#(( because its actually far more complicated than people think

[rakubalka]

@khr-guilded-cage is right

Its so FUCKING EASY to usurp Vongola

Just treat Tsuna like A PERSON INSTEAD OF A TOY

And you have the boy loyality

Soul Society taking over Vongola by approaching Tsuna and taking the boy under their control

While he kinda still would be a pawn, he would be treated better

Reborn would die, Soi Fon as Tsuna teacher would kill him

Soi Fon as Tsuna's teacher ?

Ohh Hell Yeah !

But I don't think Tsuna would be put in the 2 division after all the kid was so willing to listen to them because he didn't want to be part of the underworld (even with the best position in it) so they aren't making the same mistake . Instead Tsuna will probably end up in the 4th , 5th or 13th division .

Soi Fon is still the person who was put to teach him effective combat but that has less to do with assassin tactics and more to do with their similar fighting style .

After all it would be kinda hard to find someone specializing in highly maneuverable hand to hand combat style , Soi Fon is the closest they got .

But did she teach him good ? She did . A few months in and Tsuna is already strong enough to be a seated officer in the 11th after they started to rework his very very full of weakness and wasted movements combat style .

Now granted a sizable part is because of Tsuna's monstrous combat talent (because Reborn is such a shit teacher he immediately started throwing a non-combat trained civilian against seasoned mafioso so Tsuna had to quote literally learn on the fly or die ) . But that doesn't change the fact that Soi Fon is both a competent teacher and the best teacher Tsuna ever had . One of the reasons being she doesn't rush him to move to harder and more complicated parts , because Soi Fon knows that a slowly built but strong base will get you far far farther than a fastly built but weak base . So in that Tsuna's lack of interest of anything beyond his level is a real blessing . And the fact Soi Fon is here to help with his combat style and not train him to be a member of her squad makes it easier on them both .

Soi Fon training actually became a time both of them enjoy . In parts because they are both terribly deprived of affection people that finally found someone who they can give their affection and it being appreciated and also returned (as in platonic affection) . Because Tsuna finally gets an adult figure in his life that hasn't abused him and to who he can go for anything (he thinks Soi Fon is what having an older sister or mother is like) . Soi Fon on the other hand gets someone who she can give her affection to , someone who by just having her in the room makes them be happy , someone to whom she can be vulnerable to without worrying of betrayal or it being used as a blackmail (She tink that having Tsuna is what having an younger brother or even a son is like) .

The moment Tsuna and Soi Fon go to the Shinigami archives to both adopt Tsuna and change his family name to Soi it becomes common knowledge how they thought of each other . After all it's not everyday a family's head adopts someone let alone like a sibling (the last time was Byakuya ) so by a week time everyone starts referring to Tsuna as Soi Tsuna .

[sonknuxadow]

it's so wild to me that people talk like sonic and knuckles just now started acting gay in frontiers or that the sonknux ship only exists because of frontiers theyve been gay this whole TIME you just refused to admit it until now

[royalreef]

(( I’m currently feeling VERY self-justified in giving Miranda and abyssal merfolk serrated teeth as temnospondyls ( and might I offer you some additional fun facts about exactly what those serrations on her teeth are capable of doing to bone ).

[note-a-bear]

Idk why but the reblog blocker isn't working, so please ffs do not reblog this until I can figure out how to fix it

Having a day where I'm really aware of how fucked up my brain is and how few people I've been romantic with have been... idk nice, I guess.

It's something that's been rattling around in my head for a few months because one of my nice exes and I were talking and they pointed it out. Not in a mean way. And it didn't really settle in for a few days. But now I keep sifting through things in my mind, and with this person I've been seeing I'm trying to be upfront about where I'm at and what I'm prepared for and yeah.

There's a lot that's coming forward and it's making me realize just how deep the trust issues run.

[lilacstro]

my personal opinions on your big 3: your sun, moon, rising

paid readings open xoxo

support me on ko-fi :)

I was remembering the time when I was 10 years old and used to read those astrology posts that said things like "zodiacs in school", "what does your sun sign do when bored" and I wanted to make a less complicated, fun post just like that but wanted it to still be in accordance to people I have seen so far, so expect this post to be more fun and very not serious and rather light hearted, so here we goooo so since it is like so, please scroll past if you do not resonate :) I would be posting more serious stuff kind of what i learnt from my diploma the following week if possible, luv you<3

Aries

Sun: You guys are so full of passion omg. Sun is really powerful here and you guys actually shine, so passionate and full of energy. Every Aries Sun I have seen befriends anyone within 5 cm radius to them and has a very extroverted energy. If you are close to them, they will make sure to fight for you and protect you for sure.

Moon: Chaotic emotions and restless, but this restlessness always leads to some kind of creation. The types who work out to release pent up energy. It is possible you guys keep on discarding and making new habits and do not stick to one. Very destructive if provoked, especially emotionally

Rising: Beautiful people. You guys are likely to have a intense energy and aura around. Unlike Aries Sun, many Aries risings could be reserved at times. I think you are the people everyone is afraid of to participate along with in any competition because you scream this energy of "competitive, I am gonna win you see" without even trying!

Taurus

Sun: LORD YALL ARE SO CHILL, but probably sometimes way to chill and turn ice, I mean not ice cold(yes if you are annoyed by someone lmao) but sometimes may become too boring in the sense that you may not want to do crazy things, you like stable, calm energy. The types to watch a movie, or do some art when they are bored. ALSO VERY STUBBORN but also not mad easily but if mad really really angry. ALSO yall are so beautiful and elegant without even trying

Moon: This archetype is the mother in zodiacs. But you guys indeed if once emotionally connected to someone, would make sure they are well fed and had 8 hours of sleep and make sure they are feeling ok while having 10 mental breakdowns. Also, you guys can hold more grudges than Taurus Suns and Mars, and can sometimes or maybe most of the times be unwilling to change opinions.

Rising: Gorgeous Gorgeous people, who are a little shy at first and once comfortable, everything else, whatever that is, comes out. You guys are actually really good at cooking and also, even though Taurus is the sign of wealth and stability, I have seen many Taurus risings be good with money until its the time to spend on something they like, they spend crazy lmao. Very comfortable energy around you, make other people comfortable once they are.

Gemini

Sun: Do you want to know Gossips? Ask your Gemini Suns, I bet they know a new one from 10 minutes ago. They are updated fast on drama than most google sites. Also, they have pure crackhead energy no doubt, but they can carry a conversation so well and talk about anything you want, even though might have no idea about it

Moon: Crackhead energy once again. If you want a good time and do not take things seriously or do not get offended easily, go to your Gemini Moon friends, they indeed say the most out of pocked things at times, but they are very funny. But if you are serious and want to have serious conversation, it is 9/10 chances that you would not be taken much seriously, since anything that is boring distracts gemini moons to zone out, so they probably heard you half and would comment on that half info without asking you to repeat because they do not want to listen again lmaooo But for the 1/10 times they listen seriously, they offer really good and short and simple advice.

Rising: These people are like chameleon to me, I mean they adapt so well to wherever they are and who they with. They also are very hard to recognize since they come in all different beauty and styles and aesthetics. Very good conversationalists once again and always seem to be talking about something or to someone, never really idle. Good at texting and probably post many selfies on social media.

Cancer

Sun: GOD you all are so innocent and cute until someone really gets to see past that lmao, or I may rather say, you let someone see. For some reason you guys always have your guards up, but you are good at fooling people by making them think they probably have seen all your cards, especially in terms of what you are really capable of. Most cancer suns I have seen, regardless of whatever kind of relationship they may have with their moms, they seek their validation somehow.

Moon: Very intuitive and sensitive to emotions, especially of other peoples. Really good at understanding others and healing them, they are really soft people honestly. They are again very unlikely to show you your feelings and emotions, but somehow would see yours. Very nurturing and caring, especially emotionally. Your comfort friends who treat you with ice cream and listen to your sob story.

Risings: Wonderful people, very kind and loving and caring. I have often seen Cancer risings are very keen on making people around them feel seen and heard and cared for, they carry so much charm in them. Very down to earth, and they are always willing to listen. Very emotional people like all Cancer placements and very empathetic, would try their best to make you feel warm and they do it so well that people can let their guards down and connect to them, probably even spill their secrets.

Leo

Sun: SHOW STOPPERS. So charismatic, and even if they are not loud like most leos, there is a 9.9/10 chance that you have atleast seen them once or heard about them once it is impossible that you are not aware about their existence. They usually like attention and validation from other people, but if no one would do that, they do it themselves and then other people reflect that energy back and yeah...the cycle never ends. I do know that people say Leo Suns are selfish and egoistic, while that maybe true on some level, they are really good at making people feel confident and worthy and also very generous.

Moon: 9/10 Leo moons I have seen have some kind of egoic validation and connection related to their mother. They are likely to be people who are "mumma's girls/boys" because until and unless they feel their moms validation, they would not proceed. Cancer Moons are like so too, but somewhat less than Leo Moons. Also, very possible that you are the oldest, or you act like the oldest. Very charming people though. If they are introverted, their energy is loud and charismatic without even trying, and if they are outgoing, then it is visible and double charismatic of how they are able to validate their emotions and act on them, be verbal about it. BUT BUT sometimes or I may say, most, you guys are really dramatic when hurt and high on emotions. You cannot stand being ignored I knowwww.

Rising: Um how do I say it. Leo suns are bright bright sun, Leo moons are golden enveloped kind of shiny, while Leo risings have a halo on their head and back. I mean it is an energy that you look at and feel drawn to, you do not force yourself like wanting to see the Sun in the eyes but you just see them somehow, they have a warmth around them. Usually very outgoing, great sense of style, and befriend people easily. Although all Leo placements are comfortable to put a fight, Leo risings would especially are not afraid either, especially if they feel the challenge at themselves or hurt at the ego. They are usually very kind and I have seen trust people easily irdk why. They often try to direct their light on other people and try to shine them along. Though, I sometimes see such people dimming their own light to get along with others. Generous people at hearts.

Virgo

Sun: You guys are the ones who are so serious about the next exam 2 months in advance, probably even before the exams are announced. Very critical of themselves, usually very introspective and rather quiet and even if you are outgoing, it is ambiverted, you are not in someone's face lmao. Very organized and may tie their worth to studies and grades, and their friends too, often. YOU GUYS DO NOT LIKE INTERUPTIONS IN PLANS LMAO

Moon: Logic with emotions, you do not let things hurt you until you have processed the feelings mentally. Your feelings do not go to the heart directly, it first goes to the mind and then you decide if you can make sense out of it, which most of the times you cannot, so you hurt your head with brainstorming as an extra with your heart. It feels like you guys have compartments in your head, and you put those memories and feelings in each so you can pull them up asap when needed to retrieve. Usually good at following routines and structures and like predictability in some form. If they are not in a clean or organized they do not feel good, whatever that means to them, whether that means trash in their room or floors so clean you see your face

Rising: Beautiful people yet again. Look very youthful and young. Really work oriented, and would really really want that they be seen and recognized at work/school for their efforts or can feel upset otherwise. They say and do things in exact manner, no less no more and usually avoid fuss and drama. Like showing up in a rather neat and clean, minimalistic manner than being more big and bold, all with their appearance and emotions and words. Just like Virgo Moons, these people like clean places especially and cannot handle unhygienic people and places at all. The types to be careful with spellings at school and work and while texting and maybe avoid emojis or use wrong ones.

Libra

Sun: I think the more you guys like justice and harmony, most Libra Suns I have seen have rather disbalanced scales are WILD, but the justice is indeed super important when it comes down to them ahem ahem. I also see you guys put great efforts in wanting to be liked by people often, and sometimes if not all, would try to make efforts to do that. Usually very charming and friendly and would even make a beautiful smile on their face for their worst enemy in social settings rather than letting people know they hate them. They can hate many people honestly, but with you, you are the best one and the most special person ever, behind your back, idk depends vastly honestly, so if you ever confided in a Libra Sun because of their nice nature in the 1st meeting, good luck babe!

Moons: I think Libra Moons are very nice again and do all the nice talking to make you comfortable but they are actually most justice oriented and fair than Libra Suns. Their mood can actually depend on how good they look honestly. Also very kind and nice and usually would say the things someone would blow up on your face for in the nicest manner idk how do they have so much patience. Also they have a silent charisma to them often I have seen. They again are nice to everyone and never really blow up even when the scales are highly unbalanced or I may say, unless the scales are trashed :D

Risings: AH SUPER CHARISMATIC. Very lovely people. And super attractive I must say, and I would say effortlessly idk how. If I could describe libra risings by one color I would say pastel pink idk every thing about them screams aesthetic and pretty, their aura is usually very fun and uplifting and it is unlikely they take any kind romance they have ignited in people by their words and charisma to be taken seriously. Popular people, liked by everyone kind of placement. I mean they can be worst people too but atleast from far and in the first glance, it is highly unlikely you would be able to guess.

Scorpio

Sun: I would say they are either of extremes, either you have never seen or heard from them are they are one of the mysteries of the world and super quiet or they are LOUDDDDDDD there is no in between and regardless, these people have some kind of charm and I would say MAGNET in them. They can be the most toxic people (they are not, tho there are exceptions) but you would still feel attracted to them idk why would be that so, but it would be like that most of the times. Also sometimes I have seen these people often cannot stay in friend groups for too long even if they tried to, some kind of drama would always happen if there is a friend with Scorpio Sun in the group because these people are actually super sensitive, though I never say its a bad things. I have seen whenever I simply hear or even sit near a frustrated or jealous or angry Scorpio Sun I feel a certain kind of vibe to them. It feels like heaty and heavy I cannot explain. But yeah strong emotional reactions, even if quiet or even if someone else is narrating it, I can know it was a Scorpio Sun idk how. Very territorial and possessive and if they know someone did their friend wrong they better fear lives but it only happens when they feel close to you or vice versa and that happens super rare....But once they decide they really want to keep you, it is a long friendship.

Moons: Tough, Strong people. They are brave and fight the worst adversities that are thrown on them. Their emotions change them in the sense that before going through anything they would sense a storm is about to come, and their emotions would adapt to the change before their mind and body. Really good at reading people and the room and understanding your deepest, most unexplainable feelings as if they have experienced every kind of emotion possible. Usually psychic, intuitive and empathetic. Could often dream about the past and can have troubles breaking mental patterns especially if they are harmful in some way.

Risings: They remind me of the black and white filter honestly idk why. I think I can say most scorpio risings are not as loud or outgoing, they can be fun and wild but they usually have an intimidating aura, I would say more intimidating that Sun and Moons. Often seen them have shadows on their face, and also, sleepy eyes like they do not seem intoxicated exactly but their eyes are not wide awake normal like most people. You can never know them honestly, just like any scorpio placement and they can merge into the background if they wanna hide and you would not know. They are the friends who respond to your texts 2 months later or are out of reach every 2 months. Never consistent on social media or never post is one more thing.

Sagittarius

Sun: AH VERY BLUNT LMAO. Most Sag Suns I have met are very blunt especially if they are comfortable with you or your friend. Always have a world of their own, maybe they have occupied their mind in some movie or drama or maybe they are busy creating some art or lost in their day dreams they are not really present in the current world and I guess that is why they have energy, especially physical energy I must say. Every Sag Sun I have seen has liked dancing at one point and always has some kind of engagement outside their own culture, be it supporting a sports team different from their own country or being invested in some other culture's movies and entertainment.

Moon: Sag Moons I know sometimes seem to have problems in understanding other people's emotions because theirs are so big and expanded that they cannot really see it for other people. I have seen Sag Moons are often the kinds of people to develop an affinity for some kind of place or person they have never met very easily. They are actually very dramatic just like Leo Moons honestly but different in the sense that it takes longer for them to see things clearly I feel. Usually very optimistic and motivating and very hopeful for the future. The most bold and big actions they take are when they are impulsive because of high emotions I have seen.

Risings: AH I do not know why but Sag risings are very beautiful, yes, beautiful. Literally. Such a beauty to them, even if they may not be conventionally or beauty standard pretty, they feel beautiful. These kinds of people who you sit with for 10 minutes and they say the most life changing things in a single line without even them realizing, maybe while doing random things and they do not even realize it. Always wanting to travel or connect with other cultures, more proactively than other people I feel.

Capricorn

Sun: I do not know but every Capricorn sun I have seen has a vibe of "do not touch me you peasant" or "no thanks, do not wanna hear your good morning I have a business meeting" and this is when you would be seeing them at lunch in the cafeteria, probably even in high school irdk. A serious persona and appeal idk they also seem mysterious for some reason and feel like they are unwilling to talk, its a hard and confusing energy. Also you can be their friend for years and you do not really know if they are your friend. I think the best way to know if a Capricorn Sun is your friend is when you see them respond to your texts in time, give you their time and energy. And if a Capricorn sun is spending money on you, I feel you are really serious for them lmao

Moon: STOICS. You can never read them. They will never tell you about their emotions even after they die, especially if they have specially decided not to. They hold their emotions back, and often wait for some kind of time or opportunity, which does not make it better but probably worse since the jist of the emotions and when was the right time to say was probably gone. If you are a Capricorn Moon, please tell your crush you like them before they have 10 grandkids. ALSO, you guys are good in this sense that you do not disassociate at worst emotional pressures and dramas and never act out on your emotions no matter how DRAMATIC AND INTENSE the situation is so you never really make a fool of yourself actually.

Risings: AH Capricorn risings, they are actually elites, or they feel like that. They have that serious and "do not waste my time if you have nothing important to say" kind of look. Very savage and people fear you for some reason and your intensity and seriousness is not something you try to do, its just silently felt lmao. The kind of friend in the friend group where after cracking a joke people see if you laughed, and if you did not, they feel they messed up and even if you did, they ask you if you were not offended lmao. Good people to go to for taking serious advices/conversations they have capacity for that.

Aquarius

Sun: Honestly I cannot even lie anymore, I have never seen an Aquarius who does not has completely, completely different and sometimes, even concerning views on the most common things and they are actually proud of it and its crazy. You wanna compete with your Aquarius Sun friend in what most weird things have happened to you, you cant actually LMAO. Also, most Aqua Suns can have really good emotional intelligence in understanding other people, but themselves. Always aware on what is happening in the world, and also, good with internet and computers. Kind and Generous at hearts<3 Also idk why do most of them speak with a lot of pauses in between.

Moon: I have seen 9/10 times people with Aquarius Moons have some very weird relationship with their mother. Either she is absent but not absent really, and she loves you but does not love you idk. I also feel as a child you could have been the weired one, the one people tried to tame but in the end YOU are the one who ends up doing something completely different from their family and usually succeed (especially if you do it consistently and do not get a superior complex in between) I have often seen regardless of how good and bad it is, these natives are always distant from their family emotionally, and more connected to their grandparents than their own parents. Usually people you can share anything with! and they take their friends very seriously I have seen.

Rising: Aquarius risings I have seen are mostly active on social media, and are very likely not posting themselves but rather posts on geopolitics, or maybe poetry or maybe something that people would find relatable. They also seem to be people who make you comfortable being weird around them without even trying. It is like you can say something really quirky or weird around them that people would probably make faces at you for, but they would respond genuinely without judgement lmao. Very friendly and welcoming to all kinds of people and as a result have a very colorful friend group.

Pisces

Sun: Very sweet people and usually very introverted but they are always occupied and they are always doing something, especially artistic or musical. Most Pisces Suns I know are actually really good at artistic stuff. The types to doodle at the back of their notebook, or zone out in classes. They are usually very kind but actually very sensitive. Also even if you probably bother them, they would not say much but if you bother someone they feel protective about then that is another thing. Very emotional. Random but I have often seen these people confuse romantic and platonic love they feel, so I do not know if I would say they are emotionally intelligent in that way.

Moon: Pisces Moons I know really really connect to music, or do music in some shape or forms. Really artistic. Also, I would not like to be awful and generalizing, but out of Sun and Rising, Pisces Moons are in their feels really easily. They attach themselves to things and people super easily as well. Apart from Sag Moons, Pisces Moons are also able to attach themselves to people and places they never seen and even dream about them. But they actually have really intense connections to their imaginations are fully emotionally invested in their hopes and dreams, even the ones they see in sleep. Really good at manifesting. idk but Pisces Moons are also good at lying and also making up real emotions when they need to, its like their super power.

Risings: I personally have never known a Pisces rising. But I would talk from what I have seen so yeah. First of all regardless of gender, people with Pisces rising have some kind of feminine look to them, like how do I explain, like pretty white stars shining on them. I feel most Pisces risings, at some point in their life, have been really gullible. I also feel Pisces rising really do have two completely different. opposite sides to them, now if is apparent to them or people is one other thing. Good at artsy stuff and have really good skin. Really beautiful, probably a little downturned eyes, it looks like their eyes have stars and dreams and hopes in them, and this is something I have seen be constant. Idk for some reason it feels they somehow always carry their past with them and probably never really show their vulnerable side

typing this broke my hands lol

i love you all

leave suggestions in the asks

xoxo

[am-i-the-asshole-official]

AITA for scamming my ex out of an extremely valuable virtual pet?

🐓🥤to recognize. This might be a very long post with a lot of added context for a very niche hobby and a very small actual conflict.

I religiously play a virtual pet site called Chicken Smoothie. It's a pretty old site as far as virtual pet games go, starting back in 2008, so there is a pretty solid established site economy. Just for some context, Every pet on the site has a rarity, ranging from "OMG So Common" to "OMG So Rare", being the most common and most rare respectively. But there are rarities within those rarities, where some OMGSRs can be worth more than others based on species and demand. For example, an OMGSR dog from 2008 will be worth more than an OMGSR rat from 2008 despite being the same highest rarity and year, because people prefer the dogs over rats. These pets can get extremely valuable. You can't sell them for real money (according to site rules, but of course there's a black market), but the site has its own virtual currency you can buy (with real money) and trade for called Chicken Dollars, and you can also trade a valuable pet for other valuable pets. It gets very complicated, with the community coming up with its own set of value terms each pet can have. I'm not getting into specifics there, that's not important.

Every year, on December 18th, CS has gift boxes you can adopt from. These gift boxes can contain any rare pet from any previous year, including special "Unreleased pets" that you can only get from these Dec 18th boxes, with a very slim chance. These unreleased pets are some of the most valuable and rarest in the game.

Recently, I had seen my ex posting on the forums. I didn't know he had an account, he had made it within this year, long after I got the fuck away from him, and I only knew it was him because he uses the same username everywhere. This person had groomed me, physically abused me when we were together (we no longer live anywhere near each other, thankfully) and has always been emotionally manipulative. He does not know I play, and he wouldn't recognize my account as me. I took a note of his account and left it be for a while, until December 18th hit and I took a peek at what he had got. And what he got was one of the new Unreleased pets, which currently at the time of writing this only looks like a box of cereal. (Most pets on the site have growth stages.) And even better, all his groups were open for trade, so I took a chance and sent an extremely terrible trade. I told him that this pet would only be a recent rare, and I offered him a "Very Rare" rarity (but not very valuable) pet from 2018, telling him I was overpaying. (In the CS community, this is known as Ninjaing, and it's Not A Good Thing To Do). I didn't expect him to accept it, I at least thought he'd be smart enough to ask in the trade advice thread that is literally pinned on the home page for December 18th, but he didn't. He took my word for it and accepted the trade, and now I own an unreleased pet that will eventually end up as an OMGSR.

What I did was not a bannable offence. He will not get his unreleased pet back. The CS mods are laughable at worst, incompetent at best, and don't do anything to stop scamming. They have an "eh, sucks to be you, sorry, be smarter next time" mentality when people get scammed (Which is insane because there are literal single digit aged children allowed on this site!!!)

After taking a bit to think about it, I do feel a bit guilty because I really would not do this in any other circumstances. I hate scamming. I did what I did out of anger and contempt, and I do feel a bit guilty because in essence, I scammed a new player that didn't have much else and didn't know any better.

I'm still keeping that unreleased cereal box no matter what though

What are these acronyms?

[giveamadeuschohisownmovie]

I’m gonna be honest. The more I think about it, the more I’m believing that the Star Wars Prequel Trilogy could’ve been better than the Original Trilogy if the script was tighter (a lot tighter). But George needed to let other people handle the script and he needed way more help with bringing his vision to life.

I mean, just think about it. The OG trilogy was a fairly straightforward, good vs evil storyline. Jedi and Rebels good, Emperor and Sith bad. Amazing storyline, but fairly simple. In comparison, the Prequel trilogy is far more complex in terms of what it was trying to achieve. If you look past the shitty dialogue and questionable storyline choices, the story that George came up with deals with:

1) Duty vs. Desire (Anakin trying to remain a Jedi but wanting to pursue Padme)

2) Questioning the Jedi Code instead of just blindly accepting it as gospel. Because despite how much Anakin was struggling with his complicated emotions, the Order doesn’t notice. In fact, the Order encouraged him to bury his emotions, which we see led to disaster since that led him right to the Dark Side.

3) An actual attempt at more complex politics rather than just evil empire versus good resistance. For example, it’s a meme that Anakin made an argument in favor of fascism, but in the hands of a better writer, that could’ve been a really good moment. We get an idea of why the Empire would have its supporters, despite being the obvious bad guys. It humanizes the Empire in a way that it doesn’t make you sympathize with them, but makes you understand how someone could end up on that path. That’s more true to life than just evil people being evil. (Andor is probably the one Star Wars media that understood this, which is partly why it’s one of the best Star Wars content out there)

4) The hero is genuinely a tragic character. He’s a child prodigy who was freed from slavery with the promise of a better life. But as he grows up, he becomes frustrated with how his life is turning out. He’s powerful, but not powerful enough to save his mom. He falls in love, but can’t be with Padme since it’s against the Jedi Code. Obi-Wan looks over him, but Anakin doesn’t feel he’s respected. The Order assigns him dangerous mission after dangerous mission, but he doesn’t get the rank of master. Anakin’s arc is about a man who feels like he’s not in control of his life (which is doubly sad when you remember he grew up in slavery) and, in his lowest moment, turns to a man who claims to be able to give Anakin everything he’s ever wanted. And that becomes his downfall since he ends up losing way more than he gained.

I’m sorry, but, that storyline is way more interesting than Luke and Leia’s story. No offense to Luke and Leia, but their dad’s story sounds like a Shakespearean tragedy. What messed it up was that George Lucas needed someone else to write the script.

[fatliberation]

I totally understand and can empathize with fat activists when it comes to medical fatphobia. But I do think its important to provide nuance to this topic.

A lot of doctors mention weight loss, particularly for elective surgeries, because it makes the recovery process easier (Particularly with keeping sutures in place) and anesthetic safer.

I feel like its still important to mention those things when advocating for fat folks. Safety is important.

What you're talking about is actually a different topic altogether - the previous ask was not about preparing for surgery, it was about dieting being the only treatment option for anon's chronic pain, which was exacerbating their ed symptoms. Diets have been proven over and over again to be unsustainable (and are the leading predictor of eating disorders). So yeah, I felt that it was an inappropriate prescription informed more by bias than actual data.

(And side note: This study on chronic pain and obesity concluded that weight change was not associated with changes of pain intensity.)

If you want to discuss the risk factor for surgery, sure, I think that's an important thing to know - however, most fat people already know this and are informed by their doctors and surgeons of what the risks are beforehand, so I'm not really concerned about people being uninformed about it.

I'm a fat liberation activist, and what I'm concerned about is bias. I'm concerned that there are so many BMI cutoffs in essential surgeries for fat patients, when weight loss is hardly feasible, that creates a barrier to care that disproportionately affects marginalized people with intersecting identities.

It's also important to know that we have very little data around the outcomes of surgery for fat folks that isn't bariatric weight loss surgery.

A new systematic review by researchers in Sydney, Australia, published in the journal Clinical Obesity, suggests that weight loss diets before elective surgery are ineffective in reducing postoperative complications.

CADTH Health Technology Review Body Mass Index as a Measure of Obesity and Cut-Off for Surgical Eligibility made a similar conclusion:

Most studies either found discrepancies between BMI and other measurements or concluded that there was insufficient evidence to support BMI cut-offs for surgical eligibility. The sources explicitly reporting ethical issues related to the use of BMI as a measure of obesity or cut-off for surgical eligibility described concerns around stigma, bias (particularly for racialized peoples), and the potential to create or exacerbate disparities in health care access.

Nicholas Giori MD, PhD Professor of Orthopedic Surgery at Stanford University, a respected leader in TKA and THA shared his thoughts in Elective Surgery in Adult Patients with Excess Weight: Can Preoperative Dietary Interventions Improve Surgical Outcomes? A Systematic Review:

“Obesity is not reversible for most patients. Outpatient weight reduction programs average only 8% body weight loss [1, 10, 29]. Eight percent of patients denied surgery for high BMI eventually reach the BMI cutoff and have total joint arthroplasty [28]. Without a reliable pathway for weight loss, we shouldn’t categorically withhold an operation that improves pain and function for patients in all BMI classes [3, 14, 16] to avoid a risk that is comparable to other risks we routinely accept.

It is not clear that weight reduction prior to surgery reduces risk. Most studies on this topic involve dramatic weight loss from bariatric surgery and have had mixed results [13, 19, 21, 22, 24, 27]. Moderate non-surgical weight loss has thus-far not been shown to affect risk [12]. Though hard BMI cutoffs are well-intended, currently-used BMI cutoffs nearly have the effect of arbitrarily rationing care without medical justification. This is because BMI does not strongly predict complications. It is troubling that the effects are actually not arbitrary, but disproportionately affect minorities, women and patients in low socioeconomic classes. I believe that the decision to proceed with surgery should be based on traditional shared-decision making between the patient and surgeon. Different patients and different surgeons have different tolerances to risk and reward. Giving patients and surgeons freedom to determine the balance that is right for them is, in my opinion, the right way to proceed.”

I agree with Dr. Giori on this. And I absolutely do not judge anyone who chooses to lose weight prior to a surgery. It's upsetting that it is the only option right now for things like safe anesthesia. Unfortunately, patients with a history of disordered eating (which is a significant percentage of fat people!) are left out of the conversation. There is certainly risk involved in either option and it sucks. I am always open to nuanced discussion, and the one thing I remain firm in is that weight loss is not the answer long-term. We should be looking for other solutions in treating fat patients and studying how to make surgery safer. A lot of this could be solved with more comprehensive training and new medical developments instead of continuously trying to make fat people less fat.

[jadiealissia]

Worldbuilding Countries (Part 1)

I've lived in and visited a few countries in my life, which gave me a lot of inspiration for my fantasy novel. I'm not an expert, but I thought I'd share what I learned!

Climate

The climate will most likely come up at some point. Do you mention the cool breeze, or the orange leaves on the trees? All those nice weather descriptions will depend on the climate!

If you have a couple of different countries, it may be a little weird if they all have the same climate (especially if they are far away from each other), so there's a few things you can consider to make them a bit more specific.

Climate is of course a very complicated topic, so I will simplify it a bit.

Temperature

I like to pick a real country/city and look at its temperature graphs on Wikipedia. One important thing to note is that countries aren't simply colder/warmer than one another. I know a lot of people think that a country like Russia is cold all year round, but it is actually quite warm in summer. Some areas have a larger variation between temperature throughout the year than others (normally, the closer to the equator a country is, the less variation there is. They also tend to be warmer).

Look at Singapore:

The temperatures are basically stable all year round (the letters up top are the months). The numbers are the average minimum and maximum daily temperatures. You can see that on average the variation every day is less than 10°C.

Here is Moscow:

The temperature changes quite a lot throughout the year. Note that the maximum temperatures (summer) will occur at the opposite times of the year in the Southern Hemisphere.

You can see this demonstrated in Copiapo (Chile):

This city is in the Southern hemisphere, so their coldest months are June and July :)

One thing you may have noticed is that the bars here are taller, which means that the variation for the daily min and max are higher too. Why is that? I'm simplifying it a bit, but generally, the dryer a place is, the more variation you will get in daily temperature. Which brings us to the next thing to consider:

Humidity/Precipitation

There are a few things to consider:

Rainfall. This can vary month-by-month, and due to some complicated factors, some countries have more rain in their colder months, some have more rain in their warmer months. Some places don't follow a neat pattern or stay consistent throughout the year. Have a look at climate pages on Wikipedia to get some ideas! Even just this page on Chile has a lot of cool examples. Each city is quite different!

Although of course the "wetness" of a country related to rainfall (e.g. you'd expect greener grass somewhere with more rainfall, brownish dry grass or a desert somewhere with less rainfall), it's not that simple. UK is a wet country, right? And if you've heard of Gold Coast (Australia) it seems pretty dry, right? Well, actually the Gold Coast gets twice as much precipitation (rain) as London!

To demonstrate, I took a screenshot (randomly selected street in each city) from Google Streetview.

Why this difference? I suspect it's because the Gold Coast is much hotter. Living in Australia, puddles are normally gone by the next day (often the rain even evaporates as it hits the ground!), but in UK, the puddles would always stay around for a while.

The UK is always mossy, often the clouds hang in the sky for ages. It can look quite grey. When it rains in the Gold Coast in summer, the raindrops evaporate as soon as they hit the pavement, which makes the air feel very humid and smell strongly of rain. You can use these sorts of sensory details in your stories :)

Also, one thing I noticed, is that in hotter weather, rain can be much more heavy than in colder weather. In Australia we often get heavy rain that causes flooding. In UK the rain usually dribbles all day but doesn't get heavy. In a place like the Gold Coast you can get rain that last 10 minutes but soaks you all the way through and floods the street.

The rainfall may also vary year-by-year. Australia goes through periods of floods and droughts that last a couple of years. The mechanism is a bit complicated so I won't go through it now, but it gives you something to google!

Humidity: Deserts have low humidity, which means that you can cool off more easily in the shade and the nights are colder. The breeze feels more refreshing at low humidity as your sweat evaporates.

High humidity (like Singapore) will feel much hotter at the same temperatures and it is normally still quite hot in the shade. High humidity feels really muggy, the air feels thick. The sweat doesn't evaporate as much, so you are left all wet and sticky. The breeze can feel much less refreshing because of this.

When the temperature is below freezing, the humidity gets very low, so your skin may need more moisturiser or your lips may crack.

Those are just some things to consider while describing your weather!

Generally, closer to the sea will be wetter, further inland is dryer. Have a look at some climate maps on Wikipedia, you will learn a lot! Climate is quite complicated since there are so many factors, so there's a lot you can do with it.

UV: This is one thing that people often forget about when they think about weather. In the UK, even on a very hot and sunny day, you are unlikely to get sunburnt (unless you are very pale). In Australia, you can get sunburnt very easily in even Tasmania, which is our coldest state, even when the temperatures are chilly.

You can't actually feel being sunburnt, which I fully understood when I visited Tasmania. I was freezing, but the whole time I was being sunburnt.

Normally, UV index is higher closer to the equator, which is why people who live closer to the equator tend to have darker skin. The melanin acts as protection against the sun. Still, this protection isn't perfect, so in the real world people in Africa used different methods to protect their skin, such as using clay as a "sunscreen".

Australia has the highest rate of skin cancer in the world. This is partially because most people in Australia have pale skin (originally from the UK), but the UV index is high.

This is something to consider in your story, since it can play a bigger role in behaviour than you'd expect if you live in a cold climate. In Australia, they recommend staying indoors between certain hours of the day to avoid sunburn, and if you do go out you should wear clothes that cover your skin, a wide-brimmed hat and sunscreen. Someone with very pale skin can get sunburnt in minutes. Wide-brimmed hats are compulsory at schools in Australia - you are not allowed to play if you forget your hat.

In low-UV areas, there is the opposite issue. People with darker skin can have problems getting vitamin D. Same goes for people who cover their skin with clothing (e.g. for religious reasons). However, this is a bit simpler to fix with some vitamin D supplements.

How do I use this for worldbuilding?

If you have a map of your countries, you may want to keep their location in mind when deciding on the climate :)

I like to draw up some graphs with the temperatures throughout the year for each country and some quick notes on the humidity, rainfall and UV.

You can also add some other elements to your story. Is it a fantasy? Maybe magic affects the weather! Sci-fi? You can play with the distance of the planet from the sun, axial tilt, sun size etc. (I won't go into that since it's a whole another topic and really complicated as well)

You probably don't need to know the exact details of the climate for most stories, but having a general idea will allow you to consistently describe what sorts of clothing your characters wear, the weather etc. Those are the sorts of things that comes up in almost every story (if it's long enough).

If you read this and found this useful, please reblog so I know that it was helpful. If it seems like people enjoyed this post, I will make more (I was going to talk about so much more, but this is already too long).

[verdantwyrm]

my silly little hcs

more under the cut

Curly

comes from a very very very big family, the kind of australian family that always has either a slow roast or a grill on at all times. their house smells amazing. but no food lasts longer than 10 minutes.

went to college with jimmy, absolutely had a weird fling with him that he doesn't really think about anymore. if you ask him about it he just shrugs "ah yeah you know, we were young. still figuring stuff out" and jimmy is in the corner still recovering in the worst way possible

had a dog when he was younger named harry, he was a boston terrier

actually wanted to join the air force and be a real pilot, but he had to settle for next best and applied to be a freighter pilot a couple years later after becoming burnt out in his early 20's when pony expressed picked him up, he offered the job to jimmy when he was 25

Smokes with Jimmy, totally shouldn't. Anya gives him a serious glare every time he does it, but she doesn't turn down a cigarette either, depending on the day

is sort of ? dating anya ? its a bit complicated, its become a situation of waiting for the first person to act first (they never do)

voice claim - bluey's dad, bandit

Anya

comes from a very small village, she moved away from home when she turned 19 to go pursue medicine in america, unfortunetly it got pricey very quickly, and she was unable to finish her courses, but kept applying regardless until pony express approached her. shes been with them ever since

had a white cat when she was younger named roan

her younger sister got married as soon as she turned 18, which made anya feel a little left, she felt very "behind" and ended up making some questionable relationship choices because of this. realized that was stupid a little too late.

has a very obvious and very terrible crush on curly, doesn't do a very good job at hiding it but thankfully the man is very dumb and hans't realised it yet (neither has she) (daisuke brings it up once and she almost dropped her favorite mug)

doesn't have her license, and probabaly never will. she rides a bike everywhere, is definitely some end of the hippie spectrum but never has enough free time to truly commit to that.

she has a habit of chewing her fingernails whenever she is nervous, so she paints them regularly to try and break the habit. Her favorite color is actually orange.

voice claim - diane nguyen

Swansea

despite what many people think, Swansea actually got divorced on relatively good terms with his ex-wife. As he was sober entering the relationship, and ended it. He still talks to his kids, and laments over how they sound just like Daisuke sometimes. They'd be around the same age too.

he actually hates coffee, and can't stand the taste of it. Tastes like dirt to him, and would rather drink something sweet or even tea if it's an option. He sometimes drinks coffee if it's the only thing though

Curly was actually his intern for a little while when he first started out, he was helping out carrying boxes and moving stuff around to help him get acquainted with the layout of the ship or to put those young legs to work. They go back a little, so it means something to Swansea to see him achieve what he has. He would never admit it publically, but he is proud of him.

He wanted to play instruments when he was younger but never got much say in it considering how quickly his life fell apart. So he settled for the first thing before him to get him out of that pit, and it just stuck.

He plays card games in his spare time, usually practising. Now that he has a victim, he beats Daisuke at everything.

Swansea actually did not trust Jimmy at all when he first came on board, said Jimmy reminded him too much of a weasel. And he kept that right up until the end.

He notices a little bit of his own kids in all the crew, and it's definitely something he internalizes like crazy. Being so far away from his own kids, he tends to let them lean on him a little more than he should and would make a poor Captain for this exact trait. He just can't bring himself to be too strict, and even after reprimanding Daisuke, he feels extremely guilty, even if it was an important lesson. His sentimentality gets to him easily, but he tries to not show it.

Voice Claim - Ron Swanson

Jimmy

Wanted to be a cop at some point.

He doesn't speak to his sisters, they've long left him or gone off to go do their own thing. He's better off without them anyways.

He met Curly when he was younger, and wanted to desperately be his friend but didn't know how to express that. So he hit Curly over the head with his lunchbox, and they've been friends ever since. Curly took it as just roughhousing, something he was very used to in his large family.

He is allergic to cats, and constantly sneezed around Daisuke in the first few months.

Jimmy actually hates playing board games, he thinks they're extremely boring, but it was very hard to say no when Curly would drag him into them every time. It got the point where he had to start purposefully avoiding him until he got over this phase.

After Curly graduated early and went off to go to flight school, Jimmy dropped out. He was studying finance and law. Went on a four-year bender, and got himself stuck in multiple dark pits that he thought couldn't get any deeper until he ended up somehow on Curly's doorstep. Curly has been working hard to essentially rehabilitate him to a healthier life. Jimmy hates this.

Totally doesn't have a huge crush on Curly still, it rots him to his core at how disgusting it is. Half the time he doesn't even know if these feelings come from desperation, genuine love or anxiety of being in that pit again, and he rolls his eyes at the idea of even discussing it.

Despite being very lanky, he is not the most acrobatic man ever. And is quite clumsy, he tries to hide this but Curly always notices and it drives him nuts.

Voice claim - Bojack Horseman

Daisuke

He has three cats back at home. Junebug, Jazzy and Ducky.

Daisuke actually really likes pokemon, but unfortunately, he didn't bring any games with him. He complains about it almost daily.

Even though he beats Anya in board games, he will probably never beat Swansea. He's so jealous of the card deck he holds.

Has an even bigger sweet tooth than Swansea somehow, and absolutely split one of the last few candy bars from the vending machines.

His mother is a writer, and his father is an architect. He wanted to pursue art but felt like it was very lacking in comparison to his parent's achievements. He didn't resist when they gave him the opportunity to intern, but It wasn't fantastic news either.

Daisuke is actually extremely smart in very technical stuff. He will repeat the dumbest string of words, but accomplish something only a master electrician could in seconds. Swansea and Curly don't understand how his brain works, but it gets the job done. (Its the Autism)

Daisuke is actually terrified of doing something without his parent's permission. He was never an extremely rebellious kid, and it always felt weird to do something without them knowing or their permission first. He was a nervous kid and wasn't always sure if what he was doing was the right thing to do or if he was doing it correctly. This was a habit that got on Jimmy's nerves very quickly.

Daisuke sings in the shower, very loudly. He brought his own walkman, but unfortunately, that got misplaced somehow and he's been bummed out ever since. In return, Swansea and Anya let him have choice of the music sometimes to make him feel included.

He doodles with Anya, showing off their art skills to each other. Anya has a portrait he drew of her in her office desk. She loves it.

Voice Claim - Finn the human

[hamliet]

Hazbin Hotel Has Better Theology Than Most Modern "Christian" Stories

As a Christian who was raised in a fundie cult and escaped to now have a far healthier and vital faith, I genuinely really like this show. The songs are bops. The characters are well crafted and interesting, and likable too. The art design is bizarre but appealing.

And, as a theology nerd who studied theology as part leaving said cult and also has since gotten papers published in theology, I'm actually fairly impressed by the show's handling of theology.

No, I'm not expecting the story to preach or even like, be explicitly Christian in a lot of ways. But it's taking a lot of the really beautiful aspects of Christian theology and re-contextualizing them in a way designed to provoke thought: by juxtaposing them with the antithesis of what you would think, by making demons heroes. In my opinion, this makes the beauty shine brighter.

Yeah, yeah, it's designed to be offensive and obscene in a lot of ways. Yet, it's never (thus far) mean-spirited. On the contrary, it seems to have a big, beating heart at its core that is perhaps best embodied by Charlie Morningstar, its protagonist and the daughter of Lucifer and Lilith.

Critique of the Church, with Caveats

The story works best with an interpretation that heaven isn't actually heaven or God (who has been conspicuously absent), but instead as a critique of the church. Specifically, the evangelical American church, and specifically, white evangelicals. (Same as She-Ra's premise, actually).

God's absence therefore makes sense, because while Christians do believe God is present as a living reality among us, we also can't like, see him physically now. So, God being not even mentioned in HH makes it seem more like a mortal reality rather than an immortal one. Honestly I kinda hope God doesn't appear in the story, not only because I think it could cross some lines (which is admittedly personal), but also because I don't see that the story really needs it.

Adam in particular reminds me of every "theobro" on Twitter (I'm not calling it what you want me to, El*n). Basically a dudebro coopting his supposed salvation to flex in an often misogynistic way, who doesn't realize that he has absolutely no love in him and therefore is actually a worse human being than everyone he condemns on the regular.

(Which is kind of why I'm expecting Adam to wake up in hell next season...)

Think red hats. And Mark Driscoll. And, I have a list of pastors. Sigh. They advocate for how "simple" Christianity is, except they themselves make it ridiculously complicated and don't even examine what they suppose is "simple" if it requires them to take the planks out of their own eyes. "Shallow" is a better description of what they actually preach.

But what sends people to hell or heaven anyways?

Eschatology and Atonement Theory

Hazbin Hotel combines a lot of theories, throwing not only the idea of a physical hell (albeit mixed with Dante's idea of what hell is the Inferno, but to be fair a lot of the church has adopted that idea too) but the idea of annihilation, which HH calls "extermination."

See, in Christianity, there's a lot of debate about hell. Like, since 2000 years ago. The reason is because a lot of Bible verses seem to indicate hell, but others indicate the eventual redemption and salvation of absolutely everything in the universe, so you have Christian universalism tracing itself back just as long. But, setting aside universalism, people who do believe in hell tend to fall into one of two camps:

Physical hell, aka suffering for eternity, or annihilation: the idea that souls that aren't saved end up annihilated, or snuffed from existence. HH combines both of them, wherein everyone lives in hell but then every so often heaven "exterminates" a certain number of sinners.

And then you also have Catholic purgatory, which is also adapted in HH in that... for most Christians, physical hell doesn't offer the ability to redeem yourself. Chance over, you're dead. But, Catholic Christianity, which draws on ideas of praying for the dead, has the idea that people can improve themselves or be prayed out of it and into heaven. This seems to be somewhat similar to the idea of Charlie's hotel, in that sinners can improve, redeem themselves, and rise to heaven.

And, I mean, it's already kinda worked. Sir Pentious acted out Jesus' words: Greater love has no man than this, that he lay down his life for his friends (John 15:13).

But anyways, the branch of theology that deals with the afterlife is eschatology. And Hazbin Hotel takes on a related form of theology as well, a type of theology I've only seen covered in stories once before (The House in Fata Morgana): atonement theory.

Atonement theory is something I remember well from my theology 101 class, as in I remember sitting with a friend and her turning to me and being like, "okay, so we know Jesus' death and resurrection give us eternal life, but we have no idea how or why?" To which the answer was "basically, yeah."

Most of the white, American evangelical church is very "penal substitutionary atonement," but the reality is that this theory has only been popular for the past few hundred years. It's also, imo, somewhat scripturally unsound. But there are a lot of other theories, and sometimes the theories overlap. Here's a fairly decent summary. (I'm in general a believer in Christus Victor.)

So how does atonement theory tie into Hazbin Hotel? Well, essentially the scene where Charlie and Vaggie are debating with Emily, Sera, Adam, Lute, and others in heaven is them going over various atonement theories and realizing that they actually know nothing at all. How does one get to heaven? How is one saved? They don't know.

Sera criticizing Emily for asking questions was also very relatable, and I feel for Sera. She's genuinely scared but the truth will set you free, Sera. John 8:32. Anyways, the point is like... the angels are an organized religion, an evangelical church, that preaches about simplicity but mistakes shallowness for simplicity and discourages depth and discovery.

Anyways, the whole crux of theological study and atonement theories is that they should promote humility. We don't know for certain on this side of the curtain. That's okay. So what do we have to guide us?

Love. After all, God is love (1 John 4:8).

Charlie is Jesus

"Why would you endanger your immortal life for these sinners?" 

Adam, the absolute worst, says the above to Charlie in the finale.

I mean... look. That's literally the premise of Christianity. That the immortal son of God comes down to earth, lives with sinners, loves us, and dies to save us. However that happens. Charlie even responds:

"They're my family!"

In other words, she loves them. Yeah, sure, they're destined for extermination, but they are going to be exterminated over her dead body.

In a lot of branches of Christianity, and even in some creeds--though I'm going to give into my pet peeves here and state that it is NOT Scriptural and relies on the faulty assumption that God is bound by time, when I think God exists outside of it--state that Jesus descended into hell after his death and took all the souls of people who were saved prior to his coming to earth to heaven. Again, I think that's small-minded at best. But, the idea that Charlie is working among them to bring them to heaven is pretty reminiscent of this idea. And I don't hate it lol.

Charlie sees worth inherent in everyone, and no matter what they've done, thinks there's a future for them. Honestly we need people like her on this earth.

Angel Dust

Angel Dust is clearly my favorite character. Bite back your shock, I know (I have a type). But his name is also a fascinating multi-layered pun.

Angel is clearly foreshadowing his endgame. Let's be real, we all know Angel is ending up as an angel. And "angeldust" is of course a name for PCP, and considering Angel's drug habits, yeah.

But, dust also has another meaning to it. See, when Adam was created in Genesis 2:7, the words in Hebrew are "apar min ha'adamah," which is translated literally as "dust of the ground." So the dust is what creates Adam, literally "ground."

In other words, I very much expect Angel Dust to end up being foiled with Adam even more so. Adam might be the first man, but Angel is the first sinner working towards redemption. And let's be real, for all Angel's flaws, he's already a better person than Adam. And if there's any hope for Adam (not that I particularly care if there is but) it'd be through realizing that he and Angel aren't actually different after all. Conversely (and not necessarily mutually exclusively), Angel might serve as a more symbolic "adam" in that he becomes the person all sinners look to for hope. Which, y'know, since "the last Adam" is also a Scriptural term for Jesus...

And so it is written, “The first man Adam became a living being.” The last Adam became a life-giving spirit. (1 Corinthians 15:45).

I fully expect Angel's arc, alongside Charlie's, to bring life and redemption for everyone around them. Maybe, maybe even the dramatic "all" of Colossians 1:20 (which means, literally, all, everything, everywhere, in the entire universe).

Closing Thoughts

But honestly, regardless of how the story ends--besides that it will presumably end happily because HH is at its core feel-good despite being profane--season one at least has got good theology. Why? Because it's digging into the questions that theology is concerned with. It's digging into the ideas of human nature, of what it means to be a good person, of what it means to redeem oneself, of affirming how precious each individual human soul is.

It doesn't offer cheap answers, and it specifically calls out the white American evangelical church for how it purports to be simple but actually just confuses people and punishes them for things they can't help, that creates more stumbling blocks than it does shine a light. And it does it in a way that is scandalous. Offensive to many religious people.

But, y'know, Jesus was pretty scandalous too.

So I really love the story so far because it emphasizes what I find so beautiful about my religion, and criticizes the parts that have also hurt me. I don't think it's remotely aiming to be a Christian allegory or anything like that, and I don't at all think anyone has to be religious to enjoy it or gain the core message of it, but I do think that it's doing a hell of a lot more good in the world message-wise than most evangelical movies of the past 30 years.

[bengiyo]

An Apology to The Miracle of Teddy Bear

I finally caught up with a show that was inaccessible for a long time, and also bogged down in bad-faith fan reporting, at the insistence of @lurkingshan, @twig-tea, and later @wen-kexing-apologist. A few months ago, Shan and Twig wrote about how The Miracle of Teddy Bear Saved the Gays to push back on the false narrative that the show buried the gays and forced the lead to marry a woman, and also about how it contains incisive social commentary about a Thai gay man. I won't reiterate what they said in their excellent essay, but I do want to pick up from my Apology to Ossan's Love and The Novelist to talk about going back for shows you missed.

When this show first began airing in the spring of 2022, it was completely inaccessible in the West. I remember seeing rumors at the time that the show was withheld from international distribution due to its critical themes about Thai society, and I was curious about how a show about how a guy falls in love with his teddy bear that comes to life could be causing such consternation. After the show ended, I also remember seeing discontented commentary about the end of the show's ending that turned out to be patently false.

Now that I've actually seen the show, I want to briefly gush about the things I loved in this show.

Job Thuchapon Imbues Nut With A Complex Humanity Rarely Afforded Gay Characters in the BL Sphere

As I was finishing the show last night, I commented to my friends that Job might be one of the most beautiful people I've encountered in Thai queer media, and I think it's because his performance as Nut feels recognizably human. I'm convinced it's because this was a drama with humanist goals that was able to avoid prioritizing romance as its key outcome. As such, Nut becomes one of the best expressions of the traumatized artist trying to do something with his pain in his art that I've ever been blessed to see.

Nut is dealing with intense family trauma from his father's homophobia, his mother's silence and impotence on the matter, and the social circumstances around his life. He's a man with deep anger at his mom and father, who is also tasked with being the breadwinner for his household because his mom is mentally ill. Moreover, his hateful aunt lives next door to only make their lives worse. Nut is an extremely lonely but talented writer who wants to make something more than a standard BL prioritizing romance, cuteness, and product placement.

Most importantly for me, Nut is so unabashedly gay in a way that I also found extremely believable. He's the kind of gay that's not exactly hiding who he is, but isn't going to go out of his way to blast it to everyone. He's not afraid to hold a man's hand in public, but he's also just going to ignore the female coworker who can't take a hint. On top of that, the gays have sex in this show! The show uses so many useful tools to show us that Nut and Tofu have sex without needing to do a lot of bed scenes. I deeply appreciated this.

Inn Sarin Makes The Teddy Bear Role Into a Meaningful Exploration of the Nature of Humanity and Kindness

I originally worried that Inn was here just to be beautiful (he is), and that his character would just be a joke (it most certainly wasn't). Instead, what I got was a character whose innocence allowed us as viewers to explore some heavy moral dilemmas that a simple view of human nature could not accommodate. By the end of the show I was screaming into the chat that "He's only a bear!" because none of the problems he faced were simple.

Tofu, through his interactions with the other inanimate objects in the house experiences incredibly growth over the show, and learns that loving a human as a human is far more complicated than loving them as a teddy bear. He's faced with difficult challenges around Nut's mom's health issues, Nut's family troubles, and even his own jealousy of Nut's childhood love. Inn's affect as Tofu matures as Tofu becomes more familiar with human nuance, which is contrasted so well by the flashbacks with his dead human doppelganger.

This Show Completed Every Thread it Established

This may not seem like an important thing to highlight, but it's so rare for shows to actually do this, especially when they're this complex. I have massive respect for screenwriter Prapt and the team around him, because it's so rare that I enjoy a final episode of a Thai drama. I was openly weeping at the resolution of a thread I thought was forgotten in the finale.

This show had much to say about speaking truth to power, and how the powerful wield death as a weapon. It had much to say about how internalized homophobia expresses in gay men in different ways. It took its mental health themes seriously. It also humanized its villains in a way that makes them some of cruelest I've seen on screen in a long time. It also shows how important community support systems are, especially the role elder gays play in your life. Most importantly, I loved that this show didn't insist that everyone has to hang out and be friendly with everyone who ever hurt them, even if it values getting closure from much-needed apologies.

Conclusion: This Show Has Everything

This show really is something special, and I recommend going on YouTube and watching it. It's a long watch, but it's one of the most rewarding viewing experiences I've had from Thailand in the last decade. I'm also convinced that I have to take learning Thai more seriously, because if Prapt's writing is this tight, I have serious doubts about what we got from The Eclipse. Any Thai people following me, please let me know if you get around to reading the book The Eclipse is based on so you can talk to me about what you experienced from Prapt's pen directly.

[loverofstufflof]

Black Myth: Wukong rant because I’m just… so tired of you people.

I hate the community this game has cultivated. I hate looking through the tags and seeing people tearing each other apart over a game based on a story I love.

There’s two stances:

Those who say that merely interacting with the game is in support of all the terrible things the developers have (allegedly) done. Who parade accusations that many have stated were mistranslated and that the situation is far more complicated than it appears.

Those who mock the former by making a straw man of their concerns while simultaneously displaying their misogyny, racism, homophobia, and general traits that make it clear they’ve never touched a woman in their life.

One is slightly more tolerable than the other. Neither make me feel welcome in enjoying this project I’ve been looking forward to for years.

I will be talking more about purple, because I don’t speak Chinese, and feel that I have no authority speaking too much on orange.

Purple people are beyond insufferable.

I think that most of this came from a Screen Rant review that listed one of the game’s flaws as “a lack of diversity.” This is an accurate analysis, and has been warped beyond belief.

I can understand the outrage… a bit. When playing a game surrounding Chinese culture, in which you play as an inhuman character fighting equally inhuman enemies, it doesn’t make too much sense to request racial representation. And when there isn’t any romance, representation for sexual orientations also wouldn’t work. Including anything in those merit would feel forced and out of place, I agree.

But you wanna know what the reviewer wrote?

She was concerned about the lack of women.

She felt unwelcome when playing a game made by rumoured misogynists because there were no women at all.

And she explicitly said that the game was still enjoyable despite this.

She gave it such a “low score” (3/5) because of the performance issues and repetitiveness. By her own rating, the game was listed as “Worth a shot despite its flaws.”

Everything got so bad they had to take down her name for her safety.

People in the purple category took this review to mean that the ��woke left” was “pushing an agenda” and “trying to cancel this game for not having pansexual nonbinary black people.” Which, as I’m sure you can now understand, was not the case. The boycott surrounding this game is purely based on accusations targeted towards the developers, not the game’s content.

Of course, I don’t expect many of the aforementioned people in this category to care too much. I’ve seen the Steam reviews where they praise the lack of women. I’ve read the Reddit threads where they feel grateful that there’s “finally a company who understands the male authority.” I’ve scrolled through post after post on Tumblr that “no one would want to play a game where females jiggle their tits around while doing nothing.”

That last one gets me. It’s really telling what you can learn about a person when they say things like that.

The point is, these people make me feel very unwelcome in a community that previously made me most comfortable.

So let’s recap:

The people who I would find community with are portraying the mere interest in this game as a sin that’s worthy of being blocked and shamed over, and the people who are actually in this community remind me why I’m terrified to walk alone.

I have a lot more that I want to say on this, but I don’t really have the words quite yet, and still need to do a fair amount of research (which I probably won’t be doing because holy shit I’m so done with this). Maybe I’ll come back and add some more, but for now I just might block the tag entirely.

I just feel shitty ‘s’all ʅ（◞‿◟）ʃ

[burquillos]

diluven misses you and so to do i miss it 😔

Will you accept this drabble I have in my notes:

"Don't you like the bard?"

"Whether I like the bard or not hardly accounts for whether I should pursue him or not."

"Actually, I think liking the bard is all the reason you need to pursue him."

Diluc let's out a tired sigh. He doesn't want to have to explain Venti's kind of secret alter ego to Kaeya of all people. He's exhausted. He wants to go home.

But things have been going well with Kaeya lately and he was happy when they started opening up to each other again on this particular night. Well, up until Kaeya opened up the conversation about his love life. Kaeya had always pestered him about it, even as a kid. Both him and his father, ever the romantics.

Though annoyed, he appreciates the sentiment because he knows it comes from a place of genuine concern. Keaya wants reassurance that he will be fine and that someone will take care of him and love him even when him and his father aren't there. Knowing Kaeya, not wanting him to be alone is deeply valuable. However...

"It's complicated" Diluc scowls.

Kaeya leans on his forearm on the counter. He looks at Diluc, unamused.

"You like him. You obviously want to be with him. And from the looks of it he likes you back. What's so complicated about that?"

Diluc doesn't respond but he can feel a slight tingling on his fingertips and his cheeks as he stands there tense and frozen.

Kaeya closes his eyes in contemplation, "Ah..I see."

"What?"

"Master Ragnvindr of the Dawn Winery must not be seen engaging in romantic affairs with a mere commoner. How tragic-"

"No."

It was out before he knew it. Said too fast and too defensively to be considered casual. Like letting a part of himself accidentally slip from his tight grasp.

Kaeya couldn't have been more wrong. Venti is far from a mere commoner. His identity as Barbatos is... holy and powerful. The kind of being who can move mountains, literally and figuratively. His whole life he tried to be worthy of only two people and that included his late father and Barbatos.

But even that pales in comparison to Venti himself; kind and compassionate, cunning when he needs to be, he brings joy and laughter to the people of Mondsatdt with his songs. He listens to his people and guides them into action, never hesitating to reach out to others, even a person like him who has built walls around himself.

Venti has a way of seeing through him but has never once used it against him. He keeps the hidden, little pieces of Diluc tucked away and keeps it safe.

He wants to believe that there is something special about that. That that kind of treatment is something Venti gives to him and him alone.

But he knows Venti's love is grand and extends far and wide over Mondsatdt and its citizens. He knows he's nothing more but a speck among countless others that recieve that kind of godly love from him.

As a protector of Mondsatdt, he cannot afford to be selfish with Venti's love, not when Mondstadt needs it more than him. He is quite well off in terms of status and wealth after all. Honestly, Diluc is quite content to love from afar.

In the end, all he could mutter was a soft "He's too good for me..."

Kaeya barks out a laugh, slamming his hand on the table and leaning back. "VENTI!?" he wipes a tear from his eye "You're saying this about Venti?! The drunkard?? The guy who regularly schemes his way for some apples and booze??"

"You know what I mean."

"No. I don't"

"Well I'm not tired enough to have this conversation."

"Fair enough."

Kaeya leaves a few coins on the counter then stands up to leave. Before he could exit the door, he turns back to Diluc. "For the record, he said the same thing about you being too good for him." Finally, he leaves.

Diluc is left staring at the door. He can't quite believe that statement. He's not looking down on himself or anything, he knows he's quite sought after, he even uses that as an advantage when negotiating sometimes.

It's just that, compared to Venti who shines brightly and whose smile literally lights up the room, he feels like such a downer in comparison.

Once upon a time in his life, he might've had the same smile too, but he's changed since then. He's not the golden child with a loving family running around Mondstadt fulfilling his dreams anymore. His fire has long ceased to be kind and burns with rage and vindication instead. He feels as if he can't have that smile back. That if Venti stands next to him and gives him a little grin he can't smile back with the warmth and kindness he deserves. That all Venti would see is a broken man.

He feels too bare with Venti and that is something he cherishes deeply and also something he dreads.

[descendant-of-truth]

If I may throw my hat into the ring here, I think the source of a lot of problems in the writing of Miraculous can be boiled down to its confusion over its target demographic.

There are two very clear audiences the show is trying to cater to:

Grade school girls around 5-10

Teens/young adults around 15-20

And this results in some. unique conflicts in the show's internal logic.

Because it's a superhero show for little kids, it's full of fun, bright colors, wacky villain-of-the-week designs, and the characters are all very straightforward with exaggerated personality traits. The cheerful, clumsy, scatterbrained girl protagonist, her utterly charming and goofy (but slightly clueless) love interest, her cool best friend, her mean bully, etc.

This extends to the romance; the show is so comedic that Marinette's nervous crush and Cat Noir's flirting are played up for laughs. Their more "problematic" behaviors read as cartoon shenanigans first and foremost, which I do think was the intention - they're both shown as being more than a little ridiculous for acting this way, so they're not exactly trying to encourage people to emulate them. They're allowed to be genuinely wholesome, too, because it's nice to give the kids something to go "aww!" at, but it's not meant to be more complicated or deep than that.

And of course, it's gotta follow a sweet and simple episodic formula! A conflict in Marinette's civilian life, an inciting incident to get a side character upset enough for Hawk Moth to turn into a villain, Ladybug and Cat Noir show up, there's fun banter, Ladybug uses her Lucky Charm to figure out a wacky solution to the problem, and boom! The day is saved, Marinette and/or someone else learns a moral, and we get a cute little end screen showing all the key players of the episode.

The one aspect of the show's setup that's a little more serious is the fact that Adrien has a super controlling and distant father, but even this is something that doesn't necessarily break the kid-friendly tone for the first season or two. Superhero shows in particular like to put in some stuff that's a little more emotionally challenging for the viewers, even when they're mostly comedic, so it's not totally out of place here.

For example, while they tend to have more grounded tones overall, Spider-Man cartoons are aimed at kids and regularly keep the conflict between Harry Osborn and his father, Norman, intact; often including the plot point of Norman being the Green Goblin, a notorious villain. It's a similar deal with Adrien, and his dad secretly being Hawk Moth.

You can easily anticipate drama coming from this, but the show primes you to expect it to work out fine in the end because every other conflict so far has been wrapped up in a nice little bow once the episode's over. Though I will say, the choice to have Hawk Moth be Gabriel instead of his own, separate character is perhaps the first sign of the tone shift to come.

And, uh. it sure is a shift.

See, Miraculous does not start out with what you'd call a... plot. It vaguely alludes to there being more going on behind the scenes, but the only thing it really tries to get you invested in is the Love Square dynamic. Marinette and Adrien dancing around each other while fighting crime IS the plot, and it's clearly going to end with a cool final confrontation with Hawk Moth.

You expect it to end like... well, like the movie. Identities are revealed, Gabriel realizes the error of his ways when he finds out he's been fighting his son this whole time, and they may or may not make up but he almost definitely gets arrested. Marinette and Adrien kiss, roll credits.

This is not what happens, because the plot the writers actually had in mind is complex in a way that I would argue is meant for the same audience as YA novels. And with that plot comes a lot of darker, weightier traits to these otherwise silly characters.

Marinette isn't just scatterbrained and nervous, she has debilitating anxiety and an increasing need to be in control of everything due to the stress she's under. She has panic attacks on-screen. She's not just great at strategizing, she also knows how to manipulate people, and does so with increasing frequency - and to Cat Noir at times, no less. Her positive traits haven't gone anywhere, she's still loving and creative and sweet and doing her best to help everyone she can, she just. has all of that other stuff going on, now.

Adrien isn't just a charming, goofy, clueless love interest with a gazillion skills and a controlling father, he's like. actively being abused, and in some cases straight-up mind controlled. His tendency to heroically sacrifice himself so that Ladybug can do her Cool Protagonist Thing is gradually but unmistakably reframed as being a sign of suicidal inclinations. He has identity issues out the wazoo and he doesn't even know he's an artificially created human yet, because everyone in his life is keeping secrets from him and/or lying to his face about crucial information.

Information like, uh. how his dad died???

Yeah, so we're at a point in the story now where there was no satisfying conclusion to the Gabriel plot, no team-up, no moment where he realizes he's been fighting his son, none of that. He still has something akin to a change of heart, but he also still kind of gets what he wants - the Miraculous of the Ladybug and Black Cat, which he uses to rewrite the universe with a wish. It's just that instead of reviving his wife, he trades his life for Natalie's. Of course, he was already dying anyway, which was his own fault but he did force Cat Noir's Cataclysm onto himself, so, that's another thing poor Adrien is going to have to deal with at some point.

And because there's all these astronomically messed up things in Adrien's life, and Marinette's the one who got to learn about all of it before him, she decides that maybe it would be better if he just. didn't know about it. Which is understandable, if I was 14 and had all this information about my boyfriend's life that he didn't, I wouldn't know how to begin telling him about it, either.

But. can you see how we've maybe lost the plot, here?

Here's the thing: starting with a simple framework and gradually getting more complex and subverting the audience's expectations for how the main villain is going to be dealt with is not a bad thing. The fact that it gets darker over time is not an issue. I actually think that all these developments are, themselves, pretty cool! I'm a sucker for angst and complex character dynamics and the show is absolutely giving me those things.

The problem is that it didn't just start with a simple framework, it started with the framework for a different demographic entirely, and perhaps just as importantly, it never actually... stopped.

For as much complexity and intensity they're injecting this story with, they're still working under the logic of it being "for young kids." We still get goofy villain-of-the-week designs with equally goofy motivations, and the supporting cast is stuck remaining two-dimensional no matter their circumstances. Chloe is the most blatant example of this - she was made to be a simple bully first, so no matter what else they do with her, she has to remain straightforwardly evil.

This, I think, is the reason that Gabriel is a more nuanced and "sympathetic" antagonist than her, and why so much care goes into Adrien's character as a victim of abuse while Chloe is just a Problem Child despite suffering similar neglect; she wasn't made to be interesting, and so the show is resistant to changing that. Gabriel and Adrien, however, were already made with nuance in mind, and so they're allowed to develop as characters. And at the same time, it's a kid's show! We need to teach the kids what kind of behavior is acceptable, and Chloe's home life isn't an excuse to treat people badly, so--!

...Oh crap we're supposed to be teaching kids about acceptable behavior. Uh. Um. Quick, bring back the ice cream akuma who cares way too much about his ships so that Cat Noir can learn about consent! Uhh, but don't change his character too much afterwards, he's only marketable because of his silly flirting, and we can't lose that.

Yeah, remember when I said that the romance having problematic elements to it used to work well enough because it was clearly just exaggerated cartooniness? It wasn't free from criticism or anything, but you could see how it was intended to be endearing and silly, right? You were supposed to point and laugh at Marinette's convoluted plans to spend time with Adrien, at Cat Noir's dramatic flirting attempts that Ladybug herself fondly rolled her eyes at.

The tonal shift into deep character exploration kinda paints the previous stuff in a worse light, and to an extent, I think the writers know that. It's hard to laugh at Cat Noir being flirty all the time when he's also supposed to be taken completely seriously, and the more Ladybug rejects him, the more it turns into harassment, and it. kinda just stops being funny, even with the comedic framing.

It's also hard to laugh at Marinette's crush being so all-consuming when they try to tell us (in what I can only assume was an attempt to get people to stop complaining) that she's like this because it's fueled by an event in her past, one that made her so scared of loving the wrong person that she now needs to know Everything about them before asking them out. Her cartoon antics aren't funny under that light, it's just concerning, but they're dedicated to keeping it up anyway.

The show runs on straightforward cartoon logic where you're not supposed to think about it too hard just as much as it runs on grounded, closer-to-real-life logic where people are messy and complicated and actions have consequences. It's so divided that you can hand-pick parts of the story that are influenced by one or the other pretty easily, and depending on the episode you can find instances of both in the same 20-minute time span. Maybe even multiple times!

Neither thing they're trying to go for is bad, and neither is a better approach than the other, but forcing them into the same show makes both sides suffer.

It's not just hard to laugh at the parts I mentioned earlier, it's hard to take Gabriel seriously as a villain whenever you rewatch an episode and remember that he has a once-per-episode pun-based speech that he says so self-seriously that you can't help but laugh at. It's hard to take him seriously when you remember that he repeatedly akumatized a Literal Baby and practically threw a tantrum every time it didn't work, or when he randomly steals (and enthusiastically performs) his nephew's musical dance number, or something similar that you would only do for a cartoon villain aimed at five-year-olds.

And I can only imagine this whole show is a marketing nightmare, too. Hey, little girls, here's your cool role model! She's cute and smart and talented and powerful and can fix anything by shouting the title of the show! Hope you're having fun watching her tell her boyfriend that his newly-deceased father (who used deepfakes of him to sell merchandise that's built to enslave the population and then locked him in a solitary confinement chamber in another country) was actually a hero who sacrificed himself to stop the main villain instead of, y'know, being the main villain! Aren't you excited to watch her wrestle with the guilt of this lie for the next season or so? Doesn't it just make you want to buy her merchandise??

Like. what is even happening right now. what am I watching. how did we get here and why did we start where we did if this was what the story was going to be about

[tumblingxelian]

How do some even think that RWBY has male characters “hijack the narrative?” It’s like they project what their grievances with past stories on what looks like the same but not really.

Like Jaundice in Volume 1 flies right by marathoning the season. No bigger than a single episode of TV at 20+ minutes.

So the answer to that questions ranges from what you said to several things like:

Not watching un years & misremembering what was watched, being misinformed & not having watched at all, lying and such. But, I think I hit on another major reason for this problem and its kind of hilariously twisted so please hear me out.

Every arc I've noticed that a certain strain of "Fans" get very attached to one or two male characters and start projecting the idea that they are the real MCs & then get offended when it turns out they aren't.

In V1 to 3, it was Jaune & Adam. Then in volumes 3 to 6 it was Qrow & then Ozpin, Followed by Ironwood in volumes 4 & 7.

All these guys are introduced either in a typical shounen hero or antagonist or mentor and ally role.

Then have the layers people back to show what exists beneath the archetype and what they either have to overcome to remain on the actual main characters side. IE, Jaune, Qrow & Ozpin.

Or what it is that they long since failed or will fail to overcome and grow from that makes them into villains, IE, Adam and Ironwood.

The reason this keeps happening is because that particular strain of "fan" has such a "Men as default" head-space that they cannot, genuinely cannot grasp that they are watching a story about women. Thus they keep expected ay given guy who shows up to be the "real" main character.

Aside:

You may also notice Ren, Oscar & Marrow never gets on the above list. The closest they get is being someone else's cheerleader or not mentioned at all. Meanwhile the white (Or perceived as white in Qrow's case) cis and overtly straight men do get said treatment. I wonder why that could be? Such a mystery :/

But I digress, this is important because it reflects a deep subconscious bias in those "fans" & I think said bias also exists in the people making claims like this.

IE, because they treat men as the default & the protagonists in a given scene, while subconsciously placing women below them and more as accessories, their focus on any given scene is always on the men.

Kind of like those tumblr posts that are explicitly about women & have a bunch of people with piss poor reading comprehension tagging it with dudes or even going so far as to say "Just say gay men". & rather similar to that observation that a lot of fandom treats men, any man from a piece of media, as an inherently deep and complicated character with so much to analyze or so much freedom to expand on. Meanwhile dismissing women out of hand as awful & or boring.

Thus, when they see a group conversation scene, they instinctively assume that the one leading the conversation, with the most to gain from the conversation, with the most narrative weight in the conversation is a man.

Even if he barely said anything and all the lot relevant, interesting character stuff and such was being done by women.

This head-space persists consistently and inflames any given scene, story beat or exchange.

But, here's the twist, these "critics" know o a conscious level that RWBY is about women and that, that is a selling point. But then they look back over their memories, subconsciously blurring out the women and think, "Wow, the girls didn't do anything, it was all about the guys!" Even though its actually just cos they refused to pay any attention to a character that wasn't a man.

Then they get mad because "Clearly the writers are doing this wrong" and ten they get madder when these men fail, or are villains or have to learn lessons, because in their eyes, those guys are the righteous protagonists, and super complicated, "Can't these blank slate girls realize that? Can't the writers!?" But again, its just because they weren't paying attention, rather tan it being a problem in the writing.

Its very similar to that trend of, "There was no queer foreshadowing, they were both obviously straight!" & then their evidence is like, she looked at a man once, & so therefore every interaction with women she has is platonic by default and therefore does not contain foreshadowing.

Damn, could have just led with that, its male bias, rather than straight bias, but the end result is the same. They don't perceive the women on the screen, they don't see the queer signals.

Then, when the story develops around those women, when queer characters & events set up across years happens it slaps them across the face & they insist it must have come out of nowhere.

Sadly, nothing you can say is liable to change their minds, because in a way, they really are watching an entirely different show.

It'd be like if I went into Naruto thinking Rock Lee was the main character & then never adjusted from that perspective.

Not an identical situation, but one that conveys my point regarding why they claim so much nonsense with such confidence.