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viveela · 11 months ago
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Some ship arts using my redesigns they're so tiny
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amid-fandoms · 4 months ago
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are the scares in the- in the room with-- are the scares in the
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ask-cupbros-parents · 6 months ago
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 "So clever, so dapper, ya betta' believe this dice is loaded. Hi-de-ho!"
—King Dice, Death Screen.
It's all done, YAAY!!!!!
Previous
🚫Please do not repost or trace my artwork! 🚫AI learning prohibit Cupbros blog | Main blog | Twitter
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mirage-daily · 5 months ago
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day 100 !! 🎉
thx for stickin with me guyz X)
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myrathefarmer · 1 year ago
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Do you guys like my season 10 Cleo design? 😊
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aka-draws-stuff-or-somthin · 7 months ago
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Inspired by a fionna and cake comic I saw online Thought it fit these two sillies :)
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bbluesidess · 5 months ago
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is this all real? or is it like the doctors say, all in your head?
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salazar-bollinger · 29 days ago
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Is this the darkest joke I've ever put to paper?
...why yes.
Made for @theterrorbingo, prompt: consumption
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inkwell-cup-brothers · 5 months ago
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Hi cups and mugs
Little Cup said Hello you too
...♦️ Previous----Next ♠️...
♥️ First ♣️
♠️ Read the AU info ♦️
🚫Please do not repost or trace my artwork! 🚫AI learning prohibit🚫 Cupbros Parent's blog| Main blog| Twitter |
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cleoselene · 14 days ago
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viveela · 7 months ago
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Some assorted hazbin doodles... hazboodles
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libdeminomenon · 2 months ago
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Some Xitter highlights from the Elon Musk x Nigel Farage x Tommy Robinson shitstorm :)
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dragon-razor-writings · 2 months ago
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Years after Salem's demise...
Weiss, standing in front of a cabin: "To think he lived in a cabin in the woods."
Ruby: "Feels like I'm visiting my dad."
Blake: "How is your father holding up, anyways?"
Ruby, shrugging: "He recently became the headmaster of Signal, so, pretty good."
Yang: "Alright, let's cut the convo and go visit our favorite knight."
The four of them made their way towards the entrance of the house, with Yang knocking on the door.
Yang: "Yo, VB! We're here!"
Stepping out was a woman about their age and height.
Blake: "Uh, hi. We're looking for-"
Woman: "Oh my God, it's so good to see you four again!" *Grabs Yang with a bear hug*
Weiss: "Uh, you must've mistaken us for some other people."
Woman: "No, I remember you guys. You were at my wedding, see?" *Pulls out scroll to show a photo of the five of them in dresses, with the lady in question clearly in a wedding dress* "You all were at Jaune and I's wedding."
RWBY, now realizing that they don't remember Jaune's wife for shit despite having been at her wedding: '...Shit.'
(Please add to this, it would be very funny to see what people come up with.)
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darthkote · 3 months ago
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natamouche-art · 8 months ago
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some favourite shots I did for episode 6... it was so fun crafting the final bridge scene from Travis' script, and seriously all the credit for the amazing opening seq goes to our EP Aaron for taking the emotion in Yaz's exposure therapy to the next level!
Inspo for this ep mainly came from the Alebrijes attack and car chase boards from the Coco blu-ray deleted scenes. Seriously yall, if you're an aspiring board artist, go watch those, they're all masterclasses in camera, framing, and acting.
Some thoughts below about these boards if yall are interested...
Becklespinaxes - there was a LOT of research that went into becklespinaxes (aka altispinaxes) to make this bridge scene happen. In the original script, there was the idea that Blondie (the yellow becklespinax) would be ramming and spinning the side of the van all over the bridge from the beginning, all while ben was still driving forward and Sammy was trying to climb the side latter of the van and into Yaz's window. - I think in writing it made for a really rad scene, but there were some concerns that the physics of all of that, as well as some staging issues, so I dove into becklespinax research to see if some of these problems could be fixed by grounding the conflict in the dino's hunting/attack styles - From what I can remember, as a mid-sized theropod, the becklespinax would've hunted small sauropods and the like, not van-sized dinos, so having her ramming the side of the van was out. Instead, I theorized the becklespinax would more likely be interested in rooting out the tastey treats inside, like a bird fishing out grubs from inside a tree or log. Thus, Blondie jamming her head into the window was born - From there on I tried to keep the van-and-dino physics and behaviours as grounded as possible, but i'll be the first to admit that physics was never my strong suit and sometimes the plot's just gotta come first over science
One detail I loved that unfortunately seemed to get passed over in animation was the way the second becklespinax, Brownie, entered the shot from behind the camera, and covered up the "NOW LEAVING DINOSAUR FREE ZONE" to just be "NOW DINOSAUR ZONE". Corny, I know! But it felt right and I was heartbroken to see that it wasn't caught in time to be able to go back and change it
Also no heart by sammy's name on yaz's phone :( idk why, sorry gang
About boards, an interesting thing to keep in mind was that even though this bridge may seem like a pretty isolated and simple set, there were actually several moments/shots that I didn't end up using because they revealed too much of the background, specifically the exterior island set and the exterior mainland sets that connected to the bridge! That's right, in the actual set models, those parts are just the cliff ledges and a bit on the sides, everything else would have to be what's called a paintover. That's something for aspiring storyboard artists to keep in mind about working on 3D TV shows: the sets come before storyboards in the pipeline, so often you have to make what you want to do work to the set, and not the other way around like in feature!
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