#('talk' she says. more like 'be insane')

[bookalicent]

yeah so this was insane

[mandareeboo]

I think a lot of people forget that Garnet's future vision isn't, like, accurate? That's the whole point of Future Vision; Garnet sees so many timelines, and she has to pick and choose which to follow, and they aren't' always accurate. Pool Hopping reinforces that concept, with Garnet being unable to pick which future Steven will follow because she's ignored his development.

She even does it in Future! She's so sure that Steven is in the "pepperoni timeline" that she doesn't even consider that he might be taking the vegetarian option.

Garnet has an approximate knowledge of many things, and she just kinda picks which future she thinks is true based on characters and how they act. Her future vision isn't a solid thing that she can just Know how things will go down. She guesses. A lot.

[meowsticmarvels]

posted this on twt but god. i have talked a lot about how insane phi's character is to me but it's just. i will never get over how for most of both vlr and ztd she's relatively cold and unemotional but ztd has moments where she just. breaks. i.e. the shoot:live option of fire where she literally breaks down crying and can barely get a sentence out even BEFORE diana kills herself. or in the final decision when she fucking YELLS at delta and kicks him in the face not even out of reasons like with dio but out of sheer anger for everything he's put her though. like IDK. i fold easily for the "unemotional character is pushed to their breaking point and shows MUCH more emotion than usual" trope but its so fucking interesting. phi i love you we will get you therapy

[faunandfloraas]

im so glad im not the only person that looks at seungmin and goes "❓tism❓" bc he is Way Too Relatable to me as a person w autism

yeah..... like I say it in jest but also..... well, yk. sometimes you notice something and you notice something and you notice something and you go Hmmmm

[miraculouslbcnreactions]

Sorry if this seems confrontational, but for the life of me I can’t get into your “Chloe has no growth” point when the show itself retracts growth from everyone and is inconsistent with everyone. You saying “The show just lays down basic character traits in Chloe” doesn’t make sense when her basic character traits are supposed to be her being selfish and spoiled.

S2 built off of that and despite what you say, had Chloe doing things that in S1 she wouldn’t have done. She apologized multiple times to the people she wronged, she willingly put herself in harm’s way to help the people she cares about and she was openly vulnerable to Ladybug in “Malidiktaor”. Something S1 Chloe wouldn’t have done. If there’s a distinct difference between a Chloe back in S1 and a Chloe in S2, then growth HAS taken place. But it doesn’t stay because of the formula (and the writers just don’t want her to keep that growth)

So what I’m asking is…what do you mean “Chloe doesn’t have growth”?

I can understand the “No arc” argument because an unfinished arc feels like there’s no arc at all (even though they are fundamentally not the same)

I wouldn't say that the show retracts growth from everyone. It's more that no one is ever supposed to grow. Every episode resets the cast. That's just how pure formula shows work and Miraculous is being sold as a pure formula show. The characters are meant to be static (one of the writers literally compared Miraculous to Dora the Explorer).

That static nature is why pure formula shows normally avoid giving their good-guy characters major flaws. It's the wrong medium for that type of thing specifically because the characters cannot change in meaningful ways throughout the show. They can learn little lessons that don't really change them and maybe have big change between seasons via a special or movie, but that's about it. Thus things like the season four conflict working so poorly. It's just a terrible choice for a formula show! The conflict is literally not allowed to develop properly because of the chosen format.

But sure, let's talk about Chloe and why I will die on the hill that she never demonstrated meaningful improvement even with the issue of the inconstant writing. In fact, seasons-one-to-three Chloe is one of the most consistent characters in the show. For this discussion to work, we need to start off by discussing character development and the two main forms it can take: character establishment and character growth.

Character Establishment

When the audience meets a character, they know nothing about said character. It's up to the writer to guide the introduction process. To choose when to reveal already existing elements of the character's personality, skills, and backstory. This is called character establishment. It is the writing telling you who the character is on a baseline level. Those reveals don't need to happen at the start of the story, though. They can be - and often are - held back for when the time is right.

When these reveals are delayed, it's important to remember that these elements were always part of the character. The reveal isn't changing who the character actually is. It's just changing how the audience views the character.

For example, we spend a good chunk of season one uncertain why Gabriel is doing what he does. Then, in Origins, we learn that it's all for Emilie. This is new information that adds depth to Gabriel's character, but it doesn't change him in any way. This is who he always was. We just know him better now and can recontextualize past events with our new understanding of his motivation.

Character Growth

Character growth is when writers take a character's personality or world view or even just their skills from point A to point B, allowing the audience to watch the character change and become a new better - or lesser - version of themself. This is usually part of a larger character arc where all the moments of growth add up, but it can take the form of small moments of growth that don't fit into a bigger picture, too. I'd probably still call that an arc, but we'll use the word "growth" a lot in this post, so let's just call it growth to be consistent.

Miraculous doesn't really have either arcs or growth because - once again - formula shows don't allow characters to meaningfully change, so I'm going to have to make up an example here. I'll use one that illustrates how character establishment and character growth can and do intertwine as that's an important thing to acknowledge to help guide this discussion.

Let's say that we have a character who lost their family at a young age. We'll call this character Mary. Mary's loss guides her character throughout the entire story, but the other characters and the audience are never told that this is what's going on. We just know that Mary acts in seemingly illogical ways at times and that she trusts no one.

Throughout the story, Mary learns to trust her costars, leading to a big, dramatic scene where she finally tells them - and the audience - about her past. This big dramatic scene is both the culmination of a character arc and a piece of baseline character establishment that allows us to understand Mary's character better no matter what part of the story we're reading.

Because these combo growth and establishment moments are so common in stories, it can feel like character growth when we learn new things about a character in a dramatic moment, but that's not always what's happening. Sometimes dramatic moments are just there to reveal what was always there by forcing a character to act differently than they usually do through the power of extenuating circumstances. These extenuating-circumstances moments are not character growth because, once the moment is over, the character resets to their normal self. The moment wasn't there to let them grow. It was there for the sake of the plot.

This is actually a really important thing that writers need to know how to do. Figuring out what circumstances will make a character say or do a thing they generally wouldn't say or do is part of how stories work. I have started stories with characters acting wildly "out of character" because I put them in the a situation where the behavior suddenly was in character!

Oh, you don't want to talk to this total stranger because you're an introvert with social anxiety who has yet to learn how to love yourself and open up to others? That's nice. Your leg is broken now and you're stuck in the middle of nowhere. What you gonna do sucker? Lie there in the dirt or talk to the nice lady who wants to help you? Your choice! (Spoiler: he talked to the nice lady. He even let her physically support him when he'd usually never let a stranger touch him!)

As soon as that scene was over, the character reverted because it wasn't growth. He didn't become a more open person. He just did something he normally wouldn't do because the situation demanded it. It was extenuating circumstances so that the freaking plot could start.

This is what happened with Chloe in season two. Everything that people call growth is really just extenuating circumstances that reset by the end of the episode or even by the end of the scene.

Let's Talk About Chloe

Chloe does not have a character arc, aborted or otherwise. She is never taken on a journey where we watch her change. All we get is delayed character establishment via extenuating circumstances, but it's given in ways that make some people feel like she was being given an arc. Let's talk about why that is.

Season one Chloe is a one dimensional mean girl. She has almost no depth. She's just here to be petty and cause akumas. She is not a fully realized character.

Season two takes those traits and keeps them, but also gives Chloe a lot more depth to round her out and make her feel like a real character. She's just as petty and mean as she always was, but we're finally allowed to see her in some moments that make her feel like a well of potential to become something more, which the writers basically had to do if they wanted to let her be a hero. The audience needed to feel like Chloe could be good in the right situation.

The feelings evoked by her newly discovered depth are why people go "oh, she had a character arc! My feelings about her changed in a big way!" But she didn't have an arc. You just got to know her better by seeing her in moments where she was forced to be vulnerable. That's not growth. Growth is meaningful, lasting change, not situational change. Everyone changes based on the situation! It's why the "True Selves" stuff is such nonsense. It implies that there's one set way that we're supposed to act in order to be authentic and anything else is some kind of lie which just isn't how the world works.

Let's look at some examples to drive home what I mean.

Season one established that Chloe idolized Ladybug. It's why we get things like this moment from Evil Illustrator:

Ladybug: Fine! You stay! Later! Cat Noir: What do you mean later? Ladybug: I mean, you're the one who wants to protect her, so you don't need me. So, later! (swings away) Chloé:(looks over balcony) Ahhh! Ladybug! Text me! OK!

And this confession from Antibug:

Ladybug: [Chloe] pretended she was me?! How often does that happen? Armand: She idolizes you.

So Chloe adores Ladybug and wants to impress her/be her best friend. Cool. Got it. That never goes anywhere in season one because season one doesn't see Chloe and Ladybug interact much. The most we get is Ladybug saving Chloe from akumas, which doesn't allow for deep conversations. I don't think that they're ever alone in a moment where they can actually talk.

That changes in season two. In season two, they get to interact a lot and it's often in moments where there's a big threat and no one else is around, letting us see a new side to Chloe. But that's not Chloe changing. It's just the writers revealing that Chloe has more to her than the mean girl stuff because of course she does! Pure mean girls don't exist. Everyone has depth. We simply never saw that depth before because Chloe was never put in a situation where she needed to be open. We can't say that season one Chloe wouldn't confess things to Ladybug or chose to sacrifice herself to let Ladybug win because she never had the chance to do those things!

In fact, I'd go so far as to argue that season one Chloe probably would have done the same things as season two Chloe because season two Chloe doesn't really contradict season one Chloe. Antibug showed us that Chloe was pretty desperate to be loved and welcomed the way that Ladybug is loved and welcomed:

Chloé: Jagged Stone! Jagged: (thinking she's the actual Ladybug) Ladybug! What are you doing here? Chloé: Um… when I find out you were here, I knew you'd wanna see me! I had to come say hello. (Sabrina waves at Jagged)

and Chloe has always been a stubborn girl who stands up for what she wants even if what she wants is something bad. Antibug also showed us that Chloe can be genuinely nice to the people she cares about. Her and Sabrina's relationship is shown to be complex with them often having a lot of fun together.

Similarly, Origins sees Chloe showing her father genuine affection after she's saved from Stoneheart:

[Image description: Chloe and Andre hugging and looking very happy to be together]

Origins is the baseline episode that tells us who the characters are on day one, so I never once doubted that Chloe loved Andre, but Andre didn't get akumatized because of Chloe's actions in season one. He didn't even get akumatized for something that Chloe had nothing to do with! His first akumatization is in season two, so it's not shocking that we don't get a Malidiktaor type scene until Malidiktaor.

Chloe was vulnerable with her personal hero when her beloved parent was in danger, but not before? Shocking! Who would have guessed?

Me. I would have guessed. I didn't even realize that people were reading it as some sort of character growth because it clearly wasn't. Malidiktaor didn't feel like something new for Chloe's character. It just felt like the writers were leaning into things that we'd always known about Chloe and using them to better establish her character as someone who genuinely cares about select people. She just doesn't show most of the time.

The same thing goes for Chloe's sacrifice and apology in Zombizou. Chloe only sacrifices herself when there's no one left but her and Ladybug. When the choice is to let the terrorist win or take the hit and let you personal hero save the day. Brave? Sure, but also not growth. Chloe is team Ladybug for all of seasons one, two, and three! She wants Ladybug to like her! Plus even a petty brat can have moments of goodness where they pick a hero over a literal terrorist.

This honestly would have been a damming moment if Chloe didn't sacrifice herself. She functionally had no other choice here. The entire episode builds itself to the self-sacrifice moment so that Chloe is forced to make that choice even though she's been her petty bratty self throughout the whole attack. It's genuinely solid writing.

Then, in the heightened emotions directly after the Zombizou win, we get this:

Miss Bustier: But I hurt a lot of people... Chloé: No... I did... I forgot your birthday, once again. And when I saw everyone had prepared a gift for you, I totally lost it. Because I, too, would've liked to offer you something. I'm sorry, Miss Bustier. Miss Bustier: Thank you, Chloé. Those words are the best possible gift you could ever give me. (hugs Chloé) (Chloé hugs her back, forgetting herself for a moment.) Chloé: Huh?... Uh, yeah. Okay then, we're all good.

A brief moment of vulnerability that quickly ends and does not stick around because Chloe's change was situational, not true growth. The next scene of that episode starts with Chloe being her usual self:

Chloé: Me? You want me to apologize to the entire class? Ridiculous! They should be thanking me for saving everybody.

And ends with the reveal of Chloe's gift to Miss Bustier, which was given in private via a note.

Once again, nothing new for Chloe's character. She acts as she always has, being mean to everyone while having moments of vulnerability when things get tense. Remember that hug between her and her father that we talked about earlier? Same concept. She had just almost died from an akuma attack and so she needed some emotional support, leading her to act more openly loving than she usually does when he's around. Once the moment is over, she reverts to the petty mean girl default.

Giving gifts to placate people is also something that we've seen before. A pretty similar thing happens at the end of Evil Illustrator, it's just played less sympathetic towards Chloe because the writers weren't giving her depth back then:

Sabrina: Too late. Chloé and I are doing the project together. Marinette: You mean, you're doing the project? Sabrina: Well, of course! After all she's been through... Marinette: Ughhh.... Nice new beret, by the way. Sabrina: I know, right! Chloé lent it to me. She really is my BFF! Chloé! Your geography homework's ready!

For any of this to be character growth, we need to see Chloe act differently over time. For her to be put in similar situations and get different outcomes, but we don't see that in part because Chloe didn't change and in part because season one didn't do much to develop Chloe's deeper side. We rarely see her alone or in moments of extreme vulnerability, but you need those moments to show her depth. That's why Despair Bear had Chloe crying alone after Adrien threatened to end her friendship and not before. Chloe is very reluctant to openly show depth. You have to force it out of her, which perfectly fits the character we met in season one.

Even her standing up to Hawkmoth and rejecting the akuma isn't character growth in my opinion. Chloe has always stood up to authority and demanded whatever she wants. She has wanted to be Ladybug's friend and be seen as a hero since season one, so it's not shocking that her extremely strong will would allow her to defy a terrorist. If there is anyone in this show who can stand up to a terrorist on shear "no!" power alone, it's little miss I-always-get-what-I-want. I could see a variation of this happening at any point in the show, just change Chloe's reason for defying Gabriel to match the situation. Rework these lines to be about a party that she wanted to go to and I'd still totally buy it:

Chloé: No, Hawk Moth! I am a superheroine! I am Queen Bee! Ladybug will come and get me when she needs me! I WILL NEVER JOIN YOU! (throws her photo onto the ground as the akuma exits it... and pants)

Chloe acted like a hero here because she wants all the perks of being a hero and can't believe that Ladybug would actually bench her. That's impossible! Ladybug wouldn't do that!

As soon as Chloe accepts that she won't be a hero again, Chloe stops acting heroic because acting heroic wasn't growth. It was her playing a part the same way she played a part in Despair Bear. She was doing what she needed to do to be Queen Bee again and not because it's the right thing to do. This would only be real growth if she rejected the akuma after accepting that she wouldn't be Queen Bee again, but that's not what happens. As soon as she accepts that she's out, she no longer has any reason to play nice. She never grew into a character who did what's right for the sake of doing the right thing. It's always been about getting what she wants or being seen how she wants to be seen. Until that changes, she hasn't changed.

So no, Chloe didn't have an aborted arc. They didn't start to redeem her and then change their minds. All they did was make Chloe one of the most complex characters in the show only to then not do anything with the character they wasted our time establishing, ignoring the complexity they gave her while also cranking her mean dial up to the point of absurdity where she's not even fun in her original role anymore.

I get why it feels like she had an aborted arc. The fact that the character establishment was delayed makes it feel like something shiny and new about Chloe. There's also the fact that the character establishment we get in season two is the kind of character establishment that you'd do if you were setting up for a redemption arc, but that doesn't change the fact that it was all establishment work. None of it was a true arc where we watched Chloe grow. We just saw her put in situations that revealed hidden depths.

Her showing depth is not her growing because when in the world does she show off this supposed growth? She only acts differently in the type of scenes that we've never seen her in before or around characters that we've never seen her truly interact with before. When she's around the established teen characters or in her usual scenes, then she acts the same way that she always has. We never see her be genuinely nice to Marinette or something like that. She's only nice to Ladybug and she's still rude to Chat Noir. That's not character growth! That's character establishment that can then be used to guide character growth!

Same thing goes for the stuff in Despair Bear. We learn that Adrien can push Chloe to be better, but he never does it again and she reverts as soon as he lets her off the hook, so it wasn't character growth! It was just Chloe establishing that she can play nice when she needs to. This means that she could grow if the story chose to take her down that path because we've established that she knows what being nice looks like. Fake it til you make it plot go, go, go! But the plot never went, went, went so meh?

Add in the fact that season one was a bit of a test season with lots of elements that got dropped and the fact that characterization in this show has always been wildly inconsistent from episode to episode and I'm really not seeing a strong argument for Chloe having an intentional arc that somehow got aborted. People just saw the potential for her to have one and argue that potential is the same as an aborted arc when it really, really isn't.

To give an analogy, Chloe's story is like walking into the kitchen and seeing grandma laying out the ingredients for her famous chocolate chip cookies. We get excited because, hey, cookies! Then we come back an hour later and there are no cookies. Nor is there some other sweet that uses the same ingredients. There's just ingredients, sitting unused in their original packaging, making us wonder what the heck grandma was up to. At the same time, she never really started making cookies. She just set out ingredients. They're still there, totally unused, waiting to be made into something, so we can't call them a failed cookie attempt. That implies a level of commitment that was never there. She didn't even say that she was making cookies! We just assumed she was because we, understandably, wanted cookies and wanted to believe that grandma had a purpose to her actions.

[dailykugisaki]

Day 335 | id in alt

Being desperate to end the fight might make you even worse off in the long run, Shoko.

[qoldenskies]

what's your separated au about? :0

WHERE WE WENT WRONG ASK SPOTTED [LOCKS IN]

okay essentially without going into spoiler territory (it all seems kind of typical but there's a lot of twists and turns i have planned!!! trust me)

VERY basic premise, with leo/donnie with draxum and raph/mikey with splinter. i'm going to keep leo and donnie's names as they are for simplicity's sake and say that at one point they just decided to use the names their bio father gave them when they asked draxum for like... Actual names, they were probably just numbered before. they both have kind of messy complicated relationships with him

^^^ draxum is a pretty shit parent but im not going to make him super abusive (its fine when people do, im just going for the more nuanced approach!!). he's very goal-oriented and for a long time he's struggled to see the weapons he created as people, although he never outright Abused them. he was pretty emotionally neglectful and hard on them when it came to training/pushing them into their roles, and over the course of the story he's going to grapple both with humanizing them and also descending into a spiral of paranoia as things go on (all im gonna say about what's going on with him right now)

personality alterations are more subtle in some places and more obvious in others. raph is a lot more serious and overprotective, mikey's very similar to his canon characterization but he's a lot more rebellious and determined to prove his own independence, and donnie's actually very blunt and deadpan to counteract leo being UHHHHHHHHHH. hmmmmm. an insane person!! (lmao raph/mikey are dog-coded in the way that mikey is an excitable puppy and raph is an old sad sheepdog, and leo/donnie are cat-coded in the way that donnie is a cat that stays in high up places and glares at you, and leo is the type of cat that rolls on its back and looks cute and then ATTACKS when you try to pet it. thats the best way i can summarize them)

donnie was very much the family stickler on his side of the equation and leo was unruly and untameable, but that kind of... switches after some things happen. leo becomes complacent out of fear (he is so complicated and fucked up god bless) and donnie changes his priorities after he meets mikey.

because essentially the core of the story is that donnie and mikey being the youngest of their families, with overprotective older brothers who are actually kind of more reliant on them than the other way around, want to connect and actually be a family (as well as stop the conflict going on) but raph and leo REALLY DO NOT WANT THEM TO.

and i mean REALLY. really really. raph distrusts donnie and hates leo and leo DESPISES both raph and mikey (disaster twins are really codependent and its gonna shine through), so there's really just opposition on every side of the equation. things turn out alright in the end, but it's.... a long, long process. there's a point in the story where they have to do the unlocking ninpo thing and it takes so much longer and it is so much worse and its such a fucking mess LMAO

wow i love my sep au (one man's junk but with more crying and blood in it)

if things go according to plan it'll start after i finish canary continuity, i already have it all outlined. its just beginning stories that is kind of a struggle for me so the first few chapters are gonna be hard. even though i KNOW what im doing bleckgh.

[lollytea]

Huntlow situationship gives me such intense brain termites you don't get it

[rockingrcks]

so i replayed dmc 2 (crazy, i know) for dantelucia content, and playing on lucia's side of the story is so crazy bc it's literally what dante has been going through throughout his whole life

when lucia found out she was a demon and that she could lose herself to that side of her it scares her to the point of wanting to die/to be killed, going as far as to tell dante and arius to kill her bc she doesnt want to hurt others which can be reflected with dante's own views of his demon heritage which is something he feels he couldnt control if he ever taps into it so he does rlly reckless things to cope with it

dante even secludes himself from people and forming relationships outside of trish and lady bc of the fear of hurting them. even with dante's very reckless behavior it can be seen as him self harming which says a lot about his mental health plus the fact that in dmc 2 hes carrying the weight of grief which makes it even worse as seen with him going to hell not even caring on how to get out of it

like both of these characters became reckless ppl when they find out that they have demonic powers and the fact they both cling to the their love for people/family says a lot about their characters

but heres the thing....what makes these two so good to see is the fact that dante comforted lucia and even validated her human idenity by telling her that "devils never cry" and i feel like this line truly stuck with dante bc of what Lady said to him when he cried (basically devils dont cry and u arent rlly a devil if u cried over a love one), its just 3 simple word and yet it holds so much meaning for dante and probably for lucia too which she probably needed at that moment showing how emotionally smart dante is...

dante and lucia's views on their demon heritage is such a good way for them to have a long talk with one another about their feelings and thoughts of being demons and how to control the urge and how protecting people is what makes them human but also feel like its their responsibility bc of their demon heritage....like i need capcom to write more of their relationship or maybe someone just writes it in a fanfic bc their dynamic has so much potential the parallels...the love they have.....it makes me go insane

[aaandbackstabbed]

Goldie: If I die, you can have your pick of what I own.

Louie: Wait. What do you mean "if" you die?

Goldie: My unending existence is fuelled by pure spite, that of which the painful experiences of life have rendered me full.

Louie:

Louie: you need help.

[aq2003]

omfg . radio play version of much ado with david as benedick from 2001

[writer-room]

Ahsoka is probably the person everyone means when they say “I know a guy”. Girl knows a bunch of senators, some ragtag rebels, many criminals, a handful of Imperialists, and a couple other random people dotted across the galaxy. If you ever need to find someone, you just call Ahsoka. Chances are high that she knows exactly who they are. Chances are even higher that she knows someone else who knows them. She runs around enough that it’s not that hard for her to just ram into them. Her one exception is Ezra Bridger, because apparently knowing a guy personally means it’s impossible to find him for over a decade.

[romantichopelessly]

There’s something so personal about the number of times The Raven Boys aligns Gansey’s relationship with Adam to his relationship with Blue

[saturdaynightghostclub]

This is totally just about my personal life and I can’t necessarily generalize it, but I do feel like I’m encountering a certain sort of insecure standoffish behavior more and more in people my age and it’s really bugging me.

So many people I know approach new acquaintances and social situations with this attitude of “Well, they probably won’t like me anyway, so I won’t even try,” which I find both really juvenile and really unkind. And don’t get me wrong, I do think there’s a time and a place for not caring what people think of you, but when it comes to your attitude and the way you treat other people, you absolutely SHOULD care what they think. You SHOULD want people to like you, or at least not actively hate you, and assuming that everyone you meet is the type of person who won’t is frankly pretty mean. Obviously not everyone is going to like you or want to be your friend, but that doesn’t mean you get to enter every potential relationship like an antisocial ghoul and then be mad that you have no friends? Make this make sense.

It goes hand in hand with this super annoying deal where people throw all their energy into resisting whatever’s popular for the sake of being interesting, failing to realize that not only are they unoriginal but they’re a complete bummer to be around as well. I really assumed we’d all grown out of this, but I’m well into my twenties and encountering people relatively frequently who cannot stand to have anyone think of them as “basic” or “like the rest” or what have you, and I can’t help but wonder if they’re happy with themselves. It’s so corny to say, but the most interesting people are those who like what they like, wear what they want, etc without feeling like they need to justify it to everyone. Nobody is paying close enough attention to you to judge you for half the shit you’re convinced you’re being judged for, I promise.

[quaranmine]

unintended consequence of introducing my mom to reddit in 2019 is that 5 years later she is 10x more of a redditor than anyone i know now, and also has zero concept of the general reputation of reddit among normal people. everybody stares blankly when this woman in her 60s starts talking about this post she saw on reddit. she brings it up CONSTANTLY. like nearly every conversation. i'm like mom please. these people only know reddit as the incel site, if they know what it is at all

[tremendously-crazy]

"i'm sorry i committed the crime of being born this way," says michael, fourteen year old cisgender heterosexual male after a teenage girl says she'd pick the bear