#((He has elements of.. both designs so))

[edwardwonghaupepelutivrusky4th]

technically if it's not simmered in the champagne region of france it's a sparkling best boy friend

[amokslime]

Sangcheng week day one — Family

Sometimes a family is two miserable men in their 30's, their ghosts and mistakes, their new beginning, and their spoiled cats who live like royalty.

And Jin Ling. And Wei Wuxian. And so on and so forth.

[musubiki]

I KEEP forgetting abt oscar's heterochromia!! Probably bc he closes his eyes so much or is commonly appears in b/w bits LMAO

This is like how I keep forgetting abt Yuna from FFX having heterochromia bc it's so dang subtle xD

ME TOO!!!!!!! and very fair, hes mostly like ^_^ so we dont see it as much!!!!!!!! but i do like how it adds to his charm, most people know him as the ^_^ guy but then flashbang by his beautiful eyes when theyre actually open

[silverselfshippingchaos]

Your guy!!!

MAXXIIIIIII HI BABEEEE!!!!

[antihibikase-archive]

Do not be fooled by his black attire, he’s actually a healer of the kingdom. That, and his perpetual scowl make it almost impossible for anyone to just approach him.. unless they’re little kids, who just so happen to like him.

Anyway, here’s “The Heart”, aka probably Cheren Slater in a past life! 

Despite not necessarily being the best healer ever, his role in the story of the twins is a massive one, yet, some versions of the story omit his existence entirely due to unsavory factors associated with his death.

Initially a scholar like one of his childhood friends, who would go on to become “The Scholar” in the Hero of Truth’s story, he suddenly stopped his studies and was requested to become a healer for the palace, mainly to keep the twin princes in check. 

Speaking of twin princes, he is one of the few people who is in good relations with both of them and their accompanying parties. Perhaps this is why becomes a treasure to them both, even if its clear he somewhat favors the older prince more.

His apparent lack of aptitude for “magic” (aka he had a weak aura) made it impossible for him to bond with certain Pokemon that scholars were recommended to use, so.. he became the world’s most unapproachable healer!

He has his own personal issues because he believes he’s unable to bond with Pokemon. He gets along well with the older prince’s Volcarona and the Tirtouga he takes care of.

The staff he carries around doesn’t automatically heal people through magic, as those from the future may think. They’re stuffed with herbs and berries. Somehow, hitting people with it works half the time.

Might as well be the royal advisor, with how often he gives out advice to both the princes, especially the older twin.

His family did not come from Unova initially, so he’s sensitive to the colder climate. He’s also more drawn to the sea.

At some point during his journey, a red string around his finger was spotted. That same red string remains on his person even after his death, as the Hero of Truth insisted. That red string was rumored to be a gift from the Hero of Truth, when they were traveling together.

The events surrounding his death are vague, but its implied he was killed during a battle between the two princes at the end of their journey, in which they wanted to prove which one was worthy of obtaining the power of the legendary dragon.

In truth, this story is false; while it is true that the princes started to argue over the throne, the dragon, and over truths and ideals, The Heart was killed in the process of the dragon splitting into two, taking his life in exchange for giving birth to Reshiram and Zekrom.

Due to his fondness for the sea, and his beloved Tirtouga passing away in his arms out of heartbreak for his own death, he was buried in a temple in the sea, and his death caused the twins and their respective dragons to refuse the throne.

Since the dragons were considered divine, his death and existence are sometimes omitted in some versions of the story in an attempt to make the heroes look faultless.

On a winter night with a full moon, it is said that the spirit of The Heart can be seen walking on the shores of Undella Bay, looking for his beloved Tirtouga and calling out for his prince.

[red-dragon-archfiend]

Another Pokemon hot take for you: Charizard receiving two separate Mega forms in gen 6 was a blatant attempt to sell more merchandise and get people hyped for gen 6 after gen 5 was a relative failure, but the results did make Charizard actually really cool as a competitive Pokemon and both forms look sick

[darabeatha]

/ The process of me picking a f.go muse is basically reading from 745738483 different sources about the actual character or historical figure in question and -then- reading whatever their f.go description says; then turbo analyzing their designs

[litlunacy]

Thinking about the implications of playing a Dalish Rook and dealing with actual elvhen gods and having said gods look at your face and see your vallaslin and like...just assuming they own you since they were originally slave markings. And extending that to Davrin and Bellara as well. Which led me down a hole of trying to figure out which vallaslin they both have (1. Because I am a sucker for anything Dalish related and 2. Possible story ramifications? Who knows).

Davrin seems to have a fairly straightforward Ghilan'nain vallaslin, though slightly altered from before, which isn't surprising. The blood writing has already undergone changes between Origins/2 and Inquistion (Regional variations I suppose? Would definitely make sense for Merrill's Ferelden clan and Quiz's Free Marcher clan to change them slightly. Anyway.) But he has the delicate curved branches on the forehead and the small chin design so I'm fairly confidant about that one.

But Bellara has absolutely stumped me. I kinda figured that since we got confirmation that it was Ghilan'nain and Elgar'nan at the end of the gameplay trailer, that since Davrin's is Ghilan'ain it would make sense for Bellara to have Elgar'nan's. But hers looks absolutely nothing like the previous versions.

So that's out. But it does bear a very very slight resemblance to the June vallaslin.

Or at the very least has a lot of similar elements, such as the cross-hatching, the double series of dots, and a focal point in the central forehead.

My only other guess is Andruil or Dirthamen, because the DAI versions of both of them also feature series of dots, and none of the other Vallaslin do from either Origins or Inquisition.

Maybe somebody will ask the devs for confirmation on twitter or in another Q&A or something. Because I am vibrating with curiosity.

(Honestly, since we're gonna be dealing heavily in this game with a lot of ancient elf stuff, I really hope we at least get a little bit more from Dalish characters about their specific vallaslin. Like, I wanna know why my party members chose the vallaslin of that particular god. You don't sit for hours in total silence as your Keeper pokes your face with a needle without putting some kinda thought into what's going to be on your face for the rest of your life.)

[kingsandbastardz]

So for basically my whole life I'd grown up with and was resigned to accept that the chinese concept of formal/nice clothing of my and the previous generation has been western clothes. So at any awards ceremonies or performances, entertainers would show up mostly in western suits/dresses and maaaaaybe you'll spot the occasional cheongsam if they're going for a Wong Fei Hong vibe. Which, you know, kinda sucks if you have any concept of western cultural imperialism in asia.

So when the hanfu revivalist movement started, I was waiting to see when it would enter the mainstream -- my hope was for fashion designers to integrate traditional/dynastic elements into their work and make it common place enough that I can buy this shit online for ME. Because I WANT.

Though some of the designs can be a bit hit or miss, I am LOVING what various stars and entertainers are wearing out and about now.

Anyway - here's a collection of Xiao Shunyao's modern hanfu inspired/hybridized stage outfits from the last couple years. For his MLC performances, his stylists seem to be borrowing inspiration from his Di Feisheng and possibly other character costume silhouettes.

I'd been seeing a few comments about how his outfits play with gender - and some of his outfits do! But I think the interesting thing to discuss is from which standard is he playing with gender? Because from a western perspective, the things he does with his western suit tops, belting on top of the jacket for a tightly cinched waist, and the addition of a trailing skirt = femme. But if you're talking from a hanfu-hybridized pov, that's just a modern take on hanfu and having any of those elements is not inherently femme and would often read masc to me.

So these things aren't necessarily gendered because they exist traditionally in chinese men's clothing or costume designs (ie video games, comics, historical fiction illustrations and film, etc, so therefore in the modern lexicon of masculine/acceptable for men):

presence or lack of a skirt

silky, velvety, gauzy or sparkly material choice, esp in formal or stage clothing

short or long length of skirt

embroidery

flowers/floral/bird designs

folding fans

certain styles of makeup

beading, gold, tassels, jewels

non-chunky jewelry

headbands

widely flowing silhouettes

What XSY's stylists are doing with some western clothing items are interesting. I'm convinced there have been one or two western jacket tops made of thinner material that they're folding over the front, and belting down instead of buttoning (which then matches with his other outfits that are designed specifically to do this). Then they're adding a skirt, cloak or bracer element to it.

The western portions often bring a military minimalist feel which they balance with a more gauzy material in the skirt or cloak portions.

Things I think are playing with gender:

row 1 - image 1: red di feisheng-inspired outfit

The lace-up girdle is there to match the bracers in both material and style. And it's positioned to be similar to the heavy belt that Di Feisheng wears. HOWEVER. That style of girdle/corset-like clothing item can't be divorced from the modern idea of sexy leather corsets. So imo, this waist piece on that outfit was a choice. Especially when paired with his allergic-to-collars-higher-than-his-sternum necklines. And if you take into context how masculine yet female coded his character is in the drama, the whole look evokes that.

row 2, image 1: black western suit with belt on top, hat, cloak, black boots and not-visible but also a black tassel fringe skirt

Hat and cloak moves the intention of the outfit from western toward a more Asian slant, because alone, it looks like a western black suit with western heeled boots, cinched waist with a lady's belt (seated photoshoot) and western style tassel skirt. The suit top consists of a vest and a shrug-like sleeve portion that appears masculine at first glance. But take the shrug and pair it with the tassel skirt (I can't find the red carpet photos but here is a better view of the skirt when seated), and I think you got a look that's both intentionally edging toward the femme in a western sense but also confusing matters by hiding within the parameters of both western and chinese traditional male styling.

row 2 - image 2 : white asymetrical western jacket styled in a front fold-over style, gauze skirt, trailing pearl embellishments

The more traditional leaning version of this is the white outfit in row 3 that he wears to the Hi6 Hello Saturday variety show -- the skirt portion on that outfit is one I'd consider non-gendered. Row 1, images 2 and 3 are examples of masculine/neutral uses of gauze that plays with flow of form but isn't inherently femme. This stage outfit is very western-appearing masculine suiting, until you hit the skirt which is giving me long ballerina tie-on skirt with the additional swan/mermaid pearl strings. Imo, another example of deliberately using traditional masculine styling but switching it up with the combination of material choice and make that is feminine.

row 2, image 3: black space military boots, black suiting, black -silver ombre sequin trailing skirt and white gauzy shawl with black floral design

The over all design is going for a masculine military-feel. (think this outfit for shen langhun) But instead of a thicker military cloak, it's replaced with a woman's gauze shawl and a skirt that trails behind him very much like the back of a woman's formal fish-tail gown when he moves around. If you take into context Wang Herun's outfit is a white-silver sequined dress cut in a way to also give a space-military-queen vibe, imo they both coordinated their outfits to balance out with both femme and masc qualities.

Thoughts? I'm curious what others think about this.

While I wait for the CNY photoshoot for XSY's red and black look, here's him with his stage collaborators with a nice range of skirt lengths, period influences and material choices. The woman in the center is the one with the most military-fighter design out of the bunch. The dudes are all in variations of formal-wear-with-good-kicking-boots (and lots of crotch space).

[tamberella]

Congratulations on your author debut, I'm so excited for your book!! 😇💕

Would you consider talking about the whole process of becoming a book illustrator /children's book author?

Thank you so much, I really appreciate it!! And I'd be happy to share the process!

It all started for me with my 3dTotal artbook. 3dTotal is a small publisher in the UK, and they mainly focus on collections of artists' work. They use Kickstarter to fund each book, and my agent (the amazing Seth Fishman at Gernert) discovered me through the Kickstarter for my artbook Windows to Worlds!

He asked if I had any interest in working on graphic novels or picture books, and I had already been thinking about picture books! He found me my first picture book project with Penguin Workshop, Mother of Sharks, written by the awesome Melissa Cristina Márquez, which came out last year!

While I was working on Mother of Sharks, I was also talking with him about developing The Bakery Dragon, based of course on this painting, which was (and is) one of my proudest artistic moments.

For a little background on the painting, I painted it right after a really challenging couple of months medically - I was dealing with medical complications from my chronic illness for about 6 months, and I wasn't able to finish a single painting the whole time, I was just too exhausted from hospital visits and being in pain. That painting was the first piece I was able to actually complete (both emotionally and literally) in about half a year. So it always held a really special place in my heart, and I really wanted to keep living in that little world. I think there's something in it that is very special to me, about being outside in the cold, seeing warmth and love through a glass barrier, and wanting desperately to reach it.

With Seth's guidance, over a couple months, I developed a pitch for it. The script developed slowly alongside the designs for characters, locations, etc.

(Early version of Ember above! He has changed a bit!)

I thought I had already read a lot of picture books, I've always loved them, but I read hundreds and hundreds during this process. There is something uniquely fun and challenging about telling a complete narrative in 48 pages (which is already a long picture book, many are 32!) My book also pulls some elements from comics, such as speech bubbles, which I found to be incredible assets for humor and character development.

My pitch included designs, some early example spreads, and a rough script with story beats and jokes! My agent took it out into the world, and the publisher we ended up going forward with was Knopf, an imprint of Penguin Random House! I absolutely love the Knopf team and the beautiful books they put out! My editor, Katherine Harrison, really understood what I wanted to accomplish and has been so incredibly helpful in her guidance!

And from there... through rewrites, dialog adjustments, and lots and lots of drawings, it became a book! I'm happy to answer questions about the process! I'll leave you guys with a little preview from the interior of the book! (And of course you can pre-order it here, gotta learn the author skill of always including that link haha!)

[cherrifire]

Please share your thoughts on the other 5 cutie marks, I'd love to hear!

Hi everypony! I got like 20 asks for the Dogwarts cutie mark lore so I'm here to speak my truth!

Before we start, I would like to write a quick reminder that a pony's cutie mark is not always their "special talent", but can also represent who they are, their personalities, and a possible destiny. Different cutie marks have different meanings and interpretations, but they're not just about representing what you're good at.

That being said, let's start with the cutie mark design I'm proudest of!

Ren's Cutie Mark

Ren's cutie mark is of a sunrise and looks pretty simple at first glance but there was a lot of thought that went into this one.

First of all, I bet you're wondering why a sunrise? Well, in the show, it is pretty typical for unicorns with great magical abilities to have one relating to space (examples being Twilight Sparkle, Sunset Shimmer, Starlight Glimmer, and Sunburst). And I figured since I wanted Ren to fall into a similar position of potentially becoming an alicorn, I gave him a cutie mark following the same trend. And I chose a sunrise to reflect the way Ren seems to glow when he enters a room. The way he carries himself is very warm and bright it just catches your eye in a similar way the sun would.

Also, Ren wears sunglasses. So a sun-themed cutie mark seemed appropriate.

Additionally, there are a couple of smaller details I want to point out too. Like the sun rays, if you look at them for a moment you'll see they're shaped like little crowns! I of course had to put a crown in thanks to how much Ren likes to play royalty, so I snuck it in there. And then the red spots underneath could both be interpreted as the sun reflected over water or blood. (But of course, this is a kid show AU so there wouldn't be any blood in Ren's destiny, just a fun reference to the red king and his whole thing about blood dyeing the snow red)

Martyn's Cutie Mark

I explained this one in an earlier ask but I thought I'd explain it again here for anyone who didn't see it!

Martyn's cutie mark is of a chopped log and a small stick.

This one is mostly a play on the name "Littlewood" but has other meanings too. As a character, Martyn tends to travel and explore quite a bit. In the Life Series specifically, he is usually the last one to find a permanent base and even then doesn't spend a lot of time in one place. Always on the move. Additionally, he's more of a wild card compared to other characters, always trying to be as unpredictable as possible.

The smaller detail here is the little swirl on top of the log is the same as the one on his Minecraft skin's shirt.

BigB's Cutie Mark

Cookies! Cookies! Cookies! BigB's cutie mark is of 3 cookies where one is trying to eat the others. There are also a few sprinkles there made to look like action lines.

We all know BigB loves cookies so of course I had to give him a cutie mark with cookies in it. For this one, I decided to follow the cutie mark trend of "symbol/item important to the pony duplicated 3 times" (examples being Fluttershy, Applejack, Rarity, Pinkie Pie) but I added a bit more creativity to it with the top on trying to eat the others to represent just how tasty they are 😋

Additionally, rather than the first cookie trying to eat the others, you could interpret it as opening its mouth to talk. Because BigB can not keep a secret to save his life! In Double Life when he started "secret soulmates" with Grian, he didn't last a day without opening his mouth. He told Ren about it immediately because he felt bad for keeping things from him.

Also worth quickly mentioning: People pointed out in my original post that they don't think BigB would be the element of honesty because of his behaviour in Secret Life. But that's just Secret Life. I think Secret Life to BigB was like that episode of My Little Pony where Discord makes the main 6 act the opposite of their true element. BigB was just going through a weird phase of telling very obvious lies because a book told him to.

Skizz's Cutie Mark

Skizz's cutie mark is of a lightning bolt from a couple storm clouds hitting the ground.

I think this is the cutie mark with the least thought put into it, unfortunately. There was still though just not as much as the others. The big thing I thought was fun was I made the lightning bolt shaped like an "S" to stand for Skizzleman. But other than that, this cutie mark sort of has the same meaning as Rainbow Dash's cutie mark. Quick like lightning, loud, bold, dangerous, and powerful.

Impulse's Cutie Mark

Impulse's cutie mark is of a lit-up lightbulb.

I absolutely crowded this cutie mark with the letter i. If you look closely, there are 6 of them. Impulse's design also has an i-shaped pattern on the belly if you look closely enough. But that's more of a fun easter egg and doesn't exactly reflect Impulse as a character.

There are a couple of reasons I chose a lightbulb for Impulse, the first and probably most obvious is that he's a redstone guy! He's a technical guy who likes to work smarter, not harder. So I figured the My Little Pony equivalent would be a light bulb/electricity. The second reason for the lightbulb is that it's usually used as a visual representation when characters have that "eureka!" moment in cartoons. When someone has a brilliant idea a little lightbulb turns on above their head. So since Impulse is the ideas guy, I figured a lightbulb would work for his cutie mark.

Etho's Cutie Mark

Etho's cutie mark is of a snowflake with a missing branch.

I promise there is more to this cutie mark than just "Canada is cold" even if that's part of the reason I wanted to give him a winter-themed cutie mark. While it is fun to make a nod to Etho being Canadian, I thought a winter-themed cutie mark would be fun to represent how he sometimes presents himself. Cold and a bit mysterious. I think deep down once you get to know him, those attributes melt away, but for people who have never met him, he may be intimidating that way.

I'll be honest, I don't watch a lot of Etho content, but I do have a few friends who identify as Etho girlies so I did my research. I was told in his Minecraft Let's Play World, that he has a snowflake build somewhere. I believe they said it was an iron golem farm? (Please correct me if I'm wrong) but I thought that was perfect for the cutie mark. And if you're wondering why there's a branch missing, it's because one of my friends said he was incapable of finishing builds sometimes so I thought that would be fun to include.

-=+=-

Alright. Rant over. To celebrate, here are a few pony doodles so I can put this post in my art tag.

[coefore]

I did it! This is an IDW AU born while watching The Green Knight (2021), specifically from one movie shot that I'd like to redraw. I was torn on whether or not to draw them all as robots or humans, so I started making designs for their human counterparts first - mostly because it is more fun to come up with clothes and accessories. I will eventually tackle a robot version. This is a long post, btw!

Indeed, this is a completely separate version from the Lion King AU I had come up with a couple of years ago, I just borrowed the crowns because I really liked those designs lol.

But let's set the stage under the cut. You can listen to the playlist on spotify dedicated to it: I've placed the songs in sequence so that they can create a certain vibe for the scenes I had in mind. You can read the plot part while listening.

Some character traits

This royalty au supposes a parliamentary monarchy (like the UK, Spain or Japan). This work is an in-between of later Roman/early Medieval aesthetics and some Futuristic Stuff. The Autobot brand is the royal family crest, while the Decepticon brand can be used to signal the Protector and their entourage, but only in formal settings outside the nation. Usually, the Protector can show elements of the Decepticon colours (red) in their attires.

Optimus Prime

Optimus is prideful and domineering: he knows he has the power to do real damage to people. After all, he was born into royalty and has known no other life. He has anger outbursts, but that's a side effect of his paranoia. At the start of the story, he is not the prime yet. He's around 23-24, already suffering from a mental affliction much like schizophrenia, but, just as in ye old days, the court and his father (Zeta) are not really concerned about his odd behaviours. "He is just volatile", you know. He is also dramatic, making big scenes when his emotions are too cooped up. Optimus, though, is not intentionally cruel - this isn't a Shattered Glass au where he wants some kind of bloodlust sated. He has a deep inner mind, feeling much more like a philosopher and a writer than a brute. This makes him a little naive, too, having people in court (like Prowl) taking advantage of him - and sometimes even Megatron uses his influence on Optimus to stir him where he wants to. He reads a lot, is curious, and is deeply in love with Megatron - sometimes becoming a little cringy about it. He can be a bit of a goofball, telling jokes and being rather affectionate with his family. Sadly, he's a Pisces.

Megatron

Megatron is a diligent engineer who just so happens to pick the Prime's son's interest at some point while assisting his father (Terminus, a strict, distant man) in a job at court. Optimus and Megatron are the same age. He is aloof, quiet and a very good listener. That means he often allows people to speak over him or for him - that doesn't mean, however, that he isn't going to correct them or speak his mind. He is just a careful man. Coming from a rather cold family environment, he has a hard time expressing his emotions, both verbally and physically: he kisses and hugs, sure, but that doesn't come naturally to him. After becoming protector, he has a hard time getting used to the court lifestyle since he is quite bothered by the intricacies of royal "rituals", may they be clothing, hairstyles or make-up choices. Or Starscream fussing over him about that all day. He also often stands up against abuse of power, especially from Optimus. They fight quite a lot. He enjoys drawing (buildings, like architecture) and reading novels, but he's not particularly cultured. He is also, sadly, an Aquarius. (And transgender, but this has no political or social bearing in the story besides being Rodimus' biological carrier).

Prowl

Prowl is about fifteen years older than Optimus, becoming his advisor once Zeta Prime passes in "a tragic accident". He is ambitious, cunning and... Deceptive. His ultimate goal is to push Optimus to insanity, convince the parliament he is unfit to rule and become reagent in his stead. This would allow him to create an oligarchy with other senators. His words always support Optimus' delusions, abusing the Prime's naivety for his scheming. Prowl thinks of Optimus as an idiot lucky enough to be born in a high position in the social pyramid. He has attempted various times to "warn" Megatron, one of the few people who is extremely suspicious of Prowl. And by warn, I mean having him pushed down the stairs, giving him a nice broken leg. He also acts suspiciously around Rodimus.

Zeta Prime

Zeta Prime was a balanced, careful ruler. He held concerns about his son's future, as he thought Optimus wasn't fit for a leading role. He was a stern man and often frustrated by Optimus' antics. However, their relationship was on good terms. He was "found" dead by Prowl during a political meeting abroad, as he was standing in for Alpha Trion (Zeta's advisor), prompting Optimus' coronation. Zeta wasn't sick, but all primes in this AU suffer from haemophilia (a hereditary illness that makes it harder for the body to stop bleeding).

Rodimus

Rodimus was born three years into Optimus' primacy. He was brought up in a restrictive environment, as Megatron grew more suspicious of Prowl, fearing for Rodimus' safety. That translated into Rodimus feeling anxious when Megatron's not around (for too long, at least) and becoming a little jealous of him, even if it's Optimus taking Megatron's attention. Rodimus uses "dad" for Megatron and "Father" for Optimus. He doesn't like Optimus too much, usually bearing his presence and ignoring him whenever he can, but deep down he worries about his father, too. He is a very knowledgeable child with a vast vocabulary, as he enjoys books of every kind and, just like his dad, he is a good listener, learning a lot from the "adult conversations" around him. Rodimus is often seen together with Starscream (his nanny, in a way lol), who he is fond of but has difficulties showing it. He becomes Prime-to-be at the age of 16, like all Primes.

Starscream

Starscream was the royal alchemist, an inspired researcher and a man of science. He is loyal and has strong opinions on many subjects, especially on morals and ethics. That is also why, during Zeta's late reign, he was demoted to servant with the accusation of insubordination. He is still a high-grade servant, usually dealing with bureaucracy... Until a new Protector shows up, that is. As soon as Megatron becomes a Protector-to-be, he is assigned the role of first maid in assisting him, a task he takes very seriously. Although Megatron's distance and lack of interactions with him drive him quite mad at first, he slowly realises they're quite compatible. Their relationship evolves into confidants and then friends, as Megatron often takes Starscream's side. Also, Starscream has been suspicious of Prowl since day one. He enjoys Rodimus until he starts being a little opinionated pest-- but he's fond of the child, even as he grows older and more anxious. His hobby is sneaking into the court laboratories and fixing whatever annotations made by other alchemists he deems wrong.

Skywarp & Thundercracker

They are part of the Protector's entourage (and Starscream's brothers). Skywarp is a little airheaded, a bit clumsy, and usually focuses on entertainment, mostly writing poems and songs. He is the only one who knows all the intricate inner passages of the court's buildings by heart, meaning he never gets lost. Thundercracker, on the other hand, is a bit more cocky. He is built like a brick, so he helps with manual tasks and is a decent leader, usually picking up the ranks when Starscream is busy. Both of them were not demoted like their brother, they just started working at the court as high-grade servants. They are very loyal to Megatron, although they treat him more like a royal than a friend.

The Plot (generally speaking)

Optimus is interested in this one engineer working at the court he has seen a couple of times in the last few months. He is gorgeous, and it sounds like a fun time to fill in his afternoons, maybe even getting some sex out of it. That's a thing he hasn't lacked in his life, like most royals he was used to having sex workers available at whim. However, Megatron doesn't seem too affected by the Prime-to-be's attention. He is very deadpan and interested in him as a person; he finds Optimus interesting and funny, so, in a matter of weeks, they kind of hit it off, Optimus falling madly in love with this man, spending most of the time daydreaming and absolutely useless at his duties, much to Zeta's dismay.

As this love story progresses over the next couple of years, Prowl's machination starts rolling out: being a young overachiever, he patiently waits for the chance to get rid of Zeta in a way that doesn't point directly to him. After all, Prowl is trusted and seen as loyal and caring for the Primes he serves; he is an incredibly talented actor, having the support of a few Autobot senators, too. On an out-of-country political trip, he lets Zeta bleed to death, coming back home in a hurry to announce the Prime's death and rushing Optimus' coronation. At this point, Optimus is not mentally ready to hold that position; he is quickly pushed to marry Megatron, making him his Protector. In a matter of a year and a half, Optimus' mental state quickly deteriorates, allowing Prowl to take hold of the neo-Prime's decisions.

Optimus' mental illness worsens, which stresses Megatron into stirring his husband away from Prowl. Rodimus is born in that worried, paranoid environment. Although mostly wanted by Optimus as one of his fixations (and also discouraged by Prowl himself), Rodimus brings more stability to the court. Megatron finally takes hold of Optimus' volatile behaviour as Rodimus grows older, making the Prime doubt his advisor's suggestions more than once. Prowl, thus, "warns" Megatron to lay low, having him pushed down the stairs. The goal wasn't to kill Megatron but to show him Prowl could. As Rodimus turns seven, Megatron becomes more anxious and paranoid, rubbing that over to his son. Optimus doesn't allow them to go around the court or outside without being accompanied.

Prowl's hold on Optimus slowly slips away. At the time of Rodimus' coronation as a Prime-to-be, during a medical examination for his haemophilia, the court physician (Ratchet) tells him he needs to be careful, as that illness was Zeta's cause of death. That was a known thing, of course, but it made Optimus think over the mechanics of his father's death in a way only an obsession-driven man can. He confides with Megatron over his suspicion of Prowl killing his father, and finally, they seem to be on the same page on this...

This is somehow the story up to now. I don't know if I'll update it further. I just enjoy the idea of whatever can happen in this setting. I hope you enjoyed reading this wall of text.

[doorhine]

Ok so I wanna talk about the guy we all know and hate, Abijah Fowler, because there are three scenes that do a fantastic job at characterizing him and speaking to the story’s themes.

*SPOILERS BELOW

The Chapel Scene: Fowler’s whole “prayer not prayer” is so interesting because he presents it as a business deal (which says a lot about how individualistic and apathetic he is). And honestly, that speaks really well to the use of christianity in imperialism, colonization and capitalism. If anyone here is familiar with Antoine Fuqua’s version of The Magnificent Seven (which is based on Seven Samurai), Bogue’s speech in the beginning of the film does a similar thing. In the case of Blue Eye Samurai, Fowler basically says, “we’re not friends but these people are ‘godless’ and if things go my way you’ll have a nation of souls to convert.” And I really liked that wording “a nation of souls” because it shows how imperialism and colonization, in the process of stealing other country’s natural resources, are, by design, meant to pose a threat to the entire culture and livelihood of the people that live there in order to do that. And a major way it’s done is through the spread enforcement of the colonizer’s religion over the ones of the people they invade. Which leads me to…

The Finale Monologue to the Shogun: because Fowler literally spells it out how the process of these systems, how white supremacy, is meant to twist and erase the culture and beliefs of those they invade to the point where they conform and assimilate to the invader’s culture and view them as superior. It also creates the idea of a white race in the first place that has its own ethnic and religious hierarchy that determines what the “best” kind of white is. I really liked the detail where he mentions spreading their shame because so much of white culture and its interpretation of christianity, whether or not it was the dominant form in its country of origin before being enforced on others, thrives on shame and enforcing that on other people (just look at the US). Lastly there’s…

The Famine Monologue: Something I really like about Fowler’s character is how he was written to be Irish rather than some posh English guy. It’s a nuance that adds a whole level of depth to his character and role in the story. Ireland was colonized by the English, which Fowler discusses when he mentions the Tudors. One of the ways that colonization was enforced was by replacing catholicism with protestantism. In this scene though, Fowler talks about the intentional famines that killed his parents and sister. It’s a graphic memory that shows how a victim of colonization will sometimes use the same tools used against them, to gain a sense of autonomy and control at the cost of other people’s livelihoods. This is compounded by the fact that Fowler is able to assimilate into the concept of a white race that was created to justify these systems and the oppression/exploitation of people of color that maintained them. Fowler is fictional but there were plenty of Irish people who took part in Britain’s colonization of other people one way or another. You’ll hear elements of Irish vernacular in places like Barbados for a reason to bring up a small example of the consequences of that. On a side note, this is also an interesting video on how the habitual “be” is used in both AAVE and Celtic languages. 

Long story short, Abijah Fowler is a very nuanced and well written villain.

[heich0e]

suna recently moved into a new place.

the building he's in now is much nicer than the last one he lived in, and in an even better part of town, too—it's a newly built place that's still only half-occupied, leaving him with so few neighbours on his floor that he claims sometimes it feels like he's got the whole building to himself.

living in a new-build (a half-build, technically, since there's still active construction happening in some of the units on other floors) presents its own unique challenges, though. since no one's ever lived in his unit before him, he's sort of like the guinea pig; the first to discover which of the design elements are functional and which aren't. like how the tap in his bathroom had accidentally been installed backwards, so the hot and cold water markers were switched—a realization he regrettably only came to after stepping into an ice cold shower for the first time.

or how the intercom system in the building isn't quite up and running yet, so every time he has guests over he has to come all the way down to the lobby to let them in himself.

"wow, what are the chances of running into you here?" rintarou drawls as he opens the building door for you, allowing you to step in out of the cool night outside.

pretty good, you'd wager, because he knew you were coming and had to be here to let you in.

you're too tired to make any sort of snarky remark though, shooting him a pointed look instead as you step past him in the doorway and into the lobby's warmth. coming to suna's place had been a last minute decision made late in the evening when a poorly-timed (or well-timed on his part) text landed in your inbox; you weren't dressed for the weather, but had been close enough to walk from the little bar where a few of your friends had gathered that evening.

"cold out?" he asks you as he lets the door swing shut, turning and following along behind you as you begin making your way towards the elevator.

"freezing," you reply, still holding your coat tightly around your frame. you're narrowly fighting back the way your teeth threaten to chatter.

"sorry, I came down as soon as you called to tell me you were on your way," rintarou frowns a little as he takes in the way you have your arms wrapped around yourself for warmth.

"no, i know," you wave off his concern, pressing the UP button on the panel next to the elevator in the lobby. "i should have called sooner but i didn't want to take my hands out of my pockets since it was so cold on the walk here."

you'd only fished your cellphone out of your pocket when the building was in sight a few metres down the road, preserving every little bit of warmth you could for as long as possible.

"you know, you wouldn't need to wait for me to let you in if you'd just let me give you a key fob."

the elevator doors slide open to take you both up to rintarou's floor, and your glance over at him from the corner of your eye as the two of you step inside.

you don't want one of suna's key fobs. firstly because he'd already broken the only spare he had thanks (indirectly) to you—having once tried to toss it down from his third floor balcony while you were waiting out front in the middle of the night. it had landed on the pavement underfoot and shattered into approximately a million pieces—leaving him down to only the one connected to his own key ring. he'd told you it really wasn't that expensive to get his building manager to replace it, but you'd vehemently spurned the suggestion, which brings you to the second point—

having a key to rintarou's place (however temporary) just feels too... serious.

too serious for you and him, and whatever this decidedly unserious thing between you is, anyway.

"who's to say you won't destroy that one too?" you brush off his suggestion as the elevator doors slide closed.

the inside of the elevator still has those thick, padded blankets hanging up to protect the mirrored walls while they finish construction, and still have people constantly moving boxes and furniture and whatever else into the vacant units units. it makes the already confined space feel even smaller, and you try to ignore it as suna presses the button for his floor on the panel off to the side of the doors.

"fine, freeze then," rintarou shrugs, but you can feel his eyes on the side of your face.

"the cold wasn't even the bad part," you sigh, wincing a little as you shift your weight from one foot to the other. "i haven't worn these boots out before and my feet are killing me."

suna glances down at your feet, taking in the knee high boots you have on your feet.

"oh," he says, his tone a bit different now in a way that makes you look at him suspiciously. "those are nice."

"you're such a freak," you laugh under your breath and he peeks up at you without a hint of guilt on his face.

"i mean it," he insists.

"i know you do," you snort.

the elevator dips slightly as it arrives to rintarou's floor, and it makes you wobble a bit unsteadily. rintarou wraps his arm around your waist to steady you without missing a beat.

"they really hurt that bad?" he asks, peering down at you curiously.

from this close you can see just how unfairly long his eyelashes are, and how they flutter as he blinks down at you. you hate how nice it is to feel his warmth seeping into you when he holds you like this. you hate the thought of him stepping away again even more.

"yeah, it's my own fault though," you answer quietly.

the elevator doors slide open, and you move to step out, but rintarou rushes ahead of you. you watch, confused, as he crouches down just on the other side of the threshold of the sliding doors.

"really?" you ask him with a laugh, rolling your eyes as he waits for you to climb up on his back.

but it's late, and you're tired, and your feet hurt.

(and you really like how warm he is, even if you'll never say it.)

so you carefully hop on, wrapping your arms around his neck and your legs around his waist, and let him carry you off in the direction of his apartment—endlessly grateful for how few units on his floor are leased, and therefore how your chances of running into anyone in your current state are lowered.

you can only see the slightest bit of rintarou's profile while he carries you like this, but you can tell even from the glimpse you get that he's looking awfully smug as he carries you to his door.

"don't look so pleased with yourself," you mutter, squeezing your legs a bit tighter around his waist in warning.

rintarou's hands slip down from where he was loosely holding you behind your knees until they grasp your thighs and the leather upper of your boots.

"these really are nice you know," suna remarks quietly, his thumbs brushing along some of the stitching at the sides.

"i'm not keeping them on in bed," you warn him flatly, his apartment door now in sight at the other end of the hall.

"why not?" suna sounds so plaintive it almost makes you laugh. his grip slips all the way down to your ankles now. "it's not like they can hurt your feet while you'll be on your back, anyway."

"rintarou!" you hiss, slapping one of your hands over his mouth to shut him up, scandalized at what he's said in the middle of the hallway—lack of neighbours or not.

you feel his lips spread in an obnoxious grin under your palm, but you don't dare pull it away.

"keep it up and you're getting thrown off the balcony next, pervert."

[idolomantises]

when designing characters, whats ur thought process behind them?

My first thought is personality, then occupation. Then try to incorporate that into the design. I’ll use my Beelzebub redesign for example. (Pulled this from insta because I don’t have the file on hand):

She’s described as a party girl and an animal trainer, so I tried to mash the two designs together. The typical uniform with fluffy boots and a uniform that is pulled back rather than around her body

Because she’s described as an animal trainer and very close to the hellhounds, I implemented animal elements while still keeping the bee design. A long tail to both emulate an animal’s tail and a whip (hence why it’s so skinny), She has tiger stripes instead of regular bee stripes to simulate animal patterns, 4 limbs instead of 6 when relaxed (like the hellhounds), and her wings function as a big cape when in its relaxed mode.

Big white fluff to emphasize the performer element, but also because Bees are very fluffy themselves. I wanted her to look like a Bee (even gave her a thorax in some very rough sketches), but decided not to go all the way, keep that animal/demon aesthetic to her.

Skull in the back as a badass design but also because the original Beelzebub fly had skulls on his wings. He was also beefy as hell as a human which is why (gestures to the left side).

Spiral eyes because… well tbh that was just pulled from my own lore. Spiral eyes represent power in Monsters in Girls, also they look cool.

Her hair turns into fire in her “big” mode because fire looks aggressive and powerful compared to the relaxed lava lamp vibe.

Her hair changes colors depending on emotions, to emulate those lava lamps that change colors

Shes also taller than Vortex because well. I mean come on she’s a female bug. She gotta be taller than the male.

I actually wanted to do an animal hybrid alt where she’d be a lion with lava hear, but making her half look would have made me alter the design way more than I had time for, because I still wanted to make it cohesive.

I also tend to do some sketches to really figure out how I want a character to look. Some roughs for example while planning out the design:

(I wasn’t kidding when I said I really enjoyed doing this)

[burst-of-iridescent]

South Asian and Hindu Influences in ATLA (Part 2)

disclaimer: i was raised culturally and religiously hindu, and though i've tried to do my research for this post and pair it with my own cultural knowledge, i'm not an expert on hinduism by any means. should i mess up, please let me know.

please also be aware that many of the concepts discussed in this post overlap heavily with religions such as buddhism and jainism, which might have different interpretations and representations. as i'm not from those religions or cultures, i don't want to speak on them, but if anyone with that knowledge wishes to add on, please feel free.

Part 1

In the previous post, I discussed some of the things ATLA got right in its depictions of desi and hindu cultures. unfortunately, they also got plenty of things wrong - often in ways that leaned towards racist caricatures - so let's break them down, starting with...

Guru Pathik

both the word "guru" and name "pathik" come from sanskrit. pathik means "traveler" or "he who knows the way" while guru is a term for a guide or mentor, similar to a teacher.

gurus were responsible for the very first education systems in ancient india, setting up institutions called gurukuls. students, referred to as disciples, would often spend years living with and learning from their gurus in these gurukuls, studying vedic and buddhist texts, philosophy, music and even martial arts.

however, their learning was not limited merely to academic study, as gurus were also responsible for guiding the spiritual evolution of their disciples. it was common for disciples to meditate, practice yoga, fast for days or weeks, and complete mundane household chores every day in order to instill them with self-discipline and help them achieve enlightenment and spiritual awareness. the relationship between a guru and his disciple was considered a sacred, holy bond, far exceeding that of a mere teacher and student.

aang's training with guru pathik mirrors some of these elements. similar to real gurus, pathik takes on the role of aang's spiritual mentor. he guides aang in unblocking his chakras and mastering the avatar state through meditation, fasting, and self-reflection - all of which are practices that would have likely been encouraged in disciples by their gurus.

pathik's design also takes inspiration from sadhus, holy men who renounced their worldly ties to follow a path of spiritual discipline. the guru's simple, nondescript clothing and hair are reflective of the ascetic lifestyle sadhus are expected to lead, giving up material belongings and desires in order to achieve spiritual enlightenment and, ultimately, liberation from the reincarnation cycle.

unfortunately, this is where the respectful references end because everything else about guru pathik was insensitive at best and stereotypical at worst.

it is extremely distasteful that the guru speaks with an overexaggerated indian accent, even though the iranian-indian actor who plays him has a naturally british accent. why not just hire an actual indian voice actor if the intention was to make pathik sound authentic? besides, i doubt authenticity was the sole intention, given that the purposeful distortion of indian accents was a common racist trope played for comedy in early 2000s children's media (see: phineas and ferb, diary of a wimpy kid, jessie... the list goes on).

furthermore, while pathik is presented a wise and respected figure within this episode, his next (and last) appearance in the show is entirely the opposite.

in the episode nightmares and daydreams, pathik appears in aang's nightmare with six hands, holding what appears to be a veena (a classical indian music instrument). this references the iconography of the hindu deity Saraswati, the goddess of wisdom and knowledge. the embodiment of divine enlightenment, learning, insight and truth, Saraswati is a member of the Tridevi (the female version of the Trimurti), one of the most respected and revered goddesses in the Hindu pantheon... and her likeness is used for a cheap laugh on a character who's already treated as a caricature.

that's bad enough on its own, but when you consider that guru pathik is the only explicitly south asian coded character in the entire show, it's downright insulting. for a show that took so many of its foundational concepts from south asia and hinduism and yet provided almost no desi representation in return, this is just rubbing salt in the wound.

Chakras

"chakra", meaning "circle" or "wheel of life" in sanskrit, refers to sources of energy found in the human body. chakra points are aligned along the spine, with energy flowing from the lowest to the highest point. the energy pooled at the lowest chakra is called kundalini, and the aim is to release this energy to the highest chakra in order to achieve spiritual enlightenment and consciousness.

the number of chakras varies in different religions, with buddhism referencing five chakras while hinduism has seven. atla draws from the latter influence, so let's take a look at the seven chakras:

Muladhara (the Root Chakra). located at the base of the spine, this chakra deals with our basest instincts and is linked to the element of earth.

Swadhisthana (the Sacral Chakra). located just below the navel, this chakra deals with emotional intensity and pleasure and is linked to the element of water.

Manipura (the Solar Plexus Chakra). located in the stomach, this chakra deals with willpower and self-acceptance and is linked to the element of fire.

Anahata (the Heart Chakra). located in the heart, this chakra deals with love, compassion and forgiveness and is linked to the element of air. in the show, this chakra is blocked by aang's grief over the loss of the air nomads, which is a nice elemental allusion.

Vishudda (the Throat Chakra). located at the base of the throat, this chakra deals with communication and honesty and is linked to the fifth classical element of space. the show calls this the Sound Chakra, though i'm unsure where they got that from.

Ajna (the Third Eye Chakra). located in the centre of the forehead, this chakra deals with spirituality and insight and is also linked to the element of space. the show calls it the Light Chakra, which is fairly close.

Sahasrara (the Crown Chakra). located at the very top of the head, this chakra deals with pure cosmic consciousness and is also linked to the element of space. it makes perfect sense that this would be the final chakra aang has to unblock in order to connect with the avatar spirit, since the crown chakra is meant to be the point of communion with one's deepest, truest self.

the show follows these associations and descriptions almost verbatim, and does a good job linking the individual chakras to their associated struggles in aang's arc.

Cosmic Energy

the idea of chakras is associated with the concept of shakti, which refers to the life-giving energy that flows throughout the universe and within every individual.

the idea of shakti is a fundamentally unifying one, stating that all living beings are connected to one another and the universe through the cosmic energy that flows through us all. this philosophy is referenced both in the swamp episode and in guru pathik telling aang that the greatest illusion in the world is that of separation - after all, how can there be any real separation when every life is sustained by the same force?

this is also why aang needing to let go of katara did not, as he mistakenly assumed, mean he had to stop loving her. rather, the point of shedding earthly attachment is to allow one to become more attuned to shakti, both within oneself and others. ironically, in letting go of katara and allowing himself to commune with the divine energy of the universe instead, aang would have been more connected to her - not less.

The Avatar State

according to hinduism, there are five classical elements known as pancha bhuta that form the foundations of all creation: air, water, earth, fire, and space/atmosphere.

obviously, atla borrows this concept in making a world entirely based on the four classical elements. but looking at how the avatar spirit is portrayed as a giant version of aang suspended in mid-air, far above the earth, it's possible that this could reference the fifth liminal element of space as well.

admittedly this might be a bit of a reach, but personally i find it a neat piece of worldbuilding that could further explain the power of the avatar. compared to anyone else who might be able to master only one element, mastering all five means having control of every building block of the world. this would allow the avatar to be far more attuned to the spiritual energy within the universe - and themselves - as a result, setting in motion the endless cycle of death and rebirth that would connect their soul even across lifetimes.