to read it 👇

I've been in the webcomic sphere for several years now and I've seen so many people introduce their comic with 'I know it's very long and not easy to read, and I won't be going back and changing anything about what I've already made - but please critique it so I can make the rest of the pages better and attract a bigger audience from now on.'

And that's a hard thing to respond to. If a reader can't get through all those existing pages without being confused or bored, then how can they get to the good stuff that lies past them?

So much of gaining an audience is about actively making it easy to 'fall into' a work. Without that easy entry point, it's always going to be an uphill battle to build an audience, no matter how good the later chapters get. There are outliers, but most webcomics won't be those outliers, especially with thousands of them available nowadays. Some people love the grind, but most people will jump to a new tab and try to find something less frustrating.

And webcomic creation is particularly cursed by its very nature. Creators are hesitant to go back and edit pages, even once they've figured out more details about their craft or story structure. It's mostly because of the seeming permanence of it all - the art takes ages and the words feel unchangeable if even one other person has read them. To go back and edit is to publicly admit your failings, right? That's how it feels. What do you MEAN you didn't get it right the first time? You were supposed to do it live, and do it PERFECTLY!

But ideally it shouldn't be any different than prose writing, which is ALL ABOUT finding the story in those edits. And because your story is digital, you can go back and change things whenever you feel like it. A webcomic is fluid.

And if you're thinking 'I should just redraw my whole first chapter' - NO! Hell no, old art can be a part of the appeal! It's far more about finding little tricks to convey your story/characters more clearly. I have read some first chapters with janky art that made me fall completely in love with the story and cast. It's not about the art - as with all things comic-related, it's about conveyance.

Examples I've seen and some I've used myself: A single extra page with a meaningful interaction can solidify the theme of a character's arc. One additional 5-to-10-page scene can help add visual context for an offscreen event where there was none before. Adding a map can tell people where the characters currently are. Changing a character design can help if they get often confused with another character. Redoing your lettering to make it more legible is a huge one too.

In the end, I just don't want people to be afraid of small edits. When I got feedback about the bad clarity of my own work, I knew it would take some time to fix those problems. It wasn't fun to think about or to do, but I'm glad I did it in the end - because it would have limited my audience tremendously. With just a bit of extra effort, I opened a door that wasn't there before, and it now leads more people even more easily to 'the good stuff.'

tl;dr You started your webcomic for a reason, and you're learning more things about its characters, story, and craft every day. Don't be afraid to go back to old pages and inject some of that wisdom through editing. Even a little can go a long way.

***Caveat: If your goal is to just create chaotically, with no goal of gaining an audience, you are a wild and free little thing, and I am in awe of you. This whole rant doesn't apply to you, and you are stronger than me.

[magpie-lu-aside]

So. About that shadow crystal and the Master Sword. (All art belongs to @linkeduniverse and JoJo!)

I want to discuss this part because I find Four, Wind, and Legends reactions interesting, specifically because it was those three who had the argument over Twi in the first place. An argument that all three of them seem to not want to bring up again at all.

I've seen some posts saying that Four and Twilight are gonna have a talk about it (and I'm sure they will) but I'm wondering if they're gonna have a talk about the argument again too. (post got long, if you want to read more its under the cut)

(takes place in sunset pt 11)

So here's the thing about The Argument™. Four and Legend are the ones to have an opinion on the crystal itself, with Wind being more concerned about Twilight's status at that moment and wondering if the blood (not the crystal) is what could corrupt him. Wind seems to be almost unconcerned about the crystal which is why I think he was excited about the transformation rather than concerned (Four) and.... Whatever Legend is doing (I'll get back to that).

Legend and Wind also almost immediately put the argument behind them. They ran to find a great fairy fountain....

... And have interacted past this point. And I think that's because overall they agree on this, both of them have trust in the Master Sword to nullify whatever corrupting power the crystal could theoretically have.

But Four and Legend on the other hand? They have not talked to each other one on one since then.

Before this, they teased each other, Four trusted him to work on Wilds sword, and they seemed fine to be in each others space and just talk and conspire a little bit. But now? They barely even speak to each other even within the group. In fact when they do interact in a group both seem... not fully annoyed but not really laughing at each others jokes either.

Also despite the fact Legend was on the team to work on Wild's sword in the beginning, he didn't show up in the towns blacksmith to help either. And while its very easily argued he did that to stay with Twilight, based on this reaction,

He was asked or at least knew they were doing it. He was also fine spoiling the surprise to Wild despite it being mainly Fours gift (and symbol of forgiveness). He refused to join either way, and I think it could both be because he wanted to be by Twilight and also because he just... Didn't really want to interact with Four.

Now to bring it back to Legends reaction to the transformation (told you it'd come back). I don't think Legend particularly likes the crystal (who can blame him really) and I think he's with Four on not really liking the magic, so unlike Wind who's excited to see it hes still a little.. Iffy on the magic itself. And I think that still can cause tension, but that's more of a red herring to the real thing that's causing strife... And that's the Master Sword itself.

Legend and Four didn't argue over the crystal. They argued about the Master Sword. I think the shadow crystal was just the tipping point to get them talking about the Sword and make Four oppose it in some way. Four has always been indifferent to the sword, not really willing to wield it and has been absent from discussing it. But after that? I think with Four and Legend being on opposing sides, along with Time and Sky (whole other discussion I cant delve into cuz good god this post is long enough as is) is leading me into thinking that the next arc is going to delve more into that strife. And its going to be harder to overcome than Twilight being injured.

tl;dr I think Four and Legend still have beef after sunset pt 11 and its going to boil over on them and its their inability to discuss the Master Sword like normal peoples fault.

[first-class-feral]

brad dourif scrungly feature analysis: eyes

from the “Boys” dourif-hottie supercut music video:

I’d love to see an artist break this down!

For now, let me write you a novel about Brad's spectacular eyes...

The Strangeness

(Skip if you want to preserve the mystery.) BD's right eye is placed a little higher, and turned up as if tugged from the outer corner. I think it's part of that subtle something that immediately sets him apart. This unique, catlike, romantic asymmetry snatches your attention.

.

The glow

His striking, chameleonic blues capture light — even in B&W — which directors loooooove to exploit by lighting him obliquely:

It's a great way to crank up the eerie vibe of any scene, and I respect Star Trek for trashing that option outright with all-black contacts. (Of course, he still served an incredibly compelling outsider.)

(Edit: I put up a post just about this effect because they seriously do it all the damn time) (...because it's awesome)

Set in shadows

He has hooded eyes, deep-set and accentuated by heavy eye bags. The shadows and textures draw you in toward those luminescent irises, like picture frames that amplify each motion of his eyes.

.

Contrast

Sometimes he pops them wide open, creating these huge, expressive magnets...

...Or squints lopsidedly...

...Or interrogates, challenges, threatens — alert but defensive, like a prey animal on the edge of lashing out.

He’s said he chooses roles that "turn him on" (pretty clearly in an artistic sense); many of these blend menace and vulnerability, and our boy dumps emotion into every. single. line. This can manifest as an intense, wary, combative look, with eyes wide under neutral or furrowed brows:

.

Cry, baby

...And that's all before we mention the tears. He cries, of course, at will and liberally, and his eyes go red-rimmed and wet, highlighting them even more as he pins someone's soul to the wall with his gaze.

When he hovers right on the edge, they seem to shine in the dark.

.

Bared

At times, his fair eyelashes almost vanish, compounding his unusual look with a birdlike or reptilian tinge.

Obviously, the shaved brows in LOTR add to this effect.

A couple more things you'll notice here: he'll hold his eyes wide open for much longer than normal, drawing out these moments and making him seem even more alien.

And when he gets up-close in someone's face (which is often), he's constantly switching his gaze between their eyes — totally fixated, as if scanning for emotional feedback. In my opinion, it adds to that vulnerability: to the object of his attention, he must seem like a predator freezing them in place... but it's also desperate, like a prey animal trying to decipher the other person's intent, all senses tuned to pick up their slightest signal. (Gríma Wormtongue and Jack Dante especially have this pathetic air about them: grasping at sources of warmth while lashing out at the harsh, unintelligible world around them, allying themselves with uncontrollable destructive forces in an attempt to establish a place for themselves........)

.

TL;DR

The eyes — and how he uses them — are the standout scrungly feature, the main reason we can’t look away from this unforgettable weirdo.

The cat-eye asymmetry pulls focus;

His ice-blue irises are light traps, framed in textured shadow;

His full-bore emotional commitment ramps up the anguish and torment to an aching crescendo that's impossible to ignore.

Eventually I'll follow up on other contributing factors, but for now, I'll leave you with a couple of article snippets about The Eyes:

Imagi-Movies: Vol 1 No 2 — Winter 1993/94. Pages 11-13: "Traumatic - Brad Dourif". Link

SoHo News: November-December 1981. "Tension and mercy - Brad Dourif glowers for our sins" (an article all about his eyes! But they don't mention the asymmetry.)

[Gifs were mostly stolen from the GOAT, @exdeputysonso — with some of my own, mostly the square ones. Shout-out to @dragonsbloodsnowcone for inspiring this word vomit.]

Thanks for reading!

[earthnashes]

Heyooooo ya'll! Figured it'd be a good idea to give a quick lil update on what I'm up to since it's been a while since I just talked on here.

If you don't wanna read here's the TL;DR:

-Fanart and headcanon AU projects in indefinite hiatus. This tumblr will host my commissioned art, original art/OC projects, and occasional tomfoolery of my thoughts, worldbuilding posts, interests, and updates on my Powerlifting venture.

The full update under the break! :)

Not so good news: Rent's going up. Who's isn't, right? Gonna be putting a serious effort on looking for a new place (I'm reeaaallly gunning for a house) because SHEEEEEEEEEEEESH that spike in price for the exact same shit? Nah man. Likely will get rough a few times over the next few months but I'm confident I'll figure things out!

----

I'm doing relatively good! Cool news: I will be competing in my first powerlifting meet this year! It's been made official as of two months ago, and I've been hard at work with training and prep for the meet. I have my eye on making the state record for the Benchpress in my weightclass and I think I have real shot at it, so I'm gonna make the attempt. Wish me luck! ;w;

Now, the crux of why the update: I figured it was probably high time to mention the complete lack of fanart and headcanons 'round here, especially because that's what helped me find all of you and vice versa.

I'll be honest; I am no longer burnt out on creating art, but I've found the interest to continue any of my AU fanprojects is still missing, so as of right now they are on an indefinite hiatus. I apologize to everyone who followed me for the Super Mario, the LoZ stuff, anything and everything I was working on before the burnout! ;w;

I'm still working on projects, they're just completely original ones! I've been having so much fun with them and I'm pretty happy with them; here's a quick preview of each:

One is a slowburn fantasy where a god becomes trapped in the mortal realm while on a mission, but ends up compromising said mission when she begins to believe everything she knew about mortals is a lie.

The second project is an anthro mystery/thriller about a doe who knows her husband was murdered, but no one else believes her. As she works to find his killer herself, the last thing she expects is falling in love.

The third is the only fanproject I have going and ya'll know of it: Melon's Adventure! Follow Melon as he faces dangers and villains on his quest to return baby Mario to his family. A retelling of Yoshi's Island with twists and a personal flair!

---

But ye! I wanna say thank you all so much for your interest and engagement with my fanart work; regardless of everything I had an absolute great time working on them, and you all made them all the more enjoyable. It may take a little bit before I start posting them, but I hope you stick around for the original/OC stuff and enjoy what I've got in store! ;w;

Feel free to ask questions or make comments, I'll be around to respond starting today. Until then keep them peepers open for more art! :)

[scoobydoodean]

ok so I deeply love and respect your thoughts on supernatural because the majority of them line up with what I've been thinking for years but you said something the other day that I keep turning over in my brain and it was something along the lines of carver liking dean more than sam - I know you're in the middle of rewatching s4 but I would love to hear you expound on that (if you have time) because I remember being in the fandom while carvernatural was airing and it was pretty much when the deangirl exodus started. in fact I think people tore into him worse than dabb even 😭

feel free to hold onto this until later when you start the carver seasons if you wish :)

<3 I'll go ahead and answer this one, because it's more of a "broad strokes" thing for me, and I've been rewatching very slowly (on purpose) so that could be a very long wait.

This is so funny because I can just picture Sam fans reading it and turning red and their blood boiling with the fire of a thousand suns but the TL;DR is that season 8-11 (Carver era) broad strokes to me are:

Sam sucks and is a worse brother and person than Dean.

Sam spends the first two seasons of Carver's run thinking he's a better person than Dean anyway and then the second two knowing he sucks, deciding to embrace his moral flexibility to keep Dean alive no matter the cost, and trying to mend things.

Dean is circled by many potential suitors who also in a sense represent Sam replacements because Sam sucks: Benny, Cas, Crowley, and Amara.

Dean knows that Sam sucks and part of him wants to get tf away from him very badly but another part of him feels guilty for wanting that. Family is suffering. Family is a chain around your neck keeping you tied to them via guilt. (Demon Dean represents the desire for escape, as does Amara).

Everybody wants to be with Dean, be Dean, and/or be loved by Dean. Dean is love. Dean is the world. Dean is the reason for existing. Everybody is lovesick about him. Sam is just there.

Sam needs to stop blaming Dean for so many things and learn to own his own choices.

That was fun to write down.

Longer commentary/explanation below the cut.

Season 8 (Carver's first season) literally begins with a Sam character assassination. It begins with us learning that Sam knowingly left Kevin to spend the rest of his life kidnapped and tortured without even telling a soul what happened to him. Not only did he abandon Dean and Cas as well but he didn't even look for them, and refuses to give a satisfying answer as to why.

Season 8 Sam's abandonment as distinct from previous behavior

I have had people this year who I love and respect tell me they don't view this as a character assassination and say they believe this is in character for Sam. I simply do not agree with that. I talk about this as it relates to Kevin here.

Sam has displayed selfishness and a big ego at many points in the series up to season 8. He's told a lot of lies (sometimes to the point of gaslighting), he's gone behind Dean's back to do things that affect Dean's life, he's taken traumatic experiences Dean opened up to him about and ultimately harmed Dean with them, he's shown resentments and anger, he's displayed jealousy, he's displayed a sense of superiority. He has never abandoned his brother to die without even trying. The Sam of season 3 would eviscerate season 8 Sam for this.

Sometimes Sam says and does things he shouldn't, but his crimes do not include "abandoning Dean to die without even looking for him" up to season 8. Many of his crimes happen at least partly because he really really doesn't want Dean to die or is desperate to save his life. He lets go of his anger at John and returns to make sure Dean is safe in 1.11. He refuses to give up and finds a way to save Dean in 1.12. In 1.22, he's willing to put John's life at risk for revenge, but in 2.01 he gets into an outright screaming match with John in the hospital under the belief that John's prioritizing the demon over Dean. Sam spends all of season 3 raging and angst-ing about not being able to save Dean to the point of considering and doing some shady as hell things/abandoning some of his more stalwart moral stances (3.05, 3.11, 3.15, 3.16). Dean's death and later, the desire to secure his safety/future, is one of the catalysts for Sam's descent into drinking demon blood (3.09, 3.16, 4.04, 4.09, 4.12). When he dies in "Swan Song", he urges Dean to pursue a normal, safe, life because he knows that at that point in time, Dean wants to get out but has always felt trapped (2.09, 2.10, 2.20, 3.01, 4.12, 4.16). Even Soulless Sam (who isn't the same as regular Sam) tried to look for Dean in 6.09 "Clap Your Hands If You Believe"—it was simply that when leads for the night dried up, he hooked up with someone because he had nothing more to go on and in soulless Sam's head that was the reasonable thing to do. But soulless Sam also certainly isn't representative of the real Sam—the fact that he doesn't care as much is supposed to point us to differences between him and regular Sam. Season 8 opens with Sam abandoning Dean in a context that makes him arguably worse than his soulless self.

(I talk about why Sam actually abandons everyone in season 8 in a very long post here).

Season 8 and 9 more broadly

So Carver has Sam abandon Dean to die without even trying. Then he has Sam refuse to give any kind of actually reasonable explanation that makes sense to anyone who was paying attention. Then he has Sam say that he's going to leave the life and Dean needs to get over it and accept that Sam's new life will not include contact with Dean (just like his life at Stanford didn't). While saying he's going to leave, he still wants to exert control over Dean's relationships and leverages the threat of leaving (as if he were going to stay) to get Dean to shut up about Sam abandoning him and then again to try and get Dean to cut ties with Benny. He wants to kill Benny before knowing a single thing about him. He assigns someone (Martin) who he knows is mentally unstable and has a more black and white perception of monsters to track Benny and gets Martin killed. He watches Martin knock Dean unconscious and chain him up in a room and doesn't stop it because he wants Benny dead that bad, but then has the audacity to act as if Dean sending him a fake text is worse than Sam literally chaining him up in a room to prevent Sam from killing an innocent person (someone Sam would normally—btw—defend based on episodes like 2.03 and 4.04 or even a few episodes ago with Kate in "Bitten"). He tells Amelia he wants to fight for their relationship then the moment Dan says they should leave the choice to Amelia, he leaves so that it becomes his choice, and then he returns for one episode just to be a homewrecker. He insists on doing The Trials while promising to survive them and giving a big speech about how he's going to save Dean from his own suicidal ideation and then drops the promise as if it never existed two episodes later. Sam loses confidence in himself to complete The Trials and then acts like Dean is the one who doesn't believe in him because Dean is caring for him and insisting he rest and this is an unforgivable offense. At the end of the season, he basically says he's going to commit suicide because Dean has friends besides him. He acts as if he deserves to be Dean's most trusted confidant after an entire season of him being an absolutely fucking terrible brother and acts like Dean is just a big meanie whose feelings are irrational.

After all of this, he has the audacity, in season 9, to suggest that Dean is a bad person who can't stand the thought of being alone. He tells Dean he's the worst person ever and they can only be work partners from now on because Dean is so so bad and evil for stopping him from committing suicide and then not telling him about Gadreel. At the end of the season he admits this was a lie. He just wanted to punish Dean (9.23).

I can see how—if you were watching live at the time (I started watching when season 11 was airing) you'd lose hope. You'd quit the show over all of this, because it seems to go on forever. It's like torture. I would drop kick season 8 Sam into a pit full of lava without hesitation so I get it. If I believed that Carver was actually saying "Yes so true Dean is The Worst™️ and Sam is morally superior <3" for two seasons straight I'd quit the show too. But that isn't what he's saying. We're supposed to read between the lines and realize how unbelievably full of shit Sam is—how deeply selfish and hypocritical he's being. How yes—Dean has made mistakes—but Sam is NOT a better person than him and has gotten away with some absolutely rancid garbage. And season 10 and 11 go on to beat you over the head with it if you didn't get it the first time.

Season 10 and 11

Season 10 opens with this dialogue from a demon:

I heard the rumors. I said "no, that can't be." A Winchester, one of us? But it's true, isn't it? Whatever soul you had; whatever boy scout code you cuddled up to at night; it's all gone. Leaving what? Look at you!

We're meant to think she's talking about Dean who just woke up with black eyes, but then the camera cuts to Sam torturing her, demanding to know where Dean is.

In 10.03, we learn that Sam talked a man (Lester) into selling his soul so he could use him as bait. Demon Dean ends up being assigned to fulfill Lester's deal (to kill his wife for cheating on him). Dean immediately clocks Lester as having cheated on her first and kills Lester for being an insufferable hypocrite... and while he's doing it, I'm pretty sure he's also thinking of Sam's flaming hypocrisy.

SAM: I never meant— DEMON DEAN: Who cares what you meant?! That line that we thought was so clear between us and the things that we hunted, ain’t so clear is it? Wow. You might actually be worse than me! I mean, you took a guy at his lowest, used him, and it cost him his life and his soul. Nice work.

NOTE: 10.03 also recalls 4.21—an episode Sam fans have always tended to emphasize as a "Dean crime" episode where Dean risks Sam's death to force a detox. Sam does the reverse—pumping Dean full of human blood here in 10.03 and explicitly risking his death.

Sam gets Suzie killed in "The Werther Project" while searching for The Book of the Damned.

SAM I’m sorry, okay? I’m so sorry. SUZIE Lot of good “sorry” does me. Look at me. Look….at….me. [She points to her corpse.] There she is. The first casualty of your misguided mission. But what’s another human life to you? Anything’s worth it, as long as you two make it out alive. And how’s that search going? Any closer to a cure? SAM This isn’t real. You’re not real. SUZIE You think Dean’s the wild card, the loose cannon. But don’t you see? Making deals with witches, opening Pandora’s box down there? You’re the reckless one. You’ll do anything to keep clinging to that doomed brother of yours. How many more will die, Sammy? You know it. You have to be stopped. And the only one who can stop you is you!

A few episodes later, Sam orders Oskar's death for a spell to remove the Mark of Cain. I've seen hilarious posts before about how he had no choice but to do this because MoC Dean is so scawy and bad but that quite explicitly is not his motivation. They could have done so many other things. Throw him into space. Bury him in a really deep hole. Put him in something like The Cage. But Sam didn't like any of those options, because all of them meant being without his brother, and he's realized he doesn't want to be without him no matter the cost (10.18).

SAM So, awhile back, we had a chance to, um…close the gates of Hell. And in order to do that, I would’ve had to die. And, I was okay with that, and I am okay with that, but Dean was not. And so, he uh… CHARLIE He saved you. SAM Yeah, he saved me. CHARLIE And let me guess, in doing so, he did something you didn’t want, and that pissed you off. And you said something that hurt him? SAM Yeah, that sounds about right. [...] SAM You know, when Dean came to get me at school, I-I told myself… one last job, you know? One more job. And then when – when I, um…. When I lost Jess, I, again, told myself one more job. There’s always one more job, you know? And one more job, and one more job, and then I was gonna go back to law and – and to my life. CHARLIE You were the Dread Pirate Roberts of hunting. SAM Yeah. I guess I really understand now that….this is my life. I love it. But I can’t do it without my brother. I don’t want to do it without my brother. And if he’s gone, then I don’t…. CHARLIE I got it. I-I do.

This all culminates in 10.23, where a very mentally unstable MoC Dean attempts to reason with Sam about them both being evil and needing to take themselves out:

DEAN: Remember when we were in that church, making Crowley human, about to close the Gates of Hell? Well, you sure as hell were ready to die for the greater good then. SAM: Yeah, and, Dean, you pulled me back. DEAN: And I was wrong. You were right, Sam. You knew that this world would be better without us in it. SAM: No, no, no, wait a second. You're twisting my words here, Dean. DEAN: Why? Because we -- we track evil and kill it? The family business? Is that it? Look at the tape, Sam. Evil tracks us. And it nukes everything in our vicinity -- our family, our friends. It's time we put a proper name to what we really are and we deal with it. SAM: Wait a second. We are not evil. Listen... We're far from perfect, but we are good. That thing on your arm is evil, but not you, not me. DEAN: I let Rudy die. How was that not evil? I know what I am, Sam. But who were you when you --when you drove that man to sell his soul... Or when you bullied Charlie into getting herself killed? And to what end? A-a good end? A just end? To remove the Mark no matter what the consequences? Sam, how is that not evil? I have this thing on my arm, and you're willing to let the Darkness into the world. SAM: You were also willing to summon death to make sure you could never do any more harm. You summoned me because you knew I would do anything to protect you. That's not evil, Dean. That's not an evil man. That is a good man crying to be heard, searching for... some other way.

Dean is saying a lot of shady shit here, but some of what he's saying... isn't wrong?

Sam is willing to let The Darkness destroy the world, and he does, and then standing in the aftermath of a town being destroyed by the force he unleashed, Sam says:

SAM: I unleashed a force on this world that could destroy it . . . to save you. DEAN: And I told you not to. SAM: And I'd do it again. In a second, I would do it again.

Thousands of people are dying and Sam says he would do it again. This post about Sam's actions versus Dean stopping Sam from closing the gates of hell is highly relevant.

Season 11 continues with Sam taking a little more responsibility for his own decisions, while praying for Dean to live (11.02):

SAM: So . . . I know it's been a long time, but . . . Dean and I, we've -- we've been through a lot of bad. But this is different. This is my fault, and I don't know how to fix it. And if I have to die, I've made my peace with that, but . . . Please. Dean deserves better. Dean deserves a life. There are people out there, good people, who are going to suffer because of me, and I am not asking you to clean up my mess. Hell, I don't even know if you're out there, but . . . If you are . . . And if you can hear me, I, um . . . We need your help, God. We need to know there's hope. We need a sign.

And then there's the VERY long-awaited apology:

SAM When I was with Lucifer, he, um... He showed me things. It was like a highlight reel of my biggest failures. DEAN Yeah, he was messing with you. That's what he does. SAM Give me a sec. I should've looked for you. When you were in Purgatory, I... I should've turned over every stone.

Family (Sam) as chains

While all of this is happening, we also have Benny and Cas and Crowley and Amara.

Benny is contrast—someone whose goodness and selfless loyalty only makes Sam's horrible flaws stand out more sharply in season 8. Under the influence of the specter, Dean says, "Benny has been more of a brother to me this past year than you have ever been" and Sam can't stand it. It haunts him so bad he tries to kill Benny, and can't get over it even after the end of the season when Benny is fucking dead. He is unable to accept that the contrast between himself and Benny is his own fault.

Crowley and Dean's flirtations begin in season 9, as Sam suffocates Dean, and at the end of the season, Crowley has literally convinced Dean to run away with him. In 10.01, there is a delightful phone call where Crowley rubs it in Sam's face that Dean is with HIM:

SAM I don't know how you did this, what kind of... Black-magic stunt you pulled, but hear me --I will save my brother or die trying. CROWLEY You know what tickles me about all this? It's what's really eating you up. You don't care that he's a demon. Heck, you've been a demon. We've all been demons. No, it's that he's with me and he's having the time of his life. You can't stand the fact that he's mine. SAM He's not your pet. CROWLEY My pet? He's my best friend, my partner in crime. They'll write songs about us, graphic novels. “The Misadventures of Growley and Squirrel." Dean Winchester completes me, and that's what makes you lose your chickens.

It's this cruel callback to Sam's jealousy of Benny and Cas in season 8—how Crowley convinced Dean to finally ditch his smothering, controlling brat of little brother who can't stand him having friends, and now Dean is having the time of his life howling at the moon. The problem is, Dean also feels a little bit like maybe Crowley wants to control him too, and that isn't working for him.

Amara in season 11 goes on to further speak on terrible brothers who think they're better than you, who leave you betrayed and diminished, who abandon you. She's raging against the concept of family as chains—she wants revenge... but all the while she's in pain because she still loves her brother. Amara's attraction to Dean is based on that commonality—what she feels is a shared experience and how she wants to cut the last remaining pieces of love she feels for her brother away so she can finally be free of the pain of him—and she doesn't care if she destroys everything—including herself—in the process. (See: Dean slowly losing his identity through the MoC arc). Sam and Dean's relationship is in rehab over this whole season though, and so Dean's role ends up being to convince Amara not to destroy herself—to instead do what Sam and Dean have done and make up and work on improving their relationship.

[inkedberries]

Hey! Prefacing this by saying that this isn't meant to be an attack (which generally isn't a great way to start a message but I'd rather be clear about intentions) and more so genuine curiosity. Apologizing in advance for this being long; I have a tendency to overthink and overexplain.

I don't typically interact with fandom outside of like... carefully curated little microbiomes. As such I haven't really encountered the whole proship/anti shit with any amount of seriousness since probably around 2018. I personally don't put much stock into either of the terms because there's far too much grey area and for the fact that (as per my understanding) exist as ethical frameworks, and I don't care much for subscribing purely to a single framework to the exclusion of anything else in terms of personal ethics and morality. At most with friends we tend to colloquially refer to incest + pedophile ships as proships, because that's just sort-of what the term has evolved to mean most strongly (again, at least in the circles I run in). I don't consider myself anti or proship or whatever the fuck else, because I generally don't care to involve myself with that kind of fandom drama. I'll involve myself over like, matters of being anti-bigotry but the rest is just something I haven't wanted to deal with for 5-6 years. Tagging + filtering + block functions exist for a reason, and I don't need to do anything more than prevent my feed from showing me those things. I generally just hit block and move on with that kind of stuff, especially because I'm anti-censorship for a variety of reasons.

Tl;dr on that: proship/anti aren't terms I really use or subscribe to, because I feel like they oversimplify everything and conflate "drama". From my understanding, I agree with proship ideology (????) in the sense that I believe censorship only fucks over everyone, and that you can just block + filter and move on. But at the same time I see this overall conception that 'proship' means you support/condone/etc incest and pedophilia and so on, which I really truly don't. But there is this really heavy perception that proship = this person ships (usually) pedophilic or incestuous relationships. A bit reinforced for me typically because when something like that comes across my feed and I go to block the person, they generally have 'proship' in their bio. That to acknowledge that I do have some bias in that, even if I know it's a correlation/not cause thing. That all being (over)said (and I'm SO sorry again about how fucking long this is, my twitter TL is having a meltdown and I've avoided all this stuff for so long I don't know if I'm missing something? Because ethically on my end there's no reason for me to block or whatever outside of just the word proship...? Two minutes for a quick search as as far as I can tell you don't participate in anything against my own comfort/moral beliefs. so) I guess I'm asking what your definition of proship is for yourself and why people are jumping to this conclusion of dislike so instantaneously? Obviously you're under no obligation to educate me on what I presume is fucking YEARS of fandom history, nor respond publicly or even at all. I'm only asking you specifically because this is the first time I've encountered 'being proship' ≠ shipping pedophilia etc etc. I think maybe I came across it way back when as a middle schooler, but I'm not about to trust any of my opinions/recollections from when I was that age lmao. But anyways. Just genuinely curious and wanting to understand because I'm wary of reacting too-quickly just because other people are, and especially so if it's actually a total non-issue for me. Sorry again for the insane rambling in this lol

hello!! i hope you don't mind me prefacing this response too by saying to please read this out fully, if you don't agree with the starting points i've provided, i hope you still continue on reading until the end💙 i think @/frownyalfred best words the defense i would most likely stumble on if i give it a go at answering your question with my own words

and this was a post made in 2016 (where a lot of ppl say is the year anti-shippers started sprouting up) and this is honestly what i mean when i say i hate antis

if anything, antis just started the propaganda that all proshippers are incest lovers and pedophiles and people ate it up like cats who haven't had wet food in three weeks. as proven by your friend group using the term as such? that's wild to me that ppl use the term proship like that, i hope the case i'm making will change that for you and your friend group.

no, proship literally is anti-censorship. ship and let ship. antis gatekeep, police shippers and harass anyone who doesn't ship their ship the RIGHT way. and it's not just the ships you say are 'harmful' or 'immoral'. i've shipped a rarepair before and the fandom at large did not like me shipping a rarepair so they started calling me a pedophile bc i aged up said characters???????? they'll find anything and i mean ANYTHING to twist everything i say and do to make it seem like it's "okay" for me to be harassed and bullied. "oh it's okay that i'm telling this person to die because they're gross," yeah no that behavior is So Much More Normal than a person shipping two fictional characters the "wrong" way. AND YOU KNOW WHAT'S FUCKED UP? ppl BELIEVED THEM LMAOOOO

and hey no sweat, i was like you once. i didn't define myself as proship or anti bc the real world exists but then in the one space i thought i'd be free from real life speculation and surveillance i get these anti policing assholes so yeah im a proshipper now lol just to get away from that bs. i honestly just want to have fun on here without judgement but i can't even have that lol that's why im all about blocking/muting.

you say your tl is having a meltdown? well shit, they're probably calling me names on there too. probably throwing out baseless accusations without fact checking bc i'm lowlife enough not be respected or given the decency of a fact check? or saying my art wasn't good anyway? bc gatekeeping their precious kudoichi is so much more righteous, top priority that they start slandering a real life person, right? no no no one disgusting should be touching or shipping our precious kudoichi lmao i hope you see how Not Right this is. kinda makes me feel sick for real lol

and i hope you understand how harmful this is not just to my mental state but my livelihood as an artist as these people would just start policing their fellow fans and just tell them not to support or view my art because im a 'proshipper' not even that, they'd probably just straight up say i support incest and pedophilia which are?????? such STRONG accusations to make????????? now they're just buzzwords. BUZZWORDS for antis to use to defame and cancel an artist! a real life person. over their precious fictional characters. over their precious kudoichi. oh man it makes it so much more stupid if i specify the ship, what is wrong with people sometimes😭

but hey im all about blocking and muting and unfollowing if you don't like my stuff i'm 100% for that but i hope they do it on their own terms. their own thinking. not because someone told them to.

and i dunno man that behavior of not even letting their 'friends' think for themselves, that they'd bash them too if they support me, my art, kinda seems like grooming don't it? or nah no im just looking into it. it might not be that deep. but i really yeah that's why i hate antis and why im more proship.

but hey i appreciate you even taking the time to come to me in the first place and uhhh idk i hope you found what you were looking for and that i answered your bit of curiousity there!

[inevitably-johnlocked]

hey, steph! how are you, like, genuinely? not the small talk. i wanna listen

Hey Lovely 💜🖤

I want to apologize for putting this off for so long... which should be a clue as to how I am actually doing.

Honestly? Not good, but I'm trying my best. It's been... a time. Will put under a cut for those who don't want to read about the tagged items.

TL;DR – my real life is a bit chaotic, and I hide a lot from y'all because I REALLY try not to be negative here since my blog is where I come to be happy AND because I am a very private person, but I try my best to just keep going day to day as the chaos settles down slowly.

I've got some good things coming though, so I hope a week's rest next week when I'm off (and will probably take a break from here too) will reset my brain.

Work has been insane, and is most of the cause of my mental distress for the past few months. From Easter until Canada Day Weekend at my job is lovingly referred to as "Silly Season" simply because of how on-the-fly, balls-to-the-wall our workload is until summertime downtime officially begins for us. Without disclosing too much, it's basically non-stop, long hours for me until one of the 3 break weeks we get during the this long stretch happens where, incidentally because of the nature of my job and the team I work on, it actually gets BUSIER for us.

It actually ended earlier than we expected this year (yesterday) and we'll be "quieter" until the end of September now. See an opportunity, I actually took next week off between the two long weekends because my mental health has taken a severe hit and I'm having trouble just... enjoying things? I'm haven't gamed or drew in a few weeks, and blogging and writing feels like a chore. I literally just come home, file this blog, reply to one or two asks, and then go to bed, and do it all over again the next day. Day in and day out, for 3 months. On weekends I have to force myself out of my apartment because I KNOW I will sink lower if I don't leave.

On top of that, my brain has convinced me that literally everyone hates me: friends, coworkers, family, you guys, my damned plants. I just feel very alone these days and... I'll be real here, I've almost abandoned this blog a few times in the past few months. I feel like I make fic lists that no one reblogs or likes and tell me they're all shit. I post my art and I barely break 20 notes. I write something and I get maybe 2 likes. I can't really answer any thoughtful asks because my mental state's been in the shitter for months. I desperately want to reply to the few sexuality asks I have and I physically can't. Being on my computer – after working ON a computer for my day job for 12 hour days everyday – feels like too much, so I try to limit my time on the blog now too.

I just try to keep carrying on, encouraged by the once-in-a-blue-moon testimonial ask I get thanking me for still being here. I thank YOU guys for reminding me that people still like coming here.

Stressed about money and food and rent just like everyone else, and just getting frustrated at other things.

And finally, my uncle (my dad's brother and my godfather) hasn't been doing well health-wise, and he's being moved to assisted living next week. His health has been declining since Easter, so it's been a bit of worrying time for relatives.

Having my therapist helps a lot. She talks me through a lot of my complicated feelings, my sense of self and ways to cope with my anxiety and stress. I'm talking to her again next week, so no worries, gang. As I said, I just keep on keeping on.

Some positivity though:

I booked next week off to try to just... recenter myself. To forget about everything and TRY to get back to doing the things I love. I will probably take a break from this blog as well during that time to limit my social-media time. It's not ideal but I need a break from my computer, I think.

I go to the gym a lot more these days, which has helped with the seething annoyance I constantly have at work. Usually feel better after it.

And because of the gym and getting out more, I've been slowly feeling better physically, better than I have since before 2019. The break from work is for the mental health, LOL.

I'm getting my hair recoloured next week. Can't afford it, really, but I just REALLY need to feel better about myself again, and I always feel so different when I colour my hair. I was doing so good for awhile. I want that again.

Anyway, I'm sorry to bombard y'all with my complicated mess of a brain. I really do appreciate you asking, so THANK YOU. I rarely get asked in real life if I am okay because I keep very private due to past people betraying my trust. And I don't like seeing people unhappy, so I feel if I tell people about my problems, then I feel I am a burden, so I just... continue existing.

Thank you for letting me be a burden just this once.

[chock-and-bates]

hello hello i just finished reading your break-up sex fic and it's killing me not knowing what happens next because it's so obvious that they love each other so much but they don't know how to communicate well so could you please please tell me what will happen to them 🙇🏻‍♀️😭

I've gotten a few messages about this and so I'll use this one to reply to all of them!

Thanks to everyone who read and liked my fic morning comes (and you're not my baby)! If you wanted to find out what happened after the open ending, you're in the right place. I'll always tell people to imagine the ending they want, but I also understand the need to just know, so I'm happy to tell you what I picture happening next.

Sooooo I was just going to have a brief summary of what I think happened and I'll include that in the TL;DR under the cut... but I also did what I always do and went a little crazy in my notes app and wrote a 1.7k outline/ficlet (with some 🌶️ so be aware).

Check it out if you're curious!

TL;DR: They have a friends with benefits thing going but keep it super vague. But they begin growing really close throughout the rest of the season, and the lines are getting blurrier and blurrier. When Max offers Charles a key to his apartment they finally have to confront what they mean to each other and they realize the pain of a possible break up is way, way preferable to the agony of being apart. They agree to try again, promise to fight for each other, and kiss ❤️

Ficlet/Outline Time: Okay here is what I picture happening in a much more in-depth way:

- The bad communication continues and they are basically fuck buddies for the rest of the season. But, like, way too tender fuck buddies if that makes sense. They fuck nasty, but most of the time it’s absolutley more like making love. Definitely messes with both their heads but they refuse to just talk because it’s still scary and they need to focus on the season.

- Definitely begin hooking up whenever they’re in Monaco, but they do their best to keep it to only once a week or so (thinking that limiting contact will help them, haha yeah right). They always sleep over, but Charles is proud of them for the fact that they’ve both managed to leave every time, even if it’s getting progressively longer each morning that they just stay in bed murmuring quietly and playing with the pets of whoever’s apartment they’re in. 

-They’re together at some point pretty much every race weekend from Mexico on, and for the final two races of the season Max starts to ask Charles to share a room with him for the whole weekend. He says it’s because he sleeps better when Charles is beside him (such a step forward in communication, we’re so proud of you Max) but Charles knows it’s also because he’s leaning on Charles for emotional support in the championship fight. They’ve been having a lot of pillow talk on that subject, and Max has been surprisingly open. Charles tells himself it’s okay because they’re friends with benefits, and you help your friend, so he agrees easily. 

-(He tries not to think about how they’re already communicating better, tries not to give himself hope that maybe they could get back together.)

- After the final race, they definitely spend the night together (please god, let it be celebration sex instead of sad sex, I beg) and Max refuses to let Charles leave his side the next day. They fly back together, holding hands almost the entire flight. They still aren’t talking about what they are.

-Of course this is when Charles starts to panic. And he says he’s going to put some more distance between them over the break. Briefly he thinks about ending it again, but like a sign from the universe, he gets a text from Max asking him to come over and he very quickly realizes he’s not strong enough to end it anytime soon because he’s already replying that he’s on his way and packing an overnight bag.

- Things get very domestic, very quickly over the break, and Charles and Leo begin to spend a lot of time at Max’s. They’re really reconnecting on every level now, not just physical, but they. Still. Won’t. Talk.  Charles is so torn because on one hand he’s so happy and content but every night he’s just an anxiety ridden mess because he feels like he’s setting himself up to be absolutely destroyed.

- The holidays come at the perfect time (or so he thought). Obviously they’re going to spend a lot of time apart to be with their families, but instead of this being a good thing Charles is absolutely miserable without his man, enough so that he starts texting Max, who immediately responds, making it obvious that he was feeling the exact same way. 

-Their daily check-ins of course evolve into texting each other at all hours of the day and then eventually phone calls at night, during which Charles ends up fully admitting “I miss you a lot.” much to his embarrassment, but Max immediately and eagerly says it back and takes it a step further and says they should go on vacation together before the end of the break. The spark of hope in Charles’ chest is absolutely brutal, but he still agrees.

- As soon as they are both back in Monaco they race to see each other again, they’re so desperate. Don’t end up leaving bed for the entire day. Things are said...

[- “Can’t stand being away from you,” Max whispers to him between kisses as Charles adjusts to having him inside, “Need you close to me, baby.”]

[- “You were all I thought about,” Charles gasps when Max begins to thrust into him, so gently, but staring at him so intensely, “Tried not to, but I could not help it. I couldn’t sleep, couldn’t think. God, Max-”]

- They’re kind of timid on the second day, almost shy around each other again after how intense they were yesterday, but Charles still doesn’t feel like he’s ready to leave Max quite yet (or ever bfr) so he offers to make him breakfast.

- While he’s in the kitchen Max comes up behind him and asks if he can give him something, it’s a key to his apartment. Max wants him to have it so he can stop by whenever he wants and he tentatively continues that he thinks it would be good if Charles moved some of his clothes in so he doesn’t have to leave all the time and Max can start to clear out the space in the closet-

- Charles cuts him off with a strangled “Max.” and they both just stare at one another in absolute stillness.

- Charles’ heart is pounding out of his chest, his flight or fight is kicking in, he’s so overwhelmed and the first thing he says is “I can’t do this anymore Max.” Poor Max looks utterly devastated because it sounds so bad, and even Charles doesn’t really know if he means he can’t do this as in be together at all or this as in be friends with benefits and not be together.

-He tries to leave the kitchen to run away from confronting all of this but-

- Thank god, Max snaps out of his and steps in front of him, blocking his path. He clenches his jaw, staring Charles down and asks him to explain.

-“Charles, you’re not leaving this apartment without explaining what you mean. Can we just- can we just be honest for once?”

- And that’s exactly what Charles has needed to hear for over a year, because suddenly the floodgates open and he’s practically shouting “I can’t do this anymore because I’m in love with you, Max. I love you so fucking much and it is the most awful things because we agreed that we cannot be together. But now you are going and-and saying we should go away on vacation and holding my hand and giving me a key. I cannot keep away from you but I can’t- I can’t-”

- Max, who had been listening, stunned as soon as Charles started shouting., suddenly crosses the kitchen and cups his face in his hands. Charles tries to flinch back but Max just follows him, cooing at him as he steps closer, until they’re practically pressed together,  “Charlie listen to me, listen to me. I’m in love with you too baby. I love you so fucking much, I never stopped, I swear. You’re all I want, all I think about, I can’t keep away from you either, baby, but we don’t have to, don’t you see?  We don’t have to keep pretending like this is…whatever the fuck we thought it was. I can’t fucking do that anymore, I want to be with you, all of you. We can try again.”

-Of course this sends Charles into shock, “But- we agreed it was for the best-”

- Max bites back, “I don’t care, Charlie. We were wrong, and I’m not going to sit back and let us be miserable just because we made a stupid decision.”

- Then they would finally have the long, long time coming talk about the real issue, and both would have to admit how fucking terrified they had been of giving the other person that power over them and how distraught they would be if it ended. But Max begs Charles to trust him not to hurt him, and Charles immediately assures Max that he does which is oh- kind of an eye opener for him. And Max tells Charles he trusts him too. 

- “Charlie, please,” Max just looks so heart-breakingly sincere it’s killing Charles, “Even if something crazy happens and this explodes in our faces, I would rather take the pain of it ending over what it was like without you. I’ll fight for us, every fucking day, if you will just give us another chance.”

- And Charles can’t take it anymore so he flings himself at Max, hugging him tight and burying his face in his neck, Max holds him back just as tightly, and they stand in the kitchen embracing and rocking together.

-”When we slept together in Mexico,” Charles finally draws back to look at him, “You said you would never let me go again.”

-Max nods, leaning down so their foreheads are pressed together, “I meant it.”

- “I’m never letting you go either Max,” Charles says, deadly serious, “I love you. Forever.”

- Max can’t stop himself from kissing him then, obviously. And once again they don’t really leave the bed for the rest of the day.

- Charles accepts the key, and then ends up pretty much moving in later that month because they can’t stand being apart. They manage to socialize their little fur babies together and they are a very adorable family.

- Their friends and families are thrilled for them because none of them really understood why they broke up in the first place since Max and Charles would just say it was a mutual decision and “for the best”. Everyone tells them how much happier they seem.

-Now that the ‘big issue’ has been acknowledged their communication improves tremendously, and, no, things aren’t perfect because that’s unrealistic for any couple let alone two men in F1, but they tackle the issues together and overall things are easy and loving between them.

- They definitely get married, don’t you worry ❤️

Ooof, that was fun! Thanks so much for reading and all the interest in seeing how these things ended. I’ll be back with more stories soon.

[kimmiessimmies]

Personal post

This will probably be the most non-Sims related post I've put on this blog ever. I'll put most of it under a cut, so you can choose whether or not to read it. The thing is, I could use some advice. And asking strangers from all over the world advice on something important might be weird, but you are also my community, so I value your opinions. Don't worry, this isn't a "Kim being depressed" kinda post. 😉 It's a work thing.

Upfront: This post is about me being unhappy in my current well-paid job and my search for something that makes me happy. It might come across sounding a bit entitled, since I know there are many people who would be happy to have any job, just so they can pay their bills. I'm sorry if this post triggers that, and I know I'm privileged to even be in this situation. ❤️

TL/DR: Do I stay in a well-paid, secure job that doesn't bring happiness and actually negatively affects my mental health because of it? Or: Do I take the plunge into the unknown and give up the securities I have now for something that could potentially (but not guaranteed) not only make me happy but bring me opportunities as well?

Okay, here's the deal. Currently, I work in education. I've been teaching for 19 years, and for the last 3 years, I've held the position that best translates to special needs coordinator at the school where I've been all of my working life. In short, my job entails making sure the teachers have the tools they need to help all kids in their classes with special educational needs, to make sure each child ends up in the right form of education fitting their needs and dealing a lot with difficult or even alarming home situations. My job can be rewarding at times, and challenging at others. Aside from this, I've been part of the management team at my school for almost 8 years. I work at a big school. It wasn't big when I started there, but it's big now. I have a degree in Early Childhood Education, and that's also the age group I've always dealt with. It's the age group I've always taught, and it's the age group currently under my supervision in the position I'm now.

This past year, I've struggled with my mental health, as I've mentioned before, and have not been at work fully for a while. My therapist and I established that while work is "okay", it's also not bringing me joy anymore while my job was once the happiest and most passionate thing I did. Right now, it's blah. This position is not one that really suits me, yet I don't want to go back to teaching either. I've been there, done that. Add to that the fact that, come September, my boss requires me to change my position slightly. I'd be doing the same thing I do now, but for an older age group. This has given me a lot of stomach aches, because the thing that still drives me to do my job now is the fact that I'm doing it geared towards the youngest kids in school.

All in all, the job is not bringing me happiness in the slightest anymore. Having said that, I know a lot of people do jobs that don't make them happy, but it pays the bills, so let's suck it up and just do it. Which is fine, I can do that too, except my mental health suffers...

However, there are a few good things about this job too:

The pay is really good

I have lovely colleagues

I have a lot of credits here because I've been here for so long. They know my worth

I have a very understanding boss who's been nothing short of wonderful during my depression

(If you're still with me, thank you for reading this essay all the way, it's appreciated 💗)

My therapist asked me, "If money weren't a factor, what would you be doing?" My answer was "write." More specifically, I just want to stay home all day and work on ATOH, but no one is going to pay me for that. 😄 So, write, or do a job in which writing plays a role. So, she advised me to start looking for jobs that fit that description. It was a rather depressing search. Most jobs that came close to what I'd like to do require degrees or diplomas I don't have.

And then I suddenly stumbled upon something: Assistent Project Manager at a small, but well established company that creates educational projects (usually based on children's books), books and materials geared towards early childhood education in particular, and currently expanding to do the same for education to older kids as well.

I felt like I had found the holy grail. This is writing, this is editing, this is being creative, this is working with authors, but it's also closely related to early childhood education, the thing I know so well. Despite still being semi depressed, I felt like I needed to at least give this a shot. So, I wrote a letter, enclosed my resume, and waited. I didn't have to wait long, because a few days later I got an invite for an interview.

I went for the interview and was welcomed at a small and very homely office space (with an office cat!). We had a good talk and I left happy. They invited me to do a "trial day" with them, which is what I'll be doing today. They've had a lot of applicants for this position, but from the contact we've had since, it seems like I stand a good chance.

Sounds like a no-brainer? Perhaps, unless you have my brain... Because there are doubts:

Pay. This job pays quite a bit less than my current one. I'm a single parent and therefore sole breadwinner in my household. Currently, I make quite good money because I've been in this job for a long time and hold a relatively high position in the organisation. We can pay the bills, go on holidays, and even splurge occasionally (for example, the very pricey laptop I bought a few months ago). With this job, I would still make enough to pay the bills and go on holidays, but I will need to keep an eye on the money, and there won't be splurging for a while. I do know this sounds like a luxury problem to some.

Job security. In my current job, I'm under a fixed contract. Basically, unless I royally fuck up, I can't be fired. With this job I'd start on a year contract. After that year, they can either decide to give me another year or let me go. This won't just be if I mess up, but also if they decide I'm not the best person for the job after all, or if I don't fit in with their small, close-knit team. Worst case scenario; they let me go, and I'll have to go back to education and probably teach again.

These doubts are few, but strong. So, basically, like I already said above: do I stay in a well-paid, secure job that doesn't bring happiness and actually negatively affects my mental health because of it? Or: do I take the plunge into the unknown and give up the securities I have now for something that could potentially (but not guaranteed) not only make me happy but bring me opportunities as well (since it's publishing)?

I don't need anyone to actually answer those questions, but those are the wonderings on my mind I wanted to write down. Thanks for reading. ❤️

[daipeanutsaiban]

Hello! Um I know it's been a few months since you said people could ask you more questions on your tgaa thoughts, but I was hoping to ask about your baskerzieks and genshinxwife ones. Like how they met, or what their last in person convos went like before each couple separated/died, etc, bc I really adore your Lady B & Mrs. Asougi designs! They deserved first names 😭

Also I'd love to hear your genklint/ville thoughts too if you care to share those!

ALSO I wanted to say you're 100% correct that if Kazuma & Klint ever actually met good ending au Kazuma would think he's the most annoying person alive. It's funny if genklint is platonic or romantic too, it's like Herlock Sholmes is right there and instead Kazuma thinks his dad's bf (best friend OR boyfriend lol) is significantly worse. Something something hating your parallel

Anyway no pressure, and sorry if you aren't looking to answer more questions at this time!

HI i love to yap and to yap about dgs especially so you're good haha <3 i'm the kind of person who needs to be asked tbh bc i tend to be self conscious/doubt myself so questions are always super appreciated 🥹💗 this post got LONG so i'm going to put it under a break to spare anyone who's just here for art or trying to look at memes during their lunch break

TL;DR: klint and primrose were engaged as kids but it was broken off upon his parents' death, it was renewed when he earned prestige as a prosecutor; their last conversation was when primrose forced him to confess his crimes to her but she'd started having doubts months ago; in my favorite hc, gkv never pursued one another beyond dropping hints here and there but because i am bisexual i also want them to have fun; genshin and yukari met by chance as teens and genshin had to convince his father to let them marry each other after finding out she was pregnant; he could never say his last words to her because writing about the professor's identity could've endangered her and kazuma.

first of all thank you so much, it makes me so happy when people enjoy my designs and characterizations for lady baskerville and mrs asougi!! for clarity, i'll be calling them by the names i gave them in this post, primrose and yukari respectively.

klint and primrose's engagement was decided by their parents and they met as children- i think they were probably feeling awkward around each other for a while since children don't really care about such things (right..?) and primrose actually chose to spend her time reading when her father would take her to visit, and she might've even been more interested in talking/playing with barok because there wouldn't be the daunting idea of an engagement looming on the horizon lol. eventually, she and klint do grow closer and come to consider each other friends thanks to him putting in a lot of effort to make her feel welcome and also have more fun (she finds him boring- i characterize klint as having been a very serious and dutiful child, though he does play with and dote on his brother).

when the van zieks parents die in my hc, losing their life in a fire specifically, primrose's father chooses to cancel their engagement because he doubts klint can suitably provide for his daughter- a cruel but logical decision as klint is just fourteen years old with no backing or achievements. as an aside, the fire is declared to be an unfortunate accident but klint silently believes it was premeditated- this incident contributes to him considering prosecution as a career. out of care for his brother, he never brings up this idea to barok.

still, primrose is a very clever child who's acutely aware that her father's doting is a form of control (such as making her wear beautiful, white clothes to easily find out if she's been sneaking out, which i think i talked about before), and she insists on meeting klint either at his estate or in the city while they both (and occasionally barok) wear disguises/common clothes. the latter option allows them to meet people outside of their social caste, and to develop a sympathy for them from an early age which also contributes to klint's growing bitterness towards other nobles. throughout his struggle to be taken seriously by these men in spite of his age, primrose continuously encourages him and even spies on her father's meetings with other gentlemen to then report to him, and this continues in their adult life with her reporting rumors and "gossip" from other ladies about their own husbands (with perhaps dire consequences in the long run, haha...)

primrose has ambitions of her own, though, many of which are philanthropic in nature and stem from guilt at being born in a wealthy household to a father who does not care about people other than his own. they are difficult to achieve as an unmarried woman (or even as a woman in general), as her father would never greenlight her ideas, and as such she becomes enraged with klint when he allows the engagement to be dispelled due to believing she would ultimately "be happier with someone else" when it would effectively condemn any ounce of freedom she could have. from primrose's perspective, klint is the only candidate for marriage because he actually respects her and understands her as a person.

their engagement was eventually reinstated following klint's multiple achievements, chiefly when he made a name for himself as an extremely prolific prosecutor and primrose's father couldn't really object to it (ha) anymore. when i researched, i learned that men in the victorian era would commonly get married in their thirties once their careers were established, and i especially like that for this couple because it means that genshin could've attended their wedding. (it's also amusing to picture klint pitching him as the best man while primrose is firmly in barok's camp and they have a silly spat about that, haha. but ngl i prefer genshin as their best man because it was tradition that the best man would drive the married couple to their month long honeymoon directly after the ceremony so. he could stay behind a little while if you catch my meaning. teehee)

on the topic of genklintville, my ultimate preference/personal "canon" is that they never outright acted upon their romantic or sexual interests in one another although the tension was clearly there. but like any bisexual on the internet, i like to indulge a little bit, as shown in my previous paragraph hehe. i like to imagine a kind of kinship between genshin and primrose as they are interested in similar literature and share a similar sense of humor as well (chiefly teasing klint- in a deadpan manner for genshin). klint and primrose tend to dote on genshin in a way they think is discreet, because they can sense his loneliness at being apart from his family even though he generally doesn't voice it, but as we all know genshin isn't a fool and it leaves him quite flustered haha. genshin also relates to klint in the way that they are both heirs to something "greater than them" (the asogi clan/the van zieks heritage) and sometimes yearn to break away from it which might contribute to why genshin left for london if the first place. i'd like to add that if i draw genklint without primrose present, it's taking place with her knowledge and consent, though them being pushed to cheating due to increasing stress or suchlike circumstances is an interesting angle- it's just not something i see myself making at present. though now saying that has made me think about the ways it could be fun to explore the way klint's lying and gaslighting keeps piling up, so what's one more lie? so i'd be interested in reading a story that would attest to his guilt from committing the act and his gaslighting towards not only his wife but also to himself, hmm. the best way that i can put it is that if i'm to explore gk without the v, she must be a relevant character because i'm not about to discard a canon female love interest to focus solely on the yaoi lmao.

now for genshin and yukari, or genyu for short as i like to call it in my head (lol)... there's a lot to cover here too 😵‍💫 some of this, particularly the stuff concerning ayame, is still undecided on but i thought the more context the better!

to understand their dynamic, it feels important to state/repeat my headcanons about the asogi clan aka genshin's immediate family beyond her and kazuma, which were mentioned here. but to summarize, they are very patriarchal, strict, and the type to suppress their emotions. genshin is his father's illegitimate child, and his real mother is... hm, well, she won't ever appear in my art because it's suitable for her character, but she's a high ranking courtesan, aka "oiran", and therefore pregnancy/being a mother could bring shame to her and likely ruin her livelihood, because they are meant to project the image of being unattainable both in appearance.. and price. her disappearing for some months to a year wouldn't be all that suspicious as few men can even afford to meet her.

because the oiran brings the House where she works good money, they help her cover up her pregnancy and her son's existence by sending him to live with his father as soon as possible. once, genshin tries to visit his mother, but he is turned away. in short, his first experience was to be abandoned by someone who was supposed to love him. i think this backstory also serves to give reason to his name (written with the kanji 'shadow' and 'truth') because he is a truth meant to be hidden by the government. if you think about his father giving him that name, it becomes quite sad and implies shame for bringing his son into the world. i think it would also justify the personality i like for him, which is more reserved and serious than how i portray the rest of the visiting trio (with a boisterous but ambitious seishiro and a downtrodden but shy and earnest yuujin), and with a greater disposition for being suspicious... which is naturally a good thing for a detective.

genshin's father's wife lost her life to an illness some years prior to genshin integrating into the asogi clan, which is why he sought comfort from the oiran. to avoid unsavory rumors and to preserve both women's reputation, syoma (genshin's father) forbids his son from venturing outside of the house - paralleling primrose's childhood, which they could bond over later in life - until he turns a certain age. he's the dark sheep of the clan, to make it short. it's by sneaking out as a child that he meets seishiro, and then yukari who is accompanying ayame.

as an aside, i want to add that while syoma holds misogynistic beliefs, he still feels a sense of responsibility so he does eventually pay off the oiran's debt in the end- not that she's particularly grateful since he led her on and made her promise not to abort his child without ever planning to marry her. not a great guy, but def a fun character to write. those are things genshin deduces in his teenage years, and he swears to never become like his father.

as for yukari, her family history is also nebulous, and i don't know if i even want to establish her circumstances before meeting ayame and genshin because i like the meta irony of those details remaining unknown to us just as they were unknown to those around her outside of how she is tied to other people. ayame's friend, genshin's wife, kazuma's mother- never her own person. she reaches a breaking point during genshin's absence, but i won't go into detail about that for now because it's part of a long project of mine. what i can say about her is that she does housework for ayame's family in exchange for room and board, but she's not categorized as a servant because ayame cherishes her, a privilege that makes her feel awkward at times.

genshin fell for her due to her frank and joyful approach to life which was so different from the outlook he was raised on, and she piqued his curiosity with her unusual and often "silly", but free, behavior. he has the utmost respect for her, which is why as much as i like gkv and think it could work in a modern au with yukari's inclusion/approval + rapid methods of communication, i think realistically genshin wouldn't have the heart to start anything with someone else when she is waiting for his every letter so far away. he wouldn't be able to read the expression on her face, and she could easily lie about being okay with it.

in this wikipedia article about marriage in japan in the edo period (1600-1868), it reads: "Members of the household were expected to subordinate all their own interests to that of the [household], with respect for an ideal of filial piety and social hierarchy. [...] Marriages were duly arranged by the head of the household, who represented it publicly and was legally responsible for its members, and any preference by either principal in a marital arrangement was considered improper."

you might've guessed where i'm going with this, but genshin's father had already chosen a wife for him, and that person was ayame, who is from a 'good' family. obviously that marriage didn't go through with yukari becoming pregnant at 18 or 19 (!!), and syoma capitulated to genshin's request that he be given permission to marry his girlfriend which only further strained his relationship with his father further. as for ayame, she was fortunate that the man she was interested in was studying medicine, and therefore struggled less for her family to accept yuujin as her husband. but for yukari, although she knows genshin doesn't love ayame, there's always that nagging feeling that she was the "wrong" choice. after all, she has to witness the interactions between genshin and his family every day, and her presence is often the source of tension. her only rock after ayame's death and genshin's departure is her son, who starts rejecting spending time with her as he grows older because, well, he's a teenager (something i want to expand on in that project i mentioned).

in yukari's case, she was never able to read her husband's last words as even writing about the professor's identity could endanger hers and kazuma's lives, but perhaps genshin had promised he would briefly return at the half-way point of his stay overseas and then ended up having to break that promise by choosing to investigate the professor killings before eventually losing his life. yukari's feelings of helplessness were confirmed as the truth in her eyes then.

as for primrose and klint's last conversation, it's been sitting in my wips for a while LOL. i def think she had her suspicions, and when she finally gathered her courage to confront him, he broke down and told her the truth. i've revised this comic and especially its dialogue so many times that i don't even know if i like it anymore, please pray for me 😅

It's funny if genklint is platonic or romantic too, it's like Herlock Sholmes is right there and instead Kazuma thinks his dad's bf (best friend OR boyfriend lol) is significantly worse.

this made me laugh LMAO honestly kazuma would be so petty about it meanwhile i feel like he'd get along super well with the man's own wife 😂 i also think that as an adult kazuma would admire his father less and even be a bit of a tsundere lol, but yeah in a No One Dies/Good Ending AU(tm) he'd probably resent genshin a little for leaving him and his mother, whose struggles he witnessed firsthand for ten years. hell, maybe he does resent him in the current circumstances even if it's not the dominant emotion when it comes to his father, it of course being grief... still. lord van zieks get your paws off my dad!! 🙄💢 also if genshin starts reciprocating the attention kazuma might start killing LOL

...this answer is now well over 2000 words and i still feel like i'm leaving things out i feel CRAZY omg. autism diagnosis unnecessary atp lmfao.

also just found this in my #yukanotes i should've just copy pasted all this augh. i love yukari very much she is extremely dear to me. 😊💗

thanks again for your questions I'M SORRY IT'S SO LONG....... i DO love to yap 🥹🥹💗

[murphysletsdraw]

Health and work update

Illness stuff under read more (tl;dr: I will probably be extra out of action for the next 2 months, which will affect all my projects, work, comics, commissions etc)

As you may or may not know, I've been (extra) sick for about a year and a half with gallstones, which have gotten more and more intense the last half year. I've been unable to work for many weeks at a time, I've had to put my patreon on hold and was hospitalized twice. I've finally been scheduled for surgery in two weeks and since I'm pretty decrepit just generally I probably will need a month or two at least to recover. But I'm hoping I will be way better over all afterwards, so I'm very excited this is happening so soon! I just wanted to give this context, because I'm not happy with how much I've had to stop and start pretty much everything this year. But I appreciate how patient everyone's been, and I'm hoping so much that I'll get a productive stretch after I heal. Wish me luck!!!

[distant-velleity]

so since you guys seem to want it (at least 6 or so of you, i guess) here are my thoughts re: book 7

(rambling under the cut)

(do NOT circulate this post. this is my post and you guys will abide by my terms. fandom is a HOBBY for me and not a sport, so i'd like to enjoy it civilly and in peace. thank you)

i'm not going to get too deep into my thoughts regarding the dream because i have my own headcanons/deviating interpretations and i don't particularly care too much for the "righteousness" of canon in that regard-- after all, i have my own version of twst im making

rather the point of contention, for me, is malleus himself (and also lilia's role, and also the whole thing about happy endings)

because no one else at the moment is misusing their power to put everyone in a forever coma lol

maybe this is because malleus is the only character for whom i've never been around to see their post-ob flashback; we still have yet to receive it after... what, two years now--? and i've only been in the fandom for one year

and i don't have much emotional attachment to him outside of that

... regardless

i genuinely feel like this should go without saying, i heavily disagree with the ethics of malleus' methods-- using your magic to put people to sleep forever when you KNOW that you're one of the single most powerful mages in the world is wild. now i'm not going to ignore his reasons for doing it, and i love that it's giving closure to some of the characters (the OBers), but-- if anyone for even one second tries to tell me i should be praising him for abusing his power like that then. no thanks. love the end result, NOT the means.

i'm not gonna give malleus a pass for any of this even if he was socially isolated lol

basically what i'm trying to say is that malleus' whole making everyone go to sleep feels more like a "good intentions turned power trip" for me. and while i get why this kind of character would want that kind of control, you also don't see me praising azul for enslaving people w/ his contracts or whatever. you know. this is also on an even bigger scale, so come on man.

this man does not have the shoujo filter

tl;dr for that part: give me malleus post-ob flashback and my life (and compassion) is yours again

ANYWAY

as for this book's conclusion, i really only know one thing-- i sincerely, wholly, don't want lilia getting his magic back. i won't cry and scream if he does, i'll accept it and move on (and make sure tgtwst deviates from canon in that regard LMAO) but. i did talk about this once before on discord

the gist of it is, i want lilia to still be able to live a fulfilling life without magic. i hope he can stick around a little longer and make the most of what he has with his loved ones. i want him to actually be able to express fully that love now that his time is limited. i don't want him just. randomly dying, i still hope he's got quite a bit of time left, but if we somehow force a miracle onto him--

... isn't that... kind of defeating the whole point? malleus will never learn how to accept the loss that he caused this whole eternal slumber over, if lilia's life is extended again

and lilia might have a wake-up call in that regard, but it doesn't guarantee he'll start making the most of it

and silver and sebek will suffer the consequences of these things too

and okay yeah lilia becoming long-lived again gives silver a chance to "repay" him but then can't such a thing also be achieved in the time they have left and after lilia's death

and

yeah

idk. whatever happens happens i guess

tl;dr for this part: let my man lilia chill out holy shit lmao

thanks for reading this far if you did, i'm not looking to start arguments. these are just my honest thoughts on book 7 and if you disagree you disagree i guess

[mr-payjay]

flutters eyelashes :) do you have any personality disorder headcanons for clover? or maybe nickel? hope you're doing well!!

Mostly Nickel's Disorders

twitches. twitches. twitches. ok i skipped gleefully in the kitchen getting this ask because i am SO hyperfixated on nickel. here’s a nickel analysis if you wanna read that first but it doesnt go into his pds it just generally analyzes him:

for clover i dont have any disorders in mind BUT i have noticed she has a tendency to fawn or flee (ive always been pulled in by her fawning over nickel considering how much he’s hurt her). today i was watching some iii and i noted that shes a really strange but interesting character—ive paid attention to her before and ive done a bit of analysis (mostly talking about her odd reactions to nickel) but nothing recent. im planning to do some clover analysis after my nickel and balloon rewatch (im rewatching all of ii and taking notes on nickel and balloon respectively as i go along, ive done this with several characters before and i find it super fun). i would maybeee look her over for dependent personality disorder and borderline personality disorder, but Not to diagnose her with the full disorders themselves, more to analyze the dependent and borderline traits she seems to experience (tendencies). also would probably look into adhd or autism or both.

nickel stuff under the cut. it's long. tl;dr you can argue that nickel has hpd, aspd, and npd, but the most important to consider is hpd.

Histrionic Personality Disorder

nickel has hpd, credit to the lovely @t4twerewolves for bringing this up to me in the first place and introducing some of the symptoms he displays! i'll put down his hpd symptoms here and talk about each one.

1. is uncomfortable in situations where they are not the center of attention: yes, nickel is very attention-seeking! you gotta look at him like a school bully. he wants attention, he wants to be seen, he wants people to know who he is. the main point of hpd is that the hpder NEEDS attention. not just wants, but NEEDS. so even if they WANT positive attention, if they believe they can only get negative attention, they will stick with that (i talk about this more in my nickel analysis in the link above). nickel is seen constantly going for this negative attention, TRYING to provoke people, wanting them to get annoyed and Remember he exists and Give him the attention he’s starved for. which brings me to symptom 2.

2. interaction with others is often characterized by inappropriate sexually seductive or provocative behavior: yes. first of all, provocative in the context of the hpd dsm5 criteria means to provoke someone (as in: annoy people, start little arguments and fights, make jabs, etc.), not to be sexually provocative. in this case, nickel is EXTREMELY provocative. im sure you can think of times in the show where nickel purposely annoys people, but an example i particularly enjoy is in snapshot showdown, where nickel asks balloon why balloon doesnt believe in him. when balloon freaks out and tells nickel hes never believed in HIM (balloon) in the first place, nickel laughs and says he just wanted to see his reaction if he said that. the entire point of making that comment was to provoke balloon and get a big reaction out of him. again, look at nickel like a typical bully: he wants attention and reactions. i also recommend watching waffling about for more explicit examples of this behavior.

3. displays rapidly shifting and shallow expression of emotions: yes, nickel is shallow but plays up his reactions to ridiculous extents. a great example of his emotional display also rapidly shifting is in out of body experience, when he yells at clover and blames him for them all having died. he goes from angrily shouting at her with elaborate and theatrical wording about how “twisted fortune granted her wish” to immediately going deadpan and asking others their thoughts on the matter. actually, i’ll provide the clip to make it more obvious just how quick the change is:

he goes from dramatically calling her a privileged murderer to neutrally asking for opinions in an instant. i will say that nickel definitely has some intense feelings about clover (she really pushes him to think about his body and his feelings of inherent worthlessness as a nickel object, for one) but he still displays shallow and puffed up reactions around her and in other situations.

4. consistently uses physical appearance to draw attention to self: i would argue yes for this too, in fact, but it's often difficult to really go into this symptom since the characters are all objects (though its easier to prove with some characters, such as silver spoon). one thing ive noticed is that most ii hpders, such as lightbulb, paper, nickel, silver spoon, tend to wear things or care about their appearance more than other objects. lightbulb and her silly costumes, paper and his bowtie and santa hat, silver spoon and his skincare routine (and more explicit worries with his appearance)... and at the end of mazed and confused, nickel is wearing a somewhat extravagant outfit (for objects anyway) that he apparently bought with the money he got from scalping tickets. it’s eye-catching and unusual for any character to wear. i could go into his complicated feelings about his body as a nickel object (since it has to do with appearance) but it is technically irrelevant to the actual hpd symptom here and id like to research his self-image as a nickel more before talking about it in depth. either way, nickel cares about his appearance.

5. has a style of speech that is excessively impressionistic and lacking in detail: okay so this symptom means vague speech, speech that’s more about emotions and grandness rather than details or logic. hpders often base their opinions off of others (expanded upon in 7.) and an example of that for nickel is with his opinion of balloon. nickel vaguely expresses that balloon is awful, untrustworthy, just terrible in any way. he sticks to this extreme yet unfounded opinion and shuns balloon for ages even though he practically never dealt with balloon at all in s1 (since balloon's behavior there is the main grief the contestants have with him). nickel doesn’t have details to refer to; he’s just going along with what the majority says here. in s3, his opinion changes as he actually spends time with balloon. his speech is also generally confusing to understand. as ive been taking notes on nickel, ive had to stop for several minutes to deconstruct his lines and try to decipher what he’s saying. his manner of speech certainly isn’t precise or to the point. and another example of this symptom is him calling the new thinkers his “enemies at BEST” in best served cold, which is a very extreme (impressionistic) thing to say and clearly not what he actually thinks of them (which is just general dislike at first).

6. shows self-dramatization, theatricality, and exaggerated expression of emotion: yes, nickel is QUITE theatrical! i still need to rewatch s2 but ive found many examples in s3. one of my favourites is in tragedy at 60 feet, when tea kettle tries to lure him and balloon into allying with her with hors d’oeuvres, and nickel starts loudly gagging and coughing then yells that he's REPULSED!!! then balloon tells him to calm down. its so unnecessarily dramatic and intense. i love it. there’s another scene in the episode where nickel slips on a banana peel and starts screaming for the doctor to come see him until balloon tells him he's fine, where he calms down immediately. that one's a combination of multiple symptoms (as most are) in fact, with 1. (seeking attention), 3. (rapidly shifting and shallow expression of emotions), and 6. (dramatic and theatrical behavior).

7. is suggestible (easily influenced by others or circumstances): i talk about this a bit in symptom 5, but nickel goes along with everyone when shunning balloon (and enforces it), despite not really having been affected by him in s1. he’s more contrarian than he is agreeable, but he still feels awkward actually standing out on his own (such as in try not to laugh challenge, where he gets uncomfortable and agitated once everyone disapproves of him for insulting yinyang so harshly) and tends to go for little jabs or arguments that he’s sure he can win (such as yelling at clover, who never fights back) rather than actually standing up for something he believes in. again, remember that he’s like a school bully! he goes for the easy targets and avoids real conflict.

8. considers relationships to be more intimate than they actually are: so this is box. there’s some hints of this with balloon and suitcase but it’s more complicated when i could just talk about box. who is the perfect candidate to show this symptom of nickel’s. nickel is convinced box is a real living person. he talks to her about his decisions in the game, he asks for her opinion on things, he talks FOR her and assumes what she’s saying (nothing, in reality), and he even calls her his number one ally. all along, box is. a dead body. there is nothing there. even if box WAS alive but inanimate, this would still be an example of this symptom, because box tries to vote out nickel in s3 and lifering even mentions that box probably doesn’t want to be talked for. nickel thinks there is a close relationship of sorts here, when there is not.

here are some hpd subtypes (Theodore Millon, Personality Disorders in Modern Life, 2004):

hpd subtypes aren't super relevant anymore by the way, i just like categories. anyway, nickel has disingenuous hpd. which implies antisocial traits! interesting! so let’s take a look at aspd.

Antisocial Personality Disorder

1. failure to conform to social norms with respect to lawful behaviors, as indicated by repeatedly performing acts that are grounds for arrest: technically yes. he gets suitcase to steal from meeple in theft and battery, but it IS part of the challenge in the show, so… that one's only a so-so for me. nickel also scalps people online, which isn’t illegal, but it is pretty lame. he tends to repeat these sorts of almost-illegal actions without going too far into breaking the rules (like using the pic-nix tables even though he’s banned), so we can infer that he doesn’t particularly respect authority but he IS still afraid of consequences and doesn’t have much desire to do more illegal things. he also tries to kill clover which is pretty illegal but it’s played comedically so im not sure how to interpret that? i still consider it an indication of this symptom, of course. overall, id say 1. ends up being a yes, mostly because i keep thinking of examples that fit just enough. he's clearly got the mindset.

2. deceitfulness, as indicated by repeated lying, use of aliases, or conning others for personal profit and pleasure: yes, nickel lies several times in ii, sometimes very blatantly (eg in best served cold, mephone asks nickel if the pie is two half-mile high pies stacked on top of each other, and nickel deadpans “No.”). he lies in theft and battery about suitcase’s willingness to steal for them. he cons others online through scalping for personal profit, buying an expensive outfit with the money he gets from it. he tricks suitcase into thinking he’s giving balloon a chance in kick the bucket, when he’s truly just setting them both up to fail. he’s fine with deceiving others.

3. impulsivity or failure to plan ahead: yes, nickel is pretty impulsive with his reactions, making them more exaggerated than they need to be (eg trying to kill clover in snapshot showdown) and not always planning ahead, just in his general behavior… an amusing example is the challenge in snapshot showdown beginning and nickel immediately running at top speed face first into the camera cabinet.

4. irritability and aggressiveness, as indicated by repeated physical fights or assaults: yes and no. nickel is very irritable and verbally aggressive, but he doesn’t often physically hurt people (since the symptom says “repeated” im keeping this in mind), since he does try to kill and injure clover but as far as i remember that's his only direct physical assault on someone. he also automatically dislikes most people (eg in best served cold where he calls the new thinkers his “enemies at best”) and is easily annoyed by others.

5. reckless disregard for safety of self or others: yes. using theft and battery again as an example, he puts suitcase in danger when forcing her to steal from meeple. he also tries to kill clover (and ends up injuring himself when he tests the trap with his foot, which one could say is reckless). im probably forgetting other examples.

6. consistent irresponsibility, as indicated by repeated failure to sustain consistent work behavior or honor financial obligations: not as far as i can see it. he does disregard safety, but he doesn't fall behind on obligations or anything. does fine in challenges.

7. lack of remorse, as indicated by being indifferent to or rationalizing having hurt, mistreated, or stolen from another: id argue no. nickel feels guilty for making clover cry in title tbd (though it’s subtle: just a quick look after she runs away crying and a worried expression during the elimination when clover is being voted out) but he never actually apologizes to her. however, we know that apologizing is very hard for nickel, as we see in the scene in tragedy at 60 feet where he apologizes to tea kettle and balloon for his behavior in the episode (this doesn’t excuse him from not apologizing to clover for what he’s done to her, it just explains how nickel may feel remorse without ever doing anything about it). nickel shows remorse in the scene i just mentioned with tea kettle and balloon. he also shows remorse later on, apologizing to balloon in the great bluish bake off (even if i don’t care for the therapyspeak writing of this scene, nickel’s feelings here are still genuine). i can’t say if he feels remorse for what he did to suitcase or not, but with the evidence of other scenes here, i would say he probably secretly does.

so yes, nickel does technically qualify for aspd (at least 3 symptoms). but let’s just check a bit more. for funsies. the basis of aspd is mainly (as far as i know it) a need for autonomy and a lack of respect towards authority. he pretty much never respects authority (stealing from meeple, calling mephone insulting names, being very rude to tea kettle who we can infer is older than him, etc.). for need for autonomy, he does tend to avoid most people and is easily irritated by others, but he isn’t averse to having friends or depending on others like balloon or baseball. it’s pretty hard to gain his trust though, and he tends to stay loyal to the one person he chooses to respect. which can actually be a behavior some aspders have (respecting one or two people who feel Special and Deserving of it). in the end? i think it’s more fun to interpret nickel with aspd than not. if anyone wants to support or dispute this claim, feel free to talk about it in the comments or my askbox :) aspd is a personality disorder i know less about!

Narcissistic Personality Disorder

now, ive mentioned nickel having narcissistic tendencies before, but ive only ever looked him over for npd briefly and concluded he doesn’t have it. but its fun to recheck things. and since im already here, i’ll do an npd assessment of nickel too.

1. has a grandiose sense of self-importance (eg exaggerates achievements and talents, expects to be recognized as superior without commensurate achievements): somewhat. nickel generally sees himself as inferior (which is normal for many npders), which i talk about more in my initial analysis at the top of this post in the context of his canon feelings of worthlessness. he tries to compensate for this in s2 in particular, turning himself into the leader of the armless alliance and forcing them to recognize him as superior. as far as i remember, he does not significantly exaggerate his achievements or talents.

2. is preoccupied with fantasies of unlimited success, power, brilliance, beauty, or ideal love: yes. he becomes quite the tyrant in s2 to the armless alliance, relishing the little power he has and becoming quite agitated whenever he loses it (eg straight up threatening suitcase during the elimination in kick the bucket because he’s trying so hard to hold onto his power). he also enjoys being the director of the new thinkers in title tbd, and is charmed by them actually listening to him (until he remembers clover’s luck that was given to him). there’s also the “Oh, the things I’ll do for money…” line in stranded in paradise and the fact that he decks himself out in expensive clothes in mazed and confused, implying fantasies about riches as well.

3. believes that they are “special” and unique and can only be understood by, or should associate with, other special or high-status people (or institutions): somewhat. i would argue that though nickel only respects very certain people (and still only to a limited extent), it’s more in an aspd way than an npd way. baseball and balloon aren’t high-status in any way, but they’ve EARNED his respect (although limited), which is another thing entirely than the npd symptom of wanting to associate with “worthy” people.

4. requires excessive admiration: no. nickel dislikes most people and accepts being disliked; he just needs attention, negative or positive. he does ENJOY admiration (title tbd is a great example of this, as he talks about wanting to be genuinely valued by others) but he does not require it in the same way someone like, say, silver spoon does. i believe he’s like most people are about admiration.

5. has a sense of entitlement (unreasonable expectations of especially favorable treatment or automatic compliance with their expectations): yes. in s2, he’s used to being listened to by the armless alliance, and becomes angry when he’s defied (eg being annoyed by suitcase befriending balloon in kick the bucket and tricking her into having balloon fail the challenge). in s3, though he’s not as entitled as he was before, he still insists on doing things his way (such as when he goes off to take photos of clover in snapshot showdown) or is ready to argue about it (such as when he openly asks to hear objections to him becoming the director in title tbd and is surprised when everyone agrees to it).

6. is interpersonally exploitative (takes advantage of others to achieve their own ends): yes. you can most clearly see this with nickel and suitcase in s2. a concrete example could be forcing suitcase to steal in theft and battery (I KNOW, im using this example AGAIN, it’s just a really messed up thing to do okay. it's a good example for many symptoms).

7. lacks empathy, is unable to recognize or identify with the feelings and needs of others (yes i changed the writing of this one slightly): yes. nickel clearly does not empathize with suitcase, balloon, clover, or others. he forces suitcase to comply with his demands while looking down on her for her kindness to balloon and her meekness. he shuns and puts down balloon without considering his attempts to redeem himself for a long time. he tries to hurt clover and yells at her multiple times, only realizing some of her pain when she runs away crying after he Literally screams that she’s a murderer. nickel still feels guilt and remorse, but he struggles to understand others’ feelings nevertheless.

8. is often envious of others or believes that others are envious of them: yes. nickel envies clover in a weird way (i still need to analyze it more), calling her privileged and lucky despite not actually wanting the luck for himself in the end. he’s unsatisfied with himself as a nickel object, being quite literally a low-worth object and becoming visibly upset at seeing dime in fff nickel for your thoughts. he’s afraid of being below others and envies those who might feel better than him on a level he can’t work around, like clover being born endlessly lucky and dime having more worth than him as an object.

9. shows arrogant, haughty behaviors or attitudes: yes. nickel looks down on people and generally dislikes them. he insults and makes jabs at people and struggles to see them as separate entities with feelings (lack of empathy), placing himself in a superior mental ranking. it’s kind of odd with nickel because his sense of worthlessness REEKS throughout the series (like you can easily spot it), but really, that IS how npd often works, isn’t it? he feels inferior and therefore decides that At Least everyone is actually way dumber and worse than him. making him superior in the end.

that’s 7 out of 9 (im counting “somewhat” as 0.5 each), which is enough to qualify for npd (minimum 5). congratulations nickel!

well this took me a few very very fun hours. quite the mental workout though. thank you very much for asking! my conclusion is that nickel has hpd (8/8), aspd (4.5/7), and npd (7/9), hpd being the most important. and though i don’t exactly think clover has any personality disorders, i recommend looking into causes and behaviors associated with dpd and bpd, since some of her actions line up with some of those traits.

[thesilliestofgals]

Hello everyone, I'm making this huge post because I'm hyperfixated on what's going down in the Ever After High fandom right now, and I need to type all my thoughts out. So, get your tinfoil hats ready folks, because it's speculation and theorizing time.

DISCLAIMER: this is all just speculation and/or incoherent rambling. I'm putting it under the cut because... it's a little long lol (if you see any grammatical and/or spelling errors ...no you don't)

Earlier today, January 5th (or January 4th, depending on your timezone) Mattel released a "new" song for Ever After High, "Can't Get Me Down" (you'll see why I put new in quotation marks in a bit). Reaction to the song itself was... mixed, with some really liking it, some not liking it, and some being more neutral. The reason why this sent the fandom into a frenzy is because, obviously, this is our first real content from the actual source since the series ended in 2018.

Tin foil hat time, I don't think this song is "new" at all. I'm speculating that this song was in the Mattel's equivalent of The Vault for a long time, which could explain a lot about why it sounds janky and almost ai. Also, I saw some people saying it reminded them of Taylor Swift, and we know, canonically, Taylor Swift exists the EAH universe as Tailor Quick, and Raven is a fan of her. Adding on the fact that Raven is used as the cover for this song, I suspect she would've sung this either in a webisode, or more likely a special, but it got cut for whatever reason.

Here we get to my biggest point: why now? Why would Mattel, with no promotion beforehand, just drop this out of the blue? I saw someone suggest it was a mistake, and I saw someone else suggest that this was leaked by some employee, but I don't think either of those are the case- if they were, it likely would've been taken down already.

I shared this theory through an ask, but I'll reiterate it here: My theory is Mattel is using this as a tactic see how people would respond to the idea of EAH making a comeback.

I think EAH making a comeback now kind of makes sense- look at what happened during it's downfall; iirc doll sales were low, but also, Disney had created Descendants. This is a bit more into conspiracy theory territory, but from what I've heard discussed, many think Disney's creation of Descendants was the nail in the coffin for EAH. It's also common knowledge that Disney is extremely territorial about fairytales, and especially when it comes to princesses, so them making Descendants to assure EAH's decline... checks out. With Disney not doing well now, Mattel could be trying to take advantage of that. But that's just my theory, I could be totally wrong and Mattel could be doing this for some other completely random reason.

There was also some other stuff about trademarks, but I'm not good with that kind of stuff, so you can read more about that here.

TL;DR: this situation is very *exaggerated and vague hand waving in air* as you can tell by this post, so while we can continue speculating and/or doing our own digging, I think it'd be best to keep an eye out to see if Mattel releases any more songs, or even any announcements/statements.

If I forgot anything or explained this poorly, I apologize!! Please let me know if I did either and I will try and correct that!!